Tag: shadows

feb 11/RUN

5 miles
bottom of franklin hill turn around
35 degrees
5% snow-covered / 40% puddles

Above freezing with a mostly clear path. Lots of puddles. Lots of sun. Several shadows. Right before I started my run the shadow of a big bird passed over me. Later, running on the trail, I saw my shadow running in front of me. The view of the river and the gorge was bright and open and brown. Smelled breakfast at the Longfellow Grill, some pot from one passing car, cigar smoke from another. Felt the grit under my feet. Noticed the curve of a pine tree, with branches only on one side. I thought: a curved spine, the branches vertebrae.

Here’s my Pastan poem for today:

Squint/ Linda Pastan

and that low line
of blue cloud
hovering
over the treetops

could be an ocean–the roar
of the highway
the clamorous waves
breaking.

And that dark shape menacing
your every footstep
could be no more
than your own obedient shadow.

See whatever you want
to see. Even
at the moment of death
forget the door

opening on darkness.
See instead the familiar faces
you thought were lost.

See whatever you want/to see. This makes me think of the video interview I watched with Kelli Russell Agodon yesterday, when she discusses being oriented towards beauty, only seeing the beauty, ignoring the ugliness. The title Squint makes me think of a lecture I saw online about how painters often squint to see how to paint the depth and texture of objects.

It’s interesting to juxtapose this poem and its turn away from the darkness of death with some of the passages below from Pastan’s interviews in which she talks about how she’s always looking for the danger beneath the surface.

some words from Linda Pastan

You open “The Poets” with the line “They are farmers, really.”

That was partly tongue in cheek, partly serious. For me, there are two distinct phases in the writing of a poem—first the inspiration phase, when language and metaphor come mysteriously into my head, then the planting, sowing, farming phase, otherwise known as revision. The first is a kind of gift, as in “gifted”—it can’t be taught. The second is a matter of learning and practicing one’s craft. But it’s also true that I couldn’t resist having poems planted in manure-filled rows and having poets eyeing each other over bushel baskets in the marketplace.

The last two lines of my poem “Vermilion” are “As if revision were / the purest form of love.” And I believe that for a poet it is. Many of my poems go through at least a hundred revisions—I can spend a whole morning putting in a comma and then taking it out and putting it back in. And I think that perhaps I am at my happiest sitting at my desk polishing a poem, trying to make every word the perfect word.

—

I am indeed interested, you might say obsessed, not with ordinary life per se but with the dangers lurking just beneath its seemingly placid surface, one of those dangers being loss itself. Death, of course, is the ultimate danger, the ultimate loss, and as I move closer to it, I write about it more frequently and perhaps more feelingly. Though I recently came upon some poems I wrote when I was twelve, and they, too, are about death.

The Looming Dark: An Interview with Linda Pastan

a popular story about her:

There’s a popular story about Linda Pastan: she won her first poetry prize as a senior at Radcliffe in the fifties, and the runner-up was one Sylvia Plath. It was an auspicious start for Pastan, even if she had never heard of Plath at the time. 

a blogger’s explanation of why she likes Pastan:

What do I like about Pastan’s work? Her clarity in brevity, the conciseness of her description that makes each word she uses necessary, her way of writing about what surrounds her with the understanding that surfaces mask tensions and the darker things below; her down-to-earth voice that makes her writing so accessible; the images that stick with you; the intimacy she has with her subjects: relationships, domestic tableau, aging, dying—the things we all struggle with, for, and against.

Poet: Linda Pastan

and Pastan’s description of the dangers always lurking below the surface:

JEFFREY BROWN:We’re sitting here on a beautiful day in a beautiful place, but you feel dangers lurking?

LINDA PASTAN:Always, yes, yes. I feel the cells starting to multiply someplace inside me. I feel when the phone rings, is somebody calling to say something terrible has happened. I’ve just always been very conscious of the fragility of life and relationships.

Linda Pastan: PBS Newshour

feb 8/RUN

3.25 miles
trestle turn around
40 degrees
75% bare, wet, puddled pavement

A late afternoon run on a sunny, warm (warm for February in Minnesota) day! The path was wet, with lots of puddles, some slick spots, and lots of sloppy snow. Twice I had big slips. My one leg flew off to the side and I waved my arms involuntarily, but I didn’t seem to lose momentum and my body never felt the fear of falling — that fear deep in the pit of my stomach that quickly spreads to the top of my head and makes my whole body tense up.

10 Things

  1. the warm sun on my face — it felt like spring
  2. the late afternoon shadows — I can’t remember a specific shadow, maybe shadows of trees over the gorge?
  3. a siren behind me as I ran up from under the lake street bridge. It sounded close and like it was stopping. I think I heard the siren double beep and then stop
  4. some little yippy dogs freaking out down below at the minneapolis rowing club. So frantic! What’s going on down there? I worried for a minute, wondering if I was actually hearing someone screaming, but decided it was definitely some exuberant dogs
  5. Also heard a strange moan or whine coming from the rowing club — not a human moan, but one coming from a machine
  6. so much whooshing of car wheels through deep puddles on the edges of the road
  7. lots of bikes deciding to bike on the mostly dry road instead of the be-puddled path
  8. my shoes and socks were soaked before I reached the first mile. After the run, the white socks were now speckled in brown grit
  9. smelled pot as I ran past a parking lot
  10. heard a few random geese honks closer to the river

I didn’t look at the river or notice the ancient boulders or greet the welcoming oaks. Didn’t hear any birds — wait, I think I heard a crow at the beginning —or music coming from a car radio or a bike or someone’s phone.

This was a great afternoon run. I like running at this time, when the sun is slowly sinking. My only problem: the paths are usually much more crowded. Still, I’d like to try and add in some more of these runs so I can study the sun and the shadows.

Here’s my Linda Pastan poem for today. I don’t think there were any clouds to admire, but I’m posting it anyway!

The Clouds/ Linda Pastan

From a high window
I watch the clouds—

armada
of white sails

blown by the wind
from west to east, as if

auditioning for me,
as if they needed

nothing more
than to be in a poem.

What a delightful little poem! I think this counts as one of Mary Oliver’s little alleluias on the page.

feb 6/SWIM

2 miles
ywca pool

Met RJP at the pool again after she was done with her classes. Added in about 1000 yards of swimming with the pull buoy. I tried reciting the poem I memorized yesterday — Linda Pastan’s “Vertical” — while I swam, but it was difficult. I couldn’t sync up the lines with my breathing rhythms. I don’t think I was ever able to recite the whole thing, only the first bit: “Perhaps the purpose of leaves is to conceal the verticality of trees which we notice in December as if for the first time: row after row of dark forms yearning upwards.”

10 Things

  1. cloudy water, at least as much, maybe more?, crud than the last time I swam: floating hairballs, some strange stain on the wall tiles in my lane
  2. when I got in the pool, there was only one other swimmer. More people came, then left. At one point, most of the lanes were filled, but it was never too crowded
  3. I could see that a storm was moving in by how the pool floor kept getting darker then lighter as the thickening clouds moved past the sun
  4. heard a click underwater several times. Decided it was caused by the swimmer next to me — her knee of elbow clicking as she did the breaststroke
  5. watching my daughter swimming freestyle underwater — looking strong and serious. Once as I passed her, I kept my head below looking over at her until she looked back
  6. doing my starting ritual of pushing off and them swimming underwater until I reached the blue line and the end of the shallow water, I held my arms out straight in front of me, almost squeezing my ears. I felt like I could have stayed underwater until I reached the wall
  7. the muscle I felt most while I was swimming today was my calf, and especially as I kicked harder during my first lap. It wasn’t sore, and it didn’t hurt, I just felt it more
  8. following behind my daughter, trying to stay slow and never pass her, I started my flip turn then stayed at the wall, suspended underwater
  9. worked on my flip turn, trying to flip with my core, and not my arms
  10. every so often, when the sun came out from behind the clouds, I saw a circle of light on the pool floor

Yesterday I posted a poem from Linda Pastan that describes a sparrow as “brief as a haiku.” That made me think of the first poem in her final collection, Almost an Elegy:

Memory of a Bird/ Linda Pastan

Paul Klee, watercolor and pencil on paper

What is left is a beak,
a wing,
a sense of feathers,

the rest lost
in a pointillist blur of tiny
rectangles.

The bird has flown,
leaving behind
an absence.

This is the very
essence
of flight—a bird

so swift
that only memory
can capture it.

All of this quick movement and the brevity of the bird in flight, also made me think of another poem by Pastan I discovered today:

The Birds/ Linda Pastan

are heading south, pulled
by a compass in the genes.
They are not fooled
by this odd November summer,
though we stand in our doorways
wearing cotton dresses.
We are watching them

as they swoop and gather—
the shadow of wings
falls over the heart.
When they rustle among
the empty branches, the trees
must think their lost leaves
have come back.

The birds are heading south,
instinct is the oldest story.
They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Because of my interest in peripheral vision and what it means to see movement (as opposed to sharp, fixed details), I’m always trying to find poems that offer details and descriptions of movement. I love how much Pastan focuses on how the birds move — they swoop and gather, cast wing shadows, rustle like leaves. She doesn’t offer any descriptions of their color, size, or sound. She doesn’t even name them. I don’t miss those details. The description of their movement is enough.

I love all of this poem, but today, especially this:

They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Their doubles, the mute weathervanes? Tailfeathers as teachers? So good!

feb 5/RUN

3.9 miles
river road, north/south
22 degrees / feels like 12
75% snow and ice-covered

Another good run. Not too cold, sunny. Near the beginning, I ran with my shadow. The road was slick in spots — that invisible ice that you can’t see, only feel. Greeted Mr. Morning! and a few runners. Noticed the river at the trestle. It was open in a few places just below. The open water wasn’t dark, but gray. Heard the drumming of a woodpecker, the screech of a blue jay, 2 quick caws on repeat from a crow, and countless chirp chirp chirps from some other birds. The path was slightly better, but still mostly uneven ice and snow. Maybe this week, as it climbs to the 30s, the rest of it will melt?

After I finished running, when I was walking home, I remembered that I had memorized the first sentence of Linda Pastan’s “Vertical.” I had intended to recite it in my head as I ran. I was too distracted by the path and forgot. Walking home, I whispered it into the cold air:

Perhaps the purpose
of leaves is to conceal
the verticality of trees
which we notice
in December
as if for the first time:
row after row
of dark forms
yearning upwards.

Last night I went to Moon Palace books and bought Linda Pastan’s last collection, Almost an Elegy. The rest of February will be dedicated to her and her words — reading them, memorizing them, being with them.

After the Snow/ Linda Pastan (from Insomnia)

I’m inside
a Japanese woodcut,

snow defining
every surface:

shadows
of tree limbs

like pages
of inked calligraphy,

one sparrow,
high on a branch,

brief as
a haiku.

Here
in the Maryland woods, far

from Kyoto
I enter Kyoto.

feb 4/RUN

4.3 miles
lake nokomis — one way
19 degrees / feels like 10
50% snow and ice-covered

Hooray for moving outside! Hooray for warmer air! Hooray for getting to run to Lake Nokomis! It felt good to be outside breathing in fresh air. My legs and lungs felt strong. At one point, I remember breathing in deeply through my nose, then out through my mouth and watching the frozen breath as it hovered in front of me.

layers:

  • 2 pairs black running tights
  • 1 bright yellow TC 10 mile racing shirt (2018)
  • 1 pink jacket with hood
  • 1 black winter vest
  • 1 pair of black gloves, 1 pair of pink and white striped gloves
  • 1 fleece lined cap with brim
  • a gray buff
  • 1 pair of socks

Only a few layers short of my most layered look. Maybe someday I’ll invest in an expensive running jacket and be able to wear less layers, but maybe not.

10 Things I Noticed

  1. the call, but not the drumming, of a pileated woodpecker
  2. the path on the biking side of the pedestrian bridge had packed down snow that was uneven, but not too slick. It had little flecks of light brown — sand? grit? dirt that Minneapolis Parks put down to make it less slippery?
  3. a fat tire! I could hear the crunching of their wheels as they approached from behind. After they slowly passed me, they stopped just past the locks and dam #1. Why? To rest? To figure out where they were? To take a picture?
  4. a few days ago I mentioned hearing construction noises near the falls. Heard them again today. Pounding hammers at another new apartment building going up on the other side of Dairy Queen
  5. heard a high-pitched whine near all of the apartments; it was coming from a gas vent by the roundabout
  6. minnehaha creek was mostly frozen, with a few stretches of open water
  7. heard, but didn’t see, kids’ voices — yelling, laughing — somewhere on the creek
  8. more voices down by the dock, near the shore, at lake hiawatha
  9. noticed the creek water leading into the lake was not completely iced over
  10. there were stretches where the path was an inch of solid brown ice, but most of it was a combination of bare pavement, stained with salt, patches of packed snow and smooth ice

I don’t remember noticing anything particular delightful. I devoted a lot of attention to my effort, staying relaxed, and avoiding slippery spots.

I follow the Mary Oliver Bot on twitter and they posted a line from this beautiful poem:

The Moths/ Mary Oliver

There’s a kind of white moth, I don’t know
what kind, that glimmers
by mid-May 
in the forest, just 
as the pink mocassin flowers
are rising.

If you notice anything, 
it leads you to notice
more
and more.

And anyway
I was so full of energy.
I was always running around, looking
at this and that.

If I stopped 
the pain
was unbearable.

If I stopped and thought, maybe
the world
can’t be saved, 
the pain 
was unbearable.

Finally, I noticed enough.
All around me in the forest
the white moths floated.

How long do they live, fluttering
in and out of the shadows? 

You aren’t much, I said
one day to my reflection
in a green pond, 
and grinned.

The wings of the moths catch the sunlight
and burn
so brightly.

At night, sometimes, 
they slip between the pink lobes
of the moccasin flowers and lie there until dawn, 
motionless
in those dark halls of honey.

feb 2/SWIM

1.2 miles
ywca pool

Met my almost 17 year-old daughter at the pool and then we swam together. She’s swimming for online gym. I love swimming with my kids. This summer I swam at the lake with my 19 year-old son, now I get to swim at the pool with my daughter. I try to stay chill and not scare them with my enthusiasm, but it’s difficult.

Tried using a pull buoy for the first time in a few years. So much easier to breath when my body is higher up on the water. I should probably find some more drills to help with keeping me higher.

A few laps in I noticed an oval of bright light on the pool floor, not near the windowed wall, but the windowless one. A strange, beautiful thing to see.

I pushed off the wall underwater for my first lap ritual and swam just above the pool bottom. Noticed a black thread or hair floating right below my nose. A strange, ugly thing to see. Lots of crud in the water this afternoon. Nothing big or too gross, but small bits of something that made the water cloudy.

Later in the swim, I noticed lines of light on the bottom close to the window. Remembered to look up above the water as I flipped at the wall. Today above the surface looked pink to me. Forgot to notice the moving shadows on the pool floor.

At the beginning of the swim, when there was only one other person in the water, I heard some splashing or sloshing underwater. Was it from me? I don’t think so.

Later, after the swim, in the hot tub with Scott, I noticed another woman sitting in the corner, miming freestyle strokes in the hot water.

Also in the hot tub: crouching down, my chin just above the surface, I watched the light catch the spray of water made by one of the jets, making the spray look like fizz from my favorite grapefruit seltzer. Below, the jet made the water look like swirling smoke.

not a cabinet of curiosities

Talked to Scott about my class and my week on wonder as curiosity, which is coming up in a few weeks. There’s a quote by Thoreau that I’m interested in challenging. Well, maybe not challenging, but imagining curiosity against?

[24] In winter, nature is a cabinet of curiosities, full of dried specimens, in their natural order and position.

A Winter Walk/ Thoreau

Thoreau is describing a particular type of western scientific attention: study the natural world as individual things (specimens) to be isolated, classified, and categorized. To learn about, not from. To see non-human beings only as objects, never subjects.

I want to contrast this cabinet of curiosities with Robin Wall Kimmerer and her expanded understanding of knowing:

I would describe my journey as a circle, moving out into academia but coming back to the way that I knew plants as a child. I grew up in a rural area much like where we’re sitting today, and I was interacting every day with plants in the garden, the woods, or the wetlands. I couldn’t go outside without being surprised and amazed by some small green life. I suppose it was their great diversity of form that first drew my interest: that on a small patch of ground there could be so many different ways to exist. Each plant seemed to have its own sense of self, yet they fit together as a community. And each had a home, a place where I knew I could find it. This inspired my curiosity.

From as far back as I can remember, I had this notion of plants as companions and teachers, neighbors and friends. Then, when I went to college, a shift occurred for me. As an aspiring botany major, I was pressured to adopt the scientific worldview; to conceive of these living beings as mere objects; to ask not, “Who are you?” but, “How does it work?” This was a real challenge for me. But I was madly in love with plants, so I worked hard to accommodate myself to this new approach.

Later in my career, after I’d gotten my PhD and started teaching, I was invited to sit among indigenous knowledge holders who understood plants as beings with their own songs and sensibilities. In their presence, and in the presence of the plants themselves, I woke from the sleep I’d fallen into. I was reminded of what I’d always known in my core: that my primary relationship with plants was one of apprenticeship. I’m learning from plants, as opposed to only learning about them.

I was especially moved by an elderly Diné woman who told the biographies of each plant in her valley: its gifts, its responsibilities, its history, and its relationships — both friendships and animosities. As a scientist I had learned only about plants’ physical attributes. Her stories reminded me of how I had encountered plants as a young person. That’s why I say I’m coming full circle after all these years — because I’m able to stop speaking of plants as objects.

2 Ways of Knowing/ Robin Wall Kimmerer

I’m struggling to turn all of my thoughts about curiosity and wonder into a pithy, coherent statement for a lecture. So much time spent circling around these ideas. Frustrating.

jan 29/SWIM

2 miles
ywca pool

Was planning to run on the track, but when we got to the y I realized I had forgotten my shoes and a running shirt. Oops. Luckily I remembered my swimming stuff and that the pool wasn’t too crowded. I’m fine sharing a lane with someone, but it’s difficult for me to circle swim. Sometimes, it’s hard to see other people when I have to pass them because of my vision.

Because I like making note of my vision challenges, both to share them with others and to document them for myself, I’ll offer three from today at the Y:

one: checking for an open lane. I looked as carefully as I could to see if there was an empty lane. When I saw what I thought was one, I checked it twice more to be sure. It looked empty to me. I got in, was adjusting my goggles, and suddenly a swimmer came from behind in my lane and pushed off the wall. This lane was not empty. It was no big deal, and the swimmer was happy to share a lane, but it’s frustrating to try carefully to see something and not be able to. Of course, this could happen to anyone when you’re not paying attention, but I was paying attention and this isn’t the first time this has happened. I’m getting better at not letting it bother me too much or remind me of what I’m losing.

two: finding my locker. I don’t always use the same locker in the locker room, and sometimes I don’t stop to memorize where it is. Luckily the Y switched from locks, where you bring your own combination lock, to keys with a shiny safety pin and the number of the locker attached. When I’m done swimming and I head to my locker, I stop for a minute to stand still and study the key, slowly making out the number on it. Then I carefully scan the lockers until I find mine. Like the empty lane that wasn’t, my need to study my locker key isn’t that big of a deal. But, it has been an adjustment, to slow down this much, and to look to others like I don’t know what I’m doing or that I need help. I don’t mind asking for help when I need it, but I find it stressful to be offered help when I don’t.

three: feeling older than I am. At the sink before swimming, I heard a grandmother talking with a young kid (her granddaughter, I assume): can you be my eyes for me and get that? My eyes aren’t working well today. I say these words to my daughter at least several times a week, which doesn’t bother me. I’m glad to have the help, but I’m 48, which is really young to have the eyes of someone in their late 70s or 80s.

All three of these challenges aren’t big, but they’ve required lots of adjustments and accommodations and extra effort. I don’t mind doing them as long as I can swim. And what a great swim it was! I felt strong and relaxed and almost in a dream floating above the pool floor shimmering with shadows. The mysterious white thing that I’d wondered about a few days ago was gone. Now, in another lane, something else — a string? strands of hair? — were hovering a foot above the bottom. The woman I was sharing a lane with alternated between freestyle, backstroke, and an extra froggy breaststroke. Near the end of the swim, a very fast swimmer arrived in the lane next to me. So much fun to watch him fly by and shoot like a rocket off the wall after a flip turn! Once as he approached, after lapping me at least twice, I kept my head underwater longer so I could watch his fast flip turn.

a moment of sound

Sometimes when it’s this cold outside (feels like -8), it’s harder to get outside for a walk. So instead, I go outside for a minute or two — a moment — and record a moment of sound. Today’s moment was at 1:30 pm in my sunny backyard. My favorite part: the wind chimes, the chirping bird, and that crunchy snow!

jan 29, 2023 / 1 pm / backyard

jan 20/RUN

4.35 miles
river road trail, north/south
27 degrees
99% ice and snow-covered path, slick

Very slick outside today. A lot of ice covered with an inch or two of snow. That part of it wasn’t fun, but the rest of it — the cold air, the open river, the gray sky — was wonderful. Greeted Dave the Daily Walker. Passed Daddy Long Legs. Noticed all of the rusty orange leaves still on the trees near the tunnel of trees. Heard goose honks under the lake street bridge. Later, also heard some runner coughing as he crossed the bridge then turned down to enter the river road. No! Every few seconds, a deep cough, full of gunk. I sped up to try and stay ahead of him and his germs. It worked. For a few minutes, I kept hearing the jagged coughs, then it stopped.

Anything else? The river was brownish-gray, the sky sunless.
No headphones for most of the run. During the last mile, I put in an old coming-back-from-injury playlist: I heard “Upside Down” and “Fantastic Voyage.”

FWA is on band tour in Spain and France right now. 29 years ago, Scott and I were on our European band tour. 29 years ago? Wow. Very excited for FWA.

Sitting at my desk, writing this, I’m also looking outside my window at the robins running around on the snow and rooting in the hydrangea bushes for twigs? seeds? Quietly, they scamper then fly low right in front of me. What are they looking for?

Encountered a beautiful poem on twitter this morning that I thought I had already posted on my log but hadn’t.

A Stranger/ Saeed Jones

I wonder if my dead mother still thinks of me.
I know I don’t know her new name. I don’t know  

her, not now. I don’t know if “her” is the word
burning in a stranger’s mind when he sees my dead  

mother walking down the street in her bright black dress.
I wonder if he inhales the cigarette smoke  

that will eventually kill him and thinks “I wish I knew
a woman who was both the light and every shadow  

the light pierces.” I wonder if a passing glance at my dead
mother is enough to make a poet out of anyone. I wonder  

if I’m the song she hums as she waits for the light to change
or if I’m just the traffic signal holding her up.

This poem was posted as part of a thread. I want to post the next one, which is by Todd Dillard (one of my favorite poetry people). I like his introduction of the poem in a tweet:

I have so many poems also grieving my dead mother by giving her a kind of life after life.

Mom Hires a Stunt Double/ Todd Dillard

Sick of all the impossible I ask of her
in these my griefiest poems,

Mom hires a stunt double: same white hair,
same laugh, same false teeth, same dead.

Now when I write “Mom curls like rinds in a bowl”
it’s her stunt double twisting herself into pithy canoes.

When I write “At night my mother sheds
the skin of my mother revealing more mother”

it’s her stunt double that unzips her body,
stands there all shiver and muscle and tendon,

waiting for the next line. “What’s in it for you?”
I ask, and Mom’s stunt double shrugs,

lighting one of those familiar Turkish Silvers
as behind her my mother mounts a Harley

and barrels into the margins. “You’re a good kid,”
the double says. But she doesn’t touch my hair.

This close to her, her eyes are all pupil,
all ink. Her smell: paper and snow.

When she exhales smoke spills from her lips
and unfolds into horses.

Oh, I love both of these poems!

jan 19/SWIM

1.6 miles
ywca pool
outside: snowing (2+ inches)
31 degrees

Hooray for another swim. Such a good feeling to be moving through the water. Maybe it was because it was still snowing, but the pool was almost empty. Excellent. Mostly, I swam continuous 200s, breathing 3/4/5/6 by 50s. Starting the second mile, I tried something new, partly as a way to stretch my legs/bend my knees without stopping: I added in an occasional 25 of breaststroke. It seemed to work well.

dancing shadows

About 1000 yards in, I noticed the pool floor was moving slightly. I think it was the faint shadows of the snowflakes falling* on the other side of the big windows that stretch across the one side of the building. It made everything feel magical and dreamy and strange.

*Actually, when I was swimming, I thought the shadows were from the trees. It wasn’t until I was writing this entry, right now, that I realized it was probably the falling snow making the dancing shadows. Very cool. I think if I had realized that it was the snow, the whole experience of swimming would have felt even stranger and dreamier.

In addition to the moving shadows, I saw one solid shadow line stretching the length of the pool — a shadow of the lane line. Where was that shadow coming from? The bright ceiling light or the light from the snowy sky?

Seeing these shadows and continuing to pay attention to them, shifted me into a different state of being, one that was dreamier and surreal, and where I rethought what was possible or impossible. I imagined the water as air that I was swimming through. When I reached the deep end and looked down at the pool floor below me, I imagined that I was flying high above the ground through empty space. How fun and distracting. I forgot how many flip turns I had done, how many laps I still wanted to do.

Some other things I noticed:

  1. the sloshing of the water (below)
  2. the loud voices of some women talking and joking (above)
  3. the water running guy, doing running drills in the shallow end, then pushing off and vigorously kicking in the deep end, then finishing with some freestyle
  4. everything seemed blue below
  5. everything orange above
  6. the water was not completely clear, but wasn’t that cloudy either
  7. no harsh chlorine feeling
  8. I swam in lane 2, no one ever swam in lane 3, running dude was in lane 5
  9. nothing floating in the water, only random bits of something on the pool floor
  10. little bubbles in front of me as I sliced through the water and a slight spray as I lifted my elbow up into the air

Remembered reading a description of swim practice and the pool early in the morning, thick with a chlorine haze, in Leanne Shapton’s Swimming Lessons. Thought it might be nice to collect a few pool descriptions. Also thought about composing some more swimming breathing poems, where syllables match my breaths: 3/4/5/6.

Happy Birthday, Edgar Allen Poe (b. Jan 19, 1809)

I randomly searched, “Edgar Allen Poe swimming” and discovered that he was a swimmer! I had no idea. I found a promising article, “Edgar Allen Poe — Exercise Enthusiast,” but it was beyond a paywall so I couldn’t read it. Then I found this bit of information on a listicle about him:

Poe was a big fan of the long walk. He took many solitary strolls over High Bridge in the Bronx in 1847, after his wife Virginia died. There, staring up at the stars, he would conceive his lengthy cosmic prose poem, Eureka. But he also liked rowing and swimming: as a young lad, he was renowned among his friends for swimming six miles upriver in the Charles River in Virginia, and when he moved to New York City (for the second time) in 1844, one of his first acts was to row a skiff up the East River, all the way up past Roosevelt Island.

sidenote: I want to write a poem titled, “Edgar Allen Poe — Exercise Enthusiast”!

jan 17/RUN

2.2 miles
ywca track

Went to the y in the early evening, before community band rehearsal. Too crowded to swim, so I ran. Not as nice as running outside, but better than the treadmill. Listened to a playlist and forgot to count laps or notice the time. The track was crowded but not too crowded and not filled with oblivious people spread across the three lanes.

People I Encountered

  1. a woman who walked in the closest lane to the railing but often drifted over
  2. a guy, dressed in black shorts, a black shirt, and black running shoes, sprinting around the track then stopping to do battle ropes
  3. a tall guy with a blue shirt with the words “event staff” printed on it, watching over 2 young boys, shirtless, shoeless, and in sweat pants. Sometimes he held one of their hands as they carefully ran around the track. Sometimes he lifted them up at the far end so they could do pull-ups. As I left the track, I heard him say to one of the kids: you just ran a mile!
  4. 2 runners — a woman and a 10? year-old boy. Moving effortlessly around the track, their feet rhythmically rising and falling
  5. a guy in brown — not tan, but not dark either — shorts, running in a way that resembled speed walking
  6. an older woman in a white sweatshirt and dark pants, walking
  7. basketball practice below, in the gym — loud, exuberant players running up and down the court
  8. a man off in the corner doing burpees — his long torso and tall arms stretched high as he jumped up at the end of each one
  9. 2 men walking — the younger one looking out for the older one, making sure he didn’t veer out in front of any runner passing by
  10. a guy in a white shirt stretching before his run, doing leg swings

Other things I remember:

There was a white bucket for collecting drips set up in the middle lane on one side of the track. Scott peered into it and noticed that the bucket was dry. Why, he wondered, was it there?

Running the short end at the top, near the double doors, I saw a double shadow — 2 of me. At first I thought someone was about to pass me, but I was alone. Must have passed in front of the light just right. Strange and cool.

It was very dry on the track. My throat burned after a few laps.

As I turned the corners, I unintentionally tilted my head to the side. Corners are irritating.

At the far end, near where the man was doing the burpees and the kids were doing pull-ups, a banner was spread above the railing, blocking my view of the corner as I neared it. I imagined running straight into a group of walkers who might be hiding there

Did I think about anything? Did I look outside at the lights? I don’t think so.

After the run, Scott and I changed and met at the hot tub. The Otters swim team was having a practice. RJP’s and FWA’s old coach was still there, joking with the kids and calling out sets.

later: That night, I had a dream that I was swimming in a pool — the Y pool? Not sure — and a swim team coach — was it Whitney, FWA/RJP’s old coach? — said, Congratulations! You’ve made the team in the 100 free!