walk 1: 45 minutes with Delia
neighborhood / 38th street steps / oak savanna
59 degrees
Five days after the marathon, I’m feeling mostly fine; it’s just my IT band that continues to be sore. I thought about running, but decided to take one more day off from it. Instead, I’m hoping to do double walks. This morning, I went with Delia.
More fabulous fall weather, a bit windier than yesterday. We walked through the neighborhood, past the school, past two favorite garden boulevards — one with vibrant mums and zinnias, the other with soft, purple grass which I had to feel on my fingers, past the house with skeletons climbing to the second floor windows. I noticed, with some sadness, that I could barely see the skeletons. In past years, I might have been able to count a few of the bones, today they were only the suggestion of the form. I don’t think I would have even known what they were if I didn’t already know what they were. That happens a lot: I rely on habit and past experiences and assume that what was there before is what is there now.
We crossed the river road at 38th — so many cars traveling this road this morning! — and took the steps down to the Winchell Trail. I noticed how sloped the path that connects the two sets of steps is. The steps are level (or are they? maybe I need to study them some more), but the short stretch of paved trail between them slopes enough that you feel almost like you’re falling down it — or, if not falling down, being led down the trail. I remember witnessing this feeling in another walker a few days ago. I was climbing the steps, she was descending them. Her gait was awkward and cautious. I wondered why; now I know.
At the bottom of the steps, we took a left and passed beyond the edge of wrought iron and paved trail to chainlink and dirt. I thought about my steps poem and decided I’d like to add a line about turning left and following this fence. On the way, Delia stopped to sniff everything. We passed by yellow and red and orange leaves and the tree growing through the chainlink posts and the section of fence half buried, half ripped open to allow walkers and dogs through to a steep dirt trail down to the river. We might have taken it, but I got distracted when I heard voices behind us. Instead, we walked along the abandoned chainlink fence below the mesa on the side closest to the river. I listened to the wind rushing through the leaves. I noticed a small sign warning, this area was treated with chemicals (when did they start doing that?). I felt the different textures beneath my feet: soft, sinking dirt, hard dirt, rock, brittle leaves. I heard voices ahead — two women hiking down a hill and chatting about the trail.
Somewhere, deep in this trail wedged in the bluff, between leaning chainlink and steep slope (and beyond it, trees and the mesa), I felt both calm and anxious. Calmed by the beauty and solitude, made anxious by my fading vision. It wasn’t dark, in fact, all of it was bright, almost too bright, and waving and flickering and spinning. A swirl of glittering leaves, fuzzy trees, hulking and half-formed shapes that could be tree trunks or boulders or a person approaching. Difficult to discern. I thought about a description from a blind writer, Naomi Cohn, in her essay about using a white cane:
Also after rain, walking a shaded bike path, I often see a man dressed in black lurking in undergrowth at the bottom of the trail. But after years of experience, I know his name is not Creepy-Man-with-Knife. No, his name is Wet-Trunk-of-Maple-Tree. My eyes have become novelists, making drama out of rain and bark.
In Light of a White Cane/ Naomi Cohn
As I kept walking, I shifted my attention back to my steps poem and thought about going deeper as not always going down to the river, but going further and further into a place, far from an exit or the entrance, so deep inside that outside is another idea (The Cave/ Paul Tran). I’d like to read Tran’s poem closely to get some inspiration.
10 Things
- chick a dee dee dee
- now and then, leaves slowly and without sound drifting to the ground
- a chainlink fence barely above the dirt, buried deep in shifting earth
- a chainlink fence leaning out, widening the trail, offering more room to pass through
- two deep ruts, a packed mound of dirt humped between them, on a steep slope below the mesa
- a dark form behind me — a quick look — a tree trunk or a person, approaching? I think it was another walker
- on the top of a hill, at an overlook with graffitied stones: the remains of a fire with charred wood and ash, a chunk of white stone in the ground, looking like a tombstone, clumps of cut branches
- hiking up a steep slope, feeling a satisfying stretch in my quads
- the rush of the wind, making it hard to hear anything else, especially dripping water near the ravine
- emerging from the trail after taking the split wood steps into sun that seemed too bright, a field too open
This last thing reminds me of a passage from Mary Oliver. When I looked it up on this log, I found it and another complimentary one:
Once, years ago, I emerged from the woods and in the early morning at the end of a walk and—it was the most casual of moments—as I stepped from under the trees into the mild, pouring-down sunlight I experienced a sudden impact, a seizure of happiness. It was not the growing sort of happiness, rather the floating sort. I made no struggle towards it; it was given. Time seemed to vanish. Urgency vanished. Any important difference between myself and all other things vanished. I knew that I belonged to the world, and felt comfortably my own containment in the totality. I did not feel that I understood any mystery, not at all; rather that I could be happy and feel blessed within the perplexity—the summer morning, its gentleness, the sense of the great work being done though the grass where I stood scarcely trembled. As I say, it was the most casual of moments, not mystical as the word is usually meant, for there was no vision, or anything extraordinary at all, but only a sudden awareness of the citizenry of all things within one world: leaves, dust, thrushes and finches, men and women (34).
Long Life/ Mary Oliver
I walked, all one spring day, upstream, sometimes in the midst of the ripples, sometimes along the shore. My company were violets, Dutchman’s-breeches, spring beauties, trilliums, bloodroot, ferns rising so curled one could feel the upward push of the delicate hairs upon their bodies. My parents were downstream, not far away, then farther away because I was walking the wrong way, upstream instead of downstream. Finally I was advertised on the hotline of help, and yet there I was, slopping along happily in the stream’s coolness. So maybe it was the right way after all. If this was lost, let us all be lost always. The beech leaves were just slipping their copper coats: pale green and quivering they arrived into the year. My heart opened and opened again. The water pushed against my effort, then its glassy permission to step ahead touched my ankles. The sense of going toward the source. …May I stay forever in the stream. May I look down upon the windflower and the bull thistle and the coreopsis with the greatest respect.
Upstream/ Mary Oliver
One is about being lost, the other found. How do these two things fit in with steps and going deeper?
two more related things
Steps that don’t take you down or up or back or forward, but in and in and in — into layers, sediment, all time mixed together.
Currently, I’m deep into thinking about a poem for my collection tentatively titled, Steps. Steps as several meanings: the sets of stairs installed by park workers throughout the gorge that enable you to get closer to the river and further into the gorge; foot steps — yours, others heard or seen; a set of instructions on how to do something.
IT Band Spells — more fun with medical terms!
Often when I write about my IT band bothering me, I like to play around with the acronym, making it mean something other than iliotibial. In today’s version, a new idea: review the poems I’ve memorized and make a list of all of the words that being with I and T. Turn it into a poem.
I and T words in My 100 Poems:
- is
- instant’s
- ’tis
- in
- the
- it
- two
- to
- that
- tells
- though
- their
- they
- them
- through
- this
- thing
- interruptions
- twigs
- into
- I
- tenant
- if
- indelible
- treading
- til
- thought
- then
- those
- toll
- there
- interposed
- tree
- trembling
- tonight
- town
- torches
- tail
- trunk
- think
- twice
- time
- thumping
- tangle
- thicket
- imagine
- inherit
- travel
- thickening
- that
- touching
- toward
- took
- turned
- invading
- insert
- incohesion
- too
- impairment
- improves
- taste
- touch
- inside
- tank
- inhabitants
- impossible
- toes
- insist
- tables
- try
- I’ll
After gathering these words, I wrote each of them on a scrap piece of paper, put them in emptied (and cleaned) m&ms container, shook it up, then took out five words:
two / ’tis / toes / try / tangle
It takes more than two to tangle.
Try to walk without your toes; ’tis impossible.
Two toes try, end up in a tangle. ‘Tis a shame.
I / tonight / I’ll / table / they
Tonight, I’ll tell them at the table.
They won’t be happy about it.
I won’t care.
Hmmm….not sure if this works. One more try in this entry:
interposed / instant / twigs / tail / inside
Inside the Mind of a Curious Subject
At any instant, questions interpose themselves between her study of a tree and her being with it. Does a twig have a tail, what is it called, how long can it grow, how far can it reach?, has anyone ever described a twig as the tail of a tree?
Curious subject is the name of one of the songs on Chaka Khan’s new album, Chakzilla. In writing this, I started with the tail and twig part and then thought a lot about interpose/d. The only instance of it I recall is in Emily Dickinson’s poem that I re-memorized, “I heard a Fly buzz when I died”: There interposed a Fly/With Blue -uncertain – stumbling Buzz/Between the light – and me -. I looked up the definition on Merriam-Webster: to intrude, intervene, to place between, to interrupt. I want to give some more time to interpose and ED’s poem, but I’ll leave that for another day.
walk 2: winchell trail with Scott
90 minutes
72 degrees
note: I’m writing this the next morning because I didn’t have time to finish it after the walk. We went to the new tap room, Double Barrel, that moved into Lake Monster (one of our favorite taprooms + the sponsor of the open swim race I won (for my age group) many years ago)
For the second walk, which was in the late afternoon, we walked south along the Winchell Trail until it ended, then kept going until we reached a series of three switchbacks, just past the double bridge, that winds down to the river. My goal: to count the number of foot steps it takes from the top, near the road, to the bottom at the river: 445. I thought it would be tedious and difficult to keep counting, but I found it surprisingly easy, once I got into a rhythm. I wanted to count these steps for my steps poem. I’m thinking that this version of steps will the last one. On the way to this trail, I stopped to count another set of steps: the limestone ones, marked with a WPA sign, in the 42nd street parking lot: 23 steps.
I’m writing this the day after, can I remember 10 things I noticed?
10+ Things
- wind, moving through the leaves, making a favorite sound that reminds me of the trees on our farm
- a crowded trail, encountering many walkers, a few dogs
- dead wildflowers, their brown crowns at eye level
- looking over the wrought iron fence at a blob of white on the other shore: a wide door into sewer pipes in the gorge
- never seen, only heard: rowers — an encouraging coxswain
- a group of male, shirtless runners, strung out across the paved trail near 36th — running by in groups of 2 or 3
- a hiker portaging a canoe — or was it a kayak?
- a group of young men — high schoolers? college students? — descending the trail, discussing acappella groups
- a small tree — thin trunk, knee high — growing in front of bench halfway down the trail
- right down by the river, its surface, blue, flat, stretching south
- a rock face, half hidden by trees: vertical striations
- at the bottom, in the woods, before reaching the shore: voices drifting down, a circle of bright light where the trees break, a leaf and loam covered slope
- climbing back to the top, hearing the rowers below: oh no! I had wanted to see them while down at the shore, but I just missed them!

















