Tag: Jane Hirshfield

april 22/WALK

45 minutes
winchell trail south / folwell bench
58 degrees

Wow wow wow! Spring. Little explosions of bright green everywhere — out of sidewalk cracks, under fences, on slender branches. I think explosion is the right word — not pops or flashes, well maybe flares. Almost overnight, green! Not yet annoying or oppressive; I still have my view of the gorge and the other side. I could see fuzzy details, branches, rippling water, houses, but what I felt was the horizons of gray (river), brown (shore/trees), and blue (sky). 3 distinct lines dividing my view into 3 colors.

Delia and I walked to the river then down the uneven wooden steps to the trail. We walked even slower than usual to let two walkers move past. One of them was talking about a friend (or a partner?): we’re both from the same town, and we went to the same school! I smiled and greeted a friendly runner, called out Hi Dave! to Dave. Delia jumped up and walked all of the walls on the trail. We ended at the folwell/the WWDD bench (see below) and sat for a moment, taking in the view.

10 Things

  1. the air was hazed with humidity, making everything look even fuzzier, more distant
  2. minneapolis park workers have cleared out old trees in the savanna, turned them into mulch that they put on the trail
  3. the small rise up to the paved trail is more visible now — all dirt and dead leaves and stubs of tree trunks
  4. the cave below the limestone ledge in the ravine seems to be expanding — how long is this process? how long before the ledge collapses?
  5. mud on the part of winchell on the hill between the savanna and the 38th street steps
  6. the repeated honk from a lone goose, below us. It always seemed the same distance from us. Was it following us, or taking a walk with us?
  7. a loud, rhythmic clanging above us that I couldn’t quite place. A thought: was it someone banging on a fire hydrant to open it up? Near the end of my walk, I saw one open and gushing water
  8. sitting at the folwell bench, overheard — an older walker to a younger one: we haven’t even gone 20 minutes yet
  9. someone pushing a walker through the grass on the boulevard between edmund and the river road, stopping to check out each tree
  10. the husk of some big trees leaning at awkward angles in the oak savanna

A wonderful walk! I felt relaxed and calm and grateful to be outside and moving (without pain) this morning.

before the run

Reading through my “on this day” entries from past april 22nd entries, I was inspired by Mary Oliver and a little old lady walking and listening to a radio and a bench dedicated to a woman who fell through the ice one winter and a fragment overheard on the little old lady’s radio — this is why we are all here — especially the this, which is echoed in Marie Howe’s poem, The Gate. Instead of trying to explain these connections–entanglements?– I’ll gather them here:

1 — the little old lady

For the third time, encountered the little old lady walking with her hiking poles listening to a radio show or an audio book or something. Today I heard, “which reminds us of why we are all here.” Decided that I should create a poem or some piece of writing around this phrase. This phrase could be the title or the ending line of the whole poem or a sentence or a refrain (5 aug 2019).

…the little old lady slowly shuffling by, swinging her hiking poles, a voice TED-talking out of her phone’s speaker reminding you that this is why we are all here. Do not bother the bench resting on the rim of the gorge to ask what this is (22 april 2022 — a draft of my poem).

note: reviewing these entries, I’m noticing how I changed what I heard from “reminds us why” to “this”. I’m almost prefer the original — the reminder, that doesn’t have to be the answer, just a pointing to it — a finger pointing! a definition of poetry!

2 — The Gate

from The Gate/ Marie Howe

This is what you have been waiting for, he used to say to me.
And I’d say, What?

And he’d say, This—holding up my cheese and mustard sandwich.

And I’d say, What?
And he’d say, This, sort of looking around.

3 — This is why we are all here

which reminds us why we are all here…

We are here. Me and joints and muscles and bones and ligaments and lungs. Us. me
and blood and cells and electrolytes and sweat and saliva. we. me
and hands and feet, a heart, two diseased eyes, a knee that displaces. we. me
worn out running shoes, threadbare worries. we. me
and those oak trees, that wrought iron fence, this rutted, dirt path, that short, steep hill. we. me river. that we are here with the old woman who slowly shuffles in her straw hat with her hiking poles and a voice that calls out from her radio speakers, “which reminds us why we are all here.”
here. above the river and the gorge and the floodplain forest, below the bike path and the road, the cars and the boulevard.
here. in this heat and humidity and haze. here. on a monday morning. here.

We are all here.

(from 22 april 2022)

4 — Mary Oliver

Reading MO, I’ve noticed, and have been trying to articulate, a tension in her poems between the I, the World, Nature, God, Eternity, Work. This tension seems to take many forms and MO imagines it to be endlessly intriguing and part of the process of living. Never to be resolved but to be puzzled over. One element of this tension involves the plight of the human—born to doubt and argue and question what it all means, to be both brought closer to and further away from the world by language and the power and beauty of words, which are never as powerful or beautiful as the world itself. To want a name and a useful place, to claim a life, but also to belong to the world, to be “less yourself than part of everything.”

(from 22 april 2021)

From The Book of Time in The Leaf and the Cloud

5.
What is my name, 
o what is my name
that I may offer it back
to the beautiful world?

from “Gravel” in The Leaf and the Cloud

6.
…
It is our nature not only to see
that the world is beautiful

but to stand in the dark, under the stars,
or at noon, in the rainfall of light, 

frenzied, 
wringing our hands, 

half-mad, saying over and over:

what does it mean, that the world is beautiful—
what does it mean?

5 — the words/reminder

from “Work” in The Leaf and the Cloud

3.
Would it be better to sit in silence?
To think everything, to feel everything, to say nothing?

This is the way of the orange gourd.
This is the habit of the rock in the river, over which
the water pours all night and all day.
But the nature of man is not the nature of silence.
Words are the thunders of the mind.
Words are the refinement of the flesh.
Words are the responses to the thousand curvaceous moments—
we just manage it—
sweet and electric, words flow from the brain
and out the gate of the mouth. 

We make books of them, out of hesitations and grammar.
We are slow, and choosy. 
This is the world.

Words can help us to remember a beloved but long dead dog:

And now she’s nothing
except for mornings when I take a handful of words
and throw them into the air
so that she dashes up again out of the darkness,

5 — the bench

I have run by this bench hundreds of times, stopped and sat once or twice, even wrote about it, but I’ve never noticed this small plaque on it. How did I see it today? I love these little surprises, just waiting to be found! I had no idea what this plaque meant — WWDD? I looked it up and found a facebook page for the Rachel Dow Memorial. Wow. She was loved by so many. I read a little about her life — a passionate, social justice minded, free-spirit — and her death — she fell through the ice at the river and died of hypothermia. Maybe I’ll write a poem about her and the others I’ve found through their plaques. All of them share with me a deep love for this river. And maybe one day, I’ll have a plaque there too (from 8 sept 2022).

6 — Jane Hirshfield

Termites: An Assay/ Jane Hirshfield

So far the house still is standing.
So far the hairline cracks wandering the plaster
still debate, in Socratic unhurry, what constitutes a good life.
An almost readable language.
Like the radio heard while traveling in a foreign country—
You know that something important has happened, but not what.

What to do with all of this? I’m not quite sure yet.

during the run

Occasionally, I thought about these ideas as I walked, and when I sat on the folwell bench. What did I think? I hardly remember. Once, I thought about how words were not the most important part, that being out there by the gorge, feeling everything was.

dec 24/WALK

1 mile
neighborhood
28 degrees

It seemed colder than 28 degrees as Scott and I took Delia on a walk this morning. Damp. It looks like snow, but hours later as I write this, it still hasn’t started. The sky is a heavy white. There was some ice on the sidewalk — thin, almost invisible patches. Conscious of my vision, Scott pointed them out. It’s strange how my vision works; I was able to see all of them. I think it’s because of the texture — the icy patches make the concrete just a little bit shinier.

10 Things

  1. good morning! greeted a neighbor on the next block — the one with the cat (matt) who rules the sidewalk and the very cool poetry station. I thought about asking his about it, but didn’t — next time!
  2. most of the ice was in the usual spots — the places where ice always forms because of the slope of the ground or the way a drain pipe is positioned
  3. a dog’s sudden appearance on the other side of a fence startled, then delighted me
  4. the soft tinkling of a collar, almost sounding like a bell
  5. Dave the Daily Walker in the distance
  6. the decorations in the trees of a house on the corner of 28th — over-sized ornaments in soft colors
  7. noticing the contrast colors of a house, wondering to Scott, didn’t that house used to be all one dark color? He couldn’t remember, but I do, now. I’ve written about this house before and its once purple door
  8. I’m not sure what we were talking about but I have no memory of what I saw or smelled or heard for the next couple blocks
  9. oh! one thing I remember now: the beautiful frosty pattern of icy leaves etched on the sidewalk — the leaves were gone, but had let their prints
  10. Delia’s wagging tail as we neared our garage — are we almost home? (wag wag wag)

A few hours ago, before our walk, I did my standard 30 minutes for flexibility yoga. Wow! It felt so good and made me very relaxed. As I stretched, I had a thought about my series of Haunts poems: break up the long 5 syllable sections with some short lines from other writers (mostly poets) that I fit into my 3/2 patter. I call them for fitters. I’m thinking of these kind of like Jane Hirshfield’s pebbles or Mary Oliver’s sand dabs or Victoria Chang’s tankas in Obit. I’m also thinking of them because of the poet Sparrow, who I just learned about in Lydia Davis’ essay on form. Sparrow wrote an entire series of “translated” New Yorker poems.

I thought I had written about the sand dabs and pebbles on here before, but I can’t find anything:

A Year with Mary Oliver posted all 9 of MO’s sand dabs on instagram! Here’s an explanation of the form:

(Sand Dabs 1/9) Over the next nine days, we’ll be sharing each of Mary’s nine “Sand Dabs.”

As Mary wrote in the footnote of Long Life: “The sand dab is a small, bony, not very significant but well-put-together fish.” 

The incomparable @mariapopovadescribed “Sand Dabs, One” as “just a few lines, largehearted and limber, each saturated with meaning and illustrating the principle it espouses in a clever meta-manifestation of that principle embedded in the language itself.”

The remaining eight also fit that description.

They read like many of the excerpts from Mary’s notebook (which she shared in the essay “Pen and Paper and a Breath of Air,” found in Blue Pastures)—free form noticing and thoughts, in list form. 

All nine Sand Dabs are scattered throughout four of Mary’s less frequently visited books: Blue Pastures, West Wind, Winter Hours, and Long Life. She wrote them over the span of nine years. Just adding more as she went along. 

We weren’t able to find any place where all nine lived together. It was fun to collect them from their disparate pages, put them together, and read them all in a row.

Mary Oliver’s Sand Dabs

And here’s a Pebble from Hirshfield:

Retrospective/ Jane Hirshfield

No photograph or painting can hold it—
the stillness of water 
just before it starts being ice.

The mention of ice reminded me of a wonderful description I found in the novel I just started reading, A Little Stranger/ Sarah Waters:

I recall most vividly the house itself, which struck me as an absolute mansion. I remember its lovely ageing details: the worn red brick, the cockled window glass, the weathered sandstone edgings. They make it look blurred and slightly uncertain–like an ice, I thought, just beginning to melt in the sun.

The Little Stranger/ Sarah Waters

jan 23/RUN

4.1 miles
minnhehaha falls
31 degrees / 50+% thin, slippery ice
wintery mix

Stepped outside and felt the sidewalk — at first, it seemed fine, but at the end of the block I realized a lot of it was covered in an invisible sheen of ice. Oh well, too late to turn back. It was never really a problem, although it was pretty slick on the cobblestones at the falls. But I didn’t fall; barely even slipped! Waved a greeting to Santa Claus, heard the kids at the playground, noticed 2 people hiking below under the falls. I watched them step over the rope blocking off the trail.

Stopped at my favorite spot to put in a playlist. Before I started running again on the ice, I took this short footage of the falls:

the falls falling between 2 columns of ice / 23 jan 2024

10 Things Not Seen

  1. the thin layer of ice on the sidewalk and the path
  2. the exact temperature, but I knew it was warm because of how energetic the kids on the playground were
  3. a runner, approaching. I thought I had seen a biker so I was looking for them, meanwhile a runner was approaching me and I had no idea. Saw him a couple seconds before I might have run into him
  4. open water — the river is iced over
  5. the light rail, but I heard its bell as I ran through the park
  6. my shadow — too gloomy and gray
  7. light rain falling — barely felt it either
  8. no fat tires or Daily Walkers or bright blue running tights
  9. the woodpecker knocking on dead wood in the gorge
  10. my breath — too warm today for that!

before the run

I was just about to write that I’ve moved on from windows — my January challenge — to assays and not seing but in midst of thinking it I conjured a new version of windows that I’d like to ruminate on for a moment: a window opening. I like the slight difference that exists between an open window and a window opening. An open window is already open, but a window opening captures the moment when the air first enters and new understandings arrive.

Side note: Suddenly while writing this, I remembered a mention of windows that is almost entirely unrelated to the last paragraph except for it involves windows and not knowing how to open them. I just finished the gothic horror novel. A House with Good Bones by T. Kingfisher. I don’t want to spoil it for anyone else reading this, but near the end some monstrous creatures are attempting to open a window but they don’t know how. If they did, it would be the end for the main character and her companions. I’ve already returned the book (bummer) or I’d post the actual description here of the strong creatures flailing and not understanding the concept of a window — it’s gross and disturbing and compelling and not recommended when you’re eating lunch (which I was).

I’m about to go out for a run. I’ll try to think about opening windows or windows opening.

during the run

I imagined I might have a few moments where something I noticed felt like a window opening. I didn’t. About a mile in, I decided to do triple beat chants with the word: op en ing/ op en ing — then, op en ing/wel com ing/ won der ing. Thought about the openness of opening versus the confinement of closed, or even closing. After chanting opening for a few minutes, I remember lifting out of my hips and leading with my chest — an opening of my body.

after the run

Walking back after I finished my run, I listened to The Woman in the Window. I heard this and it got me thinking:

“And what’s going with the rest of the block?”

I realize I have no idea. The Takedas, the Millers, even the Wassermen–they haven’t so much as pinged my radar this last week. A curtain has fallen on the street; the homes across the road are veiled, vanished; all that exists are my house and the Russells’ house and the park between us.

Not seeing: being so preoccupied/obsessed with something that everything else doesn’t exist.

Then the narrator continued and I thought some more:

I wonder what’s become of Rita’s contractor. I wonder which book Mrs. Gray has selected for her reading group. I used to log their every activity, my neighbors, used to chronicle each entrance and exit. I’ve got whole chapters of their lives stored on my memory card.

Before the run I had been thinking about what it means to not see. I’d also been thinking about what it means for me to see. I might turn both “Not Seeing” and “Seeing” into poems and submit them to Couplet Poetry for their submissions window next month. Anyway, listening to the first bit from The Woman in the Window, I suddenly thought about how an obsession, being preoccupied with something, like whether a neighbor has been murdered, makes one myopic. And then listening to the second bit, I thought about the new way I see by making note of everything, slowly, habitually noticing all the small, seemingly unimportant and peripheral moments. This is how I see now: moment on moment on moment.

Here’s a poem by Jane Hirshfield. It’s in her “assay” form, which I’ve been studying for the past few days. As I understand it, an assay explores, imagines, tries out different meanings of a word or a concept. Is this an assay about “moment” or am I’m misunderstanding the poem?

Assay Only Glimpsable for an Instant/ Jane Hirshfield

Moment. Moment. Moment.

–equal inside you, moment,
the velocitous mountains and cities rising and falling,
songs of children, iridescence even of beetles.

It is not you the locust can strip of all leaf.

Untouchable green at the center,
the wolf too lopes past you and through you as he eats.

Insult to mourn you, you who mourn no one, unable.

Without transformation,
yours the role of the chorus, to whom nothing happens.
The living step forward: choosing to enter, to lose.

I who am made of you only
speak these words against your unmasterable instruction–

A knife cannot cut itself open,
yet you ask me both to be you and know you.

jan 20/RUN

4.35 miles
minnehaha falls and back
5 degrees

Back outside! Cold, but much warmer than Tuesday. Low (ish) wind, plenty of sunshine, clear paths. I felt a little tired and sore, but still happy to be outside. Was planning to do my usual routine of running without music, then putting some in at my favorite spot by the falls, but I forgot my headphones. Oh well, if I had been listening to music I might not have heard a goose honking.

10 Things

  1. startled some birds in the brush on the path near the ramp that winds down to the falls bridge — some rustling noises, then a silver flash as the sun caught the feathers on one of the bird’s wings — it reminded me of Eamon Grennan’s line about a lark’s silver trail in Lark-luster or EDickinson’s silver seam in A Bird, came down the Walk
  2. the falls were hidden behind columns of ice
  3. a few people (3 or 4?) walking on the frozen creek, admiring the falls from up close
  4. falling water sound: tinkling, sprinkling, shimmering
  5. the creek was frozen over, with just a few open spots where the water flowed beneath it
  6. running past the stretch of woods near the ford bridge — all the leaves are gone, the small rise up to the bridge fully visible
  7. crunch crunch crunch as my feet struck the ground — not slippery or hard or too soft
  8. my shadow, sharp lines, solid, dark, lamp post shadow, softer, fuzzier
  9. the rhythm of a faster runner’s legs as they passed me — a steady lift lift lift — so graceful
  10. a lone geese honking — not seen, only heard

Somewhere near the Horace Cleveland overlook (near the double bridge), I thought about interiors and exteriors and how you can look in or out of windows and then outside as the abstract/thinking/theorizing/writing and inside as the body. I want to remove the barrier between these, to mix writing with being/doing/moving as a body. Then lines from Maggie Smith’s “Threshold” popped into my head: You want a door you can be on both sides of at once. You want to be on both sides of here and there now and then…Yes, I do.

added 21 jan 2024: Reading through a past entry this morning I suddenly remembered the black capped chickadee calling out their fee bee song so loudly as I ran up the hill between locks and dam no. 1 and the double bridge. Wow! I recall thinking they were in beast mode (a reference to Michael Brecker and how some people describe his playing).

Jane Hirshfield’s Ten Windows, Chapter 6 (Close Reading: Windows)

Many good poems have a kind of window-moment in them–they change their direction of gaze in a way that suddenly opens a broadened landscape of meaning and feeling. Encountering such a moment, the reader breathes in some new infusion, as steeply perceptible as any physical window’s increase of light, scent, sound, or air. The gesture is one of lifting, unlatching, releasing; mind and attention swing open to new-peeled vistas.

windows offer an opening, a broadened landscape, fresh air, a lifting, unlatching, releasing, expansion, an escape or a way into somewhere else

In this chapter, Hirshfield does a close reading of ED’s “We Grow Accustomed to the Dark” — yes!

I have called the third stanza (And so of larger — Darkness –/Those Evenings of the Brain –) the poem’s first window, but for me, the true window in Dickinson’s poem is contained in one word; its quick, penultimate, slipped-in “almost.” (And Life steps almost straight). The effect is so disguised it feels more truly trap-door than window: On this close-to-weightless “almost,” the poem’s assurance stumbles, catches. Its two syllables carry the knowledge that there are events in our lives from which no recovery is possible.

I love Emily Dickinson’s almost in this poem. The space it gives — the possibilities — for living your life otherwise. It seems that Hirshfield reads this almost as unfortunate — you almost made it back to your normal life after the darkness, but not quite. I don’t. There’s so much room (and a lot less pressure) in the almost! So much to write about this idea, so little time right now.

In the chapter, Hirshfield references a “popular” Dickinson poem that I’ve never encountered before:

The Brain — is wider than the Sky — (1863) J632/ Emily Dickinson

The Brain — is wider than the Sky —
For — put them side by side —
The one the other will contain
With ease — and You — beside —

The Brain is deeper than the sea —
For — hold them — Blue to Blue —
The one the other will absorb —
As Sponges — Buckets — do —

The Brain is just the weight of God —
For — Heft them — Pound for Pound —
And they will differ — if they do —
As Syllable from Sound —

I’d like to put this into conversation with my mid-run ideas about the body and the mind — maybe add Mary Oliver’s ideas about the difference between a poem and the world from The Leaf and the Cloud too.

jan 11/RUN

4 miles
almost to franklin and back
15 degrees / feels like 0

Okay winter! A good run even though my legs felt heavy and tired for the first mile. And I was cold — felt it in my lungs. Saw Dave, the Daily Walker, and when he asked, how are you doing?, I replied: I’m cold! To which he said, that’s Minnesota or something like that. The sun was out today and I think I remember admiring my shadow. Heard some strange, almost strangled, noises down in the gorge. Probably honking geese, or maybe a feral kid having fun? Encountered at least one fat tire, a few walkers, no roller skiers. The walking path was covered in slippery snow, but the bike path was almost completely clear. The sky was blue, the trees were empty, the river was? I know I looked at the river, but I don’t remember what color it was or if it had more ice on it.

layers I started in: 2 pairs of black running tights; a bright green tank top; a previously bright green base layer shirt with the sleeves over my thumbs; a purple jacket zipped up to my chin; a pink and orange buff covering my neck and ears; a black cap with fleece lining and ear flaps down; gray socks; raspberry red shoes; 2 pairs of gloves — inner ones were black, outer bright pink with white stripes.

layers I ended in: 2 pairs of black running tights; a bright green tank top; a previously bright green base layer shirt pushed up on my arms a little; a purple jacket unzipped a few inches; a pink and orange buff around my neck; a black cap with fleece lining and ear flaps up; gray socks; raspberry red shoes; 1 pair of black gloves — the bright pink ones were in my pocket.

Listened to my breathing, cars, geese as I ran north. Put in my new “Windows” playlist (see below) on the way back south.

Interruption: An Assay/ Jane Hirshfield

Sometimes you took the shape
of an unseen mosquito,
sometimes of illness.

Presumed most of the time to be passing,
yet importunate as a toddler
who demanded her own way,
as a phone that would not stop ringing long after it should.

Unignorable pavement slap of the gone-flat tire.

All afternoon the thunder was interrupted by sunshine.
All night the rain was interrupted by trees and roofs.

And still, as rusting steel is uninterrupted by dryness
and hunger uninterrupted by sleep,
interruption and non-interruption sat in the day’s container
as salt sits in milk, one whiteness disguised by another.

As a fish in a tank is interrupted by glass, and turns,
a person’s fate is to continue
despite,
until.

Death: an interruption not passing,
weighing
one hundred and fifty-eight pounds,
carried on cut plywood with yellow straps.

Birth: an interruption between
two windows,
trying to think of any joke, any tune, that is new.

Between them:

this navigation by echolocation and lidar,
the weathers of avalanche, earthquake, tsunami,
firestorm, drought;
a moment that sets down—gently, sleepily—its half-read novel
on a bedside table whose side turned toward the wall stays unpainted,
confident the story will be there again come morning.

definition of an assay

Assays began with a poem written after I’d reread Edgar Allan Poe’s stories while writing an essay on how hiddenness works in poems. Some of the qualities of essay exploration and prose step lingered in its music and mode of thinking. At the time, I was regularly seeing the journal Science. On the back would often be advertisements for half-million-dollar machines for performing assays. That word—close to essay and sharing its root in the idea of an attempt, a try—refers to discovering a thing’s nature by breaking it into its elemental parts. The poem became ‘Poe: An Assay.’ That approach to writing, of testing a subject for its discoverable parts, imaginative and factual, caught. I began writing others. ‘Judgment: An Assay.’ ‘Tears: An Assay.’ ‘And: An Assay.'”

Jane Hirshfield

assay (def): the testing of a metal or ore to determine its ingredients and quality

my own interruption

Sitting at my desk, in front of my window, half-listening to the latest Foo Fighter album, an interruption — lyrics: there is something between us/I see right through/waiting on the other side of the glass. A window interrupting me! It’s strange how interruptions work. I’ve written/taught/spoke about the learning to let the world interrupt you. Maybe it’s not about letting the world interrupt you — it will do that anyway — but being open to that interruption, letting it in — opening the window to it?

a few more random window references that recently interrupted me:

  • Maria in The Sound of Music: “When the Lord closes the door, somewhere he opens a window.”
  • She Came in Through the Bathroom Window/ The Beatles
  • My Own Worst Enemy/ Lit — came in through the window last night (thanks Scott)

With all three of these examples, I’m thinking about the window and how it’s not a door. And in The Beatles and Lit examples there’s something not-quite-right, not normal, unacceptable about entering through the window. Using the window instead of the door is another way of saying something about your life is fucked up.

  • unrelated to these other examples, the scene of the window in The Amityville Horror– 1979 (iykyk) — I still think about that window falling on the kid’s hand sometimes. I’m not sure I’ve seen the whole movie — maybe I watched this bit on HBO and was too freaked out to watch the rest?
window pain!

Okay, now I want to make a window playlist to listen to as I think more about windows! (after the run): I did, and I listened to the first

Window/Fiona Apple
Window/Genesis
Window/Mountain Man
Smokin Out the Window/Silk Sonic
Keep Passing the Open Windows/Queen
Lookin’ Through the Windows/Jackson 5

oct 27/RUN

2.7 miles
2 trails
37 / feels like 29
wind: 15 mph

Okay winter. Wore tights under my shorts, a long-sleeved shirt under my sweatshirt, gloves and a buff. The only part of me that was cold: my ears. Now, sitting at my desk, they burn. Blustery out there. Swirling wind. A few times I mistook a falling leaf for a flying bird, which was very cool to see. A brown bird, floating by.

My legs were sore. I’m eager to get my blood checked at my physical in a few weeks. My iron might still be low. Until then, more burgers and a new multi vitamin that’s not quite a choking hazard.

10 Things

  1. more of a view today: cold blue water through the remaining red and yellow leaves
  2. slippery leaves covering the trail — don’t fall!
  3. near the sidewalk at 36th and 46th: a deep hole, dug up by the city workers, not as neat or wide as the holes carved out on our street, more like a gash or a missing chunk ripped out
  4. walkers bundled up in winter coats with hats and gloves
  5. the entrance to the Winchell trail, which was shrouded in yellow the other day, was open and bare today
  6. dripping water at the ravine — drip drip drip
  7. looking down at the gorge from the edge, a pleasing palette: steel blue, dark green, gray, brown
  8. a brown leaf fluttering by my face, looking like a floating bird
  9. at least 3 or 4 lonely, empty benches
  10. a kid’s voice below — would I encounter them later? Yes

Revisiting a poem I posted on this day in 2020, My Doubt/ Jane Hirshfield, these lines reminded me of something:

the lines:

I would like
to grow content in you, doubt,
as a double-hung window
settles obedient into its hidden pulleys and ropes.

the something:

Dance with the pain 

That last one is something I describe a lot. What does that even mean?
It means to greet the pain or discomfort like an old friend. Know that it’s always there waiting for you. If you accept it, and envision yourself enjoying its company, it’s much more manageable.

from a race recap at the Chicago Marathon — @emmajanelbates

Being content with the doubt and greeting pain as an old friend. Accepting doubt and being content with it I think I can do, but befriending pain? I’ve been trying to work on that as part of this larger writing/living/moving project. The pain I’m thinking of is the pain in my knees or my back or my hips, but it’s also other, deeper pains: the pain of aging, loved ones dying, living within a body that doesn’t work as well. Not sure if I’d call it a friend yet, more like acquaintances. I think it’s possible, but what does enjoying the company of pain look like, outside of the model of sadomasochism?

oct 13/RUN

3 miles
treadmill, basement
outside: rain, all day

My first treadmill run since last February. Wow. I listened to “Nobody Asked Us,” the podcast with Des Linden and Kara Goucher, and it helped make the time go by faster. Running inside is fine, but rarely inspiring. Sometimes a podcast or audiobook helps.

Can I possibly create a list of 10 things I noticed? I’ll try:

10 Things

  1. My treadmill faces a window that is covered over and under our deck, so no view, only dark emptiness — and the reflection of a lit bulb, looking like a full moon in a starless sky
  2. my feet hurt for the first mile; I think it might be my shoes
  3. I didn’t wear a hat or a headband and fine bits of my hair kept slipping out of my ponytail
  4. at one point these fine strands were standing straight up — static from running on the treadmill?
  5. later, these same strands were wet, dripping with sweat, and plastered against my neck
  6. hard to get into a rhythm at the start; my feet felt heavy
  7. 10 minutes into the run, everything lightened up and I felt like I was floating above the treadmill
  8. several times, my hand hit the front bar — I like to run close to the front
  9. my cheap treadmill works just enough, but not well. It won’t start until the speed is at almost 2, then it goes faster than the speed on the screen. If you adjust the speed too many times, the numbers on the screen get all scrambled. This happened today, and for over half of the run I was staring at strange, squiggly lines instead of numbers
  10. I didn’t hear or see it, but I thought about the mouse (or mice) that are probably sharing space with me down in the basement. I imagined one of them running across my feet

Did it! These things were not really about a place, but about my body. Maybe this winter, when it’s too dangerous to be outside, I should try some experiments with noticing and focusing on my body moving?

Discovered this poem the other day:

It Must Be Leaves/ Jane Hirshfield

Too slow for rain,
too large for tears,
and grief
cannot be seen.
It must be leaves.
but broken
ones, and brown,
not green.

Speaking of the phrase, it must be, I came up with a title for my poem about the color yellow, which ends with the idea that some things will always be yellow, even when I can’t see them. The title? If it’s a banana, it must be yellow. This title was inspired by a science article with the same name: If it’s a banana, it must be yellow: the role of memory colors in color constancy

july 28/SWIM

4 loops
lake nokomis open swim
71 degrees

Yesterday, it was very windy and HOT — upper 90s with feels like temp of over 100 — so I decided to skip open swim last night. I’m glad I did. I think I would have been sore and tired, having battled the wind and the waves. Instead today was a great swim. Calm water and not too crowded. I felt strong and fast and confident.

Again, I couldn’t see the orange buoys, but it didn’t matter. I was fine. I’ve been writing for years about how I can’t see those buoys. Slowly, what it means to “not see the buoys” has changed. It used to be, I only see the buoys every few minutes, not all the time, or, I only see the flash of orange or a small orange dot. But today, on the way to the little beach, swimming into the sun, I only saw the buoys out of my peripheral as I swam by them, never when I was trying to sight with them. Looking straight ahead, using my central vision, I only saw glare and water, trees, and sky. This did not worry me at all. The only time I could see an orange buoy with my central vision, and again, just barely, was after I rounded the second green buoy as I swam back to the start of the loop. Mostly I could see the green buoys as the idea of green or a small green dot. One time, as I got closer (but I was still 50+ yards away), I knew I was heading toward the second green buoy but I couldn’t actually see it. I paused, lifted my head high out of the water, then turned to look out of my peripheral. There it was. When I looked through my central vision again, I could see it because now my brain knew where it was. That’s one way my brain compensates for bad cones.

On the back half of loops 3 and 4, I recited A Oswald’s “Evaporations,” A Sexton’s “A Nude Swim,” and T Hoagland’s “The Social Life of Water.” Fun! I like reciting these poems. I thought about Sexton’s line, we let our bodies lose all their loneliness and Hoaglund’s lines, all water is a part of other water and no water is lonely water. Also thought about Ed Bok Lee and his idea of water as wise, ebullient, and generous in “Water in Love.” I tried to love like the lake loves, open and generous to everything and everyone. I gave attention to feeling not lonely — connected, entangled, beholding and beholden by the fish or the lifeguards, the other swimmers, the buoys.

10+ Lake Companions

  1. the woman who, as she neared the safety boat by the lifeguard stand on the beach to drop off her stuff, called out, I forgot my cap in the car! Then later, when I asked, pointed out the far orange buoy to me
  2. the lifeguard on the shore, speaking into her walkie talkie, instructing the lifeguards where to place the buoys
  3. the swan boat, far off to my left
  4. the plane sharply ascending above me
  5. the small piece of debris that I accidentally swallowed then felt as it briefly got stuck in my throat
  6. the small piece of debris that somehow got trapped in my googles, then in my eye until I blinked it out
  7. the swimmers with bright pink buoys tethered to their torsos
  8. one of the few swimmers wearing a wet suit on this warm morning
  9. the breaststrokers
  10. the women giggling and calling out to each other as they approached the first orange buoy
  11. the woman discussing her swim with another swimmer after she was done, I’m slow, very very slow

All of us, together, loving the lake and each other.

Before my swim, I read a great interview between two writers discussing illness and the writing life, Sick and Writing: Two Poets Converse. Here are some passages from it that I’d like to remember and reflect on:

detection, diagnosis, disease

poetry is not so much a means of healing as it is a method of detection, occasionally therapeutic but essentially diagnostic. Which of course implies that poetry is rooted not only in dis-ease but in causes hidden.

Jennifer Sperry Steinorth

to articulate what this singular life is like, in the thick of it

Not that we’re writing to solve the mystery of being; it’s more the need to see clearly. To look at the undersides of leaves, to watch butterflies emerge from their chrysalises. To be amazed. To look at the adventure of our infirmities, even. As Marianne Boruch said, it’s about detection.

*

I’ve wondered if I write them [emotions] to feel in control, to feel in connection with others who suffer, or simply to articulate what this singular life is like, in the thick of it.

Fleda Brown

on erasures

I like the idea of receptivity with regard to erasure. I have often used the metaphor of excavation to speak of that work, though I too balk at the idea that I am digging up something that already exists, something latent in the text. Rather, it is as if I am excavating the dead from a text that buried them—a kind of channeling.

JSS

trying to find the awe in awful

The word awful has awe in it, but when I feel awful it doesn’t feel like awe—maybe it should. Pain alienates us from one another, from ourselves, and from language. It disrupts connectivity. But through writing or other forms of making, we struggle against that disconnect.

jss

on taking walks in order to face the lion

 I sometimes need multiple walks a day; movement outside in the ordinary splendor of the world allows me to enter the tragic spaces of the past and the ongoing darkness in the world and in myself, without being swallowed by it. Jane Hirshfield talks about this in her wonderful essay “Facing the Lion,” inspired in part by Allen Ginsberg’s poem “The Lion for Real,” “The trick then is to let the lion into the house without abandoning one’s allegiance to the world of the living: to live amid the overpowering scent of its knowledge, yet not be dragged entirely into its realm.” Moving my body out in the world—outside the intimate spaces where I write—being in conversation with others—all of these help me hold the dark and light together. That this work demands so much discipline—even when I feel otherwise stable—speaks to the toll our work can take.

jss

the relief of a diagnosis

 Sometimes when I tell people my diagnoses they tell me they are sorry, and I understand they think the diagnoses are awful, and I get that, but I am so thankful for the diagnoses. It’s such a relief to know what’s wrong—even when nothing can be done to fix it.

Maybe knowing what’s wrong—the diagnosis—helps us—if not to fix what’s wrong, then to adjust our mind to new uncertainties—to let something go?

jss

Discovered that Fleda Brown has a wonderful blog, The Wobbly Bicycle. I’ll have to keep checking it out!

Here’s the poem-of-the-day from yesterday. If I had swam last night, I would have posted it then. It’s fitting for my swim this morning, thinking about my love for/of others in the water. Also, it’s a nice nod to the swimmer I heard after I exited the lake who said she was slow, very very slow.

Romance/ Susan Browne

I swim my laps today, slowly, slowly,
reaching my arms out & over, my fleshly oars,
the water silken on my skin, my body still able
to be a body & resting at the pool’s lip,
I watch other bodies slip through the blue,
how fast the young are
& how old they become, floating, floating,
forgetting the weight of years
while palm trees sway above us,
a little wind in the fronds, children playing
in the fountains, one is crying, one is eating
a peanut butter & jelly sandwich, I’m hungry
& wonder, has everything important happened
& what is more important than this,
like a secret adventure, like an affair I’m having
with everyone I see, their soft or washboard bellies,
their flat or rounded butts, their rippling hair
or shiny domes, their fragile ankles,
their beautiful bones, all our atoms swimming, swimming
& making us visible & I shove off the wall,
reaching my arms out, embracing the whole
magic show, with ten more laps to go.

june 26/BIKESWIMBIKESWIM

bike: 8.5 miles
lake nokomis and back
66 (to lake) / 69 (from lake) degrees

Hooray for new tires! The dappled sunlight was a little disorienting, but otherwise I could mostly see. There was something I wanted to remember about the bike ride but I had to take a few hours break before writing this and now I can’t remember what it was. Oh well. Encountered other bikers, walkers, runners, strollers, and one surrey.

swim: 2 loops (8 mini beach loops)
lake nokomis main beach
67 degrees

An excellent swim! Even with the wind and the cooler air temperature it was great. For most of the swim, I had the lake to myself. It was a little choppy and overcast. How wonderful it is to be able to bike to the lake and swim. No having to wait for someone to give me a ride. No worries about finding a free lane or making sure (and not being able to tell if) a lane isn’t occupied or needing to share a lane with two other swimmers. Free open water.

The rain yesterday must have stirred up the water. When I put my head underwater I could see particles suspended in front of me. I didn’t see any fish but after I was done I heard some kids calling out to someone on shore, the fish are chasing us!!

I counted my strokes from the far right buoy to the far right one: 130. I counted by fours. I counted my strokes from the far left buoy to the far right one: 120, counting by 5s. I like swimming every 5 better, but I like counting by every 4 better.

wordle challenge

5 tries:

round
cubic
fumes
pulse
GUEST

A Primer of the Daily Round/ Howard Nemerov

A peels an apple, while B kneels to God,
C telephones to D, who has a hand
On E’s knee, F coughs, G turns up the sod
For H’s grave, I do not understand
But J is bringing one clay pigeon down
While K brings down a nightstick on L’s head,
And M takes mustard, N drives to town,
O goes to bed with P, and Q drops dead,
R lies to S, but happens to be heard
By T, who tells U not to fire V
For having to give W the word
That X is now deceiving Y with Z,
Who happens, just now to remember A
Peeling an apple somewhere far away.

Left-handed Sugar/ Jane Hirshfield

In nature, molecules are chiral—they turn in one direction or the other. Naturally then, someone wondered: might sugar, built to mirror itself, be sweet, but pass through the body unnoticed? A dieters’ gold mine. I don’t know why the experiment failed, or how. I think of the loneliness of that man-made substance, like a ghost in a ‘50s movie you could pass your hand through, or some suitor always rejected despite the sparkle of his cubic zirconia ring. Yet this sugar is real, and somewhere exists. It looks for a left-handed tongue.

new word: chiral — mirrors but can’t be super-imposed

from The Enkindled Spring/ D.H. Lawrence

This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.

Repulsive Theory / Kay Ryan

Little has been made
of the soft, skirting action
of magnets reversed,
while much has been
made of attraction.
But is it not this pillowy
principle of repulsion
that produces the
doily edges of oceans
or the arabesques of thought?
And do these cutout coasts
and incurved rhetorical beaches
not baffle the onslaught
of the sea or objectionable people
and give private life
what small protection it’s got?
Praise then the oiled motions
of avoidance, the pearly
convolutions of all that
slides off or takes a
wide berth; praise every
eddying vacancy of Earth,
all the dimpled depths
of pooling space, the whole
swirl set up by fending-off—
extending far beyond the personal,
I’m convinced—
immense and good
in a cosmological sense:
unpressing us against
each other, lending
the necessary never
to never-ending.

Passage / Barbara Guest

for John Coltrane

Words
after all
are syllables just
and you put them
in their place
notes
sounds
a painter using his stroke
so the spot
where the article
an umbrella
a knife
we could find
in its most intricate
hiding
slashed as it was with color
called “being”
or even “it”

Expressions

For the moment just
when the syllables
out of their webs float

We were just
beginning to hear
like a crane hoisted into
the fine thin air
that had a little ache (or soft crackle)

golden staffed edge of
quick Mercury
the scale runner

Envoi

C’est juste
your umbrella colorings

dense as telephone
voice
humming down the line
polyphonic

Red plumaged birds
not so natural
complicated wings
French!

Sweet difficult passages
on your throats
there just there
caterpillar edging
to moth
Midnight

I’d like to think more about Guest’s use of just in this poem. I like the word just. As a teenager, whenever I called my best friend and her mom answered I’d say something like, this is just Sara. I remember her calling me Just Sara.

swim: 1 small loop (1/2 big loop)
cedar lake open swim
78 degrees

Swam with FWA at open swim. Cold getting into the water, then cold in every part of the body outside of the water. Brrr.

10 Things

  1. a gentle rocking from the small waves — I liked it, FWA did not
  2. a big bird — a goose? a crane? high up in the sky above the water
  3. lots of pot smells at the far beach — a huge whiff wafted our way when the wind shifted
  4. the far buoy was much farther to the right than it usually is — I think it drifted in the wind
  5. creepy, pale vegetation growing up from the bottom
  6. “swam” through a thick patch of vegetation — very difficult to get in a full stroke or to move
  7. the grating, sharp, piercing noise of 2 rocks being knocked into each other under water — Above water the sound was annoying, but not too bad. Sticking my head below water, it was almost unbearably irritating
  8. splashing and flicking water like I used to as a kid with FWA
  9. the haunting call of the mourning dove as we walked back to the car
  10. something shining through the break in the trees on the other side of the lake — what was it?

june 18/RUN

3.2 miles
trestle turn around
72 degrees
9:30 am

I need to start getting up earlier for these runs. It’s too hot by 9:30. Sunny and windy. Lots of shade, which is one reason to love the green, even if it does block my view of the river. Did one of my most regular routes: the trestle turn around. Saw and greeted Mr. Morning!, then later, on my walk with Delia the dog, Dave the Daily Walker. I remember thinking about something, and wanting to remember it — 2 things actually — but now I can’t remember them. I almost stopped to record them into my phone, but I didn’t. Maybe if I keep typing, I’ll remember them?

10 Things I Noticed

  1. above the tunnel of trees: light green, dark green, green air. Felt like I was flying above the trees
  2. before the tunnel: 3 stones stacked on the ancient boulder. I wonder, are they same stones every time — they fall off and someone picks them up and stacks them again?
  3. 2 runners with a running stroller, a kid in it crying, one of the adults saying, “we’ll be home soon”
  4. voices drifting up from the Winchell Trail right by the railroad trestle
  5. the smell of pot by the ravine
  6. a few others bits of conversation — I think I was able to hear a word or two, but I can’t remember the words now
  7. starting out my run in the neighborhood, hearing some talking, not able to identify any words. I knew they were words, but no idea what the words were. I was reminded of these lines from a Jane Hirshfield poem I encountered a few weeks ago: “An almost readable language./ Like the radio heard while traveling in a foreign country—/You know that something important has happened, but not what.”
  8. the whooshing of car wheels mixing with the wind
  9. yes! I just remembered one thing I’d forgotten! a car blasting “Renegade” by Styx as I neared the double bridge just north of the old stone steps and longfellow flats
  10. surfaces: west dirt, dry dusty dirt, concrete, asphalt, grass

Back to “Renegade.” I started singing along in my head after the car passed:

The jig is up
the news is out
they finally found me

A renegade
who had it made
in ???? county

I couldn’t remember the last line, no matter how hard I tried, I decided I would look it up when I got back from my run. Here’s what I found:

The jig is up, the news is out
They’ve finally found me
The renegade who had it made
Retrieved for a bounty
Nevermore to go astray
This will be the end today of the wanted man

Wow, not sure I ever knew exactly what Dennis DeYoung sang there. Retrieved for a bounty? Nice.

Found these little poems from Charles Simic in a recent New Yorker:

A Tree of Dignified Appearance/ Charles Simic

Fed up with its noisy leaves
And its chirping little birds,
Plus that young woodpecker
Drilling himself a new home.

For Rent/ Charles Simic

A large clean room
With plenty of sunlight
And one cockroach
To tell your troubles to.

june 4/RUN

3.5 miles
marshall loop
65 degrees

Saturday, mid-morning. I was worried that the path would be very crowded, but it wasn’t too bad. Maybe that was because I avoided some of the trail right above the river, through the tunnel of trees? Ever since I realized that I’m often hearing bluejays when I think I’m hearing crows, I hear bluejays all the time. Should I try to build some affection for them, or wallow in my annoyance? Mostly a good run. My left hip felt tight towards the end. Thought about trying to let the wonder win and being more open and generous to everything and everyone I encounter. It’s difficult. I suppose today’s run (and most of my runs) helped. So many other people out by the gorge, sharing in its awesomeness (can I find a better word? I wanted to say amazing-ness but, is that an actual word? I’m tired of “beauty” and it doesn’t quite capture what the gorge is, or what it does (to me). I’m using “wonder” too much. Fabulous? I’ll keep searching).

10 Things I Noticed

  1. heading east, over the lake street bridge, the water was blue and had lots of white, ghostly streaks near the surface. Not swirls but something else — what causes these cloudy currents? A few years ago, I wrote about these, referring to them as cataracts, or the clouds that come when eyes develop cataracts
  2. heading west, over the lake street bridge, the water was brown and the ghostly streaks less visible, even more ghostly
  3. lots of traffic everywhere — on the bridge, up the marshall hill. Running on the sidewalk, a safe distance from the road, I was able to pass some cars as they waited to merge or at the light
  4. running up the hill, I smelled some flowering bush. Not lilacs, but something else that I should remember but can’t right now. Too much!
  5. running at the top of the hill, I smelled waffles from Blacks coffee
  6. a kind pedestrian moved out of the way to let me pass on the sidewalk. When I thanked them, they replied, “Oh, no problem!” or something friendly like that
  7. some sort of sporting event happening at st. thomas. I could hear the cheers and an announcer saying something over the loudspeaker
  8. 3 bikers biked passed me on the bridge. I was pressed as close to the railing as I could. One of them whizzed by so closely that I almost felt their breeze. I whispered under my breath, “people suck.”
  9. music coming out of (I don’t think it was loud enough to be described as blasting) the speakers of a passing bike. No doppler effect
  10. emerging from the tunnel of trees, I heard (but didn’t see) the click click clack of the ski poles of a roller skier!

Listening/watching again Aimee Nezhukumatathil’s book launch for World of Wonders, I finally found the source of one of my new mantras: let the wonder win. In the Q & A at the end, AN says:

It’s there. A grief is there. Sadness and rage is always there. And then the wonder wins. I make sure the wonder wins. And definitely there are harder days than others, but that’s where the practice is. I try with all my might to make the wonder win by the end of the day.

Live with Aimee Nezhukumatathil and Ross Gay

Yes, that is where the practice is for me: struggling, finding ways, working dilligently on letting the wonder win out over everything else. Hanging onto the love and the joy and the generosity and the belief that there are good, delightful, beautiful, amazing things in the world that always make it worth it. Letting the wonder win is an expression/performance? of hope.

Found this poem by Jane Hirshfield on twitter this morning:

Termites: An Assay/ Jane Hirshfield

So far the house still is standing.
So far the hairline cracks wandering the plaster
still debate, in Socratic unhurry, what constitutes a good life.
An almost readable language.
Like the radio heard while traveling in a foreign country—
You know that something important has happened, but not what.

What is an assay? Searched online and found this: “the term, she says, is used as it is ‘in the mining industry, where a substance is disassembled and analysed to determine the strengths and quality of its various parts; only in this case the examination is done with the imaginative mind rather than the chemical one.’

april 26/RUN

4.25 miles
top of franklin hill and back
32 degrees

Full winter running clothes: black running tights, green base layer shirt, pink hooded jacket, black running vest, “black” baseball cap (well, it was black, but now has faded to a brown-ish gray. I imagine, although can’t really see with my vision, that it looks gross and I should be embarrassed to wear it — mostly, I don’t care, but I am looking for a new hat), pink headband, black gloves, dark gray buff. Brr. I am over winter-in-April. Normally, I’m not too bothered by the weather, but this never-ending cold is wearing me out. I want to sit on the deck in my new chair without a coat on! I want to run in shorts!

I was cold for the first 15 minutes, but once I warmed up, it was fine. I felt strong and relaxed and grateful to be outside breathing in fresh air, being with the birds. They don’t seem to be bothered by the cold. Thought about rot and noticed all the trees down just below me. How long does it take fungi to move in and begin breaking down the wood to digest the needed nutrients? Looked it up and found an article, How Fungi Make Nutrients Available to the World, which is helpful for understanding how fungi break down trees, but not how long it takes.

Running under the lake street bridge, I saw a few Minneapolis Parks vehicles, heard chainsaws down by the river, then noticed one of the trucks was filled with twigs and branches. I thought about the fungi and all the food they weren’t getting with the removal of the dead/dying limbs. I also thought about important it is to remove those branches so they don’t fall on my head while I’m running under them.

On the stretch between the trestle and Franklin, I thought about what it might mean to shift my values away from progress and toward the fungi, including thinking about motion/moving as not always producing something “useful” for capitalism, or aimed at progress (like running to be faster or better). How do we understand and value movement — making, doing, moving — outside of the goal of improving or mastery or being used by others?

I also thought about an article someone posted on twitter this morning about tapping into spinach’s ability to sense a compound that is often found in landmines by attaching censors to them that, when triggered, send an email back to a lab. The article was terribly titled, Scientists have taught spinach to send emails, and as I read it I thought about how often these pop science articles view plants (or fungi or “nature”) only as resources/assets for maintaining or improving the lives of humans. Fungi is only valuable because of what it does for us, how it might save us from the terrible mess we’ve made of the planet, not because it’s just amazing. How dreary to think of spinach having to send emails! And, this is not teaching spinach to send emails but hacking into their communication networks to receive the data they’re sending elsewhere.

I’ve written a lot about mushrooms and fungi, here’s a poem about lichen. Lichen is another big deal for poets.

For the Lobar, Usnea, Witches Hair, Map Lichen, Beard Lichen, Ground Lichen, Shield Lichen/ Jane Hirshfield

Back then, what did I know?
The names of subway lines, busses.
How long it took to walk 20 blocks.

Uptown and downtown.
Not north, not south, not you.

When I saw you, later, seaweed reefed in the air,
you were grey-green, incomprehensible, old.
What you clung to, hung from: old.
Trees looking half-dead, stones.

Marriage of fungi and algae,
chemists of air,
changers of nitrogen-unusable into nitrogen-usable.

Like those nameless ones
who kept painting, shaping, engraving,
unseen, unread, unremembered.
Not caring if they were no good, if they were past it.

Rock wools, water fans, earth scale, mouse ears, dust,
ash-of-the-woods.
Transformers unvalued, uncounted.
Cell by cell, word by word, making a world they could live in.

—2010

jan 23/RUN

3.4 miles
river road trail, south/north
2 degrees / feels like 2
100% snow-covered

Cold, but only 2 mph wind and sun, so the feels like temperature was the same as the actual temperature. Nice! A great morning for a run, even if it was too bright, with the sun reflecting off the new snow. For the last two runs, I was inside, and I could have decided it was too cold and too snow-covered again today and ran on the treadmill, but I remembered how much I love running outside in the winter and went for it. Very glad I did. Saw Santa Claus, several fat tires, half a dozen walkers, and a cross-country skier, skiing in the wide boulevard between edmund and the river road. It’s always a great run when I encounter a cross-country skier! The river was pure white and quiet. Two people were shoveling the WPA stone steps at the 44th street parking lot –were they “official” volunteers, or had they just decided to shovel the step because they needed to be cleared? Heard a black-capped chickadee, but not any geese, or cardinals, or crows.

My Glasses/ Jane Hirshfield

Glasses can be taken off.
The world instantly soften, blurs.
The pattern of carpet
or leaves out a window,
words on a page,
the face in a mirror.
Blurs,
even the war that is coming,
pushing its iron boat-shape
onto the sand of a beach not far
but not seen;
even the silences coming,
following the boat
as a swimming dog follows its master.
Lu Chi, poet and scholar,
born into a family of generals,
was executed
in the thirty-fifty year of the Xi Jin dynasty,
after his soldiers’ bodies
blocked the Great Yangtze.
The Yangtze went elsewhere,
blurring the nearby fields.
Merciful blurring, merciful forgetting.
Meeting Lu Chi’s name.
I think of his image of culture
as one axe handle shaping another,
I think of his thoughts about unpainted silk.
Each of the Yangtze dead
had a mother, a father, wife, children,
a well, some chickens.
No, the largesses of glasses is not seeing.

For more on Lu Chi, see Wen fu/Essay on Literature.

dec 29/BIKERUN

bike: 15 minutes
bike stand, basement

3, feels like -10? No thanks. Before I could bike, I had to pump up my tire. Spent at least 5 minutes, which felt like an hour, trying to remember how to attach the pump to my annoying tires. I appreciate how people love bikes and maintaining them, but I don’t. Could I learn? More importantly, should I try?

run: 2.75 miles
treadmill

Listened to an old (2015?) “January” playlist while I ran. I don’t remember thinking about much, or noticing much in my dark, unfinished basement. Still, I enjoyed having the chance to move without having to go outside to run on the ice, in the cold wind, with the too bright sun. If I hadn’t run 5 miles outside yesterday, I might have liked being out there today. I bet it’s snot-freezing weather.

Last year I ran 1000 miles. This year I decided to take it easier, and focus more on swimming. My less ambitious running goal for the next few days is to reach 850 miles. With today’s run, I’m at 845.8. 2 more days, 4.2 miles. I should be able to do it.

Yesterday, I listened to an On Being episode with Jane Hirshfield. Excellent. Then I found this brief interview with her in which she answers a question about poets and civic responsibility. Here’s her answer:

I love in this question the word responsibility for its fundamental meaning of, “to respond”. When you’re asking what the role of a poet is in a society, in a culture, in a country, in a community, it is to respond in the way that only poetry can….
Poetry summoning is to transcend easy language, platitudinous language, slogans that make people stupid and that separate them from one another. And so part of the role of poetry and poets is, I think, to force ourselves past the common ways of looking at things by being more responsive and finding the uncommon, original, sidelong, nuanced, subtle, and not strive for the certainty which seems such a bane of our current discourse.

Jane Hirshfield Interview

Slogans that make us stupid and separate us. Yes. I think many people focus more on the stupid part of the problem, often feeling superior for believing they are smart, critical thinkers who don’t fall for the slogans. Thinking (and not being stupid) matters, but it needs to be considered alongside the questions: what can connect us, bring us together, open up space for seeing and being with each other in meaningful ways that relieve suffering, offer more resources, make the world less violent? Poetry can do things with words that enable us to think deeply and connect with each other (and recognize the ways in which we are always already connected/entangled).

I also love this idea of linking uncommon with sidelong and uncertainty (or not certainty), and looking for subtle, nuanced words/meanings.

oct 19/RUN

5.5 miles
franklin loop
54 degrees

Another nice run. Another beautiful fall morning. Glowing yellow. Sunny, not too much wind, not too warm. Greeted Dave, the Daily Walker twice. Ran past Daddy long legs. Noticed a roller skier. Encountered a clueless human and a small yippy dog, both taking up the very wide path on the franklin bridge, forcing an impatient biker to ring their bell and swerve around them. Some stones were stacked on the ancient boulder, the river was blue then, later, brown. No rowers (although STA and I saw them last night, rowing fast). The trees below the tunnel of trees were almost all gold. Soon: a view!

(The other day, I found a brochure online for the Winchell Trail. Reading through it again, I thought it was where I read about the plaque on a boulder about Newton Horace Winchell that was near the Franklin Bridge, but it’s not.) Having read about a plaque for Winchell somewhere near Franklin, I decided to look for it. When I couldn’t find it above the gorge, I turned and ran up the hill to the Franklin Bridge. There it was, the plaque! I’d never noticed it before.

Running on the east side of the river, between Franklin and the trestle, I thought I heard footsteps behind me, but when I looked back no one was there. I thought again about how ghosts and haunting involves more than visions and apparitions; it can come in the form of strange sounds, echoes, disembodied voices. Footsteps behind you or the rushing of wind past your ears or rustling leaves, amplified in the dry, deadness of fall. These sounds are both strange — hard to place, easy to confuse with other sounds, like beeping trucks that could be chirping birds, crying kids that sound like shrieking bluejays — and familiar. They conjure up memories, invoke the past.

A few days ago, I discovered Annie Dillard’s chapter in Pilgrim at Tinker Creek: Seeing. I have read some (all?) of this book years ago, but I didn’t remember there was a chapter titled “Seeing”! Excellent. I read it online, from a pdf. Yesterday, I found my copy, which isn’t really my copy but my dead mom’s copy that I inherited or, more likely, borrowed years before she died in 2009, on the bookshelf next to my desk. I opened it up and discovered a wonderful surprise: a sticker in the front that reads, “This book is the treasured possession of Judy Puotinen.” My mom has signed her name so neatly and clearly. I could stare for a long time at the pretty loops of her J and y; the confident backward slant of her P, almost looking like a person puffing out their chest; the t that looms larger than the other letters and stands like a cross (she was not very religious, or as she might have put it, “I’m spiritual, not religious”); and the errant dot of an i, charging ahead to dot the n instead. This signature, too, is a trace, a haunting, more than a memory. It is her, still speaking 12 years after she died. Such a powerful voice in that signature! For a few years after her death, I would encounter her signature on a box in the basement of my first house in Minneapolis. I had a lot of these boxes; they were care packages she sent almost once a month: a new tablecloth, a candle, a cookbook, baby clothes for my kids. It was difficult to see that signature then. It reminded me of how much I had lost: not just her but the care and love she constantly gave me and would have given to my kids. But now, to stumble across her in this way is wonderful. To spend time with her, delighting in remembering how much she loved books and how carefully and beautifully she wrote her name.

Page/ Jane Hirshfield

It waits now for snows to fall
upward, into a summer
whose green leaves
vanish,
but back into branch, into sap, into rain.

It waits for the old
to grow young, fed and unfearful,
for freighters to carry their hold-held oil
back into unfractured ground,
for fires to return
their shoeboxes of photos and risen homes.

It unbuilds the power line’s towers
before the switch can be toggled,
puts the child, rock still in hand, back into his bed.

A single gesture of erasure
pours back into trucks and then river
the concrete wall,
unrivets the derrick,
replenishes whale stocks and corals.

And why not—it is easy—restore the lost nurse herds
of mammoths to grazing,
the hatched pterodactyl to flight?
Let each drowned and mud-silted ammonite once again swim?

One by one unspoken, greed’s syllables, grievance’s insult.
One by one unsewn, each insignia’s dividing stitch.
One by one unimagined,
unmanufactured: the bullet, the knife, the colors, the concept.

Reversal commands: undo this directional grammar of subject and object.
Reversal commands: unlearn the alphabet of bludgeon and blindness.
Reversal commands: revise, rephrase, reconsider.

And the ink, malleable, obedient, does what is asked.

august 9/RUNSWIM

run: 4.35 miles
minnehaha falls and back
70 degrees
humidity: 93% / dew point: 68

Ran south to the falls. More rain last night. The dirt, muddy. The tree branches, dripping. Stopped to check out the falls. More water falling. Also noticed how much I was sweating. Hard for my sweat to evaporate when the dew point is so high. Heading north, I turned down on the Winchell Trail. The mud was slippery and the path was crowded–more people on it than I’ve seen in weeks. No noise from the sewer pipe at 44th, but the one at 42nd was gushing. Los of cars and bikes rushing by on the path. A good run.

moment of curiosity

Just south of the double bridge at 44th, the walking trail splits from the bike trail and briefly descends down before climbing back up to meet with the bike trail beside the road again. This path is bumpy and narrow and steep–a perfect place to trip. And it adds an additional mini hill to climb. If you stay up above, the trail is all downhill. I never used to take it because it was easier (and safer) to stay up above, but lately I’ve been enjoying it. Today, as I was climbing out of it, I noticed a suitcase and a lampshade tucked away, under the low branches of a tree, hidden from the road. Who put it there, I wondered, and why? Had they left, and were they coming back for it later? Did they live down below, by the river? Had they hidden it a few days ago, or much longer? What did this suitcase contain? Clothes? Money?

swim: 2.25 miles / 6 loops
cedar lake open swim
84 degrees

A great Cedar Lake swim! Smooth and not too crowded. Near the shore, the water was very cold, but as I swam out deeper, it warmed up. I did a better job of sighting the orange buoy at the far beach and staying away from other swimmers. The thing I remember most: so much milfoil! Scratchy, persistent. It felt like some of it got in my suit–rough and irritating. It wrapped around my shoulder, my arm. Moved slowly down my back. No fish, some paddle boarders, a few planes.

At point beach, there’s a sandbar near the shore, but very soon, it drops away. How deep is the water here? I’m not sure. In other spots, where you can touch bottom, there’s lots of vegetation. The floor feels slimy and soft and gross. At east/hidden beach, the bottom is mostly small rocks.

Rounding the buoy, starting a new loop, a swimmer coming from shore cut me off and I had to stop for a second. I wasn’t upset because I’m never sure who has the right of way here. The swimmer seemed like they were going pretty fast. I followed behind, steadily. I think they almost ran into a few other swimmers. Just before we reached the far buoy, I passed them. Is it bad that this made me feel good? I’m not really competitive in the water, but I do enjoy passing people, not because I’m beating them (well, not too much because of this), but because swimming past someone slower than you makes you feel like you’re swimming fast. It’s fun to feel fast–powerfully gliding on top of the water.

I wanted to be surprised./ Jane Hirshfield

To such a request, the world is obliging.

In just the past week, a rotund porcupine,
who seemed equally startled by me.

The man who swallowed a tiny microphone
to record the sounds of his body,
not considering beforehand how he might remove it.

A cabbage and mustard sandwich on marbled bread.

How easily the large spiders were caught with a clear plastic cup
surprised even them.

I don’t know why I was surprised every time love started or ended.
Or why each time a new fossil, Earth-like planet, or war.
Or that no one kept being there when the doorknob had clearly.

What should not have been so surprising:
my error after error, recognized when appearing on the faces of others.

What did not surprise enough:
my daily expectation that anything would continue,
and then that so much did continue, when so much did not.

Small rivulets still flowing downhill when it wasn’t raining.
A sister’s birthday.

Also, the stubborn, courteous persistence.
That even today please means please,
good morning is still understood as good morning,

and that when I wake up,
the window’s distant mountain remains a mountain,
the borrowed city around me is still a city, and standing.

Its alleys and markets, offices of dentists,
drug store, liquor store, Chevron.
Its library that charges—a happy surprise—no fine for overdue books:
Borges, Baldwin, Szymborska, Morrison, Cavafy.

—2018

I like this poem and thinking about wanting to be surprised, and then about the differences between experiencing pleasure and joy and love and surprise. Is one of these more important than the others?

june 23/RUNSWIM

4.3 miles
minnehaha falls and back + winchell trail
64 degrees
dew point: 60

I feel better at the end of this run than I did during it. A beautiful morning, not too windy or hot, sun that gently dazzled but didn’t beat down. Even so, I sweat a lot and felt hot. Thought about the dew point, trying to remember exactly how it worked. I researched it and wrote about it a few years ago, but when someone asked me what it was a few days ago, I couldn’t remember. How do I forget these things so quickly? Here’s my explanation I wrote in 2017:

It’s not the heat or the humidity it’s the dew point, which is the temperature at which water condenses. The closer the dew point is to the temp in the air, the longer the sweat will stay in your hair because the air is too saturated and your sweat can’t evaporate, which is how your body cools you down.

Saw a flash of white, churning water as I ran past the falls. Noticed an opening in the thick trees with a dark winding trail just below the ford bridge–it seemed inviting until I imagined all the bugs that would be waiting for me in there. Heard some voices down in the gorge, on the river. Rowers. Also heard the clicking of a gear change as one bike passed, the clunking of a chain that needed to be greased as another approached.

As I ran on the Winchell Trail through the thick green, I thought that when I’m running by the gorge, I think of in broad, basic ways: tree, rock, bluff, bird, water. Then my mind wandered, and I wondered: (Why) do we need more specific, “technical” names in order to connect with the land? I thought about the importance of names and the violence of occupying and renaming, the value of knowing the history of a place, understanding how it works scientifically, and placing it in a larger context (space, time). Then, as I ran up the short, steep hill by Folwell, I thought about how important it is to learn to think on all of these levels at once, or at least be able to switch back and forth between them. I can experience the gorge as water, rock, tree, bird, wind, or as stolen land occupied and used, abused, restored, protected, ignored, exploited. As a geological wonder, slowly–but not really slowly in geological time, 4 feet per year–carved out by the river eroding the soft St. Peter sandstone. As both wild/natural and cultivated/managed–the site of erosion due to water, and erosion due to the introduction of invasive species, industry, too many hikers, bikers, houses nearby. There isn’t an easy way to reconcile these different understandings and their impacts.

After I finished my run and started walking home, I thought about how these levels/layers could be represented or expressed in a poem. What forms would work best and how to translate all of it into a form? I imagined a mostly blank page with the elemental word in the center (rock or water or tree), then additional pages with other related meanings–you could flip through and somehow add meanings or see all of the meanings at once. Does this make sense? Then I thought about a poem that somehow mimics the form of a fossil, what would that look like? Or the different layers of rock representing different eras of geological time. Not sure if this will go anywhere, but I’ll spend some more time thinking about it.

To chlorophyll, refineries, coal, furnaces beneath early skyscrapers, fossils/ Caroline Kenworthy

after Jane Hirshfield

Back then, what did I know?
The distance between moving cars I could turn into.
How far past EMPTY the engine would run.

I moved daily, rolling over poured rock,
traveling to learn. I was propelled by bodies

of organic matter. First, they were found.
Well, no. First, they were blue flowers carpeting a forest floor,
or the brown and hungry animal moving through them.

Then, they were found, pumped, sifted, melted, strained,
boiled, strained again, divided. Then burned.

Funny to think that we didn’t know what coal was,
and then we did. From there— efficient refinement attracts
our kind— we made these bodies pourable.
The dark rainbow and sharp whiff of petroleum.

I want to explain what I mean by bodies—
at first, I meant sentient movers. As if movement springs only from brains.
Then I thought, an organized, silent burning of sugars. I think,
a system to translate the world into the self.

Life’s long inhale of nutrients, and longer, hotter exhalation in decay. Packed, still, silent.

Hard to remember that matter hums constantly.
These cars and highways— how much of moving is death rearranged.

swim: 1.2 miles/ 4 loops
cedar lake open swim

Cedar Lake! Cedar Lake! Hooray for open swim at both lake nokomis and cedar lake. Very different experiences. Nokomis is 600 yards across, Cedar Lake is 300. Nokomis is about 15-20 feet deep, Cedar is 30-40 feet deep. Nokomis has a big beach with a boathouse and restaurant, Cedar has porta potties. I like both. Today, it was windy and bright. Choppy on the way back and hard to see the shore. My sighting trick: there’s a break in the towering trees where the small beach is.

oct 27/RUN

3.2 miles
turkey hollow
17 degrees/ feels like 10

Coldest day of the season. Double tights + green shirt + orange sweatshirt + vest + buff + stocking cap. Sunny. I must have glanced at the river but I don’t remember what it looked like. Too busy trying to avoid other runners and walkers. A wonderful morning. I like (love?) this cold. Clears out the sinuses and keeps me from getting overheated. Running on Edmund, heading back home, I saw my shadow. It was nice to run with her. Thought about another mood ring poem: doubt. Had some ideas as I moved–something about how the doubt is related to the awe and the brain’s remarkable ability to enable me to keep seeing. It’s a relief but when I can still see I question whether my vision is really that bad. I doubt myself. I want to think more about doubt and what it means today. Here’s a poem to get me started.

My Doubt/ Jane Hirshfield – 1953-

I wake, doubt, beside you,
like a curtain half-open.

I dress doubting,
like a cup
undecided if it has been dropped.

I eat doubting,
work doubting,
go out to a dubious cafe with skeptical friends.

I go to sleep doubting myself,
as a herd of goats
sleep in a suddenly gone-quiet truck.

I dream you, doubt,
nightly—
for what is the meaning of dreaming
if not that all we are while inside it
is transient, amorphous, in question?

Left hand and right hand,
doubt, you are in me,
throwing a basketball, guiding my knife and my fork.
Left knee and right knee,
we run for a bus,
for a meeting that surely will end before we arrive.

I would like
to grow content in you, doubt,
as a double-hung window
settles obedient into its hidden pulleys and ropes.

I doubt I can do so:
your own counterweight governs my nights and my days.

As the knob of hung lead holds steady
the open mouth of a window,
you hold me,
my kneeling before you resistant, stubborn,
offering these furious praises
I can’t help but doubt you will ever be able to hear.

feb 24/RUN

5.5 miles
franklin hill turn around
39 degrees
5% slick ice covered

Waited a little longer to go out running this morning. Needed to let the thin sheets of ice covering the puddles melt. A nice day for a run! Not too much wind, not too many people. Sun. Clear paths. I got my layers right today: 1 shirt, 1 vest, 1 pair of running tights, 1 headband, 1 pair of gloves, 1 pair of socks. It was warm enough today to smell the earth thawing–why does it smell like dog poop? I think I like the smell of death in the fall–the musty, mulching leaves–over the smell of life in the almost spring.

David Lee Roth is in town with KISS for a concert tonight. Scott read somewhere that he always brings his bike to Minneapolis and loves biking along the river. Today, I kept looking for him, hoping he’d bike by. No luck. Bummer.

Glanced down at the river a few times. Enjoyed hearing the sibilant sounds of my striking feet on the grit covered path. Ran hard up the hill, then stopped to a walk for a few minutes when I reached the bridge. Thought about the body that was found just north of this bridge early yesterday morning. Managed to mostly avoid the secret slippery spots where the water on the path was still frozen. Also managed to avoid getting soaked by cars rushing through big puddles on the road.

With less than a mile left, I had an idea about my current project and decided, even though I was running well, enjoying going faster, to stop and record my thoughts.

Uh oh.

Just tried to find and transcribe my voice memo, but it wasn’t there. I must have hit the wrong button when I was trying to record it. Here’s what I remember. For a few minutes before stopping, I was chanting. How to be/periphery, How to be/periphery. Then I realized: I need a (big) project to focus on, a project that involves structure and daily practice. A concrete project. This is the project I think I’m working on–and in many ways, it is what I’m working on–but, I’m also working on something else, off to the side, at the periphery, which is the real work I need/want to do. What a bummer. I feel like I can’t remember a key to my thought that helped it make sense. It connects with the article I read about how to be a procrastinator a few years ago, and with the idea of not approaching projects/thoughts/goals head on, but slant or sideways or sneakily (tricking your brain). Argh! I wish I hadn’t screwed up the recording.

My Weather/ Jane Hirshfield

Wakeful, sleepy, hungry, anxious,
restless, stunned, relieved.

Does a tree also?
A mountain?

A cup holds 
sugar, flour, three large rabbit-breaths of air.

I hold these.

What do I hold? Ever since I encountered the phrase, “inner and outer weather” (from a Frost poem about a tree at the window, via Edward Hirsch), I have been thinking about weather as metaphor for one’s mood/emotions/feelings. Love this poem and how it plays with this idea. And I love imagining how much air is 3 large rabbit-breaths worth. How big is this rabbit? And, in general, how big are rabbit breaths?

sept 17/RUN

1.5 miles
two trails (almost)
83 degrees

So hot! Wasn’t planning to run today but then, when I didn’t think I would reach my move goal of 490 calories, decided to do a short run. The things we do to keep a streak going. 114 days now of filling all 3 rings on my apple watch. Very glad I did. Listened to a playlist and forgot that I had a cold–I always feel less sick when I’m running. I think I was the only person I saw running. I imagined people driving by looking at me like I was crazy running in this heat with the bright sun and not much shade. Ah September, the annoying month of being teased with wonderful fall weather and then cruelly tricked with mini heat waves.

Found this poem while searching for “heat” on the poetry foundation site. I feel like it really fits in ways that I don’t quite understand yet.

The Heat of Autumn
BY JANE HIRSHFIELD

The heat of autumn
is different from the heat of summer.
One ripens apples, the other turns them to cider.
One is a dock you walk out on,
the other the spine of a thin swimming horse
and the river each day a full measure colder.
A man with cancer leaves his wife for his lover.
Before he goes she straightens his belts in the closet,
rearranges the socks and sweaters inside the dresser
by color. That’s autumn heat:
her hand placing silver buckles with silver,
gold buckles with gold, setting each
on the hook it belongs on in a closet soon to be empty,
and calling it pleasure.