Tag: no headphones

june 8/RUN

3.15 miles
locks and dam turn around
70 degrees
humidity: 88% / dew point: 67

Sticky. Moist. Steamy. Wet. Not raining, but water water everywhere. It felt cool on my fingers and face when I brushed against a bush or when the wind shook the leaves.

Sometimes I felt great, sometimes I didn’t. I was wearing my old black Sauconys because it was so wet and they made my toe hurt for the last mile. My heart rate was higher too. I’ve determined (decided?) that my heat tolerance has decreased because of perimenopause. I’m having some hot flashes and struggling to run/move/stand/be in the heat. I’m thinking of asking for Hormone Replacement Therapy.

As I ran, I recited Wallace Steven’s poem, “Tattoo.” The light is like a spider./ It crawls over the water./It crawls over the edges of the snow./ It crawls under your eyelids/And spreads its webs there. I love this idea of the light like a spider spinning its webs under your eyelids. I also like that the first thing Stevens’ spider-light does is crawl over the water — a good connection to my water season, which starts tomorrow! Open swim!

10 Things

  1. a biker blasting music from speakers — country music (I think) — before I could hear much of it, it was distorted by the Doppler effect
  2. the brown sign that reads, caution, coyote den, is still there — are the coyotes?
  3. bright headlights piercing through the dark green and gray
  4. the sewer pipe near 42nd was gushing
  5. a long line of cars on the road
  6. a string of bikers on the path
  7. a few puddles
  8. the wind picked up, the trees shifted, making me wonder if it started raining agin
  9. a group of kids laughing somewhere in the distance, approaching
  10. 2 lime scooter parked on the edge of trail — both times I neared them, I thought they were people

lines / strings / webs / spiders

a spider moment: As I was about to take a shower, I noticed spider traveling down the tiles. I didn’t want to kill it, or douse it with water, so I turned on the water with the spray pointed away from the tiles and asked the spider to leave. They did — not because of the words, but because of the pressure/feeling of the water.

how long do spiders live? Although most spiders live for at most two years, tarantulas and other mygalomorph spiders can live for over 20 years. (source)

how long have modern spiders existed? The main groups of modern spiders, Mygalomorphae and Araneomorphae, first appear in the Triassic well before 200 million years ago. (source)

orb orb (spiral) webs, orb as eye, orbiting, encircling/enclosing, a spherical body

Alice Oswald, a spider reference in Nobody

A goddess or fog-shape in full wedding dress
sulks in that loneliness what a winter creature
whose lover loathes the everlasting clouds of her
and sits in tears staring at the pleasure-crinkled sea
but she as if a dash of hope
discoloured her sights stands waiting
the way a spider when it wishes to travel
simply lets out a silken

aerial

electrostatically alert through every hair
to the least shift of the atmosphere
at last it lifts on tiptoe and lovely to behold
like a bare twig it begins to blow
wherever the wind will take it but the wind
is the most distracted messenger I know
After citing this, Kit Fan writes:

The new lines at the end of the page carry a rhyme scheme (aabcbc) rare in Nobody and connect the goddess (the owl-eyed Athena who is Odysseus’s protector in The Odyssey?) with the precise, calculated work of a spider, breathing a different kind of life into the “discoloured” world without the watercolors. The two versions of Nobody create a counter-parallel universe for Oswald’s reimagination of The Odyssey, revisualizing the epic as a collage made out of imagist fragments or glimpses of “water-stories,” as the jacket to the UK version calls them. The two texts speak to each other like twins staring at themselves in the mirror, registering uncanny similarities and differences.

Water Stories

The precise calculated work of a spider. Tomorrow, I want to write a little more about the making of a web and the use of spun silk to travel. I also want to return to Alice Oswald and reread The Odyssey again. I love the Wilson translation! I just looked it up and the movie coming out next month is based on this translation. Excellent!

june 3/RUN

4.5 miles
the monument and back
65 degrees

Warm and windy. So windy that I had to take my cap off as I crossed the lake street bridge. The river looked low. I think I saw a long sandbar near the east shore. My feet were still a little sore, but mostly felt okay. Chanted in triple berries for the first 2 miles. Listened to my bunnies and rabbits playlist for the last mile.

11 Things

  1. no rowing shells on the water, but the big white motor boat that follows alongside the rowers was out there, near the dock at the rowing club
  2. workers on the other side of the lake street bridge, fixing something and making a lot of noise doing it
  3. glittering waves close to the easi bank
  4. shadow falls was falling vigorously
  5. running up from the under the bridge on the st. paul side, looking below at the water, envious of my shadow in the water
  6. on the ledge of the overlook at the monument: a insulated coffee mug, white
  7. below the overlook, a person with a dog
  8. tea kettle tea kettle or cheeseburger cheeseburger — a carolina wren somewhere
  9. a person wearing something bright orange, sitting with their bike near the upper entrance to shadow falls
  10. kids being dropped off at the daycare at the church, some by car, one by bike
  11. a handmade wood sign declaring ICE OUT in a neighbor’s front yard on the next block

holes

Time to wrap up this hole project for a few months. I have 4 visual poems that I think are . . . not finished but . . . ready to be considered done. Hole 1, Hole 3, Hole 5a, and Hole 5c. I can imagine returning to them in the fall and trying new (more advanced?) techniques with thread and grids and layers — not just 2D, but 3D.

Well, I would have finished all of the hole poems if a HUGE limb hadn’t fallen right outside my window. We (Scott, FWA, and I) had to drop everything and remove the tree, which took almost 2 hours. Scott happened to be working on a YouTube video as it happened and got a recording of it falling. Yikes!

may 30/RUN

3.7 miles
bottom of locks and dam
71 degrees

Warm, sunny. Not too bad in the shade. Ran down to the entrance of the locks and dam no. 1, turned around, stopped to walk for a few minutes, put in my “Moment” playlist, then started running again, When I got to “Lose Yourself,” I did a few strides. Felt a few brief flashes of a runner’s high.

10 Things

  1. bawk bawk cockadoodle doo! heard from far away, slowly approaching — what is that? A bike with an open bike trailer passed by, 2 kids in the back pretending to be a chicken and a rooster
  2. no cars on the way down to the locks and dam, only one car parked at the bottom
  3. some voices above me, on the trail going up to Wabun or on the ford bridge
  4. an orange water cooler with a sing, “Mill City Running” near the bench above the edge of the world
  5. empty benches — maybe one or two occupied
  6. a biker passing, blasting techno music — even if there had been a doppler effect on the music how would you be able to tell?
  7. swallowed a bug — forgot about it until an hour later when I had a few coughing bouts — Bug! I called out, to no one
  8. the rush of leaves through the trees sounding like falling water
  9. stopping at a water fountain near the end of my run, waiting for another runner to finish, soaking my hat — I have no memory of what it felt like to put the wet hat on. Did it drip down my face? Did it feel cool? I have no idea
  10. Walking back, noticing a grid on the lattice of a neighbor’s fence — at first I thought, squares, then lines

I started thinking about grids and lines and my interest in them, which led to thinking about how open swim involves some lines, or maybe not lines but trajectories — from buoy to buoy to buoy, and it also has an imaginary grid and points on that grid. But, open swim also has no lane lines. You are tethered/connected to the world and others in a different logic. I’ve already written about this in a few different ways, including in this poem, from my recently published chapbook, Inklings:

My geometry

of open swimming:
an eye, lake water.
Both of us now grids
with one dot in our
centers — a cone cell
that works, a buoy
that beacons. A line
drawn between passes
through vacant lots and
murky seas as it
tethers us to each
other — swimmer and
vision, buoy and
body, to sight and
to rarely see.

may 28/RUN

4.25 miles
falls and back
61 degrees

Cooler this morning, earlier too. My goal was to run at 7. My watch says I started the run at 7:07, which means I left the house around 7. Nice. Wore my old (2021, I think) Sauconys that I stopped wearing because they made by big left toe hurt. At mile 4, my toe started hurting again. Bummer. Back to Brooks again or buying a new pair of cheaper Sauconys.

Ran to the falls without headphones, listening to the cars and the geese returning north. Ran back listening to my “Bunnies and Rabbits” playlist. Bad Bunny’s “BAILE INoLVIDABLE” and The Jazz Crusader’s “Young Rabbits” helped me to pick up the pace. I need to create a playlist for pace — maybe mix it in with my beat/metronome experiment: 1 mile with no music or beat / 1 mile with metronome at 172-180 / 1 mile with music.

10 Things

  1. honk honk honk honk geese returning
  2. sparkling water
  3. soft shadows
  4. a runner behind, breathing heavily, closing in, then disappearing — where did they go?
  5. white foam (the falls)
  6. a roller skier — or was it a roller blader?
  7. tufts of symmetrically place ornamental grass mixed with purple blooms near “The Song of Hiawatha”
  8. a woman in a bright yellow windbreaker passing me on a bike, calling out morning!
  9. Mr. Morning! — morning! / good morning!
  10. ending at the big rock that looks like a chair, stepping on it to look down at the oak savanna: green green green

a return

This winter, I replaced many of my regular habits with new ones: (almost) no alcohol; waiting an hour to drink coffee in the morning; more protein, fiber, and iron; instead of sitting at the dining room table for 1+ hours when I woke up reading poems-of-the-day, I watched a brief video then started work on my Holes project; a consistent bedtime routine — ready at 10, asleep by 10:30. I also transformed my workspace. I added a huge cork board to one wall. It’s been fun to mix it up and try new things. I’d like to continue with many of these new things, and I also want to return to a few I’ve shifted away from, especially reading / studying / memorizing other people’s poetry.

In writing this log entry, I decided to visit my favorite poetry sites — poets.org; poetryfoundation, poets.com. On Poetry Foundation I discovered a wonderful podcast series, Wake, Butterfly:

Matsuo Bashō wrote:

Wake, butterfly— 
it’s late, we’ve miles 
to go together.

Poetry magazine presents Wake, Butterfly, a series of intimate portraits that invite listeners to keep creating. 

The final installment, which is the first I’ve encountered and will listen to, is with Marie Howe, one of my favorite poets! I think I’ll listen to it on the deck.

an hour or so later: I listened to it as I mowed the back yard. Usually I listen to the Bob’s Burgers Soundtrack (and I did today, too, after the 15 minute podcast ended). I’ve also listened to podcasts with Joy Harjo and Vs. with Danez Smith and Franny Choi, and several Agatha Christie books.

I love Marie Howe’s voice. Two times I recall hearing it before: when she was interviewed for On Being 6 or 7 years ago (at least) and in her brief discussion and recitation of her poem-in-progress, “Singularity.” In this podcast, she describes living with a big Irish Catholic family and the stories they would tell. She talks about war (WWII and Vietnam) and how she found poetry. Then she offers this:

I think the poem uses our stuff, you know, like it uses the details of my life, but the details are not important. The details are the cup … That hold something you can’t quite see, but you can feel, I hope. Because when it works, I feel something I can’t see. When I was writing a book called What the Living Do, it wasn’t done yet and I didn’t know how it wasn’t done. It had enough pages, it had an arc, I guess. But I was thinking about when I was in high school and. I was living up in the attic of our house with my brother. My brother lived in one room and I lived in another, and my dad would come up there when he was drunk and, um, pester me for hours—the way a drunk person does, wanting attention, wanting something, and it was very difficult. That’s one of the stories in my heart about my younger life, and I thought, “OK, what else is also true about that story?” And I remember actually standing up from my desk in New York here, and turning around, turning my body around 180 degrees and saying, “What else is true?” And I saw my brother Tom, who would come into the room and try to get my dad out, or would come into the room after my dad had left, and I wanted to praise him. So I want to offer you this invitation. Consider one of the stories of your life that feels fixed, and allow yourself to gaze around that story—quite physically—around the room of it or the time of it and to find something else in that story, even if the story is a painful one, to find something else in that story that’s praisable.

Marie Howe in Wake, Butterfly

Consider one of the stories of your life that feels fixed, and allow yourself to gaze around that story—quite physically—around the room of it or the time of it and to find something else in that story, even if the story is a painful one, to find something else in that story that’s praisable.

I love this idea of taking a fixed story and finding something else in that story to praise. I think I need to sit with this one for a few hours.

Before then, this:

The Maples/ Marie Howe

I ask the stand of maples behind the house,

How should I live my life?

They said, shh shh shh . . .

How should I live, I asked, and the leaves seemed to ripple and gleam.

A bird called from a branch in its own tongue,

And from a branch, across the yard, another bird answered.

A squirrel scrambled up a trunk

then along the length of a branch.

Stand still, I thought,

See how long you can bear that.

Try to stand still, if only for a few moments,

drinking light breathing.

—

This standing still — seeing how long I can bear it — seems like a great thing to do everyday. As part of this: explore different ways to be still. What is it to be still?

The beginning of this poem reminds me of a Mary Oliver poem that I’ve posted on this log several years ago (2 july 2020):

I Go Down To The Shore/ Mary Oliver

I go down to the shore in the morning
and depending on the hour the waves
are rolling in or moving out, 
and I say, oh, I am miserable, 
what shall–
what should I do? And the seas says
in its lovely voice:
Excuse me, I have work to do.

may 26/RUNHIKE

3.1 miles
trestle turn around
69 degrees
humidity: 74%

The earliest run I’ve done in some time — 7:30, which is not that early. I liked running earlier. Next time, I’d like to run by 7. Greeted Mr. Morning! for the first time in months. All year, I’ve been running later in the morning or early in the afternoon, so I’ve missed seeing all of the regulars.

The other day I remembered that I had a pair of Saucony Cohesions that I’ve only wore a handful of times because they made one of my toes hurt. I wondered if they would work better (that is, hurt less) than my Brooks’ Ghosts. Yes! Ever since I wore an old pair of Saucony’s to mow the lawn, I’ve been thinking about returning to Saucony’s for my marathon training. Maybe I’ll buy a new pair; they’re less than half the price of the Brooks shoes, and they’re navy with light pink soles.

10 Things

  1. the Welcoming Oaks — tall, green
  2. boom boom — construction noise from across the river
  3. clank clank clank — something banging/being banged below the trestle
  4. the crack just north of the trestle is shifting and growing — what once was a crack became a trench, and now a ledge — orange cones all around it as warning
  5. someone was sitting at the sliding bench
  6. a walker in a bright yellow jacket — were they a rower heading down to the rowing club?
  7. the parkway was buzzing with cars commuting to work
  8. bright headlights from an approaching bike
  9. a lone honk from a goose somewhere below
  10. a man and a dog crossing the path then entering a steep trail down to the river through small hole in the wall of green

later in the day: Watching a video about her life as a pro runner, Lauren Gregory said this: “Consistency isn’t just about showing up when things are going well; it’s about building a life that allows you to keep showing up.” For Gregory, this means routine.

I really like combining Gregory’s idea of life-building practices routines with Des Linden’s famous call to keep showing up:

hike: 50 minutes
minnehaha off leash dog park
77 degrees

A warm, but not as warm as I thought it would be, hike. It started with irritation: a guy standing with his dog right in front of the entrance, blocking the way in, barely moving enough to let us by. Why? We both wondered what he was doing and why, out of all of the places he could be waiting, he was standing right in front of the gate.

Most of the rest of the hike was good. FWA reported on all of the theories about Subnautica 2, and discussed how thoughtful the creators of the game are in their early release — hardly any bugs and a well-developed story. When he mentioned that the area where a huge tree lived was called Xanadu, I asked him if the creators of the game named it that as a more general reference to the pop culture idea of Xanadu, or the poem by Samuel Taylor Coleridge, Kubla Kahn. He thought it was possible they were referencing the poem. All I could remember from it was most of the first 2 lines: In Xanadu, did Kubla Kahn —- decree.

Kubla Kahn/ Samuel Taylor Coleridge

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round;
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean;
And ’mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight ’twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread
For he on honey-dew hath fed,
And drunk the milk of Paradise.

dog name: I didn’t hear any dog names directly, but I think I heard a woman, who sounded exasperated, calling to her dog down by the water, Scarlet! Scarlet! Come here!

my 2 favorite sounds: First, the bullfrogs. As we neared the end of the trail, at the beach, I could hear the loud buzz of the frogs. The noise was coming from the other side of the water, where the river turns into a creek that winds through a section of the floodplain forest. Second, Delia’s thundering feet. As Delia ran past me, I could hear her little paws pounding the ground — on sand, then grass, then firmer dirt. I love that sound!

holes / strings

I’m continuing to work on my found poems project, but I’d like to wrap it up so I can spend the summer with water. What I need to do now is document my process so that I can remember what I was doing when I pick it back up in the fall. Will I be able to stop, or will I keep working on it regardless of my intentions? We’ll see.

Before I stop, I’d like to get some orange thread — regular + embroidery — and experiment with incorporating it into my otherwise black and white (and gray) visual poems.

I’d also like to figure out the words for my poem using a NYer essay reviewing memoirs by daughters about their fraught relationships with their mothers. In my version, mother = word, and it’s about my fraught relationship with seeing/reading/making sense of the written word.

a few hours later: As I worked on finding words in the essay, phrases and fragments kept popping up, then an idea came to me: Pick out a few of these phrases, which offer a way to describe my experiences reading, particularly in terms of how words connect me to the world. Pair a phrase with one of the spiders-on-drugs webs that has been inspiring me. Map the words on a panel, create the spider web over it. I love the idea; can I actually make it?

Some of the webs are easier than others; all of them seem too much to try without some sort of help. One of Chuck Close’s grids?! I definitely want to do the caffeine web, but I think I should start with something easier, like marijuana:

drug-induced webs

I also want to do “sleeping pills” — especially since I often fall asleep while I’m reading!

spider on sleeping pills makes web

I think I’ll do 3 or 4. Here are the phrases I want to refine/condense:

1

When the forms are too fuzzy
I escape into coordinates

note: I like the idea of this and the linking of coordinates to the grid and mapping and my desire to find concrete ways to locate my vision loss, but I’m not sure it makes enough sense as is. I’ll keep thinking about it.

2

the ordinariness of language lost

3

gaze — an act of creation and of demolition — made hole again

4

nothing, subdued, entangled

5

shadows and absences born
certainty died (or ruptured?)

6

kinship between eye, world, word confounded
threads twisted, knotted, cut

may 24/RUN

8 miles
top of I-94 bridge (near downtown)
61 degrees

Could summer finally be here? I hope so. Scott and I ran north on the river road, down the franklin hill, through the flats, up the I-94 hill, then everything, in reverse. The first 6 or so miles of it felt fine; that last bit, not as much. My feet hurt, and I think it’s because of my shoes. They felt better this week than last week, but I’m still wondering if I should look into some other shoes.

Scott and I talked about amateur runners doping (me), our complicated feelings about bikers (Scott), the virtue of reasonableness (me), labor arbitrage in relation to the production of electric basses (Scott), and how a Lutheran church in south Minneapolis is giving land to an American Indian organization as reparations (me). The first half of the run went by quickly as we talked. During the second half, my feet started hurting, the sun felt warmer, and we were both thirsty, so I noticed the time and the miles more.

11 Things

  1. someone on an elipti-go machine
  2. Hi Dave! / Hi Sara! Hi Scott! — greeting Dave the Daily Walker — it’s been some time since I’ve seen him
  3. click clack click clack — a roller skiers poles
  4. a group of 1/2 dozen bikers, at least 3 of them young kids
  5. a line-up of 4 cars, following behind a slower biker chatting on the phone
  6. a thin, oily-looking skin on the river’s surface in the flats
  7. a lone rower on the river! I listened to their oars gently slapping the water
  8. mostly filled benches
  9. the smell of honeysuckle drifting out of the gorge
  10. rows of black garbage bags filled with vegetation — I think it was Friends of the Mississippi River volunteers removing garlic mustard
  11. the spring that emerges from the rock face below the west bank of the U of M was gushing water

A good run. It helps to run with Scott. Today’s victories: running up the entire (long and steep) I-94 hill; running up 3/4 of the franklin hill; keeping steady for most of the run; finishing a minute faster than last week on a tougher route.

Things to work on: try lock laces; bring water — or stop for water

may 20/RUN

3.75 miles
top of wabun hill, bottom of locks and dam
55 degrees

Goodbye gloom, hello sun! Shadows, the promise of summer returning! I was a little nervous about running this morning because my feet have been hurting ever since my 8 mile run on Monday. But, I was fine. I felt strong and happy to be outside in the sun before bugs and heat join us in a few weeks.

10 Things

  1. green everywhere — nothing more specific, just green and green and green
  2. a voice on a speaker at Dowling Elementary telling kids to stay in the classroom until they were told they were free to move around — was this a safety drill? an active shooter? field day?
  3. cracks and ruts and holes on the paved trail everywhere — more now than in the fall
  4. voices below — rowers? no, walkers on the winchell trail — deep in conversation
  5. 4 or 5 cars parked on the way down to the locks and dam — at least 2 were running with radios on
  6. a bright silver flash — sun reflecting off a car hood
  7. empty benches
  8. the water under the ford bridge was mostly a calm blue with a few waves and a faint reflection of the bridge’s arch
  9. nearing the top of the wabun hill, hearing a chainlink fence rattling: someone playing on the frisbee golf course
  10. my face, slick with sweat and the new sunscreen I just bought at Costco yesterday

I listened to feet striking the ground as I ran south, my “slappin’ shaddow” playlist on the way north. Song I remember the most: White Room / Cream

Low Vision

Yesterday I had my first low vision therapy appointment. It was an assessment. She asked me what I’d like help with — she worded it differently, but I can’t remember how. First I said that I’d like help with interacting with people when I can’t see their faces, and then something more useful: I’d like some strategies for dealing with that uncomfortable moment when I enter an unfamiliar place and can’t make sense of my surrounding. She recommended 2 apps to try (more on that later) and the basic technique of grounding myself by standing with my back against a wall and taking a minute to get my bearings. I like the idea of stopping and standing against a wall. Two of my big problems are feeling pressured by others, or having them try to help me when I want to figure it out myself. Standing back should help with those problems.

back to hole 3

Woke up yesterday to a realization: I really like the idea of my specimen board, but the execution of it feels forced and not very interesting. Time to set that one aside for now (or forever?). I decided to finally begin my summary of April’s monthly challenge, partly because I don’t want to get too far behind on my summaries, and partly to shift my attention back to grids and holes and lines. I only needed to read a few days into April to find some (re)direction. Here’s what I wrote on 6 April:

I’m thinking about grids and the lines and why it matters to me….how reading is so important to that locating and how being located is to be held, to be connected, to be seen or recognized or have others aware (of you).

6 april

This morning, before my run, I decided to rework hole 3. A new plan:

  • my standard 4 panels — 3 panels of page 1 of the book review of Helen Oyeyemi’s new book, A New New Me, 1 panel of page 2
  • 4 short verses — the first 3 mostly “found” on one of the 3 page 1s, the 4th made out of the words from verses “1-3 that are “found” on page 2
  • a grid + hole in the top right corner with many strands of thread emerging from it to cover the words of the poem

The words of the poem:

verse 1: swap out the dead-eyed liturgy of doomed vision
for (with?) looks of shadowed magic

verse 2: Fall through the hole your eyes don’t see, land in a logic of blur and almost

verse 3: read sentences sliced in half, each one glitching just enough to scramble what is real and imagined

verse 4: in a scramble looks logic, eyes read blur as what is

one tiny cheat: even though I don’t use as in the first 3 verses, I added it to verse 4 because I needed to — can I keep playing around with this to make it fully work?

I would like to have this on my cork board before the sun begins streaming in the front windows. How will the shadows fall on the panels? What might the thread-shadows say? If this looks cool, I’d like that to be part of the poem.

I have the panels up on the cork board. I didn’t have time to do anything but mark where the found words go, but I was able to create some thread lines. Now I wait. And wait. And wait. It wasn’t until 7pm that the shadows began to appear. The ones from the threads weren’t as interesting as I wanted, so I started experimenting with other ways to make shadows. A flash of a thought: tape my blind spot on the window where the light is streaming in so it can cast a shadow on the paper. Yes! I had three templates, so I taped them all up. I want to play with this some more tomorrow — hopefully it will be sunny again!

3 holes taped on window, casting shadow on essay, close-up
3 holes taped on window, long view

may 18/RUNHIKE

run: 8 miles
around lake nokomis and back
62 degrees
humidity: 86%

A long run with Scott. 8 miles this week. It felt easier than the 7 miles last week. The only problem: my feet. About 4 miles in, I noticed my socks were bunching up and under the ball of my feet, which was painful and made me alter my gait. Next time: different socks.

I started the conversation with Alice in Wonderland and the scene with the Cheshire Cat; it’s an inspiration for my found poem about landing in the logic of blur and almost. Scott talked about his YouTube channel — the main one and one of his secondary channels that he jokingly created for one of the gnomes in our backyard. I also talked about shifting my perspective on my unfinished business problem: not trying to avoid it, but learning how to accept and manage it while I’m running. What else did Scott talk about? A lot, I just can’t remember what.

10 Things

  1. the green looked and felt greener, the brown richer and darker after last night’s rain
  2. birds! so much birdsong everywhere and all the time
  3. a mini-ambulance parked on minnehaha parkway, a Ghostbusters logo painted on the side
  4. an older man with a cane calling out to us as we ran around the lake — the birds are attacking me! Just then, a bird swooped down on him
  5. a little dog with a big, fluffy tail, shaking their butt as they walked
  6. the view of the lake from the cedar avenue bridge: completely still, the reflection of ascending plane travelling across it
  7. puddles — most of them on the lake trail
  8. stopping at the port-a-potty near the little beach: no toilet paper in either one
  9. more benches than last year set up around the stage at the falls — Scott guessed that they start out with a lot, but the number dwindles over the course of the summer as the benches get broken, I wondered if people stole them
  10. the view near the bench above the edge of the world is gone until next fall, now it’s a wall of green green green

hike: an hour
minnehaha off-leash dog park
61 degrees

The air was cool, but thick down in the floodplain. The ground was soft and firm, in some spots muddy. So many birds! I wish I would have had my phone and recorded them. Hardly anyone was at the park — because of last night’s rain? and today’s humidity? The few cars were all parked on the one side of the parking lot. No one, including FWA, wanted to be the first to park on the other side. The surface of the water was covered in some sort of scum. When we got closer we realized what it was: seeds.

dog names: Dolly (or Ollie), Squirrel, and ? — I can’t remember the name of the Corgi we encountered.

We talked about the social life of birds and Subnautica 2 and delighted in Delia’s joy. I noticed she seemed to be leaping more as she ran; we agreed that it was probably because of the firmer ground.

added the next morning: I forgot to mention the moss, or was it lichen?, that I studied on the side of some big trees down in the floodplain. Very cool — an intense green covering the soft and wet bark on one side, while dry and rough bark was on the other side.

The greens and browns were enchanting. So were the birds. And the quiet — so peaceful and still.

And today, after months of focusing almost exclusively on my “how I read”/ holes poems, here’s a bit of a beautiful poem from Tracy K. Smith:

God of Song/ Tracy K. Smith

My son listens into daylight,
head tilted, eyes tuned
past the range of  the seen.

What he seeks to see is
vibratory. A butterfly’s itch.
The pitch at which a mind

is freed to dart, spark, break
into flight. His gaze rakes space.
What does his ear see? Beads

of  breath rising from the body
of a bee. A whiff of rain batting
a new green leaf. I watch him—

What does his ear see? I like the images of hearing in this poem.

hole 4b

Yesterday, I spent some more time with my found poem inspired by a specimen board. It’s slowly coming together, but I have more work (thinking, executing) to do with it.

So far, I’ve cut the words out of the essay, leaving holes where they were. I printed out the words — in sizes according to their importance. I also cut out labels for each word, with the poem position and location. I need to figure out how I’d like to put the “board” on the panels — glue the labels directly on the page along with the pinned words OR make this board on a different page to be placed over the existing text. It would be easier (and less risky) to do it on a separate page, but I like the idea of doing it directly on the panels.

I took some pictures to document my progress:

here’s the board with the words arranged by size with their labels
Here are the 4 panels of the essay. The big space where there are no holes is where the “board” will be placed
I was inspired by the Manitoba Museum picture I posted the other day to take this one

Today, I began working on it some more, but it is dark outside today and I mostly rely on natural light to see in my studio space, so no more cutting or drawing or pasting for me today. Maybe it isn’t just the light; after my 8 mile run and hour long hike, I’m tired!

hole 3

Before running this morning, I thought a little more about another hole that is in the preliminary stage. The text involves the phrases, land in the logic of blur and almost and glitching just enough to scramble what’s real and imagined. I think the Cheshire Cat could be inspiration for these lines. How? Visually, I’m not quite sure yet, but I’m struck by the cat’s song at the beginning. The words sound like words, and they’re almost English, but they’re not quite. And the cat appears in varying degrees of visibility: just a mouth, a full body, indented footprints in the dirt.

“Most everyone’s mad here. You may have noticed that I’m not all there myself”

The caterpillar scene was about words and language and As, Es, Is, Os, and Us; the Cheshire Cat scene seems to be about finding your way when you’re lost in a world of nonsense and madness (where madness = beyond/outside of logic, upside down). Yes, locating and being located. Reading and language helps locate us and us locate/orient ourselves. I’ll think some more about how the Cheshire scene might inspire me.

may 15/RUN

3.3 miles
river road, north/south
68 degrees

Whew. Went out early — before coffee or any food — because it was already 68 degrees. The warm temps and unfinished business made the run harder than it should have been. Still, it was a beautiful morning, especially when I was walking and feeling the breeze. A lot of attention was given to making sure I didn’t finally have the poop story that most runner’s seem to have, so was I able to notice 10 things? Yes!

10 Things

  1. the welcoming oaks — green and tall, difficult to see anything other than the trunk
  2. the tree that looks like a tuning fork
  3. light shining on top of ancient boulder, which was empty of rocks
  4. a parks truck under the lake street bridge, workers up in a bucket doing something to the bridge, listening to music — a familiar classic rock song — was it Hotel California?
  5. the river, the air were still, quiet
  6. a flash of a sound below — was that a coxswain?
  7. a roller skier in a bright yellow shirt
  8. the mitten tulips are still up, near the trestle
  9. two older white women, dressed all in black, discussing nutrition
  10. the sliding bench seems to have slid a bit more, the green beneath has grown thicker and greener

holes

Last night I had a thought: create a visual poem that uses the image of bugs pinned to a specimen board as a way to critically express the idea of words trapped in fixed meanings. But, which NYer essay, which found poem? This morning, another thought: use the essay about the New York cemetery (Hole 4 / Still Green) and part of the poem that I had previously cut. Yes!

draft, previously cut text:

you
can’t
exhume
the
bodies
but
you can
make
room
for
life
in this place
where
the dead
are
interred

crack
open a grave
with
a
new
way
of
seeing (or reading?)

inspirations: a specimen board + Alice in Wonderland, caterpillar scene

Here are some examples of the specimen board from an article about bug collections at Manitoba Museum:

boards at Manitoba Museum
specimen drawers
the collection before processing/pinning

I could imagine this as part of an installation, with the words/phrases cut out individually and positioned in a heap with a label identifying them. The second image has the specimen’s in a drawer. I’d like ot experiment with that too — O have a jewelry box that might work for that, and drawers from an old optometrist desk. Fun!

I mentioned Alice in Wonderland as an inspiration because of how prominent making language strange is in this scene. Also, the bug connection, and the butterfly at the end!

Alice, the Caterpillar, and the strangeness of words

I came up with this idea because pins seem to be playing a prominent role in my visual poetry. They started as the temporary way to achieve the effect I wanted, but at some point I realized that they were another character in my visual story.

The question now: do I work on this now, or keep working on my blooms? Sara-this-second’s answer is: blooms first!

blooms / 15 may

may 13/RUN

5.6 miles
ford loop
60 degrees

Warm again this morning. I wasn’t planning to do the ford loop, but I wanted to run a 5k before walking so I just kept going south on the east river road and by the time I reached 3.1 miles it seemed too far to turn around. So I kept going and did the ford loop. My legs felt sore again (again = my 7 mile run with Scott last Saturday). Why so sore?

I think I heard the rowers on the river, but when I looked down at the water it was empty. Saw one roller skier. Admired the glittering waves below me as I crossed the lake street bridge. Ran near St. Thomas but never heard the bells. Bad timing, I guess. The wind was so strong on the ford bridge as I headed east that I had to take off my cap. I also had to walk with purpose so that I wasn’t blown over. Yikes.

holes

A few months ago, when I started working on my visual poems about how I read (holes), I decided to let myself be obsessed with it, to fall down the rabbit hole and follow it where it led me. I don’t normally do this because I like to be in control and I’m always afraid of being too much and of following a wrong path too far. I’m enjoying this experience — it’s so much fun! Even so, I do find myself missing reading more poetry by other people and writing non-visual poetry. Part of me is worried that I won’t/can’t find my way back there, but most of me is deciding to trust my urge to create what I’m creating.

This morning before my run, I made a few more flowers, then printed out the text of the poem to glue onto the essay. After the run, I glued the words and pinned the flowers. Here’s what it looks like so far. I’m thinking I need more flowers, but how many? They’re fun to make.

hole 5a with flower blooms

And here’s a close-up of the flowers:

flower bloom, close-up