Tag: morning

june 14/RUN

6.1 miles
flats and back
55 degrees
drizzle

10 Things

  1. boom! crash! construction noises above me as I ran under the I-94 bridge
  2. voices cheering below, near the rowing club
  3. a soft mist
  4. beep beep beep — far ahead of me
  5. a chair set up behind a column at the base of the lake street bridge
  6. 2 people fishing in the flats
  7. the limestone slabs that were stacked in a way that looked like a person have been removed
  8. a pink and white kid’s bike propped up against the bottom of the franklin bridge
  9. an orange cone tucked into the bushes, mostly hidden from view
  10. water gushing out of the limestone in the flats

A great run! A steady 9/1, even up the franklin hill. A big mental victory! An average heart rate of 157. A big physical victory, too!

Returned from the run to get shocking news from Scott. Somebody impersonated a police officer then shot and killed the head of the Minnesota DFL and her husband in the early morning in their home. He shot another senator too and has not yet been caught. There’s a manhunt and a shelter in place for Brooklyn Park. Police are asking that people don’t attend the No Kings protest today or open their doors to any police officers.

june 11/RUN

5.3 miles
ford loop
65 degrees / steady drizzle

Thought the rain wasn’t coming until later today so I got ready for my run — changed into my running clothes, stretched, put on my running shoes — then opened the door to drizzle. Decided to go anyway. At first, it was intermittent drizzle, but halfway through it became a steady, soft rain. Not enough to soak my shorts but enough to cool me off and to inspire a chant:

drip drip drop
drop
drip drip drip
drop

drop drip
drop drip
drop drip
drip drop

drip drip drip
drop drop drop

drop drop drip
drop drop drip
drop drop drip
drip

I continued my 9 minutes of running, 1 minute of walking plan and was successful. In the last mile, my left started to hurt a little, then my left calf, and my foot. It’s fine, but to be safe, I stopped at 5.3 miles. The run was never easy, but it also wasn’t hard to keep going, knowing that I had a walk break coming.

10 Things

  1. a soft green everywhere
  2. an empty river
  3. new trees wrapped in plastic looking like wild turkeys
  4. a dark tunnel of green with a bright circle of white at the end
  5. on your left / thank you!
  6. front yard tree with a giant boulder just in front of it
  7. empty benches except for the one near folwell: 2 people not sitting, but standing behind it
  8. the rumble of planes sounding like thunder
  9. the sharp clang of a mailbox lid falling shut
  10. chains from a trailer rattling and scraping on the rough road

green haze: Running on the east river road, quick glances over to the gorge — a soft green and silver view of trees and sky

I was delighted to discover halfway in that the poem-of-the-day on the Poetry Foundation is about rust! The entire poem is wonderful, but it’s long, so I’ll only post most of the rust part:

excerpt from “Que Sera Sera”/ A. Van Jordan

Like when a song gets so far out
on a solo you almost don’t recognize it,
but then you get back to the hook, you suddenly

recognize the tune and before you know it,
you’re putting your hands together; you’re on your feet—
because you recognize a sound, like a light,
leading you back home to a color:

rust. You must remember
rust—not too red, not too orange—not fire or overnight
change, but a simmering-summer
change in which children play till they tire

and grown folks sit till they grow edgy
or neighborhood dogs bite those not from your neigborhood
and someone with some sense says Down, Boy,
or you hope someone has some sense

who’s outside or who owns the dog and then the sky
turns rust and the streetlights buzz on
and someone’s mother, must be yours, says
You see those streetlights on don’t you,

and then everybody else’s mother comes out and says
the same thing and the sky is rust so you know
you got about ten minutes before she comes back out
and embarrasses you in front of your friends;

ten minutes to get home before you eat and watch
the Flip Wilson Show or Sanford and Son and it’s time for bed.
And it’s rust you need to remember
when the cop asks, What kind of work you do?

It’s rust you need to remember: the smell
of summer rain on the sidewalk
and the patina on wrought-iron railings on your front porch
with rust patches on them, and the smell

of fresh mowed grass and gasoline and sweat
of your childhood as he takes a step back
when you tell him you’re a poet teaching
English down the road at the college,

when he takes a step back—
to assure you, know, that this has nothing to do with race,
but the rust of a community he believes
he keeps safe, and he says Have a Good One,

meaning day as he swaggers back to his car,
and the color of the day and the face behind sunglasses
and the hands on his hips you’ll always remember
come back gunmetal gray

for the rest of this rusty afternoon.

Rust — I’ve been wanting to write a poem about rust for some time. Is this a sign that I should try today?

june 10/RUNSWIM

4.5 miles
veterans home
59 degrees
poor air quality

The smoke from Canadian wild fires didn’t bother me much, although the inside of my nose was coated with something which made breathing a little more difficult. Other than that, it was a nice morning for a run. More shade than sun, low wind. Another 9/1 success. I’m continuing to build up the mental strength — a belief that I can keep going. Chanting in triple berries helped: strawberry raspberry blueberry.

Yesterday I mentioned possibly focusing on benches as a monthly theme — or a 1 or 2 week theme? As I ran south, I made note of a few of the benches.

9 Benches

  1. near the worn wooden steps leading to the winchell trail — wooden slats — empty
  2. at the top of a mulched trail descending into the oak savanna — a worn boulder that looks and acts as a bench — someone was standing there today, writing something on a piece of paper
  3. above the 38th street steps — wooden slats — empty
  4. beside a boulder in a part of the walking path that splits from the bike path — wooden slats — empty
  5. in a patch of grass above the “edge of the world” — wooden slats — empty
  6. on the edge of the 44th street parking lot — wooden slats — occupied by a bike/biker
  7. near John Stevens house and a cluster of picnic tables — wooden slats — empty
  8. at the bus stop across from the veterans home — green metal back/wooden slat seat — empty
  9. above the locks and dam no. 1 — green metal back/wooden slat seat — empty

Other things noticed: 4 or 5 turkeys in the grassy boulevard, a group of 8-10 roller skiers, the roar of the falls through the trees, a human with 2 dogs trotting to the creek bank, the light rail horn blasting a warning, the sweet/sour smell of earth on the hill descending below the ford bridge, headlights from a bobcat below me in the woods — I think they’re building a new walking path that goes deeper into the gorge!

For the first 3 miles, I listened to voices and wheels and the echo of a dog’s bark. For the last 1.5 miles, my color playlist.

still life

In the middle of the night, during one of several bouts of restlessness, I started reading a book I got from the library: Still Life/ Jay Hopler. Why did I request this book? It must have been because of the title and my interest in the word, still, and still life paintings. Reading more about it, I discovered this:

When Jay Hopler was diagnosed with metastatic prostate cancer and told he only had two years left to live, he chose to spend his time writing this book: a rare gift to our world in all its ways. The book seems to be both a representation of all the moving parts of the dying, as well as an antithesis to how we usually converse about death, namely a dying person.

Still Life review

still life w/ wet gems/ Jay Hopler

lightnings bang their jaggeds on the cloud-glower
the cloud-glower is a broken necklace spilling its wet gems
its wet gems w/ facets cut uncountable
uncountable the reflections of the world in those gems
uncountable the version of the world into its dry self crashing
the shards of those worlds like shrapnel blasting skyward
slicing skyward or sidewise through the dune grass
the dune grass flattened by that splatter even as i write
the words

To My Wife on Our Anniversary/ Jay Hopler

In Castiglione del Lago, the pines are iron-spined. When the wind
blows, they stand still & the earth sways. If only God had forged me thus!
Forced into a stooped form & told to straighten up, that’s as far as His
blessings ever extended in my direction. You know what keeps me from
falling apart? Luck & duct tape. Even so, those trees have nothing on me.
Blessed as they are, all they get to hold today is a sick man’s attention &,
maybe, a few birds.

After reading still life w/ wet gems last night, I thought about my “how I see” project and the idea of writing around landscape and still life paintings — maybe portraits, too?

swim: 2 loops
lake nokomis open swim
81 degrees
water temp: 68 degrees

Open swim! Open swim! Open swim! There aren’t enough exclamation points to convey my joy over another summer of swimming across the lake. I swam 2 loops without stopping at the beach in-between. It felt good and then it didn’t and then it did again. Sore arms, the strange feeling of muscles not worked for a year waking up again. Now, a warm buzz. With no access to a pool, I haven’t swum since last august, so I’m impressed that I did as much as I did. I didn’t worry about not seeing the buoys, even when I couldn’t. Just kept swimming and reached them. Hooray for swimming without seeing (much)! Hooray for Minneapolis Parks for keeping open swim the same! Hooray for my muscles and tendons and lungs enabling me to do this thing I love!

The water was a deep green-blue. I could see the milfoil reaching up from the bottom, looking ghostly. Also saw pale legs kicking in front of me. No fish, no dragonflies, no menacing swans.

june 8/RUN

3.1 miles
marshall loop
65 degrees

No walk breaks today. Slowly I’m building back confidence in my legs and lungs and brain. Ran through the neighborhood then over to the lake street bridge, up the marshall hill, down the summit hill past shadow falls, and back over the bridge again. On the northeast side of the bridge, 2 fire trucks and — was it an ambulance? I can’t remember. No sirens or anxious yelling. I wonder what was happening? No rowers or sparkles on the river. No pelotons or packs of runners.

Midway through the run I chanted triple berries: strawberry/blueberry/raspberry/blackberry/red berry/orange berry/green berry

Walking back, I observed a family of four on the opposite sidewalk. The voices of the two young kids were on the edge between losing their shit with joy and losing their shit with frustration over a puppy. Frustration prevailed. I could hear the little girl’s shrieks, I want to pet the puppy!, for more than a block. Passed by a house with several signs in the front yard, nestled between hostas and hydrangeas: Democracy dies when we are silent and Love is love and another one about hope. At the next house, a garage sale. A few blocks later, one kid swinging, another kid on a bike at the corner, sitting motionless and looking creepy, two dads talking about their wives and their upcoming girls’ weekend.

Hardly Creatures

I like the form Rob Macaisa Colgate creates and uses in Where Does Joy Live in the Body. It’s a series of three poem: 1. the original poem, 2. an erasure of that poem, 3. a condensed version of the erasure. Original, replica, souvenir

Where Does Joy Live in the Body/ Rob Macaisa Colgate

Original artwork: Feel free to look.

1. At the department dinner, I drink too much and spill
to Heather about my body dysmorphia. She nods, then
shrugs and laughs, carefree: It’s great to be blind.

2. I get indecisive trying to choose the most perfect avocado
while making lunch with Lorriane. When I ask for her help
she stares, gives ma wry smile. They all feel the same to my hands.

3. Alex witnesses my descentinto psychobabble as we walk
each other home from Lee’s Palace after teh Joy Division tribute concert.
The next day, they text: Lol, you make me doubt that I could read lips.

4. When I offer Leah one of my Oreos, she perks up, holds
the cookie to her nose, closes her eyes as she inhales. I can’t handle
the tast, but eventually I feel in love with the smell.

Multisensory replica: Feel free to touch, listen, taste, smell.

the art
the body
are
perfect
witnesses
to
each other’s Joy
yes
even you

Souvenir replica: Feel free to take home with you.

artbody perfect
witness each other
joy yes you

Reading the third part, I thought of my interest in condensing images and ideas to their barest form, partly because that’s how I see them and also because it makes them easier for my weak eyes to read and because it’s more possible to take them with me on a run. Cool — I want to play around with this form!

june 7/RUN

3 miles
trestle turn around
70 degrees

Wow, summer! Sunny, not too warm. Strong legs, mental toughness. A good morning to be outside and moving. Heard the rowers and a roller skier, someone blasting an old rock song — what was it? I remember identifying it and thinking that I needed to try and remember the title, but now I can’t. Encountered lots of bikers and walkers and runners, but no turkeys or squirrels or lunging dogs.

10 Things

  1. siren
  2. coxswain
  3. hearing the glittering of trees
  4. click (ity clack)
  5. bugs
  6. headphone fail
  7. pack(ed)
  8. radio
  9. fragment (overheard)
  10. concealed

A police siren that I thought was a loon, the coxswain’s voice calling out instructions, a breeze passing through the leaves and hearing the glittering of trees. The click of roller skier’s poles striking the ground, an itchy bite from a bug. Turning on my “Doin’ Time” playlist, expecting to hear the music in my ears, instead hearing it all around — a headphone fail. Someone blasting music from a radio. A fragment of a conversation overheard, the words now forgotten. The river, the rowers, the ground below, concealed by a wall of green.

Walking back, after I was done, I heard a Dad reading to his son about a baby bird in a tree. Very sweet. It almost sounded like, are you my mother? Was it?

Finished reading through Hardly Creatures for the first — but not the last — time. Their playing around with what access means is fascinating. I’m thinking about my ekphrastic/alt-text project and how access might work in it. In my next read through of the book, I’ll think about access and what it means to me and take notes on the different ways Colgate practices/invokes/addresses it.

june 6/RUN

4 miles
minnehaha falls
65 degrees / dew point: 55

At first it felt cool, pleasant, but after a few minutes, heavy, warm. Slept in until 8 and then waited too long to go out — around 10:30. Oh well, a good run anyway. Another 9/1 with a pause at the halfway point for a bathroom break at the falls.

10 Things

  1. flushed
  2. bright yellow vest
  3. green
  4. turkey!
  5. busker
  6. accordian
  7. workers
  8. a kid losing their shit
  9. I’m a Barbie Girl
  10. thick

Flushed face, flushed toilet at the falls. Voices below me, then 2 people in bright yellow vests discussing where to start doing whatever they were doing — trimming trees? pulling buckthorn? Green green green everywhere — no blue sky, just a green one. A turkey beside the path! Then more turkeys all around. A busker at the falls, playing an acordian. Workers at the falls, workers, at the Horace Cleveland Overlook. Daddy! Daddy! It’s THIS way! Daddy! — a kid losing his shit near the parking lot. Seen not heard — a little, high voice signing, I’m a Barbie girl. By the end of the run, the air felt and looked thick.

Listened to chainsaws and scattered voices as I ran south. Put in my “Doin’ Time” playlist heading back north.

While drinking my coffee and scrolling through Instagram, I read about how a favorite running podcaster’s cancer has returned: stage 4 metastatic bone cancer. Other than her podcast and instagram posts, I don’t know her, but I know she has a beautiful 5 year old daughter and I am sad.

Hardly Creatures

What a book! Rob Macaisa Colgate has such a compelling, beautiful voice. Here’s the title poem:

Hardly Creatures/Rob Macaisa Colgate

“A healed femur”

      —Margaret Mead, anthropologist, on the first evidence of human civilization

The digital tour guide tells us how we are animals
as if we don’t already know, as if sleep is a game
we play, as if hunger is incidental every day at lunch.
We enter a virtual room with an improbable flock

of birds suspended at eye level, a hundred
species flying together. The guide tells us about
a bonded pair of male crows, how when one
lost his lower mandible to a crashed window

the other began to forage for them both, chewing up
seeds and worms and pushing the bolus
down his partner’s throat. In another room
we pivot the camera angle and see a hill country creek

running beneath our feet under thick clear plastic.
We learn how the blind salamander compensates
for its lack of eyesight with advanced sensitivity
to changes in water pressure, sweeping its lonely head

back and forth to detect small aquatic invertebrates—
We creatures have always found a way,
the recording chuckles. We have, I think,
though this should not mean that we must.

We pause the tour for Rosie to rest with her camera off.
I wish the guide would stop calling humans creatures, she says.
We’re hardly creatures, the way we love each other.
I nod, but can’t stop thinking about the crows

that love each other, the salamander that loves itself,
the crows that only know caregiving, the salamander
that only knows survival, every creature forever feeding
whatever mouth is in front of them

either born knowing how to love
or picking it up down the line.

Question: Is Rosie suggesting that we love more/better than “creatures” or less? Are they challenging the narrator’s assessment or reinforcing it? I can’t decide.

every creature forever feeding/whatever mouth is in front of them — what a beautiful line and idea

june 5/RUN

5.45 miles
franklin loop
60 degrees

Another 9/1 successfully done! Left the house by 8, so it was cool. I wasn’t sure which way I would run until my feet turned to the left and I was heading for the franklin bridge. Went by the welcoming oaks, through the tunnel of trees, above the floodplain forest, below the road. Deep in the trees, I felt a truck rumbling by. Near the rowing club, I thought I heard some rowers below me. The bridge was backed up and thick with cars, so was the east river road. A line up of 25 or 30 or more cars. Like I usually do, I wondered if these cars were watching me and if they wished they could be outside on a run instead of cooped up in a car. Running across the lake street bridge, I looked for boats in the water, but it was empty.

A thought mid-run: Instead of trying to notice anything particular, why not stop noticing or thinking and just be. Of course right after that, I started listening to the birds and then the cars and then the voices of other walkers.

10 Things

  1. rustling
  2. sprinkling
  3. hovering
  4. green
  5. rowers
  6. flat
  7. traffic back-up
  8. back pack
  9. construction cone
  10. whirring

Yesterday I picked up Hardly Creatures at Moon Palace Books. I’m very excited to start it today!

An hour later: I’m reading Hardly Creatures. Wow! I feel like I need to read through the whole collection, then read through several more times and think about all that Rob Macalisa Colgate is doing in this book with accessibility. It’s in the content and the form. He’s writing about his experiences with (in) accessibility, but also offering different ways to access the stories, the words, the ideas in this collection.

So far, I’m struck by the opening to each section:

Access Check-In

There is no right way to end
the sickness,
to stomach it.
A reasonable
failure to care for yourself like a child. No
body
is useless.

page 19
page 21
page 23
page 24
page 27

page 29
page 31

And what made me stop and decide to write about the book, were these lines in the poem, “Ward”:

Window:




Form:

what allows you to see out
what separates you from what you see
your only chance

a body
a set of rules
a set of empty spaces to fill out at the front desk

june 4/RUN

4 miles
minnehaha falls and back
67 degrees

Another successful 9/1 run, where success = picking something and committing to it and keeping steady and relaxed. Yesterday it rained most of the day, so no running. Evn if it hadn’t been raining, I wouldn’t/couldn’t have fun; smoke from the Canadian wild fires made the air quality terrible. Not just hazy; I could smell/feel the smoke. Today it’s much better.

9 Things

  1. mowing
  2. sweating
  3. bugs
  4. shadows
  5. voices
  6. laughter
  7. crowds
  8. cars
  9. potholes

I tried something new today with the 10 things. At the end of my run, I pulled out my phone and recorded a list of things. I ended up with nine because I forgot to count as I was doing it. By the end, I wasn’t sure of how many things I had listed.

On Monday, we moved RJP into her new apartment. She handled the stress of moving very well. What a difference a year makes!

Here’s another bit from Brian Teare’s Companion Grasses I’d like to remember:

from Tall Flatsedge Notebook/ Brian Teare

A guidebook calls it “tall Flatsedge” but at my desk
it doesn’t stick : each sketched notebook detail floats
slowly from what once had make it live. At its smallest
:matter has no ideals” : taking off my socks, I find
several flatsedge seeds hooked : no split of self
from self—it can’t lack—carbon, oxygen, nitrogen—
it’s being & being singly is. All day at Chimney Rock
I’d returned to three thoughts :

you; the “world

we wanted to go out into,
to come to ourselves into”;

& the right form
to bridge two subjects apart

“organizations in the sound of them
verg[e] upon meaning,
upon ‘Heaven;”

As part of this section, Teare includes sources for these ideas in the left margins. I fiddled around with columns to add them in, but I wasn’t able to. Maggie Nelson did a similar thing with sources in The Argonauts. And Alice Oswald does it in Dart to identify the “voice” that is speaking in the poem. I’d like to experiment with this in a piece involving my notes for a gorge run.

I also like his discussion of bridging the gap between two subjects — you and the world. Here I’m thinking of the you and the I, too.

june 2/RUN

2.25 miles
2 trails
70 degrees

14 years ago today, I started running. I wanted to mark the occasion with a longer run, but it’s warm and I don’t have time. This morning we move RJP into her first apartment. It’s difficult to put into words how I’m feeling. I will miss her being here, but I’m not sad. I’m excited for her and for me. She’s ready, and I am too.

10 Things

  1. bugs
  2. breeze
  3. drip drip drip
  4. mulching leaves
  5. bird chorus
  6. hazed surface
  7. distanced
  8. shrill
  9. dark green
  10. wood chipped

Something new to try: if I look at this list in a few days, are these words enough to remind me of what I noticed and experienced on this run? Future Sara, let us know!

Discovered this book today, Hardly Creatures. It looks amazing! I found out about through Poetry Daily, which is where I’m finding out about most of my new favorite poets. I think this should be an early birthday present to me! (update: bought it!)

I found out about this book from this interview, which was linked to on Poetry Daily.

I want to remember this part:

The question I asked at the very beginning, before writing many poems from this, was: what would accessible poetry mean, maybe not in the ways that mean “easy to read” or “intelligible,” but as in “meeting the needs of the reader”? How could a poem do everything a poem wants to do, while also meeting the needs of the reader? That questioning drove the whole book, the individual poems themselves, and especially the access symbols. 

JGJ: “Meeting the needs of the reader” is exactly it. I felt like needs I didn’t even know I had were accounted for while reading this collection. Sometimes there’d be a poem that was just the title, and the rest of the page would be blank. Those moments helped me realize that I actually needed to just sit and take the previous poem in, because maybe it had a lot of heavy material, or had a lot happening in it. Those moments give the reader their own authority over the reading experience. One could choose to just sit there in the blank space, or choose to reread the poem, or move on. 

There’s one poem, “History of Display,” that really stuck out to me. While reading, the poem was at once being really guiding and gentle, but didn’t let that tenderness stop it from criticizing the absurdity of our ableist world. How did you learn to strike such a balance in your writing, of making sure to meet the needs of your reader, while also remaining critical?

RMC: I paid a lot of attention to my own experiences reading. I’m not always the best reader… I’m a very tired and sleepy person, and I would sort of pay attention to things like, Okay, how many poems can I get through before I feel like I need to stop? Or, What order of poems is helpful to keep me reading? If while reading I encounter a super dense, lyrical poem on one page, enough to make me think, I hope the next one’s shorter, and then the next one would be just as dense, it would pull me out of the work. I would feel bad about that because it’d be wonderful work, but because my needs weren’t being met, I wasn’t able to give my fullest attention to the work. 

My inclination towards form was very helpful, because it helped to break apart the book into smaller units, poem by poem, and then wing by wing. It was a lot of reading, paying attention to how reading felt, and thinking about what made me feel better when I was reading.

I can’t read a lot of words; it hurts my eyes/brain and I often fall asleep. I’m drawn to shorter forms that I can easily hold in my head. One approach to accessible could be making all the words available in a recording, but I’d rather reduce the number of words altogether!

june 1/RUN

3.15 miles
trestle turn around
56 degrees

Excellent weather this morning for a run. I decided to run without stopping to walk, instead of doing the 9/1, just to see if I could do it. I could. At the end of the run, a thought: I should do a 3 mile run like this on the first of each month and compare times and effort. Maybe I should do this test twice a month?

The thing I remember most about the run was the orange light. It’s from wildfires up in Canada. I didn’t see an orange sun, or orange light in the sky. I saw orange light on the paved trail. Strange. I wondered if it really looked orange, or it just felt orange. And, was anyone else seeing the light on the trail and thinking, orange?

The thing I remember second most was the cottonwood fuzz, everywhere. Lining the trail, turning the grass pale green. I think I inhaled some; it got caught in my throat and made it hard to breathe.

There were chatty bikers and small packs of runners and walkers, a few dogs. I think I might have heard the rowers briefly. I didn’t look for the river or hear any geese. I did witness a car ignore a stop sign. And I admired another runner’s bright orange compression socks. I noticed that the grass near the trail had been trimmed and wondered how short the parks had trimmed it. No more rubbery dandelion stalks.

To keep a steady pace, I chanted in triple berries: strawberry / blueberry / raspberry

Picked up Brian Teare’s Companion Grasses from the library. I’m particularly inspired by the sections/pieces/poems? that combine his hiking notes with descriptions and references to other thinkers.

from Tall Flatsedge Notebook/ Brian Teare

A mile’s hike outside the fence-enclosed vista point
we sat hillside so inside experience I wrote the wrong date
down–March twenty second–noticing no thought
but things : “when I think they animate my interior speech,
they haunt it as the little phrase.” Oceans tilted, the whole thing
leaning green, coastal prairie poised pre-Spring
a prosody for seeing landscape as aural, ambient trick
to hear the ear’s eye : far bass, near treble, I saw

I heard
low drone wind
cut by distant cliffs’ sheer fall

Above it below the hill

surf’s purr
& nearer

wind-shirred grass
bright brown birdsong

in back of one bee far
barking seals–

*

I wanted a hello sort of like I know you as if
to call a grass a subject like I can’t back home :
urbanity : a class-based lack of grasses shared
people, fog, sidewalks, architecture, money,
the smells of jasmine & feces, & five sounds :

suck of tread in water

window clicking against frame

recycling knicked from bins

footsteps above

heater’s hiss

A few pages later, he offers this quote:

at the edge
of what is bearable
in an image.

In the margins he provides a source: The Object Stares Back/ James Elkins. I looked this source up and got very excited. It’s all about how we see and our myths about what we think we’re seeing and doing when we see. Very cool. I requested the book from the libary; it should be ready in a few days.