Overdressed. When I checked the temp, it read 45 but feels like 34 so I added a layer, which was a mistake. Lots of dripping sweat and a flushed face. My goal today was to try and take it easy with a steady 10 minute pace. I was mostly steady, but ran faster than that. I need to figure out how to slow down again; my new shoes make me want to run faster than I can sustain for long runs.
I chanted in triple berries to keep steady and to lose track of words and ideas: strawberry/blueberry/raspberry. It worked. I don’t remember what I thought about.
For some of the run, it felt hard to keep going and for some of it, it was easy. I think it’s time to experiment more with ways to distract myself — or to lead my mind in directions other than, this is hard, I can’t keep going, when can I stop?
overheard: I think I heard something at the beginning of the run that I wanted to remember but I lost it when I started chanting in triples. I do remember hearing something at the end: Two women walking, one to the other — it feels so good to have the sun on my face!
10 Things
a speedy runner in white down below, on the winchell trail — beside me, then ahead of me, then gone
soft, shimmering shadows
a LOUD siren coming from behind, then an ambulance speeding by on the river road
empty benches
the view from the sliding bench: uncluttered, the sands gleaming so white that it looked like snow
soft, dry dirt — no more mud
one car then another then another passing by on the river road
dried flowers hanging from the pink sign reading, Someone was taken by ICE here
a slower biker riding on the grass between the river road and seabury
the chain is still strung across the top step of the old stone steps, blocking the way down to the river
holes
Arts and crafts fun. This morning I did a test run of a yarn grid for Holes 1. A 9 x 9 square of cardboard with 1/2 inch slits all around. A long piece of blue yarn1 which I wound through the slits. A poem under the yarn grid: circles/dark holes encasing the words: off center era.
Assessment:
I need an exact-o knife for more precise cuts
the blue yarn is too thick and makes it impossible to read; try dark thread instead
make sure that the thread is long enough before starting to wrap it around the notches
follow this order: cut notches, place/attach (glue?) poem to cardboard, make sure the thread is long enough then wind it around
question: if I’m using thread, can I use a thinner frame, like cardstock instead of cardboard?
Here’s a picture of my test poem — should I call it, “(i’m in my)”?
(in my) off center era
Okay, I tried it with thread and it works better, I think, but I need to be neater with it. Although, I do like the color of the blue. . . . For the larger Holes series, I need the black thread. In Holes 1, the Amsler Grid is straight, but by Holes 3, the lines will be much more crooked and warped. Black thread is much more effective for this warping.
(in my) off center era
A few more thoughts: It looks like I’ll need to take the circle-encased words and place them over the grid to be legible — the easiest way to do that is with the words as cut-outs, although I could also try weaving the thread under them (but that sounds difficult and beyond my limited skill and ability as “barely not blind.” Also, more thread is needed for back-up. And, should I create a frame around the holes poem that covers the ends? It could be a basic frame, either purchased or made, but I like the idea of creating some texture and/or a collage — maybe the black mesh fabric I bought, or ___? It needs to be something related to the holes poems and the act of reading? I’ll keep thinking about it. Would it work to have the words of the found poem on the frame?
update from yesterday’s post
First, yesterday I mentioned a discussion of three types of freedom that I was having with FWA at the dog park: I was looking for my PhD advisor’s book that discusses it. I can’t find my copy yet, but I found it online:
Second, yesterday I also mentioned that I was picking up 2 books from the library: Sea of Grass: the Conquest, Ruin, and Redemption of the American Prairie and a found poem collection by Annie Dillard, Morning Like This. More on both of these tomorrow.
Finding a long enough strand of yarn took at least 3 tries. I thought I had a long enough strand then it would run out half way through and I would have to unravel what I had already done. Something important to remember for the official grid: make sure the yarn/string/thread is long enough before you begin! ↩︎
A walk with Delia and FWA at the dog park. So wonderful! At some point during the walk I thought about how I’m going to remember these walks. I used to love walking and talking with my mom in the woods. Now I get to do it with Delia and FWA. Today we talked more about One Piece, both the anime and live-action version. FWA convinced Scott and I to watch it and we’re both really enjoying it. We’ve swapped out Love Boat and Little House on the Prairie for One Piece and the survival show, Alone.
The floodplain forest in early spring looks like a tree graveyard. There are dead trees in varying levels of decay everywhere. Dead trees leaning on living trees. Branchless trunks. Giant trees on their sides, some with their nest of roots exposed, others with most of their bark stripped, gleaming white. FWA and I talked about what it will look and feel like once the living trees have leaves again. We agreed that we will like it less because it will feel too hemmed in.
This feeling of being hemmed in, and less free, led to a discussion of freedom. FWA mentioned freedom from and freedom to and I tried (not quite successfully) to recall my PhD advisor’s class on different types of freedom: negative freedom (freedom from), positive freedom (freedom to) and a freedom related to social welfare — what is this third freedom called? I’ll have to look it up in her book tomorrow.
walk: 2+ miles to Arbeiter 73 degrees
I had to pick up 2 books at the library (more on that tomorrow), so Scott and I decided to walk to the library and then over to Arbeiter. Since I’m taking a break from alcohol, I tried their NA beer, which was really good. In my 20s, I was incredulous that anyone would drink a non-alcoholic beer — why bother? But now, in my 50s, I’m more open-minded. I suppose the NA beers have gotten better since then, so it’s easier to be open-minded.
holes
I have decided that my Holes series has reached the status of obsession, which is exciting and fun and uncomfortable as I wonder if it’s all too much. I think the discomfort is good for me; I’ve been trying to not be too much for too long.
This morning, I finished drawing the Amsler grid over the mapped poem in Holes 1. I don’t like it drawn on; with my bad vision, it is too sloppy. A new thought, which is really an old thought that keeps returning: create a grid with string or thin yarn and put it over the mapped poem. Make a frame out of cardboard with notches for the string, like I did in elementary art class — what are those called? In addition to that grid, add string lines linking the words and making the poem. Use the string grid to attach these extra strings, or pins or __ ?
The center of an Amsler Grid has a dot; it’s the dot you focus on you look at the lines. As I was drawing my grid’s dot onto the poem, I realized that it (the dot) could be the reason why I’m using circles to encase my words. Of course, I am also using them because they are easy for me to trace. I like the idea of that center dot, which I can sometimes see and sometimes can’t, as haunting my reading and the words.
Yesterday, talking to Scott about this project I said, with my bad vision and lack of drawing/design skills, I have no business trying to make these poems and yet, I can’t stop myself. When I first started writing poetry, I had no business doing that either, and I kept going because I loved it.
Put that last thought beside another conversation I had with Scott a few days earlier. I was asking him what he thought about some lines I had drawn — do they look okay? do they make sense? He said something like, why aren’t you trusting yourself? You don’t need me to tell you whether they work or not.
There are some things I do with confidence and without consulting others — swimming, my running/writing practice. And there are many other things I don’t. Perhaps the ratio between not consulting/consulting is out of balance. I need to trust/rely on myself a bit more. A flash: it seems important to figure out this Hole project on my own. To create it without the help of others. If, because of my bad vision, I can’t execute some part of my plan with these Holes, then I need to figure out a new way to do whatever I’m trying to do.
A cardboard loom?! I searched, “weaving elementary craft weaving cardboard” and I found this YouTube video, Basic Weaving on a cardboard loom. I think that is what I was thinking about!
a return to art class in elementary school!
I hadn’t thought of it was a loom, although it makes sense — the lines on the amsler grid are the warp and the weft. I love this idea of connecting it to weaving and looms and my mom, the fiber artist! In the video, the instructor uses a full piece of cardboard, but I’m thinking of using just a frame instead.
Not the easiest run: stomach cramps from gas, perhaps the result of my increased fiber and iron. Miles 1 and 2 were mostly okay, but mile 3 was difficult and included several walk breaks. Other than that, a beautiful afternoon for a run. I wore shorts and a short sleeved shirt. Spring! It will get cold again this week, and it might even snow1 a little, but the warm weather will return and melt everything quickly. Hooray!
10 Things
voices rising up from deep in the gorge
empty benches — even in this beautiful weather?
a runner behind me — the voice from their running app calling out, you have completed 13 kilometers. I almost turned around and called out, nice word!
several bikers passing by FAST!
loud noise — music, voices — near the ford bridge. was it nearby or were the noises travel far on the wind?
the soft shadows of branches, the rounded shadow of the streetlamp light
bikers biking down the wabun hill then turning to go down the locks and dam hill — a minute later, they slowly climbed both hills — it looked like they might not have known where they were going and made a mistake as opposed to using the hills for training
fee bee fee bee
every bit of the snow, even the little mounds that were piled in the corners has melted
running a short stretch of the winchell trail, covered in leaves and shadows
holes
Today I’m redoing Holes 1. Orginally, each of the holes encasing the words of the poem were in the shape of my blind spot. I’ve decided to make them circles instead, with one big blind spot in the center. I briefly thought about making each of them the shape of the inner hole of my blind spot — which is currently a blind doughnut, with a small, still functioning center — but that doesn’t seem to work visually. Plus, when I stare at the wall for a moment I might see the blind spot in a form that I can trace, but my experience of the blind spot isn’t that straightforward. Sometimes I see the hint of dark loops encircling the words. Sometimes everything is just fuzzy or unfocused. I’m wondering if I can represent that by making the shaded in circles look softer and less defined, and messy, rough. Or maybe I should try a series of dark rings on some of them?
When I wrote this sentence, in the mid-afternoon, there was a chance of 1/2 inch of snow. Now, finishing this entry the next morning, the forecast (on Apple weather) is predicting 1-2 inches on Wednesday, 5-6 on thursday and 2-4 on sunday, ↩︎
4 miles river road, south/wabun/bottom of locks/river road, north 38 degrees / feels like 22 wind: 15 mph / gusts: 32 mph
Another windy run. Cold-ish, too. Wore running tights, shorts, 2 long-sleeved shirts, a pull-over, a hat, a hood, gloves. I didn’t feel overheated until the end. Lots of cars on the road, not that many people on the trail. Are they all going to the No Kings March at the capitol? I (kind of) wanted to go, but big crowds are not the easiest for me and Scott, RJP, and FWA struggle in them too, so I’m skipping it.
According to my watch, I slept for 7 hours and 21 minutes last night. That is a lot for me! And, my sleep score1 was 77. I think it helped me to feel stronger on the run.
10 Things
reaching the top of the wabun hill, I heard the clanging of the bell — is there a bell up here? no — it was a kid banging on something at the playground
wild turkeys — 4 or 5 of them, under the ford bridge! I passed close by them as I ran up the wabun hill. By the time I return back down the hill, they were gone
goose honks near the bottom of the locks and dam no. 1
swirling leaves
the round shadow of the light on the street lamp
more scales on the gray water
chanting in triple berries to keep a steady pace
running on the rim of the bluff, looking down at the winchell trail which was empty and farther down than I usually remember
at the top of the wabun hill, stopping to look through the chain link fence at the river
a boot, stuck on a stalk on the boulevard of matt the cat’s house
serve and a boot / the pink sign near the far house says, “someone was abducted by ICE here.”
The abduction by ICE happened early on, between the murders of Renee Good and Alex Pretti. Two people were pulled from their car and taken; the car was left by the side of the road.
In addition to this boot picture, I also took some pictures of the view through the chainlink fence.
1234
I like this series of pictures. It reminds me a little of how I see. I can see better through my peripheral vision than my central — even when and if I don’t want to. It’s distracting to focus on the edge details sometimes, and it makes what’s in the center look even fuzzier to me. In thinking about my Holes series, does this happen at all when I’m reading? Is there a way to connect this fence with the lines in an Amsler Grid? An idea: what if I drew a giant Amsler Grid over the top of the entire, 4 panel, Holes 1 poem?
What does the sleep score mean? I’m less interested in the specifics of it at this point, and more interested in tracking which direction that number is headed. 77, which is only “OK” according to Apple health info, is the highest number I’ve had in the past almost 2 weeks. A goal by May: a number in the 80s. ↩︎
5.5 miles ford loop 35 degrees / feels like 18 wind: 18 mph / gusts: 29 mph
Brr. I was underdressed this morning in only one long-sleeved shirt, a vest, tights, shorts, stocking cap, gloves. It was the wind that made it feel cold. Running north and east it blew into me. It was especially bad on the ford bridge. Even with the wind, a great run. Sun! Shadows! The feeling of spring!
Some of the run was hard, some of it wasn’t. A little bit of unfinished business, legs that were sometimes sore and heavy. Does it have to do with the iron pill I’m taking? I am not anemic, but on the very low end of ferritin stores — and have been for 4 or more years now — so I’m getting serious with trying to increase my iron. A pill everyday, first thing in the morning with a grapefruit. No coffee or other food for at least an hour. Hopefully my ferritin will increase a lot so I don’t have to get an expensive iron infusion. And hopefully that increased ferritin will make it easier for me to run longer because Scott and I signed up for the marathon in October again!
10 Things
a siren — off in the distance, then closer, closer, then almost right behind me, then stopped — the closer it got, the more distorted the siren became — I wonder who/what needed this emergency truck?
a dirt trail behind a bench and railing at the bottom of the summit hill that led to a delightfully open view of the river and the west bank
running over the lake street bridge, wind on water, a scaled surface, gray
bright blue sky with a few puffy clouds
an almost full parking lot at the monument, only 2 spots open
several groups of walkers with dogs, some emerging from the trails below the bluff, some entering them
the wind on the ford bridge! slow and steady, squaring my shoulders and leaning into it
goose honks under the ford bridge
empty benches
an interesting image of vine on the neighbor’s fence
fence / 27 march
holes
Yesterday I watched the clip with the caterpillar from Disney’s Alice in Wonderland and I started thinking more about language and letters and our relationship with words and meaning through reading.
O u e i o A
The scene begins with Alice peering through the leaves at a caterpillar smoking a pipe and singing the vowels. The vowels — the building blocks of language — is this cellular level of the english language? Taken on their own, apart from words and sentences and paragraphs, the vowels aren’t non-sense, but they offer very little sense. I found an old stencil of the alphabet that I inherited from my mom in a drawer yesterday. Could I stencil in the vowels in a way that didn’t look cheesy or ridiculous? I’m not sure.
A thought while I was running: I’m in the process of editing my poems, which involves erasing holes that contain words that I’m no longer using. What if those erased words, those ghosts, remained as traces, haunting the page? Almost like an after image? I’ve noticed that after staring at these dark holes on the page, they start to move around and appear in places they aren’t. (writing that last sentence, I’m reminded of Alice’s nonsense speech to her cat: nothing would be what it is because everything would be what it isn’t
A deconstructed amsler grid: an Amsler grid has 38 lines, not including the frame. I decided to use pieces of dried spaghetti and scatter 38 of them on top of 4 panel poem. I’m not sure what I will use in the final version. Sticks? Lines at strange angles drawn on the paper, over the holes and text? Here’s a picture of it.
holes 5 / wip
I had no plan for where the lines would go, I just dropped the spaghetti wherever — should there be a plan, or is haphazard better? Maybe I scatter the dried spaghetti haphazardly first, then replicate that with thick black lines on the actual poem? The only rules: 38 lines, all the same length.
Ok, I scattered the spaghetti and drew in the lines. Here’s what it looks like:
holes 5 wip 2
I just realized I only added 32 lines. I need to add 6 more. Are the lines dark enough? Does it make sense that they are a deconstructed amsler, or do I need to add in a more explicit reference to that somewhere on the poem?
5 miles highland bridge (old ford plant) 58 degrees
58 degrees?! 58 degrees. Spring is back. Today I wore shorts, a short-sleeved shirt and a pullover that I took off before the end of the second mile. Ran south on the river road, down towards the locks and dam no. 1, up the wabun hill, over the ford bridge, to the edge of highland bridge park and across to the river where it is above the old hydroelectric power plant. As I neared it, I could hear the water rushing over the concrete apron at the locks and dam. The river is low; the sandy island in the middle was exposed.
The birds! Sounding like spring. The river! Sparkling in the sun. The shadows! Both sharp (distinct) and soft (the bare branches almost feathery on the path).
overheard: one biker to another — he’s between jobs right now. No contracts and no money coming in.
Is it because it’s warm, or because I started just a little too fast, but the second half of the run was hard(er). Took some breaks to admire the view. On the St. Paul side, I noticed a sticker on the fence that looked like the head of the “Hanker for a Hunka Cheese” guy:
“Time for Timer”
holes
Worked on Holes 5 today, mostly mapping the words on the page. Here’s a draft of the text:
A hole perspective life on the way to Disney’s wonder land
I fall through the center of a book
everything on the page at strange angles separated from each other in the firelit room*
a “what is this?” feeling starts while watching text bloom into nonsense
O the beauty of vision gone mad.
*not sure about this line — I’m thinking of, like in a firelit room, but low light from a fire doesn’t separate words, it softens them, makes them dim so they almost become ghosts of the text they were
Went to the dog park with FWA and Delia this morning. Chilly but sunny and still down in the floodplain. Beautiful. No snow, hardly any mud, lots of felled trees. Halfway in we encountered an awesome dog carrying a stick that was 3 times as wide as his head. His owner said, the governor is about 200 feet ahead. Last summer, I recalled watching a video of Gov. Walz being interviewed at the dog park, so I knew he came here. About 5 minutes later, there he was! Alone and friendly. Hello! Hi! Of course, I couldn’t see well enough to recognize him, but FWA could. I wish I could have seen that it was him. I would have told him thank you.
5 Dog Park Things / 5 Winchell Trail Things
a section of the river, sparkling in the sun
the bark of the giant felled tree that FWA and I have walked around all this year had been stripped recently — a huge section of the trunk was barkless and gleaming white
faint footprints through the small stretches of mud
a motorboat rumbling by, making waves that rushed onto the shore near Delia
a woodpecker knocking on some dead wood, another (or the same one?) laughing
shadows everywhere — trees, the fence, lamp posts
the winchell trail path was covered in dry leaves that made a delightful crunch as I ran over them
a steady stream of cars (at 3:30 pm)
empty benches
no snow, no puddles
2.8 miles river road / winchell / lena smith 46 degrees
A quick run — in time and distance and speed. I should have slowed it down; it would have been easier. It’s hard to slow down in my new shoes! I was tired and felt the beginnings of a side stitch a mile in — I ate a protein bar too soon.
Today has been an off day — not terrible, there were many good moments in the hike and the run. But I woke earlier than I should have and felt, for lack of better word, weird. Untethered, fuzzy, maybe a little woozy, tired.
holes
As I continue to work on my holes poems, it has emerged that a few things are present in all of five of them: a hole, that hole’s impact on how I read, my blind spot, and the Amsler grid.
Why the Amsler Grid?
it connects these hole poems with my last round of visual vision poems, mood rings, which take the shape of an amsler grid
it ties in with the larger theme of all of my visual vision poems: vision tests — first, the snellen charts, then the amsler grid
it gives a context for my vision loss and grounds it in within a scientific/medical model of seeing/not seeing
it offers another way to visualize my untethering from that model/logic of test/diagnosis
This 4th one is especially interesting to me. I’m imagining fun ways to play with the implosion or destruction or destabilizing of the sharp, stable, rigid lines of a grid. The lines coming loose, or the lines a ladder without rungs — no way out of the hole, the lines collapsing and being sucked into the black hole, the lines forming a new path, a break in the lines — a gap, a dash, a slash, a breaking out of the lines — an opening, an exit, a room a door unlocked. What could that look like as part of my erasure poem? I mean, what, with my very limited skills in visual art, could I make possible?
I think I need to watch Alice in Wonderland again — should I read it, too? The hole in my vision as Alice’s rabbit hole. A passing through to wonderland. One difference: for Alice, Wonderland is the opposite of sense or nonsense.
everything would be what it wasn’t
I’d like to take this idea of non-sense out of the binary, Sense/Nonsense, to imagine non-sense as being more than just not sense. What if non-sense was its own kind of sense, just like Nothing is not nothing but something outside of our logic or language or ability to name it. Or, like I say in Holes 4, “a nothing that is something not sharing its secrets.
a flash: as I was working on the above list, I suddenly thought about the debate over whether or not listening to an audio book was reading. Does reading only happen with eyes? I like to distinguish it this way: reading with my eyes and reading with my ears. After this thought, a further thought: what if I created a holes poem that wasn’t visual, but aural? I could pick one of the New Yorker stories/articles that you can listen to, and figure out a poem from that. How might that work?
I had intended to work on all of this today, but I was busy all day: a birthday week coffee run with RJP, the dog park with FWA, weekly shopping with Scott, a run + cooking and laundry and a nap.
sleep
I decided to use my Apple watch this week to monitor my sleep. I’m averaging 6 1/2 hours a night, which I think is good for me, but only “okay” for my sleep score. Maybe that’s because I’m waking up every 2 hours. I have to get out of bed and stretch or go to the bathroom or walk around for 10 or 20 or more minutes before falling back asleep again. A thought occurred to me: could my low vision be contributing to my sleep problems? I googled it and yes, it might:
Visual impairment can lead to disturbances in the circadian rhythm20 and exacerbate neuropsychiatric conditions such as anxiety and depression, ultimately impairing central nervous system functionality and contributing to the development of insomnia21. Existing research underscores the negative impact of visual impairment on sleep patterns. Studies conducted in Russia found that individuals with visual impairment had more than twice the odds of reporting insomnia symptoms compared to those without, with this association remaining significant even after adjusting for factors such as age and gender21. This finding further confirms the link between visual dysfunction and sleep disturbances. Community research in the U.S. suggested that older adults with visual impairment are more likely to experience various sleep issues, such as difficulty falling asleep, trouble staying asleep, early morning awakenings, and daytime sleepiness22. Additionally, such individuals often report increased disrupted sleep patterns and a higher prevalence of sleep/wake disturbances23.
But, this study studied different visual impairments than I have. What about cone dystrophy or macular degeneration, which has similar effects? I looked it up and found some articles that link it, but it’s mostly about anxiety over vision loss that cause the sleep disturbances. I know I have some anxiety about the final break, when none of my cone cells work and all of my central vision is gone, but I think the connection between sleeping and not seeing or seeing differently is more complicated for me. I’ll have to ask the ophthalmologist at my appointment next month.
Yesterday it was 76 degrees, today 36. I didn’t mind; everything was dry and clear and I was able to run on all the walking trails in my new blue shoes! Today it’s overcast and both bright — a white sky — and gloomy — everything dull and bare. Did I see any shadows? I don’t think so.
I felt strong, not quite like I could run for several hours without stopping, but at least believing that it is possible. I also felt untethered from the world, everything fuzzy and me, floating above it or outside of it.
10 Things
early on, another running passing me, their feet slap slap slaping the ground
several geese honking below the ford bridge
empty benches
two women stopped on the edge of the trail near the 42nd street parking lot, talking — I couldn’t hear what they were saying
heading up the wabun hill — no one else around, just me and the dirt and the dead leaves
running through wabun: several people playing frisbee golf, two little kids running around the course, giggling
lots of traffic on ford and the river road — cars moving fast, no sunday drivers today!
a man in a bright orange jacket, sitting on the edge, above a ravine, looking out at the river
the bright headlights of a car, giving off a purple glow
a sound across the river road and the grassy boulevard — a gobbling turkey or a yelling kid? Undetermined
holes
I’m working on another holes poem — Holes 5. I’m using an essay about Rian Johnson, “Mystery Man” in the November 17, 2025 issue. My only requirement for an essay is that it contains the word hole, either as the word itself, or as part of/within another word. When I searched in “Mystery Man” for hole I found 4 instances of it including, “my wHOLE perspective,” “wHOLE time,” and “the wHOLE process.” I’m thinking these will be frame of my poem, especially Hole Time and Hole Perspective. What is my perspective (how do I see) with and from within my vision hole?
another part of my method: In addition to requiring a chosen essay has at least instance of “hole,” I read the essay from back to front. I started with the last paragraph, jotting down any words that stood out to me, then I read the second to last paragraph, then the third to last, and so on. It was a strange experience. I kept finding myself wondering, when I read a name I didn’t recognize, if I had missed the introduction/description of the name, then I remembered that I was reading back to front, from an assumption of familiarity to a not-knowingness (or not knowing yet-ness).
Here is a selection of words and phrases I jotted down:
bookshelf
stone
let me
still
strings
filters
window
flash
beauty
gathered
convivial
ends
spectrum
unexplainable
gesture
earthiness
underside
gnarled roots of a tree
feel
loop er
limitations / limit s
making diagrams with straws
an older version
flock
singular
(un) locked room
mind / mind’s eye / eye
tidy solution
make sense of it all
some measure of control over an uncontrollable world
the world has gone mad
center
puzzle
watch ed
the satisfaction of seeing
firelit
delight
smug
cringe
between
it seemed dusty
hypothetical
enters
throuhout
leap
a ghost
nobody
flock
vision
get in the way
framework
scam
everything
(r) ambling
story
distance
slanted
attention
made
backward
moving around
wonder
read
what is this?
slip away
lept
feeling trapped
peculiar
sunshine
looming
house
couldn’t see
covered in string
over
This essay is five pages long, so I’ll have to figure that out — all 5 pages, or 4 to make it fit more evenly? Or even less?
walk: 120 minutes with Scott and Delia deep in the gorge + the winchell trail 76 degrees
I’m writing this the next morning because I took a break (mostly) from my computer and writing. So warm! I wore shorts and a short-sleeved shirt on our walk/hike! We walked through the neighborhood to the river and when we crossed the road to throw away Delia’s poop bag, we decided to take the old stone steps down to the river. The floodplain forest was filled with fallen trees and dead leaves: winter’s aftermath. The river was open and flowing. People everywhere — it wasn’t crowded, just a person walking a dog here, two people talking on a blanket there. Everyone enjoying the sun and the warm wind and the lack of ice.
I loudly misidentified a person as a wild turkey. Oh look, a wild TURKEY! Why is it that only when I am mis-seing something do I bother to say it out loud, and with such volume? It’s funny, and Scott and I laughed about it, but it is also frustrating. I sound like an idiot or mad. I said to Scott it’s funny as comedy and irony (the irony because I only declare these things when I’m very wrong).
holes
A return: the hole in Holes 1, which was the start of all of these holes — Another name for barely not blind is a hole in your vision that makes for an easy fellowship with the word. Now I’m thinking that I should tighten these poems up and make them only about reading. So, the hole in Holes 2 would be: a hole through the bottom of / the / wor / d / here / it is / unprofitable / to / have / faith / in / the / visible. And Holes 4 would be only: you look at sky, || you look at || words || you || don’t || see || the || gaping hole / and || its / graveyard / for / failed / cone / cell / s / you see / snow flake marble dust / seltzer / fizz|| a / nothing / that / is / something / not / shar/ ing / its / secrets
Get Out ICE
ICE agents are still here, but not at the levels they were a month ago. Two of the leaders that caused the most damage — Noem and Bovino — have been removed (Bovino announced his retirement the other day). Even so, the effects — psychological, physical, economic — still linger for many Minnesotas. Food is still being delivered to families afraid to leave their homes, organizations are still raising money to help people pay their rent. The stop signs around my house still declare, “STOP ICE.” The latest threat: Trump threatens to send ICE agents to airports to take over TSA jobs abandoned by workers not paid because of the partial government shutdown.
Since just after an ICE agent murdered Renee Good on 7 jan, I’ve been adding “Get Out ICE” to my log entries, both in the title and as a tag. I think it’s time to stop. A better thing to add now might be: What about the Epstein files? or Stop the war!
Mary Oliver Doc on PBS this summer!
I’m looking forward to this documentary!
“I was save by poetry. I was saved by the beauty of the world.”
I want to put MO’s idea of being saved by the beauty of the world beside the banner that Hanif Abdurraqib has above and between two door frames in this Instagram picture: “LIFE’S NOT OUT TO GET YOU” Yes! Always a good reminder.
Happy first day of Spring! Many years it still feels like winter, but today it was SPRING! If I didn’t have to jump over a lumps of snow I wouldn’t have remembered it snowed almost a foot less than a week ago. Wonderful weather for a run — sun and not too much wind. I wore shorts, a short sleeved shirt and a lightweight pullover which I took off right before I turned around. For half the run, bare arms and bare legs!
a regular:Daddy Long Legs! As I ran back south, he greeted me, Hello again! Does he remember me from past years, or did he think he’d already seen me once today? (he’s done that before.) I’m choosing the believe he remembers me. I wonder if he has a name for me, like I do for him?
The ice on the surface of the river has melted. Down in the flats I was able to get close — only feet away — from the surface: some foam floating on the water moving slowly south.
holes
As I told RJP, I’ve hit the point in the process of these poems where I’m beginning to doubt myself and what I’m doing. Part of it, I explained to her, is because I dwell in the almost and struggle to find how to execute the final bit and/or give it the “polish” it needs. I’m not giving up. Instead, I’m trying a different approach: cut-outs. Would ths work better if the words were cut-out — a way to isolate them — instead of encased in holes? Can I do both? What if I had some of the words encased in the holes and some cut-out? Would that make it a little less complicated and less messy + easier to execute?
The question to return to again and again: what will serve the message/meaning/intentions of the poem?
4.3 miles minnehaha falls and back 44 degrees 10% puddles
Spring! Sun! Sharp shadows! Clear paths with far less puddles! I felt strong and satisifed and at ease in my body. Well, mostly at ease. Because it’s messy out by the gorge, I wore an old pair of shoes — the ones that don’t quite work. Sometimes my gait felt awkward, my feet not hitting the ground in the right spot or in the right way.
Marveled at the river’s surface as I ran above it. So beautiful with its frozen surface. In the past, I’ve described the surface as vast or barren or eerie, surreal or otherworldly, but today other words came to mind: still, frozen, fixed, unmoving, deadened, paused, suspended. Yes! I think these words better describe its strange beauty for me. Looking at it is like looking at a film still. Looking at it feels like everything is paused, suspended in time.
10 Things
gushing falls — I could hear their loud descent and see their white foam
looking down at the oak savanna, tall, slender, bare branches mixed with their shadows to make a mess of lines on the snow — how much of it was actual trees, how much shadow? I couldn’t tell
water dripping fast and strong over the limestone edges in the ravine at 42nd street
empty benches
a guy walking with a small dog and looking at his phone
someone biking near the falls playing some mellow music out of speakers
taking off my sweatshirt, running with bare arms, seeing a walker with bare arms too
sirens in the distance, a loud, sustained whistle
the walking trails are still covered in snow
the gutter that was gushing water yesterday now only has trickles
Off and on throughout the run, I recited Alice Oswald’s “The Story of Falling,” sometimes reciting it in my head, sometimes out loud.
Holes
I’ve mapped some more of Holes 4 and . . . it’s a lot. Will this just look like an ugly, jumbled mess? Yesterday, talking through this with Scott, he said something like, do what serves the poem and the meaning you are trying to convey (or the effect you are trying to achieve). In terms of meaning, the words of the first section of the poem are about what I see instead of a gaping hole: shimmering, fizzy, ephemeral or elusive (hard to see, fleeting) things: snow flake marble dust, seltzer fizz, a nothing that is something not sharing its secrets. Perhaps these ephemeral things have come loose from what bound them to “normal” sight and its monitoring through tests like the amsler grid; it’s where you dwell when normal sight is not longer possible. So maybe the unraveling occurs prior to this hole? Yes, the unraveling (and vision of amsler grid as broken strings happens in 2 and 3, Does that mean that Holes 4 is all disconnected free-floating words/phrases? If so, how to make it possible for others to read it? I could place the poem near the center, around the gaping hole. I could also number the pages/sections and mark each word with a page number? Yes, I like this!
And hours later, I’m thinking more of using a distorted Amsler Grid at the center of Holes 4, and the black hole that the grid is collapsing into is the shape of blind spot.
Another mini project: can I learn how to draw decent-enough eyeballs — pupil and iris only?
amsler ideavery rough eyepoem text
Get Out ICE
This flyer about the next No Kings march came up on Facebook from Minnesota’s Lt. Gov Peggy Flanagan (and hopefully our next senator?!):
“In Minnesota, we’ve seen the federal government at its worst — and showed the world how to fight back.
Now, I’m honored that the flagship No Kings protest will be held here in the Twin Cities. Together, we’ll show Donald Trump that we don’t do kings.”
NO KINGS TWIN CITIES VOL. 3. Joan Baex Jane Fonda Maggie Rogers. March 28, 12 pm. March then rally at the State Capital.
4.3 miles minnehaha park and back 43 degrees 25% puddles
Yesterday it was very cold. Today it is warmer, the sun is out, and everything is melting! Drip drip drips everywhere, very LOUD whooshing car wheels, puddles. At the start of the run, I wondered how long it would take before at least one of my socks would get soaked. Not long! I only made it a quarter of a mile before stepping in a big puddle. Oh well, it dried out pretty fast.
overheard: one runner to another as they encountered each other on puddly double bridge — take it easy my brother
Kids laughing and yelling on the playground; a pack of runners; the falls, gushing, a few sirens; the river with a thin sheet of gray ice looking wide and barren. Can you see it through the trees?
river view from the 38th street steps / 18 march
On my walk back home, I stopped to take some video of water dripping out of gutter. Unfortunately because of the bright light I accidentally hit slow mo so you can’t hear the wonderful dripping sound. Here’s a brief clip of it anyway:
water dripping in accidental slow mo
HOLES
Yesterday afternoon, after finishing mapping all of my word (drawing boxes around them, encasing them in circles or the shape of my blind spot) and feeling like something was missing, I had an idea: I should place the Amsler grid somewhere on the pages. I didn’t want to simply cut out a printed version of the grid and completely cover the words. What about drawing the grid on top of the words? Too difficult with my terrible vision! Then, a new idea: cut out a hole the size/form of Amsler grid’s shape (4 x 4 in) and use string as the lines for the grid. After some playing around with it, another idea: not string, but thread or wire, and make the grid broken, distorted, emerging from the hole, looking somewhat like broken guitar strings. Three of the strings will extend out across the pages, offering the path of the three sentences of the poem. A variation: create three grids, with each one corresponding to a different sentence. This idea, which I hope I can execute because I really like it, led me to think about adding an Amsler grid to all of the holes. On Holes 1 it would be the “normal” grid with my blind spot on it. I have to think more about how it would look in Holes 2 and 3. By Holes 4, it’s broken.
If you google “distorted Amsler grid” you can find some great images of warped lines and black holes caving in upon themselves. Due to risk of copyright infringement, I won’t post any, but here’s a link to one that I particularly like:
Amsler grid distorted image: the image is at the bottom of the page. It is of the grid with the outer lines appearing normal. Near the center the lines are wavy, collapsing into a big black spot in the very middle.
Some things to think about today (I’m writing this paragraph just before 10 am):
how do I map the words in Holes 1, 2, and 3?
where do I place the Amsler grids in Holes 2 and 3, and what will that look like?
will there only be 4 Holes, or should there be more? If more, should I place them before or after Holes 4 in terms of the progression of the grid’s distortion?
Another thing that happened yesterday: I remembered that I had a large amount of oil pastels, leftovers from RJP’s obsession with them more than 10 years ago. Could I use them to color/fill in my holes? How do you use oil pastels?1
It is now 5:20 pm and I’ve spent part of the day trying something new with Holes 4. I’m using uncooked spaghetti to connect/map the words of the poem. It’s a complicated challenge, but the spaghetti is helping to visualize it more effectively.
more thoughts/questions:
should I split this poem into 4 instead of 3 segments?
should there be separate amsler grids for each section, or one grid from which different colored threads emerge and travel to the three or four different sections? if there is only one grid, should it be in the very center of the piece?
should the grid be just an open hole, with no evidence of a grid, just black netting and threads or wires or yarn emerging from the hole (I like wire, but is it too difficult to work with?) OR should part of the grid still remain — some white, some “normal” lines, then a hole?
a further thought with that last question: what if the holes (1, 2,3, and 4) documented the unraveling of the amsler grid, with it intact in Holes 1, then less intact in Holes 2 and 3, until it is gone and with broken wires in Holes 4? I love this idea; can I figure out a way to execute it?
returning to the thread/wire — will it work to have it stitched into the paper, where sometimes it is on the front, sometimes emerging from the back side through another hole? is this too messy and complicated? do I need to cut back on the poem, to reduce its number of words?2
I don’t want to cut any words, but it would make this easier — do I want it to be easier? Not really! ↩︎
Get Out ICE: It’s never too late to do the right thing. . . .
is something people were chanting and singing at hotels where ICE agents were staying this winter. I think it also fits as a way to describe this:
A reporter for NBC interviewed people at a gas station in a previously very pro-Trump county in Pennsylvania. Three people still support Trump, one does not. Responding to the reporter’s question, “If you could say something to President Trump and he could hear you right now, what would it be?”
“3 times! That was my bad, apparently I’m an idiot”
2.3 river road, south / lena smith boulevard, north 15 degrees / feels like 0 50% snow-covered
Many of the sidewalks were completely bare and dry, almost all of the trail was covered in slick snow. In some stretches, the trail was covered with chunks of snow from the snow plows that had just passed by. Running south, with the sun and the wind at my back, and on the short strips of bare pavement, it felt good. Then I ran through a puddle. I didn’t notice that my foot was soaked for several minutes, but when I did I decided I should head home; it was cold enough that I was (mildly) concerned for my wet toes. Good call, past Sara! When I got home, one of my toes was burning.
10 Things
bright BLUE sky
the sounds of shoveling and scraping and snow-blowing all around
at the end of each block, I encountered an almost knee-high wall of snow where the plow had come through
the surface of the river looked eerie and strange, pale and spotted with chunks of ice
no kids’ voices from the school playground: for preK – 5th graders, school was closed, for 6th – 12th graders e-learning — that would suck! give the big kids a snow day too, I say!
the rumble of two plows approaching, first a small one, then BIG one — I moved to the far side to avoid the spray of snow
I encountered a few other runners but no skiers or bikers
head north, I ran into a wall of wind — ugh! howling and biting
I bet it was pretty and looked very winter wonderland-y — I couldn’t tell you because I was too busy trying not to slip!
if it hadn’t been for the terrible wind, my wet toes, and the slick and uneven path, it would have been a great run — even with the bad conditions, I had some wonderful moments outside
mind-body connection
On last week’s episode of the podcast Nobody Asked Us, Kara Goucher talked about how she started taking a low dose of some (unnamed) anti-anxiety medication and it’s helping with her dystonia (“a movement disorder that causes the muscles to contract. This can cause twisting motions or other movements that happen repeatedly and that aren’t under the person’s control” — Mayo Clinic). She has discussed many times on the podcast how dystonia has made it very difficult for her to run, especially on pavement.
mind body connection — watch until 15:58
This mind-body connection is fascinating to me. Does her anti-anxiety med just make her more relaxed, or does it do something more to the brain — and maybe the neural mapping of her movements?
HOLES 4
Today I’m mapping my words on a copy of the “Still Life” article. I”m trying something different. In Holes 1, 2, and 3, I taped the paper together first and then found the words and drew the holes over and around the words. Today, with such a long article, I’m finding the words and drawing holes around them first, before I tape the pieces together. Will that make a difference? Not sure, but I might switch around the order of the pages to shape how the holes look together.
I drew and colored in holes on 3 out of the 8 pages, and tried adding some color to a few. I’m wondering if some of the holes should messier, with less defined borders or jagged, rough. I have limited ability in drawing; can I push myself some more? Here’s an image of one of the pages:
Bring Me the News is saying we got 8.5 inches, but that reading was from 10:30 this morning, and it has continued to snow all day, so I’m not sure how much is on the ground. I’m guessing a foot. It felt like a foot as I tried to shovel it. So heavy! I joked with a neighbor that it’s heart attack snow, which is funny until it’s not.
I wonder if it the paths will be clear enough to run above the river tomorrow? Future Sara, let us know!
holes 4
This one, which takes words from “Still Life” is my biggest one yet: 6 pages! Here’s a draft of the poem (the || represent when the words are taken from different places in the article)
you look at sky, || you look at || words || and || don’t || see || the || gaping hole || and || its || graveyard || for || failed || cone || cell || s || you see || snow flake marble dust || seltzer || fizz|| a || nothing|| that || is || something || not || shar|| ing|| its || secrets
you || can’t || exhume || the || bodies|| but || you can || make || room || for || life || in this place || where || the dead || are || interred
crack || open a grave|| with || a || new || way || of || seeing
One last run on clear paths before it snows tonight. The forecast predicts more than a foot of snow tonight. It will probably melt fast, which will be as much as more of a nightmare than the actual snow. Walls of snow, then mush, then jagged ice, then little lakes and puddles. Oh well, I bet it will be pretty and I might get to see someone skiing down the street!
Today’s run was good. My left knee was a bit stiff and grumbly, but otherwise I felt good. In the last mile I started to feel relaxed, with my legs and arms and the space around me in sync. I was moving through the air, hardly noticing when my feet touched down — the space between beats! I love when I run like this!
10 Things
honk honk honk honking geese all around the gorge, 1: down the hill, under the ford bridge, a lone geese floating in the middle of the river
geese, 2: I heard their honks first, behind me, then beside me, then in front of me — finally saw them: 2 geese flying low
overheard: one runner to another: it didn’t even taste like salmon!
the bells of st. thomas
someone in an bright orange jacket down below, on the stretch of the winchell trail that I call the edge of the world
the river surface below the ford bridge was dotted with bright white slabs of ice — a strange sight; I wish I would have brought my phone today to take a picture!
an empty parking lot at the locks and dam
empty benches
traces of snow in the grass
a laughing pileated woodpecker
HOLES
Flipping through my past New Yorkers, I found an article from the 9 june 2025 issue that looks promising. It’s called “Still Life” in the print issue and “Greenwood Cemetery’s Living Dead” in the online version. The only test for whether I can use it or not: it must have at least one use of the word hole, or of a word that contains hole. This is a long article, so I’d hope there’s at least one hole, but is there? Yes, 4!
Medina extended a tape measure into the hole and said, “Six-ten.”
Usmanov and I stared down into the gaping hole, its walls marbled with grass roots.
went to Green-Wood almost every day for weeks this spring, and the most unnerving thing I saw was an enormous hunched figure, wearing a cloak, with a gaping hole for a face.
Scientists were only starting to piece together that contaminated water, not flawed character, caused cholera; that smallpox probably originated in rodents;
I’m surprised that an article about a cemetery only has 4 mentions of holes. Isn’t a cemetery more than half holes?!
some notes as I read through the article:
One, I am reading it backwards, section by section. Two, one rule in the cemetery: no skylarking. I looked it up, skylarking is frolicking and playing jokes on others. It’s also the name of one of my favorite XTC albums. Three, reading the text, which I’ve put in a pages document, I’m noticing a few things about the text: the text surrounding the word or phrase that I can see sometimes looks like it is scribbled out. Sometimes it looks like it has sparkles around it that are moving — not quite flashing. The text always seems to be vibrating. How can I translate that into a texture on my blind spot Four, as I read through the sections, I jotted down words or phrases that stood out to me:
entrance flaming torch welcoming appears mirror ink you’re never alone you’re never disconnected love full of little secrets inhabit center recreate experience remaining time offer everyone gently between seeing moment you look at space, you look at background, you look at sky hope visit already thinking I don’t know why there was room about to open up turn and follow her gaze staring hands waste bigger picture across threshold neglect and care art cone cell
heart needed landscape fizz snow flake marble dust seltzer balance fills up keeps the grass space enough out of the water upkeep grounds public spaces essentail failed possible efficiency requires can stand on a sidewalk people who never look up out of room true mapping crevice easy circular elipses inside walls outside dark happen here nothing pale-blue cluttered wasn’t a place searched
certainunmarked is now used other-siders skylarking exhume make when you see in place of a road the word down through the plywood a plank settling glacial till earth inches from a layer of turf dirt unstratified jumble of sands, cobbles, and clays caves in on itself all-weather like a bird bench what do you want stone slabs a door uncut grave terrain geologically life this is a place to inter the dead no good place to put all the boies walked around faces believing piece together rotting disease inspired crowded
By the way, as I write, the snow has started. We officially have a blizzard warning that begins around 10 pm and lasts until Monday morning.
One of the reasons I picked this article is because I wanted more land language, like grass and dirt and dust and terrain and stone slabs and sands, cobblestones, clays, caves and glacial till. I want to connect the hole in my vision with the gorge — as a landscape, and a very big hole. I think of it as a powerful metaphor for my vision loss and what comes during and after. Of course, the gorge is also the actual place I go to for my writing practice.
The word plank stood out to me because of ED’s “I felt a funeral in my Brain” — and then a plank in reason broke/and I dropped down and down — I think of ED also with the stone slabs and the dark.
And, I like crevice and opened up, inside, outside, this is a place to inter the dead, room — a gaping hole, a threshold between,
I also like fizz and snow flake marble dust, which is what the words (and what I) sometimes feel like — fly, like a bird, sky — the words, cluttered, crowded and between walls
my eyes: a graveyard for dead cone cells
you look at space you look at sky you look at words and don’t see the gaping hole and its graveyard for dead cone cells you see snow flake marble dust seltzer fizz a nothing that is something
I’d like to keep going, but it’s time to get ready for Scott’s birthday dinner!
Wasn’t planning to run this late afternoon, but snow is coming and Scott was going out for a run and I got my new pair of shoes, so I decided to go for it (or get after it as Carrie Tollefson would say). Scott and I didn’t run together, just at the same time (5:45 pm) and in the same place (near the gorge). What a great run! Was it the sun and the crisp, early spring cold? The healthy food I ate for breakfast and lunch? The new shoes? I’m not sure, but I felt strong and fast and free. On my way back, I encountered a HUGE group of runners running north, all much faster than me. At some point, I heard someone call out, good job Mill City Runners! Of course, Mill City. That’s one of the biggest running groups in the twin cities. Wow, I knew they were big, but I had no idea they were that big!
I liked running in the early evening. Other than the huge group of runners, there weren’t that many people out on the trails. I noticed the light was lower, but it was too early to see any evidence of a sun about to set. The favorite thing I noticed: wild turkeys! Half a dozen grazing in the grass just north of turkey hollow, another one of them grazing in the grass between the trail and the road.
I stopped briefly at Rachel Dow Memorial Bench and took a picture of the blue water and the thin branches softening my view:
blue / 13 march
Friday the 13th! Tonight Scott and I will do our annual tradition of watching Friday the 13th. It’s not as good as Halloween, but it has its moments.
update, 14 saturday 2026: We watched it and Scott figured noticed something neither of us had in our previous viewings of the movie (5 or 6 or more?): each of the deaths is foreshadowed by something that happened earlier in the movie: the character who is murdered on the archery field is almost hit with an arrow a few hours earlier; another character recounts a dream she had where the rain turns into a river of blood which she calls her shower dream, only a few scenes before an axe splits her skull in a shower stall; Alice (the final girl) is surprised by the town weirdo or town prophet, depending on your perspective, when she opens the door to the pantry and he emerges, calling out, you’re doomed. you’re all DOOMED!, and then hides in that same pantry later that nightonly to be found by the killer
Crazy Ralph warning the kids
Later, Scott also realized that there were connections with the murder weapon. For example: the arrow through Jack’s throat ends up at the archery range where Brenda is killed; the axe that splits Marcy’s skull is later found, bloodied, of course, by Alice in Brenda’s bed
a few memorable lines: Jack (Kevin Bacon), about a coming storm: the wind just shifted a good 180 degrees and it’s going to tear down the valley like a son of a gun Brenda (can’t remember the actor’s name, but Scott looked her up and she died at the age of 49 in 2007 from pancreatic cancer — my mom died at 67 from pancreatic cancer in 2009), reacting to Bill fixing the generator: what hath God wrought
HOLES
Reworking Holes 3 to allow for better spacing of the holes. Here’s the new version of the poem:
read sentences sliced in half with strangeness each one glitch ing just enough to scramble the senses OR scramble the meaning
fall through the hole your reading eyes find and land in a logic of blur and almost on the border between real and imagined
And here’s a photo of it:
holes 3
RJP and I went to the Textile Center and it was fun and helpful to think about translating my ideas about holes into actual fabric and textures. I found some black netting that will be helpful and another wildly color thin fabric that might work. The question now is: how to use the fabric. I’m not sure it’s can be as simple as cutting the fabric in the shape of my blind spot — that just seems like bad decoration. What I want to do is use texture to convey how I see/read and what it feels like to do these things with my blind spot. My blind spot is rarely actually visible, and when it is, it’s not a black, opaque spot.
A few new ideas: cover the words where the blind spot is in plastic that you can see through, but that makes words too fuzzy to read.
A lattice of twigs, gathered at the gorge, covering the blind spot — when I see these twigs, it often reminds of my scrambled central vision.
Some sort of fuzzy, fluffy texture that evokes softness, which is one thing that happens to my central vision with less working cones: everything is softer, less detailed, not sharp or harsh
The key, I think, is to use texture to communicate different aspects of my new ways of seeing with hardly any cone cells: it’s fuzzy and soft; it’s vague; it seems like there’s a film over it and that I can almost see it but not quite
Get out ICE
Read about Minnesota lawyers quietly organizing to help immigrant families:
Lawyers Built a Network: MPR also reported Thursday that hundreds of Minnesota attorneys volunteered during the surge to challenge immigration detentions in federal court, creating a rapid pro bono legal network across the state. Lawyers from a wide range of practice areas stepped in, and the article describes a system that turned scattered cases into coordinated courtroom action. It is one more reminder that some of the most important resistance in this story has happened quietly, inside petitions, filings, and courtrooms.
Sean Snow on Facebook / 13 march 2026
and from the article Sean Snow is referencing:
Since the beginning of so-called “Operation Metro Surge” in December, attorneys in Minnesota have filed more than 1,000 cases challenging the legality of immigration arrests and detentions.
Many of those filings came from lawyers who don’t normally practice immigration law.
Ran over the lake street bridge and to the monument today. When was the last time I ran this route? Just checked, it was 5 nov 2025. Wow! Of course, part of the reason why I haven’t run over there is because of the winter; they don’t plow the sidewalk on the bridge, and St. Paul, where the monument is, doesn’t plow their trails as well as Minneapolis. But another reason is definitely ICE; I’ve been staying closer to home with my runs because it feels safer.
Today’s run was good; I felt (mostly) strong, although my legs/feet are sore from wearing the shoes that make them hurt. It was windy and cold on the bridge, but it was beautiful. Steel gray water, open and high enough to hide the sandbars. Scattered stretches of the east and west banks were glowing with white snow. The sun was dulled by a thin layer of clouds.
10 Things
drip drip drip drip — the steady drip of water falling off the bridge near the east steps
graffiti — pink and orange and black block letters under the bridge
I only encountered 1 or 2 people over the bridge, both walking
the bells of st. thomas chiming at noon! 15 minutes later, at 12:15
running above shadow falls I glimpsed a dark flash of something — a tree? no, a person
with several more glances I realized the person was not hiking but running
they were nearing the worn dirt trail that climbs up and out of the ravine
St. Paul has replaced the port-a-potty at the edge of the monument parking lot — there is much less graffiti on this new one, and the door closes all the way — hooray!
near the edge of an overlook on the east bank, staring out at the other bluff and down at the water — a hiker emerges
a plaque on the bench for, “what a woman” Sharon. She was born 2 weeks after my dad was in 1941 and died in 2002 — so young!
Holes
Currently, I have 3 Holes erasure poems. Holes 1 is about my uneasy fellowship with the word. Holes 2 is about how the hole (my blind spot) makes it unprofitable to have faith in the visible. And Holes 3 is about falling through the hole into “who knows where”, on the border between the real and surreal. I need to do at least one more hole about the small holdout-of-a-hole in the very center of my vision that enables me to still read (even if that reading is slow and sometimes unreliable).
Tomorrow, RJP and I go shopping for textiles and textures at the Stashery, so today I’m working on mapping out Holes 3. I’m using “Me, Myself, and I: Helen Oyeyemi’s Novel of Cognitive Dissonance” from The New Yorker, August 25, 2025. Here is the version I just drafted:
swap the dead-eyed liturgy of doomed vision with shadowed acts that leap for the light (OR flee from the light?)
read sentences sliced in half with strangeness each one glitch ing enough to let in the improbable
fall through the hole your reading eyes find / or your reading finds / or your eyes find and land in a logic of blur and almost
Is this too many words to easily/cleanly map out? Let’s find out! And if not, let’s shift the form to make it work! — several minutes pass — Okay, I mapped it, and it seems like too many words. I think I’ll save my “darling” — the line that started it all about swapping the dead-eyed liturgy for another project — a liturgy of shadowed acts and the periphery! Anyway, I’ll try to keep the rest of the poem, and figure out the rest of holes is a project tomorrow morning.
Get Out ICE and Ice
The other day I wondered when the ice would be gone from Lake Nokomis. This morning, Minneapolis Parks and Recreation Board offered a prediction!
Minneapolis Parks Water Quality staff have tracked “ice off” dates on city lakes for decades. Ice off is declared when a lake is substantially free of ice after being fully frozen.
We’re probably not setting any records like 2018 or 2024, which dominate the record books. Staff estimate we could see ice off on small lakes like Powderhorn and Loring as soon as this weekend. It will probably be a few more weeks for larger lakes.
Will the HUGE winter storm we’re expecting on Saturday night and all day Sunday impact the ice off date? BTW, I’m pretty sure that they used to refer to this as the ice out date; I think they’ve changed it because of the very negative association with ICE. I checked past entries on my log, and yes, that was what it was called. Negative association aside, I like ice out better than ice off.
Snow. A dusting last night, then a little more in the morning. An inch? Enough to make everything white. I was happy to be done with winter, but I don’t mind the snow. Since past snow has already melted and the ground has already warmed up, the snow didn’t stick around. By the time I went out for my run in the afternoon, almost everything was clear. The run didn’t feel easy, but I pushed through several difficult moments and kept going. Hooray for mental victories!
I listened to the dripping and gushing and the wheel whooshing as I ran south, 2 playlists — “Bunnies and Rabbits” and “the Wheelin’ Life” — as I ran back north.
10 Things
sh sh sh — the shifting grit under my feet
the wet pavement was shining and sparkling in the sun — so bright sometimes that I thought it was slick ice
entering minnehaha park, the parking lot was empty
exiting the park 10 or more minutes later, there was one car at the far end of the parking lot
the creek was rushing
the sidewalk on the bridge just above the falls was wet and clear — last week someone had chalked a long message on it, which I couldn’t read because of my bad vision
on the walk just before I started, I noticed a small black bird skittering along the grass — it had a small circle of white feathers below its eye
a runner in a bright red jacket stopped at the Rachel Dow Memorial Bench, a minute later they ran down a hill on the winchell trail
only 1 or 2 small patches of ice, a few puddles
I almost didn’t remember this one! — three people on the bridge over the falls, looking over the creek side. One, to the others, pointing down at the creek: look, there’s 75 cents! One of the others, joked (I hope): better go down there and get it!
Rabbit Recap
Slowly but surely, I’m getting to the end of my rabbit recap, but not today! See past rabbit recaps here: 9 march, 6 march, 5 march, and 4 march.
14 — 25 march 2026
Here’s a useful explanation of some reasons why I do monthly challenges about new topics, like rabbits (or wind or dirt, etc.):
And what’s the point of all of this? Following the rabbit down the rabbit hole is a wonderful distraction. It is also an excellent opportunity to learn. And to learn more about rabbits, which leads to caring about them as living things and as symbols. This caring might (is) enabling me to open up a closed part of myself (closed = strong dislike of rabbits). And it is helping me to think more broadly and specifically about the impacts of humans and human encroachment on environments and the consequences of that encroachment for humans and non-humans. Plus, all (or any) of it could inspire new poems.
A quick summary of some rabbits references and reveries: the killer bunny in Monty Python; Bunny Lebowski; Rabbit in Red matchbook from Halloween; Jimmy Stewart’s invisible bunny in Harvey; Max and Ruby; the PBS doc The Pill; Rabbit in Winnie-the-Pooh; the Cadbury Creme Egg Bunny; The Runaway Bunny; fix me hausenpffefer right away!
Rabbits in Diane Seuss:
excerpt from backyard song / Diane Seuss — I LOVE this whole poem. I’d like to use it as inspiration for a hole poem and a bunny poem!
Uncorked, I had a thought: I want the want I dreamed of wanting once, a quarter cup of sneak-peek at what prowls in the back, at what sings in the wet rag space behind the garage, back where the rabbits nest
excerpt from Her first poem had a rabbit / Diane Seuss — I want to bring in the optical illusion of the bunny and duck + the idea of what seems mild but is really wild
She tended toward rabbits back then. Toward the theoretically mild
that are really wild. Like ducks on a pond that is really a moon
New Yorker Experiment: A hole through the bottom of the known world
Today I worked on the template for my hole poem that erases the “Whisker Wars.” It has some of my blind spot, some big circles (from a iron pill cap), some medium sized-circles (lexipro cap), small (a quarter), and extra small (a penny). I want to create texture for the blind spots but leave the circles alone as pencil/gray.
a hole through the bottom of the known world
My choice of blind spots vs. circles, and the size of the circles, was mostly decided by what would fit where, but there might be some room to play around with some of it. I’ll think about it some more.
The words: nothing still / details drift like snow / cut off heads with pewter-colored faces float / a hole through the bottom of the known world / here it’s unprofitable to have faith in the visible — should it be what is visible?
added an hour later: I realized a further clarification on the idea of the hole and holes. The blind spot creates a hole in my vision, an absence that has created an uneasy fellowship with the world and made it unprofitable to have faith in the visible. But, there is also the small hole that remains in the otherwise dark blind spot that enables me to still read — it’s a small hole, and it’s getting smaller, but it’s still there. I’m noticing that my whisker wars poem offers many different sizes of holes depending on how many words I’m trying to fit in it. I need to have a poem that highlights that tiny hole holdout — ooo, holdout is a word in the whiskey wars article. Should I do a completely different poem using the same text?
Get out ICE
Each morning a local journalist, Sean Snow, offers updates on what’s happening in Minnesota, both what ICE and those in state and federal government that support ICE are doing, and how people and their communities are fighting back. I read them on Facebook, but he also posts them on Threads, Instagram, Tiktok, and YouTube. Today one of his examples
— sitting at the dining room table, drinking my coffee while I write this, I just heard a long goose fly by — honk honk —
was about “a real act of public memory” n St. Paul:
Testimony Builds The Record: Minnesota residents, advocates, and families testified Tuesday in St. Paul before the chair of the U.S. Commission on Civil Rights about what they experienced during Operation Metro Surge. Star Tribune reported that people described racial discrimination, abusive detention conditions, treatment of protesters, and the deaths of two citizens, all in hopes of pushing the commission toward a formal investigation. This was not a final ruling or a courtroom win. But it was a real act of public memory and accountability on a day when it would have been easy for the country to start looking away.
Today I had a blood test to re-check my iron and my thyroid in the morning. No coffee or food until it was done at 11, so also no running. Just sitting and writing and witnessing the world outside my windows: walkers, one runner, some dogs, the little girl at the daycare next door named Mabel stopping a walker and forcing a conversation, elementary boys — so LOUD — running down the street.
New Yorker Experiment / Holes
A slight shift in my first hole poem. Instead of, another name for barely not blind is a hole in your vision that makes for an uneasy fellowship with the world, it is, another name for barely not blind is a hole in your vision that makes for an uneasy fellowship with the word. So, word not world. Since this poem is about how I read, word makes more sense to me. Part of me would like to keep both world and word, but most of me thinks I should keep it simple with word.
In my draft version, I’ve hastily shaded in the circles/my blind spot with pencil, so they are all gray blobs and dots. The only times I recall seeing gray blobs are: looking at a backlit face and staring at the wall for several seconds. When I look at text, like on this screen, I see a few words in the center and then . . . what? Difficult to put into words. Everything is buzzing, shifting, textured. I want to experiment with the blind spot blob in my poem by adding texture — I mentioned adding gauze or glitter on 8 march. RJP and I are planning to visit the Stashery at the Textile Center this week to see if I can find some cool materials.
While I let that simmer, I’ll return to the last page of experiment #5 (continued from 9 march):
words that stand out from Whisker Wars, page 3
face / faced
self-mastery
the Lord knows who
hold outs persist ed
who was as devoted as
you might think
emerged
embraced
writing
float /ed
only
unprofitable
propaganda
a sideshow staple / enfreakment
mishaps
cannot fully explains
died
few of us see
express rapture at seeing
poem reads
endures
Here’s what I have so far:
nothing still details drift like snow cut off heads with pewter-colored faces float
a hole through the bottom of the known world.
here it is unprofitable to have faith / to put faith / to believe in the visible / what is visible
an uneasy fellowship with the world
As of now, I’ve decided to use the line uneasy fellowship with the word, but I also do have an uneasy fellowship with the world because I am barely not blind. Here’s an example of that uneasy fellowship from today’s visit to the clinic for a blood test:
I walk into the clinic with Scott and he points out the line for me to stand in as I wait to be checked in. It’s happened so fast that I have not had a chance to read the sign that tells me what this line is, I just know I’m supposed to stand in it. So I stand and wait with the person behind the counter directly in front of me, several feet away. There is another line with people in it, waiting, with a person behind the counter directly in front of them. I wait, looking vaguely in front of me at the person behind the counter and the person they are helping, trying not to stare or look as if I’m impatient (even though I am). To the side, I notice the person being helped at the other counter is done and hear the woman behind that counter tell the person in her line, wait. Then I hear her call out sharply, Scheduled! And then, Scheduled! I wonder what she means; it sounds strange. And then, Scheduled! I feel several quick, sharp pokes in my back. The person behind me is trying to get my attention. I realize that the woman behind the opposite counter is calling out to me. I am “Scheduled” because I have a scheduled appointment.1Oh, I’m sorry! I approach the counter and she barks at me, name and date of birth! She softens a little after I answer promptly.
For a flash, I wanted to cry, but didn’t. It is such a small thing that doesn’t really matter. For a brief moment, I was that person, the irritating one in the line that wasn’t paying attention, holding everything up. Yet, it is a reminder of what I can’t do, or what I can barely do, or what I can only do with a lot of effort — and patience from those around me. It is a reminder that I am nearly (legally) blind.
I suppose these moments might matter less the more I experience them — both because I’ll get better at accounting for them and better at not being bothered by them. And I suppose I should experience them more. I just told FWA and RJP and they disagreed. FWA said “Choosing to be in those situations is like selling your soul!” Yes! Repeated this conversation to Scott and he said, but you do need to learn how to deal with these situations. I suppose. Maybe I can find some middle ground?
It helped to talk with FWA and RJP and have them not only validate but bolster my assessment of the situation as not my fault. A thought: did the woman say more than Scheduled!, but all i heard was that part? I don’t think so.
Get Out Ice
The ice at Lake Nokomis is fraying at the edges. Will the lake ice be completely gone by the end of the month?!
Not to long after this happened I wondered: why didn’t she call out, person in the scheduled line or something with a bit more of an explanation.↩︎
With the sun and the bare ground it felt warmer than 50 degrees, so I wore shorts! I started with long-sleeves, but by 2 miles, I shed that skin and ran the rest of the way with bare arms too. Ah, spring! Not the easiest run. It might have been because I didn’t wait long enough after my second breakfast/early lunch.
1
One of the best things about the run was heading south and admiring the river. Waves on the surface reflecting the light. A shimmer scene. Dazzling. I haven’t seen sun on open water like this for many months.
2
Since I’m thinking about holes and spots, which also means circles and loops, I thought about a playlist I made a year ago (25 march 2025), and decided to listen to it. Much of it is about seasons and cycles, but as I ran I thought about the hole inside the wheel and falling through it — into another dimension? another way of being? a space not consumed by the expected (normal) life? Then I thought about my growing blind spot and how it has cracked open “normal” life — this cracking can be painful and difficult, but it has offered new possibilities and an entrance to another way of being.
3
After stopping to put in my playlist, as I ran down the hill and away from the park, by right foot felt strange. Was there a rock in my tread? I finally stopped and looked. Not a rock, a hole in my shoe where my middle toes strikes down. I guess that proves it: I’m not a heel or mid-foot but a toe striker! Unlike the hole in my vision, I don’t really see an upside to this hole in my shoe — well, I guess it means I have get to buy new shoes, and, if any are still available, in a bright color!
minutes later: Done! My new Brooks Ghost 17s are dark blue, turquoise, and green!
a hole in my running shoe
I have never had a hole in the bottom of my running shoe. I’ve had holes on the side where my bunion/wide foot has pushed through, but never a hole on the bottom. I think it’s funny that this hole happened just as I’m thinking and writing about holes. I feel like I need to incorporate this hole into my project!
A Return to my Rabbit Recap
11 continued — 20 march 2026
sources of bunny inspiration: 1. rabbits who eat buckthorn bark may pee smurf blue; 2. identifying the dark forms in the backyard as rabbits; 3. origins of “bold as brass”; 4. optical illusion — duck or bunny; 5. a cup full of 3 rabbit breaths (poem); 6. jackrabbit trapped in a wildfire (poem); 7. the rock that is not a rabbit (poem); 8. little girls deciding who will have their bunny when they die (poem); 9. a rabbit offering themselves to quell a woman warrior’s hunger (book)
12 — 24 march 2026
Bunny as muse? nudge? pest? ghost?
What am I doing as I keep putting the two bunnies in my backyard into my poems? And why do I insistent on calling these wild and mature eastern cottonwood rabbits bunnies? I’m not sure these rabbits are indifferent to me, but I think they notice me in terms of whether or not I am a threat to their main activity: grazing in the grass.
A title for a poem? Crepuscular. Why don’t rabbits flee when I approach? Do they see me as non-threatening? Has human encroachment screwed up their sense of friend and foe? My mom, a pesky bunny, and a drive out the country. Peter Rabbit: the horror movie.
the rabbit hole:
“Down the rabbit hole” is an English-language idiom or trope which refers to getting deep into something, or ending up somewhere strange. Lewis Carroll introduced the phrase as the title for chapter one of his 1865 novel Alice’s Adventures in Wonderland, after which the term slowly entered the English vernacular. The term is usually used as a metaphor for distraction.[1] In the 21st century, the term has come to describe a person who gets lost in research or loses track of time while using the internet.wikipedia
Out-of-control curiosity. Distraction. Losing track of time. Getting lost in strange worlds. These are presented as bad things. Are they? Many of them are embraced within poetry. And they are great tools of refusal and resistance against late-capitalism and wannabe fascist governments — you’re not working for/perpetuating the system while you’re following the rabbit hole.
The rabbit hole online.
13 — 27 feb 2026
The rabbit hole. “Back to hole-less cottontails. A new metaphor is needed — not falling down and through to other worlds, but something about edges and shadows and the fringes — the periphery! Dwelling on the edges, in the corners, not traveling to new worlds, but noticing the other worlds that are already there, have always existed in the midst of my world.”
I want to think more about this shifting metaphor in my understanding and use of hole in my erasure poem (or poems?)
New Yorker Experiment #5
First, an update on Holes. There’s an empty space without text in the lower left corner. I’m thinking of putting a definition or a quote or a line there. Or, I could put my poem written out in a straightforward way in the space. Would that undercut of enhance the experience of reading the poem? The text could also be an explanation of my version of reading; peripheral — big picture / central — one word or small phrase at a time, often experienced in isolation.
I’ve started (just barely) working on experiment #5. I’m using an article from July 28, 2025 titled “The Whisker Wars.” All I’ve done so far is write down words that stood out to me on two out of the three pages. I want to try experimenting directly on the New Yorker pages so I have a decision to make: two of the pages are back to back, so I need to pick either the first or second page. I’ll read through both of them and see which one I like better.
Hmmm….there’s a cartoon on the second page with the caption, “That’s an area for creativity and unstructured play.” I might want to use a few of those words.
words/phrases the stand out, page 1:
portrait
a game of Now You See It, Now You Don’t
in the beginning, not a whisper
otherwise
drift like snow
wonder
notice
russet-and-gray
pewter-colored
abrupt shift
who left
entanglements
weirdness
yellow
bore a hole through the bottom (of my coffin)
still
page 2
traces
people saw it as separate (from the body)
replaced by a view
faith
framed
revealed
meanwhile
from
however
trends
norms
world all know / known
waves
an area for creativity and unstructured play
lies details
natural
rather
nothing
believe (rs)
teach you
visible
cut
choice
Get Out ICE
On 5 march 2026, NPR posted a story about how doctors and nurses in Minnesota have created an underground network of medical care for people who are too scared to leave their homes. “There are now about 150 doctors — a volunteer “rapid response” team that has made more than 135 home visits” (When ICE came, Minneapolis created underground health networks).
These members of the care network have helped women in labor, babies with the flu, “At the Faribault clinic where Carroll works, staff members deliver medicine, food and other necessities to patients. A staffer drives 12 middle and high school kids to and from school every day in a clinic van.”
walk 1: 60 minutes minnehaha off leash dog park 45 degrees
The hiking with Delia and FWA at the dog park is back! I’ve missed our walks and chats and encounters with other dogs. This morning it was beautiful: sunny, not too cold, calm. There was some mud at the top of the hill, but not much in the flats. We heard woodpeckers knocking and calling. Felt squishy mud and sand that nearly sunk me — so soft and difficult to climb out of! Saw the tall bluff on the other side of the river and remembered moving along its rim during my longer runs to the confluence when I was training for the marathon. A spring goal: be trained up enough to run this loop again by May.
FWA and I talked about rules and norms and our difficulty in following them. Not because we like to break rules for the sake of breaking rules, but because they didn’t work for us and that we recognized otherways to be outside of them.
Often on these walks through the dog park, I hear people calling out the names of their dogs. Today I recall it happening only once: Rosie! Come here Rosie! I mentioned to FWA how I’ve encountered several dogs named Rosie around here. I wondered if they spell the name Rosie, or Rosy, or Rosey?
Two favorite dogs: One was a shiba inu1 that was running around its human in wide circles, with the human holding a long leash and remarking to someone else, I feel like I’m playing with the airplane on a string toy I had as a kid. The other dog was tall and lean and a beautiful gray. He (I heard his human say he) was graceful and gentle and leaped over Delia to avoid bumping into her. I was so impressed, that I mentioned to his human what a wonderful dog he was. The human was wearing BRIGHT blue running shoes. Nice!
walk 2: 60 minutes neighborhood / winchell trail 58 degrees
A wonderful afternoon walk with Scott. We walked through the neighborhood and down to the Winchell Trail at the river. Open water, blue, with glowing white snow on the banks of the other side. A pileated woodpecker: drumming then laughing then calling out. Other walkers in tank tops and shorts. A steady stream of cars.
Scott and I stopped at a deluxe, Scott called it a “high-rise”, free library. It had a shelf of adult books and a shelf with kids books and dog treats. I gave Delia a treat, which was for dogs twice her size. As we left I said to Scott, I would like to find a way to make the kind of delight I feel encountering things like this possible for others. What sort of delightful thing could I put up in our yard?
There was a note on the door of the library explaining that the owner re-stocked it frequently and had an instagram account where she gave book reviews! It’s @beccasnotsolittlefreelibrary. I followed her, and thanked her in the comments for bringing joy to our neighborhood.
Holes (aka New Yorker experiment)
Should I try some new erasures, or continue to work on turning my “hole in your vision” into something? Maybe I’ll try both. I’d like to push at this idea of a hole in the vision, with the hole not being (just) empty or a void, but something — like a rabbit hole: an in-between space, a passageway, a liminal space, a threshold, but also a clearing (JJJJJerome Ellis), the Nothing around which something functions, the gorge.
a note about reading and writing: I like using an erasure to show how I read words.2 Taken as a whole, words are too fuzzy or unintelligible to read. I can only read them as individual words. And when looking at one word, I often don’t see of the others around it, just one word then then next word then then next. I used to be able to grasp full phrases and sentences at once — at least I think I did. This not seeing the surrounding words is a problem when I write. My Plague Notebooks are full of examples of words running into each other, or one word being written over another. Whenever this has happened, I try to make note of it by writing Vision Error and drawing an arrow to it.
vision error from the Plague Notebook, vol. 15 spy balloons, winter class, snow / 13 april 2023
Throughout the day, I was adding blind spots and then, when those were too big for the space, I added smaller circles (made by tracing the bottle caps for my iron pills and my old lexipro pills). Here’s how it looks now:
holes / work in progress
I’m pleased with how it is looking. As of now, I’m imagining this version as a template for another, more polished version. I might replace some of the pencil shading with material — like gauze or netting. Maybe other holes will be filled in with glitter or sparkling something, feathers, twigs?
FWA identified it as a shiba inu; I couldn’t see it well enough to do that — it was all blur and bark to me ↩︎
It might be interesting to do some audio, too. I’d like to record myself reading something for the first time, to show how I struggle to read words. ↩︎
2.5 miles 44th street parking lot and back 35 degrees
Ran in the afternoon. Colder today. I wore gloves and a headband to cover my ears. It felt harder, maybe I ran too soon after lunch?
It snowed last night. Not much — not even an inch, but enough to cover the grass and make everything glow white. By the time I went out for my run, the paths were clear.
omens of spring-to-come: someone was roller blading! Not roller skiing, but roller blading. And, a woman was running in shorts. It’s not unusual to see a man running in shorts during the winter, but it’s rare to see a woman. That usually doesn’t happen until it’s spring, or feels like spring, or is warm enough to be spring.
I was planning to finish my rabbit recap today, but then I started thinking about and experimenting with my holes poem. No time for the rabbits — well, except for several paragraphs below, when I realize that my naming of this poem, Holes (or hole?), is probably at least partly a reference to the rabbit hole!
New Yorker Experiment #4, continued
Today some part of me decided that we (the Saras) would offer a more detailed account of the process of thinking through my latest poem, so that’s what we’re doing.
I want to keep working on my fourth experiment. Yesterday afternoon, I printed out the New Yorker article, “A Screaming Skull,” and found my poem on its four pages. Then I taped the pages together and mapped the poem out. The theme: holes. I imagine it as part of a larger project about my blind spot. Maybe this project won’t be all erasure/found poems; I might try to connect it to some other work on the blind spot — work I’ve been doing for several years now, but haven’t quite figured out how to turn it into something. Yes! Experiment #3 — swap the dead-eyed liturgy of doomed vision with shadow (or shadowed?) acts, wild and improbable could connect with my study of JJJJJerome Ellis, the stutter, and his liturgy of the name! Very cool!
I took a picture of what I’ve done so far:
12
What to do next? The second image offers a possible approach: Applying my blind spot — the one I recently created by staring at a blank wall until it appeared, then tracing it — to each of the “found” words. I could sketch the blind spot directly on the page, around the word, OR I could place a cut-out version of the blind spot on top of the word. Maybe I’ll try a practice sketch. Another idea, which is probably definitely beyond my technical ability: create an animation of the process of reading this that starts with an overview of the poem, then zooms into the first word, encircled by the blind spot which appears as I read it. Then it moves to the next word/phrase, and the next, and the next until the poem is finished. I could also do it as a series of stills (instead of an animation). You could look at each one individually1, the image as a whole, and the series of images in a gallery.
I like this last idea! The focus on individual words — isolated from the other words and the meaning as a whole, which is how I read, because what’s left of my central vision is so small it can only fit a few words, and which is how I often (but not always) experience the world with my big blind spot — in isolation, and removed from others. A question: should I keep the larger poem as a square, stacked 2 x 2 pages? Or should I have it extend as 4 pages across? I can play around with it.
an hour or two later: Here’s something I tried with a paper cut-out of my blind spot as a template. I’m thinking I should ask Scott to make a sturdier, cardboard version of this template.
in progress / 1 PM / 7 march 2026
Something to think about: should I have the blind spots on the entire poem/map? I was going to write: no, because that’s not how I would see it; I would see a somewhat fuzzy version of the map of the poem. But this poem is not an accurate representation of how I see. I hardly ever see my blind spot as a gray blob. But the blind spot is there and it distorts how/what I see and I need to represent in some way that others can see too.
Another question: should I hand-sketch this poem, or figure out how to do it on the computer? I like the hand drawing — the material aspect of it + I can do it all myself — but drawing it by hand is messy and unreliable. I’m thinking that this series will be part of my vision art installation — along with my snellen charts and mood rings. It seems too messy if I don’t do it on a computer.
Also: how should the individual stills look? Should they be a close-up on that part of the poem, or just the word/phrase centered in an otherwise blank page? Should they include the blind ring? If I have more of the text, should it be too fuzzy/distorted to read, or should I have it surrounded by gray? Looking at the words on this screen, I see: 1 or 2, maybe 3 short words in focus, then other words too dim or fuzzy to read, and, after staring for a few seconds, a glowing dark ring around it. This ring is not solid or very dark, it’s almost gauzy, like a veil, or the feeling that there’s a ring there. Does that sound strange?
(rabbit) holes: Today I start a new volume of my Plague Notebook: vol. 28! I’m calling it, What about Epstein, Trump? As I was writing in it, describing my latest visual poem, Holes, a thought: Am I calling this holes (or hole?) partly because of my recent study of rabbit holes?! Maybe! And maybe I could bring rabbit holes into a poem about my blind spot!?
Get Out ICE
“Accountability in this case looks incredibly simple. Minnesota must investigate the violation of constitutional rights at the hands of Noem and her ICE agents and prosecute where appropriate. The best part about this process is that Trump can’t pardon state convictions.” Boom. (from a Occupy Democracy post, citing a MSNOW interview with Tim Walz)
While applying my blind spot to the phrase, “another word for,” I realized that that phrase was too big to fit inside the inner ring. So, that’s a new limit to how I can construct this, and other blind spot, poems: the phrases/lines must be able to fit within my blind spot. It wasn’t a big deal in this poem; I just took out the for from “another name for” and found it somewhere else in the article. ↩︎
3.5 miles locks and dam no. 1 48 degrees / drizzle
A few more warm days, then cold again. I didn’t mind the drizzle, everything was gray and soft and misty and wet. Dripping and whooshing and seeping. Of course, now that I’m home, the rain has stopped and the sun is almost out. I ran to the bottom of the locks and dam no. 1 hill and admired the ford bridge. It looked more like a painting than an actual bridge — although it sounded like a bridge, with trucks rumbling overhead!
I love the reflections in this picture I took, especially the upside down street lamps and railings.
If the sky were a little darker, the river a little lighter, you might not be able to tell which bridge is up, which is down — at least, I wouldn’t be able to tell!1
Smiled at several runners and walkers and bikers. Made note of all the empty benches and parking lots. There were not too many people out there. For the last bit of the run I was able to get deeper into the mist by running on the Winchell trail. Very haunted and other-worldly!
I listened to water for the first half of the run, and “Bunnies and Rabbits” playlist for the second. A new song popped up: Rabbit // Hole by Siddhartha Khosla. It’s part of teh music for a one-season series called Rabbit // Hole with Kiefer Sutherland. It’s a great song to run to. Near the beginning, the music breaks up for a few seconds then plays again then breaks up. I imagined a fast moving rabbit passing by an object when the music broke up, then being in the clear (when the music resumed), then passing my another object when the music broke up again.
Rabbit Recap, part 3
Can I finish this rabbit recap today? Nope. I got distracted with other stuff.
11 —20 feb 2026
All late fall and winter, 2 or more bunnies have been hanging out under our crab apple tree — at night, in the afternoon, at sunrise and sunset. They’re very bold, these bunnies, not running off when I walk by. When this happens, I’ve started saying, these bunnies are as bold as brass! Why? Not sure. And, I don’t want you to get the wrong idea: I like bunnies or rabbits about as much as I like squirrels, which is not at all.
Get Out ICE
Yesterday afternoon, Scott came to my desk n the front room and said, Do you want to hear some good news? I mean, some actual good news?Kristi Noem was fired!
from Needle & Skein (the red hat people)
As of March 5th, we have raised an incredible $705,000 to help our immigrant communities here in MN. This is just us. Other yarn shops in Minnesota and around the country have also raised money and generously donated both here and locally. ICE is still here. Our fight is not over. Join us.
If you are a business who has raised money, please send us a message. We would love to try and get a full picture of what the amazing fiber community worldwide has accomplished.
Read the comments for more on how the fiber arts community is showing up!
New Yorker experiment #5
These experiments are slow-going. I run out of time to work on them. I struggle to see what I’m doing. I’m messy and haven’t figured out how to work with glossy magazine paper. So why am I continuing these experiments? I asked that to Scott and FWA in the kitchen the other day and then answered it myself: For some reason, I2 want to do these erasures, so I’ll keep doing them until I don’t want to or can’t (because it is too hard with my bad vision).
a flash of an idea: As I was writing that last paragraph, I was thinking about how visual poetry is increasingly inaccessible to me as my few remaining cone cells die (are the dying or just malfunctioning?) Then this popped into my head: yesterday’s erasure involved using marker to cover almost the entire text. When I had FWA and RJP read it, they both got marker on their hands — not in big streaks, but in tiny marks that almost looked like cuts or scratches. What if I made these erasures about touch too? My first thought was about doing the erasure in such a way that created a residue. Second thought: what if these erasures involved texture and touch — here, I’m reminded of the kids’ book Pat the Bunny and its different textures to touch: the soft bunny fur, the rough bunny . . . nose? I can’t remember what was the rough thing in the book. If you can touch these erasures and their textures, which would somehow speak to the words/ideas on the page, maybe you can hear them too? I’m thinking of scales, and thick layers of paper, maybe some holes where the paper has been ripped open, some extra rough sections, some smooth, like a thin film, crinkly, soft, sharp-ish. And — maybe in terms of the visual aspect, find ways to cover it that reflect or glow or shimmer or sparkle. I can see these textures in a way that I can’t see the typical flat, black expanse of an erasure. So things like glitter, little mirrors, metallic surfaces, ridges. What about covering it with things that offer colors only visible in the light — thinking of bird feathers here. So many ideas! Again, difficult to execute without it looking like a mess, but fun to try.
Before I had that last flash of inspiration, I was thinking about how I’ve decided (as of yesterday) that the overarching theme of these found poems is my vision and how I see. Then I thought, I should apply my blind spot to these pages. Create an amsler grid out of the text, and then place a cut-out of my blind spot (found while starting at a blank wall and then drawing what I see) on top of the words to find the poem.
Maybe some of these erasures could be all/only about texture, some all/only about my blind spots, and some both. And just now, another thought: What if these erasures were all about my blind spot and the idea of blind spots? Would this work: one of the erasures could be covered in spots or dots or holes in the paper?
So many fun ideas to try. I imagine that some of them will only ever be ideas that are good in theory but don’t work on the page.
Oh — I almost forgot, until I looked over at an open tab that reads, “tools to use for magazine erasure poems,” I started writing about this experiment because I wanted to mention my need for better materials. I love how writing in this log opens me up and helps me to see new things to try! Before writing about textures, the supplies I thought I needed were: sharpies, an exacto knife (can I see well enough to use this?) and possibly paint. Texture through thicker and thinner layers of paint is an interesting idea. Now I’m thinking I need scraps of fabric — next week, RJP and I should go to the fabric scrap store at the Textile Museum! — that are soft and rough and bumpy and gauzy. I need glitter and sparkles and little things that reflect and crinkle. Fun!
Here’s a new version of experiment #3. I decided to paste the text into a document so I could have an easier time drawing on the text. Is this a good solution? I’m not sure, but I do like how this version looks:
swap the dead-eyed liturgy
Bummer. I just realized that I erased the ed on doomed. It is supposed to read: of doomed vision (I guess doom vision could work?).
text:
swap the dead-eyed liturgy of doom OR doomed3 vision with shadow acts wild and improbable
And now I’m redoing yesterday’s experiment:
text:
Another name for barely
not blind is a hole in your vision that makes for an uneasy fellowship with the world.
Still feeling like spring, another run with bare arms for the second half. Chirping birds, rushing falls, a knocking woodpecker. Kids on a field trip, walking on the river road trail. Only a few random clumps of snow remaining in the grass. I’m sure we will still get snow, either later this month, or in April, but it won’t stick around. Spring is coming!
I recited Alice Oswald’s “The Story of Falling” and Lisa Olstein’s “Dear One Absent This Long While.” I intended to think about my mom on her birthday, but I forgot to, or did I? I’m sure she was there when I recited — in my head — the last lines of Olstein’s poem: Your is the name the leaves chatter/at the edge of the unrabbited woods.
As I listened to the rushing falls, I recalled my discussion yesterday about the poster with the words, Believe Your Eyes. I thought more about why you should Believe Your Ears and Your Eyes, although less catchy, is more accurate. I recorded a thought into my phone:
5 march 2026
transcript: the sound of minnehaha falls and, occasionally, some wind. “I’m thinking about my poster and switching it from Believe Your Eyes, to Believe Your Ears and Your Eyes. And I’m thinking about, on their own, they’re both unreliable, but when they work together, and with the other senses, they offer a more accurate representation of what’s happening.”
Listened to the birds, my feet striking the grit on the path, someone say, I’m a classroom teacher near the overlook, the falls, sounding like a June rainstorm on the first half of my run. Listened to my “Bunnies and Rabbits” playlist on the second half. I started with “Rabbit Fur Coat,” and was struck by this verse:
She put a knife to her throat “”Hand over that rabbit fur coat”” When my ma refused, the girl kicked dirt on her blouse “”Stay away from my mansion house””
My mother really suffered for that Spent her life in a gold plated body cast.
This last bit about the gold plated body cast — what a great way to describe someone who is obsessed with objects, like gold or fur coats, that bring status and luxury.
Happy Birthday Mom
If she hadn’t died in 2009, my mom would be celebrating her 84th birthday today. 17 years gone. Some memories of her have softened, lost their edges, others have been condensed into a flash or a few words. I was reminded of some of those words the other day when I heard Heather Cox Richardson say, oopsie poopsies. As I remember it, Mom was driving me and my best friend (JO) home. When we pulled into the garage, she called out, Front door service, Missy Doodles! I can’t remember our reaction in that moment — did JO and I exchange looks? did we laugh at her? — but I do remember that it became something we repeated to each other later for a laugh and as a way to mock my mom (mostly good-naturedly, I think).
Why does this dumb sentence stick, when others don’t? Maybe it’s partly because my mom often had a strange way of saying things — happy as a clam bake is another one that comes to mind; also, the way she pronounced absurd — abzurd — and milk — melk (I do that one too). There must be many more that I’m not remembering now; I should ask my sisters. These strange ways of speaking were part of her charm. Front door service, MissyDoodles fits with these others. I googled it just now, thinking it might be a famous catch-phrase from before my time, or that Missy Doodles might have been a character on some show from the 50s or 60s. Nope.
Returning to HCR’s oopsie poopsies, I’m thinking about how she uses it instead of swearing.1 Another connection to my mom surfaces: not swearing, or rarely swearing, or swearing in French or German. And now I’m thinking about her shit rock, which is now my shit rock. I created a digital story about it 10 or so years ago. I also posted about it on my TROUBLE blog. I need to find the video and a transcript of the story somewhere on a hard drive. I’ll post it when I find it.
the Rabbit Recap continues
Yesterday, working backwards, I made it through page 5, page 4, and half of page 3 of entries tagged, rabbit.
6 — 15 nov 2022
The optical illusion: the rabbit or the duck
I surmise that my general visual experience is something like your experience of optical illusions. Open any college psychology textbook to the chapter on perception and look at the optical illusions there. You stare at the image and see it change before your eyes. In one image, you many see first a vase and then two faces in profile. In another, you see first a rabbit then a duck. These images deceive you because they give your brain inadequate or contradictory information. In the first case, your brain tries to determine which part of the image represents the background. In the second case, your brain tries to to group the lines of hte sketch together into a meaningful picture. In both cases there are two equally possible solutions to the visual riddle, so your brain switches from one to the other, and you have the uncanny sensation of “seeing” the image change. When there’s not much to go — no design on the vase, no features on the faces, no feathers, no fur — the brain makes an educated guess.
When I stare at an object I can almost feel my brain making such guesses.
Sight Unseen / Georgina Kleege
7 — 27 sept 2022
Those who have it to give are like cardinals in the snow. So easy and beautifully lit. Some are rabbits. Hard to see except for those who would prey upon them: all that softness and quaking and blood. (I’ve Been Thinking about Love Again/ Vievee Francis)
rabbits — visible only to those who prey upon them — all that softness and quaking and blood.
8 — 1 dec 2021
You only spot the rabbit’s ears and tail:
when it moves, you locate it against speckled gravel, but when it stops, it blends in again; (First Snow / Arthur Sze)
So, does a bunny have two distinctive aspects to their form: ears and tail? Ears if it’s only the head, ears and tail if it’s the entire silhouette. Most things blend into the backyard if they’re still for me. I only see them by their movement and maybe the flash of a tail streaking away.
9 — 25 dec 2025
A child’s plush stuffed rabbit. (Ode to Gray / Dorianne Laux)
Why are stuffed animal toy bunnies usually gray when real rabbits are more often brown?
10 — 15 may 2025
“It suggests the fatal indecision of a rabbit caught in a hunter’s flashlight. . . .” Rabbits as prey, always needing a way to be escape, when cornered, they shut down. Survival strategy: run until you can’t then go stiff, play dead. The idea of always looking for an exit resonates for me. I would much rather avoid a bad/dangerous/uncomfortable situation than confront it. Wherever I go, I always look for the exits, or the entrances into other worlds.
And now I’m wondering about rabbits playing dead and how that works. According to a few different sites, it’s called tonic immobility or trancing and it is”
a behavioural response to a perceived threat, characterised by muscular rigidity, profound motor inhibition, and suppressed vocal behaviour. This behaviour occurs when freezing in response to a predator approach, fight, or flight are no longer perceived as options (Gallup 1974, Gallup 1977). McBride et al. (2006) observed that rabbits held in a tonic immobility position had elevated respiratory rates, heart rates, and plasma corticosterone concentration. Additionally, they expressed fear behaviours such as widened eyes and flattened ears, and demonstrated more hiding behaviours and fewer grooming behaviours post-trancing.
In yesterday’s Politics Chat, talking about her reaction to the news that Trump was bombing Iran, she said, “I said all the swear words you never think I say.” ↩︎
Get Out ICE
From Recovery Bike Shop in Northeast Minneapolis:
This is what community looks like. This is what “bustling” looks like. This is looking out for our neighbors. This is taking care of our own. This is supporting our city.
We feel safer when other people are around. We are those people. We are the ones we’ve been waiting for. And when we make our street a place that’s comfortable for walking, more people will feel comfortable walking. It’s a virtuous cycle. And it’s something we can do.
So come walk with us every Thursday evening at 5:30. Meet at Recovery Bike Shop. (And next week we’ll be walking in the sun!)
Note: any time you are out walking, you are making your community safer.
Any time you are out walking, you are making your community safer. I love this idea!
New Yorker Experiment #4
But before I move onto #4, I added some numbers to #3, so it was easier to follow the path of the poem:
Experiment #4: A Screaming Skull / New Yorker 18 august 2025
text:
You may feel like a shadow.
Another name for blind is a hole in the vision
You may feel like a shadow.
I tried photocopying the pages from the New Yorker, but the quality is terrible. Also, I ran out of time. I like the idea of another name for blind is . . . but I could find the right words to fill that in. I’ll work on this one more tomorrow. I think that my theme for these is my vision.
45 minutes neighborhood with Scott and Delia 48 degrees
No sun today so it felt cooler. Mud and puddles mixed with bare grass. Noticed some bright green moss at the base of a tree. It was nice to take a walk with Scott; we haven’t done an afternoon walk like this in months.
a Rabbit recap*
*which is a summary, not a redux (revival). Rabbit Redux is the second book in John Updike’s series about Harry “Rabbit” Angstrom The first book is Rabbit Run, which I just checked out of the library.
This morning I reviewing all of my entries tagged, “rabbit” and seeing what I can find.
1 — 2 june 2019
Something there is that doesn’t love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs. The gaps I mean (The Mending Wall/ Robert Frost)
What a wonderful first line! The rabbits and the gaps — I wrote about this a few days ago in my rabbit eyes section. I am less interested in going down rabbit holes and more in exploring rabbit peripheries, in the shadows, on the edges, in the unnoticed corners. For me, this isn’t about hiding-as- prey, but about dwelling on the edges, near the exits and the entrances to other places.
2 — 20 aug 2020
Listen to the black capped chickadee’s 2 note song. Can you hear him posing a question to the gorge? Can you hear the honking geese overhead? Can you hear your lungs grasping for air and the green leaves thickening as they hold us? Can you hear the chainsaw start, the tight weave of the savanna’s oak unraveling? It’s August, thick, crowded. Listen to the path, cluttered with acorns. Listen to the sewer stink near the ravine, the sex-crazed gnats swarming the hill. Can you hear the virus spreading through the neighborhood? Can you make a noise like a panicked rabbit? There are sounds your tweet lacks names for. (Homage poem to Helen Mort / Sara Lynne Puotinen)
Rereading this poem from that first pandemic summer, another word popped into my head: cornered, as in Can you make a noise like a cornered rabbit? Which is better? Not sure. I like this poem; maybe I should do something more with it? Maybe that something should involve hybrid writing about that summer? And maybe I should return to Mary Oliver’s Long Life for inspiration?
3 — 24 april 2020
Lisa Olstein’s unrabbited woods in “Dear One Absent This Long While.” Yours is the name the leaves chatter/at the edge of the rabbited woods. So good! I memorized this poem five years ago; I need to refresh my memory. Just did!
4 — 24 feb 2020
A cup holds sugar, flour, three large rabbit breaths of air (My Weather / Jane Hirshfield)
I love imagining how much air is 3 large rabbit-breaths worth. How big is this rabbit? And, in general, how big are rabbit breaths(from the 2020 entry)? Yes! A rabbit’s breath! I should look it up. Googled “rabbit breathing” and this listing of a rabbit’s vital signs1 came up first:
A rabbit’s body temperature should ideally be between 101.5°F and 104.2°F.
The normal respiratory rate for rabbits ranges from 30-60 breaths per minute.2
A healthy rabbit’s heart rate averages 205 and has a resting range from 180-350 beats per minute.
While sifting through links, including watching a brief video on how bunnies apologize to each other — they touch heads, and if the other bunny doesn’t accept the apology, they run away,3 I read a line about how rabbits are very smart mammals and then this: “The rabbit is commonly used as a laboratory animal for inhalation toxicology tests” (source). I wondered, do rabbits feel pain? “Rabbits have the same neurophysiological mechanisms as humans to produce pain and therefore have the same capacity to feel pain as humans” (source). How awful!
A few more random breathing facts: rabbits breathe through their noses; respiratory issues are a main cause of death; if a rabbit is healthy, their breath should not stink.
I didn’t have any luck when I googled, ” how big is a bunny breath,” but since they breathe a lot per minute, I imagine it’s fairly small. In the middle of writing this sentence I looked up “rabbit lung capacity.” One of the, People also ask, was, Are rabbit lungs good for dogs? The answer, “High-value: Rabbit Lung is considered a super food due to its nutritional composition,” comes from a site selling rabbit lung treats.
All of these results are reminding me of a line from yesterday’s research about how rabbits are unique in their position as both beloved pet and food source.
5 — 21 may 2023
This is a poem in which no chickens will die. A rabbit will bound across the road and the car will slow in time. The fox will discover the trampoline behind the house next door and with it the wonder of flight. Everyone I love will live and call me after supper to say goodnight. (What I Am Telling You, Jessica, Is That Those Chickens Are Fine/ K.T. Landon)
I discovered this poem from a poetry person on twitter. It was part of their running list of “Not Today, Satan” poems. Have I ever noticed a rabbit road kill? I must have, but I don’t remember it. Near me, it’s mostly squirrel or raccoon roadkill. Anyway, I love this poem so much that I might need to memorize it. And, like I wrote in this 2023 entry, I might need to create my own “Not today, Satan” list!
6 — 15 april 2023
these are the going closures that organize mind, allowing
and limiting, my mind’s ways: the rabbit’s leaps and halts, listenings, are prosody of
a poem floating around the mind’s brush (garbage / A.R. Ammons
This! For today’s entry, I only posted the rabbit part, but the rest of the excerpt I posted on april 15 is wonderful too. All about motion and our interactions with the land/our surrounding and how they shapes our motions. The halts and leaps and listenings of a rabbit as it responds to its surroundings — the terrain, predators, the weather. These are the rhythms and sounds of a poem (prosody) — not a poem on the page, but a poem in the flesh, a poem that is a living and breathing and moving creature being made by and making the world. So good! I say, I am a poem. A rabbit is a poem. Any and all of us who move through the world, responding to its winds and rivers and storms, is a poem!
In a footnote, there’s a link to a pdf comparing vital signs of several different animals ( ↩︎
The average human’s breathing rate (whatever average means here) is 12 – 25 breaths per minute. I’m not going to try counting mine because that would stress me out too much. I don’t want to think about breathing; I just want to keep doing it! ↩︎
From another more reliable source (reliable = trained expert, cites sources), I discovered that this head touching idea is from the 2018 movie, Peter Rabbit. According to the Bunny Lady, rabbits might groom each other after a disagreement. But this begs the question, why do bunnies disagree? What does a bunny argument look like? ↩︎
Get Out ICE
Protest art around the cities:
The banners, flags and posters can be seen in storefronts and porch windows, on telephone poles and electrical boxes, in neighborhoods across the metro area. They are part of an explosion of art made in response to ICE’s presence that has included protest songs, comics and zines and coloring books, snow and ice sculptures, stickers and buttons and whistles 3D-printed in every color of the rainbow.
Through this article, I found out about Heart Your Art and their ICE OUT posters and this event tonight at the Witch’s Hat:
This Wednesday, The ICE OUT Protest Posters take over the Witch’s Hat Water Tower for a one night outdoor projection. . Large scale. Public. After dark.
One of the posters from Heart Your Art struck a chord with me. The poster says, Believe Your Eyes, and it features the text in big block letters in the top half with two open eyes below it, and then a quote from George Orwell in smaller text at the bottom: “The party told you to reject the evidence of your eyes and your ears. It was their final, most essential, command.”
In the description of the poster, the artist writes:
It is important now, more than ever, to believe your eyes. You know what happened. Don’t let anyone tell you differently. The narrative is trying to sway you — to make you question yourself. You know the truth!
I deeply appreciate all of these posters and the artists who are designing them. I also agree with the call to resist the double-speak of the Trump administration and to never stop challenging the lies they present as truth.
And, I struggle with the privileging of sight and eyes as (the most) pure and reliable truth tellers. Eyes are not always reliable, and not just for people like me with low vision. As I’ve mentioned before on this log, eyes are not just cameras sending pictures to the brain. There is filtering and guessing and selective seeing — some things are seen, some ignored, some the brain filters out.
You might argue that this is not the point here and I would agree and disagree. Yes, there is a bigger message here about resisting manipulation and calling out fascist propaganda and trusting your own experiences of events. And yes, the inaccurate promotion of seeing/eyes as the way to access the truth, is easily manipulated by those in power. In the era of AI and the altering of images in such convincing ways that even my husband — whose attention to detail and nose for sniffing fakery out is very impressive — has been fooled, relying on eyes is not just wrong, it’s dangerous.
So, what would I like the poster to say instead? I’ll have to think about that; maybe I’ll try to collaborate with Scott on my own version? A preliminary response: Believe Your Eyes and Your Ears — which is what Orwell’s quote does; it’s not just looking/seeing but hearing and listening. I’m not satisfied with that as the solution, but I’ll leave it for now. I’ve already written abouteyes and witnessing on this log in different contexts, and I’m sure I’ll return to it again and again.
New Yorker experiment #3
Today’s experiment comes from a book review in the 25 august 2025 issue titled “Me, Myself, and I.”
text:
1 point to sentences sliced in half askew wile with strangeness. Stutter just enough to let in the surreal.
Occupy who knows where stay vague improbable
2 swap the dead-eyed liturgy of doomed vision with shadow
experiment #3 / from Me, Myself, and I
thoughts: Again, find markers that work before I start using them. Also, the second poem needs arrows but I didn’t know how to do that with the blackout. And, I wanted to add another word to shadow: reinvention, but I accidentally colored over it. Oops.
Another SPRING day! It felt so warm that halfway through the run, I took off my pull-over and ran with bare arms. No gloves, nothing covering my ears. Even with less layers I was warm. The walking path was clear enough that I was able to run past the Welcoming Oaks and the tunnel of trees. There were a few puddles and chunks and sheets of ice and for one stretch near the lowest point, snow covered almost the entire path. A few times my foot slipped a little but never enough to make me worry I’d fall.
I felt good and my legs felt strong. I was able to run up 3/4 of the franklin hill before I stopped for a walk break. The only part of me that hurt was one of my toes on my right foot. I was wearing different shoes than I normally do — a Saucony Ride instead of a Brooks Ghost — and something about this version of the has never worked for me. I’ve had these shoes for more than a year — 2 years? — and they always cause something to hurt, like my toe or my calf.
10 Spring Things
open river! down in the flats, when I could get very close to it, I watched the small spots of foam as they slowly floated downstream
sh sh sh — the sound of my feet running over the grit on the edge of the trail
good morning! hello friends! — greeting the Welcoming Oaks
the loud and steady sound of water rushing down over the ledges in the ravine
a woman running in shorts and a jog bra
mud, on the edge of the path — once, as I turned a corner, I stepped in it and almost twisted something
whoosh! car wheels speeding through a puddle, water flying up
along with the mud, bare dirt, some grass
last week, running under the franklin bridge when it was even wetter than today, I noticed a black jacket on the ground, soaked. Today that same jacket was hanging from a branch, dry
like yesterday, where there was ice on the path, there were also dead leaves — suddenly realized: someone from Minneapolis Parks had most likely spread the leaves as a natural way to make the path less slippery (as opposed to ice-melt and all of its chemicals)
Rabbits in Art
1 — Rabbit by Jeff Koons
I’m fairly certain that I’ve seen and/or heard of Koons’s Rabbit, but I only thought of it for this “rabbits in art” exploration when it came up in my google search.
DETAILS
Jeff Koons (b. 1955) Rabbit stainless steel 41 x 19 x 12 in. (104.1 x 48.3 x 30.5 cm.) Executed in 1986.D
You can find the image, both close-up and to scale, on Christies auction house site. I’m choosing not to post the image in this entry because of copyright concerns. Even though my use of the image should easily fall under fair use.1
In 2019, this controversial sculpture sold for $91 million. Christies’ page for this auction item has a lot of good information about the sculpture — it’s history, significance, probably all of the citations to articles about it that you might ever need.
Here’s the opening paragraph of Christies’ essay about it:
Since its creation in 1986, Jeff Koons’s Rabbit has become one of the most iconic works of 20th-century art. Standing at just over three feet tall, this shiny steel sculpture is at once inviting and imposing. Rabbit melds a Minimalist sheen with a naïve sense of play. It is crisp and cool in its appearance, yet taps into the visual language of childhood, of all that is pure and innocent. Its lack of facial features renders it wholly inscrutable, but the forms themselves evoke fun and frivolity, an effect heightened by the crimps and dimples that have been translated into the stainless steel from which it has been made. Few works of art of its generation can have the same instant recognizability: it has been on the cover of numerous books, exhibition catalogues and magazines; a monumental blow-up version even featured in the 2007 Macy’s Thanksgiving Day Parade. For an artist such as Koons, who is so focused on widening the sphere in which art operates and communicates, Rabbit is the ultimate case in point.
Childhood — all that is pure and innocent. Fun and frivolity.
And here’s what Jeff Koons says about it, cited in Kurt Varnadoe’s essay for Art Forum, 1986: Jeff Koons’s Rabbit:
This snarky little thumper has other stories to tell too. Koons said, “To me the Rabbit has many meanings. It is a symbol of the playboy, of fantasy and also of resurrection.” (The joining of those last two terms alone can provide food for long thought, or skepticism.) “But to me, the Rabbit is also a symbol of the orator making proclamations, like a politician. A masturbator, with a carrot to the mouth.”
I mentioned Monty Pythons killer rabbit last week. It comes up again in this article about drawings of bad bunnies in medieval art.
Rabbits can often be found innocently frolicking in the decorated borders or illuminations of medieval manuscripts, but sometimes, for reasons unknown, these adorable fluffy creatures turn into stone-cold killers. These darkly humorous images of medieval killer bunnies still strike a chord with modern viewers, always proving a hit on social media and popularised by Monty Python and the Holy Grail’s Beast of Caerbannog, ‘the most foul, cruel, and bad-tempered rodent you ever set eyes on!’.
I like this explanation for why bunnies were depicted as killers:
In real life, rabbits and hares are docile prey animals. But in decorated initials and marginalia, medieval artists often depicted ‘the world turned upside down’, where roles are reversed and the impossible becomes the norm. So here, rabbits are violent hunters hellbent on punishing anyone who has committed crimes against rabbit-kind.
Last week when I mentioned Monty Python, I didn’t know they were referencing a trend in medieval art/manuscripts of rabbits behaving badly, I thought they made it up as a joke!
I think it might be time to synthesize/summarize some of this bunny information. But, that’s a project for this afternoon! Now it’s time for day two of my New Yorker Found Poem experiment!
“Fair use allows limited, unlicensed use of copyrighted images for purposes like criticism, commentary, news reporting, teaching, scholarship, or research. It is a legal defense based on four factors: purpose (e.g., non-profit, educational), nature of the work, amount used, and effect on the market” (source). I have been unfairly fined before, for using an image on an academic blog (over $700 in 2012). ↩︎
“It is rare for a domesticated animal to be both considered food and a treasured pet” (source). ↩︎
New Yorker Found Poem Experiment #2
10:30 am — Before starting to work with an article, I decided to sort through RJP’s old markers and find ones that still work. At some point during the process, I realized that this looking through old markers was making me dizzy; something about it was too much for my brain and my cone-starved eyes. I stopped sorting. I should have taken a break, instead I did something else. A few minutes later, I felt woozy and needed to sit down. My hands were shaking and my legs felt tingly. My pulse was fine, but my blood pressure was elevated — 158. I think I was having a mild panic attack, triggered by the dizziness from my bad vision. Boo. It seems as if my anxiety is back. I had a nice stretch of a year+ without it. It also seems like I will need to be more careful with how I use my eyes. Too much trying to closely see something might trigger another one of these. Am I right in my assessment?
I am noticing that my vision has deteriorated more. It’s even harder to recognize the faces of actors on tv, harder to see my kids’ faces when they talk to me. Am I getting closer to the complete end of central vision?
Because of this incident, I did not start my second experiment this moring. Should I now, at 2:10 pm, or will it trigger more dizziness and anxiety?
Yes, I did it. I need to make sure I test out/find the right tools and be more deliberate in what I’m doing. I’m very messy — which is mainly because of my vision, but not completely. I’ve always been an almost and a that’s good-enough girl.
These poems are from a July 2025 article, Money Talks:
1 — Let me ask you a question
Let me ask you one questions
I like the idea of this, with all of the questions marks, but it is really sloppy and it doesn’t highlight the text that I’m using, “Let me ask you a question.” I would try this one again, but if I plan it more carefully and work on my question marks!
2 and 3
2: In the middle of a story, you are either in or you are out 3 — About nothing: it is a junk drawer for everything nobody ever heard of
Again, messy and poorly executed. I like that I used less words than the last one. I need to figure out a way to draw that I can do with my unreliable vision. It’s hard to see enough to color within the box or to draw straight lines, even with a ruler!
I like the idea of nothing as a junk drawer. It might make even more sense if I found a much, and could make nothing into nothing much.
I am listening to HCR’s politics chat for today and she said, as she often does, OOPSIE POOPSIE. I love when she says that!
Spring-y! Sun, above freezing, and a clear walking path! I was able to take the trail that dips below the road between the double bridge and locks and dam no. 1! Also: birds and grass and no gloves. A good run. I feel more power in my legs and able to run for longer without stopping. I heard kids on the playground, the call of a bird that sounded mechanical — similar to the strange, high-pitched siren I heard earlier today, and the doppler effect on the light rail bells as I ran south to the falls. I heard Panic at the Disco, Radiohead, Gene Autry, and The Jazz Crusaders on the way back home.
Speaking of hearing, as I write this at my desk, I can hear a woodpercker outside my window pecking on a tree in our front yard that I think is dead or dying. Every peck is saying, right right right right (you’re) right. Ugh! Is it time to call a tree service?
At some point during the run I thought about I wasn’t thinking about much of anything. Then I thought, the purpose of today’s run is not to work out a writing problem, or encounter some inspiration, but to move and breathe, feel the sun on my face, and be by the river.
10 Things
a thin skin of ice on the river
larger areas of the creek open with dark water, some snow stretching out from the banks
an occupied bench! someone is sitting on the bench at the 44th street parking lot
overheard: some guy talking to his two friends about something being only 2 loops — when I passed them a few minutes later, I noticed they had on shorts and running shoes on
that same truck that seemed to be hiding under the bridge last week was back again today — why?
a few parts of the trail that still had any ice or snow were also covered with dead leaves
enough snow had melted so that I could cross the road and walk on a wide strip of grass instead of mud and snow
vision mistake: up ahead of me, it looked like a truck was parked on the path, blocking the way. I crossed over to the parking lot then immediately realized the curve in the trail made it look like the truck was blocking it, but it wasn’t. Oops
more people near the falls, more cars parked in the parking lot
stopped at Rachel Dow Memorial bench to admire the view through the slender tree trunks and to take a few pictures.
sitting beneath the bench looking up at the trees / 2 march 2026
more rabbits bunnies
It started on 20 feb, this occupation with bunnies.1 When will it end? Not today! Here are some more bunny things I’d like to archive:
1— buuuuunnies
In footnote 1, I mention that bunny is fun to say. That might be partly because when I say it, I think of how Tom Haverford says it on Parks and Recreation2:
2 — Boynton Bunnies
At first he was skeptical, but I’ve managed to get Scott thinking about and noticing bunnies and bunny-related things everywhere! This morning he sent me an image someone posted on social media:
you say rabbits, and I say bunnies / you say comics, and I say funnies
Actually, I don’t say funnies — who says funnies? — but it worked for the reference to “Let’s Call the Whole Thing Off.” Is Sandra Boynton still popular in 2026? I remember her greeting cards in the 80s and her kids books in the aughts. What was the one with the cd/songs that FWA and RJP loved? did they love it? I can’t remember; I think they at least liked it, or was that just me who did? I think the book/album was Philadelphia Chickens.
In addition to sending me random bunny images he finds, Scott was willing to watch the Disney Alice in Wonderland, which was awesomely weird, and sadly could never be made now, I think. Some of the nonsense in it, which was fabulous, reads not as kooky kid imagination but as being under the influence of psychedelics. There was also this menacing edge to the characters Alice encounters: they seemed fun or dangerous at any given moment. Two examples: the flowers in the garden — that head Rose! — and Tweedle-dee and Tweedle-dum — doing fun acrobatics but also stopping Alice from leaving.
3 — the Bronze Bunny
Their official name is “Cottontail on the Trail” because they are a bronze statue of a cottontail and they are right on the minnehaha bike trail, but I always call them the bronze bunny. Other people call them the Minnehaha Bunny.
The sculpture has garnered the nickname of the “Minnehaha Bunny” from residents.[4] Children often climb on the sculpture and people who live nearby have frequently costumed and decorated it based on seasonal occasions or topical events such as leaving eggs by the sculpture during Easter or cladding the mouth of the sculpture with a large cloth face mask during the COVID-19 pandemic.
I’ve written about this bunny on here before. They’re 4.5 or so miles from my house so I only see them on bike rides and long runs when I am training for the marathon. Passing the bunny on a run is a big deal; it means that I’m fit enough to run for 10 miles or more.
This bunny was erected in 2002, but it seems like it’s been here much longer.
I’ve tried to say rabbits, but I just like bunnies better. I think it’s partly because of how it sounds as I say it. ↩︎
Finding and creating this clip took WAY longer than it should have. I kept at it because I was determined to get the clip, not because Tom saying “buuunnies” was worth it (I think I spelled buuuunnies with one n in my title, ugh), but because I wanted to figure this out. Before losing most of my cone cells it was so much easier to do stuff like this. ↩︎
Get Out Ice
Here’s an example of an existing group using their established community to provide mutual aid and support to people during the ICE occuption: How a Dungeons & Dragons meetup turned into mutual aid during ICE operations. Members have organized “know your rights” workshops, accompanied immigrants to appointments, coordinated food donations, and made barbecue for families in need.
This quotation fits with the erasure poem I’ve been working on this morning:
“In a story, you can be the underdog who defeats the big, bad, evil entity,” said D&D player Kat Hennan. “I think that having that kind of thought exercise and storytelling right now is extremely important.”
New Yorker Found Poetry Experiment, Day 1:
Picked a random old New Yorker. Found an interesting article, “The End of the Essay: What comes after A.I has destroyed college writing? / Hua Hsu. Put my watch timer on for 30 minutes.
Poem:
question: Has there ever been a time in human history when the arts could not offer hope and help us to be open to more possibilities? answer: Never
A good first try. It’s funny that I want to do these visual poems when I struggle so much to see the words or how to make the boxes and lines that I need, but something in me keeps persisting, so I’ll keep trying. Hopefully it will get easier.
It’s messy — and with my vision, it will always be. and I added an extra to that’s just floating out there, disconnected. It’s too busy with too many lines. But it was fun and challenging and I like the poem I came up with a response to an article about AI ruining college writing.
When I showed it to Fletcher, he liked it and said there were ways to refine it. I agree, but not to this poem. I wrote on the original essay and I don’t have another copy. The question: next time should I scan the essay before drawing on it, or is the risky (you only get one shot) approach part of the challenge and the fun?
experiment #1 / 2 march 2026
note: I also need to learn how to take better pictures of my work!
March? March! We’ve made it to March, and March, as I told FWA last night, is a spring month. Weather-wise it will still be winter in Minnesota for 1 or 2 more months, but March is in spring.
Bunny Ears / Rabbit Ears
All of this rabbit exploration is fun and wonderfully distracting. I thought I’d start out today with ears. Last night, I made a note in my Plague Notebook 271: Liam’s bunny ears, Louise’s bunny ears, rabbit ears on top of a tv.
1 — Liam Conejo Ramos and the bunny ears
A widely shared photograph of 5-year-old Liam Conejo Ramos has come to represent ICE’s “Operation Metro Surge” in Minnesota.
The boy is wearing a knit bunny hat complete with floppy white ears, while an ICE agent stands behind him and pulls slightly on his Spider-Man backpack.
There have been conflicting stories about how Liam and his father, Adrian Conejo Arias, were detained by ICE at their Columbia Heights home. The differing versions pit local school officials and observers on the scene against federal immigration agencies.
The conflicting story here is that school officials and observers claim that little Liam was detained by ICE on his walk home from school and used as bait to get his family to open the door. ICE agents claim his father abandoned him as he fled, and that they were protecting him from the cold. Even though there were many adults who could have and wanted to take custody of Liam, ICE took him and his dad and sent them to Texas concentration camp.
In the twin cities and around the world, people were outraged by these actions and moved by the photo with the bunny ears. One example: activists have been crocheting the hat and spreading the pattern online for others to crochet too:
“[Liam] is one of many, but his sweet bunny hat has become an enduring symbol for those of us who oppose the cruelty of this administration and the unchecked violence being perpetrated against our neighbors. There are a lot of tears woven into this silly bunny hat,” the crocheter wrote on social media.
If you want to make your own hat, I think that would be amazing. I would love to see a line of protesters wearing bunny hats, or like-minded individuals putting love out into the world.”
The youngest Belcher on Bob’s Burgers always wears pink bunny ears. Why? Apparently it is explained in the movie, which RJP has been trying to get us to watch for more than a year. I guess we should. Another thing to watch: the episode in which the bunny ears are stolen, “Ear-sy Rider.” Okay, I found the clip on Youtube:
Louise and the bunny ears
In the example of Liam, the bunny ears represent vulnerability — Liam as little and innocent and the ICE actions as a terrible violation. What do they represent for Louise? I’ll have to watch more of the Bob’s Burgers movie to understand that, but it seems like she thinks they represent vulnerability and weakness — she’s thinks she wears them because she’s not brave — but they actually represent a quirkiness she shares with her grandmother. That’s what I got from the clip; I’ll have to wach more of the movie to get a better understanding.
3 — rabbit ears as tv antenna
When I think of rabbit ears, I think of the little antennas2 you put on top of your tv when you don’t have cable. We still have a pair for our upstairs tv.
Marvin P. Middlemark (September 16, 1919 – September 14, 1989) invented the Rabbit Ears television antenna (dipole antenna) in 1953 in Rego Park, Queens, New York. Marvin P. Middlemark revolutionized how television was watched in the United States, as his Rabbit Ears increased the television signal reception made available to the mass market; this move is considered by many as the single most important reason for the television boom of the late 1950s – 1960s.
Reading about rabbit hearing, I found these two little sad sentences —
The outer ear, known as the pinna, is very different because rabbits need to rely more on their hearing to detect predators. Domestic rabbits can suffer from hearing problems due to selective breeding for a ‘cute’ look.
The outer ear also acts as a radiator: rabbits can’t sweat like we do, or pant like dogs, so regulate their temperature by pumping blood into their ears.
Some other things I read about rabbit ears: rabbits can swivel their ears; rabbit ears are kept up by interlocking cartilage, some rabbits can’t keep their ears up because they have a gap in the cartilage (called lopping, and the floppy eared rabbits are called lops); according to a study, rabbits like chill classical music, soft new age, and probably Kenny G (ugh!).
a few more rabbit ears: putting your fingers up in the dark and creating bunny ears with the shadow; doing “bunny ears” as you sing “Little Bunny Foo Foo”; the They Might Be Giant’s refrain, hammer down / rabbit ears, in their song “Rabid Child”
bunny ear silhouette
Writing this last bit I wondered, are the ears the defining shape of a rabbit silhouette? Yes, I think so. Those ears are very distinctive and particular to the animal. The distinctive quality of this shape returns me to my vision: To identify/recognize things, I often rely on their silhouette and its most distinctive features. All I need to see are those two ears and I can tell, rabbit. Now, that’s true for drawings of rabbits, is it true in recognizing them in my yard? I’m not so sure. I’ll have to think about that some more — maybe try to notice what I see when I see something in the yard and think, rabbit (or more likely, bunny).
Just a few more pages to fill before I’m onto vol. 28. I’ve been filling these up since just as the pandemic began, hence the name, the Plague Notebook. ↩︎
Doing some more digging on antennas, I discovered that rabbit ears are used for VHF channels, while a loop and bowtie antennas are for UHF. VHF = longer distances / UHF = better quality ↩︎
a found poem experiment/practice
At any given time, I have A LOT of ideas for experiments buzzing around in my head. Many of them make it into this log as things I’d like to try. Some of them, I try. And a few of them become a dedicated experiment, then a monthly project, then an obsession, then a poem or a series of poems or something even bigger. I rarely predict what will stick and what won’t, and when that might happen. I like living in geologic time — slow and long. Working on something for five or more years is not unusual!
For several months, the idea of doing more erasures has been buzzing around. The recent fascination started with my discovery of Lisa Olstein’s latest collection, Distinguished Office of Echoes — I checked; I discovered it on 20 dec 2025. I should archive all of this (this = discussions, links, ideas, quotes) on one page soon, when I have time. Since that rediscovery, I’ve been thinking about found poems — centos, erasures, white-out, cut-outs, which led to do my series of found love poems about love in the time of (ICE) occupation. Yesterday I mentioned erasure poems again in my Plague Notebook, and this morning I happened upon (following a rabbit search — rabbit Marie Howe — down a rabbit hole) a found poem collection by Annie Dillard. I’ve already requested it from the library!
Last night, a problem: I’d like to do more erasures and try cut-ups, but almost all of the text I find/use is online. What can I do about that? My first solution before going to bed: I should go to thrift stores, used book stores and buy cheap and old used books. My second thought during the purple hour: go to the basement and find that box of old books that I haven’t had time to donate yet. My third thought while down in the basement when I couldn’t find the box: look through the kids’ old books, especially the crappy paperbacks. And my latest thought after gathering some books and as I walked up the stairs: use the ridiculously tall stack of old New Yorkers on the bookcase in the front room! So, that is what I hope to do. I’d like to make it a daily practice — as inspired by Mary Ruefle and her erasure practice. I think I’ll start with the New Yorkers because I have more of them, and once I’m more practiced, I might move onto the books. It’s the first day of March, so I’d like to make this my March challenge.
the preliminary rules for week one: pick (randomly?) 2 pages from the New Yorker, read them several times, then use them to write a sentence or a short poem — link them with dots, lines, and arrows.
Get Out Ice
In the middle of the night, scrolling through Instagram, I found out about the Kaleidoscope of Love Art Mobilization. It happened yesterday afternoon at Powderhorn Park. I wish I would have known about it; I would have tried to go and be a part of it.
YOU are invited to participate in a choreographed movement of more than a thousand people holding colored placards to the sky to create a gigantic open-winged butterfly, surrounded by poetry and choral singing.
Kaleidoscope of Love is a celebration of you; of Minneapolis and Saint Paul; of neighbors who check in, deliver groceries, shovel sidewalks, walk kids to school and friends to work, sing, march, and offer comfort and care. We invite you to celebrate our city at Powderhorn Park in South Minneapolis to lift that spirit of community into the sky, forming a living butterfly in a joyful, shimmering mosaic of color, co-created by you, your neighbors, family and friends.
Kaleidoscope of Love was designed the public artist, Christopher Lutter-Gardella. Wow! He also created a giant heart for We Defend the Heart, among many other public art installations/mobilizations.
