june 25/RUNSWIM

3.1 miles
2 trails
73 degrees / dew point: 66

Another hot and humid morning. Another difficult run. Is it strange that I don’t mind that it’s hard? Some shade, lots of sun.

10 Things

  1. squish! stepping down in thick, gooey mud on the winchell trail
  2. thwack thwack thwack a runner approaching from behind
  3. pardon me that same runner letting me know he was passing
  4. running down to the south entrance of the winchell trail, looking at the river through the trees — not sparkling in the sun, but flat and brown — somehow this made it look even hotter and less refreshing
  5. rowers down below, heard not seen
  6. the sewer at 42nd, a steady stream of water falling
  7. the sewer at 44th, more of a dribble
  8. honking geese
  9. 4 stones stacked on the ancient boulder
  10. a squirrel ahead of me on the winchell trail — running then stopping then running, finally jumping through the fence and off the trail — was it waiting to dart out right in front of me? no

Alice Oswald and Lorine Niedecker and water’s depths

from Paean to Place/Lorine Niedecker

How much less am I
in the dark than they?

Effort lay in us
before religons
at pond bottom
all things move toward
the light

Except those
that freely work down
to ocean’s black depths
in us an impulse tests
the unknown

from Nobody/ Alice Oswald

The sea she said and who could ever drain it dry
has so much purple in its caves the wind at dusk
incriminates the waves
and certain fish conceal it in their shells
at ear-pressure depth
where the shimmer of headache dwells
and the brain goes

dark

purple

from “Interview with Water”/ Alice Oswald

To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light, to be either sleepless or weightless and cut off by dreams.

swim: 4 loops
lake nokomis open swim
82 degrees

4 loops! A beautiful summer night! The water was a bit choppy but it didn’t bother me. Saw some silver flashes below — fish? Also, beautiful shafts of light illuminating the particles swimming with me and a few ghostly vines reaching up from the bottom. In certain stretches it felt like the water wanted to pull me down to the lake floor — difficult to kick and keep high near the surface.

New breathing/sighting pattern I noticed last night at cedar: 1 2 3 breathe right 1 2 look up to sight (no breath) 3 4 5 breathe left

above the surface: A few times I paused in the middle of the lake to give attention to the surface. Once I saw a dragonfly. Another time, a plane. The water was blue but not as intense as on Sunday.

below the surface: bubbles, my hands, could feel the movement before I saw any swimmers, then bubbles and pale legs kicking. The water was green but with less blue and more yellow.

june 24/SWIM

2.5 big loops (5 cedar loops)
cedar lake open swim
84 degrees
20+ wind gusts

Big wind gusts as Scott and I walked on the gravel trail to the lake. I wondered how choppy it would be — not bad. No waves forcing me to breathe on just one side. Felt stronger than last Wednesday.

I’m writing this entry the next morning. What do I remember?

10 Things

  1. swimming through a loose vine — wrapped around my shoulders for a moment — not sharp or scratchy
  2. a swimmer in a pink cap (this year’s cap color is an ugly bronze)
  3. a tangled patch of vegetation growing up from the bottom right by the buoy
  4. black, wet-suited arms beside me for a few strokes
  5. the water above, a dull blue
  6. the water below, a vague empty green
  7. no waves but sometimes it was hard to stay up on the surface
  8. the lifeguard’s kayak gliding by me, fast and smooth and red
  9. more vegetation from below in the middle of lake — how tall are these vines?
  10. last year, the far buoy was placed very close to the swimming area at hidden beach, this year it is farther out

Alice Oswald and Nobody

I’m having fun returning to Nobody, feeling like I’ve found some ways into AO’s watery dream-world. I love reading it and Lorine Niedecker and then swimming across a lake.

1

Reviewing my notes in my Plague Notebook, Vol 21 (!), I found this, from AO in “Interview with Water”: continuous present, dream time. This reminds me of Mary Oliver’s now and now and now, which comes up in The Leaf and the Cloud and “Can You Imagine”:

but now and now and now

Swimming across the lake is both a continuous present and not a continuous present. I’m not aware of time, but I do keep track of loops. Maybe each loop is its own continuous present? It would be interesting to try and get lost in the loops, to not count them. I can set up an alarm or a distance workout on my watch that will alert me when I reached a certain amount of time or distance. (How) would the dream-state be different in this loopy state?

2

I’d like to remember (memorize?) this part of Nobody which I imagine is about making poems:

About an hour ago she surfaced and shook her arms
and peered around and dived again and surfaced
and saw someone and dived again and surfaced
and smelt all those longings of grass-flower smells
and bird-flower sounds and the vaporous poems
that hang in the chills above rivers

Those vaporous poems! The diving and surfacing and diving and surface! I love this as a description of a poet — me? — finding words hanging just above the surface. Could they be there for me today during my swim?

3

This definition of day turning to night — wow!

I’ve always loved the way when night happens
the blood is drawn off is sucked and soaked upwards
out of the cliff-flowers the way they worn out
surrender their colors and close and then the sky
suffers their insights all the shades of mauve green blue
move edgelessly from west to east the cold
comes ghostly out of holes and the earth it’s strange
as soon as she shuts her sky-lids her hindsights open
and you can see right out through her blindness
as far as the ancient stars still making their precise points
still exactly visible and then not exactly

june 21/RUN

4.15 miles
the monument and back
67 degrees
humidity: 91% / dew point: 65

Yuck! The air is so thick, everything heavy with moisture. We were supposed to have thunderstorms this morning — 90% chance — so I ruled out open swim, but they haven’t happened yet. Bummer. I bet it would have been a good swim.

I ran through the neighborhood, over the lake street bridge, up the summit hill and to the monument. Then I turned around and ran back, this time running south on the river road path instead of through the neighborhood.

10 Things

  1. 3 stones stacked on the ancient boulder
  2. a strange whimpering, soft howling or moaning sound coming from under the bridge on the east side — a non-human animal? a bird?
  3. no rowers on the river
  4. a foul, rotting smell as I ran over the bridge — I thought of the rot* that Alice Oswald mentioned in “Interview with Water” and the scarlet rot that FWA told me about yesterday when he recounted some “Elden Ring lore”
  5. a dark, deep green everywhere
  6. flowers alongside the trail on the east side: green leaves, fanned like ferns, pale white or purple flowers, small, dotting the green
  7. new (or newly noticed) graffiti under the bridge on the east side — brick red, I think
  8. the dark reflections of tree in the water near the shore — so dark that they look like shadows to me
  9. the faintest trace of a sandbar under the bridge
  10. the usual puddles near shadow falls are back, almost covering the entire path

*AO and rot: “anything excessive or out of focus or subliminal — for example: a swimmer seen from underneath, a rotting smell. . .”

Here’s another Alice Oswald water poem that I uncovered in a dissertation about Oswald, Jorie Graham, and water!

Sea Sonnet/ Alice Oswald

Green, grey and yellow, the sea and the weather
instantiate each other and the spectrum
turns in it like a perishable creature.
The sea is old but the blue sea is sudden.

The wind japans the surface. Like a flower,
each point of contact biggens and is gone.
And when it rains the senses fold in four.
No sky, no sea – the whiteness is all one.

So I have made a little moon-like hole
with a thumbnail and through a blade of grass
I watch the weather make the sea my soul,
which is a space performed on by a space;

and when it rains, the very integer
and shape of water disappears in water.

Almost forgot: japan is a new word for me. Here are some definitions, both noun and verb:

noun:

  1. any of several varnishes yielding a hard brilliant finish
  2. a hard dark coating containing asphalt and a drier that is used especially on metal and fixed by heating — called also japan black

verb:

  1. to cover with or as if with a coat of japan
  2. to give a high gloss to

june 18/RUN

3.1 miles
trestle turn around
76 degrees / feels like 82
dew point: 71

Ugh! I knew it was going to be tough when I felt too hot even before I started running. More rain last night — enough to cancel our final community band concert — and more thick, sticky air this morning.

Greeted Mr. Morning! and Mr. Holiday. Saw Dave the Daily Walker but he was too far away to greet. Counted the stacked stones on the ancient boulder: 4. Heard some strange creaks below the trestle — what were people doing down there? Also heard the rowers on the river. Felt the sweat pooling on my face, my shorts sticking to my legs.

When the dew point temperature and air temperature are equal, the air is said to be saturated.

Observed Dew Point Temperature

Almost saturated — temp = 76, dew point = 71.

Looking through the trees somewhere near the trestle, I could see the river burning bright white — even the water looked hot!

Oh, this beautiful poem by Tony Hoagland! He died in 2018 (at the age of 64) from pancreatic cancer. My mom died from pancreatic cancer. It’s terrible. This poem was published in 2007.

Barton Springs/ Tony Hoagland

Oh life, how I loved your cold spring mornings
of putting my stuff in the green gym-bag
and crossing wet grass to the southeast gate
to push my crumpled dollar through the slot.

When I get my allotted case of cancer,
let me swim ten more times at Barton Springs,
in the outdoor pool at 6AM, in the cold water
with the geezers and the jocks.

With my head bald from radiation
and my chemotherapeutic weight loss
I will be sleek as a cheetah
—and I will not complain about life’s

pedestrian hypocrisies,
I will not consider death a contractual violation.
Let my cancer be the slow-growing kind
so I will have all the time I need

to backstroke over the rocks and little fishes,
looking upwards through my bronze-tinted goggles
into the vaults and rafters of the oaks,
as the crows exchange their morning gossip

in the pale mutations of early light.
It was worth death to see you through these optic nerves,
to feel breeze through the fur on my arms
to be chilled and stirred in your mortal martini.

In documents elsewhere I have already recorded
my complaints in some painstaking detail.
Now, because all things are joyful near water,
there just might be time to catch up on praise.

june 17/RUN

4 miles
minnehaha falls and back
65 degrees / dew point: 61

Today’s word: saturated. What Lorine Niedecker aimed for in her water poetry. Not floating or dry but sinking and soaked.

Rain off and on all day. Maybe thunderstorms starting in the afternoon.

No rain as I ran, but everything was wet or dripping. Moist. My face, more moist than a sponge. The falls, gushing over the limestone then rushing down the gorge to the Mississippi.

Evidence of the rain and thunderstorms last night all along the trail. Above the oak savanna it looked like some creature had tore through the green, ripping small limbs and leaves off the trees and throwing them to the ground.

The parking lot at the falls was packed with cars. Not the best day to be at the falls — but maybe it was? A chance to witness the falls in full cry, I guess. Also a chance to get wet or slip in the mud. I thought I might, but didn’t.

Anything else? A black squirrel sighting, which reminded me of the line from “What Would Root”: scolded by squirrels in their priestly black

Discovered the poet, Maureen N. McLane this morning and was delighted by her serial poem about Mz. N. Requested the book from the library. Possibly an inspiration for some writing about Sara, age 8?

an excerpt from Mz N: the serial/ Maureen N. McLace

The child Mz N sat on her bed
and wondered: that tree
outside her window
shifted
when her eye
shifted. What to make
of that?

                                          §

Mz N and her siblings
had a dog for some time.
They went on vacation &
when they came back
no dog.
They asked the parents:
the dog?
who replied:
what dog?
And some people wonder
why others distrust the obvious.

Speaking of the serial poem — LN’s “Paean to Place” is considered one — here’s a helpful definition:

The serial form in contemporary poetry, however, represents a radical alternative to the epic model. The series describes the complicated and often desultory manner in which one thing follows another. Its modular form–in which individual elements are both discontinuous and capable of recombination–distinguishes it from the thematic development or narrative progression that characterize other types of the long poem. The series resists a systematic or determinate ordering of its materials, preferring constant change and even accident, a protean shape and an aleatory method. The epic is capable of creating a world through the gravitational attraction that melds diverse materials into a unified whole. But the series describes an expanding and heterodox universe whose centrifugal force encourages dispersal. The epic goal has always been encompassment, summation; but the series is an ongoing process of accumulation. In contrast to the epic demand for completion, the series remains essentially and deliberately incomplete.

Seriality and the Contemporary Long Poem/ Joseph Conte

I had to look up a few words from this excerpt that I wasn’t quite sure of:

desultory: marked by lack of definite plan/purpose, not connected to main subject
protean: displaying great diversity or variety, versitle
aleatory: relating to luck, depending on an uncertain event or contingency

This idea of a serial poem as “an ongoing process of accumulation” is very cool and fits with my approach to Haunts and a story in long form.

june 15/RUN

5 miles
bottom franklin hill and back
72 degrees / dew point: 60

Whew! I was sure the dew point would be even higher. It felt very uncomfortable out there. And difficult. But I kept moving and didn’t push myself too hard. I ran to the bottom of the hill then walked up it. Then ran, walked, ran until I was back to the ancient boulder — no stones stacked on it today.

Last night RJP graduated from high school. I’m very proud of her for surviving it. I’m proud of myself too. It was very hard and I am tired. No more k-12 public school! Hooray! I loved many of the teachers and the music programs, but I won’t miss being subject to this schooling process.

RJP’s graduation was delayed by almost an hour because a fight broke out at the previous school’s graduation and someone was hauled away in an ambulance. FWA said he saw the guy, and he looked like he was probably fine and not in much pain. Other than the delay, the graduation was great. The awesome poet Bao Phi gave the address — so good! He, along with the student speakers, centered the experiences of BIPOC students.

10 Things

  1. white sky
  2. dark green mystery
  3. at least 2 specks in the sky — a plane? a bird?
  4. click clack — roller skiers powering up the franklin hill
  5. foamy water
  6. glowing orange shoes on a runner
  7. voices below near white sands beach
  8. one runner to another: well, that killed about an hour and a half — huh?
  9. a greeting from Mr. Holiday!
  10. a few days ago I mentioned something in orange spray painted on the sidewalk — it’s the outline of a cat (but not Garfield, I think?)

a section from Wintergreen Ridge/ Lorine Niedecker

Reading (again, for the 3rd or 4th time?) LN’s “Wintergreen Ridge,” I was delighted by her connections and associations:

Women saved
a pretty thing: Truth:

“a good to the heart”
It all comes down
to the family

“We have a lovely
finite parentage
mineral

vegetable
animal”
Nearby dark wood—

I suddenly heard
the cry
my mother’s

where the light
pissed past
pistillate cone

how she loved
closed gentians
she herself

so closed
and in this to us peace
the stabbing

pen
friend did it
close to the heart

pierced the woods
red
(autumn?)

Sometimes it’s a pleasure
to grieve

june 13/RUNSWIM

5 miles
bottom of franklin hill and back
70 degrees / dew point: 60

Overcast, which helped it feel a little less warm. Sticky, thick air. A lot of sweat, especially on my face. Dripping ponytail. So green even the air was green. Greeted the Welcoming Oaks — hello friends! Descended into the tunnel of trees and was enveloped in green. Chanted triple trees: sycamore/sycamore/sycamore/red oak leaf/silver birch. Heard the rowers through the trees. Admired the barely moving, calm water under the bridge — the surface was dotted with foam and reflected clouds. Saw a speck in the sky out of the corner of my eye. Tried to look at it, gone. Tried again, a plane almost covered in fog. Saw a dark ring around it — my ring scotoma? Appreciated how the outline of the treetops on either side of the river road echoed the shape of the river banks. Walked up the hill — it took me 7 minutes — then ran, walked, ran back. Ended with a dozen roller skiers above me while I climbed out of the tunnel of trees.

For the first mile, in the dark green quiet, everything was dreamy. Thought again about how running puts me in a strange, surreal state. Nothing quite real. Then thought about Lorine Niedecker and the physical act of seeing with messed up eyes and using the poetic form to represent that. I’m not aware of how my eyes move as I see except for when I look to the peripheral as a way for my central vision to see something. I imagine having nystagmus makes you more easily register the movement of your eyes. How conscious was LN of her eye movement and how it was mimicked in her lines? When I think about how I see — the mechanics of it and its physicality — I think more about what happens when the corrupt or limited data travels as electrical impulses through the optic nerve and to the brain. Are the effects of nystagmus primarily physical — strain on eyes, the rapid movement creating dizziness and headaches? I should read more about it. . . . The physical impact of my vision sometimes reads as dizziness and light-headedness, but mostly it’s just a vague sense of unease and fatigue — more naps. I rarely feel the eye strain or get headaches from my effort.

In the article I was reading about LN’s nystagmatic poetics, this poem was discussed:

Tattoo/ Wallace Stevens

The light is like a spider.

It crawls over the water.

It crawls over the edges of the snow.

It crawls under your eyelids

And spreads its webs there—

Its two webs.

The webs of your eyes

Are fastened

To the flesh and bones of you

As to rafters or grass.

There are filaments of your eyes

On the surface of the water

And in the edges of the snow.

note at 11 am: Today is my first day of open swim! After the swim, I’ll return to this entry.

I’m spending the afternoon on the deck, reading Niedecker and thinking about Alice Oswald and Niedecker and my Haunts poems. Here are some jumbled thoughts:

You have been in my mind/between my toes/agate — Lake Superior/LN

You’ve been in
my mind

beneath my
feet Mom

Look for me under your boot-soles — Walt Whitman

Ars Poetica/ Arcelis Girmay

May the poems be
the little snail’s trail.

Everywhere I go,
every inch: quiet record

of the foot’s silver prayer.
             I lived once.
             Thank you. 
             I was here.

“We a lovely/finite parentage/mineral/vegetable/animal” — Wintergreen/ LN

I’m interested in how many layers you can excavate in personality. At the top it’s all quite named. But you go down through the animal and the vegetable and then you get to the mineral. At that level of concentration you can respond to the non-human by half turning into it.

Alice Oswald interview for Falling Awake

To write a poem is to be a maker. And to be a maker is to be down in the muck of making and not always to fly so high above the muck.

Poetry is Not a Project/ Dorothy Lasky

We can’t float or fly for long, above. We are part of the muck, not stuck but entangled, beholden

to work down/ to ocean’s black depths/us us an impulse tests/the unknown — Paean to Place/ LN

2 loops / 1.5 miles
lake nokomis open swim
80 degrees

Open swim! Open swim! I was nervous before the swim, wondering if I would see the buoys. I did! The water felt wonderful — a little cold, but not too cold, and wavy but not choppy. I watched the sun filtering through the water, avoided the vegetation growing up from the bottom and the swan boat stuck right by the orange buoy. That menacing swan was a little too close as I neared the buoy. The last green buoy was so far from the orange buoy — it seemed to take forever to reach the beginning of the loop. Oh, I love open swim and what joy to have had a good first swim!

june 10/RUN

4 miles
minnehaha falls
60 degrees

Ah, summer mornings! Beautiful. Cooler. If I would have slept better, I would have tried to go out even earlier. The first half of the run felt good, then I got hot and it got harder. Today I didn’t worry about what that meant for my training. Instead, I enjoyed the brief minutes of walking, taking in the trees at the falls — so green! so full!

10 Things

  1. the falls, flowing, white, undulating — the water not falling straight, but almost falling over itself — was it hitting some limestone on the way down?
  2. a bundle of something on the ground next to the dirt trail — a hammock?
  3. 2 women with tall hiking packs on their backs walking on the paved path
  4. some animal — a turkey? — upset, calling out, a human voice saying something — hey?
  5. a flash below the double bridge — a sliver of creek almost covered by green
  6. 2 roller skiers near locks and dam no 1
  7. the dirt trail cutting through the small wood near ford bridge looking cool and inviting
  8. happy kids on the minnehaha park playground — happy: green voices, where green = young, outside, tender
  9. (walking back, about to cross 46th ave at 37th street) 2 older women chatting, then greeting me, oh! hello!
  10. (walking back almost to my alley) heard on a radio or from a phone or a computer in neighbor’s backyard, the next one is Scandia — was this talk radio or a zoom meeting or what?

Lorine Niedecker and “Paean to Place”

to dwell with a place:

What is required, however, is sensual, embodied experience—close encounters of awe, wonder, fright, disgust, or even tedium—which remind us both of the real earth with which we dwell, and that we share our home with innumerable cohabitants.

Dwelling with Place: Lorine Niedecker’s Ecopoetics

opening to “Paean to Place”:

Fish
fowl
flood
Water lily mud
My life

in the leaves and on water
My mother and I
born
in swale and swamp and sworn
to water

My father
thru marsh fog
sculled down
from high ground
saw her face

at the organ
bore the weight of lake water
and the cold—
he seined for carp to be sold
that their daughter

might go high
on land
to learn

Wow! Reading this opening, I’m thinking about the Objectivists and the Imagists and Ezra Pound’s 3 rules for writing poetry:

  1. Direct treatment of the “thing,” whether subjective or objective
  2. To use absolutely no word that does not contribute to the presentation
  3. As regarding rhythm: to compose in the sequence of the musical phrase, not in sequence of the metronome

What condensery and music in these lines! And what wonderfully effective descriptions of two people dwelling in and with a particular place, especially her mother, born in swale and swamp and bearing the weight of lake water and the cold.

definition of ecopoetics:

The word itself is an amalgam of two Greek words: oikos [household or family] and poïesis [making, creating, or producing], so that ecopoeticsquite literally means the creation of a dwelling place, or home-making. The term came into special prominence after the influential British literary critic Jonathan Bate published The Song of the Earth in 2000. There, Bate defined ecopoetics as a critical practice in which the central tasks are to ask “in what respects a poem may be a making … of the dwelling-place” and to “think about what it might mean to dwell upon the earth.”

Dwelling with Place: Lorine Niedecker’s Ecopoetics

LN’s opening lines and her descriptions of her parents, reminds me of Mary Oliver’s The Leaf and the Cloud and her brief mentions of her parents in the first section, “Flare.” LN and MO have different experiences but they rhyme, somehow, or echo?

My mother
was the blue wisteria,
my mother
was the mossy stream out behind the house,
my mother, alas, alas,
did not always love her life,
heavier than iron it was
as she carried it in her arms, from room to room,
oh, unforgettable!

Like LN, MO was also an amazing poet of place, but she doesn’t extend her ideas of place to her parents — a deliberate severing:

I mention them now,
I will not mention them again.

It is not lack of love
nor lack of sorrow.
But the iron thing they carried, I will not carry.

So much to say about that iron, but I have run out of time right now. Perhaps more later. . .

I’m back. First, the not carrying the iron makes me think of my mom and her desire for displacement from her abusive parents. More than once she said to me that she wanted to break that cycle of abuse — and she did. And I am grateful. But there’s something to explore here for me and my relationship to place, this place 4 miles from where my mom was born and raised, that I can’t quite get at yet.

The iron also reminds me of the wonderful lines from the opening of LN’s “Lake Superior”:

In every part of every living thing
is stuff that once was rock

In blood the minerals
of the rock

*

Iron the common element of earth

Both MO and LN write about their fathers. First, MO:

My father
was a demon of frustrated dreams,
was a breaker of trusts,
was a poor, thin boy with bad luck.
He followed God, there being no one else
he could talk to;
he swaggered before God, there being no one else
who would listen.

and LN:

He could not
—like water bugs—
stride surface tension
He netted
loneliness. . .

. . . Anchored here
in the rise and sink
of life—
middle years’ nights
he sat

beside his shoes
rocking his chair
Roped not “looped
in the loop
of her hair”

The “looped” quote comes from William Butler Yeats and his poem, Brown Penny and it’s about love. I like how she throws in this line from poets or about poets, like this:

Grew riding the river
Books
at home-pier
Shelly would steer
as he read

I noticed another line of the poem in quotes, “We live by the urgent wave/of the verse.” Looked it up and found an article about “Paean to Place” and thanks to my college-attending son, I have access to it! Time to read it: Lorine Niedecker’s “Paean to Place” and its Fusion Poetics


june 3/RUN

4.2 miles
longfellow garden and back
73 degrees / dew point: 75

Sticky again today, but not as bright. Still hard to run through the thick air. Struggled on the way back — walk run walk run. Trying to remember to keep showing up and believing that it will get easier, or I will get better at handling the difficult moments, or I will finally start getting up early. I tried to think about green.

my favorite green

Running south, just past the ford bridge, nearing the locks and dam no. 1, cool air was coming from the green to my right — a small wood. Refreshing! Often I associate late spring green with thick and stifling, but today it was fresh and generous, making it easier to breathe and to run.

Before my run, I read this green poem:

Making Life on a Palette/ Raina J. León

After Charles Willson Peale (1741–1827), “George Washington at Princeton,” 1779

the color of life
takes sun yellow and bluest blue sky and water
for green ferns
chartreuse buds beading above moss
dappled shamrocks
fragrant healing of sage, laurel,
mint, basil, thyme, rosemary, myrtle
amid the tall wonders of juniper
pine, olive, pear
even the meeting of sea and river—
the sky, an intermingling of viridian and chetwode horizons,
and cerulean clarity—
offers its green seafoam,
its seaweed pats,
the crocodile at the edge of a freshwater marsh
its teeth open gritted in green
against the backdrop of hunter rainforest
dripping in green

heaven is a field of persian green
lit by translucent jade and celadon lamps
a many-roomed chateau scented by aromatic tea leaves
the aperitivo: gin, apple, and bitter lime
the time: midnight green
the guardian: a mantis in prayer

joy: harlequin, verdun, spring
magic: kaitoke forest in its energetic whisper and pulse

green must exist
inside brother james
would he call it camouflage
or nyanza or sap
for washington it’s in the colors of flags
the fields far off
feldgrau or military or empire green
or dollar bill or rifle green
revolution with chains the result
mix the green
like a spell in making
safe life
hush arbor life
nurturing abundant life
free life
bring the background to the fore
ease
ease
ease
life

So many greens! How many different greens can I see? Today, mostly, it was just green (or brown or gray).

Offering some advice on being judicious with your use of adjectives, Ted Kooser writes the following lines:

Morning Glories/ Ted Kooser

We share so much. When I write lattice,

I count on you seeing the flimsy slats

tacked into squares and painted white,

like a French door propped in a garden

with a blue condensed from many skies

pressed up against the panes. I count on

you knowing that remarkable blue,

shaped into the fluted amplifying horns

of Edison cylinder record players.

What? Come on, you know exactly
what I’m talking about. I didn’t need

to describe them like that, but I like to

however a little over my words, dabbling

the end of my finger in the white throats

of those __. You fill it in.

I could go on, but all I really needed to do

was to give you the name in the title.

I knew you’d put in the rest, maybe

the smell of a straw hat hot from the sun;

that’s just a suggestion. You know exactly

what else goes into a picture like this

to make it seem as if you saw it first, 

how a person can lean on the warm

hoe handle of a poem, dreaming,

making a little more out of the world

than was there just a moment before. 

I’m just the guy who gets it started.

Do I know that remarkable blue he’s writing about? Does he see the same blue that I do? Do we need to imagine the same blue to make his poem meaningful?

Reading “Making Life on a Palette” and “Morning Glories,” I’m thinking about the different work they ask of the reader, or, of this reader, me. “Palette” is filled with green words with histories that I don’t know; I had to do a lot of googling to dig into the poem. “Morning Glories” asks me to build an image from the name he offers, to draw upon the shared understanding/image of the flower that I already have.

Lately, I keep coming back to the question, how little data can we have and still “see” what something is? Not much, I think. Yet, to assume that we all see the same thing — the thing as it is — excludes a wide range of experiences and detail and ways of seeing. It leaves out a lot of different shades of green.

Speaking of green, I remembered that I had collected ideas about green in my plague notebook vol 3, June 2020:

june 1/RUN

4.15 miles
marshall loop (cleveland)
65 degrees
humidity: 85% / dew point: 60

Mostly overcast, a few moments of sun, no shadows. Sticky, everything damp, difficult. I felt better during the run — distracted by the dew point and the marshall hill — but when I finished, I felt a heaviness: hormones. The NP agrees: perimenopause. The good news: I’m healthy, the new NP I went to is awesome, I don’t feel anxious, I have an order in for an SSRI (lexapro). The bad news: I feel bummed out (depression doesn’t quite fit, I think), there’s some problem with insurance so they can’t fill the prescription so I have no idea when I can actually start taking the medication. But it’s June, I have several cool books to dig into, and I just got a hug from my daughter so I’ll be okay.

10 Things

  1. the red of a cardinal seen as a flash
  2. one small white boat on the river
  3. shadow falls falling, sounding like silver
  4. the smell of breakfast at Black — faint, sweet
  5. pink peonies about to pop
  6. click clack click clack — a roller skier’s poles: orange happiness
  7. the strong smell of fresh green paint on the base of a streetlamp
  8. the next streetlamp base: disemboweled, gray wire guts hanging out
  9. a purple greeting: morning! — good morning!
  10. a group of people in bright yellow vests laughing and walking on the road near the Danish American center — why?

added a few hours later: When writing this entry, I forgot about all the chanting I did. Started with triple berries:

raspberry strawberry blueberry
strawberry blueberry raspberry

Then added in some other 3 beat words:

intellect mystery history
remember remember remember

Then played with remember:

remember
try to re

member try
to remem

ber try to
remember

Then I decided to chant some of my favorite lines from Emily Dickinson:

Life is but Life
and Death but Death
Bliss is but bliss
and Breath but Breath

Life is but life is but life is but life
Death is but death is but death is but death
Bliss is but bliss is but bliss is but bliss
Breath is but breath is but breath is but breath

Life life life life
Death death death death
Bliss bliss bliss bliss
Breath breath breath breath

something important to remember: Donald Trump was convicted on all 34 counts of falsifying business records. He is now a felon and will be sentenced on July 11th. He can still run for office, but most likely won’t be able to vote (for) himself.

I’d like to focus on color this summer: June, July, and August. I’m not sure how I’ll do it, yet. Will I break it down my color? Possibly. Yesterday I picked up 2 color books that I had checked out 4 or 5 years ago. I’m anticipating that I’ll find them more useful now: The Secret Lives of Color and Chroma.

I also checked out Diane Seuss’ latest, Modern Poetry. Here’s one of her poems with some color in it:

Legacy/ Diane Seuss

I think of the old pipes,
how everything white
in my house is rust-stained,
and the gray-snouted
raccoon who insists on using
my attic as his pee pad,
and certain
sadnesses losing their edges,
their sheen, their fur
chalk-colored, look
at that mound of laundry,
that pile of pelts peeled away
from the animal, and poems,
skinned free of poets,
like the favorite shoes of that dead
girl now wandering the streets
with someone else’s feet in them.

At the beginning of the book, Diane Seuss offers a quote from Wallace Steven’s poem, Man with Blue Guitar, which I first learned of while reading Maggie Nelson’s Bluets. It is a long poem, so I won’t include all of it, just the part that Seuss quotes, with a few lines before that too:

from The Man with the Blue Guitar/ Wallace Stevens

Here, for the lark fixed in the mind,
in the museum of the sky. The cock

will claw sleep. Morning is not sun,
it is the posture of the nerves,

It is as if a blunted player clutched
The nuances of the blue guitar.

It must be this rhapsody or none,
The rhapsody of things as they are.