A quick run after getting my flu and COVID shot and before taking FWA to an eye exam. Another beautiful, warm morning. Everything yellow and crunchy. The Winchell trail was crowded with hikers admiring the leaves and the view. Heard kids on the playground. Smelled the sour sewer. Felt the soft sand. The theme of the morning: leaves. Brittle leaves covering the trail, making it harder to see roots or rocks. Fluttering leaves falling from the trees. Absent leaves giving me a better view of the other side. And that sound! Before starting my run, yellow locust leaves near the curb sizzled after a car drove by. A few blocks later, a cluster of leaves — or was it a plastic bag? — crackled and crunched in the slight wind.
Near Folwell, after climbing the short, steep hill, I stopped to record a few lines for the next section of my poem. The section is called Nobody and it’s about bells and mom-ghosts and dead cone cells.
In the gray morning the few cone cells that remain are starved for light, everything lacks form — no edges, no bodies, just blurs
Here’s a beautiful poem I encountered this morning. I’m adding it to my collection of dirt/dust poems.
We mourn the broken things, chair legs wrenched from their seats, chipped plates, the threadbare clothes. We work the magic of glue, drive the nails, mend the holes. We save what we can, melt small pieces of soap, gather fallen pecans, keep neck bones for soup. Beating rugs against the house, we watch dust, lit like stars, spreading across the yard. Late afternoon, we draw the blinds to cool the rooms, drive the bugs out. My mother irons, singing, lost in reverie. I mark the pages of a mail-order catalog, listen for passing cars. All day we watch for the mail, some news from a distant place.
It’s 14 lines. Is it a sonnet? Is there a volta? Is it the dust, lit like stars?
10.2 miles downtown loop* 61 degrees / humidity: 70%
*river road trail, north — past the trestle, down franklin hill, in the flats, up the I-94 hill, past the Guthrie and Stone Arch, under Hennepin, over Plymouth, through Boom Island, up to the 3rd avenue Bridge, winding down to river road, heading south.
Warm this morning. Sun, sweat. Wore shorts and short-sleeved shirt. Ran with Scott; we’re running the Halloween Half next Saturday. My legs and lungs were fine, my gut not so much. Unfinished business at mile 6, then again at mile 9. Hopefully I can figure out a way to fix it soon. I remember that Scott talked a lot more than I did, but about what? Music — he subbed for a community jazz band and he’s hoping they ask him to join. I talked about shadows and afternoon moons and my admiration for fit runners and good form — so graceful and pleasing to watch!
We greeted Mr. Holiday — good morning! — and encountered a few roller skiers. We also encountered Vikings Fans between Stone Arch and Hennepin. Enjoying the nice weather before the game, I guess. I heard train bells and some biker calling out to the other bikers he was with: we’re going to whip down this hill. I sang to Scott, whip it good! The steps up from St. Anthony Main to the 3rd Avenue bridge were tough, but the view of downtown was amazing. I mentioned Spirit Island to Scott, which is the sacred Dakota Island that was quarried by white settler colonists, then removed by the Army Corps of Engineers, and we wondered where it had been exactly (south of the Locks and Dam).
Looking up where Spirit Island was in relation to Stone Arch and the 3rd avenue bridge, I found a brief article that mentioned how the island had bald eagles and spruce trees, In my poem, I say the trees are oaks — did I remember it wrong, or were there spruce and oaks? To be safe, I’ll change it in the poem:
Among eagled spruce, rock by sacred rock hauled off in horse-drawn carts, few records of where. Not gone, scattered, displaced, their origin as island erased.
11 Things
the shadows of the railing on the Plymouth bridge — straight, sharp
the bright, sparkling water at the edge of Boom Island
the railing shadows at another spot on the bridge — the shadows they cast on the sidewalk made me think the sidewalk was broken
the pattern of the shadows of a chain-link fence — sharp but soft, geometric
2 shirtless runners passing us, running past and fluidly, their feet bouncing up down up down, spending more time in the air than on the ground
rowers, 1: the voice of a coxswain giving instructions
rowers, 2: an 8-person shell on the river
slashes of deep red leaves from the bushes beside the path
the quick suggestion of an afternoon moon: a flash of white in the bright blue sky. Was it the moon or a cloud? I checked with Scott: the moon!
a sour smell rising from below: sewer gas
falling leaves! reds and yellows, fluttering in the wind — sharp, brittle, hitting my cap hard
Earlier this week, RJP and I took an overnight trip to Red Wing and stayed at the old/haunted hotel, the St. James. It was wonderful — the hotel more than the town. As part of it, we hiked up the bluff — He Mni Can-Barn Bluff. A great view of Red Wing and the river, and a good workout! 90 minutes of ascending and descending. We saw a Vikings cruise, 5 stories tall, docked at the river. RJP looked it up: an 18-day cruise from St. Paul to New Orleans, $12,000 per person. Wow. The next day, at a bakery getting doughnuts and coffee, we overheard a woman ask for a Trump cookie. Yes, they were selling cookies that spelled out Trump with icing. They also had Harris cookies. RJP said that there were more Harris cookies left. We were both disturbed by the idea that someone would want to buy a Trump cookie and that a bakery would be selling them.
Wonderful weather for running! Not too cold, but cold enough to not overheat. The color of the day: yellow. I’m sure there were orange and red leaves, but all I remember were the bright yellow ones. Another color I remember: glitter — on the water, among the fluttering leaves. Seeing the low water in the creek on Monday, I wondered if the falls would even be falling. They were, but no gushing or roaring.
10 Things
laughing kids at Dowling Elementary
the oak savanna is still mostly green
a sidewalk covered in dry, yellowed pine needles
a person taking a selfie with their dog by my favorite overlook at the falls
the man who empties the parking kiosks — I’ve seen him several times before and wondered why he comes in a regular (unmarked) car and how many coins he collects
the creek was higher than in past falls when bare rock was exposed
instead of a rope blocking the steps down to the falls, which is easy to climb over, Minneapolis Parks has added a green metal gate
the shadow of some leaves falling to the ground, looking like the shadows of birds
those same falling leaves looking like brown snow
the swinging shadow of my ponytail
pines and Basho
I ran over yellow pine needles covering the sidewalk at the start of my run and thought about Basho. So I looked up “basho pine” and found this line:
Learn about the pines from the pine, and about bamboo from the bamboo. Don’t follow in the footsteps of the old poets, seek what they sought.
A poem I was working on yesterday (and submitted to a journal for consideration), starts this way:
It begins here: from the ground up, feet first, following.
The following I am referring to is not simple repetition, even as it literally is about following trails already made by past feet, but seeking what past feet sought: connection, contact, familiarity with the ground/land and how it has been shaped.
ghosts and zombies
My plan for this month was to focus on Zombies, but between a kid crisis, the marathon, and a poem that insisted on being reworked, I haven’t given much attention to them. Maybe two other reasons: I don’t really like zombies, and I’m still thinking about ghosts.
from Circle / Dana Knott
human obits in the process of being written ghostly obits in the process of being read
Here’s what I wrote on August 1, 2024 that got me thinking about zombies:
On Ghosts V. Zombies/ Suzanne Buffam
Soul without a body or body without a soul? Like choosing between an empty lake And the same empty lake.
For the past few years, I’ve devoted a lot of attention to ghosts and haunts, but I’ve rarely thought about zombies. This poem is making me want to think about them now. So many directions to go with it — the relationship between the body and the soul or the body and the spirit or the body and the mind; how, because I can’t see people’s faces or make eye contact, they look soulless to me — I’m a ghost among zombies; Alice Oswald and the Homeric mind — our thoughts traveling outside of our bodies; Emily Dickinson and the soul that wanders; the fish in us escaping (Anne Sexton) or the bees released, returned to the hive/heaven (Eliot Weinberger).
I clicked on the ED link and read my entry from march 19, 2024. There’s a lot of good stuff in it, including a reference to Homer, but not the poet, the cartoon character, Homer Simpson. It’s the clip where his brain escapes his body to avoid listening to Ned Flanders talking about the differences between apple juice and cider (if it’s clear and yella, you got juice there fella, if it’s tangy and brown, you’re in cider town). Wow.
taking it slow
Reading the “about this poem” for poets.org’s poem of the day, Dead Reckoning, I encountered this line:
This poem began as a long sequence but arrived at this stripped-down form after fifteen years of off-and-on revision.
15 years of off-and-on revision! I’m only on year 3 of my Haunts revisions. I’m glad to know that other poets sit with some of their poems for a long time.
After finding this, I read an old entry from October 16, 2021, and found this:
“I am slow and need to think about things a long time, need to hold onto the trace on paper. Thinking is adventure. Does adventure need to be speedy? Perhaps revising is a way of refusing closure?…”
Rosemarie Waldrop
This slow time reminds me of Lorine Niedecker and what she writes in a letter to her poet-mentor, Cid Corman, while working on her poem, “Lake Superior”:
Cid, no, I won’t be writing for awhile, and I need time, like an eon of limestone or gneiss, time like I used to have, with no thought of publishing. I’m very slow anyhow . . . . I’m going into a kind of retreat so far as time (going to be geological time from now on!) is concerned . . . .
Peak fall this morning. Orange! Yellow! Red! Made even more vibrant by the gray sky. Wow! I felt strong and relaxed and dreamy. No sharp lines, everything soft and fuzzy and dissolving into the gray. It was dark enough for street lamps and headlights. Heard the rowers and the clicking and clacking of a roller skier in a bright yellow shirt, a squirrel cracking a nut. Smelled the sewer. Felt a few raindrops at the very end. Crossing the ford bridge, the tree line was oranges, yellows, reds on the st. paul side, but still a lot of green on the minneapolis side.
These days I move from room to room looking for a thing to haunt. The filaments inside my teeth glow in the dark, thirty-two beacons no one will see, except the mirror I return to again and again, hoping for it to swallow me, to find anything there but my face. Mirror is another word for hunger. Hunger is another word for dead. Anyone would be tired of hearing from me, the kind of woman — this repulsive word — who’ll never have a garden or greenhouse, only a fridge crisper full of broccoli and kale and lettuce, all rotting to sludge, bananas on the counter blackening like frostbitten skin. I used to quarter an apple with such perfection I could have been autopsying my own heart. The thing is there’s no way out of this house. Memory circles like flies. Even the dead need to eat. Even the dead dream. I left a note in the memory: You deserve so much more than desire.
4.2 miles minnehaha falls and back 43 degrees wind: 31 mph gusts
So windy today! My legs felt heavy. I wonder if part of the problem is that I’m running so late in the morning? I didn’t start until almost 11:30. Still glad I went for a run, but I wish it would have felt a little easier and I would have worn less layers — maybe skipped the buff?
Listened to kids on the playground, birds, random voices, falling water for the first half of the run. Put in headphones and listened to Taylor Swift for the second half.
before the run
Reading through an entry from March 19, 2017 about the new poetry class I was taking, I found this:
In the editor’s note it’s mentioned that Mayer writes hypnogogic poems. I looked up the word and found the definition (a state between waking and sleeping, when drowsy) and an interview with Mayer about how, after suffering a stroke, she experimented with using a tape recorder to record her thoughts in this drowsy/dreamy state. So cool. Currently, I’m writing about running and I’d like to experiment with ways to express the dreamlike state I sometimes enter during long runs.
Reading this bit, I got an idea, which I typed up in my “Notes for Haunts, fall 2023” pages document:
the dream like state of running, when the mind is shut down haunting = possessing or being possessed — what if haunting was not just being taken over by someone/thing else (possessed) or taking over someone/thing else (possessing) but becoming untethered or loosely tetered from your body — floating on the path in-between in that strange empty space between banks between sky and ground between worlds between You and I? this could be another form of haunting — what if I started writing small-ish poems that offered different definitions of haunt?
A few definitions of haunt I’m thinking about right now: feeling disembodied, having an out-of-body experience and being obsessed/preoccupied/consumed by a thought or idea — having a bee in your bonnet.
bee in your bonnet
Here’s an article about the origins of the phrase. According to the article, the phrase is still being used in popular culture. I use it, usually when I notice Scott hell-bent on some task — and usually it seems like a task, or idea, that is fool-hardy but that he needs to work through and figure out for himself.
Sometimes instead of saying, bee in your bonnet, I say that someone (or me) is hellbent. Of course, writing that immediately makes me think of Jackie from the 1979 Death on the Nile:
Jacqueline De Bellefort : One must follow one’s star wherever it leads. Hercule Poirot : Even to disaster? Jacqueline De Bellefort : Even to Hell itself.
When I envision a bee in my bonnet, I see something that is relentless, impossible to ignore, urgently needing to be dealt with. That’s not quite how I imagine my preoccupation with haunts and ghosts and writing about the gorge. Still, I like the idea of bees in bonnets, and bees in general, so maybe I’ll spend more time with them this morning?
Reading through several ED “bee” poems, I suddenly had a thought: could the bee in your bonnet be your soul, trying to escape the confines of the body?
This thought was inspired by a poem I wrote about in an On This Day post: Body and Soul/ Sharon Bryan. I didn’t mention it in the post, but the description of the soul in the poem, as leaving the body at night to roam around, reminded me of an ED poem I read a few weeks ago, when I was thinking about the difference between the brain and the mind:
If ever the lid gets off my head And lets the brain away The fellow will go where he belonged — Without a hint from me,
And the world — if the world be looking on — Will see how far from home It is possible for sense to live The soul there — all the time.
So much to think about on my run (I’m writing this before I headed out). Will I see any bees about by the gorge? Very unlikely, I think.
during the run
Thought about a bee in my bonnet as an obsession that I wanted to release, so I imagined opening the top of my head like the door of a cage and letting the bee fly free. What would/could happen if I did this? Would I find some new ways to think about my experiences?
Also, randomly remembered something about bees in a horror movie, then remembered the movie, Candyman. Looked up, “gothic horror bees” and found this 1978 movie, The Bees.
Not too far into the run I think I forgot about the bee. I was too distracted by my heavy legs and wondering if my calf would do something strange, and the wind. No escape from my body today.
after my run
Now, ED’s poem about the lid of her head coming off makes me think of a favorite Homer Simpson bit:
Homer reluctantly listens to Ned Flanders drone on about the differences between juice and cider. A voice says, You can stay, but I’m leaving, and Homer’s brain exits his head and floats away as we hear a slide whistle. A few seconds later his body collapses on the floor and we hear a thud.
I love the image of the brain floating away. And, instead of a daydream where Homer’s brain gets to wander while his zoned-out body stays and pretends to listen, his body collapses, unable to continue without the brain. This idea brings me back to the Sharon Bryan poem I mentioned earlier:
then they [body and soul] quarrel over which one of them does the dreaming, but the truth is,
they can’t live without each other and they both know it, anima, animosity,
the diaphragm pumps like a bellows and the soul pulls out all the stops—
sings at the top of its lungs, laughs at its little jokes . . .
. . . the soul says, with a smirk, I was at the end
of my tether, and it was, like a diver on the ocean floor or an astronaut
admiring the view from outside the mother ship, and like them
it would be lost without its air supply and protective clothing,
Okay — I’ve been thinking about a few things here: being weighed down/preoccupied with ideas/thoughts/subjects (obsessed); a desire to be released from the body and obsessions; images of bees in bonnets and bees in general. Maybe I’d like to explore some different images of bees, especially in Dickinson? Also, here are 2 other ways to think about obsessions as repetition and habit:
Camille: Some of the obsessions are never going to leave you, and to me, that was part of what I loved. With each page I thought, Oh, I’ve seen this before, but how is she going to manage it differently? It reminded me of the Miles Davis quote about John Coltrane that was a guiding force for me as I was writing my first book, when I was really worried that I was doing the same thing over and over and over again. And I read the liner notes where Davis wrote about Coltrane’s first solo album. He said, “I don’t understand why people don’t get John Coltrane’s music. All he is trying to do is play the same note as many ways as he possibly can.”
FADY JOUDAH: There is no life without repetition, beginning at the molecular, even particle level. There is no art without life. To remain viable, art, inseparable from the circularity of the human condition, also repeats. What is a life without memory? And what is memory if not repetition. But not all repetition guarantees what we call progress, a euphemism for wisdom. Repetition with reproducible results, for example, is a foundational concept of the scientific method. Yet science can be an instrument for the destruction of life as for its preservation. This suggests to me that repetition in art is our unconscious memory at work: art mimics the repetition of the life force within us. All art is a translation of life. Take Jackson Pollock’s so-called action painting. What is it if not a rhythm of a life force in all of us? In those paintings, the pattern is recognizable yet unnamable. It’s like watching electrons bounce off each other. The canvas contains entropy. We understand this at a cellular or quantum level.
A 10k run yesterday on a recovering calf means no running today. Decided to bike in the basement just so I could move a little. I should have watched Dickinson, but I watched an old Ironman instead.
All day, I’ve been reading my old Haunts notes, trying to pick one thing to write about. Am I getting somewhere? Maybe. Maybe not.
Here’s a beautiful poem I just discovered from Terrain. Wow!
Cathartes aura—purifying breeze— is one name for a turkey vulture, and what if prayer is like that— praise song for a scavenger? What if prayer is like this walk, the same one every day, a mantra of footsteps on mesa rock, raptors in the wind? What if it begins as a hint on the piñon stippled hills, unfurls like a scent the dogs sense with raised snouts? I suspect there’s prayer in the primrose come into flower, flake-white blossoms blanketing the path, in the rhythm of my quickened pulse on the climb. And if prayer takes its time on ridgelines, in scant shade, if it lingers by a petroglyph picked into basalt—two figures with hands on hips as if ready to dance— then perhaps I am learning to pray. Today, another friend’s diagnosis, and who am I to scoff at believers? I too like the idea of prayer as a stand-in for clumsy words like hope, wonder and love—for this green green valley slaked on spring runoff, for the whorl of dihedral wings and the uneven heat of rising air.
that turn — another friend’s diagnosis — wow, those 3 words recalibrating the poem! I’d like to do something like that with my poems about the gorge!
2.2 miles neighborhood 39 degrees / feels like 30 wind: 16 mph / 30 mph gusts
Windy! Colder. Winter layers: black running tights, black shorts, black shirt, purple jacket, pink ear band, black gloves, hat. Thought about running more but remembered that Scott and I are doing a 10k tomorrow. So I ran 2 miles through the neighborhood. My restraint was partly due to the wind, which I ran almost straight into heading north.
10 Things
some dull wind chimes — it wasn’t the clunk clank of wood chimes, but also not the tinkle-tingle-shimmer of metal ones — an unpleasant cacophony
right before starting: a crying kid on the next block — by the time I reached then and their entourage (mom, dog, stroller) — they were laughing — oh to be a kid and to shake anger or disappointment or whatever bad feelings they were having off that quickly — my 8 year old self used to be that way
the trail on edmund between 32nd and 33rd started muddy then turned into hard, packed dirt
heavy gray sky — the type of light that makes it hard for me to see anything completely
the sky was dark enough that a house had on their garage light — I felt a flash of light! as I ran by
harder to see the dirt trail and the roots
voices across the road and below, on the trail — next to me, then ahead of me, then gone
smoke from a chimney on edmund — reminder that winter is still here
a loud rush of noise — an approaching car? No, the wind moving through a pine tree
the swishswishswish of my ponytail hitting the collar of my jacket
Thinking about the wind, I reread ED’s poem, “The Wind.” Here are some ways she describes the wind:
High up a plane droned, drone of the cold, and behind us the flag In front of the Bank of Hope’s branch trailer snapped and popped in the wind. It sounded like a boy whipping a wet towel against a thigh
Or like the stiff beating of a swan’s wings as it takes off From the lake, a flat drumming sound, the sound of something Being pounded until it softens, and then—as the wind lowered
And the flag ran out wide—there was a second sound, the sound of running fire. And there was the scraping, too, the sad knife-against-skin scraping Of the acres of field corn strung out in straggling rows
Around the branch trailer that had been, the winter before, our town’s claim to fame When, in the space of two weeks, it was successfully robbed twice. The same man did it both times, in the same manner.
This whole poem is amazing, but too long to post here. What a storyteller BPK is! I should read her collection, Song.
more Lorine Niedecker and “Lake Superior”
On Thursday and Friday I read more of “Lake Superior.” I came to these lines and stopped:
Ruby of corundum lapis lazuli from changing limestone glow-apricot red-brown carnelian sard
Greek named Exodus-antique kicked up in America’s Northwest you have been in my mind between my toes agate
Huh? I am not an agate expert, so I had to look up everything but the last three lines. Without explaining it all (if I even could), I noticed how fascinated she is with language and culture and the history of the agate as it traveled across cultures.
Of course I might have understood more of the references if I had read her journal first, LN opens her travel journal with this:
The agate was first found on the shores of a river in Sicily and named by the Greeks. In the Bible (Exodus) this semi-precious stone was seen on the priest’s breastplate.
A rock is made of minerals constantly on the move and changing from heat, cold, and pressure.
On the next page, she writes: So—here we go. Maybe as rocks and I pass each other I could say how-do-you-do to an agate.
Then, a few pages later:
The North is one vast, massive, glorious corruption of rock and language—granite is underlaid with limestone or sandstone, gneiss is made-over granite, shales, or sandstone and so forth and so on and Thompsonite (or Thomasonite_ is often mistaken for agate and agate is shipped in from Mexico and Uruguay and can even be artifically dyed in the bargain. And look what’s been done to language!–People of all nationalities and color have changed the language like weather and pressure have changed the rocks.
And then:
I didn’t miss the Agate Shop sign. Woman there knew rocks. whole store of all kinds of samples, labelled. Sold them cheaply too, i.e. agates mounted on adjustable rings cost $1.75. I bought one of these, not the most beautiful but a Lake Superior one, I was told. Also bought . . . a brilliant carnelian from Uruguay. There were corundum samples—also from Canada, the stone that is next to diamonds in hardness. (Deep red rubies, which are corundum minerals, are valued more than diamonds.)
and:
The pebble has traveled. Long ago it might have been a drop of magma, molten rock that oured out from deep inside the earth. Perhaps when the magma coooled it formed part of a mountain that was later worn down and carried away by a rushing stream. Of the pebble may have been carried thousands of miles by a slowly moving glacier that finally melted and left it to be washed up for someone to pick up.
I love how LN took all of her notes and ideas about rock and language and culture and commerce and turned them into this small chunk of the poem. So much said, with so little words! And then to end it with: you have been in my mind/between my toes/agate Wow!
The trails above and beside the gorge have not been between my toes but under my feet and in my mind — maybe I could add a variation of this line to the first section of my poem?
Another 50 degree day! The right number of layers: black shorts, blue t-shirt, orange sweatshirt. Some wind, but not too much. Noticed (probably not for the first time) that they removed the porta potty by the 35th street parking lot. Why? There aren’t any porta potties — for runners or bikers or anyone who needs one — on the Minneapolis side between ford and franklin. Did they remove the one near Annie Young Meadow too? I’ll have to check next time I run down into the flats.
A good run. More soft shadows, other runners, one walker in a bright orange sweatshirt — just like me.
Near the beginning thought about the ringing of a bell as the signal of a ceremony starting. Then ED’s lines popped into my head: As all the Heavens were a Bell/And being, but an Ear — In the earlier versions of my Haunts poem, I begin with a bell. I could return to that, or maybe that is the start of another poem?
I ran north without headphones. I can’t remember what I heard. Running south I put in my Windows playlist.
After I finished my run, I listened to a podcast about perimenopause as I walked home. On this log over the past seven years, I’ve mentioned moments of increased anxiety and ongoing constipation. Present Sara (me) really appreciates that past Sara documented these. It’s helping me to understand my body better as I move into perimenopause. Last week, I discovered a great podcast about perimenopause, menopause, and beyond for active women (runners, ultra runners, cyclists, etc) called: Hit Play Not Pause. So far, I’m on my second episode — the first one was about anxiety, this one is about symptoms of perimenopause other than loss of a regular period. So helpful, especially since it seems there’s so little known about perimenopause!
Lorine Niedecker and Lake Superior
I’ve decided I’d like to do a line-by-line read through of Lorine Niedecker’s “Lake Superior.” Such a good poem, one that I appreciate more as I give more attention to poetry and the gorge.
Iron the common element of earth in rocks and freighters
Sault Sainte Marie—big boats coal-black and iron-ore-red topped with what white castlework
The waters working together internationally Gulls playing both sides
This is the second verse? section? fragment? of the poem, with some blank space and an asterisk dividing each short section. I’ll get back to the first section a little later.
coal-black and iron-ore-red — I’d like to put some more color, my versions of color, into my lines — topped with what white castlework — I think I’m being dense, but what does she mean here? Like, (oh) what white castlework!
the waters working together — between Lake Superior, Lake Michigan, and Lake Huron — internationally — Canada and the US
Gulls playing both sides — I love how she phrases this with such brevity, the idea of gulls not being subject to the lines/border humans have created. Reading through her notes for this poem, she writes about having to wait in Sault Ste. Marie, Canada until the banks opened in order to exchange money. Was she envious of the gulls who could freely travel between Canada and the US?
opening lines: Yesterday I posted the opening line of “Lake Superior.” Here’s the whole first section:
In every part of every living thing is stuff that once was rock
In blood the minerals of the rock
Two other sources of inspiration for my place-based poem are Alice Oswald’s Dart and Susan Tichy’s North | Rock| Edge. Here are their opening lines:
Dart/ Alice Oswald
Who’s this moving alive over the moor?
An old man seeking and finding a difficulty.
North | Rock | Edge/ Susan Tichy
If you can, haul-to within
the terms of anguish :
this rough coast a gate
not map, no compass rose
sketched in a notebook
with certain positions
of uncertain objects
marked—
Reviewing the three sets of lines, I’m noticing how they move differently. LN offers brief, ordered chunks — little rocks? — that you travel between, while AO’s words wander and run into each other. Sometimes she has sentences, sometimes fragments — it flows like a river? ST shares similarities with AO, in terms of wandering and not stopping, but each word almost seems to have equal weight — is that the right way to put it?
In terms of distance, LN is far away, abstract; MO is closer, as we observe a man near the Dart; and with ST, we are right there, on the edge of the rock, moving beside the sea.
Is this helpful to me? To read these three poems closely and together? I’m not sure. Perhaps I should return to LN first. For today, just one more “chunk”:
Radisson: “a laborinth of pleasure” this world of the Lake
Long hair, long gun
Fingernails pulled out by Mohawks
I like how LN weaves in some of the “facts” that she discovered in her research — almost like notes, but carefully selected for effect. I think the contrast between Radisson’s pleasure comment and his fingernails being pulled out says a lot. How can I weave in facts? Do I want to?
The poem “Lake Superior” is in two books that I own: Lorine Niedecker Collected Works and Lake Superior. Lake Superior includes a journal with LN’s notes and some critical essays by others. It’s fascinating to read how she transformed her journal notes into these brief lines.
A repeat of yesterday, except I wore another layer — black running tights. I thought it was supposed to be colder. I was wrong. Too warm! Other than overheated, I felt good. It wasn’t easy and I had to push myself to keep going near the end. My legs felt heavy. But I did it, and my calf feels okay.
Listened to birds and kids and water rushing as I ran south. Put in my Winter 2024 playlist as I ran back north.
10 Things
the gentle yells of kids on the playground
overheard, one kid: I had NO idea!
uneven, halting rhythm of one or two people pounding nails on the roof of a house
a loud knocking — bird or machine? I couldn’t tell. Then I guessed: a big bird. No — some construction on the other side of the river. I heard it later as I was running back
lots of birdsong everywhere
soft shadows
smell: spring flowers somewhere — real or perfume?
a dozen people together at the falls. I thought I heard one say the word, birding
minnehaha creek, just before falling over the ledge: brown, low, studded with rocks
dirt trail near edmund: lots of roots, some mud
notes from my plague notebook, vol 19
Read the first lines from Lorine Niedecker’s “Lake Superior”:
In every part of every living thing is stuff that once was rock
Thought about how LN begins her poem by describing the essence of Lake Superior: rock. I started wondering about what I imagine the essence of the Mississippi River Gorge to be — or, at least, the essence (key element) for my Haunts poem.
restless water satisfied stone erosion movement
not 1 or 2 but 3 things: water and stone and their interactions erosion, making something new — gorge
Then: Water as a poet / stubborn Stone yields, refuses, resists water = poet / stone = words/language erosion = absence, silence, making Nothing me = eroding eyes / stone being shaped / a form of water shaping stone
I wear down the stone with my regular loops
Add a variation of this line, originally in my mood ring, Relentless, somewhere:
I am both limestone and water. As I dissolve my slow steady flow carves out a new geography.
An afternoon run with Scott. We talked about a cool rpf (request for proposal) that Scott just completed and whether or not the wires sticking out of the street lamps on the bridge were live and how the clocktower at Disney Land was telling the wrong time for years without them realizing. For most of it, I felt fine. My calf was a little sore after we picked up the pace so we wouldn’t miss the light at Cleveland. A few minutes later, it felt okay again.
10+ Things
the clear, straight, sturdy shadow of the bridge railing
from the top of the summit hill near shadow falls: the river burning white through the trees — I got distracted looking at it and almost fell of the edge of the sidewalk
from the lake street bridge heading west: a bright path of light on the surface of the river, spanning from the bridge to the west bank
the pale brown of a sandbar just below the surface of the river
the underside of the steps leading up to the lake street bridge: peeling paint
a “Tacos” sign where the BBQ sign used to be at Marshall and Cretin
a big, beautiful wrap around porch with white spindles near Summit
overheard: Katie didn’t know
wind chimes!
a tabby cat running across the street, headed straight for us — it seemed to be saying, Keep moving! This is my block!
added 11 march 2024: overheard — one woman to another: After the costume change, I’ll shine and fly
haunted by haunts
In the fall of 2021 I worked on a long poem based on my 3/2 breathing rhythms and centered on the gorge and my repeated runs around it. I revisited the poem this past fall in 2023 and wrote around it, leaving only a few traces of the original — a palimpsest? I stopped at the beginning of 2024 with a message to future Sara: good luck. Well, here I am and I can’t remember what prompted me to open my haunts documents again, but I did and I’m back. Reading through an older version titled, “Haunts late fall 2023.” It’s a mixture of the old poem and my new additions, and I’m wondering why I got rid of so many of the old lines. It might be because I submitted parts of the poem to about a dozen journals with no luck. All rejections. It made me doubt what I was writing. But maybe I should try to keep submitting it instead of losing all of it? Maybe submit different versions, too?
Reading through the poem, I wrote a list of themes in my Plague Notebook, Vol 19!:
girl
ghost
gorge
trails
loops
echoes
bells
traces
remains
stories
bodies
habits repetitions
Bells. In the newer version of my poem, from late 2023, I got rid of almost all of the mentions of bells. But, I keep coming back to them, like in ED’s “I felt a Funeral in my Brain”: As all the Heavens were a Bell, / And being, but an Ear
bells
starting a ritual
the keeping of time — YES! bells as time/clock*
tolling = death, the dead
signalling the final lap in a race
“fake” simulated recorded bells
light rail bells elementary and middle school bells college bells
the gorge world echoing of past bells
echo = repeating, but not exactly the same, reverberation, ripple, eroding of the original sound from the strike
Annie Dillard and each of us walking around as as bells not yet struck
vibrations movement sound
A curious, “fun” fact that I’d learn in my research about the St. Thomas bells and that supported in my own observations: the St. Thomas bells are not always accurate in their time-keeping; they can be off by a few seconds. Someone has to re-sync them periodically.
A bell poem in the latest issue of Poetry (March 2024):
*To be performed with bells on. All “writing” is performance, some performance is “writing.”
I am a product of my time. Time is a body that resembles a sound without a scale. Forever foreclosed fortitude. In heaven, the dinner bell rings as elegy. The porch-light stars turn on their mothering moths. Betrayal takes at least two, and wherever two or more are gathered, I am there in their pulsating timbre. To hear is to hunger for the gendered race of sound. In my midst, loneliness listens. In confidence, I am secreted away. I was today years old when I learned the truth, a browbeat bell is an idiophone. The strike made by an internal clapper or an external hammer, a uvula— that small flesh, conical body projecting downward from the soft palate’s middle. Vocal, vibrating vulva. I am less a writer who reads than a reader who writes. Therein lies the trouble, the treble clef of conviction. Come now to the feast of hearing, where Hortense J. Spillers gives a sermon: We address here the requirements of literacy as the ear takes on the functions of “reading.” Call me bad news bear. Bestial. Becoming. In “Venus in Two Acts,” Saidiya Hartman asks, Must the future of abolition be first performed on the page? Must I write a run-on of runaways? Must you make out my handwriting? Evidence that loss has limbs. The clawed syntax. The muzzled grammar. Don’t be afraid. Kill me with your language. Learn how to mark my words.*
During today’s run, the only bells we heard were not bells but chimes, wind chimes. Strange how close we were to St. Thomas without hearing the bells.