feb 25/RUN

5k
ywca track

Ran on the track with Scott this morning, not together but at the same time. I thought about swimming, but knew it would be crowded, so I ran. Listened to a playlist titled, Sara 2020. Started with Tower of Power’s “What is Hip” and ended with Prince’s “Let’s Go Crazy.” Focused on my cadence, arm swing, and not running into people as I passed them, including 2 runners who were running in the far lane. There were soccer games going on below me in the big gym, but I didn’t notice them at all. Too lost in my run.

The thing I noticed the most were the people:

  1. a man with white hair, wearing shorts and a tank top, running
  2. a woman in turquoise shorts and a tank top, running in the far lane, making it difficult to pass
  3. another runner in dark sweatpants and a light shirt running in the far lane
  4. 2 people walking, one of them carrying dumbells
  5. another pair of women, the one in the middle lane wearing a bright blue shirt
  6. a woman in mid-calf light blue patterned running tights and a white tank top running in the middle lane
  7. someone in tan shorts walking faster than the other walkers
  8. a woman stretching her calf muscles on the steps in the far corner
  9. a guy in gray, walking
  10. someone in red (I think?) sitting on the bench near the punching bag and the exit

I was listening to music, so I couldn’t hear what anyone was saying, but Scott told me that he overheard 3 interesting things from the pair of women walkers (#5 above). He called them chatty Cathys, he guessed they were in college, and he heard them say this: First, just as he passed them, he overheard one of them call out in disgust, Yuck! Next time, They’ll see it on your transcripts. Finally, You should really stop binging. Binging a show, food, alcohol? What will they see on your transcripts, and is this a good thing, or a bad thing? I love overheard conversations and imagining what they’re about.

Here are two poems I discovered today that move in opposite directions:

Rain/Jack Gilbert

Suddenly this defeat.
This rain.
The blues gone gray
And the browns gone gray
And yellow
A terrible amber.
In the cold streets
Your warm body.
In whatever room
Your warm body.
Among all the people
Your absence
The people who are always
Not you.

I have been easy with trees
Too long.
Too familiar with mountains.
Joy has been a habit.
Now
Suddenly
This rain.

Love: I have been easy with trees/too long.

Opera Singer/Ross Gay

Today my heart is so goddamned fat with grief
that I’ve begun hauling it in a wheelbarrow. No. It’s an anvil
dragging from my neck as I swim
through choppy waters swollen with the putrid corpses of hippos,
which means lurking, somewhere below, is the hungry
snout of a croc waiting to spin me into an oblivion
worse than this run-on simile, which means only to say:
I’m sad. And everyone knows what that means.

And in my sadness I’ll walk to a café,
and not see light in the trees, nor finger the bills in my pocket
as I pass the boarded houses on the block. No,
I will be slogging through the obscure country of my sadness
in all its monotone flourish, and so imagine my surprise
when my self-absorption gets usurped
by the sound of opera streaming from an open window,
and the sun peeks ever-so-slightly from behind his shawl,
and this singing is getting closer, so that I can hear the
delicately rolled r’s like a hummingbird fluttering the tongue
which means a language more beautiful than my own,
and I don’t recognize the song
though I’m jogging toward it and can hear the woman’s
breathing through the record’s imperfections and above me
two bluebirds dive and dart and a rogue mulberry branch
leaning over an abandoned lot drags itself across my face,
staining it purple and looking, now, like a mad warrior of glee
and relief I run down the street, and I forgot to mention
the fifty or so kids running behind me, some in diapers,
some barefoot, all of them winged and waving their pacifiers
and training wheels and nearly trampling me
when in a doorway I see a woman in slippers and a floral housedress
blowing in the warm breeze who is maybe seventy painting the doorway
and friends, it is not too much to say
it was heaven sailing from her mouth and all the fish in the sea
and giraffe saunter and sugar in my tea and the forgotten angles
of love and every name of the unborn and dead
from this abuelita only glancing at me
before turning back to her earnest work of brushstroke and lullaby
and because we all know the tongue’s clumsy thudding
makes of miracles anecdotes let me stop here
and tell you I said thank you.

This poem! The beauty that interrupts us and forces us out of ourselves and into the world! Ross Gay is wonderful.

My Emily Dickinson, part two

a new grammar grounded in humility and hesitation

Emily Dickinson took the scraps from the separate “higher” female education many bright women of her time were increasingly resenting, combined them with voracious and “unladylike” outside reading, and used the combination. She built a new poetic form from her fractured sense of being eternally on inteIlectual borders, where confident masculine voices buzzed an alluring and inaccessible discourse, backward through history into aboriginal anagogy. Pulling pieces of geometry, geology, alchemy, philosophy, politics, biography, biology, mythology, and philology from alien territory, a “sheltered” woman audaciously invented a new grammar grounded in humility and hesitation. HESITATE from the Latin, meaning to stick. Stammer. To hold back in doubt, have difficulty speaking. “He may pause but he must not hesitate”-Ruskin. Hesitation circled back and surrounded everyone in that confident age of aggressive industrial expansion and brutal Empire building. Hesitation and Separation. The Civil War had split American in two. He might pause, She hesitated. Sexual, racial, and geographical separation are at the heart of Definition.

Here’s something I wrote about this passage on March 17, 2021:

I really like this idea of hesitation and humility and aboriginal anagogy as a sharp contrast to progress, aggression, confidence/hubris, and time as always moving forwards (teleology). I tried to find a source that could explain exactly what Howe means by aboriginal anagogy but I couldn’t. I discovered that anagogy means mystical or a deeper religious sense and so, when I connect it to aboriginal, I’m thinking that she means that ED imbues pre-Industrial times (pre Progress!, where progress means trains and machines and cities and Empires and factories and plantations and the enslavement of groups of people and the increased mechanization of time and bodies and meaning and, importantly, grammar) with the sacred. Is that right? Is it clear what I’m saying?

A few paragraphs later, Howe writes this about ED’s grammar of “hesitation and humility”:

Naked sensibilities at the extremest periphery. Narrative expanding contracting dissolving. Nearer to know less before afterward schism in sum. No hierarchy, no notion of polarity. Perception of an object means loosing and losing it. …Trust absence, allegory, mystery–the setting not the rising sun is Beauty. No outside editor/”robber.” Conventional punctuation was abolished not to add “soigne stitchery” but to subtract arbitrary authority. Dashes drew liberty of interruption inside the structure of each poem. Hush of hesitation for breath and for breathing….only Mutability certain.

Some of this is starting to make sense. The periphery, the dashes as hesitation, mystery. I was curious about her take on sunsets over sunrises so I googled it and found this ED poem and helpful account from the Prowling Bee (love her!). She includes a list of ED’s sunset poems.

Howe ends Part One with one more description of ED’s hesitation and humility:

Forcing, abbreviating, pushing, padding, subtraction, riddling, interrogating, re-writing, she pulled text from text (29).

feb 17/RUN

5.5 miles
bottom of franklin hill turn around
15 degrees / feels like 5
5% ice-covered

Colder today, but almost a completely clear path! Sunny, bright. Greeted Dave the Daily Walker early on. He was bundled up today. Wrapped in so many layers, I felt disconnected. I barely remember running on the stretch between the Welcoming Oaks and the lake street bridge. Only one flash of memory: looking down from the bike path, I noticed the walking path was hidden by a hard pack of snow, hardly looking like a path.

Listend to the gorge running north, a playlist returning south.

layers

  • my (recently) dead mother-in-law’s purple Columbia jacket
  • pink jacket with hood
  • green shirt
  • 2 pairs of black running tights
  • 2 pairs of gloves (black, pin and white striped)
  • gray buff
  • black fleece-lined cap
  • 1 pair of socks

10 Things I Noticed

  1. my shadow, running ahead of me
  2. the shadow of the lamp post beside the trail — the tip of the top of the lamp post looked extra sharp
  3. the river was open and brown, with a few streaks of white
  4. the path was clear but on the edges there were thick slabs of opaque ice where the puddles had refroze
  5. birds!, 1: the tin-whistle song of a blue jay
  6. birds!, 2: the laugh of the pileated woodpecker
  7. birds!, 3: the drumming of some woodpecker. Was it a pileated woodpecker, or a downy woodpecker, or a yellow-bellied woodpecker?
  8. birds!, 3: so many chirps and trills and twitters on the way up the franklin hill — a rehearsal for spring
  9. an impatient car illegally passing another car on the river road
  10. very little ice on the trail — where there was ice, Minneapolis Parks had put some drit down to make it less slippery (finally!)

Today, I have 2 Pastan poems. I am including both of them because they work together to speak to one set of struggles I have with losing my vision: I can no longer drive because of my deteriorating central vision AND this inability to no longer drive makes me feel much older than I am. Pastan is writing about surrendering her key when she’s in her late 80s. I stopped being able to drive at 45.

Ode to My Car Key/ Linda Pastan

Silver bullet
shape of a treble clef
I slip you
in the ignition—
an arrow
seeking its target—
where you fit
like a thread
in the eye
of a needle
like a man and
a woman.
A click and
the engine roars,

the road unscrolls
on its way
to anywhere.
At night you sleep
in the darkness
of a drawer,
On a pillow
of tarnsied coins.
Oh faithful key:
last week I gave
you up
for good—
Excalibar back
in its stone—
as I climbed into
the waiting vehicle
of old age.

Reading “Ode to My Car Key”

Cataracts/ Linda Pastan

Like frosted glass,
you blur the hard edges
of the cruel world.

Like summer fog, you obscure
the worse even an ocean can do.
But watch out.

They are coming for you
with their sterile instruments,
their sharpened knives,

saying I will be made new—
as if I were a rich man
wanting a younger wife.

Soon the world will be all glare.
Grass will turn a lethal green,
flower petals a chaos

of blood reds, shocking pink.
What will I see? I am afraid
of so much clarity, so much light.

This second poem offers an interesting contrast to the first one, which is a lament over the loss of the ability to drive, presumably (mostly?) because of her vision. In “Cataracts,” Pastan is worried about regaining her vision and how it will change the gentle ways she sees. “I am afraid/of so much clarity, so much light” immediately reminds me of Emily Dickinson’s “Tell it Slant”: “too bright for our infirm Delight” and “Before I got my eye put out”: “So safer — guess — with just my soul/ Opon the window pane/ Where other creatures put their eyes/ Incautious — of the Sun– “

I like how putting these poems together offers space for both lamenting the loss of vision, and for appreciating the new ways it allows you to see. Is this what Pastan is doing? I’m not sure, but it speaks to how I feel about my vision loss.

feb 7/RUN

4.45 miles
minnehaha falls and back
31 degrees
100% slick, sloppy mess

Yuck! With warmer temperatures comes puddles, slicker ice, and soaked socks. Most of the trail was covered in little brown lakes. Oh well. The sun was warm on my face, and I felt almost too warm in my layers, so I was happy to get out there and run. Because I was trying out my new bluetooth headphones, and because the path was so challenging, I was distracted. Did I notice at least 10 things? I’ll try:

10 Things I Noticed

  1. running south into the sun, the slick path sparkled
  2. kids yellling at the playground. I think I heard one deep voice — was it a teacher?
  3. there was a very big puddle in the street at 42nd, right by the path. As cars drove through it, I could hear all the water splashing up onto the curb — glad I wasn’t running there!
  4. passed the same group of 3 walkers + 2 dogs in both directions on the narrow bridge
  5. the river was mostly open, with streaks of white ice
  6. a few people at the falls, near the bridge
  7. a man and a dog playing in the snow near the longfellow poem at the falls
  8. unable to avoid it, I ran straight through a deep puddle on my tiptoes
  9. glanced over at the house with the poetry in the window to check if there was a new poem. Too much snow to see the sign with the poem title
  10. the long dark tree branch of the mostly dead tree on the corner stretched across the path and the road. I wondered, as I ran under it, if it would fall on me

As part of my February challenge, I’m reading poems from Linda Pastan. Here’s the one for today:

Practicing/ Linda Pastan

My son is practicing the piano.
He is a man now, not the boy
whose lessons I once sat through,
whose reluctant practicing
I demanded–part of the obligation
I felt to the growth
and composition of a child.

Upstairs my grandchildren are sleeping,
though they complained earlier of the music
which rises like smoke up through the floorboards,
coloring the fabric of their dreams.
On the porch my husband watches the garden fade
into summer twilight, flower by flower;
it must be a little like listening to the fading

diminuendo notes of Mozart.
But here where the dining room table
has been pushed aside to make room
for this second- or third-hand upright,
my son is playing the kind of music
it took him all these years,
and sons of his own, to want to make.

I love the gentle way this poem unfolds, how it reminds me of my son and demanding he practice his clarinet, and its idea that practice accumulates and can take decades to lead to the things we want to do.

The practicing son in this poem reminds me of another poem I posted in the fall, Transubstantiation:

my six-year-old grandson, in the early
August rainy morning, piano-practices
“The Merry Widow Waltz.” Before
I was a widow, that song was
only a practice piece, a funny
opera

jan 23/RUN

4.1 miles
river road path, north/south
24 degrees
90% snow and ice-covered

More of the same very poor path conditions. Hard, rutted, uneven ice and snow. So hard to move through! My legs are sore again. Sore like I worked them, not like I injured them.Two days ago, it was one of the muscles in my right quads — looked it up and I think it was the rectus femoris. Today it’s my calves. I looked at the river — open, brown, cold. Ran north with no headphones, listening to the crunching of my yak trax on the crusty snow. Listened to Beyoncé’s Renaissance on the way back. Smelled fried food wafting down from Longfellow Grill. Ran past the port-a-potty under the lake street bridge, the door was wide open. Noticed a walker hiking up the road that leads down to the rowing club. Encountered 2 different runners with their dogs. One of the runners was extra cautious, stopping and holding their dog as I ran by. Anything else? Smelled some cigarette smoke.

Almost forget: it was snowing at the beginning of my run. I remember thinking the falling flakes looked like something flashing — what? I can’t remember now. All I remember was that the sky was falling and it was beautiful.

This morning, I found an amazing poetry project by Anna Swanson called “The Garbage Poems.” It’s a series of found poems composed of words taken from the trash she found at swimming holes. She has an interactive site for the poems where you can create your own garbage poems. You can also read her poems and click on each word to find which garbage it came from. How amazing! I’m very excited to have encountered her work. Not only are these poems amazing, but she has also written many others about wild swimming!

The Garbage Poems

jan 21/RUN

4.5 miles
minnehaha falls and back
21 degrees
99% snow and ice-covered

A common refrain: if only the path hadn’t been so icy and snowy, this would have been a near-perfect run. Loved the temperature and the grayish-white sky. Loved feeling strong and capable. Loved being outside moving and not stuck in the house. The only problem was the path. Terrible. Uneven, hard, rutted, slippery. Wearing my yaktrax helped a little, but it was still difficult. About a mile in, my right thigh was sore — I think from the extra effort of picking it up off of the slippery path. Thought about turning around, but decided to keep going to the falls and back.

Was able to Good Morning! Mr. Morning! Also gave some directions to the falls — up the hill. Passed a lot of runners and walkers. Can’t remember in there were any bikers — oh, I saw someone biking ahead me on the road, both of us on our way to the river.

10 Things I Noticed

  1. the cry of a pileated woodpecker
  2. a fine mist — was it barely snowing?
  3. a quick glance at the oak savanna — the split rail fence is sagging in one spot. I couldn’t tell for sure but I think the top 2 railings might have split
  4. a person standing in the snow near the part of the Winchell Trail that climbs out of the gorge for a few seconds near Folwell before dropping down again
  5. a woman walking a dog near the falls in a long light gray puffer coat that almost reached her ankles
  6. voices below — I stopped to look and saw someone walking closer to the bottom of the frozen falls
  7. 2 people standing above the falls, holding a phone high in front of them, taking a selfie
  8. off to my side, a leaning tree covered in white on one side
  9. at the start of the run, hearing a nail gun off in the distance — probably roofers
  10. 2 different times I encountered a walker wearing an orange backpack — 2 different times, 2 different walkers, 2 different backpacks, both orange

Did I see those orange backpacks? I believe I did, but I’ve been seeing a lot of orange lately. It’s one of the only colors that I notice these days. Strange.

Forgot to look at the river. I bet it was still brown.

jan 20/RUN

4.35 miles
river road trail, north/south
27 degrees
99% ice and snow-covered path, slick

Very slick outside today. A lot of ice covered with an inch or two of snow. That part of it wasn’t fun, but the rest of it — the cold air, the open river, the gray sky — was wonderful. Greeted Dave the Daily Walker. Passed Daddy Long Legs. Noticed all of the rusty orange leaves still on the trees near the tunnel of trees. Heard goose honks under the lake street bridge. Later, also heard some runner coughing as he crossed the bridge then turned down to enter the river road. No! Every few seconds, a deep cough, full of gunk. I sped up to try and stay ahead of him and his germs. It worked. For a few minutes, I kept hearing the jagged coughs, then it stopped.

Anything else? The river was brownish-gray, the sky sunless.
No headphones for most of the run. During the last mile, I put in an old coming-back-from-injury playlist: I heard “Upside Down” and “Fantastic Voyage.”

FWA is on band tour in Spain and France right now. 29 years ago, Scott and I were on our European band tour. 29 years ago? Wow. Very excited for FWA.

Sitting at my desk, writing this, I’m also looking outside my window at the robins running around on the snow and rooting in the hydrangea bushes for twigs? seeds? Quietly, they scamper then fly low right in front of me. What are they looking for?

Encountered a beautiful poem on twitter this morning that I thought I had already posted on my log but hadn’t.

A Stranger/ Saeed Jones

I wonder if my dead mother still thinks of me.
I know I don’t know her new name. I don’t know  

her, not now. I don’t know if “her” is the word
burning in a stranger’s mind when he sees my dead  

mother walking down the street in her bright black dress.
I wonder if he inhales the cigarette smoke  

that will eventually kill him and thinks “I wish I knew
a woman who was both the light and every shadow  

the light pierces.” I wonder if a passing glance at my dead
mother is enough to make a poet out of anyone. I wonder  

if I’m the song she hums as she waits for the light to change
or if I’m just the traffic signal holding her up.

This poem was posted as part of a thread. I want to post the next one, which is by Todd Dillard (one of my favorite poetry people). I like his introduction of the poem in a tweet:

I have so many poems also grieving my dead mother by giving her a kind of life after life.

Mom Hires a Stunt Double/ Todd Dillard

Sick of all the impossible I ask of her
in these my griefiest poems,

Mom hires a stunt double: same white hair,
same laugh, same false teeth, same dead.

Now when I write “Mom curls like rinds in a bowl”
it’s her stunt double twisting herself into pithy canoes.

When I write “At night my mother sheds
the skin of my mother revealing more mother”

it’s her stunt double that unzips her body,
stands there all shiver and muscle and tendon,

waiting for the next line. “What’s in it for you?”
I ask, and Mom’s stunt double shrugs,

lighting one of those familiar Turkish Silvers
as behind her my mother mounts a Harley

and barrels into the margins. “You’re a good kid,”
the double says. But she doesn’t touch my hair.

This close to her, her eyes are all pupil,
all ink. Her smell: paper and snow.

When she exhales smoke spills from her lips
and unfolds into horses.

Oh, I love both of these poems!

jan 2/RUN

5.25 miles
franklin hill turn around
22 degrees
35% ice

Winter storm coming this evening — ice and snow. I don’t mind the snow, but I could do without the ice. Will this be the last run I can do outside for a while?

Today the sky was a grayish-white, or mostly white with a hint of gray. Hardly any wind. The path was icy and slick and I felt my feet slide a few times, but I never worried about falling.

Greeted Mr. Morning and a walker with hiking poles. Daddy Long Legs asked me if I was doing hill repeats because he thought he had seen me climbing the hill already. Nope, I said. Oh, you must be wearing the same clothes, he said.

Heard the drumming of a woodpecker, the chirping of a bird — a robin, I’ve decided.

Smelled some breakfast at Longfellow Grill as I descended below the lake street bridge.

2 miles in, I felt my body warm up, especially my legs.

Looked over at the gorge and noticed orange — the dead leaves still lingering on the oaks. Looked down into the gorge and saw a white river, completely covered.

Ran north with no headphones. Stopped 3/4 of the way up the hill to put in a playlist, then ran south.

a summary in minisons

  • drumroll please
  • my doppelgänger
  • eggs bacon toast
  • the color orange
  • impending gloom

On twitter, I encountered an interview with a local poet that I haven’t read, Michael Kleber-Diggs. So I found his site, and read a few of his poems, including this one that does a wonderful job of capturing the messy, ugly, beautiful complexity of Minneapolis:

Here All Alone/ Michael Kleber-Diggs

Raptors ride the thermals above Dakota.
Beyond them, the sun appears closer,
colder. Everything warm escapes, returns.
One-hundred nations assemble in congress,
this time for water, where water is life.
And I know this isn’t my song to sing,

but I wonder what god saves grace for hunters.

Water cannons, fire hoses, nunc pro tunc.
this land, once yours, was flooded and dammed
the same day our Rondo was cleaved for a highway.
And I know I’ve seen those attack dogs before
with the same blue force undoing brown bodies.
Foul water in Flint, good water in Bismarck:
bullets, bulldozers, bad pipes, hollow promises –
what birds are these still circling, circling

while god denies grace for the hunted?

Warm air sent rising makes gliding
seem easy, while shale beneath us fractures,
relents. Why then must earth grow colder then
harden, and leave us to shiver here all alone,
singing sad songs of foremothers, forefathers
while above the raptors exhort us to prey?

To pray to a god who saves grace for hunters.

dec 31/RUN

4.5 miles
minnehaha falls and back
26 degrees / feels like 20
90% snow-covered

The last run of the year. A beautiful winter morning. Not much wind, not too cold, not too crowded. In the beginning, the sun was behind some clouds. The light was eerie and subdued. Everything soft gray. Almost reverent. I felt relaxed and happy and open to the world, moving with it and through it instead of against it. I tried to keep my back strong and straight, feeling the pressure release from my hips. Deep breath in through my nose, out through my mouth.

Lots of thinking about being open that I don’t quite remember now. Something about George Sheehan and a mixture of these quotes from his essay, “Running”:

…each day I take to the roads as a beginner, a child, a poet. Seeking the innocence of the beginner, the wonder of the child and the vision of the poet. Hoping for a new appreciation of the landscape, a new perspective of my inner world, some new insights on life, a new response to existence and myself.

I must listen and discover forgotten knowledge. Must respond to everything around me and inside me as well. 

Poets do this naturally. A really good poet, wrote James Dickey, is like an engine with the governor off….

The best most of us can do is to be a poet an hour a day. Take the hour when we run 0r tennis or golf or garden; take that hour away from being a serious adult and become serious beginners.

Running / George Sheehan, 1978

I like the idea of combining the wonder of the child with the vision of a poet, but not really the innocence of a beginner. Instead of innocence, I’d say the openness of a beginner, or maybe even the ignorance? — unknowingness might be better — the enthusiasm, lack of judgment or preconceived notions? Innocence seems too connected to purity and whiteness for me, in terms of how it gets imagined. Yes, I like openness.

I wasn’t thinking about innocence as I ran, just openness and being open to everything around me and inside of me. When I lifted from my hips, my shoulders relaxed and dropped, my chest opened. I smiled a lot, greeted almost all the other runners with a morning or a wave, didn’t worry about my upcoming colonoscopy. I didn’t try to hold onto everything I was seeing or hearing or smelling or feeling, but let it move through me.

Returning to Sheehan’s quotes, his emphasis on new — new appreciations, new perspectives, new insights, new response — made me think of an essay I read just before my run:

As we enter this December, we can hunker down to endure a dark winter, or we can head out and see familiar paths with new eyes. As we taste the crisp, fresh air and float through the white quiet we may feel a spark of long-forgotten magic, and maybe even hope; hope for a different spring, one we’ll be ready to embrace with the youthful strength of a winter well lived.

The Magic of Winter Running/ Jonathan Beverly

I ran without headphones or yaktrax and in lots of layers: 2 pairs of black running tights, a green shirt, a pink jacket with a hood, a black vest, 1 pair of black gloves, a black fleece-lined cap, a gray buff.

10 Things I Noticed

  1. a male runner in shorts with bare legs
  2. the sun came out by the time I reached the falls
  3. minnehaha creek just before the falls was completely covered in white
  4. a dry leaf skittering across the snow-covered path. no sound, only movement — sharp, brittle, frantic
  5. the smell of smoke in the usual spot
  6. kids’ voices, laughing and yelling as they sled down the hill between wabun and the falls
  7. my shadow running next to me
  8. a fat tire approaching the river road trail, then carefully crossing over the hard chunks of snow and ice as it entered the trail
  9. a black capped chickadee with a strange call — not the fee bee call and not chickadeedeedee. Do they have a different winter call?
  10. a pileated woodpecker calling out in response, and another bird that I can’t identify

Forgot to look at the river. Didn’t hear any geese. Decided not to stop at my favorite spot at the falls and put in a playlist.

Back to the black capped chickadee. I was running on edmund, thinking about something else, when suddenly I heard the chickadee. A welcomed interruption! I started thinking about a fun experiment to try with my students that’s about being more open to hearing sounds, like this call. It involves going outside and recording a moment of sound. Then later, listening back and giving attention to the sounds in the recording that you didn’t notice, or that you ignored (maybe always ignore). What sounds are around us that we tune out? Rumbling planes, crunching footsteps.

Speaking of sounds around us, I almost forgot to mention the constant presence of the hum of the city. Starting my run, I noticed how loud it was — not noisy traffic right around me, but buzzing off in the distance. So loud! But not unpleasant.

Tried out the minson form (14 letter sonnet). So fun! Not sure if I’m quite capturing the spirit of a sonnet — what is that exactly? does it require a volta? how do you do that in 14 letters? The following are based on my log entry above:

another gray day

more muted magic

bare leg bravery

nervous fat tire

all of it strange

emptied of geese

quiet leaf waltz

forgotten river

remembered bird

opened the doors

a kid a sled a hill

a being shadowed

the frozen falls

I like the double meaning of this last one, frozen falls. I didn’t slip on any ice, or see anyone else stumble as they moved over the occasional ice patch, but the frozen sidewalk probably did cause somebody to fall.

dec 29/RUN

5 miles
franklin hill turn around
34 degrees / humidity: 87%
60% snow and slush covered

A nice run, even if it was a little too slushy and slick. After I was done, walking on edmund, I took out my phone and recorded my thoughts and the sounds of this wintery Thursday morning. Very cool to listen back to the recording: the steady crunch crunch crunch of my feet, car wheels whooshing through the slushy puddles, the hum of the city, birds chirping, melted snow drip drip dripping through the metal gutter, the brief moments when my feet go silent as I cross over bare pavement.

Ran north with no headphones, south with a playlist (summer 2014).

post run winter morning sounds

10 Things I Noticed

  1. a congress of crows, cawing loudly (congress, council, and consideration are J. Drew Lanham’s collective name for crows instead of murder)
  2. greeting Dave the Daily Walker, good morning Dave!
  3. the river is white, completely covered
  4. in some spots, the trail was 1/2 slush, with a few spots of ice
  5. in other spots, bare pavement
  6. a woman in a yellow vest, running fast in the road. I marveled at the steady rhythm of her feet and before I knew it she was way over on the other side of 36th. I spotted her as a bright yellow dot in the distance
  7. the scraping of ski poles to the side of me — not quick thrusts, but the steady drag of poles down a hill
  8. some of the snow was white, some gray, some light brown
  9. several runners, many walkers, a few fat tires
  10. 2 women walking in the middle of the trail, in the barest spot, stopping every few seconds to stare at something — what?

Here are a few passages about the wonder of winter from Dallas Lore Sharp and his book Winter. I originally heard about him on The Marginalia.

I love the winter…its bare fields, empty woods, flattened meadows, its ranging landscapes, its stirless silences, its tumult of storms, its crystal nights with stars new cut in the glittering sky, its challenge, defiance, and mighty wrath. I love its wild life–its birds and animals; the shifts they make to conquer death. And then, out of this winter watching, I love the gentleness that comes, the sympathy, the understanding!

you must see how close you had passed to and for all summer to the vireo’s nest, hanging from the fork on a branch of some low bush or tree, so near to the path that it almost brushed your hat. Yet you never daw it! Go on and make a study of the empty nests….Study how the different birds build — materials, shapes, finish, supports; for winter is the better season in which to make such study, the summer being so crowded with interests of its own.

When the snow hardens, especially after a strong wind, go out to see what you can find in the wind furrows of the snow–in the holes, hollows, pockets, and in footprints in the snow. Nothing? Look again, closely — that dust — wind-sweepings — seeds!

winter, when the leaves are off, the ground bare, the birds and flowers gone, and all is reduced to singleness and simplicity — winter is the time to observe the shapes, colors, varieties, and growth of the lichens.

What a world of gray days, waste lands, bare woods, and frozen waters there is to see! And you should see them — gray and bare and waste and frozen. But what is a frozen pond for if not to be skated on? and waste white lands, but to go sleighing over? and cold gray days, but so many opportunities to stay indoors with your good books?

You will see the fishermen on the ponds catching pickerel through the ice — life swimming there under the frozen surface! You will see the bare empty woodland fresh budded to the tip of each tiny twig — life all over the trees thrust forward to catch the touch of spring! You will see the wide flinty fields thick sown with seeds — life, more life than the sun and the soil can feed, sleeping there under “the tender, sculturesque, immaculate, warming, fertilizing snow”!

The air was crisper; the snow began to crackle underfoot; the twigs creaked and rattled as I brushed along; a brown beech leaf wavered down and skated with a thin scratch over the crust…These were not the voices, colors, odors, and forms of summer. The very face of things had changed; all had been reduced, made plain, simple, single, pure! There was less for the senses, but how much keener now their joy! The wide landscape the frosty air, the tinkle of tiny icicles, and, out of the quiet of the falling twilight, the voice of the quail!

dec 27/RUN

3.3 miles
under ford bridge and back
18 degrees / feels like 8
95% snow-covered, a few slick spots

And, goal achieved! In the middle of my run, I reached 1000 miles. Probably as I ran over the double bridge on my way back, maybe as I encountered another person who was stopped on the bridge. We did that annoying thing where we both went the same way, then shifted and went the same way again, then finally went in opposite ways.

A good run. It felt hard at the beginning. Difficult to breathe through a stuffed-up nose. I’m not sick, it’s just living inside in the dry air for too much of the day. As I warmed up, it got a little easier. The sidewalks were covered in packed, uneven snow, slick in spots.

I think I saw my shadow. I can’t remember if I saw them today, but a few days ago, driving on the river road, I admired the long, dark, twisted shadows the trees were casting on the completely white, completely snow-covered river road.

I heard some chirping birds, sounding like spring. As I started the run on my block, I heard a howl or a bellow. A dog? A coyote? A dog. Whining at the back door of a neighbor’s house. And I heard my feet striking the packed snow on the path. No pleasing crunch, or delightfully annoying grind. Only muffled thuds. Thought I heard some wind chimes coming from a neighbor’s deck. No headphones heading south, my “swim meet motivation” playlist heading back north.

Smelled the fire at the house on edmund that always seems to have a fire in the winter.

Felt my feet slip a little as I ran over slick spots. Enjoyed feeling the dry pavement — solid, secure — on the very rare and brief spots where the path was dry. Felt my burning, flushed face — was I overdressed? Felt a strong, sharp wind blowing in my face.

At some point in the run, I was interrupted by the sound of the wind rushing through some dead, orange leaves on an oak tree. What was I interrupted from? Maybe thinking too much about my effort or whether or not I would encounter another person or concentrating on the words to the song I was listening to. This interruption reminded me that one key way I use moving outside to pay attention is through passive noticing, answering when the world calls to me. Making myself open and available to the world. Yes! Before I went out for a run, I was working on the schedule for the class I’m teaching in the winter. I was trying to figure out how to tighten it up, rein it in a little, so I didn’t have too much (too many ideas, activities, readings) that might overwhelm students. I think this idea of passive attention and letting the world in, being open, is key to that. Cool.

Speaking of my class, here are some passages from an essay (Thinking Like a Sidewalk) on sidewalks and running in the winter that I might want to use in my class:

gradations of gray

My hometown of Carbondale, Colorado is buried in enough snow each winter to force most of us to become connoisseurs of concrete. Having spent the spring inviting peaking greens, all summer squinting across a singed expanse, and the fall celebrating the leafy explosion, each winter I relearn how to appreciate the gradations between smoke, cool ash, slate, pewter and pearl.

treadmill window

I realized what made me feel part of the wild was not physical proximity, but emotional. The intimate connections I formed with my wintery tableau from the treadmill felt as real and important as any experience on the trail. I became more familiar with that patch of snowy creekbed than many people ever would, and even worried when my nuthatch friend failed to report for pine-branch duty (If you’re reading this, please reach out). 

The treadmill window allowed me to become what Ralph Waldo Emerson called the “transparent eyeball” in his essay, “Nature.”

I am nothing, I see all. 

a practice

Similar to a new strength routine, or a pre-race visualization, cultivating the habit of noticing the confident posture of a rook on its telephone pole perch takes focus, intent and repetition.

This demands turning attention toward the rustle of grass that says you aren’t running solo or the shallow pawprint that shows you aren’t the only critter perfecting their strides. Each run offers an opportunity to broaden our understanding of what wildness is, and connect with it in and around ourselves. 

Perhaps the sidewalk doldrums are due less to the monochrome concrete as the decline in our ability to appreciate the wilderness that exists between the cracks, and that exists in us.  It’s one thing to value a majestic vista worthy of posting on Instagram, something more subtle to celebrate the subtlety of snowy sidewalk. 

Thinking Like a Sidewalk

Wow! I’m definitely going to use bits of this essay for my class. Love it. note: the title, Thinking Like a Sidewalk, is a reference to Aldo Leopold and his essay, Thinking Like a Mountain.

Other things I want to read that are mentioned in the essay:

dec 20/RUN

3.6 miles
trestle turn-around
0 / feels like -16
100% snow-covered

Last year I decided that my limit for cold was a feels like temp of -20. Since it was only -16, I went out for a run by the gorge. It was cold, but not too cold. It felt good to be outside, breathing in fresh air, moving in sunlight, being beside frozen water and snow-covered trees.

10 Things I Noticed

  1. checked out the river at the trestle: all frozen, white and gray, solid, stiff
  2. the steady crunch crunch crunch of my yaktrax on the cold powder
  3. solid chunks of ice littering the path, not boulders, but big enough to hurt my foot or twist my ankle if I ran into or over them
  4. a skein of geese! first I heard their honks, then I stopped to watch them fly across the sky
  5. the roar of a plane
  6. the shadow of a big bird
  7. one other runner, one or two walkers, no dogs, no fat tires, no roller skiers
  8. two walkers below me, walking through the tunnel of trees
  9. a snow blower up above, near longfellow grill
  10. the path was slick and slippery with stripes of ice glowing in the sun

layers

2 pairs of black running tights; 2 pairs of socks –1 gray, 1 white; a green long-sleeved shirt; a pink jacket with hood; a running belt for holding my phone; a gray Hot Dash 10 mile 2017 jacket; a gray buff; a black fleece-lined cap; sunglasses; black gloves; reddish pinkish fleece-lined mittens

Enough layers. The mittens were especially warm. Did it help that I had warmed up on the bike in the basement before heading out for my run? Probably. Neither my fingers or toes were too cold. Hooray?

feels like

It felt cold, but not cold enough to give me a brain freeze. I wore a buff over my mouth to warm my breath. My snot froze a little but not too much. After I took my sunglasses off, because they had fogged up, my eyelashes acquired a few bits of ice. The tops of my thighs felt cold and tingly by the end. No itchy legs or feet that felt like blocks of concrete. Dripping with sweat by the end. My braid, which had wicked all the sweat, froze again into a hard, twisted mass–or mess?

It feels like winter is here for good. Maybe the snow on the trail, too?

Listened to a playlist with only one headphone in, so I could hear the crunching snow and the gorge too. Did I hear any other birds beside the geese? I can’t remember.

I’m very glad I made it outside. I love these winter runs!

ongoing projects, dec 2022

Thought it might be interesting and helpful (for present and future Sara) to make a list of what I’m working on right now:

  • Reading through my entries from 2022 and adding to summaries of my runs, ideas and quotes, and a huge list of things I noticed. Right now I’m halfway through April.
  • Thinking about, reading up on color, especially orange. Trying to write a colorblind plate about orange, particularly how shifty and unreliable it is, and my obsession with seeing/not seeing orange buoys at open swim. Checked out Maggie Nelson’s Bluets for inspiration on how to write about color.
  • Planning my winter writing/creative process class for The Loft. Right now, I’m gathering poems and essays and thinking about my weekly lectures. As part of this, I’m reading/listening to Adam Gopnik’s Winter: 5 Windows on the Season.

dec 17/RUN

4.5 miles
minnehaha falls and back
18 degrees / feels like 8
100% slick snow

Another dusting of snow last night. Just a slow, steady accumulation. Everything a bright, blinding white — the sky, the path, the trees, even the river, at least in one spot where the sun hit it just right and made it burn or glare or whatever word you might use to describe a blinding white light. Wow.

Layers: 2 pairs of black running tights, green shirt, pink jacket, gray jacket, buff, black fleece-lined cap with brim, 2 pairs of glovers (black, pink and white striped)

No headphones on the way to the falls; an old playlist titled “swim meet motivation” on the way back — David Bowie, Beck, Todd Rundgren, Ozzy Osbourne, Pat Benetar

10 Things I Noticed

  1. the creek was flowing and the falls were falling, making a delightful rushing sound
  2. when I stopped just before my favorite spot (because a couple and a kid were already at my spot), I could hear the falls as they fell. When I looked, all I could see was one white tree after the next
  3. the trail was not too slippery, but slippery enough to make my legs work harder
  4. I think it was between locks and dam #1 and the double bridge — as a car passed me , I smelled hot chocolate. did it come from the car, or was that just a coincidence?
  5. on the way back, stopped to walk on side of the double bridge that doesn’t get plowed in the winter. I looked down into the white ravine as I trudged through the snow
  6. glancing at the river through the trees, something about all the white in the trees, the light, and my vision made the river look like it was sepia-toned
  7. nearing the ford bridge, looking ahead, I noticed something that looked like an animal. I couldn’t see an owner and wondered if it was a coyote and not a dog. As I got a little closer I realized it was a person wearing a shirt so light — pale blue? gray? white? — that it blended into the sky. The dark I had seen was their pants. This is not the first time this has happened to me
  8. running by some steps saw the briefest flash of orange — must be a sign warning people not to enter, I guessed
  9. one car crawling along the river road, the line of cars growing behind it
  10. a runner in a bright orange stocking cap and bright yellow jacket

Discovered Wendell Berry’s window poems. I like collecting window poems. This morning, I was thinking about them in relation to winter and windows as frame for the world, and layer between you and the world, and a place to be delighted when it’s too cold to be outside. I think I want to add something about windows to the section in my winter wonder class about layers.

As I was writing this last sentence, I started thinking about Emily Dickinson and how she wrote so many of her poems sitting in front of her windows, so I googled, “Emily Dickinson window” and this post was one of the top results: Emily Dickinson and the Poetics of Glass. Very cool!

Aside from working in the garden and walking the grounds of the property, looking through windows was her primary mode of relating to the landscape around her.  Fortunately for Dickinson, she lived in a house abundantly punctuated by windows.

There were approximately seventy-five windows at the Dickinson Homestead.

Emily Dickinson and the Poetics of Glass/ Xiao Situ

Thinking about the literal windows in ED’s house, made me think of Berry’s Window Poem 3#:

from Windows/ Wendell Berry

The window has forty
panes, forty clarities
variously wrinkled, streaked
with dried rain, smudged,
dusted. The frame
is a black grid
beyond which the world
flings up the wild
graph of its growth,
tree branches, river,
slope of land,
the river passing
downward, the clouds blowing,
usually, from the west,
the opposite way.
The window is a form
of consciousness, pattern
of formed sense
through which to look
into the wild
that is a pattern too,
but dark and flowing,
bearing along the little
shapes of the mind
as the river bears
a sash of some blinded house.
This windy day
on one of the panes
a blown seed, caught
in cobweb, beats and beats.

To add to this wandering, I remembered listening to Fiona Apple’s Extraordinary Machine (the album that I had listened to over and over while writing my dissertation back in 2004/5) earlier this week and noticing her song about breaking the window. Had I ever thought about these lyrics in all those dissertation writing listenings?

Window/ Fiona Apple

I was staring out the window
The whole time he was talking to me
It was a filthy pane of glass
I couldn’t get a clear view
And as he went on and on
It wasn’t the outside world I could see
Just the filthy pane that I was looking through

So I had to break the window
It just had to be
Better that I break the window
Than him or her or me

I was never focused on just one thing
My eyes got fixed when my mind got soft
It may look like I’m concentrated on 
A very clear view
But I’m as good as asleep
I bet you didn’t know
It takes a lot of it away
If you do

I had to break the window
It just had to be
Better that I break the window
Than him or her or me

I had to break the window 
It just had to be
It was in my way
Better that I break the window
Than forget what I had to say
Or miss what I should see

Because the fact being that
Whatever’s in front of me
Is covering my view
So I can’t see what I’m seeing in fact
I only see what I’m looking through

So again I done the right thing
I was never worried about that
The answer’s always been in clear view
But even when the window was cleaned
I still can’t see for the fact
That it’s so clear I can’t tell what I’m looking through

So I had to break the window
It just had to be
It was in my way
Better that I break the window
Than him or her or me

I had to break the window
It just had to be
Better that I break the window
Than miss what I should see

I had to break the window
It just had to be
It was in my way
Better that I break the window
Than forget what I had to say
Or miss what I should see
Or break him her or me
Especially me

dec 14/RUN

4.5 miles
minnehaha falls and back
35 degrees
5% ice / 25% big, sloppy puddles

No big snow storm here in Minneapolis, just lots of sloppy, wet trails. Wore an old pair of shoes and got them soaked in minutes. A little bit slippery, but not too bad. Lots of wind, but never in my face. It almost knocked me over, coming in from the side. The falls were rushing and gushing. When I stopped at my favorite spot to admire them, I could see the water pouring off the limestone ledge. Heard the kids on the playground at the school. Lots of laughter, one ear piercing scream. The river was a brownish-gray and open. I nervously eyed a squirrel on the path, wondering if it would double-back and trip me (it didn’t).

a ridiculous performance

Haven’t posted one of these in a while. Near the start of my run, as I ran above the oak savanna, a walker ahead of me started singing loudly (and not very well). Why? Not sure. What was she singing? I couldn’t tell.

Encountered this poem on poetsorg’s Instagram account yesterday:

Dead Stars/ Ada Limón

Out here, there’s a bowing even the trees are doing.
Winter’s icy hand at the back of all of us.
Black bark, slick yellow leaves, a kind of stillness that feels
so mute it’s almost in another year.

I am a hearth of spiders these days: a nest of trying.

We point out the stars that make Orion as we take out
the trash, the rolling containers a song of suburban thunder.

It’s almost romantic as we adjust the waxy blue
recycling bin until you say, Man, we should really learn
some new constellations.

And it’s true. We keep forgetting about Antlia, Centaurus,
Draco, Lacerta, Hydra, Lyra, Lynx.

But mostly we’re forgetting we’re dead stars too, my mouth is full
of dust and I wish to reclaim the rising—

to lean in the spotlight of streetlight with you, toward
what’s larger within us, toward how we were born.

Look, we are not unspectacular things.
We’ve come this far, survived this much. What

would happen if we decided to survive more? To love harder?

What if we stood up with our synapses and flesh and said, No.
No, to the rising tides.

Stood for the many mute mouths of the sea, of the land?

What would happen if we used our bodies to bargain

for the safety of others, for earth,
if we declared a clean night, if we stopped being terrified,

if we launched our demands into the sky, made ourselves so big
people could point to us with the arrows they make in their minds,

rolling their trash bins out, after all of this is over?

dec 13/RUN

5.65 miles
franklin loop
33 degrees
sleet/rain

Just as the sidewalks and path get completely cleared, another storm moves in. This afternoon rain then snow. Oh well. This morning it was great to run on a dry, almost ice-free path.

A gray day. Not dark gray, but heavy. Difficult to see clearly, everything out of focus. Reviewing my entries from the past year for my annual summary, I came across this description of trying to see on a gray day from March 2nd:

This light/color really messes with my vision and lack of cone cells. Looking up, the sky was almost pixelated, or maybe it was more like static? Not total static, like when tv stations would end programming for the night, but static sprinkled into the image, making everything dance or bounce or just barely move.

log entry from 2 march 2022

I was able to greet Dave, the Daily Walker and notice that the river was open and full of ripples from the wind. I don’t remember hearing any birds, but I did hear something rumbling or buzzing, some sort of equipment for repairing the street.

I ran most of the way with no headphones. For the last mile, I put in Taylor Swift’s 1989.

10 Things I Noticed

  1. on the west side, the river was a dark gray
  2. on the east side, the river looked more grayish-brown
  3. hardly any color, almost everything gray, a few dead leaves in orangish-brownish-gold
  4. one panel of the black steel fence on the east side of the river is slightly bent and bows in the center
  5. several times dark, hulking shapes out of the corner looked like people approaching. They were trees
  6. tried to sync up my steps with a car horn that was honking repeatedly
  7. the wind was swirling, sometimes in my face, sometimes my back, helping me to run faster
  8. heard some dripping under the lake street bridge on the east side
  9. saw a tarp or a blanket on the ground under the lake street bridge on the west side
  10. noticed lots of leaves skittering across the snow, being pushed around by the wind

Completed a draft of another colorblind plate poem. I have 5 now. I’m pleased with all off the longer poems that fill the circle, but a little unsatisfied with the one word versions of the poems that are hidden in the colorblind test. It’s difficult to condense a poem into one 3-5 letter word!

dec 11/RUN

3.4 miles
trestle turn around
31 degrees
10% snow-covered

Getting closer to my running goal for the year: 1000 miles. With today’s run, I have just over 34 miles left! Sloppy today — not so much on the bike trail, which was mostly dry, but the sidewalks and the roads. Everything slushy, almost melting. My socks splattered with mud.

Another good run. Started slow, stuck behind a runner who was going about my speed. I kept my distance (40 or 50 feet?) but I wondered if they were irritated by my constant presence. Or is that just me? A mile in, as we climbed the hill out from under the lake street bridge, I sped up and passed her.

I listened to an old playlist titled, bday2018. Lizzo, Justin Bieber, Little River Band, Lorde.

Greeted Mr. Morning! and waved at a bunch of runners. Slipped on a few stray bits of ice. Noticed the river — white, covered in snow. Didn’t look at the sky. (Checking now, it’s gray). Saw walkers, dogs, fat tires. No birds or squirrels or coyotes.

I’m working on my fifth colorblind/Ishihara plate poem. This one is about the Ishihara plate and why it’s a significant test for me. I want to do something with the circles and loops and the idea of taking this test and not seeing the number as the first big moment of recognition that there was something wrong with me. I dismissed it, thinking only that it meant I was one of those rare, quirky people who saw color strangely. But it was the first moment of acknowledgement that whatever strange things I had been experiencing for years weren’t just in my head. Others — my husband and kids — could see that I saw differently too. I feel like I keep writing this in different ways on this log, over and over, trying to find the right way to express it. Maybe that’s part of the circles/circling too? There’s something about the idea of inside and outside here too — this test made what had only been inner (my unexpressed/not-yet-understood thoughts about seeing strangle) outer (visible to the word, acknowledgement as a problem, or as a real thing that I was experiencing).

dec 9/BIKERUN

bike: 25 minutes
bike stand, basement
run: 1.25 miles
treadmill

Not too cold outside, but a bit icy, uneven. Today’s workout was all about adding another mile to my year total and getting a chance to move after sitting at my desk all morning while working on a poem. Watched a race while I biked, listened to Lizzo while I ran.

Worked all morning on a colorblind plate poem. This one is a cento and includes lines with colors from some of the almost 800 poems I’ve gathered on this RUN! log. Yesterday afternoon, I gathered them and discovered something: many — most? — of the poems I’ve gathered don’t mention color. Colors popped into my head as I pictured the images in the poems, but because of association and the colors I connect with certain things, not because color words were used. This was surprising to me.

The name of this poem is In (or inner if Scott can fit it in the colorblind plate), which refers to my inner color world, how I imagine color now that I can’t see it as well. Here it is:

draft of IN

Lines from the following poems:

Separation / W.S. Merwin
Ars Poetic / Aracelis Girmay
Cold Morning / Eamon Grennan
Becoming Moss / Ella Frears
Wild Geese / Mary Oliver
With A Song / Christina Pugh
Paean to Place / Lorine Niedecker
Trilliums / Mary Oliver
The Road Not Taken / Robert Frost
Forsythia / Ada Limón
Autumn / Linda Paston
Colors passing through us / Marge Piercy
A Rhyme for Halloween / Maurice Kilwein Guevara
Orange / Wendy Cope

Here’s one of the poems that I hadn’t posted yet. It’s a great one for winter; I might use it for my class!

With A Song/ Christina Pugh

There’s something about music: the wish to
be in the dark. Like I don’t know what person
this voice must belong to. At times I love
a secret, what sheers away from intellect.
Intrepid horn of birdsong when you won’t
see or know the bird. Or sometimes
I’m riding in the car on I-80, dipping
my eyes into the glamour of Ohio, its red
barns or white barns severally unpainted
by tactile fingers of winter weather.
White barns with green roofs. Sky-blue
with white roofs. Wait, isn’t sky-blue brighter
than any sky you really see? Canned sky,
you might reply, hyperbole of color. Platonist
Crayola blue. Would anyone trade a teal
feather for a trill? The highway will line
with mud and snow stripes along a fence,
then apple orchards spider in the ice.
A long stand of pines before the strip mall.
And still from the radio, an alto atremble:
I love not knowing who it belongs to.


dec 8/RUN

5.5 miles
bottom of franklin hill and back
19 degrees
80% snow-covered

Hooray for blue sky, not too much wind, staying upright on slippery paths! Another wonderful winter run. Ran north without headphones. Greeted Dave, the Daily Walker. Noticed how the river was almost completely white — the dusting of snow we got yesterday morning covered the thin ice. Heard some chirping birds. Saw a few runners in bright yellow shirts, one running fast with a dog. Right before turning around at the bottom of the hill, I noticed a few open spots on the river — dark water in contrast to the white ice. Ran back up the hill. When I reached the top, I stopped, fumbled with my headphones, and put in a playlist. I ran back south listening to Harry Styles, Elton John, Foo Fighters, and Queen.

Inciting Joy: Skateboarding, the Fifth Incitement

For December, I’m reading Ross Gay’s Inciting Joy. Here are some notes for the fifth incitement.

Skateboarding: skateboarding with a friend, beholding each other as you attempt to do tricks in a dark parking lot after hours — a feeling of groundless (the mysterious, unknown). Also: sharing extra parts with skateboarding buddies (practicing gift economy). Gay places this practice of possible joy/ethics of sharing in larger context of 80s excess/hoarding of wealth, especially in terms of property and the criminalizing of skateboarding in public spaces, or private spaces that weren’t yours.

a new word: USUFRUCT “the right to enjoy the use and advantages of another’s property short of the destruction or waste of its substance.” As in, “Gonz (famous skateboarder) is just one of a trillion apostles of the form, the genre–is because he usufructs the skateable world, which includes benches, picnic tables, walls, handrails, flights of steps, curbs, fire hydrants, ledges, parking lots, sidewalks, driveways, loading docks, loading ramps, bus stops…” (Gay, 60).

Wow. Gay’s ability to move between his particular lived experiences and a more general context is amazing. What a writer! And the idea of joy as not looking away from the larger, less joyful context, is so powerful and helpful.

I love the ethics and possibilities for joy around sharing your bucket of parts:

It was the just the case that whatever you had extra–and skateboarding, with its many components (decks, wheels, bearings, trucks, bushings, riser pads, rails, Rip Grip, bolts, etc. ) made for extra–you passed along. Most of us had a bucket of some sort where, when someone needed something, we dug around to find it. I never once heard anyone express it as an ethics (sharing, redistribution, commonwealthing), though if you tried to keep your extra to yourself, if you spoke to no one of your bucket, and then it got out you had one…the reaction would be an ethical one: Yo, that’s fucked up, man.

Sharing the bucket = sharing parts; sharing in the experience of skating into the unknown, over railings, across dark parking lots, over bumps; sharing space — public, private, off limits; and sharing “skateable” locations. I love the last line of the chapter:

join us at the new spot, this new stain , this wreckage, this abandonment, this ruin, this commons, this c’mon.

Found this poem on Instagram this morning, via The Slowdown. I love its compact lines and the idea of “the soft dislodging of eyes.”

sunrise through mount vernon, wa/ Jasmine Khaliq

after beauty I am
entranced by the soft
dislodging of eyes:

blurs of cows
necks sloping
lapped-rainbows

colors thinner
than water
and running

this is where
I most miss
the dead:

a highway pasture
bisected body
and always

I am on the other side

dec 6/RUN

5.6 miles
franklin loop
20 degrees / felt like 12
25% snow-covered

A wonderful run on a wonderful, wintery morning! Sunny, calm, cold but not too cold. I know I noticed many different things, had lots of interesting thoughts, but I’m distracted now, having read a beautiful, caring, generous post from a friend from grad school about sickness and death and recently being diagnosed with cancer. Ugh. I wanted to write a comment, to do more than “like” her Facebook post, but…too many thoughts. I’m thinking about Ross Gay and inciting joy and grief and how joy can show up when we’re willing to let others meet our sorrow and willing to take the time to meet theirs. About how much I appreciate my friend’s words and her story, how awful it is that she’s living in limbo for weeks, waiting to hear how bad her cancer is, how I felt every word and didn’t look away. About how cancer and death and grief are everywhere — Scott lost 2 aunts, a mother, and a beloved godmother in the second half of 2022, one after the other: August, September, October, November. And about the beautiful words I heard from the poet Kemi Alabi on the VS. podcast when she was asked what was moving her:

Grief is moving me. Like it’s literally running me, I feel so governed by grief. And not just personally or with my community, but collectively just seems like you can’t walk down the street without encountering, stumbling on this grief. So I’m thinking about Rebellious Mourning. That’s actually the name of an anthology, where a lot of poets thinkers and movement builders are considering what it means to mobilize around our grief, understanding that so many social movements are catalyzed by collective grief at the injustices that we’re experiencing. Grief can be a really powerful force to harness for transformation, if we’re allowed the space to be together with it, to honor it, and to actually move through it together, to let it move us, and to not run from it. 

Kemi Alabi vs. Divinity

Typing all of this out reminds me of one feeling I had throughout the run. I felt tender — not quite raw, but vulnerable, open to others, having experienced great loss recently. Apparently Scott hates the word tender; it ranks up there as one of the worst words with moist. I love it, devoted September to it. I don’t think I’d say I enjoy being tender, but I deeply appreciate the space it allows me to inhabit, the openness it offers.

10+ Things I Noticed

  1. the river: mostly frozen over with a thin skin of ice. Where the ice was thinner, it looked gray, thicker white
  2. a strange back-up on the franklin bridge. not sure what was happening. Cars were stopped, one was diagonal. No evidence of a collision. Heard some honking after I passed it
  3. a man walking 3, or was it 4?, dogs
  4. at least one bike
  5. saw my shadow off to the side, dark-ish gray
  6. colors: a lot of gray, pale blue sky, an orange cone, my pink jacket and gloves, red stop sign, sepia-toned ice, yellow dividing line on the bike path, yellow truck
  7. the air was cold as I breathed it in
  8. the biking path on the east side of the river, mostly clear
  9. some loud thuds — from the construction being done on a house across from the river?
  10. the sharp, whining whirr of a drill, or some other tool, being used by a road worker in a yellow vest in a hole in the street
  11. lifting my knees as I powered up the last hill

Near the end of my run, walking up the steps to the lake street bridge, I stopped and recorded the following thoughts. Then I put in a Taylor Swift playlist.

notes / dec 6

dec 2/RUN

5.75 miles
bottom of franklin hill and back
34 degrees
50% snow-covered

Found out last night that RJP has COVID. She’s had a cold all week. So far, I feel okay, so does Scott. Will we get it? I’m a little worried, but only a little. A few years ago, I would have been freaking out. Thank you vaccines and better treatments and less severe variants! Unless I feel like total crap, I’m going out for a run when I can. Today I don’t feel like total crap, so I went out for a run. It felt good. Breathing in fresh air! Moving my legs! Admiring the half frozen river!

A great run. Just above freezing, not too slippery. Some wind, but mostly at my back. Ran north with no headphones, south with a playlist.

12 Things I Noticed

  1. a honking goose, its mournful cry amplified by the bridge
  2. a big bird flying above. I think it was a crane
  3. a runner in an orange shirt, running with a dog
  4. another runner — tall, wearing a white sweatshirt and shorts, moving fast, with long, bouncing strides
  5. passing Dave, the Daily Walker: Good Morning, Dave!
  6. a group of young people, high school or college students?, hanging out by the franklin bridge, blocking the path
  7. no sun, but not gloomy, a grayish-white sky. everything bright but with very little color
  8. the river! down at the start of the flats, the river was gray and half-frozen. Not flat or dull but interesting. Not gloomy either, but vast and quiet. Not desolate, but detached, otherworldly
  9. a car, I think it was a Prius, whooshing through a stretch of the road that was part snow, part bare pavement, then suddenly turning silent as it reached a part of the road that was all soft snow. So strange to watch it move without sound
  10. Climbing the franklin hill, encountering a line of cars with their headlights on, crawling down the hill
  11. the faint trace, in light gray, of my shadow ahead of me
  12. the knock knock knock of a woodpecker

Still figuring out my theme for December as I continue working on some color poems — currently, a gray one. Today, I’m posting something from Ross Gay about joy. Wow!

Yes, that’s how it seems to me, that we need practices, or we need to notice the practices we have, that help us be present with our sorrow. I’m not saying that help us drown in our sorrow—I’m saying be present with it, acknowledge it, befriend it even, lest we do some wretched or devastating shit trying to pretend it’s not there, or trying to hide it. And to do it in a mutual way—which, again, might be in some of our practices: dancing, gardening, mourning—but it might also be how we live, how we attend to one another, with the awareness that, yup, like me, your heart is broken. Probably not in exactly the same way, but probably, no, definitely, it’s broken. And it will go on being broken in various ways. It does not make us special, it seems to me. It makes us like each other. It un-others us from each other in fact. What happens if we live like that? My sense is that we’re more inclined to care for one another, we’re more inclined to love one another, which, yes, might be a kind of resistance to institutions who have little care for us, but it might also end up being a kind of offense to them. When we care for each other, and consequently are less reliant on the institutions or systems that, a lot of them anyway, do not care for us, we make those systems less necessary. We might be replacing those systems with something like love.

Cultivating Delight and Meaning with Ross Gay

Be present with our sorrow. Befriend it. It seems difficult sometimes to express sorrow, a brokenness, vulnerability, without it seeming weak or eliciting pity or the frustrating, You’re so brave! Or in ways that put it beside, in conversation with, delight or happiness. To me, gray holds both delight and grief, often in equal measures.

I like this idea that sorrow and broken hearts are something that connects all of us. I was thinking about that as I reread this poem by Didi Jackson, especially the last lines. The first song that is in all songs is that of sorrow/grief/mutual suffering.

Listen/ Didi Jackson

Like a hundred gray ears
the river stones are layered

in a pile near the shed where mourning
doves slow their peck and bobble to listen

to a chorus of listening.
Small buds on the lilac perk up.

A cardinal’s torpedoed call comes
in slow waves of four,

round after round. It’s a love call;
a call to make him known to himself.

The stones listen harder,
decipher the song; attempt

to offer back its echo.
But fail.

This is not a poem of coming Spring.
This is a poem well aware

that gray flesh is dead flesh.
All of the ripe listening

comes at a cost. The first
sky is in all skies.

The first song
is in all songs.

And just now, thinking even more about Jackson’s poem, I realized that the delightful gray ears that the stones become has another meaning. Gray = neutral. The gray ears listen without judgment, are open to witnessing, beholding, hearing what is said without rebuke. Another meaning of gray! Love it. Those gray ears are going in one of my gray poems, for sure!

nov 30/RUN

3.5 miles
trestle turn around
17 degrees / feels like 4
99% snow-covered

Is this the coldest day of the season? Just checked, and the next coldest was on November 20th when it was 19, feels like 9. I was worried it might be too cold, but it felt great! What a winter wonderland. White ground, pale blue sky, dark gray river. The trails were plowed — thanks Minneapolis Parks! — with only a few rough spots. I didn’t notice the ice because I was wearing yak trax. Just past the railroad trestle, I stopped to put in my headphones and a Taylor Swift playlist.

layers

  • 2 pairs of black running tights
  • green base layer shirt
  • pink jacket with hood
  • black vest
  • 2 pairs of gloves — 1 black, 1 pink and white striped
  • 1 pair of white socks with stripes, mismatched — 1 with green stripes, the other teal
  • fleece lined cap with ear flaps
  • buff
  • sunglasses
  • yak trax, a new pair

10 Things I Noticed

  1. a pale blue sky — not an intense BLUE! sky, more like the hint of blue, like if someone had taken a black and white photo of the gorge and painted in a blue sky
  2. lots of dry, brittle leaves swirling in the wind. Running by the double bridge to the north, I watched something dark fly through the fence then back again. A bug? A bird? No, a dead leaf
  3. Later on, I saw a few birds flying very fast across the path in front of me. They added to the chaos of the blustery wind and the swirling leaves
  4. 2 other runners, one near the trestle, the other further south
  5. a few walkers — any dogs? I don’t think so
  6. a group, some kids and adults, spread across the entire path, getting ready to go sledding down by the river
  7. remember to look at the river. A strange illusion. It was a dark, dark gray with a hint of brown and it looked like a wall. Instead of stretching flat on the gorge floor, it looked like it rose out of it, up towards the other bank. I’ve written about this wall of water in past winters
  8. the path was covered in mostly packed snow. The sun illuminated some of the slicker spots
  9. smelled a burnt something — I think I might have seen bits of rubber on the side of the road
  10. a truck with a plow, clearing the parking lot above the tunnel of trees

I don’t remember thinking about gray at all. Did I? Thought more about how I love running in the winter and whether or not my fingers were going numb or if my sunglasses would fog up or my foot would be sore again later today. Oh, and of course, I wondered what the drivers thought when they saw me running on this cold and windy day.

Today on the last day for singing a song of gray, I’m thinking about gravel. Here’s a bit from Mary Oliver’s “Gravel” in The Leaf and the Cloud. I’m struck by how she makes gray here with equal mentions of black and white: the black bog and white-circled eye, the white lilies and the black ant.

from “Gravel” in The Leaf and the Cloud/ Mary Oliver

Even the mosquito’s
 dark dart,
flashing and groaning;
 even the berries, softening back
into the black bog;
 even the wood duck’s
white-circled eye,

and the first white lilies
on the shaggy pond,

and the big owl, shaking herself
out of the pitchpines,

even the turtle scratching in the dust,
even the black ant, climbing the mile-high hill,

even the little chattering swift
diving down into the black chimney.

Everything is participate.
Everything is a part of the world
 we can see, taste, tickle, touch, hold onto,

and then it is dust.
Dust at last.
Dust and gravel.

In the distance, the rabbit-field.
Ben—his face in the grass, his chomping.
His sweet, wild eyes.

Thinking about gray as balanced, as both dark and light, black and white, grief and delight.

nov 28/RUN

4.4 miles
minnehaha falls and back
33 degrees

Overcast, a bit blustery. Everything muted: burnt orange, not yellow but yellowed, brown, gray. A few clumps of snow scattered on the grass. Kids laughing and yelling on the school playground. Water trickling at the falls. I remember looking down at the river, but I don’t remember what I saw. I know it was clear and probably steel blue. Did I see any ripples from the wind?

At the start of my run, the sky glowed a pale yellow — the sun trying to break through the clouds. A strange light, reminding more of a sunrise or sunset than late morning.

Noticed the faintest trace of my shadow running ahead of me. Because the sun was still behind the clouds, it was dim, almost more the idea of my shadow than an actual one.

Listened to the gorge running south, Beyoncé running north.

My kneecap shifted a little, but I didn’t panic or feel any pain during, or swelling afterwards.

No fat tires or roller skiers or Mr. Walker or Mr. Morning! or Dave, the Daily Walker. I did pass a very tall runner in a red jacket near the end of my run.

Anything else? The creek was mostly frozen, but I could hear some drips and dribbles dropping down from the limestone ledge.

Today for my gray, I’m thinking about gray or grey dreams:

Little Grey Dreams/ Angelina Weld Grimké – 1880-1958

Little grey dreams,
I sit at the ocean’s edge,
At the grey ocean’s edge,
With you in my lap.

I launch you, one by one,
And one by one,
Little grey dreams,
Under the grey, grey, clouds,
Out on the grey, grey, sea,
You go sailing away,
From my empty lap,
Little grey dreams.

Sailing! Sailing!
Into the black,
At the horizon’s edge.

nov 27/RUN

3.4 miles
trestle turn around
32 degrees

Another beautiful morning. Sunny and calm and not too cold. Clear trails, no big groups of runners. No fat tires or roller skiers either. Exchanged greetings with Mr. Morning! Remembered to look at the river. It was open and blue. At one spot, it shimmered. I listened to Taylor Swift’s 1989, then Reputation instead of the gorge.

Before my run, I fit the draft I did of my yellow poem into the colorblind plate form. I think it works pretty well.

yellow, plate 2

I haven’t come up with the single word hidden in the colorblind plate yet.

I’m nearing the end of my month of singing a song of gray. Here’s a gray poem about tombstones and spirits by Edgar Allen Poe:

Spirits of the Dead/ Edgar Allen Poe

I

Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone—
Not one, of all the crowd, to pry
Into thine hour of secrecy.

   II 

Be silent in that solitude,
Which is not loneliness—for then
The spirits of the dead who stood
In life before thee are again
In death around thee—and their will
Shall overshadow thee: be still.

   III 

The night, tho’ clear, shall frown—
And the stars shall look not down
From their high thrones in the heaven,
With light like Hope to mortals given—
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee for ever.

   IV 

Now are thoughts thou shalt not banish,
Now are visions ne’er to vanish;
From thy spirit shall they pass
No more—like dew-drop from the grass.

   V 

The breeze—the breath of God—is still—
And the mist upon the hill,
Shadowy—shadowy—yet unbroken,
Is a symbol and a token—
How it hangs upon the trees,
A mystery of mysteries!

Speaking of gray and Poe, I encountered this line from his short story Eleonora:

They who dream by day are cognizant of many things which escape those who dream only by night. In their gray visions they obtain glimpses of eternity, and thrill, in awakening, to find that they have been upon the verge of the great secret. 

Eleonora/ Edgar Allen Poe

nov 23/RUN

4.4 miles
minnehaha falls and back
30 degrees

Another sunny, warmer (than last week) day. The paths were clear, the sky was blue, the sun was out. Earlier today, driving over to my annual mammogram, there was a haze in the gorge, but by a few hours later, during my run, it was gone. No headphones on the way to the falls, Lizzo’s Special on the way back. The falls was half frozen, half dripping. All the steps down below are blocked off now for the winter. The steps down to Winchell are too. Heard the general chatter of birds, sounding like spring. Greeted Mr. Walker (I named him in an entry on sept 12 of this year) — Hello not Good morning.

11 Things I Noticed

  1. the strong smell of pot as I passed a car in the 36th st parking lot
  2. a guy walking, listening to music without headphones — can’t remember what kind of music it was. Passed him twice
  3. a woman and a kid walking above the falls, admiring it at my favorite spot
  4. bright orange below the double bridge — somebody must have spray painted it
  5. a lone walker below me on the Winchell Trail
  6. Later, 2 laughing women on the Winchell Trail
  7. the river was burning white again — shimmering in the sun through the trees
  8. running past the southern entrance to the Winchell Trail, I could see through the bare trees all the way to the stone wall that wrapped around the grassy overlook
  9. also had a clear view of the oak savanna and the mesa through the leafless trees
  10. a loud scraping noise from some part of a car, dragging on the road
  11. my shadow, running beside me — strong in form and definition, a very dark gray in color

Today’s gray: fog and mist

Fog/Giovanni Pascoli

Translated from the Italian by Geoffrey Brock

Hide what is far from my eyes,
pale fog, impalpable gray
vapor climbing the light
of the coming day,
after the storm-streaked night,
the rockfall skies…
Hide what has gone, and what goes,
hide what lies beyond me…
Let me see only that hedge
at my boundary,
and this wall, by whose crumbling edge
valerian grows.
Hide from my eyes what is dead:
the world is drunk on tears…
Show my two peach trees in bloom,
my two pears,
that spread their sugared balm
on my black bread.
Hide from my eyes lost things
whose need for my love is a goad…
Let me see only the white
of the stone road –
I too will ride it some night
as a tired bell rings.
Hide the far things – hide
them beyond the sweep of my heart…
Show only that cypress tree,
standing apart,
and here, lying sleepily,
this dog at my side.

In the Fog/ Giovanni Pascoli

TRANSLATED BY GEOFFREY BROCK

I stared into the valley: it was gone—
wholly submerged! A vast flat sea remained,
gray, with no waves, no beaches; all was one.

And here and there I noticed, when I strained,
the alien clamoring of small, wild voices:
birds that had lost their way in that vain land.

And high above, the skeletons of beeches,
as if suspended, and the reveries
of ruins and of the hermit’s hidden reaches.

And a dog yelped and yelped, as if in fear,
I knew not where nor why. Perhaps he heard
strange footsteps, neither far away nor near—

echoing footsteps, neither slow nor quick,
alternating, eternal. Down I stared,
but I saw nothing, no one, looking back.

The reveries of ruins asked: “Will no
one come?” The skeletons of trees inquired:
“And who are you, forever on the go?”

I may have seen a shadow then, an errant
shadow, bearing a bundle on its head.
I saw—and no more saw, in the same instant.

All I could hear were the uneasy screeches
of the lost birds, the yelping of the stray,
and, on that sea that lacked both waves and beaches,

the footsteps, neither near nor far away.

Mist/ Alice Oswald

It amazes me when mist
chloroforms the fields
and wipes out whatever world exists

and walkers wade through coma
shouting
and close to but curtained from each other

sometimes there’s a second river
lying asleep along the river
where the sun rises
sunk in thought

and my soul gets caught in it
hung by the heels
in water

it amazes me when mist
weeps as it lifts

             and a crow 

calls down to me in its treetop voice
that there are webs and drips
and actualities up there

and in my fog-self shocked and grey
it startles me to see the sky

nov 11/BIKERUN

bike: 22 minutes
bike stand, basement
run: 2 miles
river road, north/32nd, west/edmund, south
28 degrees

Didn’t want to run as much today, just to be careful with my knees, so I tried something new: bike in the basement, then do a shorter run outside. I liked it. The bike was a nice warm up for going outsider in the cold, or colder than it has been. I don’t remember much from the run. There were several stones stacked on the ancient boulder, the sky was gray, no roller skiers or bikers, a few walkers, the roots on the dirt trails seemed extra treacherous and ready to trip me. I don’t remember if there were any runners out there or what color the river was. No smoke or sewer smells. No sweet scent from decomposing leaves.

Today’s gray theme: silver (yes, I know silver is not the same as gray, but in my close enough/approximate world, it works).

I haven’t worn jewelry for years, but when I did, I always preferred silver to gold.

One of my favorite video memories from my kids when they were young is a digital story I created called, “Silver and Gold…and Poop.” Every so often I still sing, Yeah, let’s doooo it.

Years ago, RJP sang this beautiful, sweet version of “Land of the Silver Birch” for her grandmother, who cherished it.

Land of the silver birch home of the beaver
Where the mighty moose, wanders at will
Blue lake and rocky shore, I will return once more
Boom de de boom boom, boom de de boom boom
Boom de de boom boom, boom.

Reading up about one of my favorite poets, Rita Dove, I found this quote from her:

Poetry became my passion after I fell in love with Walter de la Mare’s “Silver” in Mrs. Edna Pickett’s sophomore English class circa 1962.

Silver/ Walter de la Mare

Slowly, silently, now the moon
Walks the night in her silver shoon;
This way, and that, she peers, and sees
Silver fruit upon silver trees;
One by one the casements catch
Her beams beneath the silvery thatch;
Couched in his kennel, like a log,
With paws of silver sleeps the dog;
From their shadowy cote the white breasts peep
Of doves in a silver-feathered sleep;
A harvest mouse goes scampering by,
With silver claws and a silver eye;
And moveless fish in the water gleam,
By silver reeds in a silver stream.

And, one more favorite mention of silver in a poem by a favorite poet:

A Bird, came down the Walk (359)/ Emily Dickinson

A Bird, came down the Walk –
He did not know I saw –
He bit an Angle Worm in halves
And ate the fellow, raw,

And then, he drank a Dew
From a convenient Grass –
And then hopped sidewise to the Wall
To let a Beetle pass –

He glanced with rapid eyes,
That hurried all abroad –
They looked like frightened Beads, I thought,
He stirred his Velvet Head. – 

Like one in danger, Cautious,
I offered him a Crumb,
And he unrolled his feathers, 
And rowed him softer Home –

Than Oars divide the Ocean,
Too silver for a seam,
Or Butterflies, off Banks of Noon, 
Leap, plashless as they swim. 

Emily Dickinson’s Lexicon: silver

silver, n. [OE, obscure origin.]

  1. Eloquence; beautiful words; elegant language; [fig.] poetry; literary verse; creative writing.
  2. Argent color.
  3. Melody; musical transcription; [fig.] scripture; sacred written text; [metaphor] lyric poetry; metrical verse.
  4. Seawater; shining expanse of ocean; [fig.] sky; heaven; [metaphor] eternity; infinity.

november 4/RUN

5 miles
bottom of Franklin Hill
39 degrees

Greeting Dave, the Daily Walker. Encountering Daddy Long Legs. A gray, dreamy day. Looking extra fuzzy and unfocused heading down into the flats. No rowers or rollerbladers. A blue river. Hardly any leaves on the trees.

On November 6th, my original entries for this week were accidentally erased. Now, Monday (7th) morning, I’m trying to remember a few things from them. For a lengthier explanation, see my entry for november 1st.

nov 2/RUN

4 miles
minnehaha falls and back
60 degrees

Images recalled: the falls was barely dripping. The wind rushing through the dying leaves in the trees sounded more like water falling than the falls. 2 friends laughing while looking a sign, the third friend approaching and wondering why they’re laughing. The familiar but unidentifiable song of a bird that sounds like a laughing monkey. The blinding sun, flash flash flashing in my eyes through the gaps in the bushes.

On November 6th, my original entries for this week were accidentally erased. Now, Monday (7th) morning, I’m trying to remember a few things from them. For a lengthier explanation, see my entry for november 1st.

nov 1/RUN

3.1 miles
turkey hollow
67 degrees

A memory: wild turkeys near Beckettwood. One, flapping its wings as it moved away from me.

The art of losing isn’t hard to master

On Sunday, November 6th, Scott accidentally deleted everything I had written for the past six days. I lost this entry. I don’t want to try to remember everything/anything that happened on that day, but I do want to document the basic details of the run and to have it marked on my calendar so that later, when I glance at it, I can see when I worked out that month.

I didn’t just lose this entry, I lost all the entries for this week. I lost 2 new pages I created for my big (as in, spanning decades) project, How to Be. One called, “How to be…a Bell.” The other, “How to be…Enough.” I lost the various edits I did to my writing portfolio site, announcing the publishing of 2 of my mood ring poems at The Account. I lost the poem links I added to my “poems gathered” section. I lost an “On this Day” page I created for all the entries, from 2017-2021, that I posted on November 4th. And I lost little bits — quotations, interviews, video clips — that I posted on various pages on Undisciplined. At least, that’s what I remember losing.

It happened on Sunday morning around 9. I was sitting upstairs reading something. I heard Scott sigh loudly. Uh oh. What’s wrong, I asked. I think he might have started with, I have some bad news or I’m sorry, but…. Scott is like his dad when he tells a story. He likes to give a lengthy, dramatic explanation before getting to the point. As he rambled on with details, I tried to guess what the conclusion would be. I am like my mom when I hear a story; I worry and jump to conclusions and don’t care about the details. I want the ending first, then I can listen to the excrutiating minutia of what happened. As he talked, I thought he was going to tell me that he had deleted all of the customizations I had made to my wordpress themes for my 3 main sites. When he said that he had lost anything I had written/posted in the last six days, I was relieved. At least I don’t have to redo the themes, and try to remember all the css that I‘ve forgotten because I only use it every couple of years when I redesign my sites! But slowly it hit me. How much I had written this week. A lot. More than most weeks.

I’m a little sad about the words I’ve lost, but not angry. I’ll remember them, or I won’t. Maybe I’ll even remember better versions of them.

One Art/ Elizabeth Bishop (audio version)

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

I knew I knew, somewhere in the dim caverns of my mind, what form Bishop’s poem is in, but I forgot and had to look it up: a villanelle. Of course! I tried writing a few of these way back in year 2. I searched in my archive and found the entry, jan 18, 2018. Here’s what I wrote:

Yesterday, I experimented with the villanelle form and wrote a poem about running around the track. Here’s the form of a villanelle:

19 lines; 5 tercets + 1 quatrain; 1st and 3rd line of beginning tercet are alternately repeated in third line of remaining tercets, then last two lines of quatrain; rhyme scheme = aba/aba/aba/aba/aba/abaa

A RUN AROUND THE TRACK ISN’T HARD TO DO

A run around the track isn’t hard to do
with its road that never runs out
An endless loop, run until you’re through

Warm and dry with a clear avenue
no cars to avoid, no need to shout
A run around the track isn’t hard to do

A little tedious, a lack of view
but a chance to fly fast, to go all out
on this endless loop, run until you’re through

Your brain can go blank, your thoughts can be few
mechanically moving without doubt
A run around the track isn’t hard to do

It can be monotonous, that’s true
encountering the same people on this repetitive route
of endless loops, run until you’re through

So little to look at, so little to do
but keep track of the laps, not losing count
A run around the track isn’t hard to do
but it’s a boring, endless loop, run until you’re through

Wow. This is definitely a poems that’s about trying out a form. Should I try again? Maybe this month…

A poem I posted in one of the lost entries:

Wild Turkey/ Heid E. Erdrich

Not the bottle
Not the burn on the lips
lit throat glow
Not even wild     really
but a small-town bird
whose burgundy throat
shimmers like nothing ever
A huge bird    impressive
who lurches and stalks me
window to window in this
desert retreat
What does he want?
Clearly he is lonely
pecks his reflection
and speaks to it in a low gubble
(not gobble) gubbles so tenderly
Soon as I think of him     his eye hits on me
We have watched each other for days
His shifting colors fascinate me  his territorial strut
But it is his bald and blue-red head
his old man habits and gait that move me
If I even think of him        I taste whiskey
Drunk on solitude    I’d talk to anybody
I try his language on my lips
His keen response burns     like shame

october 26/RUN

5.5 miles
ford loop
40 degrees

This fall, it’s harder to make my way to the river: streets blocked everywhere, sidewalks torn up. I ran through the neighborhood and reached it at lake street, which had a lane and sidewalk partially blocked too. The sun on the water was too bright, even for my cone dead eyes.

Running up the east side, near shadow falls, I slowly passed another runner. He called out, A beautiful morning for a run! I called back, it sure is! Yes, I am a dork. After I passed him I could hear his footsteps behind me the entire way up the hill. I sped up and worried that I might end up going too fast. Near the top of the hill, I heard the bells at St. Thomas, noticed my shadow down in the ravine.

I ran without stopping until I reached the ford bridge. Stopped to admire the view and put in Beyoncé’s Renaissance.

10 Things I Noticed

  1. the boulevard on the other side of the east river road is extra wide, with an island of green grass on either side of the sidewalk
  2. a duet: chirping bird and whirring leaf blower
  3. at the entrance to shadow falls, at the top of the hill, they’ve put in 4 stone cubes — for sitting and blocking cars, I guess
  4. a white plane up above, flying straight and parallel to the ground
  5. the newly re-paved road, near the overlook just before the ford bridge, looked so smooth and perfect. It almost glowed
  6. very windy on the ford bridge
  7. looking down from the ford bridge, I noticed a white buoy bobbing in the water
  8. at the locks and dam no. 1, a runner passed me. She was short and fast
  9. running past Sunny Montessori, I heard a young child crying
  10. after I finished my run, walking back on a street that doesn’t quite line up from block to block, I looked ahead. In the center of my vision, I could see a bright white dot, then everything around it — the trees, sidewalk, houses — was in blur. I’m not sure, but I imagine people with better vision see this view the same way I do. The white dot at the end of 2 blocks is part of a fence

Halloween is next week, so time for another witch poem!

Song of the Witches: “Double, double, toil and trouble“/ William Shakespeare

(from Macbeth)
Double, double toil and trouble;
Fire burn and caldron bubble.
Fillet of a fenny snake,
In the caldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder’s fork and blind-worm’s sting,
Lizard’s leg and howlet’s wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.

Double, double toil and trouble;
Fire burn and caldron bubble.
Cool it with a baboon’s blood,
Then the charm is firm and good.

I remember reciting this in 6th grade, then getting in trouble for something I did, probably being too loud.

oct 21/RUN

3.35 miles
under the ford bridge and back
57 degrees!

What a morning! Sunny, low wind, only a little sliding in my knee. Noticed the river, but barely. Only a sliver of sparkle through the trees. Ran south and stopped just past the ford bridge. Took out my phone and recorded a note about a possible form for my latest set of vision poems. Listening back to the recording, I’m not sure if it makes sense. Poem 1: block text, bare/basic description of scene/situation; Poem 2: an erasure of that text that reveals more of how I adjust, navigate the situation — maybe by noticing a few key elements?; Poem 3: a haiku/tanka/cinquain that turns my adjustment into something more than almost: a new way of seeing/being? Not sure this makes sense. It’s almost there.

As I recorded, I stood at the edge of the trail, looking down on the marsh-y meadow between the small woods around the bridge and the road leading up to Wabun Park. 2 squirrels darted into the brush, making a racket from dry leaves and tall grass. At the end of summer, I remember running by this meadow and admiring the buzz and growl of the frogs and crickets and whatever else was living in it. Today, it’s pretty quiet. What’s living in there now? Raccoons? Turkeys? A fox?

After recording, I put in Lizzo’s Special, mainly to hear her sing, Hi, mother fucker, did you miss me? I’ve been home since 2020. I’ve been twerkin’ and making smoothies. It’s called healing… Then I started running. Switched to Beyoncé a couple of songs in.

9 Things I Noticed, 1 I Didn’t

  1. the smell of smoke near the one house that always smells like smoke in the winter — on Edmund, close to Dowling
  2. SO LOUD! passing by 2 trucks, about 50 feet from each other, running some sort of machine that was way too loud. I didn’t see, but I hope that the workers nearby were wearing headphones or ear plugs. Wow. I don’t think it was a cement mixer, but I’m not what else it could be — lots of rumbles and roars. Very unsettling
  3. freshly redone sidewalk squares, bright white, sticking out against the old, gray squares
  4. running on the dirt trail between edmund and the river road: a mix of roots and dead leaves and dry dirt
  5. a woman, a kid, a wagon — I think it was red? — heading down to the Winchell Trail at 44th
  6. passing a walker on the “gauntlet” — the dirt/grass patch between the lower campus of Minnehaha Academy and Becketwood that narrows near the road
  7. another loud noise: a rumbling motorcycle overhead, traveling across the ford bridge
  8. a man in a bright yellow shirt, sitting on a bench near a rock above the river
  9. a group of four walkers, one of them wearing a white shirt and black pants, not taking up the entire path
  10. what I didn’t notice: I don’t remember running down the small hill to the part of the trail that dips below the road then climbs back out. As I ran over it again, on my way back, I wondered, what was I doing when I was running on this before? how come I can’t remember anything about it? A moment lost. Love it when that happens

oct 15/RUN

3.3 miles
edmund, south/river road trail, north/edmund, south
35 degrees

It felt warmer than 35 degrees to me. Was it because I warmed up on my bike in the basement before I left? Maybe. Listened to Beyoncé and Renaissance as I ran. Favorite song today: “Plastic Off the Sofa.” My right kneecap, the one that’s been slipping out of the groove seems okay today. To be safe, I ran all the way home instead of walking the last bit. I’ve found that it’s mostly okay when I run, but starts to shift more when I’m walking after my run. Why? Bodies are strange and so hard to figure out.

My view to the other side is getting wider! More leaves leaving everyday. I don’t remember noticing the color of the river, just that it was bright and shiny and beckoning through the trees. Saw two roller skiers skiing side by side, the swinging of their poles in sync. I didn’t hear the poles clicking because I was listening to music. Also watched the graceful gait of a runner as they passed by me. Beautiful to watch their feet lift off — so high, so bouncy, so rhythmic!

Near the start of my run: one wild turkey in a neighbor’s front yard, looking a little frantic or wary of me running by. Did they hiss? If they did, I didn’t hear it.

As I neared the old oak tree that stands next to the ancient boulder at the top of the tunnel of trees, I noticed that it was golden — not a bright, vibrant yellow, which is sometimes what I call golden, but like gold leaf that’s slightly tarnished, past its prime, a glow that’s fading.

The Beginning of the Beginning/ Phuong T. Vuong

Who decides where a river starts? When are there enough
sources, strong currents and water wide enough for its name?

In Colorado, the Chama begins in smaller creeks and streams,
flows into New Mexico to form the Rio Grande, splitting Texas

and Mexico (who decided?) and moves deeper south. I think
a few of these thoughts by a creek on a beaming hot day,

as water rips by in rapids propelled, formed in mountains far above.
The water icy even in this summer heat. People grin

some false bravery. They sit in tubes and dip into the tide
and be carried away. I think of drowning. Of who sees water

as fun. Who gets to play in a heatwave. Who trusts
the flow. Migrants floating in the Rio Grande haunt me, so

I think of families tired of waiting, of mercy that never comes,
of taking back Destiny. The rivers must have claimed more

this year. Knows no metering but the rush of its mountain
source’s melt. A toddling child follows her father into water’s

pull. Think of gang’s demands, of where those come from. Trickles
of needs meeting form a flow of migrants. Think of where

it begins. Think of the current of history—long, windy, but
traceable and forceful in its early shapes.

This question of the first line, who decides when a river starts, makes me think about the origins of the mississippi and Lorine Niedecker’s discussion of Henry Schoolcraft’s naming of lake itasca in her poem “Lake Superior.” It also makes me think of Diane Setterfield’s discussion of rivers and springs and their origins in Once Upon a River.

I also like the lines:

Of who sees water

as fun. Who gets to play in a heatwave. Who trusts
the flow.

Not always, but often, when I’m swimming across lake nokomis in the summer, I think about the people who have drowned in this small, shallow lake. Water has always been something I love and trust and can move through easily. I try to remember how that’s not true for others.

oct 10/RUN

6.05 miles
bottom of franklin hill and back
51 degrees

A beautiful morning, a good run. Now, minutes after it, I’m wiped out. Ran down the franklin hill, past annie young meadows, to the top of the south fourth st overlook. Stopped to admire the river: blue, with 2 rowers, one in a bright orange top (shirt? vest? jacket?). Started running again, walked up the franklin hill, then ran again, this time with a Taylor Swift playlist.

For the first few miles, I recited lines from May Swenson’s “October”:

Now and then, a red leaf riding
the slow flow of gray water.
From the bridge, see far into
the woods, now that limbs are bare,
ground thick-littered. See,
along the scarcely gliding stream,
the blanched, diminished, ragged
swamp and woods the sun still
spills into. Stand still, stare
hard into bramble and tangle,
past leaning, broken trunks,
sprawled roots exposed.

As I recited it, I wondered about the repetition of now (now and then; now that limbs are bare) and into (see far into; the sun still spills into). Why does she repeat these words?

10 People I Encountered

  1. Was mornied! by Mr. Morning! I had run past him — only seeing him from behind and not noticing it was him — and he called out. I turned back and called out good morning!
  2. Greeted Dave, the Daily Walker.
  3. Ran past Daddy Long Legs.
  4. a woman walking briskly, wearing a turquoise fleece, talking with
  5. another woman, together they approached me from behind as I walked up the franklin hill. Their voices hovered, growing louder as they neared
  6. a runner dressed in black — first far behind me, then closer, then past me, then far ahead
  7. a person sitting on a bench perched on the rim of the bluff
  8. an older man and woman walking — I think I regularly encounter them? Can’t remember what the woman looks like, but the man is tall, thin, and white with white hair
  9. a roller skier, roller skiing in the flats
  10. a biker blasting music — I couldn’t hear it because I had my headphones in

word of the day: bombinate

I follow Merriam-Webster on twitter. Had to make note of today’s word of the day. “To bombinate is to make a sustained, murmuring sound similar to a buzz or drone.” I strongly dislike anything that bombinates. That low-lying, ever-present rumble that unsettles. I do like saying the word, though.

Taylor Swift’s “Red” came on near the end of my fifth mile. As I listened to the lyrics, I was struck by the chorus:

Losing him was blue, like I’d never known
Missing him was dark gray, all alone
Forgetting him was like trying to know
Somebody you never met
But loving him was red
Oh, red
Burning red

Perhaps this isn’t fair, but I kept thinking about how predictable and unimaginative her color descriptions are. And then I started thinking about synesthesia, which I don’t have, and wondering if people with it see emotions as colors, and what colors they might see. And now, after quickly researching the link between blue and gray and depression, I’m thinking about color psychology and feeling skeptical.

oct 6/RUN

6.1 miles
minnehaha dog park and back*
53 degrees

*a new route: south on the river road trail, past the falls and John Stevens’ house, along the gorge with hidden falls on the other side until turning around just before the dog park

Cooler weather. A bit blustery. Most of the time, the wind was pushing me and the leaves. Every so often I chanted, I am the wind and the wind is invisible, all the leaves tremble but I am invisible (Richard Siken) and Who has seen the wind? Neither I nor you: but when the leaves hang trembling, the wind is passing through. Who has seen the wind? Neither you nor I: but when the trees bow down their heads, the wind is passing by (Christina Rossetti).

Felt strong and relaxed. My right kneecap did some tiny slips. I decided that I should start warming up more before I head out for a run. Hopefully this will help my knee stay in the groove? Also: worked on my posture, trying to keep my trunk tall and my head straight.

A rare occasion: Nearing the park building at the falls, I realized I needed to go the bathroom, so I stopped. Hooray for a real bathroom, and not just a port-a-potty or a bush!

10+ Things I Noticed

  1. the leaves on the edge of the gorge, down near the ground, look a bright glowing orange instead of their usual red. Not sure if that’s true, or just my bad vision
  2. a view is coming! the trees are thinning in a stretch somewhere between 38th and 42nd and I could see the blue of the river below
  3. between the double-bridge and the locks and dam no. 1: a row of bushes, still thick with leaves, blocking my view of the river. The light flashing through the small gaps disorients
  4. seeing these flashes, wondering if I should tilt my hat to shield my eyes, a peleton passes by on the road
  5. at the falls, several of the sidewalks are covered in fallen leaves
  6. the trail is peppered with bright reds, yellows, oranges
  7. many of the trees at the falls have changed from green to gold and red, but a cluster (a stand?) of 4 or 5 are still green
  8. running above the gorge, parallel to Hiawatha, sirens — what happened and where?
  9. a bright red tree, glowing with color, way over in the neighborhood on the other side of Hiawatha
  10. the sandy beach at Hidden Falls almost glowing white through the trees
  11. the falls, dry — not a drop of creek water falling down the limestone
  12. someone blasting music (rock? pop?) from their car on Hiawatha. So loud!
  13. bing bing the fake bells of the train ringing as it pulls out of the 50th street station

The Secret in the Mirror/ Alberto Ríos

The mirror is dirty from the detritus of dailiness—
I look in the mirror and am freckled.

A week out from being cleaned, maybe two, maybe more,
The Milky Way shows itself in the secret silver,

This star chart in my own bathroom,
Aglow not in darkness but with the lights on,

Everything suddenly so clear.
It is not smear I am looking at, but galaxies.

It is not toothpaste and water spots—
When I look in the mirror, it is writing and numbers,

Musical notes, 1s and 0s, Morse-like codes, runes.
I am looking over into the other side,

And over there, whoever they are, it turns out
They look a lot like me. Like me, but freckled.

I really appreciate Ríos’ description in “About this Poem”:

…this poem speaks to the everyday lives we also lead—not cleaning the bathroom sink quite as much as we perhaps should, not always controlling the floss strings of good intentions now turned wild, not vacuuming nearly enough. But even in the mundane, we have, always at hand, surprise, surprise at its most savory in that we have least expected to find it where it is not advertised.

Surprise. Yes! I’m struck by how my failing vision creates a lot of surprise as my brain attempts to guess what I’m looking at. My vision aside, I also like the idea of finding the magical in the moments when the mundane fails, like when we fail to clean our bathroom mirror.

oct 4/RUN

2.5 miles
2 trails
60 degrees

Another colorful fall morning. Noisy, too. So much construction on our block and around the neighborhood. beep beep beep beep brrrrrr brrrrrr. Ran south on the river road and encountered lots of bikes. Noticed how the river was burning a bright white. Got lost in some thoughts about a new form for my vision poems. Forgot to notice the bridge above the ravine in the stretch between 44th and 42nd on the winchell trail. Stopped near the top of the hill at 42nd to speak some ideas into my phone. Ran some more, then stopped again. Do I have some good ideas that can become something? I hope so. I’m interested in experimenting with the peripheral as where I see and the center as a flat landscape/background. Maybe have a flat, lifeless description of the landscape with flashes of more meaningful words sprinkled along the peripheral? I like the idea of making the center a flat, lifeless landscape/background because that’s what my brain does; it fills in a background, like wallpaper. It’s mostly what’s there, but my view doesn’t include any objects that my few cones or my peripheral rods didn’t register. Listening to my notes, I also mention being inspired by the vision tests at the DMV, which have both a mini snellen chart and flashes you have to notice. For years before I was diagnosed, I would have this seemingly irrational fear of the vision test at the DMV. I always wondered why. Now I know. Not sure how to translate these tests into a poetic form.

10 Things I Noticed*

*while not really paying attention to my surroundings

  1. a peleton of younger bikers on the road
  2. a string of older bikers on the trail
  3. a biker swinging wide to mount their bike just as I ran by
  4. a dog barking at me as I swung wide to avoid them and their owner
  5. bright yellow vests
  6. a tree leaning over the dirt trail, which used to be asphalt, just past the 38th street steps
  7. two voices behind me, getting closer when I stopped to speak into my phone
  8. a woman with a dog passing by me X 2
  9. dripping water at the 42nd street sewer pipe
  10. Santa Claus running fast!

I noticed more than I thought. I haven’t seen Santa Claus (the Regular runner who has a bushy white beard like Santa Claus) in a while.

Here’s a poem I discovered yesterday while previewing May Swenson’s Nature (which I ordered!). It fits with my theme for September, and how I’m feeling these days: tender.

Living Tenderly/ May Swenson

My body a rounded stone
with a pattern of smooth seams.
My head a short snake,
retractive, projective.
My legs out out of their sleeves
or shrink within,
and so does my chin.
My eyelids are quick clamps.

My back is my roof.
I am always at home.
I travel where my house walks.
It is a smooth stone.
It floats within the lake,
or rests in the dust.
My flesh lives tenderly
inside its bone.

oct 3/RUN

5.4 miles
ford loop
61 degrees

Full fall color! More orange than anything else. Beautiful. Running over the lake street bridge — river emptied of everything but ripples. Windy. Noticed the evidence of the marathon everywhere — port-a-potties and barricades waiting to be picked up. No trash or torn-up grass or anything else that might indicate lots of people gathered here. I’m always impressed with how quickly everything is picked up. Encountered an older woman on the lake street steps. Tried to think about May Swenson’s wonderful poem, “October,” but all my thoughts scattered. Felt good. My right knee (the OG), didn’t bother me until the very end, and barely. No shifting or rubbing kneecap today!

No headphones for the first 4.5 miles. Put in Bruno Mars playlist — “talking to the moon” — while I finished my run.

10 Things I Noticed

  1. Orange everywhere! Not the kind that’s almost red, but the soft neon, almost like orange sherbet
  2. No rowers on the river, no roller skiers on the path, one fast-moving rollerblader
  3. A single goose honking, somewhere in the sky
  4. mostly cloudy with the sun sometimes peeking through the clouds
  5. long shadows cast by the trees on the east river side, near the overlook closest to the ford bridge
  6. a stretch on the east side of the river with no trees — no shade, nothing to frame the wide open sky, strangely bare
  7. the sound of jack hammers
  8. 2 bikers at the top of Summit, just past the monument. One said to the other, “This is the only tricky (or did he tough?) part of the route”
  9. a bike darted past me on the ford bridge then turned into a small overlook. No! I wanted to stop there to admire the leaves! Then, before I reached the overlook, hopped on their bike and pedaled away. Hooray!
  10. the short path that you cut down after exiting the ford bridge to get to the river road was the ideal form of Fall — all oranges, a few yellows, a winding path, mysterious woods

A few weeks ago, I decided that in October I would study 2 poems titled October, one my May Swenson, the other by Louise Glück. This week, May Swenson’s version:

October/ May Swenson

1

A smudge for the horizon
that, on a clear day, shows
the hard edge of hills and
buildings on the other coast.
Anchored boats all head one way:
north, where the wind comes from.
You can see the storm inflating
out of the west. A dark hole
in gray cloud twirls, widens,
while white rips multiply
on the water far out.
Wet tousled yellow leaves,
thick on the slate terrace.
The jay’s hoarse cry. He’s
stumbling in the air,
too soaked to fly.

2

Knuckles of the rain
on the roof,
chuckles into the drain-
pipe, spatters on
the leaves that litter
the grass. Melancholy
morning, the tide full
in the bay, an overflowing
bowl. At least, no wind,
no roughness in the sky,
its gray face bedraggled
by its tears.

3

Peeling a pear, I remember
my daddy’s hand. His thumb
(the one that got nipped by the saw,
lacked a nail) fit into
the cored hollow of the slippery
half his knife skinned so neatly.
Dad would pare the fruit from our
orchard in the fall, while Mother
boiled the jars, prepared for
“putting up.” Dad used to darn
our socks when we were small,
and cut our hair and toenails.
Sunday mornings, in pajamas, we’d
take turns in his lap. He’d help
bathe us sometimes. Dad could do
anything. He built our dining table,
chairs, the buffet, the bay window
seat, my little desk of cherry wood
where I wrote my first poems. That
day at the shop, splitting panel
boards on the electric saw (oh, I
can hear the screech of it now,
the whirling blade that sliced
my daddy’s thumb), he received the mar
that, long after, in his coffin,
distinguished his skilled hand.

4

I sit with braided fingers
and closed eyes
in a span of late sunlight.
The spokes are closing.
It is fall: warm milk of light,
though from an aging breast.
I do not mean to pray.
The posture for thanks or
supplication is the same
as for weariness or relief.
But I am glad for the luck
of light. Surely it is godly,
that it makes all things
begin, and appear, and become
actual to each other.
Light that’s sucked into
the eye, warming the brain
with wires of color.
Light that hatched life
out of the cold egg of earth.

5

Dark wild honey, the lion’s
eye color, you brought home
from a country store.
Tastes of the work of shaggy
bees on strong weeds,
their midsummer bloom.
My brain’s electric circuit
glows, like the lion’s iris
that, concentrated, vibrates
while seeming not to move.
Thick transparent amber
you brought home,
the sweet that burns.

6

“The very hairs of your head
are numbered,” said the words
in my head, as the haircutter
snipped and cut, my round head
a newel poked out of the tent
top’s slippery sheet, while my
hairs’ straight rays rained
down, making pattern on the neat
vacant cosmos of my lap. And
maybe it was those tiny flies,
phantoms of my aging eyes, seen
out of the sides floating (that,
when you turn to find them
full face, always dissolve) but
I saw, I think, minuscule,
marked in clearest ink, Hairs
#9001 and #9002 fall, the cut-off
ends streaking little comets,
till they tumbled to confuse
with all the others in their
fizzled heaps, in canyons of my
lap. And what keeps asking
in my head now that, brushed off
and finished, I’m walking
in the street, is how can those
numbers remain all the way through,
and all along the length of every
hair, and even before each one
is grown, apparently, through
my scalp? For, if the hairs of my
head are numbered, it means
no more and no less of them
have ever, or will ever be.
In my head, now cool and light,
thoughts, phantom white flies,
take a fling: This discovery
can apply to everything.

7

Now and then, a red leaf riding
the slow flow of gray water.
From the bridge, see far into
the woods, now that limbs are bare,
ground thick-littered. See,
along the scarcely gliding stream,
the blanched, diminished, ragged
swamp and woods the sun still
spills into. Stand still, stare
hard into bramble and tangle,
past leaning broken trunks,
sprawled roots exposed. Will
something move?—some vision
come to outline? Yes, there—
deep in—a dark bird hangs
in the thicket, stretches a wing.
Reversing his perch, he says one
“Chuck.” His shoulder-patch
that should be red looks gray.
This old redwing has decided to
stay, this year, not join the
strenuous migration. Better here,
in the familiar, to fade.

After posting this, I decided to order Swenson’s collection Nature (and Glück’s Averno). So excited!

Back to Swenson. Today, before I went out for my run, I was struck by 4, 5, and 6, especially in terms of light, the eye, and vision.

from 4
But I am glad for the luck
of light. Surely it is godly,
that it makes all things
begin, and appear, and become
actual to each other.
Light that’s sucked into
the eye, warming the brain
with wires of color.
Light that hatched life
out of the cold egg of earth.

I like her description of light, the eye, and the brain, which is warmed with wires of color.

In the next section, 6, I’m struck by how, after praising light, she (seems to) praise darkness too:

Dark wild honey, the lion’s
eye color, you brought home
from a country store.

And offers a parallel description of dark, the eye, and the brain:

My brain’s electric circuit
glows, like the lion’s iris
that, concentrated, vibrates
while seeming not to move.

The eyes and light and vision come up again in section 6:

maybe it was those tiny flies,
phantoms of my aging eyes, seen
out of the sides floating (that,
when you turn to find them
full face, always dissolve)

then

In my head, now cool and light,
thoughts, phantom white flies,
take a fling

What to make of these references?

sept 30/RUN

3.1 miles
trestle turn around
57 degrees

Today is the 13th anniversary of my mom’s death. Last night, my second mom (always more than a mother-in-law) died. Cancer killed both of them too soon. Here’s how I’d like to remember them, together, laughing:

A beautiful fall morning. Lots of yellows and reds and even some orange. Greeted Dave, the Daily Walker with a hi! instead of a good morning Dave! Thought about my right knee and hoped it would be okay — I took an extra day off because it was a little sore/swollen. It seems okay. Whew! Did I think much about grief? Not sure. I heard some strange birds, or were they cranking squirrels? I couldn’t tell. Don’t think I looked at the river even once. Didn’t hear any rowers or roller skiers. No fat tires. No walnuts or acorns or epiphanies. Just a nice 30 minute release from sadness and fatigue and worry about having to tell RJP when she comes home this afternoon.

sept 25/RUN

3.1 miles
turkey hollow
57 degrees

Another beautiful fall morning. Listened to Bruno Mars and didn’t think about anything, or didn’t hold onto anything that I thought about. Didn’t see any turkeys or greet anyone. No view of the river — well, I think I might have seen it shimmering through the trees at one point, but it was far off, on the other side of the river road, so I can’t be sure. Forgot to notice the color of the trees or look for acorns or walnuts or squirrels.

Found this Niedecker poem on twitter the other day. I love her poetry.

Along the River/ Lorine Niedecker

Along the river
        wild sunflowers
over my head
        the dead
who gave me life
        give me this
our relative the air
        floods
our rich friend
        silt

Trying to find out more about this poem, I discovered that it was turned to a song (at least I think this is the same poem; it’s difficult to understand the lyrics):

sept 21/RUN

5.75 miles
franklin loop
60 degrees

A beautiful morning for a run! Cooler, leaves scattered on the ground, more reds and oranges and yellows. Started slow and intended on staying slow, but looking at my splits after the run, I noticed I negative split each mile. Ran the franklin loop — north on franklin, over the bridge, south on the east river road, past the lake street bridge, up the hill beside my favorite viewing spot, then back down the hill to the bridge. I walked up the steps and on the bridge until I reached the overlook. Stopped to study the river, then put in Renaissance and ran all the way back.

To keep myself distracted, or focused on something other than my effort, I chanted triple berries. Strawberry/raspberry/blueberry/blackberry/gooseberry

Also thought about a poem I’m revising and the idea of learning to hold contradictions together without resolving or reducing them. In the case of this poem, it’s about both having great affection for the other swimmers in the lake with me because we all love the lake and being irritated by how they get in my way or kick me or push me off course. I can’t remember much of what I thought — something about other contradictions, lik how we always hold joy and suffering together too, and about the need to find balance with these contradictions.

10 Things I Noticed

  1. the welcoming oaks are still green and full
  2. a few rips in the veil of green that hides the river below the tunnel of trees
  3. minneapolis parks worker was weedwacking near the lake street bridge. all the goldenrod poking through the rails and leaning over the trail is gone, so are the red leaves
  4. gusts and swells of wind, sounding like water falling from the limestone ledges
  5. evidence: the voice of a kid, then an adult and an empty bike with a kids’ seat in the back parked in the bike rack…assumption: there’s a kid somewhere nearby with his mom exploring the gorge, never verified
  6. passing a man with a “sporty” walker (its wheels looked like they were more rugged and ready to go fast) just before getting to the franklin bridge
  7. greeted Dave, the Daily Walker and Mr. Morning! Also passed a guy that I’m pretty sure used to walk on the track at the YWCA everytime I ran there. I think I’ll call him, Mr. Y
  8. water (not wind, I think?) falling off the ledge near the Meeker Dog Park — is there a way to get to this seep/falls?
  9. a bright red tree just below the railing at my favorite viewing spot above the lake street bridge
  10. the river! blue with slight ripples from the wind that were moving towards the middle of the river, streaks — from the sandbars? — were visible too. At the overlook, a little over halfway across, the river was split in 2. One side was sparkling and shimmering from the sun, the other side was almost flat. Up above, the sky was streaked with shreds of clouds; it looked almost like a mirror of the ripples in the water

Autumn/ Linda Pastan

I want to mention
summer ending
without meaning the death
of somebody loved

or even the death
of the trees.
Today in the market
I heard a mother say

Look at the pumpkins,
it’s finally autumn!
And the child didn’t think
of the death of her mother

which is due before her own
but tasted the sound
of the words on her clumsy tongue:
pumpkin; autumn.

Let the eye enlarge
with all it beholds.
I want to celebrate
color, how one red leaf

flickers like a match
held to a dry branch,
and the whole world goes up
in orange and gold.

Ever since I read Vertical by Linda Pastan, I have loved her poetry. This poem — “Autumn” — adds to that love. Some years, like this one, it’s harder not to think about death in the fall. Maybe I’ll try repeating pumpkin and autumn over and over.

addendum (17 feb 2023): For the month of Feb 2023, I’m spending time with Linda Pastan. While watching one of her readings on YouTube, she mentioned that this poem was for Jane Kenyon and in response to Kenyon’s poem, Let Evening Come:

Let Evening Come/ Jane Kenyon

Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.

Let the cricket take up chafing
as a woman takes up her needles
and her yarn. Let evening come.

Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.

Let it come, as it will, and don’t
be afraid. God does not leave us
comfortless, so let evening come.

sept 19/RUN

4.6 miles
to longfellow gardes and the falls
60 degrees / humidity: 90%

A nice run. Calm, quiet, not too warm. I was surprised to see that the humidity was 90%; it didn’t feel that humid. Ran south on the river road trail, past the falls, under to mustache bridge, near the old statue of Longfellow (is it Longfellow, or someone else? I can’t remember now) and over to Longfellow Gardens. Beautiful fall flowers. My favorites: purple cylinder-shaped ones and some bright pink ones that almost looked like zinnias but not quite. I stopped to walk through the flowers and noticed about a dozen people with cameras — a class? a photography group?

The falls were almost completely dry. Running on the path above then, close to the road, I heard a voice call out, echo! echo! Maybe someone walked on the dry creek to under the bridge?

Running south: no headphones
Running after the falls: playlist, Bruno Mars

10 Things I Noticed

  1. no water in the creek, just rocks
  2. clear, cloudless, bright blue sky
  3. the faint outline of the moon
  4. the dribble dribble sound of water trickling down the limestone in the park
  5. the recently re-paved (2 or 3 years ago?) path below the mustache bridge is already puckering in places — what causes that?
  6. a woman speaking to another woman while walking near the falls, It’s beautiful! She’s lucky to live here.
  7. more slashes of red and orange, no slashes of yellow — yellow comes in splotches, not slashes, I think
  8. the smallest sliver of sparkling river through the trees
  9. all the benches were empty
  10. lots of construction sounds on edmund, near Dowling Elementary — jack hammers, rumbling bobcats

Here’s a poem I found on twitter this morning. I’d like to read more of Swenson’s work.

The River/ Cole Swenson

It is a rare night
down along the river,
a sheet of glass repeating
“I am water.”
The lights upon it
do not dance, but strike
and go down forever.
This river has forgotten
the way to the sea,
it will wander the earth
like a liquid sleepwalker
stopping people on the street
and asking, “have I arrived?”

sept 18/RUN

4.6 miles
franklin bridge and back
64 degrees / humidity: 87%

note: as I write this entry, at my desk in the front, a fly keeps dive-bombing me. I think it might be the same fly that harassed me early this morning while I was drinking my coffee. Argh!

Dark this morning. Looked like it might rain; it didn’t. This sort of light makes everything look even darker and dreamier to me. Ran north on the river road trail to just under the Franklin Bridge. Stopped to walk back up the half of franklin hill that was left. Put in Renaissance and ran south. The trail was crowded, but not too irritating. Saw evidence of rowers — walking up from the rowing club — but no voices down below or shells in the water. Encountered a few roller skiers. I don’t think I heard their poles clacking at all. Heard some shrieking blue jays. No geese. No big running groups. No Dave, the Daily Walker or Mr. Morning. I did cross paths with Daddy Long Legs,

leaf watch, fall 2022

Some golden trees between franklin and seabury — I think Scott’s favorite tree might have turned yellow. More slashes of red and orange. Things are speeding up now. Full color by the beginning of October?

image of the day

I think I’ve mentioned this image sometime in the past — heading up the second half of the franklin hill, the stretch after the bridge but before the top, the trees on either side frame the sky in such a way that it looks like the shape of the Mississippi River. Very cool to see and to imagine everything upside down, with the sky as river, the ground as sky.

The fly continues to bother me. Bzzzzzz….bzz..bzz..bzzzzzzzzzz

Speaking of a fly, it’s hard to believe that I haven’t posted this ED poem before — update, 9 jan 2023: I did post it already. On march 15, 2021.

I heard a Fly buzz — when I died / Emily Dickinson

I heard a Fly buzz – when I died –
The Stillness in the Room
Was like the Stillness in the Air –
Between the Heaves of Storm –

The Eyes around – had wrung them dry –
And Breaths were gathering firm
For that last Onset – when the King
Be witnessed – in the Room –

I willed my Keepsakes – Signed away
What portion of me be
Assignable – and then it was
There interposed a Fly –

With Blue – uncertain – stumbling Buzz –
Between the light – and me –
And then the Windows failed – and then
I could not see to see –

With a loved one nearing death and the 13th anniversary of my beloved mom’s death at the end of the month and falling leaves and winter coming, I’m thinking about transformation and decay and things passing away. Speaking of decay, I saw a tweet a few days ago about IDK and how it both stands for I Don’t Know and I Decay.

sept 16/RUN

4 miles
minnehaha falls and back
66 degrees / drizzle

Checked the weather app on my watch: 0% chance of rain. Ha! A few minutes in, a few drops, then a soft, steady drizzle for the rest of the run. Who cares? I barely felt it, or could barely tell the difference between drops of rain and drops of sweat.

Ran to the falls. No roar or rush, just a trickle. I doubt this short rain will help.

Stopped to look at the falls at my favorite spot, near the former fountain where Longellow’s “The Song of Hiawatha” is etched into the stone wall. The falls were hidden behind green. Instead, I noticed a few dartig birds. I think they were blue — blue is a very difficult color for me to see.

Started running again while listening to Renaissance.

quick life update for future Sara to remember: with very little warning, trying to figure out nursing homes and finances for elderly parents. A kid who is struggling with anxiety and depression and high school (which are connected but not necessarily in a causal way) — not wanting to go to school, but also not wanting to miss out.

sept 14/RUN

5.6 miles
the flats and back
62 degrees / humidity: 80%

Fall running. Still wearing my summer attire — shorts and a tank top — but it felt cooler, easier. I ran 3 miles, all the way down the franklin hill and into the flats, then turned around at the steps. Ran below, right by the river, on the uneven path until I reached 3.3 miles. Walked up about half of the hill. Put in Beyoncé’s Renaissance and ran most of the way back.

Fairly early into the run, I realized that my eyes were drawn to things in the bottom of my periphery. All things on the ground: changing leaves, bright blue tarps, wildflowers.

10 Things I Noticed

  1. a green glow
  2. slashes of red near my feet
  3. the strong smell of urine at a spot somewhere between the franklin and lake st bridges
  4. a big white tarp next the trash can near the WPA sign and the lake street bridge
  5. more goldenrod
  6. a lone goose up in the sky, honking
  7. an old car, puttering behind me, sounding like a rickity bike. I thought it was a bike, until it passed me
  8. Mr. Unicycle! As I neared the franklin hill, I saw him powering up the hill on his one-wheeled bike
  9. a runner ahead of me, running on the white line that divides the bike and walking paths. 2 fast bikers, speeding down the hill, swerving wide to avoid him
  10. 4 or 5 stones stacked on the ancient boulder. The top one bigger than the rest — nice balance!
a big boulder with several small stones stacked on it. The top stone, much bigger than the one just beneath it.
5, or is just 4?, stones stacked on the ancient boulder.

It’s not that much cooler than some summer days. And, I’m wearing my summer running stuff. Yet, you can tell fall is almost here (or is already here?). How? What makes the difference? I love this poem by W.S. Merwin that I first posted a few years ago for giving some answers:

To the Light of September/ W.S. Merwin

When you are already here
you appear to be only
a name that tells of you
whether you are present or not

and for now it seems as though
you are still summer
still the high familiar
endless summer
yet with a glint
of bronze in the chill mornings
and the late yellow petals
of the mullein fluttering
on the stalks that lean
over their broken
shadows across the cracked ground

but they all know
that you have come
the seed heads of the sage
the whispering birds
with nowhere to hide you
to keep you for later

you
who fly with them

you who are neither
before nor after
you who arrive
with blue plums
that have fallen through the night

perfect in the dew

Looked up mullein. It grows in Minnesota. Have I seen it? Possibly, I can’t quite tell.

a possible exercise: Go out for a run in early fall, when it still seems like summer. How do you know fall is coming/here?

  • quality of the light, a softer glow
  • slashes of red
  • kids biking to school
  • goldenrod
  • busy squirrels
  • geese

I feel a little stuck on the poem about my love of choppy water and the fun of punching the waves that I’ve been working on, without much progress, for the last week. Why do I like doing this? It’s not out of agression or frustration or grief. I’m not trying to hurt myself or break something. It’s about using/working my body, testing my strength, spending some energy. During the run, I had a thought: it’s not an expression of power, but of belief — belief in strong shoulders and my ability to hit a wall and not fall. Later, after I turned on the music, the song “Energy,” came on. Listening to the lyrics, I thought about how energy fits in with punching waves. I decided that when I got back from my run, I’d look up the lyrics and think about them some more. Beyoncé’s energy is a bit different than mine, but it is helping me to think more broadly about what the term could mean.

Energy/ Beyoncé

On stage rockin’, I’m stir crazy
Coco flow like 1980s
Come, let’s tell a drop lazy
None of that maybe energy (nah)
Energy
Energy
Just vibe
Votin’ out forty-five
Don’t get outta line (yeah)
Ooh, ooh, ooh, ooh
Pick a side
Only double lines we cross is dollar signs (yeah)
Ooh, ooh, ooh, ooh (hold up)
Wait, I hear you just got paid
Make it rain energy
She more Cancun, he more St. Tropez
Big wave in the room, the crowd gon’ move
Look around everybody on mute
Look around it’s me and my crew
Big energy
He was on stop mode, got froze
Froze front page Vogue, no pose
Chat too much, full clip unload
That’s that Kodak energy
Energy
Energy
Energy
Yeah, yeah
Gold links, raw denim
You know that we do it grande
You know that I’m gon’ be extra
When that camera go pop-pop-pop-pop-pop-pop
Keep ’em waitin’ like dot-dot-dot-dot-dot-dot
Ooh, la, la, la
That’s the way them boys sound when I walk through the block-block-block
Then I Uzi that doozy, shot-shot-shot
We was chillin’, mindin’ our business
Poppin’ our pain and champagne through the ceiling
Sippin’ it up, flickin’ it up
All this good energy got you all in your feelings, feelings
I’m crazy, I’m swearin’
I’m darin’, your man starin’
I just entered the country with Derringers
‘Cause them Karens just turned into terrorists
You was on stop mode, got froze
Froze front page Vogue, no pose
Chat too much, full clip unload
That’s that Kodak energy (go, let’s go, let’s go, let’s go)
Energy
Energy (go, let’s go, let’s go, let’s go)
Energy
Yeah, yeah

no maybe energy, vital, alive, extra, not frozen or stopped, less talk more action

sept 12/RUN

4.25 miles
ford bridge + turkey hollow
57 degrees

A fine fall morning. For most of the run, I didn’t listen to anything — not sure I remember any sounds from the gorge. For the last mile, I put in headphones and listened to Taylor Swift’s 1989. My knees ache a little, not like they’re injured, just sore from use. Could it partly be because of slightly cooler weather?

10 Things I Noticed

  1. 2 bikers on the road near the start of my run — 1 adult, 1 kid. My guess: a kid biking to Dowling Elementary School with his dad
  2. running above the oak savanna, a green glow as the sun streamed through the leaves of the trees lining the trail
  3. the ravine near the double bridge looked extra leafy and green
  4. the river, viewed from the ford bridge on the downtown side, was a beautiful blue and empty
  5. the sidewalk at the end of the bridge was under construction. Right now, it’s all dirt
  6. a few kids skating at the new skate park on the land that was the site of the ford plant
  7. the river, viewed from the ford bridge on the locks and dam no. 1 side, was still and high? — I couldn’t quite tell, but it looked like it had partly flooded the small island in the middle
  8. the locks and dam no. 1 is closed — carp invasion, I think. I didn’t see/hear the gushing water down the conrete apron
  9. no turkeys in turkey hollow
  10. no roller skiers or loud birds or darting squirrels or rowers or fat tires

a new regular

For a few months, I’ve noticed an older white man with white hair and a white beard (at least, I think he has a beard), using a walker when I run south on the river road. Sometimes he’s using the walker to help him walk pretty swiftly along the trail, and sometimes he’s using it as a chair. Today, we was sitting. We greeted each other as I ran by. He’s a friendly guy. It makes me happy to see him out there, continuing to walk with a walker, enjoying the beautiful trail. I think I’ll call him Mr. Walker.

I tried to think about my latest poem, but I got too distracted, I guess. No new words or ideas.

Here’s another poem from Tanis Rideout’s Arguments with the Lake. O, her last verse!

excerpt from Shirley As Drowned Ophelia/ Tanis Rideout

Though in the Lake are visions — submerged forests
of blossoming myriophyllum. I was cuaght
half-remembered in early morning darkness and a web of pondweed
that withered all when fathers died.

O, the Lake. The only thing that kept me afloat
was what I thought was on the other side.

sept 9/RUN

5.25 miles
bottom of franklin hill and back
64 degrees / drizzle

Rain today. On and off. When I started, it wasn’t raining, but in the middle of my run, drizzle. It was hard to tell because I was sweating and wearing a baseball cap. A good run. I was overdressed, with my pink jacket on. When I got to the bottom of the Franklin hill, I took it off and wrapped it around my waist.

Running down the hill I chanted,

Here I go
down the hill
Here I go
down the hill
Here I go
down the hill
Watch me fly!

Listened to all the sounds in the gorge running north, a Bruno Mars Apple Essential playlist on the return trip south.

10 Things I Noticed

  1. a stinky sewer smell — not near the ravine, but down in the tunnel of trees
  2. a tower of stacked stones on the ancient boulder
  3. the coxswain instructing the rowers
  4. a rushing sound — either the wind through the leaves or water sprinkling out of the seeps and springs and sewer pipes
  5. so much goldenrod this year! golden yellow flowers everywhere. I wonder if that’s what’s causing Delia the dog’s itchiness?
  6. the leaves are starting to turn, mostly yellow, a few streaks of red
  7. park workers in their orange vests, their truck parked on the path — trimming trees?
  8. such an intense smell of pot as I ran by the lake street bridge porta potty
  9. the smell of cigarette smoke below the franklin st bridge
  10. I think the river was more brown than blue and it was gently moving

In the fall of 2018 (thanks past Sara for writing the date in the front of the book!), I bought Tanis Rideout’s book of poems, Arguments with the Lake. Working on my latest poem, about fighting with the lake, I decided to revisit it. Here’s one of the poems:

Shirley, Midlake/ Tanis Rideout

Hearts are bred to beat one billion times in an elephant
or in a mouse — mathematically simple difference of beats
per minute. Unlucky us with two billion more, slowed
by the hibernetic slumber of escape or blessedly sped by panic,
pain, a six a.m. jog around the block turning, always turning,
clockwise. By love, by sex. By want. So simple to be a fish.

I’m always giving it away. With each stroke, flutter, catch, kick
and the surging need to inhale, inhale, inhale, like I’ve never
taken a breath before.

The lake tries to soothe and slow, creeps cold into core, slips
into the sheltered bays of lungs, the hidden rivers around the heart.
It’s a fair exchange — beats per pleasure. For pain. Each of us is allotted
the strikes of the heart. I’m using mine, arguing with the Lake.

sept 7/RUN

5.9 miles
bottom of franklin hill and back
70 degrees / humidity: 95%
8:45 am

Back to warmer, more humid, mornings. Did my new regular routine with this route: run just beyond the bottom of the franklin hill, turn around, walk up the hill, put on a playlist, begin running again, much faster, at the top.

I don’t remember what I thought about as I ran. I started noticing my breathing pattern: 1 2 3 4 breathe. Then near the top of Franklin, I started chanting, 54321/54321/54321/123. And then, I changed the rhythm slightly and came up with words:

Here I go down the hill
Here I go down the hill
Here I go down the hill
Watch me fly.

To remember it, I decided to pull out my phone and recite it mid-flight down the hill:

chant, 7 sept

10 Things I Remember From My Run

  1. Reaching the bottom of the hill, the water was flat and still. No rowers or waves.
  2. I startled a squirrel as I ran by their hiding place in the brush.
  3. A group of women — I didn’t see them, only heard their voices — climbing the stone steps by the trestle.
  4. A unicycle biking up the steep Franklin hill! I noticed them after the turn-off to go above, so they might have only started there, but I like to imagined this biker biked all the way from the bottom on a unicycle. What a feat!
  5. That same unicycle encountering a skateboarder heading down the hill.
  6. A sewer smell, coming up from the ravine.
  7. Sweat dripping off of my face in big drops.
  8. The buzz of cicadas, the hum of the traffic on the I-94 bridge and the river road
  9. Saying Good morning! in my head to the Welcoming Oaks and out loud to an older jogger.
  10. Noticing the goldenrod lining the path as I walked up the hill.

Speaking of goldenrod, as I noticed the golden flowers on the edge of the trail and wondered if they were goldenrod or something else, I remembered Maggie Smith’s poem “Goldenrod” and decided I should memorize it. I also thought about Robin Wall Kimmerer and her chapter on Asters and Goldenrod.

Goldenrod/ Maggie Smith

I’m no botanist. If you’re the color of sulfur
and growing at the roadside, you’re goldenrod. 

You don’t care what I call you, whatever
you were born as. You don’t know your own name. 

But driving near Peoria, the sky pink-orange,
the sun bobbing at the horizon, I see everything

is what it is, exactly, in spite of the words I use:
black cows, barns falling in on themselves, you.

Dear flowers born with a highway view, 
forgive me if I’ve mistaken you. Goldenrod, 

whatever your name is, you are with your own kind. 
Look–the meadow is a mirror, full of you,

your reflection repeating. Whatever you are,
I see you, wild yellow, and I would let you name me.

sept 5/RUN

4.4 miles
bottom of franklin hill and back
60 degrees
9:00 am

Fall is coming. The air, a little cooler. The trees, a little more yellow. I’m still sad about swimming ending, but I’m happy to have more time to run. Ran north on the river road trail all the way to the bottom of the franklin hill and then turned around. Ran up it all the way to the top, then stopped for a few minutes to walk and put it in my headphones (listened to Beyoncé’s Renaissance).

Heading north, I heard the rowers and the mid-range voice of a coxswain — not a low voice, and not a high one either. Not sure if I’ve heard this coxswain before. Also heard the clicking of a roller skier’s poles and the awkward shifting of a bike’s gears.

Passed a runner in black with a white sweatshirt tied around their waist. Something about the sweatshirt transfixed me. It seemed to take forever to pass them as I stared blankly at the white of their sweatshirt.

The river down in the flats was moving in the breeze. The sun was frequently behind the clouds.

Encountered a few lunging dogs, a darting squirrel.

Overheard 2 bikers talking. Tried to listen, but all I could make out was, that must have been 300 minutes! Huh?

Here’s the latest version of my poem about the light and the waves in the lake. I’m happy with it, but as I listened to a recording of myself reciting it I thought, so many of my poems are serious and somber! It made me think that I should try writing about this experience from a more playful perspective. Can I, or am I too serious of a person? Here’s the draft:

Love (tentative title)/ Sara Puotinen

Hands slice through water
ripples catch light
sun surface swimmers
converge into chorus.
Listen, their notes of
shimmer & shine sing
to you. Each point of
contact between lake
and finger and light
an over here, this
way, you’re not alone
.
As your body breaks
surface stroke after
stroke, it sings along.

Walking back, after the run, I started thinking about the little girl, with the same name (and spirit) as my daughter, that I encountered at the end of an open swim one day. The image that lingers: her mischevious look after calling out a made-up Help! I’d like to write about her and a few of the other women I encountered in the water this summer. I wish I could remember more of these women. Maybe I’ll try?

sept 3/RUN

2.8 miles
2 trails
65 degrees
8:30 am

Writing this about 8 hours after my run. I wonder what I remember? 2 trips to the state fair + 2 trips to Rochester (70 minute drive) made it difficult to run a lot this week.

10 Things I Remember

  1. the coxswains, both male and female, calling out to their rowers
  2. a pack of runners taking over the paved path
  3. a dog somewhere down below, near where I was entering the Winchell Trail — I didn’t see them, but heard the pounding of their paws, the jingling of their collar
  4. 2 male voice below me — were they on the water in a boat or by the shore? I never found out
  5. the trickle of the sewer pipe at 44th
  6. the blue river — did it sparkle? I can’t remember
  7. hearing the rower below me and trying to find a spot in between trees to see their boats
  8. a leaning tree before 38th
  9. the dirt trail below the mesa is overgrown…at one point, the sunflowers have reclaimed the path
  10. 2 people standing by the information sign in the oak savanna, both wearing shorts, looking like they were planning to hike or run

Still playing around with a poem about the sparkle a swimmer’s body makes on the water. Here’s a draft that I haven’t broken into lines yet. I feel like I’m getting closer, but I’m not quite there:

Hands slice through water, ripples catch light, sun surface swimmers converge into chorus. See how their notes of shimmer & shine greet and guide you. Every point of contact between shoulder and lake and light, an over here, this way, you are not alone. Can you feel how your body sings this same song to others?

sept 1/RUN

5.3 miles
bohemian flats and back
67 degrees / humidity: 86% / dewpoint: upper 60s
8:00 am

A warm morning. Loud with cicadas. Sunny with very little wind. A good run. Early on, one of my quad muscles — maybe the vastus intermedias? — felt sore. I kept going. When I stopped to walk up franklin hill, it was still sore. By the end of the run, it hurt a little to lift up my left knee. Now, an hour later (and after blasting cold water from the shower on it), it feels better.

I ran to the hill without headphones; I ran back listening to Beyoncé’s Renaissance.

A woman walker greeted me with a good morning. Usually others greet with me just morning, but I think that’s mostly men. Do (many/most/some?) women add the good? Is the addition or omission of good gendered?

10 Things I Noticed

  1. someone singing a strange song as the biked above me
  2. music I couldn’t identify coming from a car’s stereo
  3. the click click click of a roller skier’s poles as they slowly climbed the franklin hill
  4. a brown leather couch parked at the bike rack nearest the trestle — was someone planning to drag it down the steps, either to under the trestle or on white sands beach?
  5. a few slivers of silver river through the trees
  6. a constant low rumble of the city
  7. a small black bug flew in my eye — yuck!
  8. at the bottom of the franklin hill, in the flats, the river was thick and still and covered with a thin layer of scum
  9. down in the flats, in a few spots, the river was still and acted like a mirror, reflecting the sky and the river bank
  10. In one spot, it shimmered silver. Why? It took me a minute to see the 2 rowers, each in their own scull/shell/rowing boat, disrupting the water and making it shimmer

The other day, I listened to a tinhouse lecture with Natalie Diaz about Building the Emotional Image. She discusses identifying the images that we are obsessed with. As I walked up the hill and talked into my phone about my run, I discussed 2 of my image obsessions: shimmering, sparkling water and how the sounds of the gorge — the hum of the city, the whoosh of the car wheels, the call of the birds, the buzz of the cicadas and leaf blowers — sing together. Here are the notes:

sept 1 / walking up the franklin hill

This beautiful poem I found on twitter last night by Sophie Klahr!

Tender/ Sophie Klahr

I spend late morning weeping with the news:
a black bear with burnt paws is euthanized
along the latest wildfire’s newest edge.
It was crawling on its forearms, seeking
a place to rest. I Google more; reports
leak out: the bear had bedded down behind
a house, below a pine, to lick its paws.
In hours before its end, officials named
it Tenderfoot, though some reports report
just Tender. later, I will teach a class
where we’ll discuss the lengths of lines in poems.
I’ll say a sonnet is a little song
to hold a thing that otherwise cannot
be held: a lonely thing; a death; a bear.

august 30/RUN

4.25 miles
veterans’ home loop
66 degrees
8:45 am

Another cooler morning! Sun, a little wind, some glowing water. An annoying chipmunk (Chippie!) that forced me to stutter step when they almost ran right into me. A few darting squirrels. A black-capped chickadee. Fee bee. Roaring falls. A woman talking into her phone while crossing the tall bridge above the part of the creek between the falls and the river. Another woman almost running into me at the bottom of the hill that passes beside the feet (is that what they’re called?) of the ford bridge. Watch out!

Before I ran, I listened to a recording of myself reading a draft of 2 new poems. Then, during the run, I tried to finish one of them. I came up with some satisfying lines, I think. Stopped midway to record them into my phones. I love running and writing!

My poem is inspired by one of my morning open swims when, as I swam across the lake right into the bright sun, I noticed that a swimmer ahead of me was making the water shimmer as they sliced through it. This shimmer was both a signal that someone else was in the water with me, and a guide to the other side. A theme for this poem is celebrating the beauty/wonder of how our bodies become beacons for each other, usually without us even knowing it. An act of love/care for others that we do without knowing or intending to.

Love/ Sara Puotinen

A hand slices through
water and ripples
catch light. Sun swimmer
surface converge. Each
point of contact adds
to the chorus here
here here. Notice our
notes of shimmer &
shine scattered across
the lake. Some of us
are lost, some found, but
few of us know how
our bodies sing.

Not quite done. I thought about how I’m trying to circle around, or sneak up behind?, or catch a glimpse from afar of my idea about love as not something we intend. We, or at least I, don’t go to the lake with the purpose of guiding others across, or even connecting with them, but to swim because it is one of the things I enjoy doing most in the world. Without knowing it, when I’m doing this thing I love, I’m offering love to others. I’m still working on clarifying/condensing this idea. I have decided that I don’t like the last few lines about being lost and found; I need another way to get to: few know how our bodies sing.

august 24/RUNSWIM

run: 3 miles
2 trails
75 degrees
10:10 am

Up above, a playlist: Harry Styles, Queen, Foo Fighters. Down below, the river gorge. An easy run.

surfaces run on: concrete, asphalt, dirt, grass, gravel, partly crushed acorns, decomposing leaves

Lots of chipmunks darting across the path. Lots of squirrels rustling in the dry brush. Busy, preparing for winter.

Turkeys! 6 or 7 of them just off the trail near the WPA steps at the 44th street parking lot. The one closest to the trail opened its wings in warning. Keep your distance! I did. I’m not messing with any wild turkeys!

Dripping sewer pipes. Light blue river. Fuzzy green vegetation, air. I couldn’t tell if it was my bad vision or some haze, but everything was soft and out of focus. I felt removed from the world, floating above the path in a bubble.

Down in the oak savanna, they haven’t trimmed back the wildflowers and tall grass in months. I ran through a tall line of sunflowers. Hello friends!

Smelled the sewer, almost tripped on a root. Powered up the damp gravel to the beat of a gulping chipmunk — what would you call that sound they make, almost like the hitting of a woodblock?

Noticed several leaning trees. Will they fall during the next heavy storm?

Thought about a few lines I just read while reviewing a newspaper article about the farmer who sold the last plot of land to Minneapolis for Lake Nokomis. The farmer’s name? Ebenezer Hodson. An interesting guy. The lines?

In the 1850s, his aging uncle Isaac — who fought in the Revolutionary War — urged him to seek his fortune in the Minnesota Territory. Treaties with the Dakota people had opened up land for white settlers west of the Mississippi

Treaties with the Dakota people had opened up land for white settlers? I imagined writing an erasure poem using this article that focused on how the land was stolen, the treaties illegal. Now, after looking at that phrase again, I’m struck by its passivity, as if the land just opened up, or the treaty did the work and not the settler colonizers who crafted their dubious/illegal/violent treaties and then failed to honor them. It reminds me of a poem I posted on nov 13, 2021.

Passive Voice/ LAURA DA’

I use a trick to teach students
how to avoid passive voice.

Circle the verbs.
Imagine inserting “by zombies”
after each one.

Have the words been claimed
by the flesh-hungry undead?
If so, passive voice.

I wonder if these
sixth graders will recollect,
on summer vacation,
as they stretch their legs
on the way home
from Yellowstone or Yosemite
and the byway’s historical marker
beckons them to the
site of an Indian village—

Where trouble was brewing.
Where, after further hostilities, the army was directed to enter. 
Where the village was razed after the skirmish occurred.
Where most were women and children.

Riveted bramble of passive verbs
etched in wood—
stripped hands
breaking up from the dry ground
to pinch the meat
of their young red tongues.

swim: 1 small loop / .5 big loop
cedar lake open swim
84 degrees
5:30 pm

The last Cedar Lake swim of the season. FWA came along and we did a loop together — he swam breaststroke, I swam freestyle, with some butterfly and backstroke mixed in. FWA ended up going to 4 or 5 open swims this season, and swam a loop at Lake Nokomis once. It was fun to share it with him, and good for me to have a few swims where I didn’t just swim as fast and as hard as I could.

Cedar Lake was on brand tonight, for sure. No lifeguards around, no buoys, loud music blasting across the lake, open water swimmers swimming even without the lifeguards and wherever they wanted — way off to the side, stopping in the middle. In the past this probably would have bothered me, but not now. Am I mellowing out? I hope so.

There was no wind, no waves, a warming light from the setting sun. A beautiful night! So happy I was able to spend these moments with FWA!

august 23/RUNSWIM

run: 4 miles
minnehaha falls and back
66 degrees / humidity: 79%
8:30 am

As (almost) always, another good run. Was lulled into a dreamy state by the gentle whooshing of the cars as I ran south on the river road trail without headphones. Then ran a minute faster per mile while listening to Taylor Swift on the way back. Do I remember any of my thoughts? Not really.

10 Things I Noticed

  1. a metal shovel scraping the bare pavement
  2. a regular I haven’t seen in a while: the woman in a skirt and sandals that I used to see when I ran south last year. Not sure if I ever gave her a name
  3. an older couple with a dog, spread out across the entire walking path
  4. Mr. Morning! — Good morning!
  5. the loud crash of an acorn falling to the ground, then the crack of another as a squirrel opened it
  6. the falls, rushing over the limestone ledge
  7. my shadow, below me in the trees, getting a closer look of the creek below the falls. At one point, she waved to me
  8. the bugs! Just past the south end of the ford bridge, after Locks and Dam no 1, thee’s a field with tall grass and lots of bugs: crickets, cicadas…maybe some frogs too?
  9. no surreys out yet at the falls
  10. a roller skier in the parking lot of locks and dam no 1

Have I posted this poem before? I don’t think so, but I definitely read it and thought about the idea of being of use. I like the water/swimming metaphors throughout.

to be of use :: marge piercy

The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half-submerged balls.

I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.

I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire be put out.

The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.

I’m not sure how I feel about it, or how often I manage to achieve, but I am drawn to the idea of being useful, doing something useful. A problem: I am also drawn to things that might not immediately seem useful (or practical), but are essential and necessary. What does that mean? I’ll have to think about that some more.

addendum, 25 august: Thinking more about what is useful and useless, partly inspired by Jenny Odell’s How To Do Nothing (among others) and her critique of productivity and who it serves. The version of useful that Odell and others are critiquing is about being used/exploited and serving/feeding the interests of the most powerful. That it not what Marge Piercy is talking about, and yet, the terms work and usefulness are so tethered to capitalism, sometimes it’s hard for me to read them otherwise. My efforts to do so, and to rethink/reclaim work, is another one of my ongoing projects.

Today I started reading Julie Otsuka’s The Swimmers. I LOVED the first chapter (which is as far as I’ve gotten) and her description of the various types of people who are drawn to swimming regularly in a basement pool. I could really relate to her descriptions of the different types of people and their quirks.

I love this description of why swimming matters:

And for a brief interlude we are at home in the world. Bad moods lift, tics disappear, memories reawaken, migraines dissolve, and slowly, slowly the chatter in our minds begins to subside as stroke after stroke, length after length, we swim. And when we are finished with our laps we hoist outselves up out of the pool, dripping and refreshed, our equilibrium restored, ready to face another day on land.

I also enjoy her description of how people are categorized “down below.” Up above, in their “real lives,” people have a variety of jobs, character quirks, relationship struggles, illnesses, “but down below, at the pool, we are only one of three things: fast-lane people, medium-lane people or the slow.”

I feel like I could type up this entire chapter; there are so many details that resonate. Since that would be too much, I think I’ll just make a list of the various lists she has (which in the book aren’t in list form, but in descriptive paragraphs):

Lists in Julie Otsuka’s Chapter, “The Underground Pool”

  • the reasons why regular swimmers come to the underground pool
  • how the swimmers leave their troubles behind in the pool
  • what the swimmers are escaping “up above”
  • the rules at the pool
  • hobbies/mistakes/conditions/occupations up above, in the “real world”
  • the three types down below
  • how swimming restores the aging swimmers
  • people to watch out for
  • the locker room regulars who don’t swim
  • the rotating lifeguards
  • what the swimmers dream about when they dream about swimming (which is every night)
  • the various rituals the swimmers must complete as part of the swimming
  • things found at the bottom of the pool

Oh, I’m so happy I found this book! I checked it out of the library, but I might need to buy it.

updated, 23 september: If you’ve read this book, you know I’m in for a shock, and I was. Honestly, I will need to come back to the rest of the chapters, which never return to swimming again, sometime in the future. As I read about the main character being admitted to a care facility, I was dealing with my beloved mother-in-law being hospitalized and then needing a nursing home (and now in hospice and days? weeks? from dying).

swim: 3 loops
lake nokomis open swim
83 degrees
5:30 pm

Made it to my 100th loop tonight! It was too crowded — on the beach and in the water, but it was a great swim. If I had had time, I could have done a loop or two more. Maybe on Thursday? The water was warm and a little choppy. I couldn’t see where I was going on the way back from the little beach, but it didn’t matter because I knew where to swim. A few menancing swans.

favorite thing about tonight’s swim? the light, especially what the light did to the water. A late summer light, softer, making the water look soft too. I could tell the sun would be setting earlier than it had in July.

an image I’ll remember in February: rounding the green buoy, swimming parallel to the big beach, heading towards the first orange buoy to start another loop. I see the orange buoy way off in the distance, looking impossibly far away and small. Such a strange vision: the buoy so far away, this part of the loop looking extra long. I imagine myself visualizing that stretch of water with the far off orange dot sometime this winter when I’m missing the water.