may 15/RUN

3.3 miles
river road, north/south
68 degrees

Whew. Went out early — before coffee or any food — because it was already 68 degrees. The warm temps and unfinished business made the run harder than it should have been. Still, it was a beautiful morning, especially when I was walking and feeling the breeze. A lot of attention was given to making sure I didn’t finally have the poop story that most runner’s seem to have, so was I able to notice 10 things? Yes!

10 Things

  1. the welcoming oaks — green and tall, difficult to see anything other than the trunk
  2. the tree that looks like a tuning fork
  3. light shining on top of ancient boulder, which was empty of rocks
  4. a parks truck under the lake street bridge, workers up in a bucket doing something to the bridge, listening to music — a familiar classic rock song — was it Hotel California?
  5. the river, the air were still, quiet
  6. a flash of a sound below — was that a coxswain?
  7. a roller skier in a bright yellow shirt
  8. the mitten tulips are still up, near the trestle
  9. two older white women, dressed all in black, discussing nutrition
  10. the sliding bench seems to have slid a bit more, the green beneath has grown thicker and greener

holes

Last night I had a thought: create a visual poem that uses the image of bugs pinned to a specimen board as a way to critically express the idea of words trapped in fixed meanings. But, which NYer essay, which found poem? This morning, another thought: use the essay about the New York cemetery (Hole 4 / Still Green) and part of the poem that I had previously cut. Yes!

draft, previously cut text:

you
can’t
exhume
the
bodies
but
you can
make
room
for
life
in this place
where
the dead
are
interred

crack
open a grave
with
a
new
way
of
seeing (or reading?)

inspirations: a specimen board + Alice in Wonderland, caterpillar scene

Here are some examples of the specimen board from an article about bug collections at Manitoba Museum:

boards at Manitoba Museum
specimen drawers
the collection before processing/pinning

I could imagine this as part of an installation, with the words/phrases cut out individually and positioned in a heap with a label identifying them. The second image has the specimen’s in a drawer. I’d like ot experiment with that too — O have a jewelry box that might work for that, and drawers from an old optometrist desk. Fun!

I mentioned Alice in Wonderland as an inspiration because of how prominent making language strange is in this scene. Also, the bug connection, and the butterfly at the end!

Alice, the Caterpillar, and the strangeness of words

I came up with this idea because pins seem to be playing a prominent role in my visual poetry. They started as the temporary way to achieve the effect I wanted, but at some point I realized that they were another character in my visual story.

The question now: do I work on this now, or keep working on my blooms? Sara-this-second’s answer is: blooms first!

blooms / 15 may