Tag: remember/forget

may 9/RUN

2.1 miles
river road trail, south/42nd st, west/44th ave, north
63 degrees

A short run in the afternoon with STA. Lots of bikes, not too many runners or walkers. Talked about being useless and doing useless things as forms of resistance to capitalism (me) and as clever instagram descriptions (STA). Also, I complained about Mother’s Day and how much I dislike “special days” like it or birthdays–partly because my mom is dead, partly because they create unrealistic expectations about what it means to celebrate and be celebrated.

Here’s one of the first poems I read from J. Drew Lanham’s Sparrow Envy last week:

Octoroon Warbler/ J. Drew Lanham

As a taxonomic committee of one,
I alone have decided
that the past transgressions of long ago dead and rotted
bird watchers must be amended.
That it is my sole responsibility—and pleasure—
to right the wrongs
of racist slave-holding artist ornithologists.
of genocidal complicit naturalists.
of grave-robbing skull-fondling phrenologists.
of the lot of white-supremacist men with the
self-serving penchant
for naming things after themselves.
I hereby declare my solo vote singularly unanimous.
Everything I decide here and now—
passes.
So shall it be written. Let it be done.
Word is bond.
My opinions good as any other treaty
signed in the shifting sand of time.
I do hereby exchange, alter or replace
the names of the birds that follow.
Their former identities by patriarchal rule to be expunged.
That they should have new identities
by my demand.
Bachman’s sparrow, denizen of long-leaf pine savannah;
of wiregrass, of fire-kissed sandy ground
shall be once again be
“pine woods.”
A true great again recovery worthy of celebration!
And whilst I’m releasing species from bondage,
consider the likely forever gone warbler
of the same Charleston preacher’s
human-chattel-possessing label,
can we not do better?
Yes.
“Swamp Cane warbler,”
appropriately by design of damp dank place
it so chose when still in existence, escaping notice.
I would have suggested “Tubman’s warbler,”
but then why make it any easier to erase blackness
when extinction has already done the job?
LeConte’s Sparrow will hence forward be
“orange-faced.”
The brown-backed secretive skulker
of wet weedy rank with tangled overgrown fields,
hider in thickety traces, deserves better fate than linkage
to a Confederate armorer working
to put in place a permanent apartheid nation.
Townsend’s Solitaire,
thrush-esque thing of western slope migration
is now “Up-and-Down Solitaire.”
Mobile altitudinal propensity
taken into full account.
The lemon yellow-headed black and white
western jewel of a warbler
tagged by that same Indian grave-robbing man,
shall now be a “Doug Fir” specifically,
knowing for its tied to evergreen boughs.
No disarticulated Native heads required.
To correct an oversight
of Manifest Destiny,
(and opening the western door to indigenous genocide
not accepted),
behold Clarke’s Nutcracker,
the capacious resourceful intelligent corvid,
given title by the fire-haired Captain of the Corps!
Henceforth shall be York’s Crow.
Designated the first bird so named for a man of color
About damn time the brother got credit
for saving the Corps of Discovery’s always imperiled bacon.
Even as property his contributions went largely
without merit.
To even the score a bit more
redact the other leader Lewis
from the northern Rockies woodpecker.
He of Trail of Tears Cherokee removal infamy.
Christen the gorgeous picid Sacagawea’s Woodpeecker
instead.
As for John James Audobon,
“JJ,” if I might?
He of the posed painted birds,
of ego larger than life to go along
with his Baby Elephant folio.

What does a slave-owning,
man-passing for white might deserve?
What might the demigod of birdome merit
after all these years?
Let his name now be struck.
For malfeasance to humanity.
For being prickish and a generally abhorrent man,
Audubon’s orioles shall be Rio Grande.
The sea-going petrel with the artist’s moniker shall now be
“Warm-Sea Wanderer.”
An identity worthy of its tropic-trotting status.
And last but not least, for review
the yellow-rumped warbler of occidental “race,”
occurring beyond the Mississippi to points beyond that.
Since Johnny couldn’t bear the very thought
of interracial miscegenation,
let’s call the butter-butted bird what it is
in hindsight of his own mixed-raced denial.
The Octoroon Warbler.
Thus, I proclaim on this very day,
whenever this ruling shall be read on whatever future date,
that we remember the identity of the birds for what they are,
and never forget the signs of past imperfections too,
to not repeat the hubris of taking good for granted.
But letting creatures have their own names.
No interference from haters required.

An important history of naming that I didn’t know. I looked up Townsend and his warbler and found an article about his grave-robbing: Stealing from the Dead: Scientists, Settlers, and Indian Burial Sites in 19th Century Oregon Also found this: Townsend, John Kirk | Bird Names for Birds. And, found this more general article: A Bird Named for a Confederate General Sparks Calls for Change

april 27/RUN

3.2 miles
trestle turn around
44 degrees

Ran to the trestle today. Was thinking about running more, but the road was closed, so I turned around. As I ran south again, I heard the rumble of a train on the trestle. Nice! Greeted Dave the Daily Walker twice! Heard a gaggle of geese below me, honking. Smelled a full porta potty being drained as I ran under the lake street bridge. Yuck. I remember looking at the river, but I don’t remember what it looked like. I bet it was a pretty, light blue. Encountered a few runners, walkers, dogs. We all kept our distance. Heard some rowers getting ready down at the rowing club. At one point, I had “Wouldn’t it be Loverly” from My Fair Lady going through my head. STA and I watched the movie last week. “All I want is a room somewhere/far away from the cold night air” Time to memorize a few more spring poems to recite in my head.

Almost done with my month with Mary and I have mixed feelings. Some beautiful words and stimulating ideas, but something’s missing. Is it the lack of connection to time? Her poems are firmly rooted in a place–Provincetown, MA–but not in specific time. She mentions seasons, and occasionally her age, but not much else. It is all now or eternity or outside of the realm of ticking clocks. Some of this I like, but some of it leaves me feeling adrift and disoriented–that, along with the repetition of the same idea about stopping to notice the world, again and again. I want to experience these moments of clarity, or the Now, or a flare of joy/delight/understanding, but I don’t want that to be all that I experience. The feeling of timelessness, and an endless circling back and repeating the same things, without any specific reference, is too much. My feelings about this right now are probably partly due to a year+ of doing nothing but running, writing, and staying home, trying to avoid people during a pandemic. Every day is the same, every week, every month, every season.

But I think my feelings are also because I’m missing the Mary–the person, that is—in her poems. In so many of them, she is trying lose herself in the world, to become the snail, the pale lily, the hunter, the hound (see “Work”):

from From the Book of Time

and will you find yourself finally wanting to forget
all enclosures, including

the enclosure of yourself?

from Riprap

I’m never sure
which part of the dream is me
and which part is the rest of the world.

from I Want to Write Something Simple

and though it be my story
it will be common, 
thought it be singular
it will be known to you
so that by the end
you will think—
no, you will realize—
that it was all the while
yourself arranging the words, 
that it was all the time
words that you yourself,
out of your own heart
had been saying.

I appreciate this gesture against centering herself and towards entanglement (in Upstream she writes: “Do you think there is anything not attached by its unbreakable cord to everything else?”) but I’d like more of herself in the midst of others. Of course, I do this too and am trying to find ways to be bring myself into my work and the world–that’s probably why I’m critical of it in her? What would/could/should it look like to put the person in the poem? I’m not totally sure but I feel like it requires more mention of ordinary, everyday time, grounded in specific minutes (and not moments) of life. I’m not sure if this makes much sense, but I don’t want to spend the whole day trying to figure it out, so I’ll just leave it like this.

april 25/RUN

5k
2 school loop
42 degrees

Another colder day. I’m tired of wearing running tights, a winter vest, gloves. Time for spring and shorts and short-sleeves. Ran on the trail heading south. I don’t remember looking at the river once. I was too busy avoiding people. Listened to a playlist as I ran so I didn’t hear anything but Taylor Swift, Miley Cyrus, and Harry Styles. Anything else? No roller skiers. No bright, glowing shirts. No peletons. No turkeys or eagles or geese. No rowers on the river. No daily walker. Just an ordinary run.

From The Book of Time

2.
For how many years have you gone through the house shutting the windows,
while the rain was still five miles away

and veering, o plum-colored clouds, to the north,
away from you

and you did not even know enough
to be sorry,

you were glad
those silver sheets, with the occasional golden staple,

were sweeping on, elsewhere,
violent and electric and uncontrollable—

and will you find yourself finally wanting to forget
all enclosures, including

the enclosure of yourself, o lonely leaf, and will you
dash fnally, frantically,

to the windows and haul them open and lean out
to the dark, silvered sky, to everything

that is beyond capture, shouting
I’m here, I’m here! Now, now, now, now, now.

This part of the poem reminds me of part of Mary Oliver’s “Sometimes” from Red Bird—this is the poem that includes her famous instructions for living a life: Pay attention. Be astonished. Tell about it.

In the west, clouds gathered.
Thunderheads.
In an hour the sky was filled with them.

In an hour the sky was filled
with the sweetness of rain and the blast of lightning.
Followed by the deep bells of thunder.

Water from the heavens! Electricity from the source!
Both of them mad to create something!

The lightning brighter than any flower.
The thunder without a drowsy bone in its body.

And here’s one more poem that I’d like to put beside these two and beside the idea of a thunder storm:

Beat! Beat! Drums!/ Walt Whitman – 1819-1892

Beat! beat! drums!—blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying;
Leave not the bridegroom quiet—no happiness must he have now with his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering his grain,
So fierce you whirr and pound you drums—so shrill you bugles blow.

Beat! beat! drums!—blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets;
Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds,
No bargainers’ bargains by day—no brokers or speculators—would hey continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.

Beat! beat! drums!—blow! bugles! blow!
Make no parley—stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child’s voice be heard, nor the mother’s entreaties,
Make even the trestles to shake the dead where they lie awaiting the hearses,
So strong you thump O terrible drums—so loud you bugles blow.

april 24/RUN

4.35 miles
the falls and back
36 degrees

I ran to the falls for the first time in a long time. I looked it up, and unless I missed something, the last time I ran to the falls was July 10th. Wow. I read somewhere that the falls were beautiful this winter; I avoided them because of all the people. Was I too cautious? Probably, but it’s hard to run to the falls in the winter in any year. Even though the Minneapolis Parks plows the trail it’s narrow and they can never clear the double bridge.

Today, it’s cold and windy. I didn’t care. It was a great run. The river was pale blue. I heard lots of birds–especially crows. Speaking of crows, here’s a great poem I read the other day by the ornithologist, J. Drew Lanham from his collection, Sparrow Envy: Field Guide to Birds and Lesser Beasts:

No Murder Of Crows/ J. Drew Lanham

I watched a flock of crows
fly by,
counted forty-two black souls, then up to sixty-five,
maybe more.
Not sure whether fish or ‘merican
They were silent as coal,
headed to roost I assumed,
a congregation I refused to a call a murder
because profiling aint’ what I do:
besides,
they was just flyin’ by.
No cause to criminalize the corvid kind.

What else do I remember from my run? The annual Get in Gear race, which STA and I have done a few times, was happening today. Mostly virtual, I think. Low key. I haven’t run in a race since October of 2019–is that right? The falls were gushing! As I approached them I thought I was hearing a noisy truck. Nope, just the rushing water. Encountered lots of packs of runners, a small group of fast moving bikes that completely ignored the stop sign. No roller skiers or eliptagogos. No rowers or roller bladers. Enjoyed listening to my feet shuffling on the sandy grit at the edge of the road.

Here’s a MO poem I found last night. It’s very much like all the others, which used to bother me–why say the same thing over and over again?–but I see it (and her work) differently now. The repetition of the words–the habit of repeating this process of noticing, then being astonished, then telling about it–are needed. Practice is necessary because we always need to remember to remember. Maybe it’s like what they say with running: it never gets easier, you just get better at handling the hurt/pain/difficulty of the effort. And, of course, occasionally, your diligence (what the runner Des Linden describes with her mantra, “keep showing up”) can result in a moment, which is what MO describes in this poem:

Such Singing in the Wild Branches/ Mary Oliver from Owls and Other Fantasies

It was spring
and finally I heard him
among the first leaves—
then I saw him clutching the limb
in an island of shade
with his red-brown feathers
all trim and neat for the new year.
first, I stood still
and thought of nothing.
Then I began to listen.
Then I was filled with gladness—
and that’s when it happened,
when I seemed to float,
to be myself, a wing or a tree—
and I began to understand
what the bird was saying,
and the sands in the glass
stopped
for a pure white moment
while gravity sprinkled upward
like rain, rising,
and in fact
became difficult to tell just what it was that was singing—
not a single thrush, but himself, and all his brothers,
and also the trees around them,
as well as the gliding, long-tailed clouds
in the perfectly blue sky—all, all of them
were singing.
And, of course, so it seemed,
so was I.
Such soft and solemn and perfect music doesn’t last
for more than a few moments.
It’s one of those magical places wise people
like to talk about.
One of the things they say about it, that is true,
is that, once you’ve been there,
you’re there forever.
Listen, everyone has a chance.
Is it spring, is it morning?
Are there trees near you,
and does your own soul need comforting?
Quick, then—open the door and fly on your heavy feet; the song
may already be drifting away.

april 23/WALK

Drizzling. Took a walk with Delia the dog down the worn wooden steps past the chain-link fence to the slick slats above the ravine. Listened to the water trickle out of the sewer pipe then drip down the ledge. Such calming colors: the rich browns of freshly watered tree trunks mixed with pale green leaves and light gray gravel. Today I marveled at the tree trunks. Three different trunks, coming up from the bottom of the ravine, leaning into the fence. I can’t remember much about them but how beautifully brown they were and that they were of varying degrees of thickness and that one of them curved gracefully away from the others. Thinking about these trees reminds me of an MO poem I read this morning from her collection, Evidence:

The Trees/ Mary Oliver

Do you think of them as decoration?
Think again,
Here are maples, flashing.
And here are the oaks, holding on all winter
to their dry leaves.
And here are the pines, that will never fail,
until death, the instruction to be green.
And here are the willows, the first
to pronounce a new year.
May I invite you to revise your thoughts about them?
Oh, Lord, how we are for invention and
advancement!
But I think
it would do us good if we would think about
these brothers and sisters, quietly and deeply.
The trees, the trees, just holding on
to the old, holy ways.

And here’s another poem that features trees. This one puzzles me; it seems to speak to MO’s conflicted feelings about words and the answers they offer: even as she loves words, she laments how they get in the way of just being. There’s something about her description of her grandmother’s “uneducated feet” and “faulty grammar” that bothers me and I’m not sure what to do with this poem.

Answers/ Mary Oliver

If I envy anyone it must be
My grandmother in a long ago
Green summer, who hurried
Between kitchen and orchard on small
Uneducated feet, and took easily
All shining fruits into her eager hands.
That summer I hurried too, wakened
To books and music and cicling philosophies.
I sat in the kitchen sorting through volumes of answers
That could not solve the mystery of the trees.
My grandmother stood among her kettles and ladles.
Smiling, in faulty grammar,
She praised my fortune and urged by lofty career.
So to please her I studied—but I will remember always
How she poured confusing out, how she cooled and labled
All the wild sauces of the brimming year.

Having just read through both of these poems again, I’m struck by the parallels between the “old, holy ways” of the trees and the easy, eager, uneducated habits of her grandmother. Still not quite sure how I feel about this connection, especially the description of her grandmother.

Here’s another poem that speaks to the holding on to the old, holy ways:

From The Book of Time in The Leaf and the Cloud

7.
Even now
I remember something

the way a flower
in a jar of water

remembers its life
in the perfect garden

the way a flower
in a jar of water

remembers its life
as a closed seed

the way a flower
in a jar of water

steadies itself
remembering itself

long ago
the plunging roots

the gravel the rain
the glossy stem

the wings of the leaves
the swords of the leaves

rising and clashing
for the rose of the sun

the salt of of the stars
the crown of the wind

the beds of the clouds
the blue dream

the unbreakable circle.

Reading this poem, I immediately thought of these lines from Marie Howe in “The Meadow”:

As we walk into words that have waited for us to enter them, so
the meadow, muddy with dreams, is gathering itself together

and trying, with difficulty, to remember how to make wildflowers.

I also thought of this:

I will not tell you anything today that you don’t already know, but we forget, we human people, and our elders have told us that our job is to remember to remember. And that’s where the stories come in.

Braiding Sweetgrass/ Robin Wall Kimmerer

april 20/RUN

2.4 miles
neighborhood + tunnel of trees + above the oak savanna + Howe
38 degrees

The jury is deliberating and it is difficult to not feel consumed by the fear and worry over what ifs, but I’m trying and running and breathing are helping. Sunny, cold, not much wind. So many birds! Lots of pileated woodpeckers and black-capped chickadees and cardinals. Just starting my run on the next block, ran past a couple meeting with a realtor (I think) about a house and heard them say, “Such a great location!” I agree.

The street cleaning trucks were out; some streets were completely leafless and debris-less, some were just wet, and others had mini mounds of muck blocking the curbs at each intersection. Where do they take these leaves?

I ran past Cooper School, Minnehaha Academy, and a fence covered (would festooned be too much here?) with intensely white blossoms that will turn into some fruit that I can’t recall–this mystery must be solved later. Crossed over to the river and ran through the tunnel of trees. Forgot to look for the river or notice how green the branches below me were. Running near the spot where the four barriers congregate—2 walls and 2 fences, I noticed how the stone wall, holding up the dirt, was crumbling or, if not crumbling, jutting out in awkward ways. I think I saw exposed roots of a tree too. Will they need to rebuild this wall soon? I hope not.

I found an excerpt at the end of a random word document, buried deep in a folder I created a few years old. It’s from Mary Oliver’s book of essays and poems, Long Life. Until I noticed it, on the last page, I hadn’t realized I’d typed it up. Good job, past Sara!

Once, years ago, I emerged from the woods and in the early morning at the end of a walk and—it was the most casual of moments—as I stepped from under the trees into the mild, pouring-down sunlight I experienced a sudden impact, a seizure of happiness. It was not the growing sort of happiness, rather the floating sort. I made no struggle towards it; it was given. Time seemed to vanish. Urgency vanished. Any important difference between myself and all other things vanished. I knew that I belonged to the world, and felt comfortably my own containment in the totality. I did not feel that I understood any mystery, not at all; rather that I could be happy and feel blessed within the perplexity—the summer morning, its gentleness, the sense of the great work being done though the grass where I stood scarcely trembled. As I say, it was the most casual of moments, not mystical as the word is usually meant, for there was no vision, or anything extraordinary at all, but only a sudden awareness of the citizenry of all things within one world: leaves, dust, thrushes and finches, men and women (34).

A few days ago, on april 15th, I posted a few passages from Upstream on getting lost. Today’s passage speaks to the other side of this: being found. Belonging to the world, feeling comfort in the containment and complexity of everything, sensing the citizenry of all things.

Before my run, I recorded myself reciting this passage. Then I listened to it once while I was walking. Throughout the run, I tried to think about it. I’m sure I had lots of thoughts, but the one I was able to hold onto is this: I started wondering how the work of writing fits into these moments of clarity—or being found, or lost, depending on your perspective. (MO refers to these moments somewhere else as now, now, now, now or eternity or extraordinary time.) I decided that we can’t find the now through the process of writing; writing is what we give back in gratitude for the now—its very existence, and our recognition of it. It is the praising, or the admiration, or the expression of astonishment, wonder, delight. Do I agree with this? Not completely because the process of creating worlds through words can do more than praise the extraordinary/eternity; it can participate in it. So, maybe like being lost or found, writing is both at the same time, or at different times. A few more of these both things I’ve worked on: attention/distraction; here/there; remember/forget

Anyway, I like how she puts it: not a growing happiness but a floating one. I like the word floating and its connections to running as floating above the path, or ghosts haunting the path, or feelings hovering, or not being grounded, feeling untethered.

But, back to the now: this moment of now reminds me of all of my interest in the runner’s high and the idea of running as getting lost (or being found). I’ve read a lot of different descriptions of these feelings, and I’m always searching for my own words to describe it.

The feeling of being beside yourself, or being part of something that is not You but Us or We, can happen anywhere, but more often happens on the edge of something (MO says this in Upstream): the edge of the woods, the rim of the gorge, while you’re outside, moving, barely able to hold onto thoughts, when you’re uncertain or confused or overwhelmed.

Here’s another description of it/about it from MO in The Leaf and the Cloud.

From the Book of Time

6.
Count the roses, red and fluttering.
Count the roses, wrinkled and salt.
Each with its yellow lint at the center.
Each with its honey pooled and ready.
Do you have a question that can’t be answered?
Do the stars frighten you by their heaviness
and their endless number?
Does it bother you, that mercy is so difficult to
understand?
For some souls it’s easy; they lie down on the sand
and are soon asleep.
For others, the mind shivers in its glacial palace,
and won’t come.
Yes, the mind takes a long time, is otherwise occupied
than by happiness, and deep breathing.
Now, in the distance, some bird is singing.
And now I have gathered six or seven deep red,
half-opened cups of petals between my hands,
and now I have put my face against them
and now I am moving my face back and forth, slowly,
against them.
The body is not much more than two feet and a tongue.
Come to me, says the blue sky, and say the word.
And finally even the mind comes running, like a wild thing,
and lies down in the sand.
Eternity is not later, or in any unfindable place.
Roses, roses, roses, roses.

april 7/RUN

2.3 miles
43rd ave, north/32nd st, east/river road trail, south/edmund, north
67 degrees

Managed to make it out for a run right before the steady rain started. Was able to run through the tunnel of trees, above the river. Noticed the beginning of green on the brown branches. It’s coming—the leaves, the veil, the obscured view, the warmer mornings, the deck, falling asleep in the red chair in the backyard, spring, summer, vaccines. Saw a stack of stones on the taller boulder at the edge of the trail, near the oak with the long reach. Turned around at 38th and headed north on Edmund. There, it was sunny; where I had just been, near 34th, it was gloomy and darkish blue, ominous. Such a strange, cool sight.

Did a lot of thinking and reading this morning. Here’s a sampling of what I encountered this morning:

And, I’m thinking about words like: inefficient, clockwork, pace (as in, “keep up the” or running pace or the hectic pace of modern life), mechanization, industrialization, useless, instrumental, accessible, smooth, easy, fast, relevant, order, discipline, attention economy, rest, restlessness, sleep, internal clocks, spending time vs. passing it, paying or giving attention, eyeballs on the page, obscure, unnoticed, unnoticing.

Lots of words and thoughts swirling in my head about work, labor, productivity. And about why Mary Oliver’s poems are so popular–how/why does she speak to so many, especially those who don’t normally “like” poetry? As I skimmed through her collection, Devotions, I started thinking about how so many of the poems talk directly to the reader, inviting them to attend to the beauty of the world, to notice the long black branches, or to chastise them, nudging them to do and be better:

Have you ever tried to enter the long black branches/of other lives?
Listen, are you breathing just a little, and calling it a life?

Can you Imagine? Oh, do you have time? Come with me into the fields of sunflowers. What if a hundred rose-breasted grosbeaks flew in circles around your head? Surely you can’t imagine they just stand there looking the way they look when we’re looking?

Mary Oliver’s invitations, and even her admonishments, are seductive. Yes, I will notice! Yes, I will look and imagine and take the time! Her words inspire, making it seem attainable to be better, to change your life, to do more than merely breathe. Even as I have loved and admired her work since the first poem I read–was it “Invitation”?–I have also been wary of it. She makes it sound so simple–just change your life! Stop, take a break, notice those goldfinches!

I was bothered enough by this idea to write a poem about her poem “Invitation”, and then a chapbook about the phrase, “change your life” that features my poem which I titled, “You Must Change Your Life.” In my only workshop experience, for a great Advanced Poetry class at the Loft, the rest of my class didn’t seem to like “You Must Change Your Life”. Too wordy, too full of explanation, too much Oliver, not enough Rilke. So I put it away. But, reading it again now, I like it. It needs some cleaning up, but I’m proud of it and the questions I’m posing about will and attention, how we hear the call to notice things and change our lives, how we sustain that call.

Back then in 2018, I focused a lot on how change happens whether we want it or not and I explored different meanings and causes of change. Now, I’m interested in how we might choose to act on her invitation, how it becomes possible for us to “enter the long brown branches of other lives.” First, the easy answer: say yes, take up her invitation, decide to stop and smell the roses, watch those goldfinches and their musical battle, get up, put on your coat, leave your desk! But, don’t do this just once. Do it repeatedly–every month or week or morning. Make it a habit. Of course, making this into a habit isn’t necessarily easy; it requires effort and discipline and commitment, but it’s possible to believe, on any fresh day, that we can make this choice and change ourselves. This Yes! answer is the one that I imagine gets many readers excited about MO’s work and is why she’s so popular and important.

But, there’s another answer to the question of how we take up her invitation that is harder and more hidden, and that involves the difficult, messy work of saying no to many things in order to say Yes! to the goldfinches. And, this saying no is not simply choosing to not do this or that busy, important thing in order to notice the goldfinches. It is to refuse some of the fundamental (and toxic) values that shape who we are and what we should be doing in 21st century, late capitalism: work, always work, that is productive, useful, efficient, busy, fast, that makes lots of money for someone else, that yields status and success, that creates more things, that doesn’t waste time, that generates quantitative (not qualitative) results. Refusing these values is difficult and requires breaking habits we have been disciplined into following and practicing since elementary school. I describe this work of refusal as undisciplining yourself. And I’ve been working very hard at it for the last decade.

As far as I can tell, Mary Oliver rarely mentions this work, but it’s there, haunting every page. Each Yes! is tinged with the effort of the no that made it possible. (is this last sentence too much? maybe I’m getting carried away.) Anyway, I happened to remember one poem in which MO briefly describes her own undisciplining process:

Just as the Calendar Began to Say Summer/ Mary Oliver

I went out of the schoolhouse fast
and through the gardens and to the woods,
and spent all summer forgetting what I’d been taught—

two times two, and diligence, and so forth,
how to be modest and useful, and how to succeed and so forth,
machines and oil and plastic and money and so forth.

By fall I had healed somewhat, but was summoned back
to the chalky rooms and the desks, to sit and remember

the way the river kept rolling its pebbles,
the way the wild wrens sang though they hadn’t a penny in the
bank,
the way the flowers were dressed in nothing but light.

march 19/RUN

3.3 miles
edmund loop, starting north
42 degrees

Feeling more and more like spring. All the snow is gone, the sun is warm, the birds are singing even louder and longer. What I remember most about my run are the black-capped chickadees and their “fee-bee” song. Running on Edmund, between 32nd and 34th, I heard at least 2 of them calling out, not in a call and response, with one singing 2 ascending notes, the other 2 descending ones, but with both of them ascending, calling out to some other bird that wasn’t responding. Sometimes they were in sync, but sometimes they weren’t–a strange cacophony of fees and bees. About a mile later, I heard another chickadee calling out. No response.

When I reached 42nd st, I turned on my spotify playlist–“Ain’t Nobody,” “I feel for you,” and “Leave the Door Open”–and ran on the grass. It was tricky avoiding holes and not sinking into the soft, mushy grass. I love Bruno Mars and Anderson .Paak’s “Leave the Door Open”–how it sounds, their voices, the playful lyrics, the message of consent and hope, the invitation to be open. Wonderful.

Oh–I can’t believe I almost forgot–the river! Just past the top of the hill on Edmund between 33rd and 34th, you can glimpse the river through the trees. Today it was on fire, glowing with a bright white light. Wow. Definitely dazzling. Seeing this bright light, I thought about the Emily Dickinson poem I’m studying and that I memorized before running: “We grow accustomed to the Dark.” The poem is about how we adjust to the dark when “light is put away,” both literally and metaphorically. For many, I’m sure, this poem suggests that the loss of light and the coming of the darkness is always unwelcome and tragic. But not necessarily for ED, and not for me. I had to stop at the top of the hill and record a thought into my phone: “sometimes the problem with light is not its loss, but its abundance.” Too much light is too dazzling, making it too difficult to see or understand what you’re seeing. I have difficulty when there’s a lack of light, but often just as much when there’s too much light. So, sometimes a lack of light is welcome, wanted, offering some rest for tired and overwhelmed eyes.

We grow accustomed to the Dark

After spending so much time yesterday reading other people’s words about ED’s “We grow accustomed to the dark,” I decided I wanted to spend some time today with her words. I started by memorizing the poem. Memorizing a poem always helps me to listen better to the words. Now (I started this section before I ran and am continuing it after I’m done), I’m typing up each stanza (from memory) and typing up my thoughts, most of which don’t offer insight but a way for me to work through my efforts to understand her words. I’m noticing how this effort sometimes involves forcing myself to move past what I think the words should mean or how they should sound and listen to what she is actually writing and doing with her words.

We grow accustomed to the Dark –
When light is put away –
As when the Neighbor holds the Lamp –
To witness her Goodbye.

I like the word accustomed. From the OED:

  • Verb: “To make (a person or thing) familiar with or used to something; to familiarize, habituate.”
    Adjective: “In the habit of doing something; used to something.”

Yes! This reminds me of one of my preferred understandings of knowing–to become acquainted with. Not to Know or even to fully understand, but to adjust to, get used to. I like the connecting of this with habit and habitual practice.

I also like how she describes this: “When Light is put away.” Who is putting the light away? I don’t think she means God here. I like thinking about something/someone putting it away–a much different feel than if she had written: “when light has gone away.”

added later: Could she mean that she, ED, puts the light away? The Prowling Bee thinks so. Analyzing the stanza about the larger Darkness, she writes:

 That unknown mental and spiritual domain is a “larger – Darkness.” That is where our great poets and philosophical explorers venture while the rest of us pursue our hobbies or just relax. Dickinson spends time in this darkness and most of her most evocative, ambiguous, and challenging poetry comes from there.

the Prowling Bee

I keep wanting to make the final line, “To witness our Goodbye” instead of her goodbye, but I finally get that the Lamp is witnessing her goodbye to us, as we leave.

I love the idea of the Lamp/Light witnessing the Goodbye. A great image. And interesting to think about how in the second line the light is leaving us, but in the 4th line, we are leaving the light. Is that intended as an echo of the final stanza of the poem–either the darkness alters or something in the sight adjusts itself to midnight? Who is acting and who is acted upon? Yes (returning to this analysis later, after publishing this post), the idea of both the light leaving us and us leaving the light fits with my mention of the prowling bee and the idea of ED choosing to leave light and enter the darkness in order to explore deeper, more troubling, difficult and unknown ideas and themes.

A Moment – We uncertain step
For newness of the night –
Then – fit our Vision to the Dark –
And meet to Road – erect –

The idea of a moment is great–a moment of panic and uncertainty before we’re able to see. As my central vision declines, I have a lot more of these moments: when I enter an unfamiliar building (or sometimes even a familiar one) and not much makes sense. I can’t read the signs or tell where to go. Or when I’m looking at an object but I can’t tell what it is–is it a dead squirrel or a clump of leaves or furry mittens? Most of the time, my brain eventually adjusts and I can see what I’m trying to look at and continue on with more certainty. I’m trying to work on not fearing that uncertain step, letting the moment just be a moment that I will move past, knowing that I will adjust or figure it out (or ask someone for help). And it’s working. I am getting better.

I find “We uncertain step” to be awkward, but I like how its awkwardness seems to effectively create uncertainty and discomfort in the reader–at least this reader, me.

Love the alliteration of newness of night and her descriptions of adjusting as fitting our Vision to the Dark and becoming more certain as meeting the road erect.

As I work through this poem, I’m realizing something (or, being reminded of something I know, but keep forgetting or straying from): It is very interesting to learn about ED’s life and the historical context of her work, and it’s helpful to see patterns and themes across the poems. Yet, what matters most to me are the actual poems and how effectively her words describe vision loss and resonate with my own experiences of it. Her words are opening a door, offering a way into understanding (and expressing that understanding) how vision loss and living with less vision feels.

And so of larger – Darkness –
Those Evenings of the Brain –
When not a Moon disclose a sign –
Or Star – come out – within –

I like how she shifts to a metaphorical understanding of Darkness and then describes it as “those Evenings of the Brain.” I’m imagining she could mean depression (possibly hers, some suggest there’s evidence she was mildly bipolar or her mother’s) or hopelessness or sadness or turmoil or illness or uncertain/lack of understanding. She might even mean those times when she could not write, which fits well with the next lines about no signs being disclosed or stars coming out. And returning to the comments I’m just adding, this also means those darker, deeper, uncomfortable, troubling ideas/thoughts/themes that writers are willing to explore.

one more thing to add: I’m thinking about how most of my academic work and a big part of my current ethical project involves bewilderment and trouble and uncertainty and the value of dwelling in these uncomfortable spaces for us and learning how to be/to flourish. Because I’ve spent so much time thinking about these things, maybe it’s helped me to navigate my vision loss more effectively?

When I was reciting this poem from memory, I kept forgetting disclose. All I could think of was “display.” I knew it was wrong, but I just couldn’t remember disclose. Is it because “not a Moon disclose a sign” sounds awkward–“not a Moon disclosed a sign” sounds better to my ear, even if that changes the tense. Anyway, disclose is a much stronger, more precise, verb than display, so I’m hoping I can remember it now.

The bravest – grope a little –
And sometimes hit a Tree
Directly in the Forehead –
But as they learn to see –

I like grope even as I don’t. It fits well with the idea of struggling to find meaning in the dark, but it also conjures up creepy guys and their grabby hands.

Sometimes, when I’m running, I hit a tree. Not directly in my forehead, but with my elbow or hip. I like the funny image of people literally running into trees, especially hitting them directly in the Forehead, and I also like the metaphorical meaning of being stunned as they struggle to make sense of/adjust to (overcome?) the darkness.

I don’t like poems that try too hard to rhyme (which this doesn’t), and I like when lines rhyme or echo (which this does). Tree and see work well; it’s pleasing to the ear and helps keep the large idea/image of adjusting to darkness moving forward.

Either the Darkness alters –
Or something in the sight
Adjusts itself to Midnight –
And Life steps almost straight.

It often feels, when you can finally make out shapes in a dark room, that the darkness has changed, become less dim, but it’s really your vision adjusting, with the help of your rod photoreceptor cells, your pupils widening to take in more light, and your brain, to that darkness.

Love this ending line about life stepping almost straight, especially the almost part.

Whew. I’m ready for a break now. What a joy to spend so much time with ED’s words! Yesterday, I felt frustrated, reading so much about the poem (when it was written, what it was in response to, how it fit into a larger understanding of ED as a poet) without actually reading the poem or thinking about the meaning of the poem.

a moment of sound

Sat on the deck with my daughter and Delia the dog, soaking in the warm sun. Very quiet. I can hear my daughter briefly sniffing like a dog and some kid at the end of the street calling out and a crow. Of course, after I turned off the recording, a cardinal started trilling–at least 10 times–repeatedly.

march 19, 2021

march 2/RUN

3.15 miles
edmund loop, hearing north
39 degrees/ 26 mph gusts

Started the morning off with a COVID test and several firsts: first time in a public building (other than a rest area) since early March of 2020; first time spitting into a cup to fill it up to a black line; first time having a COVID test. It is highly unlikely that any of us have it, but because RJP had a slight fever and it was worrying her a lot, we decided to drive out to the airport to the testing site. It wasn’t difficult (well, maybe not for normal sighted people; I panicked a little when I couldn’t see signs or read the questions on my phone fast enough) and it felt safe. We might be back there in a month, if FWA decides he wants to go to in-person school for the end of his senior year.

It’s warmer and I wanted to run outside anyway, but I didn’t have a choice. The treadmill isn’t working. Scott thinks it might be the motor. Bummer. Very windy out there today, which made it hard. I also ran much faster than I do on the treadmill. Most of my run was spent feeling tired and wondering when I would be running with the wind at my back–not sure that ever happened. Heard at least one woodpecker. Dodged a bunch of puddles. Encountered runners and walkers. Didn’t see the river or any fat tires. Didn’t hear any geese or kids playing on the school playground. Didn’t smell any smoke. Felt overheated. Even so, I was happy to be out there and happy to be done with the test and happy to have RJP feeling better.

For the first 2 miles, I listened to the neighborhood, for the last mile, a playlist.

March is a month for Emily Dickinson

As I started typing this entry, I had a sudden thought: why not spend time with a different Emily Dickinson poem every day this month? Technically it’s the second so I’m starting this a day late, but I did spend some time with a Dickinson poem yesterday:

Dear March – Come in – (1320) / Emily Dickinson

Dear March – Come in –
How glad I am –
I hoped for you before –
Put down your Hat –
You must have walked –
How out of Breath you are –
Dear March, how are you, and the Rest –
Did you leave Nature well –
Oh March, Come right upstairs with me –
I have so much to tell –

I got your Letter, and the Birds –
The Maples never knew that you were coming –
I declare – how Red their Faces grew –
But March, forgive me –
And all those Hills you left for me to Hue –
There was no Purple suitable –
You took it all with you –

Who knocks? That April –
Lock the Door –
I will not be pursued –
He stayed away a Year to call
When I am occupied –
But trifles look so trivial
As soon as you have come

That blame is just as dear as Praise
And Praise as mere as Blame –

I posted this poem a few years ago. I like imagining March as a friend coming to call after having been gone a long time. I also like the second verse and the rhyming of knew, grew, hue, you and then the return of the rhyme in the next verse with pursued.

Today’s poem:

If recollecting were forgetting,/ Emily Dickinson

If recollecting were forgetting,
Then I remember not.
And if forgetting, recollecting,
How near I had forgot.
And if to miss, were merry,
And to mourn, were gay,
How very blithe the fingers
That gathered this, Today! 

I’m not sure I would have thought of this, but someone in the comments on the site where this was posted mentioned that the flowers that were gathered in the last line of the poem must be forget-me-nots. I picked this poem because I’ve been thinking about the slipperiness between forgetting and remembering and how, as you get older, you do a lot of both. I wonder: is this poem just a clever way of expressing that it’s opposite day?

a moment of sound

march 2, 2021

Hard to hear over the rushing wind and the low drone of the city, but birds are singing and, near the end, wind chimes chiming.

feb 27/BIKERUN

bike: 15 minutes
run: 1.5 miles
treadmill
outside: 43 degrees

What a beautiful, feels-like-spring day! Scott and I took Delia the dog on a long walk by the river and around the neighborhood this morning in the bright sun. It felt much warmer than 40 degrees. Lots of runners and walkers and bikers on the river road trail, enjoying the warmth. Heard lots of birds, including the cardinal’s “pew pew pew” song. Some woodpeckers, crows, a few black-capped chickadees, and many others that I can’t identify by song. Maybe there were a charm of finches? (I found a great site for group names for birds) At some point during the walk, we heard some honking geese! Returning for the spring?

When we got back I decided to sit on the back deck, in the bright sun. I am looking forward to late spring and summer when I can do this every day. Sitting there quietly, listening to all of the birds, and not thinking about much of anything, a bright red cardinal flew just past me and landed in a tree at the edge of our deck. Usually I can’t see cardinals, but I noticed this one first as it moved across my peripheral, which helped my brain see it when it landed in my central vision. Very cool–and very strange how the brain helps me to see things.

Because it was getting late, and it was very wet and crowded outside today, I decided to bike and run in the basement. Watched a race while I biked, listened to a playlist while I ran. Didn’t think about much–what did I think about? I can’t remember, which isn’t always a bad thing. Sometimes I like forgetting. This morning I memorized a Sara Teasdale poem that I have been intending to memorize for many months: Let It Be Forgotten. I’m hoping to use it as a spell or a charm or a mantra to chant when I want to stop thinking about something:

Let it be forgotten, as a flower is forgotten,
Forgotten as a fire, that once was singing gold,
Let it be forgotten, for ever and ever,
Time is a kind friend, he will make us old.

If anyone asks, say it was forgotten,
Long and long ago,
As a flower, as a fire, as a hushed footfall
In a long forgotten snow.

a moment of sound

Wow, the water rushing through the drain, and off the eaves, sounds very loud in this recording. You can barely hear the many birds, I recorded this moment while sitting on my deck is the glorious sun.

feb 27, 2021

jan 18/RUN

5K
2 school loop
20 degrees/feels like 11
sidewalks: 80% slippery, uneven ice
road: 1 thin strip of pavement

Yes! I ran outside today. It was cold. It was too crowded. It was icy. But I managed to stay warm in my layers, almost always keep a safe distance, and not fall. A great run. Fresh air! Trees and birds to admire! The ability to alter my pace without worrying about falling off the treadmill!

Lots of birds out today. I wanted to stop and record a moment of sound under a tree with a calling (crying?) bird, but it was too crowded. I don’t remember seeing many runners, only lots of walkers. The two women who annoyingly take over the entire road, spread out in a way that it is impossible to not get too close to them, were at it again. Sigh. I know I’m lucky that I can still run outside and almost always avoid other people.

Anything else? Noticed a few people skating at the rink at Hiawatha–the same rink that someone was just making a few weeks ago and that I featured in my moment of sound earlier this month. I didn’t see the river, or the Daily Walker, or any turkeys. But I heard the wind rushing through some dead leaves on a tree, a delivery guy grumbling as he left a house, and my labored breathing as I ran directly into the wind.

Most of the time, when the sidewalk was too treacherous (or tretch, as I like to say), I could find a strip of clear pavement on the road–usually near the edge, but sometimes in the middle. A few times, there was no escape from the very slick, very rutted ice. I’d stutter step and try to slow myself down gradually before carefully walking until it was clear. I bet I looked funny or ridiculous or foolish to someone watching. I don’t care. I didn’t fall and I got to be outside without a coat, moving and breathing and occasionally flying for 30 minutes!

Today I am doing okay. The trick is to avoid thinking about insurrections or more violence to come. And to believe that the inauguration will be a success and we will be able to celebrate it and cry tears of joy and not terror. And to forget that the pandemic is getting much worse. The trick is to remember the river and vaccines and Major and Champ and fresh air and exciting creative projects and how great lemon water tastes and sun (which is shining right now) and the black-capped chickadee that greets me almost every day.

a moment of sound

Today’s sound is from the backyard. Right now, we have 2 or 3 inches of crusty, icy, packed snow, which makes for a delightful crunching sound as you walk through it. This is one of my favorite winter sounds.

jan 18, 2021

jan 11/RUN

5K
43rd ave, north/32nd st, east/edmund, south
29 degrees
sidewalks, some roads: 99% slushy snow-covered

A great day to be outside in the warm sun! Not as great a day for the ankles–so much soft, slightly slippery, slushy snow. I didn’t slip or twist my ankle, but my legs felt sore trudging through the half melted snow. It was worth it to be outside, breathing in the fresh air, noticing the river sparking on the water piercing through the floodplain forest. What a view from up on edmund! What a great opportunity to forget about all of the uncertainty and awfulness happening right now–at least for 30 minutes.

As I started running, I was reciting Longfellow’s “Snow-flakes.” Did I make it to the end? I can’t remember; I was focusing too much on avoiding icy patches and keeping my striking feet soft and my ankles loose.

For my moment of sound, I stopped less than 10 minutes into the run, at the edge of Cooper field, to record some chatting birds and one annoying blue jay (I think. Here are some blue jay calls for comparison–the blue jay call is the worst, overpowering everything else). I also managed to capture a few instances of this rubbing sound–first at 22 seconds in. Not sure what someone was doing to make that noise, but as I approached the corner, a minute earlier, I thought the noise was a dog barking by the church. I almost stopped to try and see what was happening and record it, but decided to keep going. But then the birds were so delightful (except the blue jay) a block later, that I stopped anyway.

jan 11, 2021

Speaking of birds, scrolling through my Safari Reading List, I found this lecture on YouTube that I’d like to watch/listen to sometime soon: Dickinson’s Birds

While I was running, House Democrats announced their intention to impeach Trump for a second time. Yes. Very necessary.

jan 1/RUN

5K
turkey hollow
14 degrees
95% snow covered

Happy New Year! Of course I had to get outside and run on the first day of the year. 14 degrees didn’t seem too cold to me with all of my layers: green shirt, blue hooded shirt, orange sweatshirt, black vest, 2 pairs of running tights, headband covering my ears, baseball cap, hood, 2 pairs of gloves, 1 pair of socks, yak trax. Not too much wind. Ran south on the river road trail. Encountered a few others runners or walkers but we stayed close to our opposite sides, which I think was about 6 or 7 feet apart. Yelled at the one biker I encountered who was biking in the middle of the trail–at least I thought he was. My depth perception is not the greatest. Saw 2 or 3 cross country skiers! One was crossing the river road, their skis scraping on the bare pavement.

birds!

No turkeys in turkey hollow, but as I ran on the river road trail, above the oak savanna, I heard the drumming of a woodpecker on a tree. The noise was deep and metallic. Was the tree dead inside? I read a poem or an essay that described how a tree can be dead and you can’t tell until you cut it down; it could be dying inside for years. Where did I read that? I almost stopped running for a minute to try and locate the woodpecker but I didn’t–I doubt I would have been able to see it anyway. I also heard some male black-capped chickadees and their feebee call. A three note call this time with a 2 note response. Nice! Such a good omen for the year, hearing my favorite bird, running close to the river!

the river!

Running south on the trail above the oak savanna, at first all I could see were trees, a hill, snow. Suddenly, the gorge sloped down near 38th and the river appeared. Wow! Shining in the soft spots that weren’t yet sharpened by cold . I love the visual effect of sparkling, glittering water–sometime soon I want to read this article about glittering patterns. Talking with Scott, I thought I remembered that the effect was called glint, but looking it up again, it’s glitter. Glint is a flash of light, not to be confused with glisk which is a gleam of light through a cloud. As I described the image to Scott, we also discussed whether the river had sheets of ice or, as I delightfully suggested, floes. Scott thought floes were only in the ocean. Looking it up, Wikipedia says that a floe is defined by it’s size–big!

“An ice floe is a large pack of floating ice often defined as a flat piece at least 20 m across at its widest point, and up to more than 10 km across.[1]Drift ice is a floating field of sea ice composed of several ice floes.”

Maybe I like using the term because it’s big and grand and makes the river–which is fairly big, but nothing compared to an ocean or a sea, at least where I see it–seem bigger and grander and my images more magical or fantastical or epic?

Another word encountered: brash ice. “Brash ice is an accumulation of floating ice made up of fragments not more than 2m across. It is the wreckage of other forms of ice.” Cool.

After I finished my run, I could hear so many birds. I decided to stop and record a minute of it–I might try to do this every day this month or this year.

jan 1, 2021

In addition to the feebee call, I hear the “chickadeedeedee” and some other chirping I can’t identify. Some dudes laughing, me still breathing hard after my run (and then adding in a gross sniff), and the delightfully irritating crunching snow! I love hearing the biomechanics of my feet walking–listen to the different types of crunches as one foot lifts off and the other sinks down.

Winter Poem/ Donika Kelly

We climb the stalk of early winter
into the sky. Below: the car, the road,
the gray branch. The sun, a mirage, multiplies
in the earth. The light beetles, makes of our
bodies a mirror. We are fallow
as the land beneath us. We climb, though our
arms tire and our legs burn, a gesture
of absolution–we forget,
are forgotten. We are fire or
the image of fire, the day, or
the breaking of it. We disappear, chaff
of myth, what held the story of a season’s end.

This poem! It’s from her collection, Bestiary. How did I miss it when I read that book this summer? I love beetles as a verb–the light beetles. Does she mean “to scurry” (like a beetle) or “project/jut”?

So many great words in this entry! brash, beetle, glint, glitter, glisk. I want to use some of them in a poem.

dec 15/RUN

3 miles
neighborhood
18 degrees / feels like 9

Colder today. As I said to Scott, “I was the only fool out there.” Strange, though, because it’s really not that cold for Minneapolis. On this day last year, I ran outside when it felt like -3.

It was a good run. I started without headphones, reciting Diane Seuss’ “I Look Up From My Book At the World Through Reading Glasses.” Favorite first line, which I used in one of my mood ring poems, “the world, italicized.” Also love the next line, which really resonates for me and my seeing objects as forms, like Tree or Rock or Person. “Douglas fir blurs into archetype.”

When I got to the Minnehaha Academy parking lot, I decided to put on a playlist and listen to headphones as I ran south. Favorite songs today: Screwed/ Janelle Monae and Midnight Sky/ Miley Cyrus. Ran into the wind; glad to have a hood on. I didn’t get close enough to the river to admire it, or the ravine, or the oak savanna. I do remember hearing, and then seeing, a wedge of honking geese in the sky. Oh– and I heard the “chick-a-dee-dee-dee” as I ran by someone’s garage. Anything else? The sidewalks were stained white from salt, or was it from the dusting of snow we got 2 days ago? No slippery spots. And, a new over-the-top decoration at the already excessive house with Olaf, a minion, Charlie Brown, and Darth Vader: a giant reindeer. I ran past it to fast to notice, but I bet it’s Rudolph from the old holiday special.

sleep

Ever since I had my first kid, way back in 2003, I’ve struggled to sleep through the night more than a few times a month. I usually wake up for a few minutes every couple of hours. For the past few days, my sleep has been extra *fun*: go to sleep around 10:30, wake up at 11:45, then just before 1, then again at 1:30 before finally sleeping for 4 or 5 hours straight. My usual counting by sevens–which I started doing a few years ago–isn’t cutting it, so I’ve started listening to Taylor Swift’s new album, evermore, until I fall asleep again. I love this album. So many good songs with great words to enjoy. “Marjorie” is one of my favorites–such a beautiful song about grief and losing someone you love! Always makes me think of my mom.

Marjorie/ Taylor Swift

Never be so kind, you forget to be clever
Never be so clever, you forget to be kind

And if I didn’t know better
I’d think you were talking to me now
If I didn’t know better
I’d think you were still around
What died didn’t stay dead
What died didn’t stay dead
You’re alive, you’re alive in my head
What died didn’t stay dead
What died didn’t stay dead
You’re alive, so alive

Never be so polite, you forget your power
Never wield such power, you forget to be polite

And if I didn’t know better
I’d think you were listening to me now
If I didn’t know better
I’d think you were still around
What died didn’t stay dead
What died didn’t stay dead
You’re alive, you’re alive in my head
What died didn’t stay dead
What died didn’t stay dead
You’re alive, so alive

The autumn chill that wakes me up
You loved the amber skies so much
Long limbs and frozen swims
You’d always go past where our feet could touch
And I complained the whole way there
The car ride back and up the stairs
I should’ve asked you questions
I should’ve asked you how to be
Asked you to write it down for me
Should’ve kept every grocery store receipt
‘Cause every scrap of you would be taken from me
Watched as you signed your name Marjorie
All your closets of backlogged dreams
And how you left them all to me

What died didn’t stay dead
What died didn’t stay dead
You’re alive, you’re alive in my head
What died didn’t stay dead
What died didn’t stay dead
You’re alive, so alive
And if I didn’t know better
I’d think you were singing to me now
If I didn’t know better
I’d think you were still around
I know better
But I still feel you all around
I know better
But you’re still around

dec 10/RUN

3 miles
edmund + loops around Cooper and Howe
43 degrees

Wound my way through the neighborhood to avoid people. My route makes some interesting shapes.

Very mild this morning with bright sunshine. Not blinding, just warming and reminding me of early spring. From up above on Edmund, the tunnel of trees below glowed. I would have liked to run through it, but I am keeping as much distance as I can from others. Too many cases, too many deaths. Between 33rd and 32nd, encountered an adult running and laughing while a young kid chased them. Their joy made me smile. Just before heading up the 32nd street hill, I saw Dave the Daily Walker way up ahead on the river road trail. Too far away to greet. I don’t remember noticing the parking lot at Minneahaha Academy–was it empty again? Ran around Cooper School. A family was playing in the field. Headed south on 45th and ran around Howe School too. Another family playing in that field.

Celebrated less than 1000 hours of Trump’s presidency last night at 7 PM; woke up this morning to scary tweets about his latest court cases. Time to distract myself until this is over–will it ever be over? Time to focus all of my energy on the small and big joys I can find.

Today’s reason for joy: New Shoes!

Since starting to run in 2011, I’ve been wearing Saucony Grid Cohesions. The pair I’m wearing right now I bought last winter. They’re blueish gray and mind green accents. Very nice. Last week, I decided to upgrade one level to Clarion 2s. They are berry red! with copper accents. So cool! I’ve never had red shoes. I’ve had: white, gray, bright pink, orange, teal, electric blue but never red. And they feel faster. I’m excited to try them out–maybe on the treadmill this winter.

Reciting while Running, Review

Reviewed two more poems this morning: Ted Kooser’s “Turkey Vultures” and Donika Kelly’s “Perhaps You Tire of Birds.” Recited them in my head while I ran, then recorded “Perhaps” right after finishing, and “Turkey Vultures” on my deck a few minutes later. Only minor mistakes, but ones that weakened the power of each poem–forgetting the my in “O, my scouring eye” and “O, my heart” and “O, my bones” in “Perhaps” and making it was instead of is at the end of “Turkey Vultures.”

Perhaps You Tire of Birds/ December 10
Turkey Vultures/ December 10

dec 2/WALK

45 minutes
neighborhood + gorge with Delia the Dog
33 degrees

This year, I’ve only been posting here after a run, but I wanted to rest from running but not from writing, so I decided to break my rule and write about my wonderful walk with Delia the Dog. What a gorgeous late fall morning! What wonderful light! And the birds! I heard a few “chick-a-dee-dee-dees” and plenty of caws, at least two drum rolls from pecking woodpeckers. I stood still and stared high up into the trees, but I couldn’t see either of the woodpeckers. How small were they? The view to the other side was calming and pretty–not breathtaking but breath giving. Everywhere was filled with sounds–rustling leaves, clanging collars, chirping birds, whooshing car wheels–yet it was quiet and empty. I let Delia sniff as much as she wanted down in the leaf-covered grass beside the river road and below Edmund. At some point during the walk, moving slowly and breathing in deeply, I felt a slight comforting buzz through my entire body. Such a great feeling.

Here’s a great poem I discovered this morning on twitter:

In drear nighted December/ John Keats – 1795-1821

In drear nighted December,
Too happy, happy tree,
Thy branches ne’er remember
Their green felicity—
The north cannot undo them
With a sleety whistle through them
Nor frozen thawings glue them
From budding at the prime.

In drear-nighted December,
Too happy, happy brook,
Thy bubblings ne’er remember
Apollo’s summer look;
But with a sweet forgetting,
They stay their crystal fretting,
Never, never petting
About the frozen time.

Ah! would ’twere so with many
A gentle girl and boy—
But were there ever any
Writh’d not of passed joy?
The feel of not to feel it,
When there is none to heal it
Nor numbed sense to steel it,
Was never said in rhyme.

nov 12/RUN

3.2 miles
river road path, north/river road, path, south/32nd st, west/43rd ave, south
29 degrees
5% snow-covered

Winter running! I love the cold air, the snowy gorge. Encountered a few irritating runners who refused to move over to the other side of the trail. Had to run in the snow to avoid them. Are they really comfortable running that close to someone else, especially as we enter another, even scarier phase of the pandemic? I don’t get it. But, these two runners were such a small part of the run. The rest was wonderful. The sky was grayish-white which made everything seem other-worldly or at least at a distance from this world. Quiet and calm and empty, uncluttered.

Things I Remember

  • The overpowering and mostly unwelcome smell of pork–bacon? sausage?–wafting down from the Longfellow Grill as I ran under the lake street bridge
  • Voices down in the gorge, near the rowing club. Were they rowing in the water? On the shore? I couldn’t tell
  • The crunch-cracking of feet striking hard shards of super packed and icy snow. The same sounds even louder as tires drove over the icy snow
  • A wedge of geese–4 or 5–flying high in the gray sky
  • Some yellowish-brown leaves still on a few of the branches in the tunnel of trees
  • So many cars on the river road

As I ran, I thought about my latest mood ring poem. Relentless. Some lines popped in my head: “I am not the river but the limestone…” and “I am not the limestone but the river” and “I am both the limestone and the river.” Thinking about how the relentlessness comes both from me as I try to make sense of my vision loss and write about it and from the erosion of cone cells as they continue to destroy my central vision.

Encountered a poem this morning that I liked a little with one reading, then liked a lot after reading the poet’s explanation of it.

A Rogue Dream/ Melanie Figg

after Olivia Gatwood

I get ready for my first day as the new girl in high school
already knowing what not to wear. I dress perfectly
to stand out and disappear. I know how to put on
makeup, and I do it exactly right. My hair
looks awesome, of course! I step onto the bus,
pause by the driver, raise my arms like a superstar,
and meet the eyes of my adoring audience.
Three different beautiful girls punch
each other in the face to have me sit next to them.
I decline and the school’s most lovely, artsy boy
slides over to make room. He knows his feelings
and only goes too far
when he honestly misunderstands. He’s one of the safer ones.

I walk down the halls and no one makes fun of me.
I pass the section of lockers where her locker is, and
she is there, taking a book out of her backpack.
She’ll go running this weekend, as usual, and won’t
be followed. The man who won’t be following
her has already followed half a dozen women
to rape and kill and leave in the woods. But she won’t be
followed. She’ll survive her fate this time, and come back

to school on Monday, avoid the mean girls in the bathroom.
She’ll pick on the new girl, call her a virgin of all things.
She’ll limp her way through math, cheat a bit in science,
do pretty good in history and English. She’ll graduate,
and go to the state school on a track scholarship. She’ll
have two girls and keep them safe. She’ll almost forget

about this other ending: her in the woods near her house,
staring at the ground beneath her, wondering why.

This line! “Three different beautiful girls punch/each other in the face to have me sit next to them.” And the ending with the reimagining of the girl as not being followed. Wow.

august 18/RUN

3.1 miles
turkey hollow loop
62 degrees

Another nice morning for a run. Low 60s, not too much wind, sunny. Ran on the trail and spent a lot of time focused on avoiding other people. I remember looking down at the river near the steps at 38th st, but I don’t remember anything about it. With all the sun, it must have been sparkling. Didn’t hear any rowers on the river but I bet there were some somewhere. Maybe closer to the bridge? No turkeys in turkey hollow again today. No geese or ducks or woodpeckers. At some point, I heard a crow.

Most distinctive sound I remember hearing while running: the plink–or was it plunk?–of small acorns bouncing on the road.

Most distinctive sound I remember hearing while walking: the loud, uncovered sneeze of a woman inside a house somewhere on my block.

Recited the first part of Shirley Geok-lin Lim’s “Writing a Poem” as I ran. Thought about trying to write a poem while unable to block out an annoying noise as Bernadette Mayer’s exercise in “Please Add to this List”: Attempt writing in a state of mind that seems least congenial. There weren’t any annoying noises that I remember today. No leaf blowers or roaring planes or honking cars or zooming motorcycles or walkers whose voices cut through everything or slowly approaching runners or dog collars clanging or kids with high-pitched whistles that blow them over and over and over again.

Right after finishing my run, I took out my phone and recorded myself reciting it. Too many errors–heavy instead of giant machine, mixing up helpless and hopeless. Need more practice memorizing. Probably the most interesting thing about this recording is the cicada’s buzzing in the background. So loud! I don’t remember hearing them.

Writing a Poem, August 18

Let the Wonder Always Win

Last night, I attended a virtual book launch for Aimee Nezhukumatathil’s “World of Wonders.” I think she’s my favorite poet. Ross Gay (who is also amazing) was interviewing her. He asked about how she balances a love of wonder with sadness, grief, and rage. She said something about how she’s not happy or joyful all the time; she feels a lot of sadness and rage, but she always lets the wonder win. I love that line. It might be my new mantra.

Earlier in the talk, she also discussed how, as young kids, we are always exclaiming, excitedly calling out, Look! Look at the flower! or look at that cloud, shaped like a horse! Later on in life, we forget or are too self-conscious of that enthusiasm for wondering. We need to reclaim our love of exclaiming. Yes!

This makes me think of this poem (one of my favorites) by Maggie Smith:

Poem Beginning with a Retweet/ Maggie Smith

If you drive past horses and don’t say horses
you’re a psychopath. If you see an airplane
but don’t point it out. A rainbow,
a cardinal, a butterfly. If you don’t
whisper-shout albino squirrel! Deer!
Red fox! If you hear a woodpecker
and don’t shush everyone around you
into silence. If you find an unbroken
sand dollar in a tide pool. If you see
a dorsal fin breaking the water.
If you see the moon and don’t say
oh my god look at that moon. If you don’t smell
smoke and don’t search for fire.
If you feel yourself receding, receding,
and don’t tell anyone until you’re gone.

august 15/RUN

3.3 miles
winding down to the river, pt 2*
62 degrees

*A slight variation on yesterday’s route: 43rd ave, north/32nd st, east/45th ave, south/36th st, east/47th ave, north/32nd st, east/edmund, south/river road, north/bottom of hill/river road, south

What a nice morning for a run! Cooler and calm. Sunny. Relaxed. Ran through the neighborhood and ended by running up and down the hill near the Welcoming Oaks twice. Saw some bikers, runners, and walkers. Heard some music blasting from a bike’s speaker but couldn’t identify the song–the biker was going too fast and/or the doppler effect was distorting the music too much. Also heard the quiet, gentle hum of crickets. So many acorns littering the sidewalk! No spazzy squirrels in sight. Are they too busy up in the trees? No roller skiers or rowers. No Daily Walker or tall, old guy in short running shorts.

Recited “Babel” several times as I ran. Struggled with the word blustered in the line, “the trees/blustered to howls.” Throught about the order of this line: is it, “the tesla bees/whine loudly to the shocked air” or “the tesla bees/loudly whine to the shocked air”? Is the second not grammatically correct, or is it just preference? The first seems better, so why am I sometimes drawn to reciting the second? It felt strange to be reciting this poem, especially the first line, “My God, it’s loud down here,” when it isn’t loud at all this morning. It’s calm, peaceful, with only a quiet hum.

Thought about reciting the poem as I ran up the hill for the second time, but I wimped out. I should really try doing this sometime soon. Instead, I recited it a few seconds after I stopped running, as I walked home, still out of breath. Just like I had struggled with the word blustered as I ran, I couldn’t remember it now. I like how I captured this moment of forgetting and then remembering: blustered!–you can almost hear the exclamation point in my voice. I thought I knew this poem better than yesterday, but I still struggled with some wrong words and the flow seemed off. It feels like I can’t quite connect with this poem or the poet’s writing style. Will I ever? From where does this lack of connection come?

Babel, August 15

august 13/RUN

3 miles
43rd ave, north/32nd st, east/river road trail, south/edmund, north
72 degrees
humidity: 87%
dew point: 69

Warmer today. Started slow and got faster each mile. Ran north on 43rd again, noticing more of the familiar houses. I run on the right side so I miss running by one of my other favorite 43rd avenue houses on the left side: the one with the 2 lion statues guarding their stoop, at the edge of the sidewalk. For every season, they wear different visors. Since the pandemic began, they’ve been wearing masks–or at least they have the last time I checked, which was a month ago. In the spring, they wear bunny ears, in July, spangled stars, at Christmas-time, reindeer antlers. I know they do something for Halloween too, but I can’t remember what.

Ran past the field at Cooper school, the Aspen eyes, the parking lot at Minnehaha Academy, filling up with cars. Decided to try running on the trail through the tunnel of trees again. No problem! Forget to check out the amphitheater of green air, but did notice the construction trailer–where they’re doing the sewer work–and how, on this side, it was heavily tagged with graffiti. I was moving too fast to read what it said, but it looked cool with the big, brightly colored block letters. Heard the voices of 2 women behind me somewhere. So loud! Was it the two runners I passed–and managed to get 6 feet of distance from because I ran up the side of a small hill–right before entering the tunnel of trees? Ran through the welcoming oaks and above the ravine. Wondered why I wasn’t hearing any water gushing through the pipe, over the limestone ledge, down to the river after all of the rain yesterday. Stayed on the trail until 42nd st when I turned around but was too busy looking out for other people to notice the river. It is often difficult for me to see when a person is ahead–most of the time I can, but I have to be extra careful for those times when I can’t. Haven’t run into anyone yet!

Tried reciting the poem I started memorizing this morning: “Babel” by Kimberly Johnson. I thought I had it memorized, but I got hopelessly stuck halfway through. I thought about briefly stopping and looking up the words on my phone but didn’t.

My God, it’s loud down there, so loud the air
is rattled. Who with the hissing of trees,
the insect chatter, can fix devotion

on holy things, the electrical bugs
so loud the air is stunned, windy the leaves’
applause redoubled by the clapping wings

of magpies? Who with their whispered psalm
can outvoice their huckster cackle, their huckster cackle, their huckster cackle!?

Stuck. I knew the next line had something to do with trees but no matter how hard I concentrated, patiently waiting for the words to appear, they didn’t. When I got home, I checked and, of course!, the line is:

can outvoice their huckster cackle, the trees
blustered to howls while the tesla bees

whined loudly to the shocked air?

Yes! How could I have forgotten those howls or the tesla bees? Are tesla bees a thing? I looked it up and aside from a mention of Nikola Tesla’s idea that women would soon rule the world as “Queen Bees” and references to the “tesla of honey” on a beekeeping forum, I couldn’t find anything. I asked Scott and he wondered if it could be a reference to the buzzing sound a Tesla coil makes. When I looked up, “Tesla coil sound” I found an article about a band that gets the Tesla coil to “sing”. Wow.

Here’s the full poem:

Babel/ Kimberly Johnson

My God, it’s loud down here, so loud the air
is rattled. Who with the hissing of trees,
the insect chatter, can fix devotion

on holy things, the electrical bugs
so loud the air is stunned, windy the leaves’
applause redoubled by the clapping wings

of magpies? Who with their whispered psalm
can outvoice their huckster cackle, the trees
blustered to howls while the tesla bees

whine loudly to the shocked air? O who
can think of heaven in such squall, shrill wind
of trees, magpie wings, and throats in fracas,

the bluebottle static, the air stupid
with the shrieks of devils,— of angels,—
who in such squall can think of anything

but heaven?

I love this poem and all its chatter. I was thinking about it this morning as I drank my coffee, sitting in the chair I always sit in while drinking my coffee with all the windows open, listening to all the birds and the low insistent hum of the crickets. So much noise!

added 13 aug 2025: I’m sitting at the dining room table (my 2025 place to sit while drinking coffee) and drinking my coffee. All the windows are open. Reading this last paragraph, I realize that it’s loud out there this morning — probably louder than in 2020. Birds, cars, waves of thumps as acorns drop from the trees, a woman dropping her kid off at the daycare next door — good-bye! I have to go.

august 6/RUN

2.3 miles
43rd ave, north/32nd st, east/river road, south/edmund, south/river road, north/river road, south
68 degrees

Took a walk with Scott and Delia the dog before heading out for a shorter run. During the walk, we could feel fall slowly coming. Cooler air, a red leaf peeking through the green on a neighbor’s fence.

As I ran north on 43rd, I started reciting “Push the button, hear the sound.” Ran past the abandoned house, growing a forest of new maples, past the house with the easter island head by the front door, past the house that used to have my favorite halloween decorations until it was sold.

Past Cooper School, past the aspen eyes, past the red leaf that Scott, Delia and I had walked by an hour before. Ran for a block on the river road and then turned back onto Edmund. It took me almost a mile and a half to finish reciting the poem.

Ran down and up the hill by the Welcoming Oaks twice. The second time, on my way up, I encountered a biker biking with no hands on the handlebars singing at the top of his lungs–not sure what song. About a month ago I encountered another biker doing this as he approached the hill. I had marveled at his effortlessness and how little he cared that he looked ridiculous. The biker today just looked ridiculous and out of control. I hope he didn’t crash into anyone as he biked down the hill.

A few minutes after I returned home, I recited the poem into my phone. I remembered most of it but forget 2 lines. I guess I need to spend another day with this poem.

Push the Button, August 6

july 23/RUN

3.1 miles
47th st loop
69 degrees

Ran almost two hours later because I wanted to work more in the morning and because the humidity was 100% at 8 am. Running at 10 was much better, I imagine. Sunny with lots of shade, calm. No turkeys but I did see my shadow briefly. Saw a biker and one graceful rollerblader moving so quickly and smoothly, swinging his arm like an Olympic speeed skater.

delight of the day

Nearing Edmund, past becketwood on the part near turkey hollow, I heard a truck approaching from behind with some squealing kids. As it passed me, driving very slowly, I noticed a few heads just poking out of the red truck’s bed. It turned up the next street. Nearing the end of my loop, almost back to becketwood, I encountered it again, parked in front of house, the kids yelling out delightedly, “We drove around the block in the back of the truck! We drove around the block in the back of the truck!” Such delight. Such cute, earnest, high-pitched voices! Oh, to be that free of cynicism and able to find joy in such a small but perfect moment!

Before heading out for the run, I memorized another poem, the third in my vision series: I Look Up From My Book and Out on the World Through Reading Glasses/ Diane Seuss.

I love this poem because it does a great job of capturing how I see the world sometimes–not through reading glasses, but through my diseased eyes. Sometimes the world looks italicized, slanted, not quite straight, off-kilter. And sometimes trees are nothing but the classic form of a tree — a brown trunk with leaves. Colors, when I can see them, are sometimes only smudges and smears and slashes. It’s all vague or just barely formed–the idea of the river instead of the actual view of an in-focus river. And it often feels like I’m in a haze or a daze or a fog. This is not upsetting to me; it’s more dreamy and calm and soft. Often the sharpness of the forms dependents on the quality of the light–gray days make everything look even fuzzier, bright sunny blue days make it all clearer, with more edges.

A few hours after returning home, I recorded myself reciting the poem. I just learned it this morning so I don’t know it by heart yet. Even as the pauses in this recording make me a little uncomfortable, I like how they demonstrate the moments of my forgetting and then remembering.

I Look Up From My Book, July 23

july 15/RUN

4 miles
river road, north/south
66 degrees
humidity: 83%

Ah! Such nice weather this morning. Still humid, but cooler. Almost sunny. A thin layer of clouds covered most of the sky. So thin that the sun was still casting shadows on the road. A strange sight. Is there a word for that? I tried looking it up just now and I couldn’t find anything.

I was able to run above the river for a few minutes and saw some blue through the green. Heard several roller skiers, a few bikers, runners, walkers. No music coming out of bike radios or snippets of conversation that made me curious. No rushing water, hardly any birds. I’m sure I heard traffic but I don’t remember that either—actually, thinking about it for a few minutes, I do remember some traffic. As I ran down the hill and under the lake street bridge, I heard cars and trucks on the bridge and kept thinking they were on the river road, just behind me. Noticed many cars in the parking lot at Minnehaha Academy–are they planning to open the campus this fall? I hope not. Also saw soccer practice on the field. Ran past the railroad trestle almost to Franklin. Felt relaxed and strong.

As I ran, I tried thinking about the idea of the dream-like state and Howe’s line, “this might be all we know of forgiveness, this small time when you can forget what you are.” What is this small time? Is forgetting what we are a type of getting lost in a (day) dream (Emily Dickinson’s revery*?) or practicing pure attention (another line from Howe: “speaking for the sound alone”?). And, what is it that we are, that we must forget? Yesterday I suggested that we are creatures who struggle against their solitude, suffering, and the inevitability of death. Here’s another answer from Marilyn Nelson in “Crows”:

What if to taste and see, to notice things,
to stand each is up against the emptiness
for a moment of an eternity—
images collected in consciousness,
like a tree alone on the horizon—
is the main reason we’re on the planet.

*To make a prairie/Emily Dickinson

To make a prairie it takes a clover, one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.

july 14/RUN

3 miles
river road, south/north
73 degrees/ light rain
humidity: 89%/ dew point: 70

Woke up to darkness. Rain coming and staying all day. Decided to take Delia the dog out for a quick walk before it started. Not soon enough; by 1 block it was drizzling and by 2 blocks raining. We ran back. Delia did a great job–except for the time when she ran right in front of me and almost tripped me. Maybe I should try training her to run?

Running felt good so I decided if there was a break in the rain, I would go out for a run. There was and I did. Hardly anyone out by the gorge. I was able to run on the trail right above the river for most of the time. Hooray! I saw the river, heard some birds, ran by my favorite benches, heard the roar of the water gushing out of the sewer pipes down to the river near both ravines — at 36th and 42nd. And then, at the end, I ran through the Welcoming Oaks and greeted each one, “good morning!” “good morning!” “good morning!” Haven’t been able to do that in a while.

color

There’s something about cloudy, gray light that makes my vision even stranger than usual, especially when it comes to seeing colors. I am amazed that I can still see any color with almost all of my cones damaged. Here are some colors I saw this morning, some stranger than others:

  • From about 2 blocks away from the river road, I could see an orange sign for a pedestrian detour. So bright and so prominent, a glowing smudge in the midst of fuzzy dark green and gray.
  • Twice I encountered, from a distance of about 15-20 feet, a woman in blue running tights. As I approached her, seeing her through my central vision, the tights looked dark, almost navy blue. But when I saw her from the side, through my peripheral vision, the rights were a bright, electric blue. Blue is a strange color with my vision. Last winter, I used to walk by a house with lights in the shape of a peace sign. The circle was red, the inner sign blue. Looking at the sign straight on all I could see was a red circle. It wasn’t until I looked at it from the side that I could just barely see the blue lines.
  • A walker in a pink–or was it coral?–jacket.
  • The river was a pale blue, almost white in the gray light.

on the dream, forgiveness, and forgetting

Still thinking about Marie Howe and “The Meadow,” especially these lines, “My love, this might be all we know of forgiveness, this small time when you can forget who you are” and “Bedeviled, human, your plight, in waking, is to chose from the words even now asleep on your tongue, and to know that tangled among them and terribly new is the sentence that could change your life.” In yesterday’s entry in my plague notebook, I wrote: “We forget what we are because what we are are creatures attempting to find the right words to feel better — less alone, less suffering, less closer to death.”

I want to think more about the value of forgetting. Here’s a poem I’d like memorize to get me started:

Let It Be Forgotten/ SARA TEASDALE

Let it be forgotten, as a flower is forgotten,
Forgotten as a fire that once was singing gold,
Let it be forgotten for ever and ever,
Time is a kind friend, he will make us old.

If anyone asks, say it was forgotten
Long and long ago,
As a flower, as a fire, as a hushed footfall
In a long forgotten snow.

july 13/RUN

3 miles
44th ave, north/32nd st, east/river road, north/river road, south/38th st, west/river road, north
70 degrees
humidity: 77%/ dew point: 63

Another beautiful morning! Not much wind, not too hot, some shade. Ran past the aspen eyes and towards downtown, up the hill from under the lake street bridge, then turned around. I think I saw the river, or the idea of the river hiding behind the green. Recited “The Meadow” a few times during the first two miles of my run, then stopped to put on some music and sprinted up a hill while blasting Demi Levato’s “Sorry, not Sorry” — a great song to run to. I got it in my head yesterday after I responded to Scott about something jokingly rude I had just said with, “sorry, not sorry.”

At some point, as I was reciting it, I thought about the line, “The horses, sway-backed and self important, cannot design how the small white pony mysteriously escapes the fence everyday.” I wondered, isn’t small, as in “small white pony” redundant? Aren’t ponies always small? Would it flow as well without the extra syllable of small? Now, sitting here at my desk in the front room, listening to a young child right outside vacillate between cute, calling out “I Love You!” to his mom, and annoying, babbling in a high-pitched voice, I am also struck by Howe’s use of white. Nothing else in the poem has a color–no green meadow or dappled gray horses or golden hay or anything. Why is the pony singled out–given a color and a redundant size? With its mysterious escape, is it a ghost? Still thinking about this line: I like how she uses “design” in this sentence. And I love the self important, clueless horses and the next line’s follow-up: “This is a miracle just beyond their heavy-headed grasp.”

I’m trying to make sense of the meaning of this whole poem (admittedly, I feel like I’m often dense when it comes to understanding poetry) and I’m wondering if these three lines are the most important:

  1. As we walk into words that have waited for us to enter them…
  2. My love, this might be all we know of forgiveness, this small time when you forget what you are.
  3. Bedeviled, human, your plight, when waking is to chose from the words that even now sleep on your tongue and to know that among them, tangled and terribly new, is the sentence that could change your life.

In our dreams, we can forget what we are (the meadow forgets how to make wildflowers, the horses are weary of hay, the wasps are tiny prop planes, the knock of a woodpecker becomes a phone ringing). But, we always wake up (the meadow thinks suddenly, “water, root, blossom,” the horses lie down in daisies and clover, we/humans suffer–moaning, and know we will die). The task as human is to find the right (?) words to give meaning to/transform what we are? Does that work? And how does this line fit in: “I want to add my cry to those who would speak for the sound alone”?

Discovered another delightful abecedarian!

Abecedarian For the Future/ Ada Limón

All the old gray gods have fallen
back to their static realms of myth
cleared from the benches, thrones,
dragged kicking to their strongest tombs,
each one grizzled by their swift exile
frayed, bedraggled, forced to kneel,
give up their guns, armor, swords,
hand over their passports, global security
identification, and be stripped bare.
Justice has relegated them to history,
kept nothing but the long rancorous
list of crimes (slaughterers all)
molded them into dull cement statues
not to worship. but as a warning most
ominous. Here stood Greed and his brother
Pride, note their glazed inhuman eyes,
question their puny stature now, how
rodent-like, how utterly overthrow-able.
Still, remember how long they ruled?
Tyrannical and blustering, claiming
universal power, until the kinder masses
voted the callous thin-lipped lizards out?
What a day that was! The end of hatred,
xenophobia, patriarchal authority–but
yes, we waited too long, first we had to
zero out, give up on becoming gods at all.

july 8/RUN

2.75 miles
43rd ave, north/32nd st, east/river road, north/river road, south/edmund, south
77 degrees
humidity: 80%/ dew point: 70

If you would have told me last year that I’d be regularly running in dew points of 70 or so, I wouldn’t have believed you. But, the dew point has been 70 (highest was 75) for the past 2 weeks (well, one day it was 69), and I have run every day. Ran by the aspen eyes, under the lake street bridge, up the hill, then back down it. Encountered lots of runners, bikers, walkers. Crowded this morning. Remember hearing at least one black capped chickadee. At the start of my run I encountered several annoyingly spazzy squirrels, darting in front of me. There was a big cf on edmund–one person on the sidewalk, one person in the road, another person with a dog on the other side of the road. Had to run up someone’s grass to keep my distance. Didn’t see the river or hear any rowers.

As I ran, I recited “Memorizing ‘The Sun Rising'”/ Billy Collins. Yesterday, I recited the first half, today the whole thing. Didn’t think about the meaning of any of the lines, just tried to make sure I got the words right. Favorite stanza today?

So it’s not until leaving the house
and walking three times around this hidden lake
that the poem showed
any interest in walking by my side.

I like the idea of the poem deciding whether or not it wants to spend time with the person memorizing/reciting it. I also like how the line is walking three times around this hidden lake instead of walking around this hidden lake three times.

The line I probably struggled with the most was, “better than the courteous dominion.” I couldn’t remember courteous or dominion; my mind was blank. I remember this happening as I ran and fumbling around for many seconds trying to think of what the phrase was. All of sudden it came to me like a flash or an image that, even as I stare intently and it’s right in front of me, I can’t see it at all until suddenly I can. How strange and marvelous the brain is to magically retrieve words! A few hours after returning from my run, I sat down and recorded myself reciting the poem. A bit rough, as I struggled with a few lines. I managed to record myself struggling and then successfully remembering the courteous dominion line.

Memorizing “The Sun Rising” by John Donne, July 8

I’d like to figure out a metaphor or simile for that moment of remembering. In “Memorizing” Billy Collins describes the act of forgetting — “begin to fade like sky-written letters on a windy day”– and having forgotten — “a blown-out candle now, a wavering line of acrid smoke” — but he doesn’t have a equivalent one for remembering. I suppose he does have one for fully remembering and taking in the poem: “after hours of stepping up and down the poem,/testing the plank of every line,/it goes with me now, contracted into a little spot within.” But this doesn’t quite get at the revelatory moment of remembering. I’ll work on it some more. I wonder if I can find some other poems that express it?

july 7/RUN

2.5 miles
45th ave, north/32nd st, east/river road, north/river road, south/38th st, west/ river road, north
75 degrees
humidity: 86%/ dew point: 71

Very hot! Not much shade. Uncomfortable. Thought about running 3 miles but decided 2.5 was enough. Ran past the aspen eyes. Heard “Devil Went Down to Georgia” blasting out of a bike’s speakers. Sweet. Pretty cool doppler effect after they passed by me. Sounded like the music was melting. Tried to get a glimpse of the river through the gap in the trees, but the green was too thick. Don’t remember any bugs. Almost thought I saw the Daily Walker but it was someone jogging, not walking. Saw a roller skiing family–an adult and a few kids of different ages.

Recited the first four stanzas of the Billy Collins’ poem I’m memorizing (which is a quick break from my current theme on eyes):

Every reader loves how he tells off
the sun, shouting busy old fool
into the English skies even though they were
likely not cloudy on that seventeenth century morning.

And it’s a pleasure to spend this sunny day
pacing the carpet and repeating the words,
feeling the syllables lock into rows
until I can stand and declare,
the book held closed by my side,
that hours, days, and months are but the rags of time.

And after a few steps into the stanza number two,
wherein the sun is blinded by his mistress’s eyes,
I can feel the first one begin to fade
like sky-written letters on a windy day

And by the time I have taken in the third,
the second one is likewise gone, a blown out candle now,
a wavering line of acrid smoke.

I found it difficult to stay focused on the poem because I was hot and sweaty but I managed to recite it all at least once. I like the line about the syllables locking into rows. I also like how he incorporates lines from Dunne’s poem into his own. He describes his forgetting of lines as “sky- written letters on a windy day” and “a blown out candle, wavering line of acrid smoke.” Is that how it feels to me when I cannot remember a line? I’m not sure.

Holy shit this poem is amazing! Found it this morning on poem of the day on poets.org:

Nothing/ Krysten Hill

I ask a student how I can help her. Nothing is on her paper.
It’s been that way for thirty-five minutes. She has a headache. 
She asks to leave early. Maybe I asked the wrong question. 
I’ve always been dumb with questions. When I hurt, 
I too have a hard time accepting advice or gentleness.
I owe for an education that hurt, and collectors call my mama’s house. 
I do nothing about my unpaid bills as if that will help. 
I do nothing about the mold on my ceiling, and it spreads. 
I do nothing about the cat’s litter box, and she pisses on my new bath mat. 
Nothing isn’t an absence. Silence isn’t nothing. I told a woman I loved her, 
and she never talked to me again. I told my mama a man hurt me,
and her hard silence told me to keep my story to myself. 
Nothing is full of something, a mass that grows where you cut at it. 
I’ve lost three aunts when white doctors told them the thing they felt 
was nothing. My aunt said nothing when it clawed at her breathing.
I sat in a room while it killed her. I am afraid when nothing keeps me 
in bed for days. I imagine what my beautiful aunts are becoming 
underground, and I cry for them in my sleep where no one can see. 
Nothing is in my bedroom, but I smell my aunt’s perfume 
and wake to my name called from nowhere. I never looked 
into a sky and said it was empty. Maybe that’s why I imagine a god 
up there to fill what seems unimaginable. Some days, I want to live 
inside the words more than my own black body. 
When the white man shoves me so that he can get on the bus first, 
when he says I am nothing but fits it inside a word, and no one stops him, 
I wear a bruise in the morning where he touched me before I was born. 
My mama’s shame spreads inside me. I’ve heard her say 
there was nothing in a grocery store she could afford. I’ve heard her tell 
the landlord she had nothing to her name. There was nothing I could do 
for the young black woman that disappeared on her way to campus. 
They found her purse and her phone, but nothing led them to her. 
Nobody was there to hold Renisha McBride’s hand 
when she was scared of dying. I worry poems are nothing against it. 
My mama said that if I became a poet or a teacher, I’d make nothing, but 
I’ve thrown words like rocks and hit something in a room when I aimed 
for a window. One student says when he writes, it feels 
like nothing can stop him, and his laugher unlocks a door. He invites me 
into his living.

This entire poem is wonderful. Right now, thinking about why one writes/what poetry is, I’m struck by her final lines: “I’ve thrown words like rocks and hit something in a room when I/aimed/for a window” and “when he writes, it feels/like nothing can stop him and his laughter unlocks/a door. He invites/me/into his living.” Wow. Words as rocks, writing as a freedom and a liberated laugh that can unlock a door.

june 15/RUN

3 miles
36th to 32nd to 42nd to 36th
65 degrees

Another windy day. Not too warm, some sun, some clouds. Was able to briefly glimpse the river through the trees. It was glowing white. Heard many cardinals. Lately–or has it been happening for a long time?–I’m having more trouble seeing people approaching me. Today, I ran up on the grass, planning to head down a hill to where the river road opens up again, and suddenly I noticed a runner there. They weren’t too close and I was able to move far out of the way when I finally saw them. Still, I had looked and should have been able to notice them. I wonder how bad my vision is these days? It’s easier not to notice because I am not driving or going into strange buildings with signs I can’t immediately read or trying to recognize people or make eye contact with them. Some morning, when it’s not too crowded, I should try biking somewhere, just to see if it’s possible. That would be a good test of my vision.

Memorized Carl Sandburg’s doors yesterday. Recited it a few times in my head as I ran. Didn’t really think about the rhythm as I ran. Is that because summer runs are always more difficult for me and I can’t think about anything else but how I’m hot or tired? Right before leaving for my run I read someone’s brief analysis of the poem; they believed Sandburg’s doors symbolize opportunity–opportunities taken or squandered. In my own thinking about doors, I’ve imagined them as symbols of possibility and freedom, but never opportunity. Opportunity seems like a business/career/success/progress symbol which narrows its scope too much for me.

Doors/ Carl Sandburg

An open door says, “Come in.” 
A shut door says, “Who are you?” 
Shadows and ghosts go through shut doors. 
If a door is shut and you want it shut,
why open it? 
If a door is open and you want it open,
why shut it? 
Doors forget but only doors know what it is
doors forget.

I like the line about shadows and ghosts going through shut doors. Speaking of shadows and ghosts, I saw my shadow today but in the cloud-covered light it was so faint it almost looked like a ghost of a shadow, or a trace of where a shadow had once been. Very cool effect. At first, I thought I saw it there, but when I paid closer attention it was gone. Then, in the next minute, it was back–a vague outline of me.

Right after finishing my run, I recorded myself reciting the poem. Just a few errors.

doors, june 15

june 11/RUN

3 miles
2.5 mile loop + extra
65 degrees

About once or twice every month during this pandemic, I’ve had a day where I feel really unsettled and uncomfortable. A little fatigued, tightness in my throat, harder to breathe–not in my lungs but in my nose and throat. That is happening today, so I decided to listen to a playlist during my run and try and forget about it. Success. Felt much better during and right after my run.

What a beautiful morning, although I wish it wasn’t so windy. Sun, some clouds, a few glimpses of my shadow, some shade. No river views. Lots of green. Encountered bikers, walkers, runners, and a troop (6 or so) roller skiers on the road. Didn’t see the Daily Walker or any cottonwood floating through the sky. No sparkling water. I don’t remember what I thought about while I ran–anything? Don’t trip in that pothole, maybe?

Here’s another poem that mentions a door: “What if we wake one shimmering morning to/Hear the fierce hammering/Of his firm knuckles/Hard on the door?” Door as entrance to willful ignorance/exit leading to truth

truth/ GWENDOLYN BROOKS

And if sun comes
How shall we greet him?
Shall we not dread him,
Shall we not fear him
After so lengthy a
Session with shade?

Though we have wept for him,
Though we have prayed
All through the night-years—
What if we wake one shimmering morning to
Hear the fierce hammering
Of his firm knuckles
Hard on the door?

Shall we not shudder?—
Shall we not flee
Into the shelter, the dear thick shelter
Of the familiar
Propitious haze?

Sweet is it, sweet is it
To sleep in the coolness
Of snug unawareness.

The dark hangs heavily
Over the eyes.

Woke up this morning thinking in alliteration: Some Saras sit, some Saras stand, some Saras stretch their limbs in the sand. Why? Not sure. Spent a few minutes in delight, writing out some more lines. This exercise is distracting me, making me feel better.

Alice asks Agatha about Aunt Anne’s asthma.
Bob better buy butter.
Claudia cuts cuticles carefully.
Derek doesn’t do dishes.
Even Evelyn eagerly eats eggplant.
For fourteen fortnights Fred farted ferociously (or Fred fretted fervently?).
Generous Gretel gives giant gifts.
How high Harold’s hats hang!
Isabel ignores idiots.
Joking Jackie jests.
Kissing Kate kills.
Lecherous Lonnie’s lascivious laughter lingers loudly.
Millie mutters malevolent mantras.
No nonsense Nancy needs normal neighbors.
Oliver organizes outrageous outings.
Please plant Patty’s precious petunias promptly!
Quit questioning quarantines Quint!
Rosie recognizes rude Ricks readily.
Susan soothes sad, sobbing Sandra.
Terrible Todd taunts timid toddlers.
Ursula’s urges unsettle us.
Veronica Vaughn’s vests vanished.
Walt Whitman wanders west.
Xavier xeroxes xylophones.
Yolanda’s yurt yellowed yesterday.
Zach’s zesty zebra? Zero zen.

june 7/RUN

3.75 miles
river road, north/river road, south
65 degrees
humidity: 72%

Started the run by myself but at the halfway point I encountered Scott and decided to run with him the rest of the way. Sunny. Windy, feeling warmer than 65. Remember hearing at least one woodpecker, a lone goose up high honking, “wait for me!” or “where is everybody?” Caught a quick glance of the river before having to move to the road to avoid an approaching walker. Forgot to look at the trestle–no trains above. More than once I thought the fast, whirring wheels of a bike were an approaching car.

reciting while running

Before meeting up with Scott, I recited Rita Dove’s poem a few times. Almost memorized it enough to dig into the meaning of the words. Today I liked the line “If you think about it,/everything’s inside something else;/everything’s an envelope/inside a package/in a case—/and pain knows its way into every crevice.” Need to think some more about what that means. Also liked, “There are spaces for living/and spaces for forgetting.”

A few minutes after returning home, recited the poem into my phone. I need to work on the line about standing outside of your skin–I said body.

voiceover/rita dove (june 7)

A few hours later, sitting in red lounge chair in the shade of the crabapple tree, I thought some more about Dove’s poem and the lines about everything being inside something else. Wrote in my plague notebook #3: There is no ultimate outside of everything. No pure objectivity, free of pain or perspective. No access to the Big, complete picture.

june 5/RUN

3.1 miles
2.5 mile loop + extra
62 degrees
humidity: 83%, clouds: none

Sun! Not much wind! Not too many people! A beautiful almost summer morning for a run. Saw my shadow several times. Hello again, friend. Thought I heard some birds–a woodpecker, cardinals, at least one black-capped chickadee. A kid called out to an adult, “look at the runner!” Recited a few lines from Love Song of the Square Root of Negative One and more lines from What Would Root. Steered clear of approaching garbage trucks and bikes. Got a quick glimpse of sparkle–a river sliver. Ran on the river road over clumps of dirt, grass, dead leaves. Yesterday when I ran over the same debris it was dry and made an agreeable crunch and sounded like shredded paper used to cushion objects in a package.

Things here in Minneapolis seem to be settling down–the immediate threat of more violence and destruction could be over, at least for now. Time to return to panic over the pandemic and the inevitable massive spike in cases in the next few weeks. I hope I’m wrong. Such messy feelings about all of this–excitement over the possibility of real change, unwavering belief in the value of people over property, support for many of the extreme actions taken to disrupt normal life and force us to pay attention, fear over the effects of all these public gatherings on the virus, confusion over how/why people seem to be ignoring/forgetting the serious, long term threat of COVID-19. I’m having trouble reconciling my strong belief that these protests/gatherings to collectively share grief and rage were necessary with my equally strong belief that we must socially distance and/or be as careful as we are able to stop the spread of COVID-19. Instead of trying to reconcile these right now, I’ll dwell in the discomfort they create for a while.

Yesterday I posted a Rita Dove poem from the latest issue of POETRY magazine. Today, I’ll post her other poem from that same issue. I love Rita Dove.

Voiceover/ Rita Dove

Impossible to keep a landscape in your head.
Try it: all you’ll get is pieces—the sun
emerging from behind the mountain ridge,
smoke coming off the ice on a thawing lake.
It’s as if our heads can’t contain
anything that vast: it just leaks out.

You can be inside a house and still feel
the rooms you’re not in—kitchen below
and attic above, bedroom down the hall—
but you can’t hold onto the sensation
of being both inside the walls
and outside looking at them
at the same time.

Where do we go with that?
Where does that lead us?

There are spaces for living
and spaces for forgetting.
Sometimes they’re the same.
We walk back and forth without a twitch,
popping a beer, gabbing on the phone,
with only the occasional stubbed toe.

The keyhole sees nothing.
Has it always been blind?

It’s like a dream where a voice whispers,
Open your mouth and you do,
but it’s not your mouth anymore
because now you’re all throat,
a tunnel skewered by air.
So you rewind; and this time
when you open wide, you’re standing
outside your skin, looking down
at the damage, leaning in close …
about to dive back into your body
and then you wake up.

Someone once said: There are no answers,
just interesting questions.
(Which way down? asked the dove,
dropping the olive branch.)

If you think about it,
everything’s inside something else;
everything’s an envelope
inside a package in a case—

and pain knows a way into every crevice.

I want to spend some more time with this poem, thinking about the idea of inside and outside/inner and outer and how we can’t be both at the same time. And, what do I do with that last line?–“pain knows a way into every crevice.” Wow. I’d also like to put it beside a poem by Maria Howe that I discovered last year.

The Affliction/ Maria Howe

When I walked across a room I saw myself walking

as if I were someone else,


when I picked up a fork, when I pulled off a dress,

as if I were in a movie.


                                    It’s what I thought you saw when you looked at me.


So when I looked at you, I didn’t see you

I saw the me I thought you saw, as if I were someone else.

I called that outside—watching. Well I didn’t call it anything

when it happened all the time.

But one morning after I stopped the pills—standing in the kitchen

for one second I was inside looking out.

Then I popped back outside. And saw myself looking.

Would it happen again? It did, a few days later.

My friend Wendy was pulling on her winter coat, standing by the kitchen door

and suddenly I was inside and I saw her.

I looked out from my own eyes

and I saw: her eyes: blue gray    transparent

and inside them: Wendy herself!

Then I was outside again,

and Wendy was saying, Bye-bye, see you soon,

as if Nothing Had Happened.

She hadn’t noticed. She hadn’t known that I’d Been There

for Maybe 40 Seconds,

and that then I was Gone.

She hadn’t noticed that I Hadn’t Been There for Months,

years, the entire time she’d known me.



I needn’t have been embarrassed to have been there for those seconds;

she had not Noticed The Difference.

This happened on and off for weeks,

and then I was looking at my old friend John:

: suddenly I was in: and I saw him,


and he: (and this was almost unbearable)

he saw me see him,

and I saw him see me.

He said something like, You’re going to be ok now,

or, It’s been difficult hasn’t it,

but what he said mattered only a little.

We met—in our mutual gaze—in between

a third place I’d not yet been.

may 5/RUN

4 miles
river road, north/seabury, south/river road, south/edmund, south
48 degrees

Started my run listening to 2 male black-capped chickadees calling out to each other over and over again. Sometimes one after the other, sometimes on top of each other. I wish I could have recorded it. As they called out, I tried to remember the words to my recent poem about them. All I could think of was: “let’s do nothing—slow down/down size” and “hello? hello.”

A nice run. Forgot to greet the Welcoming Oaks as I ran by them but did notice that there were 3 or 4 cairns stacked on the ancient boulders–both the tall and short ones. In past years, there’s has only ever been one cairn stacked on the taller rock. Ran down through the tunnel of trees and checked the progress of the leaves: a full green veil. No view of the trail winding through the forest to the river. In other spots, higher up on the path, I could see brief slashes of the river through the greening trees.

Started reciting my poem of the week: Ode to My Right Knee. I struggled to pronounce “obstreperous” and had to say it a few times in my head before I got it right and could move on. Favorite lines today? I think it was: “Membrane matter-of-factly/corroding, crazed cartilage calming chipping/away as another arduous ambulation/ begins. Bone bruising bone.” Thought about how quickly I recite this poem–not franticly, but almost. Why? Is it the alliteration and how it seems shaped by the words and not any particular meter? Am I not noticing the rhythm?

After reciting the ode for a while, I decided to recite all of the other poems I’ve memorized this year. Stumbled a little in “tell all the truth but tell it slant” on the line: “As lightening to the children eased/with explanation kind”

I feel like there was something else that happened that I’m forgetting now, something that made me stop reciting for a few minutes. What was it? Oh–I remember! Running south on seabury, then the river road trail, I kept hearing this strange rubbing, almost squeaking sound. At times I thought I was causing it–a weird way I was running or some part of my jacket or ponytail brushing against my shoulder? Then I thought it might be an odd bird call or another runner’s or walker’s noisy gait. Still not sure what caused it but it was probably was me since it followed me for a lot of the time. Maybe it was my shadow? Whatever it was, it was mildly irritating.

Came across this wonderful poem about water in the collection Rose, the other day:

WATER/ Li Young-Lee

The sound of the 36 pines side by side
  surrounding
the years and swaying all night like
  individual humans is the sound
of water, which is the oldest sound,
the first sound we forgot.

At the ocean
my brother stands in water
to his knees, his chest bare, hard, his
  arms
thick and muscular. He is no
  swimmer.
In water
my sister is no longer
lonely. Her right leg is crooked and
  smaller
than her left, but she swims straight.
Her whole body is a glimmering fish.

Water is my father’s life-sign.
Son of water who’ll die by water,
the element which rules his life shall
  take it.
After being told by a wish man in
  Shantung,
after almost drowning twice,
he avoided water. But the sign of
  water
is a flowing sign, going where its
  children go.

Water has invaded my father’s
heart, swollen, heavy,
twice as large. Bloated
liver. Bloated legs.
The feet have become balloons.
A respirator mask makes him look
like a diver. When I lay my face
against his–the sound of water
returning.

The sound of washing
is the sound of sighting,
is the only sound
as I was my father’s feet—
those lonely twins
who have forgotten one another—
one by one in warm water
I tested with my wrist.
In soapy water
they’re two dumb fish
whose eyes close in a filmy dream.

I dry, then powder them
with talc rising in cluods
like dust lifting
behind jeeps, a truck where he sat
bleeding through his socks.
1949, he’s 30 years old,
his toenails pulled out,
his toes beaten a beautiful
violet that reminds him
of Hunan, barely morning
in the yard, and where
he walked, the grass springing back
damp and green.

The sound of rain
outlives us. I listen,
someone is whispering.
Tonight, it’s water
the curtains resemble, water
drumming on the steel cellar door,
  water
we crossed to come to America,
water I’ll cross to go back,
water which will kill my father.
The sac of water we live in.

Last year, I posted another poem by Li Young-Lee, “From Blossoms.” Such a wonderful poet! What a great opening stanza. I’d definitely like to add that to lines I’ve memorized:

The sound of the 36 pines side by side
  surrounding
the years and swaying all night like
  individual humans is the sound
of water, which is the oldest sound,
the first sound we forgot.

I have started to acquire many wonderful poems about water. Maybe in June, in honor of what should be the start of Open Swim, I’ll memorize a series of water poems. This one, and one by Ed Bok Lee, one by May Swenson, and one by Maxine Kumin. I might have a few more too.

april 27/RUN

4.1 miles
river road, north/seabury, south/river road, south/edmund, south
53 degrees
Deaths from COVID-19: 286 (MN)/ 55,118 (US)

What a morning! Rained early, then Sun! Birds! A slight breeze! Trees barely budding, glowing a yellowy green!

In the name of the Trees—
And the Woodpecker—
And the Breeze—Amen!
(variation on Emily Dickinson)

It’s easier to bury deep the panic and thoughts about getting very sick or someone I love getting very sick when the weather is like this and the trails aren’t too crowded and it’s not too hot or too cold and there aren’t swarming gnats yet.

My run felt good this morning. I remember looking down at the river, but I don’t remember what I saw—wait, how could I forget? It was gorgeous! Not sparkling or shining, but a mirror reflecting the fluffy clouds. I imagined that the water was another world, doubled and reversed, like in May Swenson’s great poem, “Water Picture“: “In the pond in the park/ all things are doubled:/ Long buildings hang and/ wriggle gently. Chimneys/ are bent legs bouncing/ on clouds below.” Love how “In the pond in the park” bounces on my tongue. I kept glancing over at the water and admiring its smooth beauty and how it looked like a mirror. I started thinking about the Greek myth (which I couldn’t really remember) about the hunter who looked at his reflection. I looked it up just now–of course it was Narcissus. Here’s an interesting article I found that discusses him and the idea of mirrors in water–it even has a picture of Salvadore Dali looking into the water.

At some point during my run, a biker biked by, their radio blasting “Everybody Talks.” (Had to look it up, it’s by Neon Trees.) I haven’t heard this song in a few years; it was on one of my running playlists for a while. Mostly I listened to it while I ran around the track at the YWCA. Just looked and couldn’t find any mention of it in this log.

Reciting While Running: Dear One, Absent This Long While

Started reciting my poem for the week, Lisa Olstein’s Dear One Absent This Long While. Not too difficult to memorize, fun to say. I don’t remember much about the rhythms with my feet, but I do remember thinking more about the words. As I recited the line, “so even if spring continues to disappoint” I wondered, is it “spring” or “the spring”? I couldn’t remember and I tried to think about which fit better and whether or not a “the” was necessary. Also paused at the line, “She had the quiet ribs/ of a salamander crossing the old pony post road.” At first, I kept saying “has” but then I realized it made more sense to say “had.” Also, why is there a “the” in front of pony post road here, but not a “the” in front of spring? I find it helpful to think more about the choices poets make with their words. It’s fascinating and I think it can help me make a better poet who uses better words and words better–which is always my goal in writing.

I decided it would be fun to record myself reciting the poem right after finishing my run and then listening to it while looking at the poem–which words did I screw up, leave out, add? This experiment was fun, although I am still way too self-conscious speaking into my phone. I want to stop caring if people see me doing it and what they think about it. Here’s the recording:

Dear One Absent This Long While, recorded 4/27

I’d like to try recording myself saying it again tomorrow after my run. Maybe by the end of the week I won’t feel weird doing it.

In addition to reciting this new poem, I also revisited Emily Dickinson’s “It’s all I have to bring today” and the second line. I tried running with the different rhythms that I figured out in yesterday’s log. “This, and my heart beside” I was struck by how the different rhythms also changed the emphasis. In the original, Dickinson is emphasizing, “This.” Some of my rhythms, like the triplet for “this and my”, put the emphasis on heart. It’s cool how much of a difference changing the rhythm can make on the meaning–not a deep insight, but it’s fun to find ways to actually understand poetry, especially those parts of it that seem so hard for me to get.

What else happened on my run?

  • Saw someone walking down the old stone steps
  • Later, saw a dog and its human crossing the path to also walk down the old stone steps
  • Greeted Dave, the Daily Walker with a “Hi Dave” and a wave and, “Beautiful morning!”
  • Greeted another biker on Seabury
  • Noticed the trestle as I ran by it
  • Inspected the progress of the leaves below the tunnel of trees in the floodplain forest. The green veil is coming–too soon!
  • A few rocks were stacked on the ancient boulder at the top of the path, near the sprawling oak and at the entrance to the tunnel of trees

Greeting the Welcoming Oaks

note: I’m adding this in later, but I had forgotten about it.

About 5 minutes into my run, as I passed near the overlook and through the Welcoming Oaks, I greeted every one of them. I didn’t count, but I’m guessing it was about 10 trees? “Good morning!” “Hello friend!” “Hello!” “Hi!”

april 4/WALKBIKERUN

walk 1: 2 miles
Edmund Bvld
30 degrees
Deaths from COVID-19: 24 (MN)/ 8,407 (US)

Walked with Scott, Delia the Dog, and my daughter this morning. Nice, crisp air. Sunny. Hardly any wind. A perfect morning for a run, but I decided to only walk. Trying not to push it too much with the running. They’ve turned the river parkway into a one-way and created a lane for walkers. Will this help enable people to get more distance from each other? Not sure. I’ll check it out tomorrow when I run. Felt great to be outside and moving. Heard at least one cardinal, several crows, a woodpecker. Anything else? There were traces of the snow from yesterday still settled around the trees in the grass by Edmund. Walked by the Cyclops Baby on the garage door again. Enjoyed walking with my daughter–only her second time outside in almost a month.

bike: 27 minutes
bike stand, basement
run: 1.1 miles
treadmill, basement

Gave myself another easy day in the basement today. Watched some of a Joan Didion documentary–The Center Will Not Hold–and listened to Harry Styles as I ran. Don’t remember thinking about much. Happy to be able to move and breathe and not always be worrying.

Poem/ Charles Bernstein – 1950-

here. Forget.
There are simply tones
cloudy, breezy
birds & so on.
Sit down with it.
It’s time now.
There is no more natural sight.
Anyway transform everything
silence, trees
commitment, hope
this thing inside you
flow, this movement of eyes
set of words
all turns, all grains.
At night, shift
comets, “twirling planets,
suns, bits of illuminated pumice”
pointing out, in harsh tones
cancers & careers.
“Newer Limoges please.”
Pick some value
mood, idea, type or smell of paper
iridescent, lackluster
&, “borne in peach vessels,”
just think
“flutter & cling”
with even heavier sweep
unassuaged
which are the things
of a form, etc
that inhere.
Fair adjustment
becomes space between
crusts of people
strange, rending:
as sound of some importance
diffuses
“as dark red circles”
digress, reverberate
connect, unhook.
Your clothes, for example
face, style
radiate mediocrity
coyly, slipping
& in how many minutes
body & consciousness
deflect, “flame on flare”
missed purpose.
Your eyes
glaze
thought stumbles, blinded
speck upon speck
ruffling edges.
“But do not be delighted yet.”
The distance positively entrances.
Take out pad & pen
crystal cups, velvet ashtray
with the gentility of easy movement
evasive, unaccountable
& puffing signs
detach, unhinge
beyond weeds, chill
with enthusiastic smile
& new shoes
“by a crude rotation”
hang
a bulk of person
“ascending,” “embodied.”

I want to spend some time with this poem, thinking about it. Check out the erasure I did of it on April 6th.

march 28/WALKBIKERUN

walk: 1.5 miles
longfellow neighborhood
bike: 25 minutes
bike stand, basement
run: 1.3 miles
treadmill, basement
441 confirmed cases of COVID-19

Started the day with a walk around the neighborhood with Scott and Delia the dog. Lots of birds, hardly any people. We meandered, often turning when we saw people approaching. Ended up walking by one of my favorite garages–so awesomely weird.

https://www.instagram.com/p/B-SEUQTnlIB

We also walked by the creepy, completely shrouded in towering trees, house across from Sanford Middle School. Scott noticed a few windows on one side but they were concealed with thick awnings. Even the side entrance is fenced over, with the railing poking through fence boards. What happened here? I can’t believe my kids haven’t passed on any ghost stories from other Sanford kids about this place.

Later, after it began raining, I decided to workout in the basement. Started watching a documentary on Netflix about a failed Stephen Sondheim/Hal Prince musical, Merrily We Roll Along: The Best Worst Thing That Could Have Happened. So far, I’m enjoying it. I love musicals. Another version of me, in a different universe, would have loved to be in musicals. In this universe, I’ll just have to appreciate my niece Isabel and her amazing talent as an actor.

Finished off my workout with a short run. I’m growing to like these quick, fast-feeling treadmill runs. No 6 feet of distance needed! As much as I enjoy them occasionally, I hope we don’t get to a point where we can’t go outside and this is the only way I can run.

Right now, I’m working on creating an unabridged list of writing experiments (tried or to be tried), inspired by my runs beside the gorge. I’ve thought of turning some of them into an autobiographical poem. This poem is very different from what I imagine writing, but it’s helpful as an example–and so powerful.

Prompts (for High School Teachers Who Write Poetry)/ Dante Di Stefano

Write about walking into the building
as a new teacher. Write yourself hopeful.
Write a row of empty desks. Write the face
of a student you’ve almost forgotten;
he’s worn a Derek Jeter jersey all year.
Do not conjecture about the adults
he goes home to, or the place he calls home. 
Write about how he came to you for help
each October morning his sophomore year.
Write about teaching Othello to him;
write Wherein of antres vast and deserts idle, 
rough quarries, rocks and hills whose heads touch heaven. 
Write about reading his obituary
five years after he graduated. Write
a poem containing the words “common”
“core,” “differentiate,” and “overdose.”
Write the names of the ones you will never
forget: “Jenna,” “Tiberious,” “Heaven,”
“Megan,” “Tanya,” “Kingsley” “Ashley,” “David.”
Write Mari with “Nobody’s Baby” tattooed
in cursive on her neck, spitting sixteen bars
in the backrow, as little white Mike beatboxed
“Candy Shop” and the whole class exploded.
Write about Zuly and Nely, sisters
from Guatemala, upon whom a thousand
strange new English words rained down on like hail
each period, and who wrote the story
of their long journey on la bestia
through Mexico, for you, in handwriting
made heavy by the aquís and ayers
ached in their knuckles, hidden by their smiles.
Write an ode to loose-leaf. Write elegies
on the nub nose of a pink eraser.
Carve your devotion from a no. 2
pencil. Write the uncounted hours you spent
fretting about the ones who cursed you out
for keeping order, who slammed classroom doors,
who screamed “you are not my father,” whose pain
unraveled and broke you, whose pain you knew.
Write how all this added up to a life.  

march 18/RUN

4.25 miles
top of franklin hill and back
38 degrees
77 confirmed cases of COVID-19 in MN

Another day, another great run by the gorge. Overcast. Earlier on my walk, it was drizzling but I think it stopped by the time I ran. Encountered lots of walkers, a few runners, some bikers. Many people are trying to keep their 6 feet of distance, others are not. If they can’t be bothered to move over when it’s recommended to help lessen the spread of a pandemic, I guess there’s no hope that they ever will. Felt pretty good running, even if I was a little warm and my nose was a bit runny–tried to avoid touching my face but it’s hard when you’re dripping sweat and snot (is that too gross?). I looked down at my favorite spot above the floodplain forest–so open and soft and light brown. Only a few patches of snow. Also looked at the river. Blue and beautiful. Running north towards downtown, I listened to the gorge and recited “Auto Lullaby” and “Tell all the truth but tell it slant” a few times. Heard at least one goose honking, some people talking, a few feet shuffling. Stopped just above the Franklin hill and put in my headphones, then headed south. Running under the trestle I heard a beeping, buzzing noise. Was it the alert for an approaching train? I looked around, but couldn’t see any train. Decided not to stop and wait. Anything else I remember? Greeted Dave, the Daily Walker. Felt dreamy and dazed. Glad to forget everything else for 40 minutes.

the woodpecker

Earlier today, walking with Delia the dog, I heard a woodpecker. It might be the same one I heard a few days ago, around the same time and same place. So loud! Almost like a little jackhammer. Usually, any woodpecker pecking is loud, but not this loud. How irritating it must be for the people with houses nearby. When I was 8 or 9 and living in North Carolina in a house with cedar shakes, we had a woodpecker who liked to peck on the cedar. I don’t remember hearing it, I just remember how irritated it made my dad. Did he do anything about it? I don’t remember that either.

After memorizing one Emily Dickinson poem, I want to memorize some more. I’ll start with some shorter ones, like this, which seems appropriate right now:

“Faith” is fine invention (202)/ Emily Dickinson

Faith” is a fine invention
For Gentlemen who see!
But Microscopes are prudent
In an Emergency!

corona virus update

Yesterday all the schools were closed. So were the restaurants and bars. Thankfully, we can still leave our house. I went to bed yesterday accepting that this would probably end by June, woke up to Pence’s announcement that it would last until July. When I mentioned this to Scott, he said he’d read, early fall. It’s definitely going to get a lot worse for the next month at least. Trying to keep Scott’s penchant for worst case scenarios in check, the theme for our house is: “Let’s dial back the Apocalypse.”

added, 18 march 2026: Oh, sweet Sara from 2020, thank goodness you had no idea how long this would last (an entire year of not going into any public buildings, kids doing online school for a year and a half) and that something (I accidentally typed someone first before correcting it, which was not really an accident, although it should have been someones) even worse would be coming in 2026! — But is it worse in 2026? The wanna be fascists in power are scarier, but the push back is stronger. During COVID, I lost my faith in people; during the ICE occupation here in Minnesota, that faith was restored.

march 8/RUN

3.25 miles
trestle turn around
50 degrees
15 mph wind/ 31 mph gusts

Sunny and warm today. Been running in the cold for so long now that I forgot what to wear when it gets a little warmer. So windy! Greeted Dave the Daily Walker near the beginning. Ran up the hill from under the lake street bridge, enjoying the sound and feel of the scratching grit. Was able to run on more of the walking path. Saw my shadow. Heard a woodpecker. Marveled at the sparkling water–couldn’t tell if it was blue or gray or brown, it only looked sparkly white. At the halfway point I took off my orange sweatshirt and ran south in a short sleeved shirt. The feeling of spring! Anything else I remember? Lots of runners in shorts.

Favorite part of the run: running south along the rim, above the rowing club. So beautiful hovering above the open water. Seeing a small motorboat speeding below, making the water ripple.

School

A few days ago, waking up in the middle of the night, I thought about Mary Oliver and some poem she had written about the sea as her classroom. What a great idea, I thought, I’ll remember it tomorrow when I get up. Forgot it, of course. But then, while walking with Scott, remembered it again. Was able to find the poem:

Breakage/ Mary Oliver

I go down to the edge of the sea. 
How everything shines in the morning light! 
The cusp of the whelk, 
the broken cupboard of the clam, 
the opened, blue mussels, 
moon snails, pale pink and barnacle scarred— 
and nothing at all whole or shut, but tattered, split, 
dropped by the gulls onto the gray rocks and all the moisture gone. 
It’s like a schoolhouse 
of little words, 
thousands of words. 
First you figure out what each one means by itself, 
the jingle, the periwinkle, the scallop 
       full of moonlight. 

Then you begin, slowly, to read the whole story.

Love the line, “nothing at all whole or shut, but tattered, split” and “the opened” and “a schoolhouse of little words”. Looked up whelk and it’s a large marine snail.

Thinking about the idea of the gorge as a classroom–if so, who is the teacher?

Here’s another school related poem from Mary Oliver, who hated school as a child. I read in her memoir, Upstream, that the only thing she was good at doing in school was being truant.

Just As The Calendar Began to Say Summer/ Mary Oliver (Long Life)

I went out of the schoolhouse fast
and through the gardens and to the woods,
and spent all summer forgetting what I’d been taught–

two times two, and diligence, and so forth,
how to be modest and useful, and how to succeed and so forth,
machines and oil and plastic and money and so forth.

By fall I had healed somewhat, but was summoned back
to the chalky rooms and the desks, to sit and remember

the way the river kept rolling its pebbles,
the way the wild wrens sang though they hadn’t a penny in the bank,
the way the flowers were dressed in nothing but light.

I love this idea of spending all summer trying to forget the lessons taught in school and the rest of the year trying to remember the river! It reminds me of my process of undisciplining/unmaking and remaking myself.

And, one more:

Mindful/mary oliver

Every day
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light. 
It is what I was born for–
to look, to listen, 

to lose myself
inside this soft world–
to instruct myself
over and over

in joy, 
and acclamation.
nor am I talking
about the exceptional, 

the fearful, 
the very extravagant–
but of the ordinary, 
the common, the very drab,

the daily presentations.
Oh, good scholar, 
I say to myself,
how can you help

but grow wise
with such teachings
as these–
the untrimmable light,

the ocean’s shine,
the prayers that are made
out of grass?

Oh good scholar! Love this line and love the idea of being a student out by the gorge and a teacher who instructs myself.

jan 21/RUN

2.5 miles
river road, south/north
15 degrees/ feels like 0
50% snow-covered

14 mph wind straight in my face, running south. Wasn’t expecting it to feel so cold today, so I underdressed. No hat, only a bright pink headband that covered my ears. Felt sore and a little tired, but better after having spent some time outside by the gorge. The river was open and flowing. The path was mostly clear. Noticed at least 2 dogs and their humans walking the lower path–the one that I like to run in the summer. Encountered a few other runners, no skiers or bikers. No geese. One frantic squirrel.

I love this poem. I love how listing what you love makes you want to love harder and more expansively, and so does reading someone else’s love list.

Love/ Alex Dimitrov

I love you early in the morning and it’s difficult to love you.

I love the January sky and knowing it will change although unlike us.

I love watching people read.

I love photo booths.

I love midnight.

I love writing letters and this is my letter. To the world that never wrote to me.

I love snow and briefly.

I love the first minutes in a warm room after stepping out of the cold.

I love my twenties and want them back every day.

I love time.

I love people.

I love people and my time away from them the most.

I love the part of my desk that’s darkened by my elbows.

I love feeling nothing but relief during the chorus of a song.

I love space.

I love every planet.

I love the big unknowns but need to know who called or wrote, who’s coming—if they want the same things I do, if they want much less.

I love not loving Valentine’s Day.

I love how February is the shortest month.

I love that Barack Obama was president.

I love the quick, charged time between two people smoking a cigarette outside a bar.

I love everyone on Friday night.

I love New York City.

I love New York City a lot.

I love that day in childhood when I thought I was someone else.

I love wondering how animals perceive our daily failures.

I love the lines in Cat on a Hot Tin Roof when Brick’s father says “Life is important. There’s nothing else to hold onto.”

I love Brick.

I love that we can fail at love and continue to live.

I love writing this and not knowing what I’ll love next.

I love looking at paintings and being reminded I am alive.

I love Turner’s paintings and the sublime.

I love the coming of spring even in the most withholding March.

I love skipping anything casual—“hi, how are you, it’s been forever”—and getting straight to the center of pain. Or happiness.

I love opening a window in a room.

I love the feeling of possibility by the end of the first cup of coffee.

I love hearing anyone listen to Nina Simone.

I love Nina Simone.

I love how we can choose our own families.

I love when no one knows where I am but feel terrified to be forgotten.

I love Saturdays.

I love that despite our mistakes this will end.

I love how people get on planes to New York and California.

I love the hour after rain and the beginning of the cruelest month.

I love imagining Weldon Kees on a secret island.

I love the beach on a cloudy day.

I love never being disappointed by chocolate.

I love that morning when I was twenty and had just met someone very important (though I didn’t know it) and I walked down an almost empty State Street because it was still early and not at all late—and of course I could change everything (though I also didn’t know it)—I could find anyone, go anywhere, I wasn’t sorry for who I was.

I love the impulse to change.

I love seeing what we do with what we can’t change.

I love the moon’s independent indifference.

I love walking the same streets as Warhol.

I love what losing something does but I don’t love losing it.

I love how the past shifts when there’s more.

I love kissing.

I love hailing a cab and going home alone.

I love being surprised by May although it happens every year.

I love closing down anything—a bar, restaurant, party—and that time between late night and dawn when one lamp goes on wherever you are and you know. You know what you know even if it’s hard to know it.

I love being a poet.

I love all poets.

I love Jim Morrison for saying, “I’d like to do a song or a piece of music that’s just a pure expression of joy, like a celebration of existence, like the coming of spring or the sun rising, just pure unbounded joy. I don’t think we’ve really done that yet.”

I love everything I haven’t done.

I love looking at someone without need or panic.

I love the quiet of the trees in a new city.

I love how the sky is connected to a part of us that understands something big and knows nothing about it too.

I love the minutes before you’re about to see someone you love.

I love any film that delays resolution.

I love being in a cemetery because judgment can’t live there.

I love being on a highway in June or anytime at all.

I love magic.

I love the zodiac.

I love all of my past lives.

I love that hour of the party when everyone’s settled into their discomfort and someone tells you something really important—in passing—because it’s too painful any other way.

I love the last moments before sleep.

I love the promise of summer.

I love going to the theater and seeing who we are.

I love glamour—shamelessly—and all glamour. Which is not needed to live but shows people love life. What else is it there for? Why not ask for more?

I love red shoes.

I love black leather.

I love the grotesque ways in which people eat ice cream—on sidewalks, alone—however they need it, whenever they feel free enough.

I love being in the middle of a novel.

I love how mostly everyone in Jane Austen is looking for love.

I love July and its slowness.

I love the idea of liberation and think about it all the time.

I love imagining a world without money.

I love imagining a life with enough money to write when I want.

I love standing in front of the ocean.

I love that sooner or later we forget even “the important things.”

I love how people write in the sand, on buildings, on paper. Their own bodies. Fogged mirrors. Texts they’ll draft but never send.

I love silence.

I love owning a velvet cape and not knowing how to cook.

I love that instant when an arc of light passes through a room and I’m reminded that everything really is moving.

I love August and its sadness.

I love Sunday for that too.

I love jumping in a pool and how somewhere on the way up your body relaxes and accepts the shock of the water.

I love Paris for being Paris.

I love Godard’s films.

I love anyplace that makes room for loneliness.

I love how the Universe is 95% dark matter and energy and somewhere in the rest of it there is us.

I love bookstores and the autonomy when I’m in one.

I love that despite my distrust in politics I am able to vote.

I love wherever my friends are.

I love voting though know art and not power is what changes human character.

I love what seems to me the discerning indifference of cats.

I love the often uncomplicated joy of dogs.

I love Robert Lax for living alone.

I love the extra glass of wine happening somewhere, right now.

I love schools and teachers.

I love September and how we see it as a way to begin.

I love knowledge. Even the fatal kind. Even the one without “use value.”

I love getting dressed more than getting undressed.

I love mystery.

I love lighting candles.

I love religious spaces though I’m sometimes lost there.

I love the sun for worshipping no one.

I love the sun for showing up every day.

I love the felt order after a morning of errands.

I love walking toward nowhere in particular and the short-lived chance of finding something new.

I love people who smile only when moved to.

I love that a day on Venus lasts longer than a year.

I love Whitman for writing, “the fever of doubtful news, the fitful events; / These come to me days and nights and go from me again, / But they are not the Me myself.”

I love October when the veil between worlds is thinnest.

I love how at any moment I could forgive someone from the past.

I love the wind and how we never see it.

I love the performed sincerity in pornography and wonder if its embarrassing transparency is worth adopting in other parts of life.

I love how magnified emotions are at airports.

I love dreams. Conscious and unconscious. Lived and not yet.

I love anyone who risks their life for their ideal one.

I love Marsha P. Johnson and Sylvia Rivera.

I love how people make art even in times of impossible pain.

I love all animals.

I love ghosts.

I love that we continue to invent meaning.

I love the blue hours between three and five when Plath wrote Ariel.

I love that despite having one body there are many ways to live.

I love November because I was born there.

I love people who teach children that most holidays are a product of capitalism and have little to do with love—which would never celebrate massacre—which would never care about money or greed.

I love people who’ve quit their jobs to be artists.

I love you for reading this as opposed to anything else.

I love the nostalgia of the future.

I love that the tallest mountain in our solar system is safe and on Mars.

I love dancing.

I love being in love with the wrong people.

I love that on November 23, 1920, Virginia Woolf wrote, “We have bitten off a large piece of life—but why not? Did I not make out a philosophy some time ago which comes to this—that one must always be on the move?”

I love how athletes believe in the body and know it will fail them.

I love dessert for breakfast.

I love all of the dead.

I love gardens.

I love holding my breath under water.

I love whoever it is untying our shoes.

I love that December is summer in Australia.

I love statues in a downpour.

I love how no matter where on the island, at any hour, there’s at least one lit square at the top or bottom of a building in Manhattan.

I love diners.

I love that the stars can’t be touched.

I love getting in a car and turning the keys just to hear music.

I love ritual.

I love chance too.

I love people who have quietly survived being misunderstood yet remain kids.

And yes, I love that Marilyn Monroe requested Judy Garland’s “Over the Rainbow” to be played at her funeral. And her casket was lined in champagne satin. And Lee Strasberg ended his eulogy by saying, “I cannot say goodbye. Marilyn never liked goodbyes, but in the peculiar way she had of turning things around so that they faced reality, I will say au revoir.”

I love the different ways we have of saying the same thing.

I love anyone who cannot say goodbye.

jan 5/BIKERUNBIKE

bike: 25 minutes
bike stand, basement
run: 2 miles
treadmill, basement
outside: wind advisory, icy paths

The combination of too many days running on uneven paths and a wind advisory meant I ran and biked in the basement today. I’m fine with it. I still don’t like the treadmill for long distances, but it’s okay for a mile or two. Watched a super league triathlon race while I biked, listened to a playlist while I ran. The coolest thing I remember: running, staring straight ahead and just above the blank tv screen, I noticed the reflection of the single lightbulb in the dark window. A small bright circular light. I imagined it was the moon, hovering above Lake Superior, which I remember seeing a few years ago when I was at a resort on the North Shore. Very cool. I was so mesmerized by the image that I almost ran into the front of the treadmill. Who knew the basement could be so beautiful and inspiring?

Yesterday, wandering around the internet, I discovered Steve Healey’s 10 Mississippi–a book of poetry about the Mississippi River. He’s based in Minneapolis, which is really cool. I need to buy this collection from 2010.

2 Mississippi/ Steve Healey

Standing next to the river, I recorded the sound
of the river in an attempt to represent that sound
more accurately than my earlier description of it,
which compared the river sound to someone
saying “shhhh.” I rewound the tape and played it back,
and the recording also sounded like someone saying
“shhhh,” but then I remembered that I was listening
to both the recording of the river and the river itself,
and I could not with absolute certainty distinguish
one from the other. It sounded like the two sounds
synchronized into one “shhhh,” but at times they
seemed to separate, as if telling each other to be quiet,
like accomplices committing a crime. Or they may
have both been telling me to be quiet, despite the fact
that I was producing no sound, or so I thought.
Retreating swiftly and quietly to the privacy
of my own home, a safe distance from the river itself,
I listened again to the recording of the river sound.
This time it sounded like a perfectly preserved memory
of the river, a solitary “shhhh” moving inexorably
toward the Gulf of Mexico, and just as I felt liberated
from the burden of having to remember the river
through my own mental activity, the recording stopped,
precisely at the moment when I had turned off
the tape recorder. Then I remembered that the river
itself was elsewhere, continuing its perfect sound
forever, and that I would never be able to represent
that continuousness accurately. I remembered,
however, that I could take a length of magnetic tape
on which that river was recorded and splice the ends
together to form a loop which I could then play
continuously. The sound could keep going “shhhh”
all the way to the Gulf of Mexico, telling all the cars
and condos to be quiet. It’s worth remembering,
however, that a river is not a person, and that a person
saying “shhhh” eventually needs to stop making
that sound, either to inhale or die. There would be no
other choice, unless of course I recorded myself
saying “shhhh” and played a loop of that recording
continuously, in which case I’d no longer need
to remember myself. I’d be immortal
in the privacy of my own sound.

dec 16/ RUN

4 miles
top of Franklin hill turn around
22 degrees/ feels like 15
99% snow covered

Warmer air. Great temperature for a run. The path was almost completely covered with soft, loose snow. So difficult! A great workout for my legs. Hopefully the path will be more packed or clear soon. Can that be my Christmas present? Greeted Dave the Daily Walker. Was passed–actually briefly swallowed up–by a trot of male runners–a cross country team? Looked at the river a lot. Completely snow covered. If you didn’t know, you might not think it was a river, just a big white field. When I started I wondered how I could keep going–so slick, not slippery but difficult to move in–but by the end, I felt much better. Still happy to stop at 4 miles.

Love this beautiful poem and the final line! I copied it down in my notebook last March and rediscovered it this morning when I was reviewing my notes.

Rapture/ Linda Hogan

Who knows the mysteries of the poppies
when you look across the red fields,
or hear the sound of long thunder,
then the saving rain.
Everything beautiful,
the solitude of the single body
or sometimes, too, when the body is kissed
on the lips or hands or eyelids tender.
Oh for the pleasure of living in a body.
It may be, it may one day be
this is a world haunted by happiness,
where people finally are loved
in the light of leaves,
the feel of bird wings passing by.
Here it might be that no one wants power.
They don’t want more.
And so they are in the forest,
old trees,
or those small but grand.
And when you sleep, rapture, beauty,
may seek you out.
Listen. There is
secret joy,
sweet dreams you may never forget.
How worthy the being
in the human body. If,
when you are there, you see women
wading on the water
and clouds in the valley,
the smell of rain,
or a lotus blossom rises out of round green leaves,
remember there is always something
besides our own misery.

remember there is always something
besides our own misery

What if this final line was changed to beside our own misery? Reminds me of Ross Gay and his book of delights. He talks about how our experiences of joy are always in tandem with suffering and can be linked with others to create beautiful communities.

dec 10/RUN

3.25 miles
trestle turn around
4 degrees/feels like -12
100% snow-covered

Yes, -12 feels cold but today felt even colder than that. Tried out some hand warmers in my gloves. I guess they worked. It snowed so little yesterday that they didn’t bother to plow–at least an inch of snow covering the path, one narrow-ish strip of it packed down. The wind was in my face heading north, which wasn’t fun, but then at my back heading south, which was. Only the crazy-for-winter fools were out here today. I encountered one fat tire and one other runner besides me. We had the path to ourselves–one of the big advantages of winter running. Noticed that the river is icing over. The path was snow-covered but not icy or slippery. I could hear it crunchy delightfully over the noise of my audio book.

Layers: I was almost too warm at one point. Felt bulky in my 2 pairs of gloves + 2 shirts + vest + jacket + 2 pairs of tights + 2 pairs of socks + buff + hat + sunglasses.

Happy Birthday Emily Dickinson!

It’s all I have to bring today (26)
Emily Dickinson – 1830-1886

It’s all I have to bring today—
This, and my heart beside—
This, and my heart, and all the fields—
And all the meadows wide—
Be sure you count—should I forget
Some one the sum could tell—
This, and my heart, and all the Bees
Which in the Clover dwell.

Today I brought my heart, and my legs, and my lungs, and the crunching snow, and the river, and the bright white solitude of an almost empty path.

nov 25/RUN

4 miles
trestle turn around + extra
42 degrees/ 16 mph wind

Listened to my playlist. Sunny. Saw my shadow a few times but she didn’t lead me–I bet she was avoiding the awful wind. Ran into the wind most of the time as I headed north. Don’t remember admiring the river that much but did notice the railroad trestle. So easy to see now that the leaves are all gone! Briefly mistook a trash can for a person. Felt too warm. Took off my outer layer at the half way point.

A pretty good run, even with the wind. Allowed me to forget about kids playing video games too much, refrigerators needing to be defrosted but hopefully not replaced, snow storms messing up Thanksgiving plans, a wonderful dog demanding too much attention.

November
Lucy Larcom

Who said November’s face was grim?
Who said her voice was harsh and sad?
I heard her sing in wood paths dim,
I met her on the shore, so glad,
So smiling, I could kiss her feet!
There never was a month so sweet.

October’s splendid robes, that hid
The beauty of the white-limbed trees,
Have dropped in tatters; yet amid
Those perfect forms the gazer sees
A proud wood-monarch here and there
Garments of wine-dipped crimson wear.

In precious flakes the autumnal gold
Is clinging to the forest’s fringe:
Yon bare twig to the sun will hold
Each separate leaf, to show the tinge
Of glorious rose-light reddening through
Its jewels, beautiful as few.

Where short-lived wild-flowers bloomed and died
The slanting sunbeams fall across
Vine-broideries, woven from side to side
Above mosaics of tinted moss.
So does the Eternal Artist’s skill
Hide beauty under beauty still.

And, if no note of bee or bird
Through the rapt stillness of the woods
Or the sea’s murmurous trance be heard,
A Presence in these solitudes
Upon the spirit seems to press
The dew of God’s dear silences.

And if, out of some inner heaven,
With soft relenting comes a day
Whereto the heart of June is given, —
All subtle scents and spicery
Through forest crypts and arches steal,
With power unnumbered hurts to heal.

Through yonder rended veil of green,
That used to shut the sky from me,
New glimpses of vast blue are seen;
I never guessed that so much sea
Bordered my little plot of ground,
And held me clasped so close around.

This is the month of sunrise skies
Intense with molten mist and flame;
Out of the purple deeps arrive
Colors no painter yet could name:
Gold-lilies and the cardinal-flower
Were pale against this gorgeous hour.

Still lovelier when athwart the east
The level beam of sunset falls:
The tints of wild-flowers long deceased
Glow then upon the horizon walls;
Shades of the rose and violet
Close to their dear world lingering yet.

What idleness, to moan and fret
For any season fair, gone by!
Life’s secret is not guessed at yet;
Veil under veil its wonders lie.
Through grief and loss made glorious
The soul of past joy lives in us.

More welcome than voluptous gales
This keen, crisp air, as conscience clear:
November breathes no flattering tales;—
The plain truth-teller of the year,
Who wins her heart, and he alone,
Knows she has sweetness all her own.

Yes! Lucy gets how wonderful November is.

nov 9/RUN

4.8 miles
to downtown
44 degrees

A one-way run. Thought I could avoid it, but ran straight into the wind for at least 1/2 of it. A little too warm. Tough on sore legs. Surprisingly, not too crowded for a mild Saturday. Did I see my shadow briefly? I think so. Noticed a seep frozen over in the flats, below the west bank of the U. I have been reading about springs and seeps and how they are much easier to spot in the winter because the water freezes, sometimes creating icy ledges/boulders and ice pillars. Never knew it before but people like to climb this ice. Not me, but I’d love to see other people doing it. Spied 2 roller skiers. Encountered several runners running up the Franklin hill while I was running down it. Ran more of the I-35 hill than I thought I could. Walked the rest. Felt strong and refreshed at the top, running down past the Guthrie and Mill City Museum. Scott passed in front of me, running from the other direction. Even after I yelled his name several times he didn’t hear me, so I had to chase him up a short, steep hill.

Currently I have too many ideas to write about. Thinking about the wild, being bewildered, ways in and ways out, layers, inside/outside/periphery. All of this related to the river gorge and park management and running on the west river parkway.

On Friday, went to the South High Choir concert to hear my daughter’s middle-school choir sing with the high school choirs. Wonderful. I love the choir director at South. She gave the students 4 goals: 1. Breathe, 2. Listen, 3. Move somebody and 4. Have fun. These goals are great. I’d like to mash them up with Mary Oliver’s: 1. Pay Attention, 2. Be Astonished, 3. Tell About it.

  1. Breathe
  2. Listen
  3. Pay Attention
  4. Be Astonished
  5. Tell About it
  6. Move Somebody

Lemony Snicket collected some poems for Poetry Foundation that were not written for children but that children might like: All Good Slides are Slippery. Here’s the intro, which focuses on doors. I’m thinking about this as I ponder “the way in”:

“Knocks on the door”

Knocks on the door.
Who?
I sweep the dust of my loneliness
under the rug.
I arrange a smile
and open.
— Maram al-Massri
tr. by Khaled Mattawa

Doors

An open door says, “Come in.”
A shut door says, “Who are you?”
Shadows and ghosts go through shut doors.
If a door is shut and you want it shut,
why open it?
If a door is open and you want it open,
why shut it?
Doors forget but only doors know what it is
doors forget.
— Carl Sandburg

Starting to read something, such as a portfolio, is like opening a door, so I thought it would be interesting to start with two poems about doors written by two very different poets. Maram al-Massri is a Syrian woman who now lives in the city of Paris, France. Carl Sandburg is an American man who doesn’t live anywhere, due to death.

oct 24/BIKE

30 minutes
bike stand, basement

I have a little bit of stiffness and pain in my right knee so I’m taking a few days off from running. So difficult! It’s beautiful outside, just past peak leaf peepin’ and I’d love to be out by the gorge but my knee doesn’t want to. Biked in the basement instead which was fine but not nearly as fun or inspirational.

Prayer to be Still and Know
Nickole Brown

Lord, let my ears go secret agent, each
a microphone so hot it picks up things
silent, reverbing even the hum of stone
close to its eager, silver grill. Let my ears forget
years trained to human chatter
wired into every room, even those empty
except of me, each broadcast and jingle
tricking me into being less
lonely than I am. Let my ears forget
the clack and rumble, our tambourining and fireworking
distractions, our roar of applause. Let my hands quit
their clapping and rest in a new kind of prayer, one
that doesn’t ask but listens, palms up in my lap.
Like an owl, let me triangulate icy shuffling under snow as
vole, let me not just name the name
when I spot a soundtrack of birdsong
but understand the notes through each syrinx
as a singular missive—begging, flirting, fussing, each
companion call and alarm as sharp with desire and fear
as my own. Prick my ears, Lord. Make them hungry
satellites, have your way with their tiny bones,
teach the drum within that dark to drum
again. Because within the hammering of woodpecker
is a long tongue unwinding like a tape measure from inside
his pileated head, darting dinner from the pine’s soft bark.
And somewhere I know is a spider who births
a filament of silk and flies it to the next branch; somewhere,
a fiddlehead unstrings its violin into the miracle of
fern. And somewhere, a mink not made into a coat
cracks open a mussel’s shell, and with her mouth full
of that gray meat, yawns. Those are your sounds, are they not?
Do not deny it, Lord, do not deny
me. I do not know those songs. Nor do I know the hush
a dandelion’s face makes when it closes, surrenders, then goes
to seed. No, I only know the sound my own breath makes
as I wish and blow that perfect globe away;
I only know the small, satisfactory
popping of roots when I call it weed and yank it
from the yard. There is a language of all
you’ve created. Hear me, please. I just want to be
still enough to hear. Right here, Lord:
I want to be.

I want to spend some more time with this beautiful poem!

oct 9/RUN

5 miles
Franklin Hill turn around
59 degrees

Windy but who cares when it’s this nice outside? Sunny. Not too warm. Saw my shadow. Felt like I was in a dream, floating above the path. Noticed lots of yellow, a few splashes of orange and red. Heard some people talking below the path by the railroad trestle. Tried to figure out when the Winchell Trail ended near Franklin but couldn’t. Still too many leaves blocking my view. Greeted the Daily Walker. Encountered a fat tire. A few squirrels almost darted out in front of me. Ran from the bottom of the hill to just under Franklin Bridge. Walked for a few minutes. Started running again as someone was passing me who was just slightly faster. Followed her for the rest of the run, slowly falling further behind. Hit 5 miles in the tunnel of trees and stopped running. Walked past the overlook and saw the leaves shimmering in the breeze. Such a beautiful sight. Studied the ravine and noticed how it is gradually become more visible. Standing on the edge, staring hard, I can almost see the railing of the fence below. The sun was cutting through the leaves, shining brightly. Still trying to figure out how to write my final haibun about this ravine. Don’t have the story quite yet.

Vow/ DIANA KHOI NGUYEN

It will be windy for a while until it isn’t. The waves will shoal. A red-legged cormorant will trace her double along glassy water, forgetting they are hungry. The sea will play this motif over and over, but there will be no preparing for it otherwise. Water will quiver in driftwood. Sound preceding absence, a white dog trailing a smaller one: ghost and noon shadow, two motes disappearing into surf. And when the low tide comes lapping and clear, the curled fronds of seaweed will furl and splay, their algal sisters brushing strands against sands where littleneck clams feed underwater. Light rain will fall and one cannot help but lean into the uncertainty of the sea. Bow: a knot of two loops, two loose ends, our bodies on either side of this shore where we will dip our hands to feel what can’t be seen. Horseshoe crabs whose blue blood rich in copper will reach for cover, hinged between clouds and sea. It will never be enough, the bull kelp like a whip coiling in tender hands, hands who know to take or be taken, but take nothing with them: I will marry you.
I will marry you. So we can owe what we own to every beautiful thing.

Love this poem, especially how it sounds: strands/sands/clams Such beautiful details leading to an explanation of the title at the end.

sept 4/RUN

3.5 miles
two trails +
63 degrees

What a great run! Love the cooler weather. Ran faster without more effort. Listened to a playlist while up above because I needed to forget the difficulty of getting a girl to go to school. Ran past the double bridge and the ford bridge, almost to the falls then turned around. Took off my headphones when I reached the turn for the lower trail. Heard kids on the playground up above, an occasional acorn dropping below, the almost gushing water at the second sewer pipe. Glanced at the river. No shimmers or sparkles only blue glass. Smiled at all the people I encountered. No roller skiers. No fat tires. No little old lady in a straw hat. A few dogs. Some squirrels above me, in the trees. No brilliant thoughts, but no worries either.

Thinking about faces and recognition and my inability to stare deeply into someone’s eyes and see anything but a blur or lifeless pupils. Found this poem:

When We Look Up
Denise Levertov – 1923-1997

He had not looked,
pitiful man whom none

pity, whom all
must pity if they look

into their own face (given
only by glass, steel, water
barely known) all
who look up

to see-how many
faces? How many

seen in a lifetime? (Not those that flash by, but those

into which the gaze wanders
and is lost

and returns to tell
Here is a mystery,

a person, an
other, an I?

july 10/RUN

3.1 miles
the 2 trails
70 degrees

I think this is my new favorite running route, especially since my body doesn’t want to run more than a 5K. Listened to headphones as I ran south, up above the river, next to the road, and then took them out when I ran north, down below the road, still above the river. Overcast and windy. Felt cooler than 70. Heard some trickling water but no rowers. Encountered some dogs and their humans. Appreciated how willing the dogs were to stay on their side of the path and sit when their owners asked them to. Walked a little around 1.5 miles. Don’t remember much except for how different the tunnel of trees looks when it’s overcast. Darker and deeper. When it’s sunny, the light filters through the leaves and dances on the asphalt. But when it’s cloudy the greens are heavier and the air seems weighed down with water.

I listened to the poetry off the shelf podcast this morning with the delightful poet Aimee Nezhukumatathil (ne zoo koo ma tat hill). I love her poetry and what she has to say about the importance of wonderment and being jubilant:

I think there’s almost like a responsibility in some ways when the world and the news is so disgusting and so heartbreaking. I think that’s all the more reason to turn to—I ask my students, when is the last time you were in wonderment of something, when was the last time you had awe over something. And at first, the silence is deafening, you know? And they actually have to think about that and then they realize oh my gosh, it shouldn’t be taking me this long. And I keep asking them that, I keep asking them through the semester, until, you know, maybe by the fourth or fifth week they’re able to say it like right away. Or sometimes they can’t wait till class and they just email it to me like, you know, Professor Nezhukumatathil, on the sunset, I saw something called the green flash. Have you heard of it?

So I think it’s a practice. I think we forget how to be in wonderment. And I think it’s a great, I don’t know, responsibility. But also, it’s contagious. When you hear someone say, oh my gosh, I love how the silver on a silver oak is winking at me, that kind of thing, it’s hard to not notice something yourself. And then someone else will notice something and someone else will notice something.

may 17/RUN

4.2 miles
mississippi river road path, north/south
61 degrees

Yes! A good run. Felt strong and fast even though I wasn’t going that fast. Listened to headphones and tried to tune out everything. Enjoyed the 10 mph wind keeping me cool. I think I saw the man in black and I think it’s the same guy that I passed twice last week on the other side of the river. No longer in black (black pants, black jacket, black hood) but in dark shorts and a light colored shirt. I don’t remember much else from the run except for noticing the river a few times. Oh–and wanting to stop 2 tenths of a mile early because I was tired. I could feel myself almost stopping but then I didn’t. I kept running up the hill and made it to the top and my goal. A small victory.

Read an article about the poetry of place and encountered this line:

The achievement of oneness with nature in poems (and in life, for that matter) is more often than not, fake. Much more convincing is an honest failure.

The Poetry of Place

In running, I try to lose myself, to become one with the path or the wind or the river. It never works, usually because my body aches somewhere or I start worrying about something. But I do have flashes of forgetting, when I am just breathing and being. These flashes are hard to describe even as I’ve tried. I don’t think I’d like to be that untethered or lost all the time. And I’m not sure I’d call the lack of oneness a failure.

Field Guide to the Chaparral
Leah Naomi Green

The fire beetle only mates
when the chaparral is burning,

and the water beetle
will only mate in the rain.

In the monastery’s kitchen, the nuns
don’t believe me when I tell them how old I am,
that you were married before.

The woman you find attractive
does not believe me when I look at her kindly.

There are candescent people in the world.
It will only be love

that I love you with.
When we get home,

there will be our kitchen, the dishes undone.
There will be our bedroom.

What is it you eventually recognized
in my face that allowed you to believe me?

Beauty that did not come from you—
remember how it did not come from you?

As white sage does not come from the moon
but is found by it and lit.

The Buddhists say
that the front of the paper

cannot exist without the back.
Because there is a there,

there is a here. Chaparral,
the density of growth,

and the tattered chaps
the mappers wore

through it because they had to,
to keep walking without

being hurt. It is OK if we hurt
one another.

Chaparral needs fire.
(The pinecones would not open

otherwise.) Love needs lover,
whose last lover was flood.

The first time I read this poem, I didn’t know if I liked it, but now I know I do. I found it when I was looking for field guides and poetry. (I’m exploring forms for my running route poems/essays.) I love how she weaves in the insects and the chaparral. Speaking of field guides, I found some cool projects to do with younger kids–you can create a field guide of your local park or your backyard. Identifying the birds or trees or types of flowers. I wish my kids were 7 or 8 years younger. I’d create some field guides with them this summer. Maybe I’ll see if RJP’s up for it even though she’s 13 and too cool for stuff like that.

april 9/RUN

3.1 miles
mississippi river road path, north/south
52 degrees

Decided to run again this morning because tomorrow winter returns: ice, snow, blizzard conditions. Hopefully it will melt quickly but if not, at least I was able to run just above the gorge today. It’s sunny and windy. My legs felt sore–not injured sore, just sore sore–and it was hard to just be in the run, not thinking. I tried chanting a little and that helped. Strawberry blueberry raspberry. Haven’t seen the Daily Walker in a while. Enjoyed listening to the grit scratch scratch scratch. Noticed a few stray patches of snow down below the lake street bridge. Marveled at the beauty of the floodplain forest, bare and brown. Didn’t really look at the river. Encountered a few dogs and their owners.

The daily poem over at poems.org is amazing:

Holdfast
Robin Beth Schaer

The dead are for morticians & butchers
to touch. Only a gloved hand. Even my son
will leave a grounded wren or bat alone
like a hot stove. When he spots a monarch
in the driveway he stares. It’s dead,
I say, you can touch it. The opposite rule:
butterflies are too fragile to hold
alive, just the brush of skin could rip
a wing. He skims the orange & black whorls
with only two fingers, the way he learned
to feel the backs of starfish & horseshoe crabs
at the zoo, the way he thinks we touch
all strangers. I was sad to be born, he tells me,
because it means I will die. I once loved someone
I never touched. We played records & drank
coffee from chipped bowls, but didn’t speak
of the days pierced by radiation. A friend
said: Let her pretend. She needs one person
who doesn’t know. If I held her, I would
have left bruises, if I undressed her, I would
have seen scars, so we never touched
& she never had to say she was dying.
We should hold each other more
while we are still alive, even if it hurts.
People really die of loneliness, skin hunger
the doctors call it. In a study on love,
baby monkeys were given a choice
between a wire mother with milk
& a wool mother with none. Like them,
I would choose to starve & hold the soft body.

I think I was that one friend to my mom. We would sit in the two matching chairs in her bedroom, watching bad tv–mostly The Real Housewives of New York–and good tv–the barefoot contessa–and laugh and talk, forgetting about how she was dying from stage four pancreatic cancer.

april 3/RUN

3 miles
mississippi river road path, north/south
49 degrees
bare legs!

Took a few days off of running. Partly because my back was sore, partly because we took a mini trip to Duluth. All the snow is melted, all the paths are clear. Listened to my playlist and didn’t think about much. Looked down and noticed the white sand beach way below the path, between the lake street bridge and the greenway. I will have to explore it this spring. Wore shorts and wasn’t too cold. No gloves. No buff. Next Monday the high is supposed to be 71!

Encountered this poem a few weeks ago and wanted to remember it. Love the repetition and the exploration of metaphors and similes.

Neighbor Sweeping His Porch
Keith Leonard

He sweeps, and gray plumes of pollen
cloud waist-high behind him.
My neighbor sweeps the porch as slowly
as a gondolier rows at sunset.
His tie is loose at the neck
but still fastened to his shirt by a clip.
At the edge of the porch, he sweeps
in quick spurts like a telemarketer
before the customer quits.
He sweeps possibly without thinking.
He wears the crown of forgetting.
His kingdom is the name
of that actress in that movie.
He has swept so long
he is last September’s sunlight.
His broom replaces the wet leaves
with order, a second thing like snow.

march 5/RUN

3.35 miles
mississippi river road path, north/south
10 degrees/feels like -3
100% snow-covered

Cold. Windy. Wonderful! It was tough running straight into the wind on the way out, but it felt great being outside above the gorge. The river is frozen over. The path is still completely covered. Wore my yaktrax today. Imagined that I was tall, strong. Wanted to think about how the cold felt but it was difficult because I had so many layers on.

layers: green shirt, orange shirt, black jacket, gray jacket, 2 pairs of running tights, 2 pairs of socks, buff, hood, visor, mittens, gloves

Didn’t feel the cold. Not even in my fingertips. Just warm. And encumbered by layers. Too many sleeves. Bulky, heavy gloves. A jacket zipped up too high. What will it feel like without the layers? Bare legs? Hopefully in a month or two I’ll get to remember.

Before heading outside, I read the article, Counting Feet: On Running and Poetic Meter. Love the ending line:

both running and poetry are ways of feeling, inside ourselves, that steady beat of being human—the marker that, yes, we are alive, and living, and carrying ourselves forward on ever-moving feet.

I can’t stop thinking about inside/outside and their complicated relationship.

Last night, I read a new poem that I don’t quite understand yet but with which I am enchanted. It’s about salt–which, by the way, is something I can feel right now on my face, caked post run. I am a salty sweater.

Salt
BY HUANG FAN
TRANSLATED BY HUANG FAN AND MARGARET ROSS

Grain by grain, salt’s frozen tears
Help me count history’s disasters
I can’t blame salt for telling food
You’re full of wounds

Salt misses the freedom of the ocean
Remembering waves, salt jumps into a soup
But it finds there only my reflected face
It hides by making itself too soft to chew

Sometimes, salt follows a cold sweat
Waking me from a nightmare
Dreamed blood tastes like salt
As if in human failure lay the silence of God

Having swum in the ocean
Salt considers soup a shallow pond
For salt, every meal is a jail

One day, an extra salty flavor
Makes me cough and cough
It feels like cold fish bones scraping my throat
Maybe it’s salt telling me
I’m going to prison in your body
Don’t ever forget who I am!

Translated from the Chinese

I almost forgot to mention that it was my mom’s birthday. If she were alive, she’d be 77. I imagine she wouldn’t have wanted to run today in this cold and wind, but she might have gone cross country skiing. Oh to be out in the wintery world with her, talking and laughing and admiring the snow decorating the trees!