Tag: the purple hour

feb 20/BIKEGETOUTICE

32 minutes
basement

Watched the women’s cross-country relay for most of the bike, then Alysa Liu’s amazing Free Skate for the last 10 minutes. Scott and I watched Liu’s performance last night, and I watched it again this morning. Admittedly, I can’t really see that much of it — no details, not her beaming face, none of her lines, only the feel and speed of her movement, the energy of her joy. And I guess as I watch it I am a little sad not to be able to fully witness her artistry. But I still loved it. And I’ll be watching it again and again as an antidote to all the other shit happening right now.

Bunnies

Earlier today, I read in an old log entry about my discovery, last february, of two backyard bunnies. Then I read a post on Facebook from Minneapolis Parks about how some rabbits pee blue. It felt like a nudge, today you should write about bunnies!

Here are some sources for inspiration (or more) about rabbits/bunnies:

1

Have you seen weird blue spots in the snow lately? There’s a good chance it’s rabbit pee. Eastern cottontails (the most common rabbit in Minnesota, you’ve probably seen them running around yards at dusk) sometimes eat buckthorn branches and bark, especially toward the end of winter. Buckthorn contains a phytochemical that turns urine blue after being exposed to sunlight.
So, don’t be alarmed if you come across one of these spots, it probably means a well hydrated rabbit stopped by. (Minneapolis Parks)

2

Looking out the kitchen window, seeing 2 dark forms in the white snow — bare patches or something more? Staring for a few mnutes — am I imagining that slight shift? No, 2 animals, standing still for minutes. What are they doing? Quick movement, then bounding figures. Rabbit-like. But these animals look so dark — is it a trick of the dim light — bunny fir darkened in the lilac light? [there is no indigo in a backyard illuminated by neighbor’s security lights.] Or, could these creatures be raccoons?

update, 20 feb 2026: A definite answer: bunnies! All late fall and winter, 2 or more bunnies have been hanging out under our crab apple tree — at night, in the afternoon, at sunrise and sunset. They’re very bold, these bunnies, not running off when I walk by. When this happens, I’ve started saying, these bunnies are as bold as brass! Why? Not sure. And, I don’t want you to get the wrong idea: I like bunnies or rabbits about as much as I like squirrels, which is not at all.

3

The idiom bold as brass describes someone who exudes extreme confidence, someone who is brazen or very forward. The term bold as brass is ascribed to the Lord Mayor of London in the 1770s, Brass Crosby. Crosby defied the House of Parliament by supporting the printing of a pamphlet regarding the proceedings of Parliament. The phrase bold as brass was first recorded in Life’s Painter of Variegated Characters in Public and Private Life by George Parker published in 1789, some time after the incident involving Brass Crosby. Some say this disproves the link between Crosby and the idiom bold as brass, others say it reinforces the link. In fact, the word brass was used to mean boldness or brazenness for at least forty years before the appearance of Brass Crosby on the political scene. The idiom bold as brass reached the zenith of its popularity in the early 1900s.

4

an illusion: duck or bunny

5

A cup holds
sugar, flour, three large rabbit-breaths of air.
(My Weather / Jane Hirshfield)

6

But then the rabbits tire
And the fire catches up,
Stuck onto them like the needles of the cactus,
Which at first must be what they think they feel on their skins.
They’ve felt this before, every rabbit.
But this time the feeling keeps on.
And of course, they ignite the brush and dried weeds
All over again, making more fire, all around them.
I’m sorry for the rabbits.
And I’m sorry for us
To know this.
(Rabbits and Fire/ Alberto Rios)

7

The rock that is not a rabbit suns itself
in the field, its brown coat that isn’t fur
furred with light. The rock that isn’t a rabbit
would be warm to a palm but wouldn’t
quicken or strain from touch.
(The Rock that isn’t a Rabbit / Corey Marks)

8

it is the
sadness of the unperceived and therefore never felt and
seldom expressed, except on occasion by polka dancers
and little girls who, in imitation of their grandmothers,
decide who shall have their bunny when they die.
(Green Sadness / Mary Ruefle)

9

A white rabbit hopped beside me and for a moment I thought it was a blob of snow that had fallen out of the sky. The rabbit and I studied each other. Rabbits taste like chickens. My My mother and father had taught me how to hit rabbits over the head with wine jugs, then skin them cleanly for fur vests. “It’s a cold night to be an animal,” I said, “so you want some fire too, do you? Let me put on another branch, then.” I would not hit it with the branch. I had learned from rabbits to kick backward. Perhaps this one was sick because normally the animal did not like fire. The rabbit seemed alert enough, however, looking at me acutely, bounding up to the fire. But it did not stop when it got to the edge. It turned its face once towards me then jumped into the fire. The fire went down for a moment as if crouching in surprise, then the flames shot up taller than before. When the fire became calm again I saw that the rabbit had turned into meat, browned just right. I ate it, knowing the rabbit had sacrificed itself for me. It had made me a gift of meat.
(The Woman Warrior / Maxine Hong Kingston)

I ended up doing other things today and didn’t have much time to work on it. I found a title and some opening lines:

There is no Indigo

In a backyard illuminated
by a neighbor’s security lights
there is only lilac.

I think I’m going to also need to include the line about how I like bunnies as much as I like squirrels, which is not at all.

Get Out Ice

The only ice I am into today is the Olympic ice and Alysa Liu’s free skate!

march 12/RUN

3 miles
minnehaha falls and back
50 degrees

What a beautiful spring-y day! Ran with Scott to the falls in the early afternoon. He talked about the bolt he had to replace on his guitar neck which isn’t a bolt but a bone — a synthetic bone, in his case. He needs to sand it down and he’s planning to use sandpaper that’s been in his clarinet case since college — about 30 years! I pointed out the pile of branches on the side of the trail and mentioned how I’d seen the workers pull up in the parking lot as I ran by a few days ago. I figured they were planning to trees; I was right.

The falls were falling fast and hard over the limestone and under the one ice column remaining. There were lots of people at the park, admiring them. A few bikers, but mostly walkers. A school bus, but no sign of the kids. Was there a field trip, or a bus driver taking a break?

I noticed angular shadows everywhere — small branches, a street lamp, fence slats. Soft shadows too: us.

Only a few random clumps of snow on parts of the grass that rarely get sun.

time

Many different thoughts about time this morning: metronomes (see entries from 10 june 2024 and 29 august 2024); erosion needing time and pressure; stuck in a moment unable to get out vs. suspended in time and not wanting to leave; Mary Ruefle’s pause, Emily Dickinson’s hesitation, JJJJJerome Ellis’ Stutter; a time slip, a shift; Mary Oliver’s ordinary and eternal time.

While reading a book, I encountered this purple description:

The light in the sky was fading, the clouds now purple and dark, the meadows and the surrounding wood losing their color, fading into grainy variations of gray.

Kind Worth Killing/ Peter Swanson

(fading twice?) I thought: purple represents the space between light and dark, between the last bit of color and gray, between not seeing well and not seeing at all (with my central vision), after the crumbling of cone cells and before the total collapse (the last cell gone). This is my purple hour. I want to use that in a poem playing with my literal and figurative meanings of purple.

march 5/SHOVEL

32 minutes
about 8 inches
26 degrees

The biggest snowfall of the season. Of course it happened on the day that FWA and his college friends were taking the train to Chicago. Last year, when FWA and RJP were flying to Chicago: a big snow storm all day.

The snow is the worst kind for shoveling — heavy, wet, deep. It will probably melt by the end of the week.

The view from my desk: a man walking his dog in the street wearing snowshoes — the man, not the dog! Will I get to see any skiers too? I hope so.

Today is my mom’s birthday. She would have been 83. She’s been dead for 15.5 years. Last night at community band rehearsal I laughed at something my friend Amanda said — I can’t remember what. And my laugh was my mother’s, at least it sounded like it to me. Sometimes I hear her in my laugh, and sometimes one of my older sisters. I can’t describe the laugh — it’s been too long since I heard it — but I felt it and her last night. That’s how my memories of her work now; they are faint and fleeting and difficult to put into words.

The president’s address to congress was last night. Neither of us talked about it until it was over, but then Scott and I admitted to each other that we had been a little worried he might do something extreme, like declaring the dissolving of congress or pronouncing himself king for life. Thankfully, no. What a world.

circumambulation

In the fall of 2023, when I first started thinking about Gary Snyder and circumambulation, I printed out the Mt. Tamalpais poem, along with a related one my Forrest Gander, and put them under the glass on my desk. They have been there, beneath my fingers, ever since. Today, I reread them and was inspired. I’m thinking about creating another National Park-like unigrid pamphlet for the Franklin-Ford loop. Like the Mt. Tamalpais poem, it would have particular spots on the loop (the poem has 10) where you stop and chant. In the poem, you chant Buddhist prayers, but in my pamphlet, I’m tentatively thinking you will chant some of my favorite poetry lines — or lines I write (inspired by JJJJJerome Ellis and their prayers to their Stutter in Aster of Ceremonies). My lines would be about my blind spot.

I’m also thinking about creating somatic rituals related to these spaces — I’m using CA Conrad as inspiration for them. Yesterday I requested their book, Ecodeviance: (soma) tics for the future wilderness from my local library.

In the introduction to Ecodeviance, also posted here, Conrad describes how their (soma) tics are designed to fight the factory approach to writing poetry they had been using by creating rituals “where being anything but present was next to impossible.” For Conrad, these rituals create an

“extreme present” where the many facets of what is around me wherever I am can come together through a sharper lens.

intro to ecodeviance / CA Conrad

While Conrad identifies the factory model as the source of their key problem of not being aware of place in the present, the model that I’m trying to fight in my writing/creating is the academic one, which shares some similarities with the factory.

Am I brave enough to try any of Conrad’s rituals? For one of them, they fully immersed themselves in the color red for the day —

When I say fully immerse myself in the colors I mean ONLY eating foods of the color of the day, as well as wearing something or keeping something of that color on or around me at all times.

The red experiment is part of a 7 poem sequence, (soma) tic MIDGE. For more on it, see: You write what you eat. This essay describes the poems and has links to audio recordings of Conrad reading them. Very cool.

In their introduction, Conrad describes purple in this way:

Purple being the natural transformative pivotal color which is born only when the starting color red (fire) and the last color blue (water) bleed together.

Introduction / CAConrad

And here is their poem inspired by a day immersed in purple: smells of summer crotch smells of new car’s purple MAjestY (2:05): MP3

More mentions of purple!

march 2/RUN

5 miles
bottom of franklin hill
26 degrees

Hooray for being outside and on the walking trail! Hooray for not much wind! Hooray for running up the Franklin hill! My back was a little tight, but not too bad. My legs felt fine.

The river was open; the only ice was on the edges. The sky was a mix of clouds and bright sun. Before the run I heard some geese — did I hear any during? I don’t think so. Also heard before the run: some kids having fun inside a house — laughing and yelling through the closed windows.

At some point, I had an idea for my monthly challenge: the run as ceremony. Inspired by Ellis’s Aster of Ceremonies, I want to return to Gary Snyder, Mount Tamalpais, and circumambulation. What sort of ceremonies can I make out of my run that brings together my blind spot and the gorge?

10 Things

  1. bright pink graffiti on a foot of the 1-94 bridge
  2. the top of one section of the wooden fence on the edge above Longfellow Flats is missing
  3. the chain across the old stone steps has been removed
  4. the path was almost completely clear — the only bit of snow I recall seeing was under the lake street bridge: a low and narrow ridge — just remembered one other bit of snow: just past the franklin bridge
  5. a full-length mirror left by the trashcan
  6. disembodied voices — coming from inside houses, below in the gorge, far behind me on the trail
  7. sh sh sh — my feet striking the grit on the asphalt
  8. my shadow briefly appeared – not sharp but soft, faint
  9. at least 2 trios of runners, some pairs, several runners on their own
  10. my friend, the limestone slabs propped up and looking like a person sitting against the underside of Franklin, is still there. I’d like to name them and add them to my list of regulars: Lenny the limestone?

lower back pain

My lower back has been sore lately. Sore enough that I took 5 days off of running. Not sure why I’ve waiting this long, but i decided today to look up lower back stretches for runners. I found this video and its 4 helpful stretches — the video claims to have 5 stretches, but they are only 4. I wonder what the missing one was?

correction, 2026: All five stretches are there, there just isn’t a marker for the third one, a 90-90 stretch. That one starts at about 4 minutes in.

The stretches: pretzel, thread the needle, plank to lunge, hip sweep

I’ll see how it feels in a few hours, but right now, having just stretched, it feels good!

a purple spill from march 1

I wrote this yesterday, but didn’t have a chance to post it.

It’s March and the purple hour is over, but in true purple fashion, the color can’t be contained to one month. Always it oversteps its boundaries. Reading the poem of the day, “Fog” by Emma Lazarus, purple appeared:

Swift, snowy-breasted sandbirds twittering glance 
Through crystal air. On the horizon’s marge, 
                Like a huge purple wraith, 
                The dusky fog retreats.

wraith

1
a: the exact likeness of a living person seen usually just before death as an apparition

b: GHOST, SPECTER

2

: an insubstantial form or semblance : SHADOW

3

: a barely visible gaseous or vaporous column

f you see your own double, you’re in trouble, at least if you believe old superstitions. The belief that a ghostly twin’s appearance portends death is one common to many cultures. In German folklore, such an apparition is called a Doppelgänger (literally, “double goer”); in Scottish lore, they are wraiths. The exact origin of the word wraith is misty, however, and etymologists can only trace it back to the early 16th century—in particular to a 1513 translation of Virgil’s Aeneid by Gavin Douglas (the Scotsman used wraith to name apparitions of both the dead and the living). In current English, wraith has taken on additional, less spooky, meanings; it now often suggests a shadowy—but not necessarily scary—lack of substance.

Merriam-Webster entry

marge = margin = edge

Wraith — I like that word and what it conjures. And to make it purple? Good job, Emma! I’m not sure about the middle section where she imagines the “orient town,” but I like “Fog,” especially this:

for on the rim of the globed world 
I seem to stand and stare at nothingness. 
                But songs of unseen birds 
                And tranquil roll of waves

Bring sweet assurance of continuous life 
Beyond this silvery cloud. Fantastic dreams, 
                Of tissue subtler still 
                Than the wreathed fog, arise,

And cheat my brain with airy vanishings 
And mystic glories of the world beyond. 

Returning to the purple — I like how she imagines the lifting fog as purple. Back in November of 2022 (how has it been that long?!) when I studied gray, I devoted a day to fog and mist: 23 nov 2022. Last month, purple — especially lavender and lilac or eggplant and dark purple — replaced gray. Where I used to see gray everywhere, now I see purple, or imagine purple.

feb 28/WALKBIKERUN

am walk: 20 minutes
neighborhood
wind: 20 mph / 42 mph gusts

Sitting at my desk in the front room before heading out for a walk, I could hear the wind howling. I wrote in my Plague Notebook, Vol. 24, the wind purpled the sky. Later, walking with Scott and Delia, feeling and hearing and seeing the wind, I said it again and explained it to Scott: the blustery wind, like someone mad and full of bluster, their face turning purple with outrage. I had been planning to try running outside today, but after being pushed around by the wind, I decided I’d prefer to be in the basement.

My favorite things about the wind: the way it swirled the leaves on the sidewalk; turning the corner and feeling the wind on my back, seeing the leaves flying ahead of me.

bike: 30 minutes
run: 1.5 miles
basement

Watched part of S2: episode 1 of Sprint on Netflix while I biked. I’m so glad I put on the audio descriptions! I could never read the big block text they used for identifying people and locations. It’s pretty good, even though they’re using a worn storyline: rival sprinters, one is flashy and talks a lot, the other is quiet and avoids the spotlight.

Listened to a running podcast for the first 10 minutes, then an energy playlist for the rest. I didn’t want to do much in case my back or hips flared up. They both seem fine — not completely pain free, but not painful either. It felt good to get my heart rate up for the first time since Saturday.

Writing this part of the entry at 11:45 am, it’s even windier with 47 mph gusts! Very glad I didn’t go outside to run!

the purple hour

The final purple hour. I’ve enjoyed devoting time to this color. Today’s goal: to write some lines inspired by my exploration.*

2:06 am / dining room

  • thick, heavy stillness
  • the clicking keys echoing in the silence
  • a soft, high ringing in my ears
  • bouncing my legs vigorously
  • “lavender gray: a widow’s shroud” from The Nomenclature of Color/ Richard Jones
  • lavender is the new gray

rituals/ceremonies for each of my main colors? see CA Conrad on red

2 shadows, cast on the closed curtain, light source: a neighbor’s security light
shadow 1 = a thick smear of bird poop on the glass turned into a small form on the curtain
shadow 2 = the thin branches of the serviceberry bush, shimmering in the wind, thin shadows vibrate on the curtain

The wild/ing in this girl is purple, I think, A deep and dark purple.

Wilding/ Shara McCallum

Machetazo!, Bony Ramírez & Blonde Dreams, Alison Saar

you can take the girl out of the wilderness
you can strand her bewilder her for a time
you can even hang her upside down
in your rickety attempt to shake loose
the source of her power but you won’t ever
disentangle the wilding from her
the force of a thousand suns unfurling
and hurling her toward the ground
you won’t be able to erase the traces
of salt lacing her ravenous dreams
oh you can try unwebbing her feet
but the lizard in her will keep sunning
itself as the day is long and at nightfall
will crawl up your walls lurking
at the corners of your vision
goading you on while she thwarts
your every endeavor abandoning
her tail anything required of her
to keep eluding your capture

*Here’s a first draft of something about purple:

Purple Things

a wind-stirred sky / the space between your eye and the object you’re looking at / agitation / the light from a full moon filtered through the blinds / the square shadow it casts on the carpet / deep inside the beat a thought a dream / darkened doorways / a bruise / mold / mist / a sunset after a volcano / a fashion craze / a widow’s shroud / fibs / a house, settling / the beginning / the end / interiors / oxygen-starved extremities / ornamental grass / asters / tantrums / restlessness / the buzz beneath / impending thunderstorms / ink / iodine / inheritance: a mother’s jacket, a daughter’s despair / fake fruit flavor / static / the only color I see when I wake up in the middle of the night

feb 27/WALK

am: 25 minutes
neighborhood
40 degrees

One more day to rest my back. It only feels a little sore, so I think it’s okay, but I’m trying to be cautious. This is the longest break (5 days) I’ve taken in a year? I’m not sure. Another morning walk with Scott and Delia. Sunny and spring-like. All the snow has melted, almost all of the puddles have evaporated.

Picked up a new pair of Brooks’ Ghosts in the early afternoon. I’ll save them for after late April/early May, once sloppy season is done . Black with white and gray. On my walk I wore my bright yellow Saucony’s — the ones that hurt my feet last year. I’m going to give them another chance. Maybe they’ll work this time?! Forgive me, future Sara.

the purple hour

No purple hour last night. I slept straight through, only waking up briefly at 5:30 when Delia jumped on the bed. This sleeping straight through only happens a couple times a month.

In non-purple hour purple thoughts, yesterday afternoon I finished listening to/reading along with JJJJJerome Ellis’ Aster of Ceremonies. So good! The connection to purple is: purple asters, a big chunk of the book is printed in purple ink, I envision the Stutter/pause as purple. Here are some passages I want to remember:

Dr. Bejoian, a speech therapist I worked with from 2012-2013, taught me a technique called soft contact. “If you’re struggling to say a word that starts with p, b, or m, try starting the word as softly as possible.,” she said. Sometimes this made the syllable hard to hear. “Pause” could sound like “awes”; “brain” like “rain”; “master” like “Aster.” I want to follow this softness offered by the Stutter. Thank you, Dr. Bejoian.

For most of my life, my relationship to my stutter was rooted in shame, anger, and despair. I responded to these emotions by trying, and failing, to master my stutter through various means: undergoing hypnosis; making a fist while I stuttered, opening the first to release the work; talking in singsong; expanding my diaphragm while speaking; saying my name is “John”(my middle name) or “Shawn.” Failure has led me to a grove of unknowing. If I can’t master the Stutter, what can I do? What might it mean to try to Aster my stutter?

Aster of Ceremonies (123) / JJJJJerome Ellis

Follow the softness. I love this idea and generosity (to Self and Stutter) it offers. My vision gives softness too, not in sound, but in image. Things that are never in sharp focus are never harsh or exact, but fuzzy and gentle.

Teach me to Aster You. Teach me to treat You as an Elder that has so much to teach me. I will surrender and attend to Your ensemble of blossoms. Your Dandelion Clock* will be my timekeeper. I will seek not to overcome You but to come with You; not to pray to be rid of You, but to pray for your continued presence in my life. To stay with the mystery You steward.

What might it mean to Aster You? To pray that You Aster me? Instead of “I speak with a stutter,” what if I “advertised” to someone by saying: “I speak with an Aster. My speech is home to a hundred blooms. These silences you may hear hold more than I could ever know. Thank you for your patience as I pause to admire their beauty.”

Aster of Ceremonies (124) / JJJJJerome Ellis

I was incredibly lucky to find, a few years into my diagnosis, Georgina Kleege’s book, Sight Unseen. Her generous approach to her own central vision loss — including not understanding it to be a death sentence and giving attention to how her seeing works and to challenging assumptions about the infallibility of vision — helped me to be curious about how seeing works and to develop my own relationship with both being without seeing and seeing in new ways. Even as I struggle with not being able to see that well, I also welcome the new knowledge my strange seeing/ not-seeing is giving me. I imagine Ellis’s “astering the Stutter” to share some similarities.

Ellis connects their Stutter to the Aster and to the many plants (he names them Elders) that their ancestors relied on. They feel a strong connection to these Elders. Such a powerful idea to bring all of this things — ancestors, plants, a glottal Stutter — together. Wow! Inspired by this approach, I’m thinking about how I experience my central vision loss in relation/beside the gorge and the eroding rocks and relentless, remembering river. What ceremonies could I create to honor the different layers of rock? The seeps and springs and floodplains? How does the wearing away of stone, the persistence of water, and my eroding cone cells open a door to a new space in which to dwell to explore to learn from? ooo — I like this idea. I want to give a little more time to thinking through how Ellis makes their connections, and how I can make mine.

feb 26/WALK (x2)

am: 20 minutes
neighborhood
45 degrees

Sun! Birds! Puddles and earthy smells.

pm: 45 minutes
cooper school / 7 oaks / edmund
51 degrees

More sun and birds and warm air. Lots of people and dogs also walking, runners too. A woman running in bright pink shorts. A woodpecker softly knocking, or knocking loudly but at a distance. A biker whizzing by then turning into an alley in front of us. A man coughing thickly. We talked about our kids and their futures, a possible spring break trip, Scott’s plug-in, the Brooks Ghost 16s I’m thinking of buying with our REI refund.

My back is feeling better, but is still sore. I probably won’t run again tomorrow. Maybe I’ll bike on the bike stand?

excerpts from Indigo Insomnia/ Monica Ong

Indigo insomnia is the great waking, this birthing of the world anew. From the indigo, an even deeper blue, is it said.

This line reminds me of a Maggie Smith poem, How Dark the Beginning:

We talk so much of light, please
let me speak on behalf 
of the good dark. Let us
talk more of how dark 
the beginning of a day is.

. . .The mouth holds many things except the language of the new, still forming between the lungs. The spoken vow we breathe, but don’t yet know how to defend.

. . .Wondering if your voice is in the wrong chord, the wrong song, the wrong language, or just a painting of the ocean, its roar muted by a gilded gaze that see but doesn’t listen.

Indigo insomnia is diving into the deepest waters of memory to uncover the bodies hidden by our bad inheritance.

Thinking about traumas we inherit, despite others’ best intentions. I was pregnant with RJP when I learned my mom was dying. What impact did my overwhelming grief have on RJP and her mental health?

—

Reading about indigo in On Color, here’s something I’d like to remember about the difference between dyes and pigments:

Technically, a dye is a coloring agent that bonds with the molecules of the material to be colored. Pigments are also coloring agents, but they differ from dyes in that they don’t bond with the material; they are small particles of color held in some suspension, forming a film that attaches itself to the surface of the substance to be colored. Pigments, one might say, are applied to materials; dyes are absorbed by them.

On Color / David Kastan

Another important thing to remember:

. . . the slaves who worked on the indigo plantations in the Americas really were dying. A soldier who had served under George Washington in the Revolution afterward wrote about the “effects of the indigo upon the lungs of laborers, that they never live over seven years.”

Nonetheless, the worldwide desire for the remarkable blue dye allowed indigo plantations to thrive anywhere the conditions of climate and soil permitted indigo-­bearing plants to grow. In the seventeenth and eighteenthcenturies the plantations of the New World satisfied most of the world’s desire for natural indigo.

feb 25/WALK (x2)

25 minutes
neighborhood
37 degrees
morning

Sun and no wind and barely any snow + chirping birds + barely iced puddles + mud and grit = the feeling of spring. I’m excited for warmer weather, although I’m also disappointed we didn’t get more snow. I suppose we still have March and April for that.

Walked with Scott and Delia. Scott and I talked a little about the U.S. and politics and how getting outside makes it a little (just enough) easier to endure all of this terribleness.

10 Things

  1. a black standard poodle stopped in the road, its human patiently waiting for it to move
  2. boulevards that are more mud than grass
  3. a thin, almost invisible sheen of ice on the shaded side of the sidewalk
  4. noticed for the first time, even though we’ve walked past them dozens of times: a kid’s footprints embedded in a stretch of old sidewalk
  5. chirp chirp
  6. the warm sun on my face
  7. near the end of the block: someone repairing or adding to a front porch
  8. heading south: a cool breeze
  9. blue sky
  10. the alley: mud, grit, puddles, ice

70 minutes
to the library and back
45 degrees
afternoon

Another chance to be outside! A wonderful afternoon for a walk. Sun, no wind, clear paths. Books to pick up at the library: Bright Earth: Art and the Invention of Color and Dickinson: Selected Poems and Commentaries. Noticed a dark bluish purple fence that clashed with a dark blue house and a house painted plum.

the purple hour

I did wake up a few times last night, but I didn’t take any notes about it. This morning, I’m finishing the violet chapter in On Color.

What color are the haystacks really? What color is the cathedral at Rouen? Monet’s answer is that the haystacks and cathedral are the color (or colors) they seem to be at the moment of looking (147).

“ocular realism” = a commitment to the illusionistic rendering, not of the world, but of visual experience (147).

1:30 pm / neighborhood walk

As I walked to the library and then back from it, I tried to think about violet and purple and images the evoke my feelings of restlessness and uncertainty and not-quite-formed. A hummingbird, mid-air — moving too fast to see the motion, or a spinning top, constantly whirring but looking solid and still. Carbonated water, something fizzy and bubbling — small little bouncing balls or shimmering bubbles. An insistent, soft whisper. Soft, unstable.

feb 24/WALK

25 minutes with Delia
to the Winchell Trail
53! degrees

No running today; I’m being careful with my sore/stiff lower back. Thought I’d be taking a longer walk in the warm weather with Delia, but I made the bad decision to go to the Winchell Trail. Even though I tried to be very careful on the thawing hill, I slipped and SPLAT! fell flat on my butt into gooey mud. The butt of my jeans, the back of my coat, and my hands were caked in mud. I’m lucky I didn’t hurt myself. Whew! The worst part of it was the 10 minute walk of shame through the neighborhood back to my house with my muddy butt.

the purple hour

3 am / bedroom

A quick look at my iPad. When I turned it off and put it down, an afterimage: a bright rectangle, then all darkness. It took more than a minute for the lavender light to return. As I waited, I recited “We Grow Accustomed to the Dark.” The light gray blanket on the couch glowed a pale violet which I mistook for a square of light until I touched it and felt the blanket. If dark cast on the light is a shadow, what is the word for light cast on the dark?

Reminded of a poem I gathered and its description of light cast on the dark:

Good-Night/ Seamus Heaney

A latch lifting, an edged den of light
Opens across the yard. Out of the low door
They stoop in the honeyed corridor,
Then walk straight through the wall of the dark.

A puddle, cobble-stones, jambs and doorstep
Are set steady in a block of brightness.
Till she strides in again beyond her shadows
And cancels everything behind her.

Now I’m thinking of ED’s a long, long yellow on the lawn
The light in my bedroom had a pale and cold ghostly glow, not a warm one — no color. 


a pool of light? a stream of light? what are some other words to describe light in a dark room?

4:34 pm / front room

violet — On Color/David Scott Kastan

Yesterday, reading an essay about periwinkle, I discovered On Color by David Scott Kastan. My local library doesn’t have it, but RJP’s college does. Hooray! I was able to download the entire book! Currently I’m reading the chapter on violet. Here are a few passages I’d like to remember:

An exasperated French novelist, Joris-­ Karl Huysmans, complained that “earth, sky, water, flesh” were inevitably now the color of “lilacs and eggplants” (141).

Lilacs and eggplants. That’s what light and dark look like to me in the bedroom in the middle of the night. That also seems like a great name for a poem.

Landscape became the characteristic genre of the impressionists, but their interest was not, as with earlier landscape painters, in recreating the particularities of its geological, agricultural, or architectural features. They wanted, it was said, to recreate the immediate visual impression of that landscape, produced by the light in the very instant before the brain fully organized the scene (144-145).

Can my brain every fully organize the scene? Sometimes it/I get stuck and a landscape doesn’t make sense.

It isn’t that they painted objects as we see them. They painted the luminous air and light that exists in between the eye and those objects (145).

I’m fascinated by this in-between space and all that happens in it. Here I’m thinking about Alice Oswald and her invoking of Dante and the spiriti visivi — light as insects traveling to object to collect the color like pollen and then deliver them to us.

I’m roughly halfway done with the chapter, but I’ll stop here for now.

back pain

Looking up lower back pain I’m happy to report that it’s most likely only a weak core/overuse issue. Time to do some “gentle moving” — walking, stretching — for a few days. I’m cool with that. This article recommends dead bugs, planks, side planks, glute bridges, and child poses. Also: a heating pad.

feb 23/WALK

1.5 miles
neighborhood, with Delia-the-dog
38 degrees

Ahh! Sun, above freezing, no wind! Birds! Melting snow! The promise of spring! I’m taking a break from running today because I’ve run 5 days in a row and my lower back is tight and slightly sore. Also, I wanted to make sure that Delia got a proper walk today. It’s difficult to balance walking her and running. And, when it was so cold last week, she didn’t want to go out that often.

Lots of walkers and dogs out on the sidewalks. Overheard: 2 women walking in the street — one to the other, isn’t that cute! aww . . . poor thing. Poor thing? Were they talking about Delia in her cute orange letterman’s sweater? If so, why did they say, poor thing? Did I miss something when I put her harness on?

10 Things

  1. blue, cloudless sky, only a few birds and branches in it
  2. drip drip drip — one gutter
  3. gussssshhhhhh — another gutter
  4. a steady stream of cars on the river road
  5. a steady stream of runners on the trail
  6. one runner in shorts, their bare white legs glowing in the sun
  7. soft snow on the grassy boulevard, no sharp snaps from my striking feet as we walked, avoiding the voices and a clanging collar behind us on the sidewalk
  8. the faint knocking of a woodpecker
  9. a view of the river through the bare trees from above on edmund: all white, looking less like water and more like field
  10. that sun! stopping to let Delia sniff, feeling the warmth on my face — flashes of memory from other warm winter days

the purple hour

2:30 am / bedroom

light coming in through the ineffective blinds, casting purple — lavender carpet and walls, indigo couch and closet interior

8:45 am / dining room

Trying to determine which tint of purple the carpet was, I encountered periwinkle.

Periwinkle is a color. . .

A subset of violet, which is a subset of purple, periwinkle denotes a precise shade that appears somewhat brighter than lavender, bluer than lilac, clearer than mauve, and dimmer than amethyst. But it’s hard to say with precision, because the purples are strange ones, polarizing, and violets are even more so. Few hues are more beguiling and more reviled than this grouping, the last stop on the rainbow and the tacked-on v at the end of that schoolchild’s mnemonic, Roy G. Biv. According to the scholar David Scott Kastan, shades of violet exist within their own special category. Violet is, like glaucous, a color-word that denotes a certain quality of light. “Violet seems to differ from purple in whatever language—not so much as a different shade of color than as something more luminous: perhaps a purple lit from within,” Kastan writes in On Color, his 2018 book on the subject. “Violet is the shimmering, fugitive color of the sky at sunset, purple the assertive substantial color of imperial robes.”

Periwinkle: the color of poison, Modernism, and dusk

a window of time . . .

But lately, I’ve found myself waiting for the sun to go down, timing my walks so that I can be outside then, when the bats begin to swoop around the oaks and the mosquitoes hum around my face. It’s not the golden hour (which occurs about an hour before the sun touches the horizon), it’s the periwinkle window. It lasts only a few minutes in the summertime; dusk descends fast in the north. But for fifteen minutes, the sky is painted with various shades of violet, indigo, and mauve. At dawn and dusk, my tiny little dead-end road becomes another place, quieter than during the daylight hours, but visually much louder.

Periwinkle: the color of poison, Modernism, and dusk

…a flower (vinca minor)

The species is commonly grown as a groundcover in temperate gardens for its evergreen foliage, spring and summer flowers, ease of culture, and dense habit that smothers most weeds. It was once commonly planted in cemeteries in parts of the Southern U.S. and naturalized periwinkle may indicate the presence of graves whose other markers have disappeared.

source

from Hymn to Life/ James Schuyler

Everyday, in every room a shawl tossed untidily upon a chair or bed
Created no illusion of lived-in-ness. But the periwinkles do, in beds
That flatten and are starred blue-violet, a retiring flower loved,
It would seem, of the dead, so often found where they congregate. A
Quote from Aeschylus: I forget. All, all is forgotten gradually and
One wonders if these ideas that seem handed down are truly what they were?
An idea may mutate like a plant, and what was once held basic truth
Become an idle thought. like, “Shall we plant some periwinkles there
By that bush? They’re so to be depended on.”


…a snail/whelk

Littorina littorea is known as the Common Periwinkle. It is native to Europe from the White Sea, Russia to Gibraltar. It has been introduced to the West and East coasts of North America and the Mediterranean. Some introduced occurrences have failed to establish sustained populations, but others have persisted, especially on the East Coast from Newfoundland to Virginia. This snail is characteristic of intertidal rocky shores, wharves, and pilings, but also occurs in mudflats and marsh habitats. It is a common food item in Europe, but is rarely eaten in North America. It is highly abundant in parts of its introduced range and has had impacts on food webs, through competition with native species and increased grazing which reduces seaweed abundance. It is also host to a variety of parasite species.

source

I first encountered periwinkle-as-snail in a poem by James Merrill:

from Periwinkles/ James Merrill

You have seen at low tide on the rocky shore
How everything around you sparkles, or
Is made to when you think what went before.

Much of this blaze, that’s mental, seems to come
From a pool among the creviced rocks, a slum
For the archaic periwinkle.

feb 22/RUN

3.1 miles
ford bridge and back
23 degrees

Feels like spring today! Birds! Warm sun! Melting and dripping snow! It is supposed to warm up all next week. The path wasn’t that crowded, which is surprising because it’s so nice and it’s Saturday. I don’t remember much from my run, other than wondering if my back was hurting (occasionally, a little) or if I should stop to tie my shoelace (I did). Can I remember 10 things?

10 Things

  1. 3 or 4 fat bikes on the dirt trail that is on the other side of the river road and runs alongside Minnehaha Academy, lower campus and Becketwood
  2. a biker and a bike stopped at the bench across from Folwell
  3. the rounded shadow of the light part of a lamp post
  4. a thick layer of snow on the walking path between folwell and 42nd
  5. three runners ahead of me evenly spaced across the whole path
  6. my dark shadow ahead of me as I ran north
  7. the clanging of an unseen dog collar
  8. a walker talking loudly on her phone as she walked, her voice echoing through the neighborhood and then above the oak savanna
  9. a runner in a bright blue jacket turning onto the trail from 42nd
  10. the river, all white, all covered in snow

I listened to voices as I ran south, the mood: energy playlist on the way back north.

the purple hour

1:35 am / dining room

Listened to Monica Ong’s “Lavender Insomnia.“

7:55 am / dining room

The poem of the day on Poetry Foundation is First Fig. Figs can be many different colors but are often associated with purple. Since I’ve posted this well-known poem about a candle burning at both ends before, I decided to find out if Millay had written any other fig poems.

Second Fig/ Edna St. Vincent Millay

SAFE upon the solid rock the ugly houses stand:
  Come and see my shining palace built upon the sand!

First Fig and Second Fig are from Millay’s 1922 collection, A Few Figs from Thistles. Is her use of figs and thistles a reference to Matthew in the Bible?

Ye shall know them by their fruits. Do men gather grapes of thorns, or figs of thistles? Even so every good tree bringeth forth good fruit; but a corrupt tree bringeth forth evil fruit.

Matthew 7:16-20 King James Version (KJV)

Speaking of thistles, my mom often had globe thistles in her garden. After she died, I recall wanting to grow them in her memory, but I can’t remember why. Is it because butterflies like their round purple flowers, or because I do?

feb 21/RUN

3.2 miles
trestle turn around
20 degrees

Another bright day. And warmer. And windier. Ran with the wind at my back first. Encountered other runners, walkers. Heard kids at Howe Elementary laughing and screaming and, at least one of them, squealing. The river was white and covered in snow, so was the walking trail. Smelled weed from open car windows. Thought I saw the moon but it might have been a plane. Nothing felt purple today — too bright. The bike path was stained a faint white from salt.

Did a few strides at the end of my run (for me, strides = speeding up considerably for 15-20 seconds). Nice! I’ll have to add more of them in. Small victory: I wanted to stop and walk at a mile, but I kept going for another 1/2 to 3/4 mile.

the purple hour

3:55 am / dining room

purple pansies pray peacefully
pitiless preyers: purple panthers
lavender locks look lovely
lilac lamps leave low light
heather has heavy hands, hollow head, hazardous heart
violet views vast volumes
indigo is inching inward
mauve might murder me
our orchids outlast others
patty picks plum pudding
as amethyst arrives alice asks about alan’s art
even edger eats eggplant eagerly
iris is indifferent
mulbery maude makes many mistakes
forgive fuchsia for farting
when working wednesdays wisteria wants white wine

8:50 am — dining room

after asters, ash arrives
plaintive prayers: purple pallbearers
gooseberries grieve grandmothers
orchids outlast outrage

I asked RJP if she wanted to try. She did!

patricia pats purple potatoes (RJP)
magnificent magenta makes musical moments (RJP)
purple proclaims, Period poo! (RJP)
purple pringles produce particularly pronounced poops (RJP)
orchids open only on occasion (RJP)

2:21 pm — front room (desk)

professor plum pontificates pedantically

After waiting a little over a week, the audio version of JJJJJerome Ellis’ Aster of Ceremonies has arrived! I’d like to devote the final week of February to reading (with my ears and eyes following along) this wonderful book.

Revisiting Alice Oswald’s discussion of purple and porfurium in “Interview with Water,” I started thinking about her description of being purpled:

To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light, to be either sleepless or weightless and cut off by dreams

To lose one’s name — this will come up in Aster of Ceremonies. To be sleepless and weightless and cut off my dreams — I feel this often while running above the gorge.

The Gorge

I finished watching The Gorge last night. I (mostly) enjoyed it. I liked the actors and the movie got me thinking more about “The Hollow Men” and T.S. Eliot and it had the cool visuals of yellow and purple together. But, the writing wasn’t the greatest and there was something off about the romance — their chemistry together — and Sigourney Weaver was seriously underutilized as a villain. And they didn’t bring T.S. Eliot back at the end. Well, at least not explicitly. I discussed this last point with Scott yesterday, and as I described the ending — how they blew stuff up (including the bad guys) then ended the movie with the world seemingly unchanged and Levi and Drassa kissing — I suggested that the writer seemed to run out of steam or time or money to offer a meaningful conclusion. Then I realized that this flat ending was the world ending, not with a bang but a whimper! Was this intentional? If so, well played Zach Dean.

feb 20/RUN

5.5 miles
bottom of franklin hill and back
9 degrees

Outside! Very bright today. A mix of moments of feeling great and feeling not so great — more feeling great. Foot prints in the snow, lamp post shadows, patches of brown ice. Black capped chickadees! A white river, a barren beach, a fat tire e-bike buzzing past me. A BLUE! sky — wow! Fogged up sunglasses. A delayed greeting: Hi Dave!

During mile 2, I chanted purples:

lavender / lavender / lavender
amethyst / amethyst / amethyst
indigo / indigo / indigo
grape
orchid / orchid / orchid
iris / iris / iris
wisteria

Thought about a blueberry looking more purple than blue, then the shade of purple: sucker. I like the word sucker — a candy, a fool, someone who sucks on something, a person on a straw, or something that sucks on something, a plunger on a toilet, an octopus on an arm.

Listened to the birds, the cars, and the gurgling sewer on the way north. Listened to an energy playlist — Don’t Stop Me Now, Work it, Sabotage — on the way back south.

the purple hour

12:45 am / dining room

restless, difficult to be still enough to type/think

(remembering, 7:05 am) looking out the kitchen window, seeing 2 dark forms in the white snow — bare patches or something more? Staring for a few mnutes — am I imagining that slight shift? No, 2 animals, standing still for minutes. What are they doing? Quick movement, then bounding figures. Rabbit-like. But these animals look so dark — is it a trick of the dim light — bunny fir darkened in the lilac light? [there is no indigo in a backyard illuminated by neighbor’s security lights.] Or, could these creatures be raccoons?

update, 20 feb 2026: A definite answer: bunnies! All late fall and winter, 2 or more bunnies have been hanging out under our crab apple tree — at night, in the afternoon, at sunrise and sunset. They’re very bold, these bunnies, not running off when I walk by. When this happens, I’ve started saying, these bunnies are as bold as brass! Why? Not sure. And, I don’t want you to get the wrong idea: I like bunnies or rabbits about as much as I like squirrels, which is not at all.

2:44 am

a word appears in my head: amethyst — February stone, quartz, ancient Greeks believed it would prevent intoxication

7:49 am / dining room

A journal: Amethyst Review

In a Robert Frost poem, October:

Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes’ sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost—
For the grapes’ sake along the wall.

A myth created in the 1500s about a nymph and Bacchus:

In his poem “L’Amethyste, ou les Amours de Bacchus et d’Amethyste” (Amethyst or the loves of Bacchus and Amethyste), the French poet Rémy Belleau (1528–1577) invented a myth in which Bacchus, the god of intoxication, of wine, and grapes was pursuing a maiden named Amethyste, who refused his affections. Amethyste prayed to the gods to remain chaste, a prayer which the chaste goddess Dianaanswered, transforming her into a white stone. Humbled by Amethyste’s desire to remain chaste, Bacchus poured wine over the stone as an offering, dyeing the crystals purple.

wikipedia

A cluster of grape gems to buy.

In a Dan Beachy-Quick poem:

Anniversary/ DAN BEACHY-QUICK

You are for me as you cannot be
For yourself, chaos without demand
To speak, the amethyst nothing
Hidden inside the trinket shop’s stone,
Dark eyes dark asterisks where light
Footnotes a margin left blank. You
Don’t look up to look up at the sky.
Your ears parenthesize nothing
That occurs, that I keep from occurring,
In the poem, on the page, as you are
For me, not a shadow, but a shade
Whose darkness drops from no object
But is itself yourself, a form of time
Spanning nothing, never is your name.

9:46 am / kitchen

Telling Scott about how the word amethyst popped into my head and that it was the birthstone for February, he said that he knew that because his grandmother was born in February and she often wore amethyst jewelry.

12:31 pm / front room — chair

Thinking more about Dan Beachy-Quick’s lines:

not a shadow, but a shade
Whose darkness drops from no object

Thinking about shade as a hue with black added to make it darker (as opposed to tint, where white is added to make something lighter). Also thinking about shade as relief on a hot day, a welcomed darkness.

added hours later: Rereading the poem, “Anniversary,” I looked it up: amethyst is given for the 6th wedding anniversay.

feb 19/BIKERUN

bike: 30 minutes
run: 3 miles
outside temp: feels like -13

Thought briefly about going outside for a run then remembered if I stayed inside I could bike and watch more of The Gorge, which I did. I have 30 minutes left. Lots of action and jump scares and secret military operations and old film reels that reveal science experiments gone wrong and evil private corporations forming unbeatable mutant armies and chemical leaks and spiders with human skulls and more spent ammo than seems possible and . . . . I’m not sure how I feel about it all yet. One thing: earlier, when they first entered the gorge, the poet-sniper-main character (Levi) quoted T.S. Eliot and “This is how the world ends. Not with a bang but a whimper.” This sure sounds like a bang. Two possibilities: 1. he nods to the line and has some witty quip about it, like if we’re going to end, let’s do it with a bang, not a whimper (ugh!) or 2. a much quieter conclusion, where they are not destroyed and the gorge is not destroyed evil is only slightly contained and will continue to slowly simmer and spread. Will Levi finally read Drassa his poem about her? Will he quote some other poetry? Will the movie end in poetry instead of war?

While I ran, I listened to an amazing podcast with a poet I just happened to write about yesterday: Rebecca Lindenberg. Wow! What an amazing conversation.

about how acceptance and resistance co-exist for her as she lives with chronic illness (type 1 diabetes)

I mean, what I feel is not acceptance. I did use that word earlier, but I don’t think that that is what I feel. I think what I feel is persistence more than anything.

And I feel ongoingness and I feel hope. . . . I don’t experience hope as a passive feeling, like hope is a thing with feathers that perches in the soul, I’m like, maybe, but you have to feed it and change the food in its cage and take it out and let it fly. . . . I understand hope as a series of acts of meaningful devotion. And I feel that because so much of the maintenace of a diabetic body is routines that you do every single day, if I think of them as small rituals instead of routines, then it doesn’t feel like I’m obeying my disease.

Poetry off the Shelf with Rebecca Lindenberg

Persistence, ongoingness, the practice of hope, a series of (small) acts of meaningful devotion. I feel these things in me as I navigate diminished vision and potential blindness.

the purple hour

4:05 am / dining room

Tried to sit down and think about Monica Ong’s “Lavender Insomnia” but was too restless, agitated — not from thoughts, but a buzzing left leg.

11:10 am / front room

the violet hour (twilight)

T.S. Eliot’s violet hour in Waste Land:
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.

3 types of Twilight: (defined by how far the sun is below the horizon)

  1. civil twilight
  2. nautical twilight
  3. astronomical twilight
3 types of twilight

Civil twilight = dim but artificial light is not needed, bright stars are visible = violet

Nautical twilight = dimmer, sailors can use stars to navigate horizon, you need artificial light to do things = plum?

Astronomical twilight = almost full darkness, dark enough to see galaxies, nebulas = eggplant

I’m still thinking about T.S. Eliot and “The Hollow Men.” Hollow is such a great word. I didn’t realize T.S. Eliot lived until 1865 (edited on 19 feb 2026 — that’s quite a typo! not 1865 but 1965), and long enough for there to be a recording of him reading it. Those last lines!

added 19 feb 2026: Listened to this poem again. Wow! I can’t believe I didn’t tag this with shadows. So much shadow!

excerpt from The Hollow Men/ T. S. Eliot

Between the idea  
And the reality  
Between the motion  
And the act  
Falls the Shadow 

                                  For Thine is the Kingdom

Between the conception  
And the creation 
Between the emotion  
And the response  
Falls the Shadow 

                                  Life is very long

Between the desire  
And the spasm  
Between the potency  
And the existence  
Between the essence  
And the descent  
Falls the Shadow 

                                  For T

feb 18/BIKERUN

bike: 30 minutes
run: 3.05 miles
outside temp: -1 degree / feels like -18

Public schools were canceled today because of the cold. I don’t have a kid in public school anymore (hooray!) but I do rehearse at a high school on Tuesday nights for community band. When schools are closed band is canceled. Bummer.

I have run when it felt like 20 below, but 18 below was too cold for me today. Also, I figured out something I wanted to watch while I was biking: The Gorge. There is very little talking in it; it’s almost all visual. Luckily, I had the audio description on. I think I would have missed most of the movie without it. What a relief, for my eyes and brain, to hear the descriptions. About 20 or 30 minutes in, the movie was dragging and I wondered if I could keep watching it. Then bam, a suprise! I was done with my bike so I stopped, but I’m looking forward to watching more of it now. The lead actor is a poet and writes every day. Will he ever mention one of his favorite poets, or quote a line from them? In one of the last scenes I watched before I stopped, he told the other main character that he was writing a poem about her. He would only give her the tentative title: She collapsed the night (I think it was collapsed, but it could have been collapses?). added, 20 feb 2025: Finished the movie and Levi’s poem is mentioned, but Eliot’s line is not — an unsatisfying ending.

I started the run with a podcast, but moved to my energy playlist again. Listened to a few rock songs with electric guitar and thought: electric purple. Then, purple sparking on the surface or on the underside of the surface shimmering shaking distorting and dis or mis or strangely coloring my perception of the world. Purple as energetic electric chemical reactions with ganglion cells. Then I heard another song — why can’t I remember which song? — with a great beat that I was able to get inside of: feet, the beat of the song, the speed of the treadmill, a chorus in tight unison. Could this be the purple part of the beat?

During my morning poem-a-day practice, I read this:

The title is from [Immanuel] Kant’s description of reason, and I want to pry what’s moving and plaintive about it apart from what’s world-ending. Not because I care about Kant but because, from the standpoint of reason, genocide can be justified.

the author’s note about their poem, “What can I know what should I do what may I hope/ Benjamin Krusling

This explanation brings me back to my first year of grad school — fall 1996, Claremont, CA — in a class on Horkheimer and Adorno and critical theory. I remember learning about the limits of reason and the violence of modernity and the hypocrisy of claims for freedom and democracy by those in power.

the purple hour — feb 17th and 18th

2:10 am / dining room / 17 feb

  • raisins
  • plums
  • prunes
  • figs
  • dates
  • beets

Plums!

This Is Just To Say/ William Carlos Williams

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

8:42 am / dining room / 17 feb

plum plumb plump (source)

plum = part of the rose family, prunes when dried, something sweet — a plum job, a plum deal, plummy (adj)

plumb = pipes/plumbing, plumbum (Latin/lead), lead weight attached to line — used to indicate vertical direction, vertically (adj), absolutely — plumb wrong / exactly — plumb in the middle (adv), plumb the depths (v)

plump = having a full rounded form (adj), dropping placing or sinking suddenly and heavily — they plumped down (v), making or becoming plump — plumping a pillow (v)

a plum assignment
plumb out of luck
plump up an ego

Thinking more about William Carlos Williams:

Love Song/ William Carlos Williams

I lie here thinking of you:—

the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branches that lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole world—

you far off there under
the wine-red selvage of the west!

Yellow and purple. Reminds me, again, of Robin Wall Kimmerer and asters and goldenrods!

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning.

Why do they sand beside each other when they could grow alone? Why this particular pair?

Color perception in humans relies on banks of specialized receptor cells, the rods and cones in the retina. The job of the cone cells is to absorb light of different wave lengths and pass it on to the brain’s visual cortex, where it can be interpreted. The visible light spectrum, the rainbow of colors, is broad, so the most effective means of discerning color is not one generalized jack-of-all-trades cone cell, but rather an array of specialists, each perfectly tuned to absorb certain wavelengths. The human eye has three kinds. One type excels at detecting red and associated wavelengths. One is tuned to blue. The other optimally perceives light of two colors: purple and yellow.

The human eye is superbly equipped to detect these colors and send a signal pulsing to the brain. This doesn’t explain why I perceive them as beautiful, but it does explain why that combination gets my undivided attention. I asked my artist buddies about the power of purple and gold, and they sent me right to the color wheel: these two are complementary colors, as different in nature as could be. In composing a palette, putting them together makes each more vivid: In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Our eyes are so sensitive to these wavelengths that the cones can get oversaturated and the stimulus pours over onto the other cells.

Goldenrod and asters appear very similarly to bee eyes and human eyes. We both think they’re beautiful. Their striking contrast when they grow together makes them the most attractive target in the whol emeadow, a beacon for bee.s Growing together, both receive more pollinator visits than they would if they were growing alone.

Braiding Sweetgrass / Robin Wall Kimmerer

3:06 / dining room / 18 feb

  • the rattle of the vent as the warm air is forced through it 
  • my dark reflection on the stainless steel dishwasher door, caused by the dim string of lights in the front room cast on me as I stood on the rug in the dining room — silvery purple
  • a creaking house, settling after the heat stopped
  • a hiss in my head
  • what are the origins of magenta? why were the vikings purple and gold?
  • purplish blue = indigo
  • reddish purple = magenta, purplish red = fuchsia
  • the crab apple trees and their fuchsia funnels (Ada Limón)
  • Magenta is named after a town in Italy (Magenta) and a bloody battle for independence in 1859

10:00 am / front room

Searching for magenta on poetryfoundation.org, I found some very cool looking exercises from Rebecca Lindenberg about perception, including one using Ezra Pound’s ideogram. Lindenberg offers this example:

CHERRY FLAMINGO
ROSE IRON RUST

Say the students choose, for example, yellow. It is likely they will start by suggesting, again, the usual concrete items we associate with that color—lemons, bananas, the sun, corn on the cob, sunflowers. After they’ve exhausted those, it’s important to keep asking—what else is yellow? Taxis, rubber duckies, corn tortillas, rain slickers, caution tape, butter. Then, onion skins, sticky notes, school buses, yield signs, egg yolks, urine, grapefruit rinds, fog—and now we’re getting somewhere. Now we’re not talking so much about what we think of as yellow, we’re talking about what we actually see as yellow.

Once the board or screen is full of things we see as yellow, it’s worth pausing to remind students that we aren’t just making a picture of yellow. What the class chooses will suggest something about yellow—but it doesn’t have to be everything there is to say about yellow. It doesn’t have to be comprehensive, just visceral, evoking “yellow-ness” (or “teal-ness” or “tan-ness”). Then, another vote. Or rather, a few rounds, in which each student gets two votes, until you narrow it down to the final four. And ka-pow! You’ve made an ideogram.

A Poetry of Perception

Lindenberg suggests a homework assignment: pick a color, brainstorm at least 25 things related to the color, narrow it down to four, write a paragraph of explanation. I think I’ll try this with purple — just one, or a series of purple moods?!

note: I’m resisting the inclination to dig deep into articles/essays/posts about Pound and imagism. I might (will) get lost in theories and concepts and schools and jargon and devote all my time to understanding and knowing instead of making and feeling. That’s Dr. Sara’s style, not mine!

updated a few hours later: Watched about 20 more minutes of The Gorge. In one scene they’re walking through a yellow fog and into a purple wood. I used my phone to take a picture. Don’t think it quite captures the intense colors.

yellow into purple

In this scene, yellow and purple are used to evoke a hellscape. The half-dead skeletons with trees growing out of them are referred to as hollow men, which is a reference to T.S. Eliot’s poem. The poem keeps coming up; I think I should read it. Wow — just read it. Here’s a bit from the middle and the last lines, which Levi, one of the main characters, recites as they walk in purple (violet) air.

excerpts from The Hollow Men/ T.S. Eliot

Shape without form, shade without colour.  
Paralysed force, gesture without motion; 

Those who have crossed 
With direct eyes, to death’s other Kingdom 
Remember us—if at all—not as lost  
Violent souls, but only  
As the hollow men  

                              II 

Eyes I dare not meet in dreams  
In death’s dream kingdom  
These do not appear: 
There, the eyes are  
Sunlight on a broken column  
There, is a tree swinging 
And voices are  
In the wind’s singing  
More distant and more solemn  
Than a fading star.

—

This is the way the world ends 
This is the way the world ends 
This is the way the world ends 
Not with a bang but a whimper.

feb 16/RUN

note: I’m starting this post at 9:50 am. The temp is 4 degrees / fees like -11. The wind is 11 mph with gusts up to 20 mph. At this point, I’m thinking I will run inside on the treadmill. Will I, or will some part of me convince the rest to run outside?

3.5 miles
ford bridge and back
7 degrees / feels like -10
50% snow-covered

We did it. Good job legs and lungs and heart, you convinced brain that we really needed to be outside this late morning! Almost all of the layers were on: 2 pairs of black running tights; dark gray tank top; green long-sleeved shirt; orange pullover; dark purplish/blueish/grayish pullover with hood; purple jacket; orange striped buff; black fleece cap with ear flaps; black gloves; pink striped gloves; 2 pairs of socks — gray (long) / black (short). At times, I was too warm.

It was wonderful and sometimes hard, especially when I was running into the wind on the way back. It was also bright — glad I had my sunglasses. Encountered someone in orange with their hand up to shield their eyes as they walked south. Saw the round shadow of a street lamp and the jagged shadow of a small tree. Passed a group of four walkers, laughing and yelling and having fun on the double bridge.

Did I think about purple at all? I can’t remember now. The only color I recall noticing was orange.

the purple hour (15th and 16th of feb)

3:38 am / dining room / 15 feb

the heat turnning on, the house shifting settling, my legs restless
purple mountains — in Japan, looking out at the mountains, different shades of purple — fall, 1994
Emily Dickinson purple — sunsets and sunrises
someone shoveling at 4 am

[discussion below added at 10:30 am on 16 feb]

Where Ships of Purple—gently toss — / Emily Dickinson

Where Ships of Purple—gently toss —
On Seas of Daffodil—
Fantastic Sailors—mingle—
And then—the Wharf is still!
F296 (1862) 265

No one does sunsets better than Dickinson. I wonder if Amherst sunsets are still so colorful. Where I’ve lived sunsets are primarily red, pink, and gold, but the ones she describes often have purple. This one does, too. Here she sees great ships, large purple clouds, gently tossing in their moorings. The sea beneath them is tinted golden, “Daffodil,” from the setting sun. The mingling and fantastic sailors are no doubt smaller clouds that move among the larger ship-like ones, their shapes constantly changing. When the sun sets the sky turns dark and “the Wharf is still!”

the prowling bee

The prowling bee has been such a wonderful resource for me. Reading the comments for this poem, there was speculation about why the Amherst sunsets were so brilliant and purple:

Romantic era sunsets WERE particularly vivid, due to volcanic ash from several cataclysmic eruptions worldwide. The Hudson River School artists and their sunsets might not have been hyperbole, after all, nor were ED purple sunsets.

Another commenter doubted this suggestion, so I did a quick search and found a pop science article about a study on sunset paintings and volcanic ash: How Paintings of Sunset Immortalize Past Volcanic Eruptions

Volcanoes can cause some of the world’s most spectacular sunsets. An eruption spews small particles of gas, dust and ash, called aerosols, high into the atmosphere where they can spread around the world. The particles can’t be seen during the day, but about 15 minutes after sunset, when conditions are right, these aerosols can light up the sky in brilliant “afterglows” of pink, purple, red or orange.

The impact of climate/climate disruptions on how we see color? Fascinating. Earlier this morning, while doing my “on this day” practice, I reread my entry from 16 feb 2024. In it, I described a photo I took above the gorge.

The most important thing about this image is how the branches create a net which mimics how my vision often works — I can almost see what’s there, but not quite. Secondary, but connected, is the feeling of being disoriented, off, almost but not quite, untethered, which comes from swirling forms and the climate crisis — there’s almost always snow on tthe ground here in February. Where are my Minnesota winters?

This last bit about climate crisis and lack of snow returns me to the ash in the sky and its effect on how 19th century artists saw and depicted the world. Many places to go with this, for now I’m thinking about how my vision loss (or the making strange of my vision) has enabled me to be more open (than many people with “normal” vision) to understanding vision as complex and not as simple or straightforward as “what you see is what you get.” Does that make sense?

1:50 am / dining room / 16 feb

doorways/thresholds are definitely purple — a deep, dark purple
the air above the gorge: different versions (tints/shades) of purple
purple hums, a soft lavender static in my ears
lachrymose purple 
originally wrote violet static, but looked up the color again and thought it was too dark for the static I was hearing in my head

9:46 am / front room / 16 feb

Thought more about violet. Decided to search, “Alice Oswald violet.” Found this beautiful poem:

Violet/ Alice Oswald

Recently fallen, still with wings out,

she spoke her name to summon us to her darkness.

Not wanting to be seen, but not uncurious,

she spoke her name and let her purple deep eye-pupil

be peered into.

‘Violet,’ she said

and showed her heart under its leaf.

Then she leant a little frightened forwards

and picked a hand to pick her.

And her horrified mouseface, sniffed and lifted close,

let its gloom be taken and all the sugar licked off its strangeness

while we all stood there saying, ‘Violet! Violet!’

fingering her blue bruised skin.

Finally she mentioned

the name of her name

which was something so pin-sharp,

in such a last gasp of a previously unknown language,

it could only be spoken as a scent,

it could only be heard as our amazement.

“purple deep eye pupil”: so good!

“the name of her name” — I wrote in my notes: the flower is never one solid, consistent color — the color is an abstraction, a taking one part for the whole, a disconnection — to name a color is to reduce the experience and perception of that color to one thing — colors cannot be fully named

What is lost — in our perception, experience of the world — when we reduce what we see to a fixed color/fixed name?

This question reminds me of something I read in Turning to Stone on the importance of naming yesterday:

The names themselves are, of course, human constructs, but the act of naming requires making distinctions that sharpen the powers of observation.

*

Taxonomy is comforting because it creates a sense of control and finitude in a chaotic and open-ended world.

Turning to Stone / Marcia Bjornerud

Lists! I love lists. My lists aren’t taxonomies, but something else . . .

The proper name of God is a list.

Valentina Izmirlieva in Aster of Ceremonies

Once I get the audiobook of Aster of Ceremonies, I want to put name as taxonomy and control in conversation with JJJJJerome Ellis’ “Liturgy of the Name” and “Benediction.”

feb 14/RUN

4.5 miles
minnehaha falls and back
18 degrees / feels like 6

The bike path was clear and not crowded. The air was cold. I heard a few birds, kids on the playground, dry leaves still on the trees imitating the waterfall. My legs felt heavy, my lower back a little sore. Waved a greeting to almost everyone I encountered. Thought maybe I heard some kids on the sledding hill at minnehaha park but couldn’t see anyone.

About a mile in, I started thinking about how purple represents both very hot temperatures and very cold ones. Purple = extreme. Then I thought about Basho’s line about poetry as “a fireplace in summer, a fan in winter.”

small victories: thought about stopping to walk under the ford bridge but kept going until I reached my favorite observation spot, stopped to put in a playlist, then kept running until I reached the double bridge. also: have mostly reached my winter goal of lowering my average heart run to under 160 — today it was 157.

10 Things

  1. cloud-covered sun
  2. yellowed leaves on an otherwise bare tree — a compliment to the violet air
  3. the river was covered in white and looked wider and colder than usual
  4. at least 10 people were standing near my favorite observation spot by the falls
  5. through the slats of the double bridge on the walking side I noticed bright blue graffiti
  6. one car was parked in the far parking lot at the top of the sledding hill
  7. the bright pink plastic bag I mentioned last week was further in the woods today — was it filled with snow?
  8. the falls were frozen and not falling
  9. stopped at the bench above the edge of the world: open, empty, a few tracks in the snow
  10. a small part of the fence near 38th is missing a panel

the purple hour — 2 days

3:18 am (bedroom floor) / 13 jan 2025

Still life painting
Heavy shadows and light

Sitting in the dark, wanting to keep the quiet and how I’ve adjusted to the dark, I’m reluctant to take out my iPad and write or to speak into my phone. Now, later (10:00 am) in the morning, I remember the moon (a full moon!) coming through the slats — not as dramatically as the past few nights — and the window-sized square of light with its soft slat shadows and the deep, solid shadow of the couch and the dark almost emptiness of the closet — almost empty because I could see the hint (inkling?) of the exercise ball with the slightest outline of light. The image of the ball just barely emerging from the shadow reminded me of a still life painting — the one that Diane Seuss writes about in Quince, Cabbage, Melon, and Cucumber/ Diane Seuss (see 3 may 2024).

At night, when others are asleep and it’s more dark than light, the world stills for my restless eyes. The static stops. Finally objects freeze. Mostly I do too. A chance to look for longer, to stare and study.

I like “seeing” the darkness in the closet — its accordion doors wide open — as a deep purple. It’s not pure black; there’s color there but it’s dark and deep.

Writing this last sentence prompted me to search for Monet and purple. Why? I can’t remember now, a few minutes later. Jackpot. First, a quotation wrongly attributed to Claude Monet on the search, but actually spoken by Manet — poor Manet. How often is he overshadowed by Monet? Anyway, here’s the quotation:

I have finally discovered the true colour of the atmosphere. It’s violet. Fresh air is violet. I found it! Three years from now everyone will do violet!

found in The Secret Lives of Color, which sites Bright Earth: The Invention of Color, 208.

Bright Earth? This books looks great. Just requested it from my local library!

The impressionists were enamored with violet. Critics claimed they were afflicted with violettomania. Some theories on why:

  • a belief that shadows were never merely black or gray but colored — this sounds familiar!
  • complementary colors: bright yellow and soft purple. Robin Wall Kimmerer and Goldenrods and Asters!
  • vision problems — Monet and cataracts

*

Talking with my sister on the phone in the afternoon about my purple hour, she mentioned a paint color made from human remains. I think she meant this one:

Caput mortuum, Latin for “dead head,” is a dark brown paint that looks violet in some lights, maroon in others. It is earthy and intense, and like many browns, it can run in opposite chromatic directions when diluted. Some versions of caput mortuum paint tend toward the yellow end of the spectrum, while others wash into a light, yet slightly murky lavender. Despite its foreboding name and strange history, it is a rather simple, homey color. The substance reached the height of its popularity in the 18th and 19th centuries. It gets its hue from pulverized, mummified bodies (both human and feline) and its name from alchemy.

source

2:06 am / dining room / 14 feb

That moon! noticed a thin line of light on the kitchen floor then went over to the side (south facing) window and noticed the moon through the thick wooden slats. wow!
sitting at the dining room table, the heat kicked in — creaking everywhere through the vents. I have a short, repeated passage from one of our community band pieces running through my head. looking off to the side I caught a glimpse of myself in a mirror, my face-blob glowing from the computer screen — wistful wisteria — all parts of wisteria are toxic to humans — small purple flowers

I’m not sure why the phrase “wistful wisteria” popped into my head. Where do I know wisteria from? Searched for poetry wisteria and found a poem by Lucie Brock-Broido, Extreme Wisteria

Wisteria is, first: a hardy, deciduous, capable-of-earnest-grasping shrub which bears small flowers. After that, it can be pressed (violently if you will) into an attar of its former self. In this poem, wisteria is also a state (of mind), the place one heads toward when feeling wistful.”

QA with Lucie Brock-Broido

7:53 am / dining room / 14 feb

  • aubergine, agitated, almost/approximate
  • bathos, bruised
  • cancer: pancreatic, cough medication
  • Dino or Daphne, deep
  • eggplant, emperor, Easter dress
  • fibs faint falsehoods, fake fruit flavor, FWA’s favorite color
  • Grape Ape, grief, (ornamental) grass
  • heliotrope, haze, heaviness, hair color?!
  • iris, ink, iffy, iodine
  • jealousy, jazz, jackets
  • kingly, Kristen’s post-college car
  • lilac, lavender, Lumpy Space Princess
  • mauve, magenta, mold, mystery, magic
  • non (binary/entity/sense)
  • orchid, outrage(ous)
  • pansy, petunia, plum (fruit and Professor)
  • queer, question
  • restless, rusty/rusted
  • shadows, slant, snail-snot, scar
  • Tyranian, tantrums, teletubby, toe
  • unfenced, undulating, underwater, unique, uncertain, undecided
  • violet, violence, vapor
  • wisteria, wispy, whelk, wood with soft inhabitants, wet, wild
  • eXcessive, exasperated, extremities — oxygen-starved, excess
  • yellow’s compliment, yelling
  • zeal

10:30 / front room, my desk / 14 feb

Wandering with purple: Part of this purple hour project, part of any of my projects really, is to find reasons to wander and wonder about new, unexpected things that I might not otherwise encounter or care about. Mission accomplished! It started last night with a random phrase that whispered to me, wistful wisteria. This led to reading about the purple-flowered vine, wisteria, then Lucie Brock-Broido’s poem, then her Q&A about the poem in which they discuss Emily Dickinson, especially her poem, “Essential Oils — are wrung –“. Then the idea of ED as a hard nut to crack. Then this line from some commentary on ED:

When I read Walt Whitman, we jauntily walk side by side down the road within his multitudinous world of wonder. When I read Dickinson, I don’t know if I am inside her mind or if she is inside mine. But I am always in a mysterious, perplexing, deeply thought-provoking, sometimes scary but always beautiful place.

source

Which led me back to the Q&A:

I think we’re all in conversation on the page with that which came before us, or even during us. We inherit whatever canon we’re in the midst of, a great collective influenza.

*

What I mean to say is that, in my own work, often, I may have been with Dickinson, but she was not with me.

feb 12/RUN

5.5 miles
bottom of franklin hill
6 degrees
100% snow-covered

A fine mist of snow. A few patches of ice, some slight slips. Cold. Fresh air. Sun behind clouds. For the first mile I didn’t see anyone else on the trails. Then, a few runners and walkers. No bikers or skiers. Sometimes I felt strong, sometimes I felt sore, all the time I was happy to be out there by the gorge.

today’s small victories: wasn’t sure how far I’d run but made it to the bottom of the hill. Almost stopped to walk near the top for a minute, but didn’t, kept going until the bottom. Ran from the bottom to under franklin — 3/4 of the hill — instead of walking like I planned

10 Wintery Things

  1. patches of ice on sidewalk that wasn’t shoveled
  2. cold air on my face — not quite cold enough to give me a brain freeze or to freeze the snot in my nose
  3. small, soft flakes or freezing rain freezing on my eyelashes
  4. the sharp thrust, grinding noise combo of feet walking on snow
  5. the river: a mix of white ice and dark (purple?) open water
  6. white, heavy sky
  7. bird song: cheese burger cheese burger
  8. the bluff on the other side of the river: a mix of white with bare brown branches
  9. all of the walking trails were covered in a few inches of snow, some of it untouched, some marked by tracks — feet and skis
  10. leaned over the wall in the flats and listened — a soft, sharp tinkling of snow hitting the ice on the surface of the river

Discovered Lee Ann Roripaugh’s awesome collection #string of pearls yesterday through her poem, #meteorology on poems.com. I’m thinking of buying the collection. Here are a few bits of it — it’s all tankas — that I thought of during my winter run:

from #meteorology/ Lee Ann Roripaugh

yesterday’s snow sleeps :: late this morning in quiet :: white sheets / while rickety
trees comb out fog’s heavy shanks :: of tangled, unruly hair

*

as gusted leaves buzz :: and whorl over snow-sugared :: roofs / but oh! this blown
fluttering’s not a swirling :: of leaves, but winter sparrows

~

ugh! snotted hoody :: pinkened tinge faint litmus stain :: (yes or no / minus
or plus) watercoloring :: blown-through tissues / torn storm blooms

*

wet-dark tree beaded :: in pearled bits of wintry mix :: excited finch swoops
in manic parabolas :: to sip from the leaky eaves’

icicle /

the purple hour

2:40 am — dining room

too restless to notice or think about anything . . . purple mauve lavender orchid magenta is this restlessness a light or dark purple? whatever it is, it’s thick

3:15 am — bedroom floor

shadows slats moon carpet
the slats are soft, barely visible
the shadow of the lamp, its long neck, and something else. the cup? tin of nuts? nope the arm of the sofa
the moon — so bright! how many more days of this moon? this clear sky?

*

  • grape jelly
  • eggplant, japanese
  • eggplant, italian
  • plum
  • pansy
  • Daphne’s dress (Scooby Doo)
  • Violet’s turning violet!
  • purple banana
  • hubba bubba (grape)
  • grape juice
  • raisins
  • easter dress
  • FWA’s favorite color
  • purple toe
  • vikings
  • Barney
  • Dino (Flintstones)
  • Professor Plum

feb 11/BIKERUN

bike: 25 minutes
run: 3 miles
outside temp: 1 degree/ feels like -7

Too cold for me today. Watched some races while I biked — I need to find a good movie or show!, listened to “Energy” while I ran. I stopped at 15 minutes for a few seconds, but when a good song came on — I can’t remember what — I decided to start running again. Then I kept going until I hit 30 minutes. Nice! My small victory for the day.

During the first half of the run I couldn’t quite lock into a rhythm. My feet seemed slightly off with the belt; I was on the edge of the beat. When I made the treadmill just a little faster, I entered the beat. I could barely hear my feet striking and I couldn’t feel the belt moving. Very cool. It felt similar to when I’ve locked in with the metronome. The other thing I remember is looking up at the dark window with the reflection of the light — the one that I’ve written about several times before, describing it as looking like an inverted moon on lake superior — and thinking it didn’t look like the moon anymore. I remembered why: Scott changed the light bulb from a round one to a rectangle one. It’s brighter too. My moon is gone. Bummer.

the purple hour

3:10 am / bedroom
Full moon bright, spied through the dark slats of the blinds
Slanted square of window with blinds cast in the carpet

Shadow of the blinds cast on McPherson* forearm: stripes
Only seen in dim light; the light of this iPad erases it

*a typo — I decided to keep it in here. I don’t remember what I was trying to write that would have been autocorrected to McPherson. Was it just a slip of my fingers as I typed my?

(written 11 feb, 9:30 am) I remember the moon early this morning. Wow! So bright through the blinds. I wanted to walk over to the window and peek through the slats but I was afraid that it would wake Delia the dog, asleep on the couch. It was so bright that even from the floor with the blinds closed all the way, I could see it if I tilted my head just right.

I turned down the brightness of the iPad as much as I could, but it still made the room too bright. Right after I put my iPad away, the shadows were gone. I wondered if clouds were covering the moon. But once my eyes adjusted, the shadows were back.

We inherited these blinds from the old owner of this house. They let light in even when fully closed. How dark would it be in this room if we had different (better?) blinds? How much longer would it take my eyes to adjust to (grow accustomed to?) the dark?

I think these blinds, with their gaps, create a dark that has some light: purple light.

purple thoughts/stories

violet: the very shortest spectral wavelength humans can see
to re-create the color purple requires excess: shellfish, lichen

Reading about mauve in The Secret Lives of Colors, I was reminded of the connection between old woman and purple. (I recall thinking about the connection as I ran the other day when the Red Hat Ladies with their purple clothes popped into my head.)

Soon enough, however, mauve went into that most Victorian of things: a decline. Overconsumption, as well as the continuing loyalty of an older generation, meant that the color soon became shorthand for a particular kind o faging lady.

The Secret Lives of Colors / Kassia St. Clair (170)

Then I thought about the final stanza of a poem (this whole poem is amazing, btw). I gathered for this blog a few years ago:

It’s a small deposit,
but I’m putting my faith in reincarnation. I need to believe
in the sweetness of one righteous image,
in Bill Parcells trapped in the body of a teacup poodle,
as any despised thing,
forced to yap away his next life staked to
a clothesline pole or doing hard time on a rich old matron’s lap,
dyed lilac to match her outfit.
I want to live there someday, across that street,
and listen to him. Yap, yap, yap.
(I Heart Your Dog’s Heart/ Erin Belieu)

Which led to another random thought about a recent (2019?) hair trend: lavender gray. Looking at some of the pictures I wonder if I could pull this look off — I already have the gray.

The Color Purple

Inspired by my study of purple, I decided to reread Alice Walker’s The Color Purple which I read and wrote about in my masters’ coursework. I was really into Walker and Morrison and the link between women’s spirituality and sexual pleasure. I haven’t read it since then — 25 years ago. So far — 40 pages in — I’m enjoying it. Why is it called The Color Purple? I had to look it up, because I’ve forgotten. There are plenty of answers, here’s one:

I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.

Shug Avery in The Color Purple/ Alice Walker

A helpful source: Unearth the Root of Alice Walker’s The Color Purple. It describes the importance of nature and flowers to Walker’s vision of spirituality. This reminds me of Walker’s wonderful essay, “In Search of Our Mother’s Gardens.” Of course, I can’t find my copy of it right now. I’ll have to keep searching. The article also discusses the importance of horticulture for Black Americans and their African ancestors. I’m reminded of JJJJJerome Ellis’ Aster of Ceremony and their project of researching, naming, invoking the Plants that grew in the area where their enslaved ancestors “ran away”. A big chunk of the book is a Benediction, including the names of these plants, printed in purple. I’ve been reluctant to read it because it looked overwhelming with my bad eyes, but now I want to try. I think it will be another version of “The Purple Hour.”

update, a few minutes later: I started to read this section with my eyes, but it was difficult. I looked it up and discovered that my local library has the audio book. I requested it! A 2 week wait, but hopefully sooner. I’ll start on this whenl I can read the audiobook along with the paper book.

feb 10/RUN

4.5 miles
minnehaha falls and back
7 degrees
75% snow-covered

Sun, not much wind, cold. Wore by yaktrax today. Even though there were big stretches of bare pavement I still think it was a good idea; lots of icy patches. At least once, I felt the yaktrax help me stay upright. Encountered walkers, runners, one bike, dogs. One dog was with a runner and tried to lunge at me. Luckily the runner had a tight hold on their leash.

10 Things

  1. sharp street lamp shadows
  2. strong smell of tobacco from a passing car
  3. tinted snow — usually I’d say it was a bit blue, but I thought purple today
  4. kids laughing and yelling on the playground
  5. tracks through the snow at the park, skipping the sidewalk and taking a shortcut
  6. tracks on the walking path — skis and human feet
  7. minnehaha creek at the falls was slow, thick, frozen, only one dark and open spot
  8. couldn’t see the falls falling, but heard their quiet dripping muffled behind the thick columns of ice
  9. empty benches
  10. empty falls — I don’t think I saw a single person by the falls today

About halfway to the falls, while thinking about purple I suddenly remembered mimeograph machines and the purple ink on the handouts we get copies of in elementary school. Later, on a walk break, I tried to think of as many purple things as I could. I had a list of at least a dozen, but all I can remember is purple Kool-aid. At the end of my run I thought about the Vikings and how purple is strongly associated with Minneapolis because of them and Prince. Prince made me think of a local radio station, the Current, and how they pull the “purple lever” for the first snow of winter: purple lever = a marathon of Prince music.

the purple hour

12:46 am — dining room
to leave a mark, to be marked, bruised, purpled

silence, then a hollow knock, but not silence, buzzing or ringing in my ear, like static
cold air (hear turned down at night)

periwinkle, heather, thistle, lilac, lavender, mauve, grape

purple purple purple purple violet violent violence silence silvery lilac plum plumb — the depths — plump — soft plums of cloud — plume of purpleish smoke

three white lights illuminating the outlet — not night lights plugged into the outlet, but lights embedded in the outlet — they are white and bright at the top, then fading out at the bottom, giving off gray light that reads as pale purple to me — got up to look closely at the lights and realized I was never looking directly at the light, the white and purplish gray shadow were all reflections on the wall, the lightbulbs were at the bottom of the outlet — what is the real light? where it originates, or where it casts?

3:00 am (remembered later) — bedroom
closed blinds, bright moon beaming through in the form of a strange double circle on my hand in light and dark purple

a thin line of light near the closet door

*

My description of the moon light made me think, purple moon, so I looked it up. A video game developer, a type of cheese, a modern furniture company, the name of a dispensary in Oklahoma, a variety of gourmet kale, the cycle when you start your period during a waning moon, the second full moon in April, a Chardonnay, a preschool, an arrangement of flowers with “lavender roses, purple carnations, and cheerful daisies”, a band, a branding company, a color evoking mystery.

Left my desk briefly to tell Scott about the purple moon and he asked, Have you mentioned “The Purple Rose of Cairo” yet? Wow, no! I haven’t seen that movie in almost 30 years. I think it was my favorite in my early 20s — this was before I knew what a creep Woody Allen was. Anyway, I want to watch it today.

This note, “to leave a mark, to be marked, bruised, purpled,” makes me think of two things:

1

This is the light of autumn, not the light of spring.
The light of autumn: you will not be spared.

You will not be spared, now will what you love be spared.
(from October/ Louise Glück)

2

According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.

Kafka on Prometheus

Not becoming one with the gorge, but striving to press deeper and deeper into it, to leave a trace/mark on it, and be marked by it (from log entry on 29 dec 2024).

Another purple thing I just remembered: on a weather map, purple represents very cold temperatures.

a screenshot from local weather forecast for this week

feb 9/RUN

3.
under ford bridge and back
9 degrees / feels like 0
100% snow-covered trail

Winter running! Sun, low wind, shadows, snow. I wouldn’t say it was an easy run, but it felt great to be outside and above the river. I don’t remember breathing in the cold air, but I do remember hearing the strange crunch of my foot as it struck the ground. Maybe not a crunch. Some noise that sounded like my foot was slipping or sliding on the snow. A thrust then a momentary stuck-ness before lifting off.

10 Things

  1. the sharp shadow of the street lamp with its pointy top
  2. my shadow crossing over and through another street light shadow
  3. the smell of weed down below in the oak savanna
  4. the thin, crooked shadow of a small tree cast on the snow
  5. an equal mix of solitary and paired runners
  6. the river was mostly covered in still white snow with a few patches of darker ice
  7. a few walkers below on the winchell trail
  8. a bird, singing
  9. a bird, laughing
  10. the sky, a very bright blue

I chanted triple berries — strawberry/raspberry/blueberry — then: purple grape/grieving loss.

today’s small victory: Instead of stopping at the turn around — which is what I usually do — I ran through it and back north, past locks and dam no. 1, past the part of the trail that dips below the road, and up the hill.

With the bright blue sky and the fresh white snow, I would have described the light as blue, but today I saw it as a faint purple. Another purple thought: purple grief is grief tinged with and/or beside joy. Dark, difficult, but more than that, too.

the purple hour

Up twice last night/this morning for the purple hour. Here are my notes:

12:04 am dining room

  • too many naps today? rich dinner? restless legs
  • uncomfortable purple
  • purple gas, purple ache, purple discomfort
  • the purple buzz of the refrigerator
  • the purple clicking of the coputer keys
  • everything chilled, a heavy stillness — not still, as in resting, calm, quiet, but still as in trapped — a purple pause
  • a memory from a run by the gorge: l.e.d. car headlights — not white but bright and purple, or the suggestion of purple

2:01 bedroom

  • Womanist is to feminist as purple is to lavender (Alice Walker)
  • The color purple — should I read it again?
  • The lavender menace — Betty Friedan’s homophobia
  • 2 sets of snores: dog, Scott
  • purple light — the air in the room almost gray, but not, soft, dull, patches of very deep purple, and in-between shadows that are lighter than deep purple, but darker than the purple air

morning reflections: Sitting at my desk, bright from the cold sun, I look around and see blue and green and red and yellow and cream. Purple demands a different sort of light, or lack of light. I thought, suddenly, purple is peripheral. Then I remembered standing in front of a mirror this morning, looking directly into it, not seeing my face, but a purplish gray glob. So, purple is my central vision. Maybe it’s both, but in different ways?

Looked up “purple peripheral” and the first page of search results were all about cyanosis and a lack of oxygen to the extremities (hands, feet).

Somewhere in this search I remember something else about purple: it’s the color associated with pancreatic cancer. You wear a purple ribbon to support pancreatic cancer research. My mom died from pancreatic cancer. Looked it up and it’s a purple ribbon in honor of the founder’s mother whose favorite color was purple and who was diagnosed with and died from pancreatic cancer in 1996.

feb 8/SHOVELBIKERUN

shovel: 4? inches
bike: 15 minutes
run: 1.5 miles

Woke up this morning to snow! Big flakes floating down. I watched them through the kitchen door. Beautiful. Within a few minutes, more flakes, faster, smaller. I sat in the arm chair inherited from Scott’s mom and watched the snow fall as I drank my coffee. A great way to start the day. Several hours later, when the snow had almost stopped, I layered up and went outside to shovel. Soft, fluffy snow, very easy to shovel. I listened to Season 2, Episode 3 of the Severance podcast. There was some wind, but it wasn’t too cold.

an image: shoveling in the back, I watched as a small, dark form swirled and skittered. It moved like a little bird. Was it? No, a leaf. Such a strange sight, watching a leaf that looked alive and not just animated by wind.

After sitting around all day — reading, napping, tracking the runners in the Black Canyon 100k Ultra, doing a FaceTime with FWA — I decided I needed to move. Went to the basement and biked. Then moved over to the treadmill and ran. Watched a few indoor track races during the bike, listened to the rest of the Severance podcast while I ran. That third episode of Severance — woah! The final minutes really freaked me out and triggered a memory from when I passed out last Christmas. Intense.

the purple hour

Woke up with very restless legs at 2:38 am. Too restless to sit and write anything. All I have in my notes is: more restlessness — shaking my legs

feb 7/RUN

5.3 miles
bottom franklin hill
16 degrees
10% snow and ice covered trail

Less wind today. Cold, but not as cold as yesterday and still. Ran north on the bike trail. My lower back was still a bit tight and sore, my neck too, at least for the first mile. Then things loosened up. Mostly I felt relaxed and strong and glad to be outside on a clear path. I tried running on the snow-covered walking trail for a minute, but it was too uneven. Greeted Dave the Daily Walker, although it took me a little too long to say Hi Dave because I didn’t quite recognize him. Has his arm swing become less pronounced, or has my vision become worse? Chanted triples, first berries, then the world around me: big old tree/big pine tree/red stop sign/motorbike/rumblin’ truck/passing car

10 Things

  1. a strong smell of weed when I stopped at a bench above franklin
  2. orange — or was it pink or red? — bubble lettered graffiti under the 1-94 bridge
  3. the river was mostly covered, but the surface ice was uneven — some thick, some thin, some white, some gray — I thought I saw a few footprints on it — is that what they were?
  4. chickadeedeedee
  5. empty benches
  6. the faint jangle of a dog collar somewhere below me
  7. for a few stretches, the trail had strips of snow or ice or both — none of it slick or wet or a problem
  8. thought about how long the hill was from the bottom of lake street to the top — is it as long as franklin? how much less steep is it?
  9. mostly solitary male runners, one trio of women
  10. the air was cold and crisp and felt clean as I inhaled it through my nose, exhaled it through my mouth

purple hour

Before writing about last night’s purple hour, a thought: At some point early in the run I realized I was wearing a purple jacket. Of course I know it’s purple and I’ve noted that on this log lots of times, but today it clicked that it was purple. I started imagining my time by the gorge in the winter as another purple hour. Then a George Sheehan passage echoed in my head:

I must listen and discover forgotten knowledge. Must respond to everything around me and inside me as well….The best most of us can do is to be a poet an hour a day. Take the hour when we run or tennis or golf or garden; take that hour away from being a serious adult and become serious beginners. 

Running / George Sheehan, 1978

There’s something cool about how I (unintentionally) wear purple during these purple hours — a purple jacket during winter running, a purple robe during winter nights. It’s also interesting to me that I didn’t choose this color, both of them were chosen by my mother-in-law. When she died, I inherited her purple jacket; the purple robe was a christmas present from her years ago.

I like this idea of multiple meanings of the purple hour and how I can call these purple hours just because they involve me wearing purple — my purple habit (get what I did there? habit = a regular practice and clothing worn, like a nun’s habit).

Later in my run, I thought about dark purple and how closely it resembles, at least to me, dark brown tree trunks or dark water. Purple as another name for dark.

And now onto last night’s purple hours: two of the times I woke up in the middle of the night (how many times did I wake up and get out of bed?), I wrote about purple. Once on the ball in my bedroom (1:49 am), one at the dining room table (3:06).

1:49 am

  • Dark purple door (open closet)
  • Rustling dog
  • Droning fan layers of noise

3:08 am

  • midnights (tswift) lavender haze
  • violet purple lilac lavender
  • tints/shades of purple = mauve, orchid, eggplant, heather, iris
  • purple noise inside my ear — when the heat turns off
  • the house settling, unsettling
  • the other room, not illuminated by the light of my computer screen: deep ,dark purple
  • rhw (note: what is rhw? what word was trying to write?) hum, buzz from inside me stirring up the air
  • purple robe/comfy

Reviewing this list this morning, a thought: does anything rhyme with purple? Looked it up: hirple, to walk with a limp. I can envision purple as the color of limping. Now I’m thinking of having a hitch in your step which reminds me of un-hitching and Mary Ruefle and Claude Lévi-Strauss.

unhitching: to crudely paraphrase Lévi-Strauss, unhitching happens in brief moments when we can step outside of or beside or just beyond — below the threshold of thought, over and above society — to contemplate/experience/behold the this, the what it is, the essence of everything, Mary Oliver’s eternity. In your run above the gorge, near the river, below the trees, can you unhitch? (from log entry on 31 may 2023)

unhitching

The possibility, vital for life, of unhitching, which consists … in grasping, during the brief intervals in which our species can bring itself to interrupt its hive-like activity, the essence of what it was and continues to be, below the threshold of thought and over and above society; in the contemplating of a mineral more beautiful than all our creations; in the scent that can be smelt at the heart of a lily and is more imbued with learning than all our books; or in the brief glance, heavy with patience, serenity and mutual forgiveness, that, through some involuntary understanding, one can sometimes exchange with a cat.

Lévi-Strauss quoted MRH page 52

Purple/ Margaret Steele Anderson

A pigeon walking dainty in the street;
The morning mist where backyard fences meet;
An old Victoria—and in it, proud,
An old, old woman, ready for her shroud:
These are the purple sights for me,
Not palaces nor pageantry.

purple prose

I just learned about purple prose: excessive, overly verbose, wordy, too many metaphors, similes, adverbs, adjectives, language that calls attention to itself and lacks substance, a drama bomb. Just realized that Lumpy Space Princess, who coined “drama bomb” is lavender. Also, remembering Lumpy Space Princess inspired me to find and order a Drama Bomb t-shirt.

According to wikipedia, purple prose originates with the Roman poet Horace in his “Ars Poetica”:

Weighty openings and grand declarations often
Have one or two purple patches tacked on, that gleam
Far and wide, when Diana’s grove and her altar,
The winding stream hastening through lovely fields,
Or the river Rhine, or the rainbow’s being described.
There’s no place for them here. Perhaps you know how
To draw a cypress tree: so what, if you’ve been given
Money to paint a sailor plunging from a shipwreck
In despair?

feb 6/YOGABIKERUN

yoga: 30 minutes
bike: 20 minutes (basement)
run: 1.5 miles (basement)
outside temp: 11 degrees (-3) / wind: 30 mph gusts

Low vision yoga in the morning. Biking and running in the evening: 8 pm. This has to be one of the latest runs I’ve ever done. Will it help my sleep and restlessness? Make them worse? Do nothing? I’ll report back tomorrow.

While I biked I watched an old 70.3 triathlon race. While I ran, I listened to the Energy playlist: Pump Up the Jam, Ballroom Blitz, Hip to be Square. During the bike, my left knee occasionally hurt, which sometimes happens. After the run, my lower back was a bit sore. Should I do something about my back, like take a break or get it checked out?

Anything else I remember? The shadows my swinging arms made. How warm I felt after just a few minutes on the bike. A parched throat. Feeling relaxed and happy to be moving inside.

purple hour

Woke up at 2 am last night. Unlike the night before, when my legs were so restless that I had to shake them for a few minutes, I felt calm and chill and unbothered by being up. Instead of going downstairs to sit at the dining room table, I bounced gently on my exercise ball in the bedroom. Here’s what I wrote:

  • Bedroom in low light — a quiet still purple, light and dark
  • Quiet? Silent heavy and light soft and thick
  • A fan — not white noise but purple noise the agitation of stirring air
  • A steady hum to cover other noises and to counter the stiff stuck frozen nature of sleep when we slow to almost a stop unable to move in sleep
  • A world not lacking color but possessing an abundance of purple
  • purpled pulsing heart pumping purple blood
  • steady relaxed rocking on my feels (a type: heels, but I like feels, so I’ll keep it!)
  • cracking spine small purple sparks

I typed up my notes on my iPad. I love the typo: rocking on my feels.

Just now, reading through these notes I thought, is purple noise a thing? Looked it up and, yes it is! It’s used in sound engineering and sound/color therapy and for help with sleep. Here’s a helpful video highlighting sound colors:

I appreciate the descriptions and examples in this video, even if I can’t quite understand all of it. I wonder — what color of noise was I hearing in my bedroom? The sound was produced by a fan. Maybe I’ll ask Scott to analyze it — he loves sound production/engineering. I don’t think it’s purple noise; purple noise seems too high. Listening to a purple noise album on Apple Music, I’m a little agitated.

Speaking of color noise — I wonder what color the wind howling through the gaps in screen and front door is?

feb 4/RUN

4.1 miles
minnehaha falls and back
7 degrees / feels like 2

Lots of layers today. Too many. Under the jacket and pull-over and sweatshirt and shirt I was sweating. Like yesterday, the first mile was hard. I had several small victories as I pushed through moments of wanting to cut the run short.

10 Things

  1. happy, wild kids on the playground — I thought I heard one kid call out, thank you thank you thank you then Sara Sara Sara
  2. a bird singing — couldn’t quite hear the tune, just understood it was a bird
  3. the few times I ran on snow it crunched — crisp, compact
  4. the falls were dribbling over the ledge
  5. 2 vehicles in the parking lot, one of them was a pick-up truck
  6. a car honking far behind me in the parking lot — were they honking at me?
  7. a pink plastic bag in the small wood near the ford bridge — full of something
  8. a few walkers, one woman bundled up, wearing a white mask over her mouth and nose
  9. several fast runners, speeding by me
  10. the river was almost all white

Chanted some triple berries, then triple birds, partly inspired by hearing Kacey Musgraves’ song, Cardinal, last night:

cardinal
chickadee
woodpecker
woodpecker
cardinal
attention
ATTENtion
aTTENtion
attenTION

the purple hour

I have eliminated Facebook from my morning routine and I’m not missing it at all. No gnus is good gnus with Gary Gnu*. Maybe I’ll check the news once a week? So, instead of Facebook, I went straight into poets.org then Poetry Foundation then poems.com. On Poetry Foundation, I found a wonderfully titled essay, The Joy of Attention by Jasmine Dreame Wagner. The whole essay is great and I’d like to return to it. When she mentioned Carolyn Forché’s Blue Hour (which I’ve requested from my local library), an idea slowly, or not so slowly, crept into my consciousness: doing a variation of Wagner’s experiment — going to the same place at the same time every day, giving attention, then listing what you notice (without metaphor) — that involves my restlessness/insomnia at night and calling it Purple Hour. At 1 A.M. last night, sitting at the dining room table, up because of restless legs, I wrote, What color is restlessness? Then I wrote: purple / grayish purple. My answer, I’m sure, was inspired by Alice Oswald, her lecture Interview with Water and her mention of purple in Nobody. In the exercise, Wagner suggests writing in a notebook. Should I do that, or type it up in a document?

To go back to that bucket of water — to wave a blue gown above it and ask, What is that color which Homer calls porphyrion? It is not blue exactly; it gets translated as purple but purple is a settled color whereas Homer’s word is agitated. It derives from the sea verb porphyrion which means to roll without breaking, so it is already a fluid word, a heaped up word, a word with underswell, not a pigment but an emanation from the nature of water. To get a true sense of porphyrion you need to see the sea in it and for Homer the sea is unhuman full of strange creatures missed colored unplowable and this is my favorite word it is a peritone meaning unfenced. If you want to imagine the colour of Odysseus’ gown you will have to swim out into the unfenced place, the place not of definitions but of affirmations. Yes I’m afraid you will have to find your way to the p volume of Johnson’s unwritten dictionary. There you will discover a dark light word an adjective for edgelessness — a sea word used also of death smoke cloth mist blood between bluish purple and cobalt mauve. It appears mid-ocean when the wind perhaps makes a network of backblowing glitters that the underswell moves sideways as when a big sea swells with noiseless waves. It is used of the heart meaning his heart was a heaving not quite broken wave. It indicates a surface but suggests a depth a mutation of flatness or noiseless sheen, a sea creature, a quality of caves, any inlet or iodine or shaded stone, a type of algae or rockfish, anything excessive or out of focus or subliminal — for example: a swimmer seen from underneath, a rotting smell, a list of low sounds, an evening shadow or sea god, a whole catalogue of simmering grudges storms waves and solitudes or deep water including everyone who has drowned in it. To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light. to be either sleepless or weightless and cut off by dreams — find yourself in the silence underneath an overhanging way that or thereabouts is the color of a bluish violet ultramarine gown so the great poet sang.

Interview with Water

from Paean to Place/Lorine Niedecker

How much less am I
in the dark than they?

Effort lay in us
before religons
at pond bottom
all things move toward
the light

Except those
that freely work down
to ocean’s black depths
in us an impulse tests
the unknown

from Nobody/ Alice Oswald

The sea she said and who could ever drain it dry
has so much purple in its caves the wind at dusk
incriminates the waves
and certain fish conceal it in their shells
at ear-pressure depth
where the shimmer of headache dwells
and the brain goes

dark

purple

purples to think about: heels echoing, doors creaking closed, deep pits. The gentle, queer curve of a branch towering over the trail — as I ran under it I thought, that’s very purple. Then the face of a child in the midst of bellowing frustration — I didn’t see their face, but I imagined it could be a deep purple. Purple whispers in the trees.

Mary Ruefle’s Purple Sadness

some guidelines on the experiment

[from Wagner, things to observe]

  • Record what you see, hear, smell, feel, and taste during each visit.
  • Aim to record at least six new observations each time.
  • On days when you’re pressed for time, allow yourself to simply record: “ailanthus, roof moss, fireplace wood smoke, fence squirrel, birdbath.” Phrases can be just as powerful as full sentences.
  • Note the small observations as much as the significant ones: “eclipse.”
  • When you notice that something in the visual field has changed, be sure to reflect on this change.
  • Observe movement in addition to stasis.
  • Pay attention to the appearance of new items and the absences of others.
  • Familiarize yourself with the specifics of your environment.
  • Resist the urge to create metaphor or simile; instead, log what you see. Recognize the world for what it is.

After recording your observations for a few days or weeks or years, Wagner suggests reflecting on the process of this experience by writing in reverse — starting at the back of the notebook and writing until you reach the first entry. Write in the margins and any empty spaces; “write until your reflections on your process become entangled with your observations; let the notebook become a gnarled and ecstatic poem.”

While Wagner writes everything by hand in a notebook, I might try typing up and/or dictating my observations, printing them out and then writing all over the printed paper. I’m thinking my approach will be be better for my weak eyes.

Will I stick to pure observation? I’m not sure; I might experiment with different ways of understanding my restlessness, and the purple of it all.

*After double-checking how to spell Gary Gnu, I decided to look up the theme song for The Great Space Coaster. Yes! You’re welcome future Sara!

Sara, 8 jan 2026: Thank you! I really needed this today — a quick escape from the terrifying awfulness of ICE and their efforts to escalate (instead of de-escalate) one day after murdering a woman in South Minneapolis.

It’s the great space coaster, get on board

june 25/RUNSWIM

3.1 miles
2 trails
73 degrees / dew point: 66

Another hot and humid morning. Another difficult run. Is it strange that I don’t mind that it’s hard? Some shade, lots of sun.

10 Things

  1. squish! stepping down in thick, gooey mud on the winchell trail
  2. thwack thwack thwack a runner approaching from behind
  3. pardon me that same runner letting me know he was passing
  4. running down to the south entrance of the winchell trail, looking at the river through the trees — not sparkling in the sun, but flat and brown — somehow this made it look even hotter and less refreshing
  5. rowers down below, heard not seen
  6. the sewer at 42nd, a steady stream of water falling
  7. the sewer at 44th, more of a dribble
  8. honking geese
  9. 4 stones stacked on the ancient boulder
  10. a squirrel ahead of me on the winchell trail — running then stopping then running, finally jumping through the fence and off the trail — was it waiting to dart out right in front of me? no

Alice Oswald and Lorine Niedecker and water’s depths

from Paean to Place/Lorine Niedecker

How much less am I
in the dark than they?

Effort lay in us
before religons
at pond bottom
all things move toward
the light

Except those
that freely work down
to ocean’s black depths
in us an impulse tests
the unknown

from Nobody/ Alice Oswald

The sea she said and who could ever drain it dry
has so much purple in its caves the wind at dusk
incriminates the waves
and certain fish conceal it in their shells
at ear-pressure depth
where the shimmer of headache dwells
and the brain goes

dark

purple

from “Interview with Water”/ Alice Oswald

To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light, to be either sleepless or weightless and cut off by dreams.

swim: 4 loops
lake nokomis open swim
82 degrees

4 loops! A beautiful summer night! The water was a bit choppy but it didn’t bother me. Saw some silver flashes below — fish? Also, beautiful shafts of light illuminating the particles swimming with me and a few ghostly vines reaching up from the bottom. In certain stretches it felt like the water wanted to pull me down to the lake floor — difficult to kick and keep high near the surface.

New breathing/sighting pattern I noticed last night at cedar: 1 2 3 breathe right 1 2 look up to sight (no breath) 3 4 5 breathe left

above the surface: A few times I paused in the middle of the lake to give attention to the surface. Once I saw a dragonfly. Another time, a plane. The water was blue but not as intense as on Sunday.

below the surface: bubbles, my hands, could feel the movement before I saw any swimmers, then bubbles and pale legs kicking. The water was green but with less blue and more yellow.

june 19/RUNSWIM

2.5 miles
2 trails
64 degrees

A quick run before meeting my college friends for lunch. Cooler today. Heard the rowers. Spotted: at least 2 bright yellow shirts, one bright pink. City (or county or park?) workers were out re-tarring a few more spots on the trail. Hooray for less craters! Last week, they finally filled in the big crack that had white spray-paint around it, making it look like a tube sock or Florida (I’ve written about it before). I wonder if they’ll finally fill in the hole that’s been getting deeper every year? The one that would definitely twist your ankle if you stepped in it. I hope so.

I don’t remember hearing any birds or roller skiers or laughing kids, but I do remember the squishy mud on the winchell trail and the bug bite I got as I walked home.

color in/on/under water

Listening to Alice Oswald’s lecture, Interview with Water, I came across this great passage about color. First she’s mentions that poets performing The Odyssey always wore blue robes, then she mentions a line from book 8:

Odysseus
with his strong hands picked up his heavy cloak
of purple, and he covered up his face.
He was ashamed to let them see him cry.
Each time the singer paused, Odysseus
wiped tears, drew down the cloak (8:84-89)

Then she references something she said a few minutes earlier —

I keep a bucket of rainwater under my window and it delights me that green leaves reflected in a black bucket are not quite green. I don’t know what color they are. At certain moments, early in the day, they might be called pre-green, but then the clouds change or the wind moves the surface mark and all at once they seem bright dark and blind silvery then foggy emerald.

— and says this:

To go back to that bucket of water — to wave a blue gown above it and ask, What is that color which Homer calls porfurium? It is not blue exactly; it gets translated as purple but purple is a settled color whereas Homer’s word is agitated. It derives from the sea verb porfurion which means to roll without breaking, so it is already a fluid word, a heaped up word, a word with underswell, not a pigment but an emanation from the nature of water. To get a true sense of porphyrion you need to see the sea in it and for Homer the sea is unhuman full of strange creatures missed colored unplowable and this is my favorite word it is a peritone meaning unfenced. If you want to imagine the colour of Odysseus’ gown you will have to swim out into the unfenced place, the place not of definitions but of affirmations. Yes I’m afraid you will have to find your way to the p volume of Johnson’s unwritten dictionary. There you will discover a dark light word an adjective for edgelessness — a sea word used also of death smoke cloth mist blood between bluish purple and cobalt mauve. It appears mid-ocean when the wind perhaps makes a network of backblowing glitters that the underswell moves sideways as when a big sea swells with noiseless waves. It is used of the heart meaning his heart was a heaving not quite broken wave. It indicates a surface but suggests a depth a mutation of flatness or noiseless sheen, a sea creature, a quality of caves, any inlet or iodine or shaded stone, a type of algae or rockfish, anything excessive or out of focus or subliminal — for example: a swimmer seen from underneath, a rotting smell, a list of low sounds, an evening shadow or sea god, a whole catalogue of simmering grudges storms waves and solitudes or deep water including everyone who has drowned in it. To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light. to be either sleepless or weightless and cut off by dreams — find yourself in the silence underneath an overhanging way that or thereabouts is the color of a bluish violet ultramarine gown so the great poet sang.

Interview with Water

Wow! So many wonderful things to do with this passage! For now, I want to think about how color works underwater. In an hour, I’m heading over to deep (at least, deeper than Lake Nokomis) Cedar Lake to swim across it. How will color work as I swim? Below water? Above? Is this agitated, moving purple similar to how I see all the time? (Yes, I think.)

swim: 4 cedar loops (= 2 nokomis loops)
cedar lake
72 degrees

The first swim at Cedar Lake! As I’ve mentioned here before, Cedar has a very different vibe than Nokomis. Hidden away, at the end of a gravel road. A small beach. No buildings, the only bathroom a port-a-potty. Chill lifeguards. Today the water was cold but (mostly) calm. Not too many swimmers. 2 lifeguards on kayaks, 2 orange buoys, too much vegetation growing up from the bottom of the lake. I overheard another swimmer mentioning the vines too.

color: Inspired by Alice Oswald, I tried to think about the color of the water. Cloudy, not clear. I could see the vines and the bubbles from my breathing and my hands entering the water but not much else. Not purple or blue but green — not dark green but pale green. Maybe some pale blue — yes — and light gray. Occasionally a shaft of light from above, a dark vine below. Textured bubbles. Not much to see, but not nothing there. Instead, everything small, packed, too dense to decipher. No color and too many colors. Impossible to pin down with “green” or “gray” or “blue.” Not grief, but uncertainty.

may 24/RUN

4.5 miles
longfellow gardens and back
67 degrees

For today’s run, I decided to go past the falls to Longfellow Gardens. Since I was reading Mary Ruefle’s prose poem about purple sadness, my plan was to visit my favorite purple flowers. When I reached the gardens I discovered that they haven’t been planted yet. Thanks strange spring with your late snow storms and unending cold weather in April!

Another one of those wonderful spring days with sunshine and birdsong. A week ago I would have added “no bugs,” but they’ve arrived. All this week, mosquitoes have been feasting on my elbows, under my knees, my wrist. Today a gnat died on the side of my nose. I could see it through my peripheral vision. Another flew into my eye. Yuck!

My right big toe hurt again for a few minutes, then it was fine.

Heard the wind, water gushing out of the sewer pipes, the falls roaring, kids laughing at the playground, one little kid in a stroller that was over everything, a giant mower or weed whacker or some other noisy machine near the Longfellow House.

Smelled cigarette smoke as I passed a guy on the trail. Was he smoking or was it just his clothes?

surfaces: tightly packed dirt, half buried tree roots, grass, hay, asphalt, concrete, road, street, sidewalk, brick, dead leaves, crumbling asphalt — some mostly asphalt, some with big chunks of asphalt mixed with leaves and dirt, some rubble, limestone steps

Mary Ruefle, Immortal Cupboards, Windows, Offerings, and a Purple Wood

Today I’m reading Ruefle’s lecture, “My Emily Dickinson” and her purple sadness poem.

immortal cupboards

J. D. Salinger once remarked, “A writer, when he’s asked to discuss his craft, ought to get up and call out in a loud voice just the names of the writers he loves…”

“My Emily Dickinson” / Mary Ruefle, page 150

That lovely little book. I’ve had nothing affect me quite so much since I discovered haiku. But then you come from Japan! You now inhabit a corner of my immortal cupboard with LZ (especially the short poems), Emily Dickinson, Thoreau, Lucretius, Marcus Aurelius, John Muir, bits from Santayana, D.H. Lawrence, Dahlberg, William Carlos Williams, and haiku. These knew “when / to listen / what falls / glistens now / in the ear.”

Lorine Niedecker in a letter to Cid Corman

Emily Dickinson is also in my immortal cupboard, along with Mary Oliver, Lorine Niedecker, Marie Howe, possibly Alice Oswald, definitely Rita Dove.

windows

Emily Dickinson often looked out of her bedroom window, and many of her poems, if not her worldview, seem framed by this fact; so much has been made of this there is little I can add; to argue whether a window is the emblem of complete objectivity (removal and distance) or complete subjectivity (framing and viewpoint) is an argument without end, for every window has two sides, and they are subsumed in the window, the way yearning, a subsidiary of the window, is subsumed in both the object yearned for, and the subject of its own activity.

“My Emily Dickinson”/ Mary Ruefle, page 151

offerings

But she has a common grave, and I like to go there and leave things, and when I did, I see that many other people have done the same.

“My Emily Dickinson” / Mary Ruefle, page 182

list of offerings left (real or imagined) throughout Ruefle’s lecture:

  • a stone, a penny, a small bronze alien
  • two plastic champagne glasses, pink and purple larkspur, an ear
  • a lemon, a dime, a diamond ring, a parachute
  • a white rose, a fortune-telling passionate fish, ice cream for astronauts
  • a sheaf of flowers from the florist with a thank-you note attached, a plastic fly, a nickel, an egg
  • A stick of gum wrapped in foil. A shard of glass.
  • a plastic watch, a feather, some Kleenex
  • Nothing.
  • lilacs, a spool of thread, a book of matches, a mood ring
  • an envelope, addressed but otherwise empty, a piece of gum in silver paper, a packet of nasturtium seeds, and a button
  • a thimble, an acorn, a quarter, and many, many daffodils
  • yellow snapdragons. A robin made of tin. A child’s block with the letter E. A pen. A pinecone. A tiny hat. An Austrailian coin.
  • a paratrooper, a cork
  • s piece of coal, a candle stub, a chrysanthemum
  • a small gargoyle, a rubber heart, an old key, a guitar pick a sequin, a sprig of heather, and a piece of hair
  • A doorknob.

a purple wood

A lane of yellow led the eye
Unto a Purple Wood
Whose soft inhabitants to be
Surpasses solitude
(Emily Dickinson)

from My Private Property/ Mary Ruefle

Purple sadness is the sadness of classical music and eggplant, the stroke
of midnight, human organs, ports cut off for a part of every year, words
with too many meanings, incense, insomnia, and the crescent moon. It is
the sadness of play money, and icebergs seen from a canoe. It is possible
to dance to purple sadness, though slowly, as slowly as it takes to dig a pit
to hold a sleeping giant. Purple sadness is pervasive, and goes deeper into
the interior than the world’s greatest nickel deposits, or any other sadness
on earth. It is the sadness of depositories, and heels echoing down a long
corridor, it it the sound of your mother closing the door at night, leaving
you alone.

Just discovered how the ends of her lines create another poem:

Stroke
words
it is possible
to dig a pit
deeper into
sadness
a long
leaving

The last words, leaving you alone, reminds me of Ruefle’s discussion of Emily Bronté, and Emily Dickinson in My Emily Dickinson:

Emily Dickinson never lived alone for a single day in her life.
Emily Bronté never lived alone for a single day in her life.

before the run

Today on my run, I want to think about purple, and I plan to run the 2+ miles it takes to get to longfellow gardens where some of my favorite purple flowers dwell (or have dwelled in past springs). What are these flowers called? I have no idea.

other purples to think about: heels echoing, doors creaking closed, deep pits.

during the run

No flowers. well, I did find some flowers that were white, but looked like they could be or would be or should be turning purple. Also, a reddish-purple plant. I took some pictures:

2 trees in the background, a flowering bush with faint purple flowers in the foreground
tiny purple flowers (if you really believe)
a reddish purplish plant
a reddish, purplish plant

I can’t really see any purple in these, or much of anything, but maybe you can?

Other purple things I remember encountering: the gentle, queer curve of a branch towering over the trail — as I ran under it I thought, that’s very purple. Then the face of a child in the midst of bellowing frustration — I didn’t see their face, but I imagined it could be a deep purple. Purple whispers in the trees.

No purple cars or shirts or shoes or bikes or signs or birds or left behind objects in the grass. Mostly just green and blue.

after the run

Apparently the leaving of strange offerings at Emily Dickinson’s grave is a thing. In her play on Susan Howe’s My Emily Dickinson and Ruefle’s My Emily Dickinson, Meg Shevenock writes, in My My Emily Dickinson:

Then, there’s this: after visiting Emily’s house, my friends and I made a small parade to visit her grave, and the objects I knew would be there, were there. Best of all, a white plastic pen with white cap from a hotel. Or best of all, a blue pencil cracked and dried, that had weathered so much snow. We all want her to say more, write more, about who she was; or, we want to say, I get it, I’m a writer too, and we also know it’s impossible, so we leave an object from the world, from a day long beyond her breathing, to get as close to touching as stone.

My My Emily Dickinson/ Meg Shevenock

march 11/RUN

4.75 miles
river road, north/south
30 degrees / snow
100% snow-covered

Even though I saw that snow showers were predicted for this morning, I wasn’t expecting it to be snowing today, or if it was, to only be the big flakes that fall but never land. Wrong. The snow started around 8 and hasn’t let up yet (at noon). The most irritating thing about the snow was that it was blowing in my face, even with the brim of my cap pulled way down. The most delightful? Maybe the sharp, quick snap of the crunching snow, or the way the not slippery but also not solid surface made me feel faster or more like I was flying then plodding, or how the rare pops of color — the yellowish-green crosswalk sign, the blue bike path sign, a runner’s pink hat, the hot pink and lime green stripe on another runner’s pants, the orange water jug on the side of the path set up by some running group — stood out against the relentless backdrop of white, or the cross-country skier! skiing on the path. A great run!

At the end of my run, right in front of my house, I heard the snow crunching and the birds chirping and I had to pull out my phone to record them. I made the mistake of holding the phone down at my side — is it a mistake? — and so the crunching sound is so loud that it’s distorted. It was loud, though. I remember passing another running and hearing her feet CRUNCH CRUNCH CRUNCHing!

LOUD! / 11 march 2023

Before I went out for a run, I read through the third page of Schuyler’s poem. So much of it is about color. I wanted to spend my run looking for color, and I did, at least some of the time, but I became focused on avoiding rough snow and making sure I noticed the river — open, wide, the snow looking like a white mist hovering above the water.

Colors I Remember Noticing

  1. a pale yellow flag in the snow
  2. a yellowish-green crosswalk sign
  3. blue biking and walking path signs
  4. a bright pink hat on a runner
  5. chartreuse running tights on a runner
  6. my purple jacket
  7. almost everything, white
  8. a dark gray strip of bare pavement
  9. running tights with a stripe of lime green and hot pink
  10. an orange water jug

Schuyler, Hymn of Life, page 3

Begins with Below Lee, ends with Or simply lying down to read. A lot of color. Decided to pick out only the color lines, except for one delightful one about birds that I couldn’t resist:

Created no illusion of lived-in-ness. But the periwinkles do, in beds
That flatten and are starred blue-violet, a retiring flower loved,
It would seem, of the dead, so often found where they congregate.

I’m unfamiliar with periwinkles, so I looked them up:

Tough, low-maintenance, and pest-free, Vinca minor (commonly known as periwinkle) has pretty broadleaf foliage and flowers that thrive in the sun or shade. It is also useful for providing ground cover and is known for its creeping habit. Periwinkle can come back every year as a perennial when planted in warmer climates but is an annual in cooler regions. Vinca minor vines most commonly put out a blue flower in spring, but the color can also be lavender, purple, or white. 

How to Grow and Care for Vinca Minor

Oh wow, I think I have these in my back yard! I love the little purple pops of color, breaking up the monotony of green. Usually I’m able to see them. And, are these flowers that I write about in an entry dated july 29, 2019 periwinkles?

Forgot to look for the river again today. Instead saw lots of green. A few slashes of light purple. What are those wildflowers? Green with purple all over the edge of the path.

Doubtful. I searched periwinkles and Mississippi River Gorge and vinca minor and Mississippi River Gorge and nothing came up.

The sky
Colors itself rosily behind gray-black and the rain falls through
The basketball hoop on a garage, streaking its backboard with further
Trails of rust, a lovely color to set with periwinkle violet-blue.

A rosy sky behind gray-black clouds? Not pure reddish-pink or pinkish-red but the hint of it behind something darker. The rust — did I see rust anywhere on my run? I don’t think so.

in the west appear streaks of different green

So under lilacs unleaved/ Lie a clump of snowdrops

What are snowdrops, and can I find them here in Minneapolis? Yes! But not today.

The Minnesota Landscape Arboretum gardeners and I are on the lookout each March for the first snowdrop flowers, the first perennial garden plant to bloom and a marker of the beginning of the growing season.

A few of the white, bell-like flowers opened March 16 last year, announcing the end of winter.

In botanical and gardening books, snowdrops are described as hardy bulbs with nodding flowers that bloom, while lingering patches of snow are still seen.

Nature Notes: Snowdrops (from 2016)

I think I’ve seen them in my backyard in very early spring. I’ll have to look out for them at the end of this month or in April.

and one purple crocus. Purple. A polka-dotted
Color little girls are fond of: “See my new dress!” and she twirls
On one foot. Then, crossed, bursts into tears.

Purple. A polka-dotted Color? Is there a crocus that is purple with polka dots, or is he suggesting that like polka-dots, purple is a color that delights little girls? I don’t like his emotionally erratic little girl image.

Smiles and rain, like
These passing days in which buds swell, unseen as yet, waiting
For the elms to color their further out most twigs,

The early buds on the tips of tree twigs! I notice these all winter, waiting for them to turn green.

only the willow
Gleams yellow.

When I lived much closer to Minnehaha Creek, I would often walk by a beautiful willow tree. Several years ago, it was cut down. It has appeared in a few of my early poem fragments. I remember how it looked yellow in the spring. What a beautiful tree! Now, when I think of willow trees, I mostly think of Carl Phillips (see the end of this log entry).

These
Days need birds and so they come, a flock of ducks, and a bunch of
Small fluffy unnamed balls that hide in hedges and make a racket.

These days need birds. Yes! I love that line, and the sentiment. Also, the small, fluffy unnamed balls that hide in hedges. No color mentioned; I just wanted to make note of this great bit. I can see a soft, intense, egg yellow of fluff.

It is more
Mysterious than that, pierced by blue

I think the pierced by blue is a reference to the color that cuts through the gloom of a rainy, cloudy day.

I read somewhere that in addition to writing poetry, James Schuyler was an art critic. I would imagine that all the time he spent studying various paintings has influenced how he sees, understands, is able to describe color. He’s a great color poet.