Tag: water

july 2/SWIM

3 loops
lake nokomis open swim
83 degrees

What a wonderful night for a swim! The first loop was smooth and fast. I felt like a boat, powering through the water, my feet little rudders. I’m not sure what happened during the second loop, but it was much tougher. Water trying to pull me down, 2+ foot waves crashing over me. Did the wind pick up? Whatever happened had stopped by the third loop. Calm again.

note: I’m writing this list the next morning because I didn’t have time last night.

10 Things

  1. blueish green water
  2. clear, and bigger than usual, bubbles being made by my hands — translucent
  3. mostly the light was not too bright, until it was — at one spot, not far after rounding buoy 3, light suddenly illuminated the water in front of me and I saw a thin strand of something — hair? — floating in front of me
  4. a flash of silvery white just below me — a fish?!
  5. my reoccurring optical illusion: swimming back towards the big beach, I kept thinking I was seeing the silhouette of a lifeguard on a kayak — it was there, out of the corner of my eye, but when I passed it, it was gone — was a lifeguard there, or something else that I was imagining was a lifeguard — another swimmer? the tree line? a far off boat?
  6. before open swim began, encountering a guy who called out, doesn’t this water feel great! Then he started singing a Backstreet Boys song — I don’t think it was “I want it that way” but I can’t remember
  7. nearing a far buoy, experiencing that strange effect of the buoy always appearing far away, and me feeling like I’m swimming in place
  8. passing a swimmer doing breaststroke, experiencing that irritating effect of the swimmer seeming to speed up and me feeling like it’s taking forever to pass them
  9. maybe because of the choppy water or the light making it hard for them to sight the buoys, several swimmers were doing a mix of freestyle and breaststroke — a few strokes of freestyle, then stopping to look, then a burst of breaststroke, then freestyle again
  10. as is often the case, the water was extra turbulent and more crowded around the final buoy — a cluster of swimmers nearing it at the same time*

*I like to refer to this section of the swim as Mr. Toad’s Wild Ride. Mostly, I find it fun.

Earlier in the afternoon I printed out and posted the draft of a poem I wrote about 5 years ago that doesn’t quite work . . .yet. The current title: Look pal, this isn’t the sea. It’s about the joy I find in fighting the “waves” and the choppy water as I swim across and around the lake. The poem is up on my big cork board and I’m planning to gather together and post all of its references: facts about the lake, lines of poetry, the significance of particular words, etc. I don’t want to overwork the poem, but I do want to give a lot of attention to making it work. As I swam through the rougher water in my second loop, I thought about the poem and the fun I have in punching the waves and battling the spray. I prefer the waves crashing into me over the waves sucking me down. The former requires strong shoulders; the latter demands frantic kicks.

The overall vibe of last night’s swim was strong and steady. Stroke after stroke after stroke with little kicks beginning with my hips. 1 2 3 4 5 breathe right and 1 2 3 breathe left and 1 2 3 4 5 6 breathe right and 1 2 3 4 breathe left. My feet, relaxed, shifting slightly to adjust my direction.

laked words / laked forms

written earlier in the day: Yesterday, while writing about an podcast interview with Moheb Soliman, I posed these questions, How do rivering words look different from laked ones? What else do lakes do, besides pooling? I was reminded of that question, when I encountered what I wrote on 18 august 2025:

Later in her process notes, Hartigan describes the three forms she uses in her book:

The forms I arrived at became a way of moving with different paces in time, moving in primarily three different forms/paces: hour entries which are prose-like and which move at a slower loosely-shadowed mental pace that allows for sentences; second entries which are like little insect legs notching forward with alliteration and gap-jumping nonlinear narratives; and a variety of lyrics that often use the slash as an entrance. They work together and of course the forms mix and disrupt their own boundaries too. The slash was important to my mental movement. 

Very cool. I’m thinking about my own forms and how to express different modes of swimming in the lake. Inklings, which is the chapbook I’m working on, are short 5 syllable, 5 line, flash encounters with the lake. Brief glimpses, approximations, things witnessed in the midst of motion. Then I have some shortened sonnets — 5 syllable 14 line poems represent more sustained encounters. What other form to use, and what does it represent?

—

I imagine inklings as changing form slightly (line length, syllable count) depending on the type of water. On and in the lake, my inklings are 5 lines / 5 syllables because that is my stroke/breath pattern. It is different in a pool (I switch up my strokes more), and, if I swam in the sea, I imagine it would be different, too: shorter — 2 or 3 strokes, then a breath, as I navigated the choppier water.

The inklings in my chapbook aren’t just about a type of water, but are specific to one body of water, Lake Nokomis, and one organized activity in that water, open water swim club. I would like to gather details about open swim and the lake for my further reflections on my inklings.

Another thought that I don’t want to forget that I had while reading my entry from 18 aug: For this year’s “Swimming One Day in August” challenge (24 non-consecutive hours of swimming during the month of August, partly inspired by M Oliver’s poem of the same name), I want to return to time and clocks and being inspired by Endi Bogue Hartigan and on orchid o clock.

note: As I work on this, I am overwhelmed. I have so many ideas, so many experiments to try. It feels like I should write something BIG, but there’s too much to read to write to do. I’ve been trying Annie Dillard’s bird by bird method: slowly archiving one thing then another thing then another (see my How To Be project for my ongoing efforts). I think what I’d like to do now is something (fairly) straightforward: 1. Collect all of my summer/swimming log entries in one document 2. Do a rough edit (cut out non-swim and non-water bits) 3. Do another rough edit and another.

more HOMES / Moheb Soliman

walking a beach : moheb soliman

I’ve also typed in the text without the proper spacing, which is too fiddly to do on wordpress:

Walking a beach a drive away from Oswego

Algae break water webs of puce the shoreline lipstick left by
the lake on lovesick miles of napkin good-bye Fudgies snap your towels
of assy sand make the kids chase down the wrappers I’ll replant their
gutted hawthorn and piss off the beach fire from the driftwood
it’s time we got back to work consummate vacation fuck the lake
no love to salvage memories of drinking each other completely
empty of their taste better to forget the acrid pics of summers luxuriating
with anything precious fenced the lifestyle we desired here
the zoos of microenvironments the patios crawling out of the mudflats with
the frogbit floating in impenetrable mats the glass pole dance of dusk
slick stage left just hold your liquor and keep down the zebra mussel-
sucking noise when the speckled black other shoe drops just look away
vacate the promises

2

As I read this poem, and some others in the collection, I thought about something else Soliman said in their interview:

And as far as the writing and the editing, you know, I just am such a convoluted writer sometimes and like I feel like a really sometimes poetry from your writing is like a problem solving, you know, like, how do you just stack this house of cards up enough to sit and just back away before it falls down?

Just enough to not collapse. This idea reminds me of a game I play with myself: how much data/information do I need to “see” something? The version of this game that I play in the water is: how many times do I need to sight the orange or green buoys in order to stay on course? The answer: not many! I’d like to play this game on land, with words. How little can I write/say and still communicate how/what I’m seeing or feeling or experiencing? Beyond a game, as my vision continues to decline (the end point: no more central vision) and my ability to read decreases, I must rely on fewer words. I want my poetry to reflect that economy.

experiment: Take an existing poem that I’ve written and try to take as much out of as I can without it losing its meaning. I think I’ll start with a favorite poem that has never quite worked: Look pal, this isn’t the sea. A further thought: put the poem on my board, along with all of my thoughts, log entries, poems/lines from others about it. Gather as much information as possible, put it on the board, then condense it. Condense!

Poet’s work/ LORINE NIEDECKER

Grandfather   
   advised me:
         Learn a trade

I learned
   to sit at desk
         and condense

No layoff
   from this
         condensery

What a master of condensery L Niedecker was!

2 — better to forget the acrid pics of summers luxuriating
with anything precious fenced

acrid pics — looked up acrid to double-check meaning: “strong, sharp, unpleasantly biting smell” and “bitter in language/feeling” — tried to remember, did polaroids smell? Yes, a distinctive warm, chemical smell. Is his use of acrid here a deliberate conjuring of polaroids? I grew up with polaroids, and using the word acrid offers a much more visceral reader response than just pics or pictures. And acrid as bitter — some regret over what happened/didn’t happen on those summer trips, over not being on vacation anymore?

anything precious fenced — here I’m thinking of Alice Oswald’s description of the sea as unfenced in Nobody: “If you want to imagine the colour of Odysseus’ gown you will have to swim out into the unfenced place, the place not of definitions but of affirmations. ” And, I’m thinking about lucille clifton’s “unfenced is” in “All Praises.”

I’m also thinking about Soliman’s own critical (as in, seemingly negative) use of the word “precious” in his interview:

I was just doing a lot of, like, site, I don’t know if the word would be site-specific writing, you know, just writing on the go, you know, like showing up and wanting to capture a place and not feeling too precious about capturing it because really being there was so, like, sublime, you know, it was just so amazing and seeing such, like, really beautiful hidden pockets of the Midwest and, you know, these, like, oceanic spaces, you know, where you wouldn’t think, you know, Michigan would offer that or something.

and

A lot of these poems are these justified text blocks with like, internal line breaks. And a lot of them started as lineated poems. Uh, and I just liked the ones that weren’t like that more because I felt like line breaks were too precious sometimes.

Just in poetry, not just mine, but sometimes I just kind of bristle at line breaks, you know? Um, they make, yeah, sometimes they make poems feel too precious. And I wanted this to have a bit more of a, like, robustness, you know? That they’re, they kind of just sit there on the page, you know, like a paragraph, you know?

july 1/RUNSWIM

4.6 miles
veterans home
74 degrees / drizzle?
humidity: 89%
dew point: 69

Woke up at 6 am to get in a run before it rained, then heard thunder. Bummer. Had to wait until 9. When I left, the sun was coming out but a mile in, the wind picked up. Did it start drizzling or was that just dripping trees? I think it was a little of both.

It was hot and difficult and I wasn’t sure how much I’d be able to do when I started — 2 miles? 3? — but then I just kept going and it kept feeling a little more doable. Just make it to southern entrance to the Winchell Trail. And, just make it to the locks and dam parking lot. And, just make it to the top of the Wabun hill. Once I got to the top and kept going through Wabun park, there was no turning back, just through the grounds of the Veterans home and over to the falls then north on the river road to home.

10 Wet Things

  1. big puddles on the sidewalk
  2. smaller puddles on the path
  3. muddy ruts
  4. dripping trees
  5. dripping ponytail
  6. soaked shirt
  7. roaring falls
  8. gushing sewer pipe
  9. whooshing wheels
  10. damp face

Early this morning, while making breakfast, I listened to a podcast interview with Moheb Soliman whose book, Homes, I’ve just started reading. Love it! I think I’ll buy this book as a birthday present to myself!

In the interview, the interviewer mentions another poet who I’d also like to check out: Cecily Nicholson. Cecily Nicholson: interview + book, Crowd Source

Also in the interview, Soliman reads several of his poems, including this one:

Great Lake Swamp come heavy-use wetlands:
powers of Toledo origin song

Who let this wetland wet / Who cut this little inlet / Laid the hill for golden
hours / Fit the logs with the salamanders / Foretold the lichen and the mosses
/ Who offered the wildlife crossing

Along this promenade I sing / about how the world’s made / my behorned
serenade to nobody but

Who wet this aggregate / Who raised this bamboo deck / Who had these
grasses mown / Who made the birches grow in groves / Who made this prairie
seric1 / Carved out a space for heron

This is my behorned little dirge / I sing along this little bridge / about how this
little world’s birthed by no body but

Who left this river wet / Sowed the embankment / Set the grade for the slope
of the island / Spawned the minnows to feed the walleye / Who knows the
ripples till flood / Who reads teh dried-out flats of mud

About how the world’s mocked up / I sing along this ply boardwalk / This is
where the trombones stop

for nobody / By no body but / you local / No melody but vocals / As is / La la /
La li / La las / La lis / As is

Who let this wetland wet? I love all of these question about the creating of a place. I frequently think (and ask) about how the paths I run on, the lakes I swim in, were made what they are by people, particularly the city of Minneapolis and Minneapolis Parks. For years, I’ve been studying the documents and the places to find evidence of this creating and shaping.

Before reading the poem, Soliman says this:

And this is a big part of our discourse right now that, you know, humans aren’t separate. I mean, I have a really hard time kind of following that to the end, because I do feel that there’s a profound difference in how much we are able to control and shape that world to the point where we’re not really a part of it in the same organic way that so many other parts of it are, you know, and a lot of the poems like sometimes absurdly, you know, and I mean, I could even read some of those like, but absurdly play with that idea that, you know, we created this place, you know, the hiking trail, like it is actually, it’s not just some natural path.

You know, there’s a lot that has gone into making you feel that you are here at one in a harmonious, quiet moment in the woods or on the lake. And, you know, so our hand is like so strong in those places, and it would be really, like, naive to just write a poem about being out in the woods without also being aware about, of how we came to that place, and how humans are really, uh, yeah, sort of different and yet a part of.

Commonplace interview with Moheb Soliman

I was prompted to find this interview because I wanted to hear Soliman read his own poems; I hoped that might help me understand the strange spacing of the lines. He addresses this desire directly in the interview:

A lot of these poems are these justified text blocks with like, internal line breaks. And a lot of them started as lineated poems. Uh, and I just liked the ones that weren’t like that more because I felt like line breaks were too precious sometimes.

Just in poetry, not just mine, but sometimes I just kind of bristle at line breaks, you know? Um, they make, yeah, sometimes they make poems feel too precious. And I wanted this to have a bit more of a, like, robustness, you know? That they’re, they kind of just sit there on the page, you know, like a paragraph, you know?

Yet, I still love, like, the wordplay of, like, enjambment, and, uh, so, I came to a point where I thought, well, either all of these have to be these text blocks, or they just all need to go to lineated. And I spent a lot of time, like, reworking so many of them into these text blocks. And at one point I was really terrified that, like, I’ve made the reading experience really hard for people.

I don’t know, because to me, I’m just so familiar with them. They’re really, I see them in my head and I understand how they move, like, you know, orally, you know. So, it’s part of the reason I, like, really appreciate the chance to read them, because I feel like if I can just get my voice into someone’s head about the book, it’ll just make the rest of the experience, you know, easier.

Very helpful to read this, and to hear him read his own poems. The next thing he says is also helpful, and is sparking some new thoughts on (my) forms:

A friend of mine kind of made this interesting point where they sort of, like lakes, like on the page. They just kind of pool there with some like, gaps. And I think she was kind of first saying how the poems have a real flow. And then we were talking about how poems sometimes really feel like rivers, you know, and without really meaning to, I kind of forced these to have a bit more of like a lake, like, you know, here they are, in one place, and there, there’s the pooling, you know, that’s happening.

Oh — I want to think about this some more! How do rivering words look different from laked ones? What else do lakes do, besides pooling? They settle, shimmy in place . . . . This question is an excellent one to think about and to go back into my log to find some answers!

a few minutes later: they sink and sour and are stuck, still, stagnant, unstirred. Could it be that lakes, more than oceans or seas or rivers, are about what’s at the bottom, what sinks down, unmoved by currents? Stale and stymied. Layered and sedimented, cyclical – circular

plastic project

Since March, or was it April?, I’ve been collecting the plastic that we use for some unspecified future project. It started with old freezer bags, but expanded to include grapefruit, zucchini, and mini cucumber bags. Now I have sandwich and pita bread bags and the plastic bags that covered the new fan I recently bought. My favorite one: the plastic shell my new googles came in, which looks like another pair of clear goggles.

Definitely in April, I began deconstructing the freezer bags — cutting off the bright blue (zip) locking part, cutting open the clear plastic, then cutting out the white label. Last week, I decided I wanted to use the blue zip lock parts for some sort of visualizing of the lake. Maybe a big map of a lake nokomis loop? My first thought was to connect the strips together with thread or tape, but that didn’t really work. This week, another idea: shred the plastic! I tried to do it in the paper shredder, which would have shredded it almost instantly, but that wasn’t working. So, instead, I’m using my mother-in-law’s old silver scissors and snip snip snipping the strips. This snipping labor is reminding me of the satisfaction I got in the winter from drawing and shading in circle after circle on my New Yorker essays. There is something therapeutic about using my hands in this repetitive task, but also something that encouraged deep, creative thinking. These blue plastic strips are also satisfying to scoop up and sift through my fingers. Will these plastic blue shards become part of my map, or just the process that leads me to that map? Time will tell.

from the zip on a freezer bag to shards of blue lake
  1. seric = silk ↩︎

A few other thoughts:

As I cut up these little shards, I thought about all the plastic that ends up in the lake and an ocean and my organs and tissues and bodily fluids. Yikes!

As I accumulate more and more plastic I wonder: how can I stop using so much plastic? First step: stop using ziploc bags for storing my half used produce! Make my own bread? What else?

Telling Scott about my shards last night, he suggested trying to (just barely) melt them. In one of my bouts of insomnia I looked it up and found some suggestions, but not for what I wanted. In the various sources, toxic fumes was brought up more than once. Also: homemade shrinky dinks.

They are not the same texture, but I have some great green plastic — from zucchini and cucumber bags, and from the plastic wrap on two olive oil bottles. I’d like to mix some bits of them with the blue and see how that affects the color. Could I melt these together?

swim: 3 loops (6 mini)
cedar lake open swim
84 degrees

A calm and warm lake! Wonderful for swimming. I did 6 cedar loops without stopping. or only stopping mid-lake to adjust my nose plug. I noticed orange and pink buoys. Was mine the only yellow one? A few vines wrapped around my head and shoulders as I returned to the first buoy. The water was green-ish. The only fish I encountered were little minnows near shore. My bubble friends trailed below and in front of me.

overheard, one lifeguard to another — I told him he needed to head over to lake nokomis to pick up his swim cap.

A uncapped swimmer was out in the middle of the lake, some more uncapped swimmers were lurking at the far orange buoy.

Anything else? I felt strong and smooth, and often the swimming seemed effortless. Even so, I was glad to be done at the end of the 6th loop.

june 30/RUNSWIM

run: 3.25 miles
2 trails +
75 degrees
humidity: 77% / dew point: 68

Hot! And not too terrible. Yesterday morning, walking to a coffee shop in the heat and humidity I felt like I struggled to breathe but today, when it’s almost as hot, I didn’t struggle at all1. As I ran above, I listened to my “Doin’ Time” playlist. Below, I listened to water trickling out of the sewer pipes and the occasional voice and the cars driving by. I noticed puddles and some wet dirt (it briefly rained earlier this morning). I thought about how fast the summer is going by and if I encounter any coyotes or the den that I’ve seen signs about.

No rowers or roller skiers or regulars. No poetry or flashes of inspiration. And that was fine with me. I was relaxed and free and happy to feel how strong my legs and back are, thanks to several weeks of solid swims.

A week or so ago, I discovered Moheb Soliman’s Homes, a collection of poems about the Great Lakes. I requested it from my local library and picked it up on Sunday. Here’s one of the first poems:

from Homes

At Point Pelee–Leamington,
Sandusky–Cedar Point / Moheb Soliman

This beach has more than two sides
more than the lake and the parking lotmand cultivated and sandwiches farms
and kiosked
aside it
and defies properties
I’ve peed
behind every sorta flora
scared away all kinda fauna
I crossed the lines
of r&r
to bridge the banks of main and head streets and waters
I tried myself
had myself
washed ashore to hamlets
faceup
the whole time
my figure
a petty viaduct only shallow beach could love
I swam each day I changed
myself in the Corolla
and diaspored
footfalls of mollusky sand all over the motel districts of Canuck Sanduskys
where in touch more
with
nature’s what they are
more
than
amusement
or
national park
and
lark
Cedar Point and the
tip
this land does not come to
two
states
means ends
nations
and defies commodity
recreation’s and conservation’s
this place
has
more
than
the
all-night
or
primitive drive-thru and the camping
this whole time my body held in feet
of surf
not diverting to the water
or exiting
but bridges fail all the time nothing new
bridges are being built and rebult
all over these lakes
adding sides to
no end
defying the accounts of travelers
homing in
pointing out
we came in off the water
not really having been
out there
you come out of the water turn right
around get back in there
I’m going out to the water
never really having left there

I wasn’t sure how to keep the spacing with my typing, so I took a screen shot of the page (see above). I’d like to hear the poet read one of these poems to get a better sense of how to understand their spaces….I found them reading it!

Does this help? I’ll hav to listen a few more times, and read more of the poems in this collection. I should also watch this:

So much to think about in this short prose poem. Today, if I can remember as I am battling the wind and the waves, I’d like to think about these lines:

but bridges fail all the time nothing new
bridges are being built and rebult
all over these lakes

There are literal bridges and metaphorical bridges and metaphor as bridge. I want to think about the bridges in the ending lines:

we came in off of the water
you come out of the water
I’m going out to the water / never having really left there

swim: 2 loops
lake nokomis open swim
90 degrees

It didn’t seem windy but, wow, the water was wild. Very choppy, with an undertow and lots of waves. Mostly I breathed on my right side and did as much punching of the water as stroking. Rounding the buoy during the second loop, a lifeguard approached and called out, we need to evacuate the water! head to the beach! I wasn’t sure what was happening, but I didn’t ask, just swam to the beach. A few minutes later, we all heard a lifeguard tell everyone that the open swim course was just for open swimmers. Then another lifeguard (or was it the same one?) call out, there was a distressed swimmer, but we were able to help them. I’m not surprised that someone was distressed out there; it was rough. I didn’t mind how rough it was, but I didn’t want to blow out my shoulder with another loop. So I stopped after two. I told Scott that June is for being cautious as you build up your muscles, but July is for pushing yourself to keep going. July doesn’t start until tomorrow, so I’m fine with stopping tonight.

I had wanted to think about bridges and being on the water or in the water or out at the water, but I was too distracted by the waves and the need to give attention to breathing and not swallowing water and delighting in the fun of fighting the waves and winning.

A question to ponder: will this be the week (the month?) of choppy water? I don’t mind having a few choppy days, but I hope the water calms down.

  1. Just checked and the humidity was worse yesterday, 89%, so I guess that could have been why it was harder. ↩︎

june 24/SWIM

5 cedar loops (2.5 nokomis loops)
cedar lake open swim
76 degrees

A wonderful swim! No numb fingers, no worries about being too cold or cramping or running into thick thatches of milfoil. A little choppy, but no waves crashing over me. During loop 4 or 5 I stopped to tread water for a minute at Hidden Beach while I adjusted my nose plug. As I kicked my feet, I could feel the vines reaching up, touching my toes and heels.

I don’t recall seeing or feeling any fish. No stray vines that wrapped around my shoulders either. I was routed twice: once by a lifeguard on a kayak who incorrectly (imho) thought I was swimming off course, and once by a swimmer taking a sharper angle than I was. Both times I had to stop my stroke. I didn’t care.

I felt good when I was done, like I could have done another loop or two. I delighted in all of the bubbles surrounding my hands. I wondered how close to the oncoming swimmers one swimmer was going as I tracked his cap, his buoy, and his frothy kick. I stopped several times to adjust my new nose plug.

Earlier today, before the swim, I was reminded of these lines from the wonderful poet/swimmer, Maxine Kumin:

from “Morning Swim”

the beat
rose in the fine thrash of my feet,

rose in the bubbles I put out
slantwise, trailing through my mouth.

My bones drank water; water fell
through all my doors. I was the well

that fed the lake that met my sea.

I didn’t think about these lines as I swam, but I did give a lot of attention to my feet and my kicking legs as I moved. Did I notice a beat? Would I describe the kicking of my feet as a fine thrashing? I like the idea of my bones drinking water. It reminds me of the lines from Alice Oswald I re-memorized last week: giving water the full weight and size of myself in order to imagine it, water with my bones, water with my mouth and my understanding.

unravel (this morning)

Watching a behind the scenes video for Olivia Rodrigo’s “The Cure” (it’s very cool to see how they created the red thread unraveling effect) and heard these lines: Why can’t you come stitch me up? I suddenly thought about Emily Dickinson and her lines about seams and stitching. Then I thought about Homer’s Penelope and how she wove the funeral shroud for her father all day, then unraveled it each night, to trick her suitors.

tag: aquatic plants

This morning, I’m searching through past entries for mentions of milfoil and tagging the entries with “aquatic plants.” As I read through the entry for 10 july 2025, I found this description:

Sparkle friends, bubbles. an orange glow off to the side, marble legs, ghostly milfoil, blue sky with a few clouds. Above: blue water, below: a light greenish-blue. An interesting effect: looking up blue, down below green.

10 july 2025

It made me think about my chapbook, inklings, and how to talk and write about it. In it, I have brief poems about my sparkle friends, bubbles, ghostly milfoil. In other entries, I’ve written more about marble legs and the orange glow off to the side. Could I expand on inklings through my waterlogged project? A book-length manuscript combining poems with the descriptions of lake experiences that inspired them? Could Mary Oliver’s Long Life be an inspiration for this project?

Here are a few more bits from my reading through milfoil entries that I’d like to remember and play around with for the rest of this week:

1 — rumors whispered by bubbles, spread through nets of ghostly vines (4 july 2025)

Alice Oswald’s nobody and pondering a word, rumor/rumour:

what kind of a rumour is beginning even now
under the waterlid she wonders there must be
hundreds of these broken and dropped-open mouths
sulking and full of silt on the seabed
I know a snorkeller found a bronze warrior once
with the oddest verdigris* expression and maybe
even now a stranger is setting out
onto this disintegrating certainty this water
whatever it is whatever anything is
under these veils and veils of vision
which the light cuts but it remains

unbroken

*verdigris: a green or bluish deposit especially of copper carbonates formed on copper, brass, or bronze surfaces

A fun rumor to make imagine believe in spread: maybe your brain, or some part of your brain, or your breath, or some other part of you that is not (only) you, has secret conversations with the water in which the water reveals the location of the buoy and the part of you that is you but not (only) you guides you towards it. Of course, this only works if you listen, which I have learned to do. Can you?

rumour (OED): 

General talk or hearsay, not based on definite knowledge

General talk or hearsay personified
1600: “Open your eares; for which of you wi’l stop The vent of hearing, when lowd Rumor speaks?”/ W. Shakespeare, Henry IV, Part 2 Induct. 2

Clamour, outcry; noise, din. Also: an instance of this

To make a murmuring noise

This last one — to make a murmuring noise — reminds me of the idea of bubbles speaking to me in a soft, faint, bubble-whisper. And now, I’m thinking of a book that I checked out of the library years ago: How to Read Water. Since the ebook is available, I just checked it out again! What are water’s languages?

Back to Alice Oswald’s words and her bronze warrior. Have I written about these particular lines (I’ll check later)? I’m thinking of the ghosts — people who drowned, objects forgotten or carelessly discarded — on the bottom of the lake. What do/can they say to me? Do their messages travel through the pale milfoil that stretches up to the light?

2 — a lake is not as wild as the river or the sea, but it’s wilder than a pool (9 july 2024)

An open water slogan I’ve seen before: no walls. No lane lines or lanes. But, this isn’t Homer’s sea, Alice Oswald’s unfenced purple. There are shores in sight (well, mostly in sight) and only vines, fish, and swan boats to encounter. No sharks or motorized boats or big waves. Does that mean the lake is all routine? Safe, steady, predictable?

from A Swim in Co. Wicklow/ Derek Mahon

Spirits of lake, river
and woodland pond preside
mildly in water never
troubled by wind or tide;
and the quiet suburban pool
is only for the fearful —

no wind-wave energies
where no sea briar grips
and no freak breaker with
the violence of the ages
comes foaming at the mouth
to drown you in its depths.

Lake Nokomis is affected by wind and watermilfoil reaches out to grip me near shore almost every swim. No, it’s not the sea, but it’s also not a suburban pool.

In the lake, you can’t see much, either above or below. Above: water, vague trees, sky, sand. Below: your hand, ghost vines, silver flashes. No bottom, just void, nothing, or something not-seen. 

In an essay about open swimming in the sea, Lauren Groff (love her writing and her awesome Olympic triathlete sister!) writes:

There is danger, a great deal of it. There are sharks that circle her. They wait. Their teeth shine in the murk. Their bodies lazily trail her shadow as it darts over the coral reef. 

Lake Nokomis doesn’t have sharks. It has uncertainty, mystery, a floor only 15-20 feet below scattered with things we can’t see because the water is stirred up, murky. I wonder, which is scarier? Swimming above sharks you can see, or above a nothing that could be anything that you can’t?

swim: 3 loops
lake nokomis open swim
75 degrees

A few hours before open swim started, the sky unzipped and it rained hard. I think that might be the reason the water was so full of vegetation: whole vines, chunks of vines, and some green slimy substance. Gross! Before I realized what was happening, I swam through the slime — bright green, soft but not in a pleasant way. I’m glad my mouth was closed and I had a nose plug in. Hopefully it’s not toxic. In the 10 years I’ve been doing open swim, this is the first time I’ve experienced anything like this slime. I almost stopped after one loop, but decided to swim 2 more.

added, 10 july 2024: Reading back through my description, I wanted to add that I didn’t just swim through one random patch of this green slime. It was everywhere, all around the lake. Starting the first loop, before I realized the slime was there, I recall feeling something on the side of my head and wondering if some of my hair had escaped from my cap. No — I think it was some of the slime. The first loop was the worst, but for every loop, I could see it, often below me, but sometimes near the surface.

Okay, against better judgment — mine and Scott’s — I looked it up and it might be blue-green algae, which could be bad and make me sick. Hopefully not. Probably not. If were blue-green algae I think someone would have seen it and they would have cancelled open swim. Future Sara will let us know. (note: future Sara added an update on the original entry)

3 — working on inklings (1 aug 2025)

Today I’m working on more swimming sonnets and Inklings. Some subjects: water quality, blue-green algae, milfoil, water as the medium, loops at lake nokomis are actually triangles, the color of the water, Alice Oswald seeing self in water, again and more darkly, Mary Oliver and the deepening and quieting of the spirit

note: I should look for the pages document in which I might have drafts of some of the poems that I didn’t use!

4 — some poetry lines (12 june 2020)

O for the rising ozone, the dropping oxygen, for algae overblooming like an omen or an oracle.
(from O/ Claire Wahmanhom

5 — a ramble on lake water testing (14 aug 2025)

a ramble on lake water testing

A revelation just last week. Minneapolis Parks tests the lake water weekly, and testing the water is better than not testing the water. But the slow and rigid system of testing only on Mondays and getting results on Tuesdays (e-coli) and Wednesdays (algae blooms) combined with the fickle changes in quality based on weather and other environmental factors, means the testing is not very accurate for what the conditions are at any given time. On an abstract level, it seems obvious to me that you can’t rely on tests to guarantee safe water, but on an experiential level — that is, being in the water swimming for over an hour at a time roughly 6 times a week for 11 summers — I needed an unquestioned faith in those tests and the park’s ability to let me know when it was/wasn’t safe to swim in order to get in the water.

And, mostly it is safe in the water. And it is clean. I get very irritated when someone who doesn’t know what they’re talking about says to me, eww, how can you swim in that dirty water!? Minneapolis Park workers and volunteers do an amazing job of keeping the water quality high. And this is partly due to their regular testing. But, these tests can’t guarantee anything.

What am I trying to do here? I’m not blaming the parks department; these tests are expensive and it would be difficult to test regularly enough to keep up with the quick shifts in wind and rain and the groundwater problems (like unstable sewer systems) that have existed from the beginning of the lake’s modern shape in the 1920s when workers excavated peat and used it to build up the surrounding neighborhood. Not to mention climate change and erratic weather and an excess of nutrients getting into the water from lawn fertilizers. And people feeding ducks who poop in the water which increases the amount of e-coli. No, I think Minneapolis Parks, especially Minneapolis Aquatics, are amazing.

All of this is complicated and messy with no easy answers. And it’s scary. I’ve been wondering for a few years when it’s going to happen — because it seems inevitable that it will happen — that lakes will no longer be safe to swim in, unfiltered outside air will no longer be safe to breathe. And this is how it happens, I think. Not all of sudden, but slowly. More days with bad test results and beach closures. Or inaccurate test results and water that is pea-soup green and slimy and that might get you sick.

I suppose this last paragraph sounds depressing, and it is, and also it isn’t. I love swimming in lake nokomis, and I would do a tremendous amount to keep swimming in it. Maybe it’s time to figure out what I can do to help keep it safe.

6 — in the still water of a lake, land will try to reclaim water (5 july 2025)

. . . ponds and lakes are far from permanent; rivers will tend to grow naturally with time as they do their own excavating, but the opposite is true for still water. Unless ponds and lakes are given some help, they will all eventually return to land, It starts with algae, then the rushes and other shallow water plants getting a foothold, and this allows sediments to gather, water turns to wet mud, and a reinforcing cycle begins that culminates in the water losing the battle against the encroaching land.

How to Read Water/ Tristan Gooley

june 22/SWIM

3 loops (6 cedar loops)
cedar lake open swim
77 degrees

Summer! A beautiful night for a swim. Hardly any wind, warm sun. There were lots of swimmers with yellow and pink buoys. Someone was playing dance music over at Hidden Beach. As I rounded the far buoy during loops 5 and 6, I did several breaststrokes so I could listen. A few very long milfoil vines stretched up from the bottom, which is much deeper than lake nokomis.

I recited some of my favorite lines about swimming from Alice Oswald’s Dart. He dives, he shuts himself in the deep soft-bottom silence — I forgot to recite the next line, which underwater is all nectarine, nacreous — and jumped ahead to, he lifts the lid and shuts and lifts the lid and shuts and the sky jumps in and out of the world he loafs in. I couldn’t quite remember how the next line started, but now I do: Far off and orange in the glow of it he drifts. Love those lines!

10 Things

  1. a swimmer wades in the shallow water near the buoy waitint — to warm up? to get the courage to swim across? to take in the beauty of an early evening?
  2. bubble friends! more of them, below me
  3. a tapping on my toe as I rounded the far buoy — was it another swimmer? a fish? something else? who knows
  4. music, laughter, lots of chatter at hidden beach
  5. all I could sight on the way out was the red kayak of the lifeguard
  6. all I could sight on the way back was the break in the trees
  7. a few spots of glimmering surface
  8. the orange buoy at hidden beach was rarely there and when it was, it was only an orange dot, or the idea of an orange dot
  9. the orange buoy at point beach was muted and covered in shadow — I never saw it from far away, only when I was pretty close to it
  10. strange undercurrents in the water — something disturbing the water — sometimes it was another swimmer, sometimes it wasn’t

A great swim. I did one more loop than I did last time and never really stopped — other than the brief seconds when I readjusted my nose plug. In the later loops, my feet felt a little strange. Were they about to cramp? I paused and treaded water as I assessed them.

Found this in my entry from 2025 on 22 june — the return of my “On This Day” practice!:

Saturday 6:30 a.m. Swimming.

Red water plants waver up from the bottom in an attitude of plumes. How slow is the slow trance of wisdom, which the swimmer swims into.

“An Essay on Swimming” / Anne Carson

Thinking about the Eurasian Watermilfoil (milfoil) at Lake Nokomis, It does not waver in an attitude of plumes. It is a thick thatch, choking out the light, wrapping itself around arms, legs, shoulders.

Thinking more about the Eurasian milfoil, I recalled looking it up and posting some information about it a few years ago. I searched, and found it: 5 july 2024

aquatic plant management

“A few days ago, I looked up information about the vegetation/vines that I swim above in lake nokomis. I looked them up a few years ago, and recall learning that they were milfoil, but this summer I started doubting that I was remembering the name right. I was! There are two types of watermilfoil: 

Eurasian watermilfoil : invasive, choking out native plants
Northern watermilfoil: native, food for the fish

On the Minneapolis Parks’ site, they describe aquatic plant management, which was fascinating. The most effective way to control Eurasian watermilfoil is to harvest it, either with a mechanical harvester or by scuba divers (!). The mechanical harvester, which from what my bad eyes can see is a boat with a big spinning blade

removes plants that are in the top four to six feet of water. The harvested plant material is removed from the water and stored until the end of summer when it is brought to the Minnesota Landscape Arboretum to be used as organic fill for their operations. 

Aquatic Plant Management

The scuba divers, who only do this on Wirth Lake and Lake Nokomis, hand-pull the watermilfoil in areas that are inaccessible for the mechanical harvester. I wonder what areas are inaccessible and if I’ve ever witnessed the scuba pulling and not realized it. Very cool!”

Looking through the page today (2026), I noticed that they have a harvesting map for 2026. I also read on the aquatics plant management site that harvesting happens (roughly) from memorial day – aug 31st. I decided to send Minneapolis Parks a message and ask if and when they were planning to harvest the milfoil this summer. Hopefully they will answer, and hopefully it’s soon!

In the meantime: I will avoid that area! And maybe, I’ll try thinking about entanglements and knots and being tethered in ways that restrict, bind, limit. Or, I’ll think about weeds and invasive species and lake vegetation and how and why it overtakes lakes.

a note from Sara-this-second and Sara-since-Saturday and Summer Sara for Sara-sooner-or-later Listen lady, we are taking a break from reading and holes and Alice in Wonderland. We want to be immersed in water — waterlogged and water-logging! Come back in the fall!1

  1. I want to finish my May monthly challenge summary this afternoon and then shift into re-reading my favorite swimming/water poems and working on my waterlog project and returning to Alice Oswald and Anne Carson. ↩︎

june 20/RUN

6 miles
hidden falls loop
61 degrees
humidity: 77%

The sun and the humid air made it feel warmer than 61. If only it could feel like this tomorrow during open swim — warm, that is. A quiet, calm morning. Not too crowded on the trails or the roads. Lots of dappled light, flickering leaves. The only time I remember looking at the water was when I had just started crossing the ford bridge. I could see the dark reflections of the fir trees on the water.

I wore my bright yellow shoes. Today, they didn’t feel so bad. Before I went out for my run, I studied the bottom of my shoes. The Brooks Ghosts are already starting to wear down near the big toe, but the Saucony Cohesions and Rides are not. So, do the Ghosts change where I strike my foot, or are they just thinner at that spot? One day I’ll get my stride evaluated by someone at Mill City Running or another local running store.

I did some variations on the Galloway method (90 sec run/30 sec walk). I started with 15 minutes of running, then 90/30 for some time, then 3 min/1 min. Next time I need to commit to just running 90/30 the entire time and see what happens.

Right as I began running, I looked far ahead at the small circle of light at the end of a tunnel of sidewalk and trees. I thought about Alice and her view as she first falls down the hole:

down
and down

Watching this again, I remembered the light from above being brighter. Oh well, I still like it as inspiration for my hole series. Does it work for blur (see below)?

A few times, I recited “We Grow Accustomed to the Dark” by Emily Dickinson as I ran. Not sure I ever made it all the way through; I was distracted by the sound of a skateboard or the flash of a leaf or the feeling of sweat dripping down my face.

As I ran by the empty benches near the Ford/Power Plant overlook, I imagined biking here on some other day and sitting and reading a book, or writing or poem, or taking in the world around me.

10 Things

  1. loud music — dance? techno? — booming from a bike speaker
  2. a sprinkling, tinkling sound — was it falling water or rustling leaves?
  3. a few puddles from yesterday’s rain
  4. soft, wet dirt on the trail between the river road and lena smith boulevard
  5. the flickering shadow of one leaf being moved by the wind
  6. 2 older men talking, sitting at a picnic table near the skate park in Highland Park
  7. a woman running with a stroller, crossing near hidden falls — did she or the kid she was pushing make any noise? I don’t think so
  8. hot sun, then refreshing shade, at Highland Bridge
  9. passing a woman talking on a phone: then, what is it?
  10. 2 women walking — one, to the other: I haven’t perfected my pizza yet

holes and Alice

As I (finally) worked on my summary for April’s monthly challenge, I was inspired to return to the holes project. I want to keep experimenting with the Alice in Wonderland angle and the rabbit hole. What inspiration can I get from some of the scenes in Alice in Wonderland (1951)? So far, I have 3 scenes in particular: Alice falling down the hole1, Alice talking with the Caterpillar, and Alice and the Cheshire Cat.

Just now, I re-watched the Cheshire Cat scene and I’m thinking of pairing it with parts of hole 3: “land in a logic of blur and almost” and “read sentences sliced in half, glitching just enough to scramble what is real and imagined.” At the beginning of the scene, the cat is only a voice singing nonsense words, then a mouth, then eyes. Later, he is only footprints and stripes. How to represent that on the page? And, is that more almost than blur? Should the line be, “land in a logic of almost’?

Another part of this new approach is to simplify the image so that it is easier to understand as form/silhouette. I’m thinking of putting it on a single page — the page in which the word “hole” appears in the NYer essay — instead of the 4 panels. I’m hoping that will translate more effectively online (and on smaller screens).

Back to hole 3: what if I made the blur and almost as two different scenes/pages — one is blur, one almost. “Almost” would be the cat, and “Blur” would be –? I’ll keep thinking about that one. Blur = soft and fuzzy forms, before we grow accustomed to the Dark, right after the light has gone out, or grown too dim? Maybe, the image of a small hole of light, with everything else growing darker?

is water alive?

I was looking for something else (search on poets.com = “blur”) and found a wonderful essay about a poem, “on the water” and its dis/connection to ecopoetics. The author of the essay and the poem, Moheb Soliman, says this about water:

It’s a sacred hook—an existentially common denominator—the basis of everything, to build on together. You understand, but you’re deeply ambivalent about the abstraction of water. Water like a banner quivering in place, placeless. You fear placelessness. It’s why you are addicted to Google Maps. Isn’t everybody? Totalizing specificity, proper naming, sublime order, knowable space.

Yet, like many, you try and reject colonial hegemony. You can’t help but revere Indigeneity. But water flows one way at divides—you’re either duped by western science water as inanimate substance, or you’re co-opting animist beliefs about water. You don’t think of water as alive, nor of it as just a resource. Is there no other way?

Moheb Soliman on “on the water”

The line, You don’t think of water as alive reminded me that I have Is a River Alive? on my Libby audiobook shelf. TIme to start listening/reading, I think!

Perhaps a question to pursue this summer: (how) is a lake alive?

  1. Writing this, I was thinking about the moment before she/we grows accustomed to the Dark and can only see the whites of her eyes, but now I’m also thinking about the moment before that when we see her from the perspective of her cat Dinah as she call out, with delight, Goodbye Dinah! Goodbyyyyyyyeeee! How could I imagine that on a page? ↩︎

june 11/RUNHIKE

8.1 miles
ford loop + hidden falls
64 degrees
dew point: 59

Technically, if I follow Scott’s plan, I’m supposed to run 9 miles today. But I’m going hiking at the dog park later this morning and swimming at the lake this evening, so I kept it to 8. I wasn’t fast, but I’m pleased with this run. I didn’t feel great at the beginning; it was very sticky and breathing wasn’t that easy. My heart rate shot up pretty fast, too. I wondered how I could keep running when it was already so hot and I felt so bad. Then I decided to not worry about how much I walked and to just keep going. For the ford loop (the first 4 miles), I ran until my heart rate reached 169, then I walked until it got down to 125. At Hidden Falls, I tried something new: run 90 seconds, walk 30 seconds. I wasn’t sure if I could handle having to look at my watch so much and stopping every 1.5 minutes, but I didn’t mind it, and breaking the time up into small increments made it go by faster — or made me think less about it as some big, overwhelming amount. This is the Galloway method of training. I think I’ll try it on my next long run for the entire run.

For most of the run, I listened to my book, Ariadne. For the last mile, I listened to my bunnies playlist.

5 Running and 5 Hiking Things

  1. the overcast sky made the green in the tunnel of trees seem deeper and darker
  2. a slash of orange on the ancient boulder
  3. a big log floating in the river near the east side of the ford bridge — was it a log? a boat? a person?
  4. a coxswain calling out instructions over his bullhorn to some rowers — heard, not seen
  5. roots buckling the sidewalk, looking like slithering snakes
  6. the entrance to the dog park was dark and green and inviting in an almost sinister way
  7. evidence all around of the big storm 2 nights ago: giant felled trees, trunks tipped over and reaching for the river, a thick branch that must have been blocking the trail before someone cut it
  8. drops of rain hitting the surface of the river, creating slight ripples that distorted the water near the shore
  9. bark bark bark bark bark bark — an enthusiastic dog
  10. kerplunk! splash! a dog swimming more than halfway across the river, moving fast

hike: 40 minutes
minnehaha off leash dog park
63 degrees
drizzle off and on

dog name: the swimming dog’s name was Millie — okay Millie, come here — a human calling to the dog

According to FWA, it’s supposed to rain off and on all day. We managed to mostly miss it, only a few drips on the river surface. We talked about terrible chemistry professors and doing hip thrusts with weights on your lap. FWA performed an imaginary conversation between Delia and another dog. In this conversation, they talked about how great the dog park is. Delia bragged about getting to come twice a week and the other dog said they only went once but that the yard surrounding their mansion was bigger than the dog park.

Possibly for the swim this afternoon: a prompt from Manny Loley

Now I invite you to find the water. In Diné thought, change happens in fours, manifestation happens in fours. There are four sacred mountains, four worlds that we emerge from into our current world. I invite you to create a poem in four steps.

First: find a body of water to sit with and listen. A river, a lake, an ocean—let it connect with the water inside of you. And let the sound that it makes work on your body and your mind and your heart.

Second: build your relationship with the water. Listen for what the water has awakened inside of you. What do you feel? Where do you feel it in your body? What stories are brought to the surface?

Third: follow the reverberations. Write down some of your thoughts, your feelings, your memories. Don’t worry about spelling or grammar, or about making things sound writerly or whether they make sense or not.

Fourth: make an offering to the water. Share what the water gave life to in the form of your poem. Touch the water and give thanks.

waterlogged: heavy with water, dense, difficult to manage, not dry, less buoyant, damaged/distorted/warped by excess water, soggy, characterized by the presence of a lot of water

swim: 2 loops
lake nokomis open swim
64 degrees (air)
71 degrees (water)

After finishing my run and the hike, it started raining. Off and on, all day. By the time I went to open swim the temperature had dropped enough that the water was much warmer than the air. There was wind, too, which made the water choppy. I didn’t care. It was fun to swim into and through the waves. I swam straight to many of the buoys even when I barely realized I was seeing them. I think I did less sighting and more swimming without looking. It’s strange how much more comfortable I feel now when I see so much less.

a regular: As I exited the water an older man heading in asked me how it was. I said, it’s choppy, but I like it that way. He agreed and then we talked about the crazy amount of milfoil in the water. I have decided that I have said enough about it — it’s out of control and dangerous. I wouldn’t be surprised to hear of someone drowning in it. And, like blue green algae blooms, I just need to get used to it and find ways to avoid and/or endure it. Just before he left, the man introduced himself and shook my hand. I’m Joe. / I’m Sara./ Nice to meet you.

Other things I remember: a few patches of blue sky; opaque water with a few silver flashes; a woman swimming, her arms entering the water without her elbows bending; the roar of rushing wind; swimming just barely over the top of the milfoil; the ridgeline of the wave as it rippled over the water; a swimmer exerting a lot of extra energy kicking, white foam everywhere; the hard bump of my safety buoy hitting me in the waves; the silcence and solitude when I stopped in the middle of the lake; looking to my right and seeing a dark line of clouds, hovering

june 9/HIKEBIKESWIM!

8:43 am — The first open swim of the year isn’t until the late afternoon, but I’m already excited. Currently I am sitting at my desk. Outside of my window, workers are cutting down the maple tree in our front yard. Someone is up in a bucket with a chainsaw sawing the thick branches then securing them with rope, someone else is on the ground to catch them. It’s a slow, noisy process — and strangely quiet, too. No loud THUMPS! from a branch hitting the ground. Noises: chainsaw, rumble of their big trucks, whine of a leaf blower, thud of the truck bed bottom as the cut limbs are discarded / Noises not heard: no heavy thumps, no shouting from workers to each other1, no beeps or alarms. It is now 9:02. I wonder how long it will take for them to cut it all down.

It’s sad to lose such an old tree — the only (or one of the only?) maples on the block. Everything else is linden/basswood or locust.

It’s also not sad. Mostly this tree has been a nuisance — leaf debris and whirly gigs clogging our gutters, thick tangles of roots taking over our sewer pipe. Every year Ron the Sewer Rat has had to chop those roots up so that our sewer wouldn’t back up.

In front of my window: the bucket is being raised again; it’s herky jerky yet smooth motion almost like a strange dance.

And it’s a relief. Ever since a huge branch fell from this tree last fall, I’ve been worried that another would fall and hurt someone or something. I’m glad we’re finally doing something about it.

currently: branches are gently falling in front of me, a few of them reflecting on the glass of a desktop boom! boom! — as they are tossed in the back of a truck / now it’s raining little twigs and bigger twigs and branches

10 Things About this Maple Tree

  1. Unsuccessfully attempting to weed-whack around it, giving up and hand-pulling the tall, flowering grass
  2. it is a wonderful example of a tree looking like a person, buried upside down, their head and shoulders in the dirt, while their torso and legs stick up in the air
  3. this winter/early spring, I could hear a woodpecker drumming on its dead wood — brrrrrrrrrrrrrrrrrr
  4. one summer a few years ago, FWA helped me to try to get rid of some ants “naturally” by pouring boiling water in their ant hill — not sure if it killed the ants, but it destroyed the grass around the base of the tree
  5. last summer, or the summer before, I noticed a new branch growing near the bedroom window and thought, we should really cut that while we can still can, then watching it grow bigger and bigger until it was too late
  6. recently noticed: a big eye in the middle of the trunk where a sizable branch used to be
  7. the leaves on this trees, which turn a golden yellow, are the last to fall in November
  8. all i can see of this tree from the two windows in front of my desk is the edge of its trunk
  9. a sudden thought: I hope we’re not disrupting too many critters’ homes — I don’t recall hearing or seeing any nests in the winter
  10. I won’t miss having to sweep up whirly gigs on the front sidewalk or pull them out of the table on the deck or the planter in the backyard

I’m sure the loss of this tree will have effects (negative and positive) that I can’t even imagine.

hike: 40 minutes
minnehaha off leash dog park
78 degrees

FWA and I cut our walk short today because he had to go to the bathroom. We only hiked to the BIG felled tree. The parking lot was more than half full, but it didn’t feel crowded. Everyone was evenly spaced out and doing their own thing, not clustered at the entrance or on the trail. For the first half of the hike, it was cool and calm, with a gentle breeze. No encounters with aggressive dogs or jerky humans. No dog names overheard. Several very FAST! dogs. So fast that they couldn’t be bothered to stop and play with Delia. One German Shepherd zoomed by so fast that I gasped — wow, that dog is fast!

FWA schooled me on a video game term2: de/buffing. Used in sentence: Walking through that second patch of sun, I was debuffed and never recovered.

de/buffed: (from Reddit because I can’t remember FWA’s exact definition) “Debuff is a game term that means something was hit with an attack that causes negative affects. In this case it “de-buffs” your agility. In games, buff means you strengthen; to improve.”

We talked about how Delia loves to plop down in the soft sand then imagined a t-shirt with the many versions of Delia chilling:

  • ploppin’
  • DOD (dead on deck) when Delia lays down on the deck , with her head landing last, looking like she’s passed out or dead on the deck
  • DOR — a DOD variation: dead on rug
  • wedged between two of Scott’s pillows on our bed
  • wedged between the edge of her bed and the removable cushion
  • sprawled out quietly on the rug, under the dining room table
  • resting misery face: in her bed, her head hanging over the edge, looking miserable

11:01 am Louder thumps as leafless chunks of branches fall / the front yard is strewn with little branch trees / the bucket, suspended halfway up the tree / a big claw reaching up to grab branches, lift them, then toss them in the back of a truck

11:04 am one worker in an orange vest threw up the rope to the guy in the bucket, now the rope is being tied to a branch — when and how will it fall? gently or roughly? with a loud Boom! or a soft thud? / a spray of saw dust is coming down / the branch gently floated down, attached to the rope — I saw it dangling in front of the window! — then boom boom — two quick, deep booms / So much debris in our front yard — very grateful I don’t have to pick it up!

11:10 am

view from my window / 11:10 am

11:14 am

The sound of a big branch falling, then its cylindrical reflection in the glass top on my desk. A very dead, tall and thin branch falling, reflected in the glass / a worker with a chainsaw, cutting a big branch off a bigger branch — grrrrrrrrrrr

1:07 pm

Sawing the trunk: sawdust sparks / dangling from a rope / the ground nears

swimming with Lauren Groff

Sure, I have many ideas and projects and plans for what I’d like to write/make/create this summer, but I also have a strong desire (need? ache?) to just be with the water and the swimming and the words (or lack of words). I want to return to Anne Carson and Alice Oswald and Lauren Groff and Tony Hoaglund and Anne Sexton and Maxine Kumin and re-memorize their poetry. I also want to revisit past Sara’s thoughts about water and swimming and first days of open swim.

Speaking of Lauren Groff (which I did, above), I’m currently reading her short story collection, Brawler. Here’s a short video in which she talks about it and how swimming made her a writer:

In addition to finding this video, I also found this short blog entry about Groff’s love of swimming:

I was expecting to enjoy Lauren Groff’s collection of short stories Delicate Edible Birds, but I had no idea that here was another work of swim-lit. Like Groff’s first novel, the marvelous The Monsters of Templeton, these stories take place around bodies of water, and they’re also much concerned with swimming and swimmers. (I’ve not finished the book yet, but I’ve just started reading one story about a deep-sea diver). I realized that I’d read the story L. Debard and Aliette before, in the 2006 Atlantic Fiction Issue, and remember it quite vividly these years later– turned out I liked Lauren Groff before I even knew Lauren Groff. It’s an amazing story of poolside sensuality. The stories linked by these swimming references in a way that intrigues me, and certainly satisfies by latest literary fixation. How positively timely.

More Swim-lit

2:30 pm — workers are done, tree is gone, only a 4 ft stump that we have to figure out what to do with remains — hopefully a gnome home!

blue-green algae advisory

Open Swim is not cancelled, but there is a blue-green algae bloom in the water and a water advisory. The “official” Open Swim Club Facebook page has an announcement with the required warning, but the tone definitely seems to be: we have to warn you, but we think if you use caution, you’ll be fine. We’d like to say it’s fine and you should swim, but we can’t. I’m still going, but maybe I’ll only do one loop. And maybe I’ll try to swim a little slower and to look out for it. Can I see it? Not easily.

bike: 8 miles
lake nokomis and back
85 degrees

Biking to the lake for open swim was great. Warm, but not too crowded and I was able to pass someone without any stress. We didn’t bike fast, but it didn’t feel slow and it’s always safer to bike slow when you can’t focus fast. The bike ride back was harder, with too much wind and clueless walkers walking in the middle of the bike path. Scott rang his “passive agressive bell” (his name for it) half a dozen times and one woman didn’t even notice.

swim: 2 loops
lake nokomis
87 degrees

A great first swim. I couldn’t see much, and I didn’t care, my shoulders and brain still swam me straight to the buoys. There were some clueless swan boats and too many vines — it’s crazy how thick they are near the start of the swim! — but they didn’t bother me. I was happy to be swimming and felt strong.

It’s too late and I need to eat, so no more writing about the lake tonight. Tomorrow if I can remember anything, I’ll add some more.

10 Water Things (the morning after)

  1. murky water, but enough clarity for me to be able to see my hand and watch and . . .
  2. bubbles! my bubble friends are back — clear little orbs stirred up as my hands entered the water
  3. a scratchy-squeaky noise as I neared another swimmer — was it their wetsuit? a cracking of a joint or a bone or?
  4. vines 1: started out by swimming straight into a knot of milfoil — when I tried to do a full stroke green strings wrapped around my wrist — join us down below, they seemed to be whispering
  5. vines 2: at the end of the second loop, near the white buoys, ghostly vines emerging from below, not yet close enough to touch
  6. vines 3: rounding the far white buoy, getting stuck in another tangle of milfoil — as I said to another swimmer a few minutes later, I’m a very strong swimmer and those vines made me nervous!
  7. finding one distinctive break in the green in an otherwise generic tree line to use to sight the far green buoy
  8. this year, there are 2 orange buoys and 3 green ones
  9. noticing the pale rope that tethers the buoy to the lake floor as I swam over it
  10. suddenly noticing something in front of me, stopping and hearing a person in a kayak call out, kayak — I think it was a lifeguard, but it could have just been a clueless kayaker crossing the swim course
  1. Mentioned how quiet the workers are to Scott. He found out why when he talked to them: they have headsets. Nice! ↩︎
  2. On our bike ride to the lake I quizzed Scott on this term. He had heard it but couldn’t remember what it was. He said it’s primarily used in first-person shooter games, which he doesn’t play. ↩︎

june 8/RUN

3.15 miles
locks and dam turn around
70 degrees
humidity: 88% / dew point: 67

Sticky. Moist. Steamy. Wet. Not raining, but water water everywhere. It felt cool on my fingers and face when I brushed against a bush or when the wind shook the leaves.

Sometimes I felt great, sometimes I didn’t. I was wearing my old black Sauconys because it was so wet and they made my toe hurt for the last mile. My heart rate was higher too. I’ve determined (decided?) that my heat tolerance has decreased because of perimenopause. I’m having some hot flashes and struggling to run/move/stand/be in the heat. I’m thinking of asking for Hormone Replacement Therapy.

As I ran, I recited Wallace Steven’s poem, “Tattoo.” The light is like a spider./ It crawls over the water./It crawls over the edges of the snow./ It crawls under your eyelids/And spreads its webs there. I love this idea of the light like a spider spinning its webs under your eyelids. I also like that the first thing Stevens’ spider-light does is crawl over the water — a good connection to my water season, which starts tomorrow! Open swim!

10 Things

  1. a biker blasting music from speakers — country music (I think) — before I could hear much of it, it was distorted by the Doppler effect
  2. the brown sign that reads, caution, coyote den, is still there — are the coyotes?
  3. bright headlights piercing through the dark green and gray
  4. the sewer pipe near 42nd was gushing
  5. a long line of cars on the road
  6. a string of bikers on the path
  7. a few puddles
  8. the wind picked up, the trees shifted, making me wonder if it started raining agin
  9. a group of kids laughing somewhere in the distance, approaching
  10. 2 lime scooter parked on the edge of trail — both times I neared them, I thought they were people

lines / strings / webs / spiders

a spider moment: As I was about to take a shower, I noticed spider traveling down the tiles. I didn’t want to kill it, or douse it with water, so I turned on the water with the spray pointed away from the tiles and asked the spider to leave. They did — not because of the words, but because of the pressure/feeling of the water.

how long do spiders live? Although most spiders live for at most two years, tarantulas and other mygalomorph spiders can live for over 20 years. (source)

how long have modern spiders existed? The main groups of modern spiders, Mygalomorphae and Araneomorphae, first appear in the Triassic well before 200 million years ago. (source)

orb orb (spiral) webs, orb as eye, orbiting, encircling/enclosing, a spherical body

Alice Oswald, a spider reference in Nobody

A goddess or fog-shape in full wedding dress
sulks in that loneliness what a winter creature
whose lover loathes the everlasting clouds of her
and sits in tears staring at the pleasure-crinkled sea
but she as if a dash of hope
discoloured her sight stands waiting
the way a spider when it wishes to travel
simply lets out a silken

aerial

electrostatically alert through every hair
to the least shift of the atmosphere
at last it lifts on tiptoe and lovely to behold
like a bare twig it begins to blow
wherever the wind will take it but the wind
is the most distracted messenger I know

After citing this, Kit Fan writes:

The new lines at the end of the page carry a rhyme scheme (aabcbc) rare in Nobody and connect the goddess (the owl-eyed Athena who is Odysseus’s protector in The Odyssey?) with the precise, calculated work of a spider, breathing a different kind of life into the “discoloured” world without the watercolors. The two versions of Nobody create a counter-parallel universe for Oswald’s reimagination of The Odyssey, revisualizing the epic as a collage made out of imagist fragments or glimpses of “water-stories,” as the jacket to the UK version calls them. The two texts speak to each other like twins staring at themselves in the mirror, registering uncanny similarities and differences.

Water Stories

The precise calculated work of a spider. Tomorrow, I want to write a little more about the making of a web and the use of spun silk to travel. I also want to return to Alice Oswald and reread The Odyssey again. I love the Wilson translation! I just looked it up and the movie coming out next month is based on this translation. Excellent!

may 27/BIKE!

8.5 miles
lake nokomis and back
80 degrees

My first bike of the season. Every spring since I learned I was losing my central vision, I’m uncertain about my biking. Will I still be able to see? Will it be too scary? Has my vision declined too much (what is too much?)? Today, it was fine. I think that’s mostly because I’ve memorized the path and learned to navigate with less sight. Plus, I don’t try to go too fast (or fast at all, really). What a gift to have another summer to bike to the lake or to downtown or the library or wherever I want!

I brought my goggles and swim cap and a nose plug, but when my goggles leaked and the water was a bit scummy and I forgot to put on my nose plug, I decided not to swim any loops. Instead, I just waded out to water past my shoulders and enjoyed how the water cooled me down. Surprisingly, it wasn’t too cold. Maybe I’ll go swimming tomorrow?

10 Water Things

  1. sparkle friends! close-up, they looked like silvery glitter, with a broader view like some sort of green-ish scum
  2. a very bright blue, cloudless sky
  3. someone swimming freestyle just past the edge of the buoys
  4. little minnows near my feet
  5. just outside of the pink buoys the lake floor was slimy and soft — some sort of vegetation
  6. 3 teen girls, locking their bikes up, then complimenting each other on their nails
  7. 2 young boys, locking their bikes up, one lamenting to the other, I should have brought my wallet for ice cream!
  8. sitting on a bench facing the water, behind me, 2 bikers talking to each other as they biked — biker one: I didn’t mind walking in the rain, but I was cold. biker two: you were old? biker one: no, I was COLD! biker two: I thought you said old! biker one: Yes, I’m 80 years old!
  9. rustling on the edge of water, under a tree, hidden — a duck? a person? something/someone else?
  10. drifting sounds: a baby crying, a bike chain rattling, a dog collar clanging softly, giggles, 2 adults and a kid talking about ice cream

It was wonderful, and wonderfully cool, to sit on the bench facing the water in the shade. Every year I tell myself that I should spend more time at the lake, and I do spend a lot of time there, swimming loops at open swim, but I could spend even more time. I want this year to be the year that spend the most time that I ever have! Future Sara, let me know how it works out!

hole 6

I printed out the four panels from essay 6, What to Make of the Mother Who Made You, taped it up, and cut a hole in the center. Then I mapped my words with pins on my cork board. First I wound string around the pins, next: embroidery thread.

hole 6

I like bits of it, but it doesn’t work. Not yet. I’m thinking this one might need to wait until the fall. I think it’s time to finish the 3 or 4 of these that I’m satisfied with and temporarily wrap this project up. It’s time for swimming and water and (possibly) starting a YouTube channel to promote my first chapbook, Inklings.

may 2/RUN

7 miles
lake superior boardwalk, duluth
37 degrees

An impromptu trip to Duluth with Scott. Our first trip alone since last April when we went to visit my best friend in Iowa. We need more of these. This morning, we ran together above Lake Superior through Leif Erikson park and 3 miles north, then turned around and headed back. As we ran, I told Scott that the theme of the run was water.

10 Water Things

  1. thin sheets of ice on the water! earlier from the window of our room, I had noticed the texture of the water and wondered what was causing the strips of rough water amongst the smooth stretches
  2. water gushing out of a sewer pipe embedded in a ravine
  3. crack crackle crackle the ice sheet butting up against the rocks near shore and cracking — such a cool sound!
  4. drip drip drip water dripping out of some pipe deep in a backyard
  5. the rushing of the creek under the high wooden bridge we ran over
  6. Lake Superior — blue and beautiful, one giant ship, anchored miles from shore
  7. drip drip drip sweat dripping off my face
  8. a pool of water on the floor of the port-a-potty
  9. benches dotted on the bluff, filled with people enjoying the view
  10. almost all of the ice gone — I thought all of it was, until I noticed a few sheets still on the surface as we walked up the steps after the run

While we ran, we talked about our kids and Star Trek and an article Scott had read about fraternal twin girls with the same mother but different fathers. I saw my shadow and started singing Me and my Shadow. Scott asked who had sung it and when I said, I wasn’t sure but I had a version with Frank Sinatra and Sammy Davis on my shadows playlist, he said, Sammy Davis Jr. is his shadow? Yikes. And I said, Jesus, how have I never noticed that before. Then a string of associations: I mentioned that they sang it on a tv special which led to a discussion of the Andy Williams Christmas special, then the kids in it, which reminded Scott of the scared kid on the Ray Coniff Christmas Special who hears a creepy story about a little gray lamb read to her by the guy who played Wilbur on Mr. Ed — Scott couldn’t remember the actor’s name. Scott started reminiscing about watching Mr. Ed with his mom on Nick at Nite, which prompted me to start singing the theme song from “The Patty Duke Show” — because, of course I would.

It was a good run, and a great mental victory. As I said to Scott, I’m excited to push myself mentally to run these longer distances. It is a wonderful feeling to successfully push through these tough moments.

a quick note about grids

Yesterday, while driving back from 2 Harbors to our hotel in Duluth we started talking about the show Alone and then what it means to be “off the grid,” Yes — another meaning of grids! How can I play around with this in my exploration of grids?!

april 19/RUN

3.75 miles
top of wabun, bottom of locks and dam no. 1
43 degrees

It felt warmer than 43 today. Today’s sign of spring: the shadows of budding leaves on the tree, looking like sparkler explosions on the sidewalk. I’ve written about these in past springs — was it last April or the April before? The sky was bright blue, the water was scaled with waves. Encountered bikers and runners and walkers. No surreys yet or roller skiers. No songs blasting from radios. No soaring birds or bird shadows or birdsong. Some flashes of green, several occupied benches. I started to recite Philip Larkin’s “The Trees” — The trees are coming into leaf/Like something almost being said/Their recent buds relax and spread/Their greenness is a kind of griefi.

For the first half I listened to everything around me, for the second half: my “Windows” playlist. Demi Lovato’s anthem, “Skyscraper” came on and even though it is cheesy and overwrought, I started running faster to it and felt something deep opening. Cathartic. If it hadn’t been so crowded I might have started crying, which would have been a great release. Even without the tears, it felt good to run fast and feel free/d.

Right before my run, RJP cameo ver to tell us all about her success with the fashion show at St. Kate’s. She didn’t have any garments in it, but she served on a committee for it and helped set it up. It’s hard to put into words how big of a victory this was/is for RJP.

a quick note about Robert Macfarlane and the river: As I washed the incredible amount of dishes that had accumulated — almost ALL of them! — I finished listening to the Between the Covers episode from last year with Robert Macfarlane. side note: when did Between the Covers switch from Tinhouse to Milkweed? And does that mean I need to go through and fix my past links to episodes? Probably. Future Sara (does Sara sent somewhere work as a name?) get on that! What a gift! I’m currently waiting for the audiobook of What is a River? I checked it (or the ebook version) on 10 august but didn’t listen to it. I must have been busy doing my swimming one day in august challenge. Or maybe I wasn’t ready to hear the words. I am now. Currently the waiting time is “several months” and I am 54th in line. I hope it comes in time for summer. This is a perfect water book for my water season! Maybe if it doesn’t come in time, I’ll buy it as an early bday present? I just checked on Moon Palace and the paperback is coming out on June 9th! I’ll have to preorder it. I could spend the rest of the afternoon writing about the interview, but I’ll leave that for when I start reading — either with my eyes or ears — the book in June,

holes

I didn’t have much time this afternoon, but I started experimenting with 2 ways to cover my blind spot template on the page. First, I created a cross-hatch pattern on one of them with a ruler and pencil. Second, I used a ziploc plastic bag. Because the bag was clear, I distressed it by drawing a spiral repeatedly using a pencil. I like the effect.

1 — cross-hatched hole
2 — ziploc bag

Experiments to try tomorrow: a plastic bag (grocery store), black netting, static dots, dark pencil erased.

dec 10/SHOVELBIKE

60 minutes
4 inches
22 degrees

Not sure why 4 inches took almost an hour to do, but it did. The snow was light and dry and easy to push around but I had a lot of area to cover: a front sidewalk, back sidewalk, side sidewalk, small driveway and a deck. All with a shitty shovel. Now, I’m tired. But I don’t care. While I shoveled, I listened to a musical I’ve never heard before — or only heard one of its songs: 3 Bedroom House — Bat Boy. I liked it, well, most of it. One thing that stood out to me: the songs actually told the story. Usually, if I’m listening to a musical and I don’t know the whole story, the songs don’t help, or they give me some of the story but leave crucial bits out. Camelot, I’m talking to you.

A few minutes later, talking to Scott about the musical, I realized how fitting it is to be listening to it — bats! The title of my manuscript is Echo | | location!

10 Things

  1. a group of young kids — in elementary school, I think — walking to school, laughing, calling out, stopping to throw snowballs at each other
  2. 2 women (moms?) pulling occupied sleds towards a school (1.5 blocks away), then empty sleds back again a few minutes later
  3. a burnt coffee smell
  4. a car with an engine that needs a tune-up pulling up to the daycare next door — sputtering
  5. a little girl getting out the car, trudging through deep snow
  6. robins bursting out of our crab apple tree in the backyard
  7. a thick slab of snow on each of our three garbage cans (organics, trash, recycling) looking like vanilla frosting
  8. a neighbor down the alley starting a snow blower
  9. the sharp, scratchy scrap of the metal tip of our bright green shovel on bare sidewalk
  10. the creak/groan of our wrought-iron gate

more manuscript

Thanks to past Sara who left the tab open . . .

the kids next door just came out to play in the front yard — SNOW!, one kid yelled. They’re completely covered in snowsuits, with their hoods up — I used to be annoyed by these kids, but I’ve grown to really like them. They’re always so kind to RJP and FWA when they see them. HAPPY SNOW DAY — a woman called out to them. HAPPY SNOW DAY!!! — one girl replied.

. . . who left the tab open on the computer to an entry in which I talk about daylighting, I remembered that I wanted to write a poem about it, that is, the effort/desire to bring buried creeks aboveground again. Yes! And I’ll put it in the river section, which needs at least one more poem. Before shoveling, I had the idea to take lines from different descriptions of these creeks/springs/ghost rivers and turn them into a cento.

As I shoveled and listened to a line in Bat Boy: the Musical about being let into the light, I had a flash of a thought and a line:

Being outside —
less the light
more the air

I was thinking about how I want to move away from reinforcing the idea that light = good, and dark = bad. Sometimes, with my vision I want/need more light, and sometimes it’s too bright, too much. I don’t mind the dark. I was also thinking about how much I crave/need fresh air. But — maybe for the underground streams it is not a need of air, but space, the room to flow naturally over the topography instead of being buried in a concrete coffin.

okay — these kids are too cute. They just said hi to FWA (as he walked by with Delia) — HI! Have a good day! And now they’re greeting everyone as they walk by, and everyone is returning their greeting with enthusiasm. Hi! / Hi! Are you having fun in the snow? / Yes! . . . FWA came back from the walk and I asked him about the kids. He told me that they said they liked his dog and then the littlest one said something he couldn’t understand — blah blah blah named Soda. He said, What?, and she repeated, blah blah blah named Soda. FWA replied, oh, you have a dog named Soda? That’s cute!

exhumation of streams from underground and reintroduction of them to the surface

exhuming
of bodies —
buried streams
coffined creeks
returned to
the surface
not only
to light, but
open space
and their place
of origin
(or open space/and their source)

Today, I’ll start with these sources for inspiration:

Reaching the Light of Day
“The Urban Mile: The Subterraeam Streams of St. Paul in Subterraean Twin Cities
Daylighting Phalen Creek
 Bridal Veil Falls

(hours later) I read the above sources, and fit some phrases into my triple (berry) chant form. I think I can some of these and shape them into a poem!

urban

waterways

the same path
but below,
under our
feet, under
the ground

natural
waterways —
flow through top-
ography

of a landscape

collective
memory

water, un
ruly, will
not be man-

aged
refuses

to obey

cities, planned
neighborhoods
rooted, creeks
rerouted

caverns, sink
holes, passage
ways deep in

archive of
memory
reflection
on all that
has been lost

she wonders
what a day-
lighted world
could look like

a pipe — the
container
for a
muted stream

not lost, but
forgotten
hidden from
view, walled-in
yet 
flowing still

down here it’s
difficult
to trace the

pedigree
of a pipe
to unearth
its stories
to trace its
influence,
on a place
its people

a creek, its
meadows and
woodlands re-
placed with new
neighbors: streets,
tunnels, pipes,
ditches, wells,
basements for

new houses.
once mighty
waterway
turned from creek
to brook to
rill to no
thing that could
be seen.
industry
buried the
creek that fed
the falls

from a
300
acre wet
land that fed
a creek that
followed
a bank that
spilled over
a ledge and
into a
river, lots
platted, a
street grid
 laid,
a railroad

arrives, ponds
filled, a
freeway built,
neighborhoods
developed

Some things I’d like to remember from what I read: some of the falls/springs/creeks by the river have dried up, no longer exist, others are not lost, only buried, housed in sewer pipes, flowing through massive underground tunnels. In Subterranean Twin Cities, the author — Greg Brick — mentioned how difficult and costly it would be to even attempt to get rid of these waterways altogether. Burying these creeks privileges a particular set of values over other values, comes at the expense of certain communities, cuts people off from their histories, their connection to a place, their waterways.

echoes of the past, of the still-present waterways: seeps, springs, sewer pipes — the dripping or trickling or flushing gushing rushing of water in ravines — it’s all around, and always there when she runs.

bike: 25 minutes
basement

After sitting for much of the day and feeling a twinge in my right glute (maybe) because of it*, I decided to do a short bike ride in the basement. I watched a short feature on a triathlete I like, Taylor Spivey. It felt good to move and get my heart rate up a little — avg. of 120 — from my resting rate of 54. My range = 49-142. All the running and swimming has given me a very fit heart, I think.

*either reasons why I have a glute twinge: overdid the 1/2 pigeon pose in my yoga session yesterday or a delayed reaction to the uneven snow-covered paths.

Last week, Scott tried the treadmill and it wouldn’t work at all. I decided to see if, magically, it had fixed itself. Yes! It was working. I only walked today, but it’s nice to know that if I’m snowed in, I could run in the basement again.

aug 7/SWIM

5 loops
90 minutes
lake nokomis open swim
86 degrees

Yes! A wonderful swim, and another hour and a half to add to my goal of reaching 34 hours by the end of the month. The water was choppy, which I liked, except for when it made it hard to get a stroke in and I felt like I was sinking. The water was thick and filled with my sparkle friends. Several times it felt like the buoy kept getting farther and farther away, until I broke the spell and suddenly had reached it. I saw some menacing sailboats and 1 or 2 paddle boarders. The light during the last loop was very cool — why? I guess because it was giving very chill twilight vibes. Noticed a few planes flying low and lots of seagulls and ducks. A few flashes down below — fish?

I felt strong and can tell that I’m getting stronger as I do more longer swims. A thought — could I possibly manage 7 loops in 2 hours? That would be amazing!

A few lines from two poems discovered this morning:

There is the clarity of a shore
And shadow,   mostly,   brilliance

summer

                the billows of August
(from “From the Sustaining Air“/ Larry Eigner

The clarity of a shore and shadow. Not sure about the shore, but I like the idea of shadows bringing clarity. They do for me.

2

I am pointless. This I come to know
by pressing ear to night’s machinery.
Outside, the words rub each other
until they are dull: calibrate, resurface,
surface, invest, investigate, snowy, open,
environ, woman, wooden, system.
I look where little nodes of language cling,
lichen-like, to what will have them.
(from “Rose-crowned Night Girl”/ Emily Skillings

I read this line about being pointless and it helped me to think about pointless meaning more than useful or not worthwhile. To be pointless is to not have points, to be smooth instead of rough, nothing sharp about you. My vision is point-less but not pointless. Everything softens with my fuzzy gaze.

added after the swim: During loop 4 or 5, I started thinking about pointless again as a way to indicate a dot — it’s a star without points. Earlier today I was working on a poem that describes a dot as a distant star. After thinking about pointless I thought about how the star/point, which was the far-off buoy, wasn’t always there — it flickered.

added 8 aug 2025: Just remembered a few more things. After the swim, I met Scott at Painted Turtle for a beer. We watched the ducks in the water, bobbing and floating and almost getting into fights with seagulls. We also watched the final swimmer being escorted into shore by 3 lifeguards. I told Scott that being the last swimmer, that is, staying until the very end of open swim, is a goal every year. I think I’ve done it once. Then we watched the green buoys heading in for the night, looking so much smaller than they do in the water when you’re right next to them.

aug 6/RUNSWIM

2.2 miles
2 trails
68 degrees
dew point: 64

Humid. It rained last night — everything is wet — but there must been wind, too, because small branches and leaves were scattered over parts of the path. No big trees.

10 Sounds

  1. Bird
  2. the coxswains speaking through their bullhorns
  3. a faint radio with someone singing, some vibrato
  4. the steady trickle out of the sewer pipe near 42nd
  5. good morning, excuse me / morning! no, excuse me (passing a walker)
  6. morning! a greeting from Mr. Morning!
  7. good morning / good morning (greeted by an older runner)
  8. the whirr of a motor on an e-bike zooming by
  9. another runner’s music coming from her phone as she ran by — some poppy upbeat song that I can’t remember
  10. who run the world? girls! Beyoncé from my headphones and my mood: Energy playlist

Listened to the poem I wrote yesterday before I headed out for my run. This is my tentative ending:

tethers us to each
other — swimmer and
vision, buoy and
body, to sight
and to rarely see

swim: 3 loops (6 cedar loops)
60 minutes
cedar lake open swim
81 degrees

Choppy today. Sometimes hard to stay high on the water. Lots of vines. Saw some planes and birds above, no fish below. The surface looked silvery. Sometimes the sun was out, sometimes it was behind a cloud. Once a big, hulking cloud, looking like something other than a cloud from my perspective half-submerged in the water — a monster, like godzilla?

Forgot to recite Mary Oliver or think about the deepening and quieting of the spirit, but I felt it. Relaxed, happy, strong. Swimming for an hour wasn’t difficult.

Found this description of how we are both part of and separate from water saved on my reading list:

Nature—the non-built environment, creatures—is a realm of supreme “otherness” with which we are already always in strange relation. We plead for communion with this nature; it cannot answer us; so we project that onto it, that feeling of harmony and oneness at a shore or a vista. We are both a part of that natural sphere and stand distinctly apart within it, in our creaturely and industrial/technological dominance over it. You are both part of that sphere, and stand painfully apart, with your consciousness, language, cumbersome car and computer.

Moheb Soliman on “On the water”

Now I’m thinking about Anne Carson and her definition of anthropology (as in, “Anthropology of Water”). I wrote about it on 13 july:

encounter with that which you cannot contain, control, that is not You — the not-I.

added on 8 aug 2025: I forgot to mention a delightful thing that happened on the way over to cedar lake: a vee of geese — 20? — flying low over Bde Maka Ska then just above us — and, lucky me, I had the moon roof open to watch! — then heading towards Lake Harriet.

aug 1/RUN

4 miles
the monument and back
68 degrees
AQI: 163

The wild fire smoke is still here. Mostly it didn’t bother me, but it did make running a little harder. The worst smoke moment was when I came off the lake street bridge and turned onto the river road — not hard to breathe so much as hazy. There weren’t too many runners out there, some walkers, a few bikers, a family of hikers and shadow falls.

10 Things

  1. graffiti on the lake street bridge steps: STOP HATE
  2. a fancy water fountain, bubbling, in the grand yard of the U of M President’s house that Gov. Walz rented while his mansion was being renovated
  3. someone asleep on a hard stone bench by the Monument — in the hot sun, wearing long pants, a long-sleeved shirt, and a stocking cap
  4. the bells of St. Thomas — ding dong ding dong / ding dong ding dong / ding dong ding dong / — the time, 10:45
  5. an orange flash on the sidewalk — the smoky light or spray paint?
  6. a boat speeding up the river, leaving streaks on the water’s surface
  7. no kids outside at the church preschool — were they staying inside because of the smoke, or was it not recess?
  8. the graceful curve of the bridge’s arch — I checked if anyone was climbing on it (nope) — my daughter told me about how kids do that (her included, but only once and only halfway across)
  9. the soft trickle of water near Shadow Falls
  10. a stone wall above the ravine, leaning — it had a sign on it that I couldn’t read, so I took a picture of it to study later
Furnished to the city of St. Paul by the Kettle River Co.

I could mostly read it when I looked at the photograph, but I had to doublecheck with Scott.

I wish the lake was open so I could have gone to open swim for the first day of my “Swimming One Day in August” project, but at least I was able to run. I am almost didn’t go out because of the smoke. Glad I decided to!

The smoke doesn’t seem that bad so, for the first time in weeks, we have the windows open! I like the relief that air conditioning brings, but I hate how it makes me feel trapped in the house. As I sit at my desk writing this, I just heard the feebee call of the black-capped chickadee through the open window!

Today I’m working on more swimming sonnets and Inklings. Some subjects: water quality, blue-green algae, milfoil, water as the medium, loops at lake nokomis are actually triangles, the color of the water, Alice Oswald seeing self in water, again and more darkly, Mary Oliver and the deepening and quieting of the spirit

a little later: I almost forgot about the mushrooms! Walking north before my run, I saw some HUGE mushrooms in a neighbor’s yard. The first one I noticed had lost its cap and I thought it was a newly cut tree trunk. I think there were a cluster of 4 or 5 mushrooms. I started reciting Sylvia Plath’s Mushrooms in my head. I thought about mushrooms as the fruit of fungi and little explosions and expressions of the self (like through poetry) as emerging like mushrooms. For the rest of the run I checked the grass for more mushrooms, but don’t recall seeing any more.

a lot later: RJP checked out a book for me, Mary Oliver’s Blue Pastures, so I could read some of Oliver’s sand dabs and the chapter, “Pen and Paper and Breath of Air.” I’m on the second page and I already needed to stop and archive some of her ideas:

First, in describing her practice of keeping a notebook, she writes that she doesn’t write in it from front to back, but just opens a page and writes anywhere and everywhere. She uses “private shorthand” to record phrases and feelings.

The words do not take me to the reason I made the entry, but back to the felt experience, whatever it was. this is important. I can, then, think forward again to the idea—that is, the significance of the event—rather than back upon it. It is the instant I try to catch in the notebooks, not the comment, not the thought. And, of course, this is so often what I am aiming to do in the finished poems themselves.

“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver

And here’s one of the phrases she put in a notebook:

A fact: one picks it up and reads it, and puts it down, and there is an end to it. But an idea! That one may pick up, and reflect upon, and oppose, and expand, and so pass a delightful afternoon altogether.

“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver

july 29/RUNRUN

2.5 miles
2 trails
73 degrees
dew point: 70

Another hot and hazy morning. I remembered to notice the river and it looked . . . thirsty? Trying to think of the best word that conveys the opposite of refreshing and cool. Uninviting? Thick? Stuck? Inert? By the Cleveland Overlook it was green and dull and thick. Below the Winchell Trail near the south entrance it was a pale blue with a soft haze hovering above it. Farther north on the trail it was bright blue with a few spots of sparkle through the trees.

Because of the intense thunder storm last night, there was water everywhere — puddles, gushing sewers, squishy mud. The puddles were small but filled with the reflections of trees and flat, still. The mud was slick and slippery. Two distinctive sewer sounds/movements: 1. below 44th street, the water was pulsing, coming in waves — a moment of steady flow, then nothing, then water flowing again. I stopped to lean over the railing and watch it. 2. below 42nd street, the water was rushing out of the pipe, making a small waterfall on the rocks below — a continuous dropping of water.

With all the wind and rain last night, I expected there to be more trees or branches down than there were. Was there any new debris? I don’t think so.

The weather is strange this week: very hot and humid and sunny during the day — we’ve had several heat advisories, then violent storms move in quickly at night. Last night, it started with the wind. I opened the front door and watched the trees bending, twisting, waving. Very unsettling to watch. Then the sky unzipped and rain came down in sheets. Will it happen again tonight? I hope not.

For future Sara: Scott and I discovered a new sport to watch during the Aquatic World Championships — men’s 27 meter (that’s 9 stories!) and women’s 20 meter diving. Why can’t the men and women dive from the same height? Anyway, I’d never heard of this before. An extremely HIGH platform is created outside with a small circular pool at the bottom — don’t worry, the water is deep. Divers jump — they enter feet first — from high up, doing flips and twists and somersaults as they plummet. It’s so dangerous that they have 4 first-responders in the pool waiting to rescue them if they need it. And the first thing they do after surfacing is alert the responders with a thumbs up. What? Wow. Like other diving competitions, a lot of the score is determined by how much splash they make entering the water. I can’t see the splash, because of my bad vision, but I still enjoy watching it. After the dive, they show several slow-motion replays, including one from below. You watch as the diver nears the water; Scott says it reminds him of seeing someone falling to their death.

Discovered this beautiful poem yesterday:

Someone Is the Water/ Austin Araujo

I am alone but for this vein
splitting the earth open
and we are silent, the stream and I

far away from our mouths. The stream
folds over itself, my hand
speculating under the surface.

The stippled faces of orioles
sail by slowly, their dark wings working
hard as tired men pulling oars

in a landscape painting, their lantern
chests dotting a modest pattern
across the sky, over this brook

a mile from your house—from you
who are alone but for your sons
and your sons’ refusal to recognize

you cloaked under a sadness,
the color of whose cloth is muted
as these late-afternoon birds.

The stream sluices crawdads
and stones, carefully takes its bend
like a tongue spackled with canker sores.
I still expect it to speak. I’ve come
to listen to this slow
unfurling, hoping I’ll fall

asleep as it turns like a lullaby
a child promises he will strain
to hear, to memorize. I make sense

of smudged pastoral visions.
Gone, the birds long gone.
Palms, I cup water with bent palms.

run: 3 miles
trestle turn around
86 degrees

I was supposed to go to open swim, but the beach has been closed for a week because of e-coli. Not sure why, but I’m guessing it’s because of the storm. What a bummer! I’m supposed to start my “swimming one day in august” project on 1 august. It will be more difficult to do it now that I’m missing august 1 and 3. Thankfully Cedar Lake is open so at least I can swim there tomorrow.

Since I couldn’t swim, I decided to do another run. It was hot, but the humidity was lower so it seemed less terrible than this morning’s run.

10 Things

  1. I think I heard the rowers; I know I saw a few of them heading down the hill to the dock
  2. traffic was backed up — so many cars trying to turn onto lake street
  3. a mini peloton — a dozen bikers — whirred by me on the river road
  4. someone in a strange t-shirt with lots of words or logos or symbols that I couldn’t make sense of was sitting on the ledge under the trestle listening to heavy metal on their phone
  5. a walker, dressed in brown shorts and a brown shirt, passing me twice, their head titled to the side
  6. the sliding bench was a cool, dark green
  7. the spray paint on the ancient boulder looked extra orange today — did someone touch it up recently?
  8. a lime scooter parked in the middle of the walking path under the bridge
  9. the big crack north of the trestle looks about the same as it did last week — not bigger — but the path is blocked off with caution tape, orange cones, and a warning spray-painted on the asphalt
  10. as I neared them, someone was emerging from the old stone steps

july 25/WALK

1 hour
to east lake library and back
84 degrees

No open swim today. It wasn’t canceled, but I wanted to watch the tour stage live and the air quality was very bad this morning — wild fires from Canada. Hours later, I might be regretting missing it a little — and if it rains Sunday morning or they close the lake, I’ll be regretting it a lot. Oh well. I walked to the library instead. Hot with bright sun, hardly any shade.

10 Things

  1. leaving the house, a sudden swarm of bzzzzzbzzzzz — bees? nope, a drone hovering above the house. Google earth? Images for a nearby house for sale? Something else, more sinister?
  2. 2 people on bikes in bright yellow vests
  3. an older man walking by the church just behind the library, hunched, his head tilted to the side awkwardly, wearing a rumpled suit
  4. passing by a different church — in the courtyard, heard not seen: a fountain/water feature bubbling
  5. same church: a sign for “little sparks” (preschool?) and silver mushroom shaped lights lining the sidewalk in front of the door
  6. a woman on the public phone in the library — no I don’t have that, but I can tell you my social security number, my address, or my date of birth, which she then did, loudly
  7. someone sitting on a front stoop of a duplex, the front doors separated by 2 garages, listening to BBC news, 5 bodies were recovered, or something equally gruesome
  8. 2 people behind me, walking slightly faster, slowly gaining — not seen, heard: the occasional footstep sliding on sand or dirt or gravel
  9. as I walked past a car parked in a driveway, I heard a noise — sort of like an alert or an alarm or a ring tone. returning later, heard it again when I passed
  10. (noticed many times before) a free library at the edge of a yard, under it 4 or 5 stones, one of them with eyes, positioned to resemble a (book) worm

As I walked, I thought about water and being immersed in it, then I imagined being immersed in the air that surrounded me, not separating me from the world but connecting me to it, in a soft haze of togetherness, hearing all the other sounds, feeling a part of them. I thought about something I read the other day in Darby Nelson’s For Love of Lakes:

Sight insists on separation; hearing, like touch or taste or smell insist on connection.

Scott Russell Sanders, cited in For Love of Lakes

Sight insists on separation. To me, very little feels separate with its blurred lines and fuzzy forms, and sounds are often difficult to isolate and find their source.

Then, another thought: to be present in a moment requires soft absorption: not focused attention on what you are hearing, but an openness to taking in what’s happening now and only reflecting on it later.

Here are the 2 books I picked up from the library:

  1. Pawnbroker’s Daughter: A Memoir/ Maxine Kumin
  2. It is Almost Than: A Collection of Images + Text by Women Artists & Writers/ Lisa Pearson, ed.

Anne Carson, Water, and You

Found this passage from Anne Carson which I think fits with a conversation of immersion and being reminded of the self mid-swim.

There is a moment you are swimming in the pool, stroking forward strongly and down across the fingers of your right hand as you press it through the water, comes a hair. You feel this hair as a jolt of what should not happen. Just a single hair, so slight a sensation you could think you imagined it except, pushed against your fingers by the pressure of the water as you continue to thrust, it clings an instant, it will not go its way, you may have to shake your fingers sideways in the water spoiling your stroke and then it slides off, this hair that has no business there, someone else’s hair, this little nightmare of a hair whose touch has suddenly startled you out of the sleep of self-containment that swimming induces into the fact of dirt. Other people’s dirt. Other people. Your own dirt, you. Not this pure noncontingent forward motion unmarred by agent or accountability but you, a person, a person known all too well, a person in a swamp of others and others’ dirt, hair, skin, fluids, anger, who knows. You in all this. You utterly violable. Of course everyone is aware swimming pools are full of dirt but there is no reason to think of this now. The thought in fact is canceled by swimming by its sound aspect – both deaf and cavernous – that separates you from normal perception; by its blue aspect, an immaterial blue that reminds you vaguely of laundry ads or other planets; by its water aspect, which cannot help but evoke the whole history of purification and lustral joy not to say ritual rightness; and above all by its heroic, streaming, organized, forward motion. What could dirt have to do with this motion?

excerpt from Waterworld/ Anne Carson

Carson’s hair and dirt remind me of the “friends” I’ve written about in the YWCA pool (a few years ago), my sparkle friends in Lake Nokomis, and the floating vines I encounter in the middle of Lake Nokomis or Cedar Lake that wrap around my head or shoulders or slide (like a full body scan) down my torso and legs.

july 22/SWIM

swim: 4 loops
lake nokomis open swim
89 degrees
choppy

A great swim, but choppy! Lots of breathing on one side to avoid waves. Sighting buoys (and other swimmers) was harder, everything lost in the waves. The first loop was the toughest. Got into a groove after it and managed to do 2 more loops before pausing to tread water at a white buoy and then beginning the final loop. It was crowded in the water — kids wading at the beach, adults taking advantage of the free night at open swim. Because of the crowds and the choppy water, it was difficult to give attention to the water or the bubbles or anything else. Did I manage to notice 10 things?

10 Things

  1. sparkle friends — particles floating, churning in the water
  2. so many vines reaching up from the bottom, wrapping around my wrist or ankles — it didn’t bother me, but I could imagine that freaking out some other swimmer
  3. a plane flying low, parallel to the water
  4. hot pink safety buoys tethered to torsos
  5. the pale foot of a breaststroker under the water
  6. the silhouette of an upright lifeguard on a kayak, marking the edge of the course
  7. someone swimming at the edge of my vision — far off to the left
  8. 3 swimmers with yellow safety buoys clustered together, treading water and talking
  9. mostly blue sky, a few clouds
  10. paused at the buoy, witnessing a strange sight: the way a swimmer was breathing and sighting in the choppy water, jerking their head high up and out of the water — at first I thought they were doing a double-take when they noticed me, but nope, that’s just the way they swim

before the swim

Each summer of swimming builds on the last. I get stronger, able to swim for longer without stopping. It’s not a deliberate choice or part of a training plan — I have no training plan for swimming; I just swim until I am too tired or I have to go to the bathroom or I’ve run out of time. I have loose goals: 100 miles for the summer or a 5k or 6 loops or the full 2 hours in one session. This year: swimming cumulatively for a day, or 24 hours, in August. It’s a goal inspired by the title of a Mary Oliver poem: Swimming, One Day in August. It’s possible, but it will take some planning and pushing myself to achieve.

In July, I’m finding myself thinking about how much time I’m spending above the surface versus below it. This year, I’m below much more than above. In past summers, I’ve done less loops and more stops at shore in-between. This year, I might occasionally pause mid-lake for 5-10 seconds, or take a 30 second break at the beach between the 3rd and 4th loop, but mostly I’m swimming freestyle without stopping. 60-90 minutes of 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left. That’s a lot of time submerged and becoming acquainted with the underwater world!

Below, my thoughts are the bubbles that surround me. Above, they become words that hover above the water or travel across the lake — maybe they get lost beyond the horizon, or maybe they linger, later taking the form of words on a page. Last night, swimming the stretch from hidden beach back to point beach, I imagined each breath as one word bursting into the air: 1 2 3 4 5 BLUE 1 2 3 4 5 GRAY. I didn’t get very far with my words before I was distracted by something — another person? a scratchy vine? trying to sight an invisible buoy? I’d like to play around with this some more while I’m swimming tonight. Does each breath have to be only one word?

My ideas about thoughts below and above the water are partly inspired by the lines from Alice Oswald that I’ve memorized and have been reciting in my head:

dived again and surfaced
and smelt all the longings of grass-flower smells
and bird-flower sounds and vaporous poems
that hang in the chills above rivers
(Nobody/ Alice Oswald)

the vaporous poems as my thoughts bursting into the air and hanging above the surface?

and thoughts escaping to the surface to move beyond the self

I wish I was there or there he thinks and his mind
immediately

as if passing its beam through cables
flashes through all that water and lands
less than a second later on the horizon
and someone with a telescope can see his tiny thought-forms
floating on the sea surface wondering what next

*

like spirits of sight whose work is on the water
where the massless mind undulates the intervening air
shading it blue and thinking

I wish I was there

or there

All the time in the water, the front half of me submerged except for my quick breathe every 5 strokes, has me wondering about which world is real, which a dream. On 3 July, I posted a quotation from Anne Carson that ended with, Could we be exactly wrong about such things as—he rotates again—which way is up? High above him he can feel the clouds watching his back, waiting for him to fall toward them. Which way is up, which down?

I’m thinking of May Swenson’s “Water Picture” and her vivid description of a water world as the world above water in reverse:

Treetops deploy a haze of cherry bloom for roots, where birds coast belly-up in the glass bowl of a hill

The first line of her poem — In the pond in the park
all things are doubled — reminds me of something Alice Oswald said in her “Interview with Water” lecture: when you look at water, it allows you to exist twice but more darkly (see full quote from 20 june 2024)

And that line reminds me of part of Oswald’s Nobody:

I lost track of
the underneath of things everything became my mirror
once I stood up to look over the side
I sat down again terrified it was myself I saw
thronged and pitch-green
spilling over the top of the earth
the same soft dust-sheets over my hands as the clouds
the same thick curtain across the horizon

Above and below the surface is not just reversal, the same backwards, symmetry, but something else. In her lecture, the lines before the bit about twice darkly, Oswald says:

but the surface of water is complicated by transparency, and its transparency is complicated by refraction. Water is never the same as itself. Rivers can only exist as similarities, lakes reflect more than their own volume

The surface offers the illusion of reversal, one way up, the other down. Below the surface, beyond its mirror, another world waits to be witnessed. And not with eyes — the visibility in lake nokomis is currently 6.6 feet. In the middle of the lake, all I see below me are particles, stray vines, an occasional flash, and murky green-blue-yellow. Not so much dark, as Nothing.

I’m fascinated by surfaces, or what Oswald calls the waterlid. What does the surface look like from below looking up? I should make note of it today. Also, from above, looking down?

Looked up some notes, and found this great quotation from Darby Nelson in his book, For the Love of Lakes:

Human understandings rely heavily on the endless flood of messages from our eyes. But with a lake, the laws of optics work against us. Its reflective surface and the water’s rapid absorption of light with increasing depth conspire to keep much of a lake hidden from view. At a lake, open your eyes and you don’t see half of it. Nearly all the visual input from a lake comes as surface reflections, mere superficialities. Thoreau reveled in reflections. He felt because they were constantly changing they could present previously known truths from new points of view. But those truths don’t penetrate into the world of the lake below, a truth with which he seems unconcerned. What kind of landscape even exists in the absence of vision? How can we fully perceive what we cannot see?

For the Love of Lakes/ Darby Nelson

during the swim

I wanted to think about these things and recite some lines as I swam, but I was distracted by the effort of choppy, crowded water, always looking out for waves crashing over me and making it hard to breathe, or random slow or stopped swimmers. Near the end of the swim, I decided to dip lower in the water so that I could see the surface from below — a wavy, slightly distorted version of the sky and clouds. Cool!

july 20/SWIM

4 loops
lake nokomis open swim
67 degrees

Wow! What a morning for a swim. Sunny and not too windy. I couldn’t see the green buoys heading towards the little beach, but I didn’t care. I’m used to my eyes not seeing the buoys and trusting that some part of me has seen them and is leading me the right way, and I use other things to keep on course — sparkles on the water, which mean other swimmers are around, the lifeguard kayaks on the edge of the course, buildings.

10 Things

  1. a swirled glob of vines
  2. orange safety buoys tethered to torsos
  3. cloudless blue sky
  4. pale green water
  5. a young kid calling out to another kid — look at the little fish!
  6. a swim clinic for people doing the Y-tri — the instructor encouraging people to take breaks if they needed to — of course it’s hard! it’s okay to take a break
  7. little specks: swan boats in the distance
  8. little specks: green buoys looking like far off white dots
  9. sparkle friends
  10. a paddle boarder crossing the path, then a kayak

Recited my Alice Oswald lines: He dives. He shuts himself in a deep soft-bottomed silence . . . Underwater, the silence was more than a lack of sound, not empty but still — the same view with no variations: the pale green water studded with particles. No shafts or light, no fish.

Recited some lines of my own, too: I go to the lake/to beholld to be/ held by the water

a return to EXAQUA

“Water is the medium, the texture, the weight, the space, the motion/emotion or your writing/thinking. Would you agree? Is that too tidy? Your work is attuned to water and being close to it (or, better, being inside it) is important to you” (EXAQUA/ Jan-Henry Gray).

What might it look like to have water be the medium, the texture, the weight space motion emotion of my writing/thinking?

medium = way in which the writing is delivered — print, digital, audio, visual
water as medium = delivered with water = the bubbles sparkles wound on the water my piercing hands leave

Giving water the weight and size of myself
in order to imagine it, water with my bones
water with my mouth and my understanding

weight and size of myself = swimming in the lake, again and again, a full immersion — without wetsuit or raft — more time below the surface than above, my full devotion and attention

july 18/BIKESWIM

bike: 8.6 miles
lake nokomis and back
61 degrees (there) / 68 (back)

It’s great to bike! Independence! Not having to rely on someone else to get me to the lake. And, being on a bike is much more fun than being in a car.

Overcast and cool. Some wind as I biked south and west. I might have glimpsed the river through the trees, looking almost white, but I don’t remember. Heard the rush of the light rail going past on the other side of the barricade. Also heard the rush of the creek, moving past the spot where all the kids like to swim. Heard the rhythmic thwack of the pickle ball hitting the racket. The pickle ball courts by the lake nokomis rec center are always full. And, as I neared the big beach, I heard a shrill sound on repeat. Scott and I had heard it last night and thought it was a person whistling. Nope. Was it a bird? What else could it have been?

swim: 3 loops
lake nokomis open swim
64 degrees

A little tired today after last night’s swim. Otherwise, I felt good, buoyant, high up on the surface of the water. My sparkle friends were coming right at me as I swam across to the little beach. The sky was covered in clouds. The positioning of the buoys was closer today than last nigh, so a much shorter course. Two things: the green buoy closest to the little beach was farther away this morning than last night and the middle green buoys were closer together — a tighter angle. According to my watch, I swam a mile and 1000 less strokes today.

I had trouble keeping my nose plug on; it was leaking air which made a funny nose underwater. I wondered if other swimmers could hear it. Have I heard the noises of other swimmer’s underwater before? Not in lake, but I’ve heard clicking elbows in the pool.

Mostly my stroke pattern was: 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left
Occasionally: 1 2 3 4 5 6
or 1 2 3 breathe right 1 2 3 4 breathe right 1 2 3 left 1 2 3 4 left

I recited Alice Oswald, mostly the one about microscopic insects that catch pigment on their shivering hair-like receptors. I wanted to recite the new lines I tried to memorize last night, but I got stuck on the first line. I couldn’t remember disintegrating certainty.

Yesterday I watched a little of the 5k open water swim world championships from Singapore. The competitors were swimming in a shipping lane with an over-sized lane line on one side. This lane line was enormous, much bigger proportionately than a pool lane line. It looked strange and unreal.

10 Colors

  1. orange buoy
  2. red lifeguard kayak
  3. white swan
  4. an occasional dot of robin’s egg blue — the green buoy getting closer
  5. lime green buoy
  6. yellow safety buoy
  7. pink cap
  8. green vine, floating
  9. pale greenish-brown vine from milfoil reaching up from the bottom
  10. a smear of green so dark it almost looked black near the ford bridge: a dark dirt trail that winds through the woods

EXAQUA

Last week, I returned to a poem I posted on this log a few years back: EXAQUA / Jan-Henry Gray. So many good lines about water. I decided to request it from the library — it’s in Gray’s collection, Documents. Yesterday RJP and I went and picked it up. Exaqua is several pages long, with multiple sections. Today I’ll start reading it more closely.

I wondered about the title. What does it mean? In a note, Gray writes that the title comes from the “Notanda” section of M.NourbeSe Philip’s Zong. I’ve heard of Zong! before. JJJJJermoe Ellis writes about it in Aster of Ceremonies. I had to do a little more digging to find out what it means in Zong! Found a masters thesis with an explanation:

When Morrison writes, “By and by all trace is gone, and what is forgotten is not only the footsteps but the water too and what is down there,” she gestures toward the material remains of the enslaved who we know to have been drowned by those waters—the “Sixty Million and more” to whom Beloved (324). It is in an attempt to remember “the water and what is down there” that NourbeSe attempts to do the work of recovering, reclaiming, or exhuming those bodies from their liquid graves. The term NourbeSe uses to describe this process is exaqua: that is, to exhume the bodies of the Zong’s victims from the water. In lieu of the enslaved’s literal, material remains—their scoured bones— Zong! orients itself toward creating a textual space where their voices may sound out. When we have observed that a voice is singular, this observation has rested on the embodiedness of our voices. As sound, our voices are constituted by the materialities of our bodies that produces them, thereby carrying something of our bodies outside of ourselves and spacing it out into the material world. For NourbeSe, then, Zong! as a material object is like the surface from which the sound of the captives’ voices reemerge.

Listening/Reading for Dismembered Voices

This definition is fascinating. I want to keep thinking about it as I do a close reading of the different sections of the poem. An immediate thought: the idea of surface here is interesting — surface as where what is inside us travels outside.

immersion

The only way to know a song is to sing it.
The only way to know an ocean is to swim it.
(from Across the Pacific Ocean/ Jan-Henry Gray)

These lines are from an earlier poem in the collection, but I’ve been thinking about them and I think they can be put into conversation with EXQUA. I’d also like to put them into conversation with my own thoughts on being in the water as opposed to being near it or beside it or above it (like I am with the river).

I think about all that I know or understand or am familiar with because of the time I’ve been in lake nokomis over the last 12 years. The quality of the water, its currents, its colors, its buoyancy, its temperatures. The sediments, the ducks, seagulls, loons, dragonflies, the vegetation.

In the water, you feel the ripples, the swells, the rocking of the waves, the wind. Out of the water, you might see a textured surface or a whitecap, but you might only see flat, calm water.

july 17/RUNSWIM

4 miles
river road, north/south
57 degrees
humidity: 80%

In the 50s! What a beautiful morning. Sunny, calm, cool. My gait felt strange, awkward, for the first 1/2 mile. Was it the shoes? I wore Brooks instead of Sauconys. The humidity was high — lots of sweat, not dripping but pooling near my nose. Chanted in triples for the first mile.

10 Things

  1. rowers! heard 2 different coxswains
  2. after 5 or 6 months, they’re finally replacing the fallen fence panel above the northern end of longfellow flats
  3. the dirt they put in the crack north of the trestle has settled and the crack is back and as big as before — at one point will this be unfixable?
  4. good morning! / good morning! — exchanged greetings with a runner with a dog
  5. good morning! — Mr. Holiday wished me a good morning
  6. click click thought it was a roller skier, but it was a biker changing gears
  7. a circle of light below the sliding bench — have they cleared some branches for more of a view here?
  8. smell of cigarette smoke
  9. the dark dirt of a steep trail leading down to the river
  10. the loud slap of a runner’s shoes as he passed me, running fast, or at least much faster than me

I was watching the tour as I compiled the 10 Things list, but had to put my computer away when they reached the last climb — a tough HC. Pogacar went for it near the bottom and Vingegaard couldn’t follow. Wow!

to remember and return to

water and time / log entry for 11 july 2024

lines to memorize for today’s swim?

this disintegrating certainty this water
whatever it is whatever anything is
under these veils and veils of vision
which the light cuts but it remains

unbroken
(Nobody/ Alice Oswald)

while I’m swimming today: recite this bit and the others from Dart and Nobody:

swim: 4 loops
lake nokomis open swim
71 degrees

Open swim is back and I did 4 loops! A wonderful night, in and out of the water. The water was smooth and fast and not too warm or too cold or too crowded. Entering the lake, I watched as a motorized paddle board zoomed by, then another. What? As I swam toward and then past the orange buoy I heard a metallic buzz in the water. Was it because of these paddle boards? I am very grateful that motorized boats aren’t allowed on nokomis. If they were, would I be hearing this buzzing sound all of the time?

I was off course in the first loop; the sun made it very difficult to see the green buoys. But it wasn’t a big deal. On the second loop, I figured it out.

I marveled at the contrast between above and below the surface. Above was a smooth blue, below a glittering green. Checked out my bubbles. Felt the water darken when the sun went behind a cloud. Was attacked by a few stray vines.

Thought about how much I love the water and how confident I am in it, and then about how dangerous and scary and deadly it can be.

Recited Alice Oswald lines — not the new ones I just memorized, but the ones I’d already been reciting in my head.

july 15/RUN

1.75 miles
neighborhood
80 degrees
dew point: 70

Wanted to do a longer run today, but it was too hot! At first I wasn’t going to run at all, but I decided to do a short one to, as I sang to Scott, kick start my heart. Of course I sang the melody of this song completely wrong and of course we had to listen to the original. Ugh! And of course I had to remind Scott that one of the many soccer teams I was on as a kid was named Motley Crüe. Another team: Jabberwockies.

When I was in the shade it wasn’t too bad, but in the direct sun — HOT! I had wanted to run to the overlook on the bridge but I noticed, at the last minute — a few feet from the sign — that the sidewalk was closed. So, I turned down and ran south on the river road trail. Ah, shade!

10 Things

  1. my bright yellow running shoes
  2. the neighbor who is always sitting on his front steps smoking was there but wasn’t smoking
  3. the excited chirping of little kids on the playground at the daycare
  4. from a biker: that was so sweet — the tone of sweet made me think kind, thoughtful, not awesome
  5. a long line of cars on lake street
  6. my shadow, straight and strong
  7. 2 runners crossing the street, standing in the bike path, a biker approaching, heads up! / oh, sorry!
  8. the rush of wind through the trees
  9. a steady stream of cars on the river road making it difficult to cross
  10. the dark brown dirt, the gentle curve of the green grass, the sharp edge between of a front yard on 46th

This Be the Place: a Pond

Today is the first rest day of the tour so no cycling to watch all morning. Instead I returned to my morning reading practice of visiting poetry sites and rereading past log entries. A lot of great stuff, including: This Be the Place: A Several-Acre Space of Tenderness/ Han Vanderhart

The “several-acre” space is a pond, which struck me as strange. I think of ponds as small bodies of water and several-acres sound big. But is it (big, that is)? Maybe several acres is small. What distinguishes a pond from a lake? I recall looking up brooks and streams and creeks and rivers when I was reading Emily Dickinson’s poem, Have you got a Brook in your little heart (see 13 march 2021), but not ponds. So I looked it up. Fascinating!

pond or lake: the distinction is arbitrary

The term “lake” or “pond” as part of a waterbody name is arbitrary and not based on any specific naming convention. In general, lakes tend to be larger and/or deeper than ponds, but numerous examples exist of “ponds” that are larger and deeper than “lakes.” . . .Names for lakes and ponds generally originated from the early settlers living near them, and the use of the terms “lake” and “pond” was completely arbitrary. Many have changed names through the years, often changing from a pond to a lake with no change in size or depth. Often these changes in name were to make the area sound more attractive to perspective home buyers.

Lake or Pond: What’s the Difference?

from lake to pond to wetland

Learned that the study of inland waters is limnology. And the terms, lotic and lentic, too:

surface waters are divided into lotic (waters that flow in a continuous and definite direction) and lentic (waters that do not flow in a continuous and definite direction) environments. Waters within the lentic category gradually fill in over geologic time and the evolution is from lake to pond to wetland. This evolution is slow and gradual, and there is no precise definition of the transition from one to the next.

Lake or Pond: What’s the Difference?

From lake to pond to wetland reminds of my discussion of ecological succession and Robin Wall Kimmerer at the begining of May. A meadow becomes a thicket, a thicket becomes a forest.

Was Lake Nokomis ever a (bigger) lake that became a pond, then a wetland, then a lake again? Yes!

The landscape around Lake Nokomis was formed by natural forces, to be a place that absorbed and stored water. Over 11,000 years ago, glaciers carved through the land, and then retreated and melted. As the ice blocks that were left behind melted, they formed an expansive system of interconnected wetlands and lakes. Under these saturated conditions organic material from dead plants was unable to completely decompose, forming extensive peat deposits — a wetland soil. Because peat readily absorbs moisture and can hold up to 10 times its weight in water, it can act as a barrier and prevent rainfall from draining into deeper layers of the soil. This can cause water to accumulate, or perch, above the peat. Once abundant wetlands in South Minneapolis were filled or development.

In 1853, the U.S. Surveyor General’s Office conducted the first government land survey of the landscape around Lake Nokomis, then called Lake Amelia. The area contained over 1,500 acres olakes and wetlands. At that time, the natural lakes were larger and shallower than today. Since then, nearly 60% of the area’s wetlands have been filled. In their place is today’s built landscape.

Lake Nokomis Area Groundwater and Surface Water Evaluation

if we opened people up, we’d find landscapes

Linda Gregg might call my pond a “resonant source,” a term she uses for places that are “present as essences. They operate invisibly as energy, equivalents, touchstones, amulets, buried seed, repositories, and catalysts.” These are the Ur-images of our creative psyches, that live with us and inform our writing. “If we opened people up,” remarked the filmmaker Agnès Varda, “we’d find landscapes.” Along with a Virginia creek and cornfields and the wood with its mayapples, this pond is inside me: as summer, as stillness, as childhood—as peace.

This Be the Place: A Several-Acre Space of Tenderness/ Han Vanderhart

You can not realize you are in despair, looking at a pond’s surface.

I love the surface of Lake Nokomis. How when I lift my head out of the green water to sight, I see blue. How its ripples sparkle and its small waves sometimes look like other swimmers. How dragonflies hover above, bubbles hang just below it. How it often hides its moods from those at a distance; what looks calm and still from afar, feels rough and active from within.

ponds and writers: Maxine Kumin and Henry David Thoreau

Two writers that popped into my head as I think and read about ponds; Maxine Kumin and her homemade pond, Pobiz Pond, on her farm and Thoreau and Walden Pond. I just requested Kumin’s memoir in which she writes about how she and her husband, along with help from friends, dug out a pond on their farm property.

Other poetry people who love ponds? Mary Oliver, of course!

note: I was planning to swim, but open swim was canceled because of thunderstorms forecasted for 6:30.

july 13/SWIMBIKE

5 loops
lake nokomis open swim
71 degrees

5 loops on a beautiful Sunday morning! Even though we’re still under bad air quality advisory and there was smoke and haze lingering above the lake, I didn’t have any trouble breathing. The smoke-haze made it difficult to see the buoys, however. Who cares — not me! I still swam straight towards the buoys.

My 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left or 1 2 3 right 1 2 3 4 right 1 2 3 left 1 2 3 4 left was relaxed and steady. My arms and legs in constant motion, rotating and kicking.

I call my circuits around the buoys loops, but that’s not quite right. They are more triangles, not curved but a straight line with 3 buoys from the northern end of the big beach to the little beach, then a straight line with 2 buoys from the little beach to the southern end of the big beach, then a straight line parallel to beach from the last green buoy to the only orange one and the start of one circuit, the beginning of another. Swimming in the lake is less about curves and more about lines and angles. Angled elbows, a straight back — parallel, the intersecting legs-as-lines. The first segment was fairly smooth and fast, the second was choppy and sluggish, and the third was smoother and faster.

10 Things

  1. something/someone tapped my toe mid-lake — I couldn’t see anyone, was it a fish? a twig?
  2. particles suspended, glittering — my sparkle friends!
  3. my hands wrapped in bubbles
  4. a loose vine passed over my legs, got stuck in my fingers
  5. a military plane flying fast
  6. light green, a hint of yellow, water
  7. glitter on the surface of the water where other swimmers where
  8. hazy blue sky
  9. a gentle rocking from the water
  10. near the end of the final loop — a sore back

I recited my 4 A Oswald lines about microscopic insects in the eye and surfacing and diving again and giving water the weight and size of myself and lifting the lid and shutting it. Such great lines! Admired the bubbles on my hands, thought of Anne Sexton and shedding them and then believed the bubbles were little thoughts and feelings and ideas that some part of me was shedding and offering to the water and anyone in it.

Thought about my gorge poem that begins, I go to/the gorge / / to find the/soft space. Started composing one for the lake: I go to/the lake // to be held. Thought about the verb, to behold, then beheld, which reminded me of a line in a poem that I love and had pondered on 19 june: Unsee the beheld! / Altitude/ Airea D. Matthews

Unsee the beheld where to unsee is to observe/witness with a sense other than sight, or to unravel, come undone or redone, transformed. Who/what is the beheld? Me, held by the water. So, to unsee me, to let go of me/I and have an encounter/exchange with that which is not-I: the water. I haven’t written about this bit yet, but yesterday I was thinking about Anne Carson and her anthropology of water and I wrote in my Plague Notebook, encounter with that which you cannot contain, control, that is not You — the not-I. In the lake, I am held by the water — rocked, enveloped, lifted — but in the process of being held I dissolve, or the small part of Sara the ecosystem that is I is saturated. Yes, this makes sense to me, but will it to anyone else, including future Sara?

I read mention of May Swenson’s poem “Swimmers” yesterday and I happened to have it in Nature: Poems Old and New. I’m still trying to figure out the different ways I can read the stanzas — across; down the left, then down the right, then bottom?down the left, to the bottom, and up the right? down the left only? down the right only?

Swimmers/ May Swenson

Tossed
by the muscular sea,
we are lost,
and glad to be lost
in troughs of rough

love. A bath in
laughter, our dive
into foam,
our upslide and float
on the surf of desire.

But sucked to the root
of the water-mountain —
immense —
about to tip upon us
the terror of total

delight —
we are towed,
helpless in its
swell, by hooks
of our hair;

then dangled, let go,
make to race —
as the wrestling chest
of the sea, itself
tangled, tumbles

in its own embrace.
Our limbs like eels
are water-boned,
our faces lost
to difference and

contour, as the lapping
crests.
They cease
their charge,
and rock us

in repeating hammocks
of the releasing
tide —
until supine we glide,
on cool green

smiles
of an exhaling
gladiator,
to the shore
of sleep.

However I read it, it’s good!

bike: 4 miles
the falls and back
84 degrees

Biked to the falls with Scott for a beer and a hike and some time to be in the midst of others. Sassy, strong little girls, BIG dogs, small yippy dogs, a hiker with poles, surreys, kids playing soccer, a guy that looked like Mr. Hand, 2 long-haired dachshunds in the ice cream line, a LONG ice cream line, a LONGER food line. A roaring falls, a raging creek, blocked-off steps and wooden path. A dog that plopped down and refused to move, a guy walking by, laughing and calling out to his friend, that dog is done!

july 12/BAD AIR

I was planning to run today, maybe even a 10k, but smoke from Canadian wild fires has blown in and made it unhealthy to exercise. You can see and smell and feel the smoke. Bummer. Hopefully they won’t cancel tomorrow’s open swim because of it. And hopefully they won’t have reason to because the smoke will have dissipated.

So, instead of running, I’m reading this morning: old entries and summaries about water. In “Happy 100th Birthday Lake Nokomis” (2014), I found this paragraph:

It can take a century or longer for dredged water bodies to begin functioning like a naturally occurring lakes. As part of the master planning process currently underway, Nokomis was analyzed to see if it was still stabilizing. The water quality consultant from EOR (Emmons and Olivier Resources, Inc.), has determined that Nokomis has finished its transitional period and is now functioning like a natural lake.

Happy 100th Birthday Lake Nokomis

This idea of Nokomis making it to “natural lake” status needs to be in a poem, I think. What does it mean to function like a natural lake?

And here’s some information, from Theodore Wirth:

The area acquired consisted of about 300 acres of shallow water known as Lake Amelia, about 70 acres of mostly low swampy farmland at the northwest corner, and about 38 acres of higher dry land at its northeast corner [where the Recreation Center sits now], as well as a small strip along the south boundary. The improvement plan contemplated reducing the water area from 300 to 200 acres (the minimum depth of the lake to be not less than eight feet and the low lands to be filled to well above the lake level), and increasing the total land area from 108 to 208 acres. Estimated dredging operations amounted to between 2,000,000 and 2,500,000 cubic yards.

Happy 100th Birthday Lake Nokomis

Here’s something to put beside this idea of Lake Nokomis as a dredged out marsh/shallow lake. It’s a line from a poem:

How can anyone read about the glacial
creation of lakes and not feel connected
to the Earth–capital E?
(from Exaqua/ Jan-Henry Gray)

What connection can/should/does one feel to the Earth when reading about the creation of a lake through dredging and planning and acquiring land for recreation and development? As a preliminary answer, I’ll offer, there is/can be a meaningful connection; it’s just not the same as with a “natural”/glacial lake.

july 11/SWIM

4 loops
lake nokomis open swim
73 degrees

Great water! Warm, buoyant, calm, and near the shore, clear. A steady — 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left — swim. Felt strong and relaxed and rhythmic. Didn’t see the buoys that often but knew exactly where they were.

10 Things

  1. the tops of the mifoil: green, wispy, some feathery, some stringy
  2. light green water
  3. green buoys looking robin’s egg blue
  4. the sharp angle of the taut rope with a weight on its end, anchoring the buoy
  5. ducks swimming near shore
  6. glowing bubbles covering my hands
  7. the lifeguard talking through the speaker, testing 1 2 3 attention open swimmers, the course is now open. enjoy your swim!
  8. pale legs underwater — parallel to the ground, kicking breaststroke then fluttering
  9. the feel of something in the water, then a trail of bubbles, then a pale leg — a quick swerve around another swimmer
  10. rounding the green buoy closest to the little beach, getting a brief glimpse of the next buoy — green, looking only like a bright dot, and only visible sometimes

Recited my AO lines again. a rush of gold to the head — giving water the weight and size of myself in order to imagine it — she surfaced and peered around and dived again and surface and saw someone

the beginning of a lake

I started rereading Argument with the Lake this afternoon — a poetry collection I bought in 2018 — and discovered this description of the origins of a lake. I’ll add it to my growing collection of descriptions — of a river in England (see: 30 aug 2024) and a lake in Germany (see: 2 july 2024).

from Begin/ Tanis Rideout

This lake, like others, was dug out. Glacial ice grinding south, scouring
weak Silurian stone, an arctic tsunami leaving only the backbone of the escarpment. Canadian Shield and broken tumble of kames in its
retreat.

The glacial rebound cast this lake of shimmering waters, Ontario. Give
or take
a geologic blink. And now, a girl on Holocene shores measures the
distance —
her to here. Fifty-four kilometres as the crow flies, the herring gull,
the cormorant with dried wings. Sixty-four against the current.
Three point two kilometres an hour, slower than a winter housefly
bumbling against your window

july 8/RUNSWIM

2.5 miles
2 trails
67 degrees
humidity: 86%

Got out for my run a little earlier today. Still warm and humid. The bunion on my left foot has a blister on it, which hurt at the beginning of the run. Looking up the anatomy of the foot, I discovered that the bone below the big toe is actually two pea-shaped bones called sesamoids. I’ve been thinking that I might want to devote a month, or a few weeks, to the foot. Maybe September?

Noticed the river for the first time as I turned down to enter the Winchell Trail from the south. Through the trees it looked green and warm and stagnant. A little later, on the Winchell Trail, a pale blue with a spot of sparkle. Greeted by Mr. Morning! as I exited the 38th street steps.

10 Things

  1. empty benches
  2. a parked scooter with its red lights still blinking
  3. heard water dripping down the ravine and thought of a grotto with a waterfall
  4. the tree that fell on the trail last week is still there, blocking 2/3rds of the trail
  5. a faint voice below — a rower?
  6. 2 people across the road near Becketwood, crouched near the trees — looking at something? picking up trash? weeding?
  7. a steady stream of cars
  8. a cool green under the tree cover on the Winchell Trail
  9. a week later, the 38th street steps are still rainbow colored
  10. someone walking around the overlook, headed to the part of the stone wall where a dirt trail descends — was he planning to take it?

more How to Read Water

glitter path: a long line of shimmering reflections stretching into the distance. The shape of the glitter path is a measure of how high the sun is and the roughness of the waves.

if you see the glitter path bulge at some spot, that indicates rougher waves

wider glitter path = rougher water
narrower path = calmer water

“the faces of the waves act as mirrors”

seeing faces in waves / pareidolia: the habit of our brains to find patterns and ascribe meaning where there may be none

orange!

If you are gazing down into cloudy water looking at your own shadow, there are a couple of extra effects worth keeping an eye out for. The first is that your shadow may have an orange-hued fringe around it. This happens because the tiny particles in the water don’t reflect all wavelengths (and therefore all colors) back equally to you. Orange makes it back more easily than the others. The second effect, which, if you see the orange “halo” effect, is definitely worth looking for, is that you may spot shafts of sunlight emerging from your shadow and radiating out away from it underwater. This effect is sometimes nicknamed the “aureole effect.” These radiating rays are caused by an optical effect of looking in the opposite direction to the sun

How to Read Water

swim: 3 loops
lake nokomis open swim
83 degrees

Warm, buoyant, calm water. I felt fast and strong and confident. Lots of swimmers, a few floating vines. No ducks or fish or dragonflies. At least 2 military planes — black — screaming across the sky. The far green buoy looked robin’s egg blue to me again today. My nose plug squeaked. The water looked mostly light greenish blue with a think layer near the surface that almost looked white. I saw some orange off to the side and shafts of light rising up from the bottom. Translucent bubble encased my hands.

I recited bits from AO’s Dart and Nobody as I looped.

Noticed a swimmer looking so far away from the orange buoy and wondered how much of it was my off perspective and how much of it was them being off course. Probably more me; I struggle with depth perception.

almost forgot: during the second half of a loop, the water suddenly got a lot darker for many seconds — a minute? However long it actually was, it felt like a long time. I couldn’t see what caused it, but I’m imagining the darkness was caused by a cloud. On other days, I felt a shorter darkness pass when a plane passes over the sun.

july 5/RUN

2.5 miles
2 trails
72 degrees / drizzle
dew point: 71

The Tour de France starts today! Hooray! Scott and I are watching it live this year and enduring the terrible U.S. coverage. I miss Orla and Robbie and Adam and Rob and Ant and Nico. Oh well. At least we can watch it. Decided to do a quick run before the thunderstorms started up again. So hot and thick! But quiet, calm, almost empty.

10 Things

  1. the leaning tree 2 doors down our block is marked orange — will they take it down this week?
  2. the tree that fell over the winchell tree last week is still there, blocking the trail — today, no birds surrounding it
  3. dark green trees
  4. pale blue river
  5. white-gray sky
  6. a bullhorn beep then a coxswain’s voice — rowers!
  7. dripping leaves
  8. gushing ravine
  9. thick air
  10. the sound of rain in the trees but not the feel of it on my skin

le tour, day one: some crashes, a few riders already abandoning including Ganna, crosswinds, tight corners, Remco and Roglich already losing time. Bob Roll’s phrase du jour: put the hammer down. A sprint finish: Jasper wins (boo), Girmay gets second

Yesterday, in a ramble about rumors and whispers, I stumbled upon a tentative theme for the month: the language of water. First step: read/skim How to Read Water.

Here’s an interesting bit I’d like to remember:

. . . ponds and lakes are far from permanent; rivers will tend to grow naturally with time as they do their own excavating, but the opposite is true for still water. Unless ponds and lakes are given some help, they will all eventually return to land, It starts with algae, then the rushes and other shallow water plants getting a foothold, and this allows sediments to gather, water turns to wet mud, and a reinforcing cycle begins that culminates in the water losing the battle against the encroaching land.

How to Read Water/ Tristan Gooley

Reading through this chapter on lakes, I’m realizing that you can determine the depth of a lake by surface-level clues — ducks and swans = shallower water / cormorants (have I ever seen a cormorant?) = deeper. Clouds over land are different than clouds over water, so in bigger lakes you can tell if there are islands by looking at the clouds.

random: Watching a commercial during le tour, I heard the pairing of grit and determination in describing a brand. I said to Scott that I should write a poem with pairs of words like Grit & Determination, that are frequently together, in which they break up and then look for new partners. What are some common pairings/partners: Salt & Pepper, Shiny & New, New & Improved, Footloose & Fancyfree, In & Out?

note from 24 june 2026: Reading this last bit, I’m reminded of a bit Scott and I watched on Parks & Rec last week. While talking about the beauty pageant she and Tom were judging Leslie mentioned the talent and poise portions. Tom said something like, oh, are the dancers from Talent & Poise going to be there?

july 4/REST

Fourth of July, so no open swim. Bummer. Too hot to run, besides I haven’t taken a day off from running since last Thursday. Today a break from disciplined moving outside. But not from thinking and writing and reading and dreaming.

Sometimes when something is missing, what you have left is making and believing (Keith S. Wilson).

Copying this quotation from Keith S. Wilson into this entry, I wasn’t thinking about the missing in relation to the green buoy I couldn’t see last night, yet swam straight towards. But somehow, it was the next thought I had as I stared at the words.

a few hours later: I’m sitting under the crab apple tree in my backyard in the shade — thank you, tree, for this shade on a hot day — and I’m re-reading Alice Oswald’s nobody and pondering a word, rumor/rumour:

what kind of a rumour is beginning even now
under the waterlid she wonders there must be
hundreds of these broken and dropped-open mouths
sulking and full of silt on the seabed
I know a snorkeller found a bronze warrior once
with the oddest verdigris* expression and maybe
even now a stranger is setting out
onto this disintegrating certainty this water
whatever it is whatever anything is
under these veils and veils of vision
which the light cuts but it remains

unbroken

*verdigris: a green or bluish deposit especially of copper carbonates formed on copper, brass, or bronze surfaces

A fun rumor to make imagine believe in spread: maybe your brain, or some part of your brain, or your breath, or some other part of you that is not (only) you, has secret conversations with the water in which the water reveals the location of the buoy and the part of you that is you but not (only) you guides you towards it. Of course, this only works if you listen, which I have learned to do. Can you?

rumour (OED):

General talk or hearsay, not based on definite knowledge

General talk or hearsay personified
1600: “Open your eares; for which of you wi’l stop The vent of hearing, when lowd Rumor speaks?”/ W. Shakespeare, Henry IV, Part 2 Induct. 2

Clamour, outcry; noise, din. Also: an instance of this

To make a murmuring noise

This last one — to make a murmuring noise — reminds me of the idea of bubbles speaking to me in a soft, faint, bubble-whisper. And now, I’m thinking of a book that I checked out of the library years ago: How to Read Water. Since the ebook is available, I just checked it out again! What are water’s languages?

Back to Alice Oswald’s words and her bronze warrior. Have I written about these particular lines (I’ll check later)? I’m thinking of the ghosts — people who drowned, objects forgotten or carelessly discarded — on the bottom of the lake. What do/can they say to me? Do their messages travel through the pale milfoil that stretches up to the light?

july 3/RUNSWIM

3.1 miles
2 trails
72 degrees
dew point: 70

8 a.m. and already 72. It’s going to be hot today. Heard some birds and the coxswain and water trickling, then dropping steadily. The river was pale blue through the trees. When I heard the rowers I wondered how hot they were on the water without any shade.

overheard: an adult runner to a kid biking behind them — you’re doing such a good job!

Wore my bright yellow shoes — the ones I bought over a year ago and have tried to wear several times but always give up because they hurt my feet and my calves. They seem to be working now.

10 Things

  1. purple flowers just beyond the fence
  2. blue sky
  3. empty bench
  4. a roller skier holding their poles up instead of using them
  5. noisy birds near the tree that fell a few days ago onto the winchell trail
  6. a small circle of shimmer: sparkling water seen through a gap in the trees
  7. several stones stacked on the ancient boulder
  8. a small group of bikers — 4, I think — speeding past, one of them wearing a bright pink shirt
  9. a women with a dog stepping off the path near the bench above “the edge of the world”
  10. faint lines of yellow and orange and pink and purple chalk on the 38th street steps

orbit

This morning, another orbit around an idea that I’ve been orbiting for a few years now:

1

He aligns himself and moves forward with his face in the water staring down at the bottom of the lake. Old, beautiful shadows are wavering steadily across it. He angles his body and looks up at the sky. Old, beautiful clouds are wavering steadily across it. The swimmer thinks about symmetries, then rotates himself to swim on his back staring at the sky. Could we be exactly wrong about such things as—he rotates again—which way is up? High above him he can feel the clouds watching his back, waiting for him to fall toward them.

The Anthropology of Water/ Anne Carson

Which way is up? Which way down? Which real? Imagined? Symmetries or similarities?

2

I began more seriously than ever to learn the names of things—the wild plants and animals, natural processes, local places—and to articulate my observations and memories. My language increased and strengthened, and sent my mind into the place like a live root-system. And so what has become the usual order of things reversed itself with me: my mind became the root of my life rather than its sublimation. I came to see myself as growing out of the earth like the other native animals and plants. I saw my body and my daily motions as brief coherences and articulations of the energy of the place, which would fall back into the earth like leaves in the autumn.

Native Hill/ Wendell Berry

Brief coherences and articulations of the energy of the place.

3

Reading Berry, I’m reminded of Arthur Sze’s discussion of mushrooms as poems:

I began to think I love this idea that the mycelium is below the surface. It’s like the subconscious, then when the mushroom fruits pops up above ground, maybe that’s like this spontaneous outpouring of a poem or whatever.

4

Then, I returned, as I often do, to the beginnings of a poem:

Maybe like mushrooms, we rise
or not rise, flare —
brief bursts from below
then returns 
to swim in the dirt…

5

Could we be more like fungi/mushrooms, with their nets of mycellium, than trees with their roots and branches and one trunk? Googled it: Animals and fungi are each other’s closest relatives: congruent evidence from multiple proteins

6

And back to W. Berry and the reversing of wild and domestic:

VI.

our word “domestic” comes from the Latin domus, meaning “house” or “home.” To domesticate a place is to make a home of it. To be domesticated is to be at home.

X. 

But if we were really to pay attention to what we’ve been calling “wilderness” or “the wild,” whether in a national park or on a rewooded Kentucky hillside, we would learn something of the most vital and urgent importance: they are not, properly speaking, wild.

XI. 

Our overdone appreciation of wildness and wilderness has involved a little-noticed depreciation of true domesticity, which is to say homemaking, homelife, and home economy.

XII. 

With only a little self-knowledge and a little sitting still and looking, the conventional perspective of wild and domestic will be reversed: we, the industrial consumers of the world, are the wild ones, unrestrained and out of control, self-excluded from the world’s natural homemaking and living at home.

swim: 3 loops
lake nokomis open swim
90 degrees

Another great swim! Felt strong — no strange calf pain, or feet that feel like they might start cramping, or fear over not seeing buoys. The water was warm and green. The sky was blue with a few clouds. No dragonflies or planes or menacing swans, although there was a lurking sailboat. The far green buoy still looked blue to me, when I could see it as having color. Often it looks like a white dot, or just a colorless dot that I understand as buoy.

I saw pale legs and green globs and a vague orangish red light and sparkle friends and bubbles and ghostly milfoil underwater. No ducks or fish or seagulls. For the last stretch of each loop, I recited the lines from Alice Oswald’s Dart that I just memorized:

1

Then I jumped in a rush of gold to the head,
through black and cold, red and cold, brown and warm,
giving the water the weight and size of myself in order to imagine it,
water with my bones, water with my mouth and my understanding

2

He dives, he shuts himself in a deep soft-bottomed
silence
which underwater is all nectarine, nacreous. He lifts
the lid and shuts and lifts the lid and shuts and the sky
jumps in and out of the world he loafs in.
Far off and orange in the glow of it he drifts

Such great lines that feel familiar when I’m swimming in the middle of the lake.

june 22/RUNBIKESWIM

run: 2 miles
2 trails
81 degrees
dew point: 73

Before biking over for a swim, I decided to run a few miles in the heat. 7 am and already 81. Ugh. Even with the heat, it was nice to get out by the gorge. Was able to greet Mr. Morning. I know I looked at the river, but I don’t remember what I saw. Was it blue? Probably. Was it shimmering? Possibly. Didn’t hear any rowers or roller skiers. A few bikes on the trail, 4 bikes on the road, out for a serious ride, hugging the curb to let cars go by. I heard sprinklers and dripping water and scattered voices.

image: walking up the 38th street steps from the winchell trail to the river road trail, the undersides of the steps had a faint colorful glow — one step was purple, another pink, orange, green, red, yellow. Was it the light? No someone had used chalk to color the steps. For Pride month, I’m assuming. Very cool.

The Alchemist/ Louise Bogan

I burned my life, that I might find 
A passion wholly of the mind, 
Thought divorced from eye and bone, 
Ecstasy come to breath alone. 
I broke my life, to seek relief 
From the flawed light of love and grief.

With mounting beat the utter fire 
Charred existence and desire. 
It died low, ceased its sudden thresh.
I found unmysterious flesh—
Not the mind’s avid substance—still
Passionate beyond the will.

mind/body split described as thought divorced from the eye and bone, and breath alone

unmysterious flesh — not pure mind but something passionate beyond mind and will

I like the rhyme here; it doesn’t feel forced

bike: 8.6 miles
lake nokomis and back
84 degrees (there) / 88 (back)

So windy and hot! Difficult, especially on the way there. I seemed to be always biking straight into the wind and out of the shade. Other than the heat and the wind and the bright sun, it was great. I’m feeling comfortable on my bike this year.

5 Bike Things / 5 Swim Things

  1. bike: a big bird — eagle? turkey vulture? — soaring above the falls parking lot
  2. bike: another biker far ahead, looking small and just in the center of my vision, reminding me of the far off barn in the vision test
  3. bike: so many e-bikes on the trail, which I think is good and not good — it’s complicated
  4. bike: more kids splashing and swimming and yelling in the creek — didn’t see them, but heard them and saw an inner tube on the side of the trail
  5. bike: the stand of trees to the right of the bike trail in the stretch between lake hiawatha and lake nokomis looked deep green and cool and inviting
  6. swim: minnows and small 6 inch fish near the shore
  7. swim: the underwater plants looked orange or greenish brown and they didn’t look like plumes or feathers, but like christmas tree branches. did they have an attitude of a plume? what would that be — ornamental? showy? preening? Nope, these plants had an attitude of a fungus or rash or disease — spreading, taking over, menacing
  8. the light underwater: I can see them as bars, a series of them, slanted and spread out from one central point
  9. sparkling water above, sparkle friends below
  10. so choppy from the wind, rocking me — not gentle but not rough either

swim: 3 loops
lake nokomis open swim
86 degrees

It was so windy and choppy that they couldn’t put the green buoys in. Just 3 orange buoys today and out and back. I thought maybe I would only do 2 loops, but I felt good enough to do a third. Nice work! The choppy water was difficult — especially breathing — but I liked it. I thought about a poem I wrote that has yet to find a home about stroking straight into waves. Not fighting the lake but taking up its challenge.

The water is still fairly clear and I enjoyed looking at the vegetation and the lake floor as I approached the shore. Much easier to tell when it’s shallow enough to stand up!

During one loop, noticing the sparkle on the water, I suddenly felt happy and grateful and content. What a life! I love swimming in this water.

Just remembered something else: stroking roughly through the water, being buffeted by waves, I felt like a boat moving across choppy water, half-submerged. Yesterday, I was talking to FWA about how I imagine myself less of a fish, more of a boat.

more from Anne Carson and “An Essay on Swimming”:

Saturday 6:30 a.m. Swimming.

the motion of the strange white hands. Gold rungs slide past beneath. Red water plants waver up from the bottom in an attitude of plumes. How slow is the slow trance of wisdom, which the swimmer swims into.

Are my hands white when I swim, or is it just the legs and feet of other swimmers?
Not shafts of light but gold rungs?
The water plants are orange or green, but never red, right? (I’ll check tomorrow).
Plumes is a better description than feathers.
The slow trance of wisdom. Swimming for over an hour in lake nokomis puts me in a trance, for sure.

Friday 8 a.m. Swimming.

On the surface the water is navy blue and
corrugated by wind. Spots of white foam crowd hectically up
and down the waves. there is an urgency to it as if a telephone
were ringing in the house. But there is no telephone in the house.

I don’t know if I’ve ever seen the lake surface navy blue, but I have seen it corrugated. I like that word as a description for a rough surface.

urgency like a telephone ringing in a house, but there is no house. Is there a name for experiencing the same feeling but in a different context. I don’t think this is just metaphor, or is it?

Wednesday 8:30 a.m. Swimming.

the swimmer inserts himself into the dark green glass.

Wednesday 5:45 p.m. Swimming.

The lake is cool and rippled by an inattentive wind. The swimmer moves heavily through an oblique greenish gloom of underwater sunset

from an earlier essay in The Anthropology of Water: “The Wishing Jewel: Introduction to Water Margins:

My brother once showed me a piece of quartz that contained, he said, some trapped water older than all the seas in our world. This line reminds me of a poem I re-encountered yesterday during my “on this day” reading practice:

from Conversation with a Pebble/Alyson Hallett

I kiss the pebble,
Watch the moisture from my lips sink in.

That’s what I’m hiding,
It says. Water. The tiniest Rivers, lakes, seas.

Ideas of what water
Can be. Yes, pebble says,
I am hiding all the world’s memory.

5

I’ve probably missed some, but here are the five letter words (minus plurals) that I found in this entry:

gorge
greet
river
trail
heard
water
voice
street
trail
faint
green
light
chalk
color
pride
month
split
alone
rhyme
windy
shade
great
eagle
above
ahead
small
think
creek
inner
stand
right
brownplume
point
below
rough
today
maybe
third
still
clear
floor
shore
happy
being
about
white
slide
waver
trance
other
never
check

rough windy rhyme
stand still today
below color trance
waver above water
faint floor shore
above gorge being
think inner creek
never point alone
happy water slide
great white check

This is fun!

june 21/RUN

4 miles
the Monument and back
82 degrees
dew point: 74

Last night I decided I would get up early and do a 7 mile run. Then I checked the forecast. 80 at 6 am. What? No thanks. I went to bed thinking I might skip running today and tomorrow (the low is 80). Then I woke up at 6 and even though it felt oppressive outside, I decided to go for a run. Maybe a 5k. Somehow, without meaning to, I ran 4 miles. It was hard. I felt almost dizzy once as I walked up the lake street bridge steps. And I’m glad I did it. Even with a few extra walk breaks I consider this run a victory.

Yes, it was warm and uncomfortable, but it was worth it for the quiet and for the strange light: darker, a little ominous, the green so deep, not glowing but pulsing? not sure what word I would use.

10+ Things

  1. on the lake street bridge from east to west, to the right a pale blue sky, to the left darker blueish-purple
  2. on the lake street bridge, wind blowing hard from the south, a bird getting a boost and flying so fast
  3. from the monument, I could her Shadow Falls dripping
  4. small white caps on the river
  5. the gentle slope of a mowed stretch of grass between Shadow Falls and the Monument
  6. the shuffling of a runner’s feet across the road
  7. the clicking and clacking of ski poles through the trees and on the other side of the ravine
  8. at the Monument, the line of narrow paving stones near the water fountain — they looked old — when were they placed here and who did it?
  9. the swirling and waving of some wildflowers in the wind
  10. taking off my cap on the bridge because of the wind, feeling it hit my face and grab my hair
  11. encountered the runner who wears bright orange compression socks*

*I’ve encountered this runner enough that they’re officially a regular. I think I’ll call him Mr. Orange Socks

Listened to the wind and dripping water and the heavy air for 3 of the miles. Put in my “It’s Windy” playlist for the final mile. Windy has stormy eyes that flash at the sound of lies.

Encountered two Anne Carson poems this morning and it feels like a sign, or a nudge, to keep reading her The Anthropology of Water. One of this poems was from an 21 june entry in 2022 (Could I), and this one from today’s poem of the day:

Between Us And/ Anne Carson

BETWEEN US AND
animals is a namelessness.
We    flail    around
generically      —
camelopardalis   is   what
the Romans came up with
or  ”giraffe” ( it looked to
them like a camel crossed
with a leopard ) or get the
category wrong — a musk
Ox isn’t an ox at all but
more closely cognate with
the  goat —  and   when
choosing   to    name
individual  animals  we
pretend they are objects
(Spot) or virtues (Beauty)
or just other selves (Bob).

The idea of knowing the names of things has come up before on this blog. There’s the act of naming something, which is addressed in this poem and evidenced in my naming of “regulars,” and there is also the act of learning the name that a living thing calls itself. Robin Wall Kimmerer (Gathering Moss in 22 march 2024 entry), JJJJJerome Ellis (“A Litany of Names” from Aster of Ceremonies), and Alice Oswald (“Violent” in 16 feb 2025 entry) all describe this in their writing.

an hour later: Taking up the nudge to read more Anne Carson, I returned to The Anthropology of Water. I focused on the final section, “Margins: An Essay on Swimming By My Brother.” Wow! So many great descriptions of what it feels like to swim in a lake! I need to make a list.

I may have posted this bit before, but here’s Carson’s answer to the question, How does swimming figure into your writing?

It keeps me from being morose and crabby. Sometimes I think in the pool. Usually it’s a bad idea. The ideas you have in the pool are like the ideas you have in a dream, where you get this sentence that answers all questions you’ve ever had about reality and you get up groggily and write it down, and in the morning, it looks like “let’s buy bananas” or something completely irrelevant. Plus, I like water. Some people just need to be near water.

Interview in Paris Review

I am one of those people who needs be near water.

Back to the “An Essay on Swimming.” I like how it’s structured: journal entries titled with day of the week and time and either swimming or not swimming. Here’s the second entry:

Friday 4:00 p.m. Swimming.

In late afternoon the lake is shaded. There is the sudden luxury of the places where the cold springs come flooding up around the swimmer’s body from below like an opening dark green geranium of ice. Marble hands drift enormously in front of his face. He watches them move past him down into the lower water where red stalks float in dust. A sudden thin shaft of fish smell. No sleep here, the swimmer thinks as he shoots along through the utterly silent razor-glass dimness. One drop of water entirely awake.

I like how there’s no date. It’s placed in time, but vaguely.

that sudden luxury! I welcome those cold patches in lake nokomis when I swim but I don’t think they’re from cold springs. What are they from? Now when I feel them I will think: I’m being flooded with a dark green geranium of ice!

marble hands — yes! that’s how I should describe the pale legs and hands of swimmers that I’ve seen recently.

where red stalks float in dust — for me: curled green feathers that do more than float, they seem to reach up to/for me.

that’s me: one drop of water entirely awake

Recap, and to put on a list of Carson’s water descriptions to use/think about as I swim:

  • I’m being flooded with a dark green geranium of ice!
  • marble hands and legs
  • stalks that reach to/for me
  • me as one drop of water entirely awake

june 9/REST

I might have biked or swam today if it hadn’t been so breezy and cool. 57 degrees? No thanks. Tomorrow, no matter the temperature, I’ll be swimming in the lake! Open swim! Open swim!

Become/River/ Meridian Johnson

How does it feel
              to be
in that moment before we take the full-length of our flesh?
Lie still and breathe.
There are no mistakes here.
Stillness of mind.

The universe is a shawl to wrap about the shoulders
              dark     pervasive
                           ever-sensing.

                           By the river two ducks fly above the morning current.
On the opposite bank
              two black dogs rousing the bushes.
The naked tree shadows scratch the ground, shifting through wind.

To own the space deep in the cell
                           deeper
                                          deeper yet
                                                            cobalt blue.
                                                            The Beginning.

When we’re giving ourselves that much space
principle shimmering                                          intake.

                                                                              The river begins.

The naked tree shadows scratch the ground, shifting through wind. I love this description of tree shadows on the ground!

When we’re giving ourselves that much space . . . the river begins. I’m thinking about the idea of rivering — to river — that poets have discussed. who? I’ll search for it on this log. Found some!

from swims/ Elizabeth-Jane Burnett

The river is something that happens,
like exercise or illness, to the body
on any given day
I am rivering.

Not that the river is like the body
or the river is the body
but both have gone
and what is left is something else.

a thought from 16 aug 2022: I wonder, is there such a thing as lake-ing? How does it differ from rivering? Also: what is the something else that is left? I like the idea of the water being a verb and not a noun.

opening line from Gave/ Cole Swensen

no river rivers 

What is to river? I can imagine rivering as the act of being beside and with the river — walking or running — or in it — swimming, rowing — witnessing the river.

a note for future Sara: Since we (the Saras) are interested in this sort of thing, here’s how I found this poem:

  1. reading past entries from 9 june, I clicked on a link to an essay about green poems that I mentioned in 2019 (good job past Sara!)
  2. read through the essay, and clicked on the link for a poem discussed in it: Reverent Green
  3. which is in a lit journal called, Wildness.
  4. checked out the submission guidelines — I’m going to submit here! — where it was recommended that I read through past issues to see what they’re looking for
  5. scrolled through the issue from 2017 that Reverent Green is in and found Become/River

Back to the river and rivering. Every summer, during open swim season, I devote myself to water, especially the lake. A perpetual question: how does a lake form of water differ from its river form or rain form (it’s raining right now) or sweat form or puddle form or glass of water form or creek form? Will this be the summer that I’m able to write a poem/poems about this? I hope so!

Before writing these last few sentences, I intended to give attention to green, and growing in green, and my ekphrasis project, and circumambulation, but now I’m thinking it’s time to return to water. It is time now, I said, for the deepening and quieting of the spirit among the flux of happenings.

I’m remembering last year’s attention given to the rules of water (Anne Carson) and liquid looking (Alice Oswald). Yes! Time for summer/swimming-Sara to emerge!

hardly creatures

Still reading and thinking about Rob Macaisa Colgate’s Hardly Creatures and how it’s inspiring me with its inventive form and powerful voice. A few things:

  1. the collection as a museum, organized around different wings of an imagined building (“a gallery of our own”), including: entryway, fine art, audiovisual room, gift shop/exit. What if I created a collection of poems about the gorge that was organized around a route, with different sections corresponding to different landmarks?
  2. places to rest or to gather strength or to be cared for: the “bench” sections, which are all about Eli, Colgate’s partner. Benches have become increasingly important in my gorge running practice. I have started regularly pausing at a few benches, and I have made note of the plaques on many of them. Ooo — maybe benches could be a theme for a month!
  3. “Hopescrolling” — labeled as ALT text and consisting of a series of brief descriptions of engagement with social media

Speaking of “Hopescrolling,” here’s RMColgate’s explanation of the poem:

JGJ: Can we talk about “Hopescrolling?” The poem felt very modern, how it referenced so many different virtual spaces, all these posts on social media, and captured tens of disparate experiences all at once. What inspired you to capture that?

RMC: I love to scroll, and I don’t really feel bad about it either. Like, I’m really on that phone! 

As we entered the later stages of the pandemic, and because of the challenge of the earlier stages, a lot of the reciprocal energy was clapping back at things like Zoom, virtual events, and people started talking about how much they loathed them. I don’t think it was totally because they loathed them. I think a lot of it was because it reminded them of a challenging time. Of course, the interpersonal connection is different digitally—I’m not necessarily going to say worse or better—but I also spent a lot of time thinking about how essential digital community is for so many disabled people. 

Like I said earlier, I’m a really sleepy person. I take these anti-psychotics, and they have a huge sedative effect. I have trouble getting out of bed a lot of the time. I rarely work at my desk more than I’m working on the couch, like I am right now. And sometimes I still want to be at my friend’s event, but I’m about to pass out, and so I want to do it from bed. With “Hopescrolling,” I was trying to have a poem that was like, “You know what, the internet is good and digital connection is actually meaningful. And I know we don’t want to say that because we love being together in person, but let me just make a case for it.” And so I just started literally bookmarking tweets, Tiktoks, and Instagram posts that had takes on disability. You could see people in the comments, expressing their authentic feelings on disability without feeling like they were in a conversation about ableism or something. 

Interview

march 17/RUN

4.25 miles
locks and dam no.1 hill and back
50 degrees
wind: 13 mph/ 25 mph gusts

Warmer, windier. Ran straight into it heading south towards the falls. It didn’t howl or swirl the leaves but once it almost took off my hat. And it pushed against me, making it harder to run. I didn’t mind. At the start of the run, I felt a little stiff — especially my neck — but by the halfway point I had loosened up.

I noticed the river several times: Sometimes it was silver sparkle, other times tin or pewter, and it was ridged or scaled from the wind. I decided to run down the hill at the locks and dam no. 1 to get closer to the water. Inspired by AO’s Dart (see below), I wanted to hear the trails of scales and the bells just a level under listening. Did it sound like anything? If it did, the sounds were forgotten as I turned around and climbed the hill. A few steps in I stopped to take in the wide blue view of the river from this angle. It took up almost all of my sight: blue undulations

11 Things

  1. the long shadow of a slender tree cast across the part of the path that dips below the road
  2. an orange sweatshirt on a walker emerging from the winchell trail
  3. squaring my shoulders and running into a stiff wind
  4. 2 people under the ford bridge near the locks and dam no. 1, about to climb up somewhere
  5. the bright white base of the locks and dam no. 1 sign — they must use reflective paint
  6. the benches above the edge of the world and near folwell were empty
  7. the low hum of playing kids on the school playground
  8. the flat top of a recently made stump: orange
  9. a white patch in the river near the shore — was it a chunk of ice? a sandbar?
  10. a tailwind as I returned north — not feeling the wind but its absence and that everything was easier
  11. added a few hours later: a creaking above from one tree branch rubbing another in the wind

Listened to leaves shimmering in the trees as I ran south, my “Doin’ Time” playlist as I ran back north. Most memorable song, “Once in a Lifetime”:

Same as it ever was, same as it ever was
Same as it ever was, same as it ever was
Same as it ever was, same as it ever was
Same as it ever was, same as it ever was

Water dissolving and water removing
There is water at the bottom of the ocean
Under the water, carry the water
Remove the water from the bottom of the ocean
Water dissolving and water removing

Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the blue again, into the silent water
Under the rocks and stones, there is water underground

I never realized before how much water is used in this song. Very cool! The same as it ever was is an interesting contrast to what I was reading earlier this morning: Heraclitus and his idea of never stepping into the same river twice — see 17 march 2023

possible lines to recite/chant

Rereading my 17 march 2022 entry, I encountered these wonderful lines from Dart about how the river sounds:

will you swim down and attend to this foundry for
sounds

this jabber of pidgin-river
drilling these rhythmic cells and trails of scales,
will you translate for me blunt blink glint.

the way I talk in my many-headed turbulence
among these modulations, this nimbus of words kept in
motion
sing-calling something definitely human,

will somebody sing this riffle perfectly as the invisible
river
sings it

can you hear them at all,
muted and plucked,
muttering something that can only be expressed as
hitting a series of small bells just under the level of your
listening?

The bells!

High Above on the Ford Bridge Looking Down at the River

O, can you hear them
at all, these riffle-
perfect rhythmic cells
and trails of scales, plucked,
muted, muttering
below — a string of
small bells just under
the level of your
listening?

on moving — Alice Oswald and Cole Swensen

More words rediscovered while reading past entries in my “On This Day” practice:

I found this great quote from Oswald in her introduction to the poetry anthology, The Thunder Mutters: 101 Poems for the Planet:

Raking, like any outdoor work, is a more mobile, more many-sided way of knowing a place than looking. When you rake leaves for a couple of hours, you can hear right into the non-human world, it’s as if you and the trees had found a meeting point in the sound of the rake. (ix)

Mobile and many-sided, more than looking from a distance.

From Cole Swensen:

Then sitting still, we occupy a place; when moving through it, we displace place, putting it into motion and creating a symbiotic kinetic event in which place moves through us as well. 

Walk/ Cole Swensen

nov 28/RUN

3.1 miles
locks and dam no. 1
23 degrees / snow flurries

A 5k run with Scott in the snow! Flurries collecting on the edge of path and in the cracks of the asphalt. Flurries in the air making my already pixelated view — due to dead cone cells — even more pixelated. Strange, dreamy, disconnected. It was cold, but not too cold. I was overdressed: double gloves, double tights, a buff, a hood, a cap. Before the end of the first mile I was losing layers: 1 pair of gloves, then a hood.

We talked about last year’s marathon, and doing it again next year, and how it wasn’t as cold as we thought it would be. I mentioned that one of my favorite views is blocked because of too many branches. Scott liked how I described it, thick with thin branches.

10 Things

  1. brown leaves on the edge of the path, mixing with the snow
  2. a white-gray sky
  3. the flurries with big and clumpy, one flew in Scott’s throat and he freaked out a little
  4. the ravine below the double bridge was open and brown and bare
  5. a steady stream of cars, distanced from each other, flowing south on the river road
  6. all the benches were empty
  7. as we ran on edmund, a car behind us gently revved to alert us to their presence
  8. bright green leaves on a tree near the savanna
  9. a biker biking by in bright yellow shoes
  10. after the run, FWA driving us, we counted 6 wild turkeys crossing the road

That was hard to come up with 10 things today!

1

In January of 2024, I devoted a month to windows. This morning, on poets.org, I found this beautiful window poem, Wooden Window Frames / Luci Tapahonso. Here are the opening lines:

The morning sun streams through the little kitchen’s  
wooden panes; its luminescence tempts me to forego coffee.  
But I don’t. The dark coffee scent melds with the birds’ 
chirping along the hidden acacia. Then, a small bird 
alights on the cross of the wooden clothesline.  
Its tiny head turns from side to side, then as if sensing me,  
it gazes at me through a window square.  
We ponder each other, then remember our manners,  
and it flies off into the clean, cold air. 

2

My Faith Unfolds Itself/ Alafia Nicole Sessions

after Faith Ringgold’s exhibit, “Black is beautiful,” at the Picasso Museum, Paris, 2023

like a ribbonless plait:            
the rain outside descends in strands:
percussive opera for the sheltered:            

petrichor of hominy and green:
grief everywhere, all at once : and then
            the sun : reminds me I’m not new:

they are my dowry : the gone ones
            and their light : refracted through
the body’s fluids : o rivers : how to

            marry threads of water with faith:
predates language : but the word was
            the beginning : have we come this far by fate:

roots fracture, forget, then return : curse
            the pattern of rupture then mend : not unlike
the making of a quilt, or muscle : broth born

            of fire and water : fists full of ephemerals:
blood-honey : water always finds her way:
            I plump and soften : like soaked grain.

nov 22/RUN

5.5 miles
franklin hill turn around
34 degrees

Perfect running weather. Cold, but not too cold, calm, overcast. Clear paths, a dreamy, detached feeling. As I ran, I thought of a goal for this winter: continue working on running with a slower heart rate. I started this during the summer/fall with marathon training, and I think it helped me avoid injuries. This winter I’m thinking I should target 155-160. I wonder what fun experiments I can do while trying to keep my heart rate low?

10 Things

  1. as I ran, I gave attention to my arms — when my form was good, I felt like my arms were blades scissoring the air
  2. the river was half bronze, half pewter
  3. 2 walkers who were not together were both 
    wearing bright RED jackets
  4. 3 stones were stacked on the boulder — the one on top was barely balanced
  5. the yellow leaves were thick on the part of the path that descends into the tunnel of trees
  6. a roller skier bombing down the hill
  7. a noisy squirrel rooting through the dry brush
  8. the slabs of stone stacked under the franklin bridge always look like a person to me — they did again today, looking like a sitting person as I passed them on my way down, just stones on my way back up — I imagined someone playing a trick on me, first sitting there, but then after I passed, putting the stones down
  9. some regulars I haven’t named yet, but that I’ve encountered for years: 3 older white men, walking, stretched across the whole walking path — is it the same guys every time, or different ones, all of them man spreading? That’s what I could call them: the man spreaders
  10. rotting sewer smell in the tunnel of trees, close to where the city is doing some work

More work this morning (and afternoon), on my “And” poem. So far, I’ve written about the formation of the gorge (wanting to be somewhere else) and the designing of the Mississippi River Gorge park (to protect from overdevelopment and sell the gorge as a symbol of the water city). Now I’m getting into my love of the view, which is about what I see — softened, elemental forms, like tree line or water or white sand beach — but also what I feel — open, a veil lifted, a little clarity, freer and more able to breathe and move, to the other side (which stands in for many things, including St. Paul where my mom lived until she was 18, the place where people who died dwell, the normal-sighted and real world that I feel distanced from. I think the view is also about how standing above the gorge enables me to witness how it holds all of these things together, that it doesn’t divide but connects. There is not a gap between girl and world, but a space that can hold them together, along with water and stone, mothers and daughters, hear and there, now and then. These are all references to past sections of the poem.

nov 19/RUN

4 miles
minnehaha falls
49 degrees
wind gusts: 25 mph

Wet. Windy. Slick leaves. Squeaks. A light gray sky. Singing pines. The usual puddles. White foam falls. Gushing sewer pipes. Brisk air. Mud.

Greeted Santa Claus (the regular runner whose long white beard reminds me of Santa Claus). Passed a man walking with one leg up in a boot on a scooter. Gave directions to 2 walkers — which way to the falls? follow the path, it’s over there.

The creek was a steel blue and rushing to reach the limestone ledge. A kid at the main overlook was jumping in a puddle. The green gate at the top of the steps leading down to the falls was still open.

Wore shorts and a pink hooded jacket. My legs were only cold for a few minutes. Too warm for mid-November. Today is the last day of warmer air. Tomorrow, below freezing.

I started working on the section of Haunts poem that I’m titling, And. Came up with a few lines while running north. Recited them in my head until I stopped near the Folwell bench and spoke them into my phone:

Before a Victor-
ian’s great love for
ventilation, there
was water wanting
to be something and
somewhere else.

The ventilation bit is taken from an article about the origins of the Grand Rounds, and the Victorian is Horace W.S. Cleveland:

The concept of The Grand Rounds was born from Cleveland’s “preference of an extended system of boulevards, or ornamental avenues, rather than a series of detached open areas or public squares.” This was not only an aesthetic consideration: Cleveland had lost many possessions in the 1871 Chicago fire, and saw parkways as an effective firebreak in built-up urban areas. In addition, Cleveland stressed the
sanitary benefits derived from parkways. Cholera, typhus, and other diseases plagued cities in the late nineteenth century. Parkways could save land from unhealthy uses and, reflecting the Victorians’ great
love for ventilation, carry “winds . . . to the heart of the city, purified by their passage over a long stretch
of living water, and through the foliage of miles of forest.”

The History of the Grand Rounds


nov 4/RUN

5.75 miles
franklin loop
59 degrees / mist and drizzle

Wow, wow, wow! What a cool (vibe, not temp) morning beside the gorge. Everything damp and dripping, bright orange leaves, mist. I first noticed the mist in the floodplain forest, then on the river. Looking to the north while crossing the franklin bridge, the river disappeared into it. I greeted Daddy Long Legs — good morning! Saw a rowing shell on the river, gliding. From high above I couldn’t hear their awkward oars slapping the water. Noticed the reflections of trees in the water near the east shore.

10 Things

  1. drips of water tinkling from the trees — or was it wind moving through leaves?
  2. leaves + puddles = muck: yuck!
  3. the bright white boat glowing on the dark river
  4. a broken slat on a freshly painted fence
  5. a group of glowing orange trees near the base of the bridge
  6. walkers with raincoats, their hoods up
  7. no stones stacked on the big boulder
  8. a dirt trail leading down near meeker dam, just past a wrought-iron fence
  9. a sandbar just below the surface, under the lake street bridge overlook
  10. white sands beach, glowing through the bare trees on the other side of the river

As I ran, I was thinking about water and stone and how I feel like both. Water, flowing and carving out new possibilities, and stone, slowly being worn down, transformed, losing layers. I also thought about air and its relationship to water and stone. Octavio Paz has a wonderful poem, Wind, Water, Stone. I also kept returning to the idea of erosion.

Reading through past entries tagged with “water and stone,” I found this bit from march 13, 2024. Some of the same thoughts I was having this morning! Such loops and repeated cycles of thoughts!

restless water satisfied stone erosion movement 

not 1 or 2 but 3 things: water and stone and their interactions
erosion, making something new — gorge

Then: Water as a poet / stubborn Stone yields, refuses, resists
water = poet / stone = words/language
erosion = absence, silence, making Nothing
me = eroding eyes / stone being shaped / a form of water shaping stone

I wear down the stone with my regular loops

Add a variation of this line, originally in my mood ring, Relentless, somewhere:

I am both limestone and water. As I dissolve my slow steady flow carves out a new geography.

In other rock-related news, FWA is planning to play the epically awesome bass clarinet Concerto for a Aria competition this spring. It’s called Prometheus and the four short-ish movements are based on Kafka’s short story about the myth:

There are four legends concerning Prometheus:

According to the first, he was clamped to a rock in the Caucasus for betraying the secrets of the gods to men, and the gods sent eagles to feed on his liver, which was perpetually renewed. According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it. According to the third, his treachery was forgotten in the course of thousands of years, the gods forgotten, the eagles, he himself forgotten. According to the fourth, every one grew weary of the meaningless affair. The gods grew weary, the eagles grew weary, the wound closed wearily. There remained the inexplicable mass of rock.—The legend tried to explain the inexplicable. As it came out of a substratum of truth it had in turn to end in the inexplicable.

Prometheus / Franz Kafka

What to make of that inexplicable rock?!

oct 31/RUN

3.5 miles
trestle turn around
38 degrees / drips then drizzle then freezing rain

Happy Halloween. Snow later this morning. Wanted to get in a quick run before that happened. When I started it was only dripping but as I finished, freezing rain. Wore black running tights, a pink hooded jacket, a black winter vest, and black gloves. Running north I had the wind in my face. Running south, to my side. I enjoyed this run. Hardly anyone else out on the trail and cool temperatures. Winter running is coming!

Since I’m trying to finish an audio book that’s due in 2 days, I listened to it instead of the rain — except for in the last minutes of the run. I took out my headphones and heard water falling steadily.

10 Things

  1. the usual puddles on neighborhood sidewalks: just past the alley, a stretch on the next block, a big one covering entire slab on 46th
  2. bright headlights cutting through the trees on the other side of the ravine
  3. a few stones stacked on the big boulder
  4. under the lake street bridge: a red blanket stretched on the uneven limestone with a person under it, an empty wheelchair nearby
  5. a small stretch of the river road between lake street and the trestle was flooded. It almost was cresting the curb
  6. most cars slowed down for the flooding, but one didn’t — splash! — thankfully not on me
  7. only one other runner out there
  8. roaring wind
  9. light gray sky
  10. a steady, strong rhythm of striking feet

That wheelchair broke me open for the rest of the run.

Yesterday, Scott, RJP, and I voted early! Everyone at the polling place was happy and nice and excited to be voting. A great experience, even as it was difficult because of my failing vision. Before voting, we were required to fill out an absentee ballot form. Only the highlighted parts, the person who handed us the form instructed. The problem: I can’t see yellow, and that was the color of the highlighted text. RJP had to point out the sections. Scott was unsettled as he was reminded of how bad my vision is getting. At first, when I looked at the ballot, I couldn’t quite make sense of it, but after a moment, slowly, I could read the different categories and names. I thought I was filling in the entire bubble (Harris/Walz, OF COURSE!), but when I double- then triple-checked it, I had only filled in half of it. Another few times, and I finally filled it all in.

water section of haunts

Wrote this bit about the hidden cut-off wall in downtown Minneapolis that was put in place in 1876 and still holds the river back from breaking through the last bed of limestone:

A century and
a half later, the
concrete, hidden deep*,
still stands and the river,
ever restless*, has
not stopped trying to
move past it. Water
will flow where water
wants to go, under
over through. Near the
gorge the girl beholds
its quiet refusal
to be contained.

*should I cut these extra bits?

I thought about the idea of water going where it wants to go as I ran through the rain, navigating the streams and puddles.

oct 29/RUN

3.1 miles
locks and dam no. 1 and back
61 degrees / humidity: 80%

High today of 78. Tomorrow 72. Halloween 49. As Scott says, It’s always cold on Halloween. I felt overheated during the run. Face burning and dripping sweat. I had been planning to do a 10k — the Hidden Falls loop — but it felt too warm. Maybe on Thursday. I wore black shorts and a darkish blue short-sleeved shirt. The same thing I wore for the marathon.

I listened to an audio book, The God of the Woods, so I was distracted as I ran. Can I remember 10 things?

10 Things

  1. an intense, sweet and sour and woody smell as I ran by a pile of wood chips at the edge of the trail
  2. tall piles of wet leaves at the end of the street, waiting for the city workers to return and scoop them up in their truck
  3. beep beep beep — a city truck backing up
  4. 3 or 4 stacked stones on the ancient boulder
  5. a group of bikers, all wearing bright yellow long-sleeved shirts
  6. crunch crunch crunch — my feet running through a blanket of leaves on one side of the trail
  7. a faint shadow on the sidewalk, cast from the light of a weak, cloud-covered sun
  8. someone sitting on a bench near the overlook, wearing dark clothing
  9. the water fountain near 36th appears to still be on — the st. paul ones are already turned off, when do they turn off the minneapolis ones?
  10. the clicking and clacking of a roller skier’s poles and the bright blue of their shirt — did I see this today or on my walk yesterday afternoon?

more on the water section of haunts

I’m still gathering ideas and resources for my water section. Here’s another one:

Though the river has always been dynamic, it looks very different than it did just a few centuries ago. In the past 175 years, people began making major engineering changes to the river in attempts to harness it for industry. Before we started building mills, dams and locks, the Mississippi here was a wild and free-flowing river.

Rather than the series of dammed reservoirs we have today, the river was a braided channel with at least a dozen islands between the falls and Bdóte, where the Minnesota River enters the Mississippi. The river had rocky rapids, gravel bars and beaches, fast and slow spots, deep and shallow spots and floodplains.

Meet our twin cities locks and dams

Possibly to put beside this, a line from a poem I revisited this morning:

And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am
(from Let this darkness be a bell tower/ Rainer Maria Rilke)

oct 28/RUN

1 mile
river road, north/32nd/edmund, south
57 degrees

Even though I ran on Saturday and Sunday, it’s beautiful this morning, so I decided to go out for a quick run. Wow! The floodplain forest was almost all golden. And it was warm enough to wear shorts! The mile was easy, relaxed — my average heart rate = 137. I recited my favorite Halloween poem in my head — A Rhyme for Halloween — and tried to think about the latest section of my haunts poem. It’s about restlessness and water and control and the idea of enough and the army corps of engineers and locks and dams and hydroelectric power and energy and constant movement and . . . . Did I have any helpful thoughts? I can’t remember. Did I look at the river? I can’t remember that either. I think my view of it was still blocked. All I saw was open air.

The air over a gorge is different than the air over a field. Why? Sometimes when I’m being driven* on the river road and I can see the air but not the river, I think about this question. If I were seeing this for the first time and didn’t know anything about it, would I still be able to tell the air I could see was over a gorge and not a big open field? What’s different?

*usually I write driving and not being driven, but I don’t drive anymore because of my vision. I haven’t driven in 3 years and only briefly. I haven’t driven regularly in at least 5 years.

I was feeling good as I walked back through the neighborhood, happy to be outside, and then it happened. No warning, out of the blue: my kneecap briefly slid out of its groove. It went back in right away, but not before reminding me that it could do it again whenever it wanted. I recovered and wasn’t too anxious, but was cautious with every step, wondering if it would happen again. Sigh. One reassurance: while these slips and slides are still disruptive, they don’t bother me nearly as much as they used to. I will be fine, my knee will be fine.

water, preliminary thoughts

I mentioned above that I’m working on a new section of my haunts poem. It’s about water and restlessness. Before my run, I was free-writing about it: relentless, obsession, wearing down, transforming, constantly moving, never still.

Then I wrote this: the falls never stopped, just put on hold, all that restless energy built up. This is a reference to the fact that the falls didn’t run out of rock and peter out, but was stopped by a concrete apron under the water, built over 100 years ago. I can’t quite remember the details, so I better review the history.

My notes continue: dammed, locks and dam, hydroelectric power, tamed, removing the dam, letting water flow freely. Then I remembered reading about efforts to restore creeks and streams that have been buried in concrete as cities built up. It’s called daylighting. Yes! I could include something about that, too!

For some time, people and organizations (like Friends of the Mississippi River) have been advocating for removing some of the locks and dams (there are 3) and restoring the river. Here’s a description that I might like to use in my poem:

The Mississippi River, one of the most iconic, important waterways in the world, is also one of the most altered. Dams drown once-vibrant rapids, levees stop the river’s meander, and dredging and river-training structures keep the Mississippi locked into a prescribed path.

Restore the River

I’m particularly interested in the river-training bit and the efforts to lock the river into a prescribed path. To contrast this, I might also want to include my work/thinking around seeps and springs and their ability to leak and find ways through rock and asphalt.

Whew! I’ll need to edit and whittle it down to something manageable, but it’s fun to let the ideas take me wherever I want to go — to flow freely, not be locked in a certain path!

Thinking about all of these ideas, I was reminded of how the poet Wang Ping describes restoring the dam in their poem, And the Old Man Speaks of Paradise:

Do not dam me. To move freely is to evolve is to live
Lock feeds fear feeds hate feeds violence to the base of paradise

added a few minutes later: I love Tim Walz and I love this interview he did while running:

When he said, about Minnesotans, “we run in the winter,” I yelled out to the screen and the empty room, Yes!

sept 18/YARDWORK

30 minutes
cutting back moldy peonies
78 degrees

Every late spring, the peonies return. First shoots that look like asparagus to me, and which I try (and usually fail) to wrangle into wire hoops before they get too unruly. Then big bulbs. Then ants crawling on the big bulbs. Then red, pink, and white blooms that last only a few days — and less when it rains. Then ugly brown clumps that I eventually prune. Then white-ish, gray-ish mold on the leaves. When they get to the mold stage, I usually cut them down; the mold could be the reason Delia-the-dog itches in the summer. A few days ago I noticed mold, so this late morning I cut down the last of the peonies. Winter is coming.

7 Things

  1. some bug has been feasting on the hosta leaves, so many ragged holes!
  2. our crab apple tree seems to be dying — withered leaves, bare branches too soon — is it the ants?
  3. stepping around the yard, trying to find Delia’s poop, the ground was riddled with craters and divots and soft spots — is it the ants?
  4. often they hydrangea leaves are dropping and sprawled and tangled — this year at least two stalks are standing up straight and nearing the top of the fence — are they trying to avoid the ants?
  5. no matter how hard I try, I can’t ever see wasps flying in or out of the giant, papery nest they’ve built at the top of the crab apple tree — Scott does and it always stresses him out
  6. a greeting from a neighbor — hello! hi!
  7. there is a daycare next door and almost every day this spring and summer, 2 little kids have had recess, which involves shouting and non-stop running back and forth across the neighbor’s front yard and our side yard. It is strange and a bit haunting to see these short figures dart across my vision — sometimes I feel almost, but not quite, like I’m watching a horror movie

I was listening to a podcast (Nobody Asked Us), so 7 things was all I could remember.

Still Water/ Patricia Fargnoli

“What times are these when a poem about trees is almost a crime because it contains silence against so many outrages.” – Brecht

And why not silence?
Ahead of me, Goose Pond parts pale water
and my canoe slides through into June sun, cathedral quiet,

      soft plums of cloud.

A thin gauze of rain stalls over Mt. Monadnock.

This is the way I drift

from each skirmish with the world
to the diplomacy of light
as it flares off the water,

  flickers among the flute-notes

of birds hidden in the leaning birches.

Would you condemn me?

I’ve already held the old bodies of grief
long past morning; leave them
to the ministrations

  of the dirt-borers

who work what is finished back into the earth.

Some atrocities are beyond redemption–

you know them already–
the world will be the world no matter.
I want the blinding silver of this small pond

      to stun my eyes,

the palaver of leaves to stop my ears.

aug 30/ YARDWORK

A perfect morning for running. Too bad I just ran 9 miles yesterday. Oh well. The only physical activity I’ve done today is picking up and bagging fallen branches in our front yard.

In terms of being outside, I’ve sat on the back deck for hours. Earlier, I watched a fox pause on my neighbor’s driveway to scratch an itch for almost 5 minutes. Then it slinked (slunk? slank) away. When I told Scott about it, his guess was fleas. This is not the first or second time I’ve seen this fox — slight, sleek, wild.

Even though I’m not running, I’ve decided to post some water things for future Sara:

tributaries / from Diane Setterfield

When I encountered this wonderful description near the beginning of Setterfield’s Once Upon a River many years ago, I knew I wanted to archive it. Finally, here it is:

A river on a map is a simple thing. Our river starts at Tresbury Mead, and follows a course of some two hundred and thirty0six miles to reach the sea at Shoeburyness. But anyone who takes the trouble to follow its route, whether by boat or on foot, cannot help being aware that, furlong by furlong, singleness of direction is not its most obvious feature. En route the river does not seem particularly intent on reaching its destination. Instead it winds its way in time-wasting loops and diversions. Its changes of direction are frequently teasing; on its journey it heads at different times north, south, and west, as though it has forgotten its easterly destination—or put it aside for the while. At Ashton Keynes it splits into so many rivulates that every hours in teh village must havea bridge to its own front door; later, around Ocford, it takes a great unhurried detour around the city. It has other capricious tricks up its sleeve: in places it slows to drift lazily in wide pools before recovering its urgency and speeding on again.

At Buscot it splits into twin streams to maroon a lengthy piece of territory, then regathers its water into a single channel.

If this is hard to understand from a map, the rest is harder. For one thing, the river that flows every onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by bell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards o fthe county’s diners. Form teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames.

And there is more: what we see on a map is only the half of it. A river no more begins at its source than a story begins with teh first page. Take Trewsbury Mead, for instance. That photograph, do you remember? The one they were so quick to dismiss, because it wasn’t picturesque? An ordinary ash in an ordinary field, they said, and so it appears, but look more closely. See this indentation in the ground, at the foot of the tree? See how it is the beginning of a a furrow, shallow, narrow, and unremarkable, that runs away from the tree and out of the picture altogether? See here, in the dip, where something catches the light and shows as a few ragged patches of silver in the grey shades of muddy soil?Those bright marks are water, seeing sunlight for the first time in what might be a very long time. It comes from underground, wherer, in all the spaces beneath our feet, in teh fractures and voids in the rock, in caverns and fissures and channels, there are waterways as numerous, as meandering, as circuitous, as anything aboveground. The beginning of the Thames is not the beginning—or, rather, it is only to us that it seems like a beginning.

In fact, Trewsbury Mead might not be the beginning in any case. There are those who say it’s the wrong place. The not-even-the-beginning is not here but elsewhere, at a place called Seven Springs, which is the source of the Churn, a river that joins the Thames at Cricklade. And who is to say? The Thames that goes north, south, east, and west to finally go east, that goes slow as it goes fast, that evaporates into the sky while meandering to the sea, is more about motion than about beginnings. If it has a beginning, it is located in a drak, inaccessible place. Better study where it goes than where it came from.

Ah, tributaries! That’s what I was meaning to come to. The Churn, the Key, the Ray, the Coln, the Leach, and the Cole: in these upper reaches of the Thames, these are the streams and rivulets that come from elsewhere to add their won volume and momentum to that of the Thames.

from Housekeeping / Marilynne Robinson

I never finished reading Housekeeping (I should), but the descriptions of lake water in the opening pages has stuck with me for decades:

Sometimes in the spring the old lake will return. One will open a cellar door to wading boots floating tallowy soles up and planks and buckets bumping at the threshold, the stairway gone from sight after the second step. The earth will brin, the soil will become mud and then silty water, and the grass will stand in chill water to its tips. Our house was at the edge of town on a little hill, so we rarely had more than a black pool in our cellar, with a few skeletal insects skidding around on it. A narrow pond would form in the orchard, water clear as air covering grass and black leaves and fallen branches, all around it black leaves and drenched grass and fallen brances, and on it, slight as an image in an eye, sky, clouds, trees, our hovering faces and our cold hands.

Housekeeping / Marilynne Robinson

It is true that one is always aware of the lake in Fingerbone, or the deeps of the lake, the lightless, airless waters below. When the ground is plowed in the spring, cut and laid open, what exhales from the furrows but that same, sharp, watery smell. The wind is watery, and all the pumps and creeks and ditches smell of water unalloyed by any other element. At the foundation is the old lake, which is smothered and nameless and altogether black. Then there is Fingerbone, the lake of charts and photographs, which is permeated by sunlight and sustains green life and innumerable fish, and in which one can look down in the shadow of a dock and see stony, earthy bottom, more or less as one sees dry ground. And above that, the lake that rises in the spring and turns the grass dark and coarse as reeds. And above that the water suspended in sunlight, sharp as the breath of an animal, which brims inside this circle of mountains.

Housekeeping / Marilynne Robinson

Alice Blanchard and the bottom of the lake

In this essay about mysteries involving murderous lakes, Blanchard describes her childhood experience of living beside a lake and the September the dam broke and the lake emptied:

The next day, my sisters and I hurried down the hill to see what was left of the lake.  We couldn’t believe it—the whole thing was gone.  Our little dock extended out into nothing.  The drop was deep into water-speckled mud.  The dock’s legs were covered in slime, and small fish splashed around the remaining puddles.

It was sunny out—a beautiful September day.  We climbed down the wooden ladder onto the lake bottom, where the mudflats bore our weight like sandbars at the beach.  Everywhere you looked, trash mucked the lake bottom—tar-colored fishing poles, plastic buckets, half-buried flip-flops, boards with rusty nails sticking out.  Dead fish floated belly-up, while a few still-living fish twitched their fins and snapped their gills, trying to wriggle away into the deeper pools.  Everything smelled rotten in the strong sun.

My sisters and I explored for hours.  We found a wine bottle filled with mud, a weed-covered diving fin, a capsized rowboat, a crooked golf club, and more than a few rotten oars.  I looked around for Rita’s body.  My feverish imagination had convinced me that she would be there, half-buried in the mud, her long silky hair turned to seaweed, her waitress uniform the color of algae, her skeletal waist tied to a cement block by a length of water-logged rope.  Needless to say, we didn’t find any dead bodies that day.

At the Cold, Still Bottom of the Lake / Alice Blanchard

Her description makes me think of “drown town” in the series I just read about Indian Lake. Earlier in the essay, Blanchard writes about being frightened by her inability to know what was below her as she swam. This unknowingness doesn’t bother me too much — often I even welcome it — but I have, especially this summer, thought about might be below me in lake nokomis. In the shallowest parts, near the beaches, men with metal detectors have claimed anything of value, but how many people know what (or who) dwells at the bottom in the middle of the lake?

aug 19/RUNSWIM

4 miles
minnehaha falls and back
68 degrees

A late start (9:45 am). Warm, but lots of shade. Ran all 4 miles without stopping. Progress! I think I’ve figured out, after 8 years of trying, how to run slower. On my warm-up walk before I started a woman with a dog called out to me, I love your hat! It’s so bright and cheery! A wonderful start to the run. I was wearing a pinky-purply-swirly cap that I found in Scott’s mom’s drawer — with the tag still on — after she died. As I walked, I thought about color and how I see it and caring, kind gestures, and then a really BRIGHT hat that I’ve considered wearing before: a twins baseball cap, girls (because my had is that small!), with neon pink and orange and yellow that we bought for RJP and that she never wore. Maybe that will be my next hat when this one is worn out?!

10 Things

  1. acorn shells covering a neighbor’s driveway
  2. 2 runners ahead of me, one dressed just like me with black shorts and a teal tank top, illuminated by the light, glowing like ghosts
  3. a dirt trail near the ford bridge leading into a cool, mysterious wood
  4. a sidewalk above the creek half-covered in dirt, washed up from so many rains this summer
  5. no bike surreys lined up by the kiosk today
  6. the sweet smell of tall grass — a hint of cilantro
  7. trickling sewer pipe
  8. a slash of blue water through the trees — not sparkling or inviting but hot and harsh
  9. an animated conversation between 2 women walkers with laughter and hand gestures
  10. a for sale sign on a house near edmund — the house that had new owners a few years ago who moved a drain pipe so that it spills onto the sidewalk, creating puddles in the summer, ice in the winter. Will new owners move the drain?!

Before the run, reading old posts from 19 august, I re-discovered a wonderful poem about the wild girl the narrator used to be, Girl in the Woods / Alice Wright. I tried to think about the last lines as I ran:

Whever I think I’ve got hold of her, 
she kicks my shin and wriggles from my grasp, 
runs for the trees, calls back, Try and catch me —

I wanted to imagine that my wild girl, Sara age 8, was my shadow ahead of me, but it was difficult because I didn’t see my shadow that often. Maybe she was there, but hiding from me, daring me to try and find her?

uh oh

Just received an email from Open Swim:

Due to a sanitary sewer backup near Lake Nokomis this morning, August 19, all beaches at the lake are closed until further notice. The overflow has been stopped and cleanup has occurred. The MPRB will sample lake water at the beach locations and provide further updates when they are available.

We have to cancel Tuesday August 20th’s swim at Lake Nokomis. Thursday’s swim is TBD. Communication will be sent as soon as updated test results are known.

Cedar Lake is still happening on Monday and Wednesday, but open swim at Lake Nokomis might be over. It’s sad, but I’m okay. I have had a great season, swimming more loops than I ever have before! I should be able to get in some solo swims around the white buoys before the beach is completely closed.

Sanitary sewer backup? Yuck!

Sadly, many people are afraid of Minneapolis lakes and think they’re dirty and dangerous. While the lakes can have elevated E-coli levels and occasional sewer back-up issues, mostly they are fine to swim in. I’ve been swimming in Lake Nokomis for over 10 years, 3-4 times a week, and I’ve never gotten sick. Anecdotal, I know, but there’s also data to support my experience and management plans and daily/weekly work to ensure the water is safe to be in. Here’s a great resource I just found that I’d like to dig into — to learn more and get some poetry inspiration. It’s a white paper from 2019 called Lake Nokomis Area Groundwater and Surface Water Evaluation.
Another resource: Minneapolis Parks Lake Resources

swim: 4 nokomis loops
open swim cedar lake
80 degrees

Wonderful conditions! Buoyant, calm water. Hardly any wind. Strong legs and shoulders and lungs.

10 Things

  1. the light on the trees, giving off a hint of red, almost as if the leaves were whispering, fall is coming
  2. the light, lower in the sky, making everyone/everything give off a soft glow
  3. the surface of the water — smooth, sometimes blue, something army green, sometimes reflecting the fading light
  4. a paddle boarder moving through the course, standing straight on his board, looking very tall and upright — I think it was a lifeguard
  5. 2 swimmers treading water in the middle of the lake, chatting and catching each other up on their lives
  6. scratchy, insistent vines, wrapping around me each time I rounded the far buoy near hidden beach
  7. bubbles! barely seen in the opaque water
  8. mostly warm water with brief pockets of COLD
  9. talking with another swimmer after finishing, lamenting the nokomis closure and the end of another season — I said, we didn’t even get to say good-bye
  10. the lifeguards on kayaks were way out on the sides of the course, making the course much wider. I kept trying to go out farther to reach them but the lake kept wanting me to swim closer in — is it a current?

aug 5/RUN

9:40 am: I’d like to run today, but it is currently raining. A soft, steady rain with occasional rumbles of thunder. If the thunder stops and the rain turns to drizzle, I might still try to run. In the meantime, I’ll listen to the rain and think about water and waterways — local and international.

In international water news, Belgian triathlete Claire Michael withdrew from the mixed relay event due to illness. Several sources reported that this withdrawal was due to e. coli in the Seine and that she was hospitalized, but the BBC reports that a “source from the Belgian team told BBC Sport that, contrary to reports in Belgian media, the 35-year-old has not contracted E. coli.” Also, she wasn’t hospitalized. How many people will misremember this story as proof that the Seine is dirty and that French organizers wasted billions of dollars on a water project that was never going to work? I must admit that before digging into it a little more for this entry, I spread the misinformation (or hasty, speculative information) to Scott. Glad I looked into it. Maybe it will come out that she did get sick with E. coli, or other athletes got sick from the river, but for now, it hasn’t been verified.

In terms of local waterways, 2 days ago, I posted about daylighting and efforts to restore previously rerouted and buried creeks. This morning I reread Bridal Veil Falls and am returning to that discussion. Not only is this history fascinating, but it is a way for me to access a different time scale — a longer, slower time scale that offers a deeper connection to this place and everything and everyone that has shaped it and is still shaping it.

It’s 10:15 and it looks like there will be a lull in the rain/thunder for at least 30 minutes. Time to go out for a quick run!

2.5 miles
Horace Cleveland Overlook and back
67 degrees
tree drips to drizzle to downpour

The forecast was wrong, which it often is these days. Within 5 minutes, the rain had returned. First it was light, but soon it got heavier. I contemplated continuing on to the falls, but when I heard thunder at the overlook, I turned around. Not interested in getting struck by lightning today!

At first, there was no one else on the trail, but within 10 minutes I encountered another runner, then another, then a walker. Did I see any bikers? Yes, one.

10 Things

  1. bright headlights
  2. a fine mist, hazy
  3. gushing sewers
  4. the inside of a neighbor’s all-season porch, illuminated by dark skies, open blinds, and lamps
  5. deep puddles
  6. a tow truck, outlined in red lights, towing nothing
  7. a shirtless running running fast
  8. a runner with a sweatshirt tied around their waist, running less fast
  9. a bright yellow crosswalk sign that looked like a person
  10. a boom that could have been thunder, but maybe wasn’t

more info about bridal veil falls:

What is now known as the Bridal Veil Watershed was once a 300-acre wetland that drained into Bridal Veil Creek, which wound its way to the East Bank of the Mississippi River, spilling over the edge at the site known as Bridal Veil Falls. In the latter part of the nineteenth century, the wetland was drained and the creek was put into a culvert; yet the falls survived, albeit in a lessened state. Lots were platted, a street grid was laid down, and railroads began to crisscross at the northern edge of the Bridal Veil Watershed, establishing an industrial area of Southeast Minneapolis that remains today. Along with the industrial landscape, the residential neighborhoods of St. Anthony Park in St. Paul and Southeast Como and Prospect Park in Minneapolis were also developed.

Over the years, the area continued to be altered by industrial development, the construction of Highway 280, the filling of ponds, flooding, and the reconstruction of sewer lines and drainage systems. In the 1960s, as I-94 was being constructed, Bridal Veil Creek was almost entirely eliminated. Some of the spirit of the old Bridal Veil Creek endured, however, thanks to residents of the area who talked roadway engineers into saving the creek.

Unfortunately, decades of industrial use have polluted the watershed, including the natural and artificial ponds near Kasota Avenue and Highway 280 at the creek’s northern edge, as well as the creek itself. As a result, remediation efforts on Bridal Veil Pond began in 2008.

It is remarkable that Bridal Veil Creek and its once famous falls have survived, avoiding the fate of two other nearby East Bank falls—Fawn’s Leap and Silver Cascade, both once found on what is now the University of Minnesota campus. Bridal Veil Falls can still be seen today from the Franklin Avenue Bridge or from a pedestrian path near the bank of the river.

Bridal Veil Falls

I’ve seen these falls at least once from below the franklin bridge. I’d like to go check them out again on a run, especially after a rain.

Here’s another great resource from 2006: information about Bridal Falls Creek prepared for the St. Anthony Park Community Council and Mississippi Watershed Management Organization. I like studying these documents and tracing the interactions and interventions in the “natural” world.

new term: kame This term came up in the creek document — St. Anthony park, prior to European settlers, was a kame. Kame = a short ridge, hill, or mound of stratified drift deposited by glacial meltwater (Merriam-Webster).

july 30/SWIM

5 loops
lake nokomis open swim
90 degrees

5 loops! An almost perfect night: warm, sunny, calm. I don’t think there were any waves. No green goo, either. They (whoever they are — I’ll have to look it up) tested the water on Monday and lifted the blue-green algae advisory. Hooray! I felt strong and relaxed — except for when I got boxed in between a freestyler and a breaststroker and accelerated for 5 minutes to get clear of them.

I couldn’t see the green buoys at all and got a bit off course in the back stretch on every loop, but I didn’t panic or get upset. In the first loop, the second green buoy was way off course: too close to the other green buoy and too far out to the south. They moved it during my second loop and I had no idea where it was. I ended up swimming behind the lifeguard. I remember not caring and approaching the rest of the swim as a fun challenge: can I manage to do one loop right? My last loop was the closest. I briefly considered doing a 6th loop, but when I thought about my troubles sighting the last green buoy, I decided against it.

10 Things*

  1. blue sky with a few wispy clouds
  2. mostly warm, almost hot, water with a few pockets of cold, which felt great
  3. a few scratchy vines, one forced me to stop stroking to fling it off
  4. menacing swan count: 3
  5. doing a few quick breaststroke strokes and catching a glimpse of something small, but not that small, flying just above the water — hope it was a dragonfly
  6. stopping in the middle of the lake, hearing happy voices at the big beach: crowded
  7. the light! later in the summer, the sun lower in the west, giving everything — water, trees, beach — a warm glow
  8. later, after getting beers at the Painted Turtle, Scott pointed out that a few of the swan boats had lights on them! very cool
  9. real birds — a row of ducks, then a duck and ducklings
  10. menacing kids: 2, tormenting the ducks

from Dart/ Alice Oswald

like a ship the shape of flight
or like the weight that keeps it upright
or like a skyline crossed by breath
or like the planking bent beneath
or like a glint or like a gust
or like the lofting of a mast

such am I who flits and flows
and seeks and serves and swiftly goes —
the ship sets sail, the weight is thrown,
the skyline shifts, the planks groan,

the glint glides, the gust shivers
the mast sways and so does water

then like a wave the flesh of wind
or like the flow-veins on the sand
or like the inkling of a fish
or like the phases of a splash
or like an eye or like a bone
or like a sandflea on a stone

such am I who flits and flows
and seeks and serves and swiftly goes —
the waves slide in, the sand lifts,
the fish fades, the splash drifts,
the eye blinks, the bone shatters,
the sandflea jumps and so does water

the inkling of a fish — mostly, all I get in the middle of the lake are inklings of fish: silver flashes below. I’m glad. Near shore, in the shallow water, minnows seem more like inklings of fish than fully realized fish. I love inkling as a hint or suggestion: the inkling of a buoy, a whisper from a fish, orange or come this way or over there

What are the phases of my stroking splash? What will glint tonight at open swim? I thought briefly about these things as I swam, but I don’t remember what I thought. I’ll have to try again on Thursday.

july 29/RUN

8 miles
almost to downtown and back
71 degrees
humidity: 90% / dew point: 69

8 miles! I ran first half without stopping, slow and steady. The heat and humidity didn’t bother me too much. I can tell I’m getting mentally stronger. Not too long after the turn around, at the Bohemian Flats parking lot, I stopped for water and the port-a-potty. Stopped at the next port-a-potty too. So glad they were there! I know most runners have at least one terrible poop story, but I didn’t want today to be the day I made mine! Other than gastro issues, the run wasn’t too bad. I was slow, but I kept going and stuck to the heart rate plan: when it hit 168, I walked until it dropped to 135, then I started running again until it hit 168 again.

10 Things

  1. 4 or 5 stones stacked on the boulder
  2. the blue graffiti under the lake street bridge is not letters, but shapes of some sort
  3. a park worker on a big, lawn mower/tractor, whipping around trees, cutting the grass
  4. hello friends! — greeting the Welcoming Oaks
  5. a mother yelling at her kid — Carly Jane (or something close to that), put your legs down NOW!
  6. river water moving fast — I could actually hear it flowing south
  7. another park vehicle with bright headlights, trimming trees next to the trail
  8. gushing seeps in the limestone below the U of M campus
  9. a radio blasting out of a car window — didn’t recognize the song
  10. there was a crocheted sweater — orange and lime green, I think — in the port-a-potty at the flats

Cole Swensen and rivering

opening line from Gave/ Cole Swensen

no river rivers

What is to river? I can imagine rivering as the act of being beside and with the river — walking or running — or in it — swimming, rowing — witnessing the river.

Here’s another use of river as verb from swims/ Elizabeth-Jane Burnett

The river is something that happens,
like exercise or illness, to the body
on any given day
I am rivering.

On 16 august 2022, I posted this line from Burnett’s poem, I am rivering, and wondered, could there be such a thing as lake-ing? And how does it differ from rivering?

Rivering and lake-ing and streaming and brooking and creeking made me think of a line from Anne Carson’s “1 = 1”:

Every water has its own rules and offering.

What are rules and offerings of the Mississippi River and Lake Nokomis?

Cole Swensen is particularly interested in walking, both generally and specifically beside the Gave River. Here’s an interview I’d like to read in which she talks about her walks and walking.

Other sources to remember:

Cole Swensen and bridges

Swensen has a section in Gave where she lists different bridges, and “other ways of crossing.” I’d like to archive the information about Mississippi bridges that I’ve gathered — names, interesting histories, etc.

clear water

Skimming through Gave, trying to find the section on bridges, my eyes fell on the phrase, the water is brilliantly clear, and I suddenly remembered watching surfing competition in the Olympics. It’s taking place in Tahiti and the coverage was great. They even had a cameraman in the water. At one point, we got a view underwater of the surfers’ legs sitting on boards. So clear! Such visibility! When I swim in the lake, I can barely see my hand. What would it be like to swim in water that was that clear? Amazing and frightening and a bit overwhelming at the beginning, I think.

july 27/RUN

5 miles
bottom of franklin hill and back
76 degrees
humidity: 80% / dew point: 71

Brutal out there this morning. Beautiful, too. Ran 2 miles without stopping then started relying on my heart rate to determine if I ran or walked. Above 168 = walk / Below 136 = run. Tried to stay slow and relaxed and unbothered by other people passing me. It worked!

10+ Things

  1. a large stack of stones on the boulder — 5 or more?
  2. rowers, down below — a coxswain’s voice
  3. bright blue bubble-letter graffiti under the lake street bridge
  4. smell: hot chocolate — in this heat? deep, rich, feeling like winter
  5. overheard: 1 runner to another — and of course, she made all those passive-aggressive comments
  6. a big group of shirtless runners (10 of them?), a smaller group of runners with shirts (5 or 6)
  7. a runner, in all black, including black pants (in this heat!?), steadily running up the franklin hill ahead of me
  8. sparkling water through the gap in the trees
  9. a very tall runner — young, long and gangly legs
  10. roller skiers — 2 or 3 — clicking and clacking with their poles
  11. a big bird, soaring above, a huge wingspan

Thinking about the Mississippi and what it means to me and my practice. Finished a first read-through of Cole Swensen’s Gave — lots of inspiration. And just now, out on the hot deck, I was rereading Alice Oswald’s Dart. I want to remember this passage from the perspective of the naturalist looking for eels:

from Dart/ Alice Oswald

the elver movement of the running sunlight
three foot under the road-judder you hold
and breathe contracted to an eye-quiet world
while an old dandelion unpicks her shawl
and one by one the small spent oak flowers fall
then gently lift a branch brown tag and fur
on every stone and straw and drafting burr
when like a streamer from your own eye’s iris
a kingfisher spurts through the bridge whose axis
is endlessly in motion as each wave
photos its flowing to the bridge’s curve
if you can keep your foothold, snooping down
then suddenly two eels let go get thrown
tumbling away downstream looping and linking
another time we scooped a net through sinking
silt and gold and caught one strong as bike-chain
stared for a while then let it back again
I never pass that place and not make time
to see it there’s an eel come up the stream
I let time go as slow as moss, I stand
and try to get the dragonflies to land
their gypsy-coloured engines on my hand

I love her descriptions throughout this section and the gentle rhymes. Is there a way to translate this eye-quiet, slow attention while running? Is it possible — both in language and as a practice of attention? Something I’d like to think about . . . .

july 19/SWIM

5 loops
lake nokomis open swim
75 degrees

5 loops again! I swam 4 without stopping, then got out of the water to check in with Scott before returning and swimming one more loop. Felt strong and relaxed and happy. I remember thinking, this is it — it = the best, a moment I want to live in and return to when I need it. Steady strokes. Breathing every 5. Not seeing the buoys but swimming straight towards them. Not effortless or easy but satisfying.

The water was choppy, full of swells. From the big beach to the first orange buoy, it was difficult to stroke; I felt like I was flailing. Not being hit with big waves, but feeling like the water just under me didn’t want to cooperate. From the far orange buoy to the far green buoy, it was difficult to see anything, everything kept hiding behind a wave. Mostly I breathed on my right side. The last stretch of the loop, parallel to the big beach, was the best. Pushed from behind by the waves, I felt like I was on a people mover. My strokes were stronger and faster and easier.

The water was yellowish-green, with the occasional glob of algae, one or two prickly vines. My sparkle friends (the sediment/particles) were back! No fish sightings or near misses with other swimmers. No menacing swans. Probably because of the choppy water, the lifeguards kept drifting too close to the buoys, which made for tighter angles around the course.

During the last stretch of the fourth loop, as I looked through the water and saw nothing but bubbles and my hands, I thought about how this opaque water doesn’t represent the void or nothingness or the absence of something but a different way of being, one that is not only possible, but is already being lived. I don’t think this quite makes sense yet. Suddenly I thought about Judith Butler and her idea of making room for other ways of being. The aim is less to create an endless number of new ways of being, and more to acknowledging and support ways that already exist but have been ignored, silenced, reviled, feared. I’m getting somewhere with this, I think, but I’m not quite there yet. Something about how poetry, for me, is about this making room, giving a language to ways of being that already exist but only on the edge, the periphery — not only, but especially my way of being.

Two days ago, I was watching a video about the World Champion triathlete Beth Potter and her pre-Olympics training. Her swim coach was giving instructions to her training group at the lake: Before the buoy, you need to sight it and then do 20 strokes in with your eyes closed. See if you can hit the buoy. Potter’s response: Eyes closed? Coach: Yeah, yeah, a bit of blind swimming. I remember hearing someone during open swim a few years ago say that if your stroke is good/straight, you should be able to swim to the buoys with your eyes closed. I’m guessing that’s what Potter’s group is working on — making sure they have proper form.

One reason open swim club has been so meaningful for me for the last decade is how it has helped me to learn how to be — how to navigate, function — when I can’t see. To trust straight strokes, to get comfortable with other senses.

Random things to remember for future Sara: After possibly breaking a rib in his bat encounter, Scott is healing — he’s running and sleeping in the bed and not waking up each morning in agony. He and FWA are playing 4 instruments each in the pit for Spongebob Square Pants. I saw it last night: great. RJP moves into her dorm for her first year of college in a little over a month. Tadej Pogacar is achieving super-human watts as he bikes his way up the Alps and towards a resounding victory in the Tour de France. The lexapro seems to be working; I have so much less anxiety. The election continues to be shit show that I’m trying to ignore.

july 11/RUNSWIM

3.25 miles
2 trails
75 degrees

Yesterday afternoon, torrential rain, thunder, wind, and hail whipped through our neighborhood. It lasted only 20 minutes, but it was intense. Not scary — except to Delia-the-dog — but wild. It looked like it was snowing: Christmas in July! And the hail was so loud on the roof and the skylight. Today as I ran, I surveyed the damage by the river. Big branches on the dirt path, leaves scattered, a whole tree at the end of edmund:

big tree, felled

Of course I only took one picture, so I had to use it. Not sure if it effectively conveys the size of the tree?

Decided to take the winchell trail to check out the damage below. Some branches down, but nothing blocking the path. Dirt and mud and muck everywhere. I started chanting in my head,

silt / loam / glacial till
silt and / loam and / glacial till

Listened to water gushing out of the sewer pipe and down the slope at 42nd. Also listened to the birds — not one type in particular, but a chorus of BIRD. Noticed the shade on the path and the tiny spots of light. Looked at the river, a hazy heat hovering just above and thought, hot! No relief from that view.

Before I run, I read an excerpt from the novel Elixir. I wanted to think about this quote as I ran:

We were near water. There is a river. If you couldn’t hear it or see it, its ions vibrated in the air and you inhaled water, day and night.

In the Ladies Pool / KAPKA KASSABOVA

In the summer when the leaves block my view and I can’t see the river, I still know it’s there and it is always part of my run in some way.

the Seine, open water swimming, and water quality

I’ve been seeing lots of headlines about the problems with water quality in the Seine for open water swimming events at the Olympics. I mentioned it to RJP and she said she’d heard (on TikTok, natch) that people were pooping in the Seine in protest. Is that true? While looking it up, I found this helpful video: Can Paris fix it’s poop problem?

Okay, read some more, and the “Paris Poop Protest” is a thing. People were encourage to do it on June 23rd, when the President of France and the mayor of Paris were planning to swim in the Seine to prove it was safe. When Macron and Hidalgo postponed their swim, the poop protest was postponed too. So many interesting things to think/write about with this in terms of city infrastructures, rivers, threats to cities’ waterways, the negative and positive impacts of hosting the Olympics, and more. Swimming in public water, feeling the effects of how it’s managed in my body, has given me a deeper perspective on this issue of water quality and water management. I’m so grateful to have access to safe water here in Minneapolis.Everyone should have access to safe water.

time and water

Reading more of The Folded Clock, I was inspired to think about the relationship between time and water. Here are a few thoughts:

1 — anne carson

. . . the staining together of mind and time so that she is no longer miles and miles apart from her life, watching it differently unfold, but in it, as it, it.

1 = 1 / Anne Carson

2 — heidi julavits

As we stroked past I thought I saw George growing older and older. His grandchildren beside him grew older, too, taking his place before being replaced themselves by their children. It was like a trick of stop-time photography, everyone shading into everyone else. . . . Time passed. I started to doze. The cold water had slowed our pulses but everything else spun at great speed. I worried I would awake to find myself an old woman, my husband dead, my daughter grown and turned into me. But life, when I woke up, was as I’d left it.

The Folded Clock / Heidi Julavits

3 — samantha sanders

[on swimming in Lake Michigan in the winter] The exhilaration is remarkable. I feel like we’ve discovered the fountain of youth.

Swimming Through / Samantha Sanders

4 — alice oswald

it is not me but close to me a kind of cloud or smoke-ring
made of nothing and yet it will outlast everything
because it is deep it i sa dead field fenceless
a thickness with many folds in it promiscuous and mingling
which in its patience always wears away the hard thing

or is it only the hours on their rounds
thinking of the tides by turns
twelve white-collar workers
who manage the schedules of water

nobody / alice oswald

In their lunch hour
I saw the shop-workers get into water
They put their watches on the stones and slithered
frightened
Into the tight-fitting river
And shook out cuffs of splash
And swam wide strokes towards the trees
And after a while swam back
With rigid cormorant smiles
Shocked I suppose from taking on
Something impossible to think through
Something old and obsessive like the centre of a rose
And for that reason they quickly turned
And struggled out again and retrieved their watches
Stooped on the grass-line hurrying now
They began to laugh and from their meaty backs
A million crackling things
Burst into flight which was either water
Or the hour itself ascending.

from Evaporations/ Alice Oswald

5 — darby nelson

I posted this quote back on 16 august 2021, but I want to post it again here:

We talk of time as the river flowing. I never questioned the implications of that metaphor until I was struck by the words of Professor Dave Edmunds, Native American, on a display in the Indian-Western Art Museum in Indianapolis. Edmunds wrote, ‘Time as a river is a more Euro-American concept of time, with each event happening and passing on like a river flows downstream. Time as a pond is a more Native American concept of time, with everything happening on the same surface, in the same area—and each even is a ripple on the surface.’

If I think of time as a river, I predispose myself to think linearly, to see events as unconnected, where a tree branch falling into the river at noon is swept away by current to remain eternally separated in time and space from the butterfly that falls in an hour later and thrashes about seeking floating refuge. 

But if I think of time as a lake, I see ripples set in motions by one even touching an entire shore and then, when reflected back toward the middle, meeting ripples from other events, each changing the other in their passing. I think of connectedness, or relationships, and interacting events that matter greatly to lakes. 

For Love of Lakes/ Darby Nelson

When I think of time and water, I think of erosion and geologic time, and the wearing down of things by the water over years, decades, centuries. I think of generational time, and the family members, the hearty Finns on my dad’s side, who loved and excelled at swimming. I think of Sara-time and one of the key constants in my life and many selves: I love water and swimming in it. I think of losing track of time while swimming, and tracking it on my watch to look at later. I think of time measured by strokes and loops instead of minutes, measured by open swims instead of days.

swim: 4 loops
lake nokomis open swim
84 degrees

I swam 4 loops but the buoys were set up in such a way that the distance of 4 loops today was almost the same as 3 loops on other days. Oh well, I’m still counting it as 4. The water was very warm, too warm. Lots of stuff in it, but not as much as on Tuesday. More green slimy stuff, but now that I recognize and know it’s not toxic, it didn’t bother me as much.

I decided I wanted to listen as I swam. I didn’t hear much, just water sloshing over my head. The water was still, flat, sometimes feeling fast, sometimes slow. There was a haze in the air that made it as difficult to see as if my googles were fogged up. I felt strong and smooth and fast and happy.

Before the swim, I asked a few women if they had swum on Tuesday and if they had seen the green goo. Neither of them had. I realized later, as I swam, that I wasn’t asking because I wanted reassurance that whatever it was was not harmful. I just wanted to find someone else to acknowledge that it was strange and gross and something worth reacting to. On Tuesday, no one else seemed to care or be talking about it.

10 Things

  1. 2 women laughing and talking as they tread water between the last orange buoy and the shore
  2. impossible to see either of the green buoys with the sun and the haze
  3. at least 2 menacing swans
  4. the ghost vines are multiplying in numbers and size — creepy!
  5. cloudy sky
  6. a few pockets of cold water throughout the lake
  7. crowded swimming area, beach and park — everyone here on a hot day
  8. the surface of the water above was blue and calm and shiny and smooth
  9. the surface of the water below was greenish-brownish-yellowish
  10. I swam high on top of the surface, feeling extra buoyant