Tag: morning

may 23/RUN

4.5 miles
veterans’ home loop
58 degrees

Sunny and calm. A beautiful spring day that feels like early April not late May. Tried to look at the river, but had trouble through so much green. Heard some cardinals the call of the pileated woodpecker, a crow. I think I looked at my shadow off the side at least once. Did I? Noticed the bench next to the big boulder: empty. Lots of people visiting the falls. Lots of “right behind yous” followed by “that’s okays.” I wasn’t bothered by the crowds. Ran up the short set of steps right before and after the falls.

The run felt good, but I was ready to be done. The last mile was difficult.

Someone posted an excerpt from Adrienne Rich’s essay Someone is Writing a Poem. Wow! Here are a few bits I’d like to remember:

The reading of a poem, a poetry reading, is not a spectacle, nor can it be passively received. It’s an exchange of electrical currents through language—that daily, mundane, abused, and ill-prized medium, that instrument of deception and revelation, that material thing, that knife, rag, boat, spoon/reed become pipe/tree trunk become drum/mud become clay flute/conch shell become summons to freedom/old trousers and petticoats become iconography in appliqué/rubber bands stretched around a box become lyre. 

Take that old, material utensil, language, found all about you, blank with familiarity, smeared with daily use, and make it into something that means more than it says. What poetry is made of is so old, so familiar, that it’s easy to forget that it’s not just the words, but polyrhythmic sounds, speech in its first endeavors (every poem breaks a silence that had to be overcome), prismatic meanings lit by each others’ light, stained by each others’ shadows. In the wash of poetry the old, beaten, worn stones of language take on colors that disappear when you sieve them up out of the streambed and try to sort them out.

And all this has to travel from the nervous system of the poet, preverbal, to the nervous system of the one who listens, who reads, the active participant without whom the poem is never finished.

We go to poetry because we believe it has something to do with us. We also go to poetry to receive the experience of the not me, enter a field of vision we could not otherwise apprehend.

But most often someone writing a poem believes in, depends on, a delicate, vibrating range of difference, that an “I” can become a “we” without extinguishing others, that a partly common language exists to which strangers can bring their own heartbeat, memories, images. A language that itself has learned from the heartbeat, memories, images of strangers.

Someone is writing a poem. Words are being set down in a force field. It’s as if the words themselves have magnetic charges; they veer together or in polarity, they swerve against each other. Part of the force field, the charge, is the working history of the words themselves, how someone has known them, used them, doubted and relied on them in a life. Part of the movement among the words belongs to sound—the guttural, the liquid, the choppy, the drawn-out, the breathy, the visceral, the downlight. The theater of any poem is a collection of decisions about space and time—how are these words to lie on the page, with what pauses, what headlong motion, what phrasing, how can they meet the breath of the someone who comes along to read them? And in part the field is charged by the way images swim into the brain through written language: swan, kettle, icicle, ashes, scab, tamarack, tractor, veil, slime, teeth, freckle.

may 22/RUN

4.25 miles
river road trail, north/south
50 degrees

In the 40s this morning. I had to turn the heat on. Boo. Still, it was nice weather for a run. Not too much wind, not too warm, sunny. I tried to remember to look at the river, and did at least once. I could barely see it through all of the green. Saw Mr. Morning! Today he waved at me. I think he could tell I was too busy navigating through all of the people to speak. Listend to the world running north, a playlist running south.

10 Things I Noticed

  1. No rowers
  2. a big group (10+) of roller skiers, with a coach on a bike in the back
  3. a biker calling out to his friend: “I love that show!” what show?
  4. a sliver of blue river through the leaves
  5. no stacked stones on the ancient rock
  6. the path felt like it was floating in the trees at the spot where it’s so thick with green above and below that you can tell where the ground or sky are
  7. passed Mr. Holiday and he said, “well, at least there’s sun”
  8. clouds in the sky, sometimes covering the sun
  9. a blue plastic tarp folded up on the ground under the lake street bridge, near the porta potty
  10. no squirrels or chipmunks or black-capped chickadees or woodpeckers or sewer smells or burnt toast smells or purple flowers but one irritating mosquito bite on the back of my leg

Naming the Heartbeats/ Aimee Nezhukumatathil

I’ve become the person who says Darling, who says Sugarpie,
Honeybunch, Snugglebear—and that’s just for my children.
What I call my husband is unprintable. You’re welcome. I am
his sweetheart, and finally, finally—I answer to his call and his
alone. Animals are named for people, places, or perhaps a little
Latin. Plants invite names for colors or plant-parts. When you
get a group of heartbeats together you get names that call out
into the evening’s first radiance of planets: a quiver of cobras,
a maelstrom of salamanders, an audience of squid, or an ostentation
of peacocks. But what is it called when creatures on this earth curl
and sleep, when shadows of moons we don’t yet know brush across
our faces? And what is the name for the movement we make when
we wake, swiping hand or claw or wing across our face, like trying
to remember a path or a river we’ve only visited in our dreams.

may 20/RUN

4.25 miles
minnehaha falls and back
56 degrees

Hailed this morning for a few minutes. Small pellets today. Yesterday afternoon, golf ball sized ones flinging themselves against the windows. A thunderous noise. Strange weather.

Ran to the falls. Didn’t realize it until much later, but my watch died 30 seconds in. I need to get a new watch, or stop wearing a watch. I’m thinking about the latter. Earlier on, wearing a watch and tracking my miles, pace, minutes exercised, calories burned seemed important as motivation. Now I don’t really need it…or want it. Maybe I’ll try not having it this summer and see how that works (or doesn’t work).

Ran to the falls without headphones, listening to the kids playing at the Dowling Elementary School playground. A few weeks ago, I wrote about the kids at the Minnehaha Academy playground and how their yells seemed menancing and mean. Today’s kids were not mean but out of control with exuberance. Not completely joyful, but not unjoyful either. As I listened to the “woo woo woos” and the “aaaaaaaahhhhhhs” I thought about being unhinged or out of control and how it can be connected to a sense of freedom or letting go.

I also thought about soft attention and noticing through the peripheral, not focusing on the edges, but making note of what’s happening there — what’s off to the side or below you. Looking ahead at the trail, I noticed a walker across the road and off to the side of me. I think they were waving their arms. Was it at me as a greeting. Not sure.

There was lots of debris on the sidewalks and the trail from the violent rain/hail last night. Not any big branches, just lots of leaves and twigs and muck. Yuck! Did I see any worms? I don’t think so. Did I look at the river? I think so, but I can’t remember what color it was or if it had any foam on it.

I ran by Minnehaha Creek right before it spilled over the falls. It was high and rushing. I didn’t look at the falls, but I could hear them gushing — or, I felt they were gushing? A school group was there somewhere, but I didn’t run into any of the kids. 2 long rows of porta potties lined the path, ready for the “Women Run the Cities” race tomorrow. I ran it a few pre-pandemic years ago.

When I entered Minnehaha Regional Park, I looped around the falls, then stopped to take off my sweatshirt and put in my headphones. The first song I listened to was Paramore’s “Misery Business.” It’s 173 bpm and helps me lock into a quick, steady rhythm. After that, Foo Fighter’s “The Pretender” helped me keep that rhythm. No more thinking about anything, just steadily moving.

10 Things I Noticed

  1. a frantic squirrel almost jumped out in front of me, but quickly turned and ran up the tree next to me
  2. I just remembered that the school group I mentioned above was below me, at the spot where the creek collects and kids wade in the summer
  3. a few big puddles on the path — I avoided all of them
  4. the sewer pipes were all dripping or gushing
  5. I waved to at least 2 other runners
  6. a biker whizzed by me from behind — it felt close!
  7. I encountered a tall runner in shorts and a t-shirt — I think they were both gray — twice, once heading south and once heading north
  8. no kids at the Minnehaha Falls playground
  9. someone was stopped at the water fountain in the 36th street parking lot, filling up a water bottle
  10. At the start and end of my run, as I neared the river, a street crew was blowing smoke through the manhole, checking for sewer cracks and leaks. Smoke billowed up and spreading out across the street

That list of 10 things was hard to create, probably because I had already described so many things I noticed. I can’t believe I almost forgot about the sewer smoke. It was a very memorable sight.

In the Clearing/ Patricia Hopper

After last night’s rain the woods
smell sensual—a mixture of leaves and musk.
The morels have disappeared, and soon I’ll come across
those yellow chanterelles, the kind they sell
in town at the farmers’ market. Once I saw
the Swedish woman who raises her own food
foraging for them, two blond boys
quarreling near the pickup, and the next morning
they were selling them from their stand beside the road.

Out here, among last year’s dead
leaves with the new shoots of spruces
poking through them, I’ve come to the place where light
brightens a glade of ferns and the log someone else
placed here—carved “B.W.”—where I sometimes sit
to listen to the birds. Today the sun is breaking through
the wet branches, revealing a clean sky,
brilliant, cerulean. Then, suddenly, a raft of scudding clouds

promising more rain. If it comes, I’ll read all afternoon—
Henry James, or maybe Eudora Welty’s
Delta Wedding, where so many characters
vie for attention I can never keep them straight.
Here, there’s no one else, no one to worry over
or argue with or love. Maybe the earth was meant
only for this: small comings and goings
on the forest floor, the understory astir
with its own secret life. If I sit still enough
among the damp trees, sometimes I see the world
without myself in it, and—it always surprises me—
nothing at all is lost.

I love how this poem describes the clearing so clearly, and the last few lines about seeing the world without myself in it.

may 19/RUN

5.5 miles
ford loop*
66 degrees

*slight variation: began by running north through the neighborhood instead of on the river road trail

Sun! Low humidity! Birds! Clear paths! What a wonderful morning for a run! Even the struggle of getting a girl to go to school (which I’ve been steadily doing for 6 years now…almost every weekday morning) couldn’t dull the shine of this day.

10 Things I Noticed

  1. someone revving up an old lawnmower — a rattle then roar, a hot, smoky smell
  2. voices on the other side of lake street, sitting outside at Dunn Bros or Longfellow Grill
  3. looking downstream at the river, the water was almost foamy in spots and looked cold — an ice cold blue
  4. a biker biking up the hill alongside me — me on the trail, them in the bike lane — wearing a bright yellow shirt and moving so slowly that I almost caught up to them
  5. Shadow Falls sputtering, the creek feeding it flowing fast
  6. the dirt trail next to the paved on the east river trail was sometimes packed and hard, sometimes sandy and soft
  7. a plaque on a random rock I didn’t stop to read — what does it say? who is it honoring?
  8. a lone goose flying very low, just above my head, as I ran over the ford bridge, uttering random low, slow honks
  9. looking upstream at the river, it was a deeper shade of blue and was clear and calm and foamless
  10. the 44th street sewer pipe on the Winchell Trail had water that gurgled, the 42nd street, water that gushed

where I ran, what I ran on: gritty, graveling dirt; soft sand; packed dirt; asphalt; tree roots; concrete; a paved trail; a dirt trail next to the paved one; a dirt trail that used to be paved; the street; a big bridge; a bigger bridge; the ruts in the road; between orange cones and the curb at a spot where they were working on the road or the sewer or something that rerouted the trail; 2 sets of steps going down; a shaded trail; a sunny trail; grass; mud; flower petals

I’m working on a proposal for a fall class at the Loft Literary Center. The process of writing a syllabus is time-consuming and very inefficient. I spend a lot of time circling around ideas until I find just the right way into them. As I continue to struggle, I was hoping Mary Oliver and her poem, “Invitation,” could help. So I recited it in my head as I ran — I memorized it a few years ago. Did it? I think so, but I can’t really remember the thoughts it prompted. I recall thinking about the goldfinches and wondering about how much work they were doing in this poem. The focus of the poem is the musical battle that the goldfinches are engaged in. This battle is “not for your sake/and not for mine/and not for the sake of winning/but for sheer delight and gratitude.” Yet, with it, the birds say “believe us/it is a serious thing/just to be alive/on this fresh morning/in this broken world.” And their “rather ridiculous performance,” if we pause to attend to it, could change our life. This makes me want to return to Ada Limón’s VS. podcast episode (vs. Epiphany). Would the birds really want to talk to me/you/us when they’re having so much in their battle?

This poem is aptly titled; it was one of my early invitations into poetry. Those birds and their ridiculous performance and the call to change my life got me thinking and imagining. It also made me frustrated. What does it mean to change your life? How do we do it? For my class, I’m thinking about an introduction to poetry as a way in, a door, an invitation, the gesture of a stranger saying, “Look!” to you as they point out an eagle in a tree. Mary Oliver’s invitation is one way this could work — maybe we could look at different versions of the invitation, from other writers?

An invitation to what? — here’s another way that Mary Oliver fits in. I’m thinking of the invitation in terms of her instructions for living a life: 1. Pay Attention, 2. Be Astonished, 3. Tell About It. The invitation is to notice, to be in wonderment, to share it with others. I want to tie this together with the idea of giving attention as more than an individual act, but a collective shared one that can lead to caring for and about, to empathy, to repair, and to social transformation. Now I just need to express that in 200 words!

Here is a definition of poetry from Ilya Kaminsky that I discovered this morning that might help:

For me poetry is a moment of awe — that silence that travels from one human body to another by means of words. Gilgamesh was written 4,000 ago and it transforms us still. This is what poetry is: not a kind of public posturing but a private language of music and imagery that is strange and compelling enough that it can speak privately to thousands of people at the same time.

Ilya Kaminsky in the New Statesmen

Oh, I almost forgot that at the end of my run I stopped and recorded some thoughts into my phone. Here is some of what I said:

As part of my course proposal, I need to offer a sample activity. I think I’ll do a variation on my “The Is, the Ought, the Why and Why Not” exercise. In this exercise, students choose a handful of poems (5-10? — more? less?) and read them several times. Then they’ll pick out some of their favorite lines and classify them according to whether the lines are describing the world (the Is), offering advice on how to be in the world or how the world should be (the Ought), being curious/asking questions about the world (the Why), or imagining new ways to be (the Why Not?). As I write this description, I’m realizing I need to fine-tune my distinctions between the categories here.

This class is an introduction to poetry from the perspective of the poem as a door, an invitation, with a specific focus on how that invitation leads to attention and care and repair and connection and transformation. We will look at what attention is; what care is, focusing a lot on how poets write and learning from their words. There will be opportunities to practice with your own poems, but much of it will be about learning about the invitation and how to take it up, as a reader and writer. I want to bring in Alice Oswald’s thoughts from an essay for The Guardian:

Go and leaf through the poetry section of your local library. Take out a book of Border Ballads, look at John Clare’s sonnets, soak yourself in Gerard Manley Hopkins. If you like the ballads, go on reading them until everything you think comes out in four lines with the second and fourth rhyming (but be careful in public places). If you like the sonnets, read them until you start to speak in five-beat lines with alternating soft and loud syllables; and then write a series of poems that all last fourteen lines.

Although it’s fine to imitate a poem, I want to leave you with this one strong claim: that you should never learn to write one, you should never write a poem till you can feel it in your bones. Because poetry is your whole body’s response to the whole world, not just your head’s response to a thought or a glimpse.

Reading through this last bit again, I wonder if I agree. Should you never try to write a poem unless your whole body is in it? Maybe having it be a whole body experience is the goal, the aim, and maybe you can strive for it as you’re attempting to write poems?

may 17/RUN

4 miles
2 trails, the longer version*
60 degrees

*the longer version = south on the river road/enter Winchell Trail at southern start/north on Winchell, past 38th street steps, through oak savanna, up the gravel by the ravine to rejoin the paved path/tunnel of trees/over to edmund at 33rd/west on 32nd/south on 43rd. Eventually I might try the longest trail, which would involve returning to the Winchell Trail past the lake street bridge and taking it until it ends near Franklin.

Decided to listen to music for most of my run this morning. Before I headed out, I thought about how I’d miss hearing the birds, but then I thought about how I’ve been struggling on my runs lately. Time for distraction, I think. I put Taylor Swift’s Lover on shuffle. Years ago I was critical of her but I’ve come to enjoy her lyrics, especially her ability to tell a story. I think it was Evermore that did it for me.

Initially I was planning to write more about the songs I listened to by Swift, starting with “ME!,” and how my perspective on her has changed, but I think that would take up too much time right now, and I’d rather use her music as a needed distraction instead of an opportunity for critically reflecting on excess, parody, and what it means for a privileged white girl to (ironically or not) claim so much space. (psst: after writing this aside, and then working on the entry, it turns out that a critique of Taylor Swift’s ME! haunts this entry. Funny how that happens.

So, back to the run. I made sure to look at the river, which was difficult. Even lower down on the Winchell Trail the green is taking over. It was mostly sunny with a breeze, but I couldn’t see any sparkle on the water. Was it because of the trees? No rowers either.

Can I think of 10 things I noticed? It might be difficult, but I’ll try.

10 Things I Noticed

  1. at the start of my run, passed under the thick, horizontal branch of a sprawling oak tree and imagined it falling on my head…crack!
  2. a blue river
  3. many of the benches were filled, one person per bench, not sure if I saw any with two or more people
  4. running down to the start of the Winchell Trail, I passed somone sitting in the grass, facing the river, right next to the paved trail
  5. took my headphones out as I entered the lower trail and heard the kids on the playground above me and on the other side of the river road
  6. heard some bikers above me as I crested the hill after the ravine with the sewer pipe that gushes (as opposed to the one that drips) — I tried to make out their words, but couldn’t
  7. a mix of sounds near folwell: a leaf blower, the rushing wind, a bird*, cars
  8. parts of the winchell trail were muddy, but the part that is usually the worst — the stretch between 38th and the savanna — was mostly fine
  9. the dirt trail below the mesa, in the oak savanna, was mostly soft sand (limestone?) instead of packed dirt. Is that the consistency of this soil, or did they bring in more soil here to create this trail?
  10. at least 4 (was it more? I couldn’t tell) stones stacked on the ancient boulder

*hearing all these sounds together, I suddenly had a question which led to a wonder (or wander): when a bird hears a leaf blower, what are they hearing? That is, how do they process that sound? Do they connect it with humans? Is it a threat? A singing partner? Do they ignore it? I’m sure the answers to these questions are different depending on how close the leaf blower is, this one was far away. As I posed these questions in my head I started thinking outside, or beside, myself about how others hear and listen to sounds and what it might mean to listen without immediately making it all about me and how the sound affects me or, as Taylor Swift sung to me this morning, “ME!”

After climbing the short, steep hill, near folwell avenue, this thinking about ME! turned to Alice Oswald and how she works hard to try to look beyond the beauty and herself to see the world from the perspective of a weed or, in this case, a bird:

I’m just continually smashing down the nostalgia in my head. And trying to inquire of the landscape itself what it feels about itself. Rather than bringing my advertising skills — getting rid of words like picturesque…there’s a whole range of words that people like to use about landscape, like pastoral, idyll. I quite like taking the names away from things and seeing what they are behind their names. I exert incredible amounts of energy trying to see things from their own points of view rather than the human point of view.

full quote and source in March: Alice Oswald’s Dirt

At some point after folwell and before the steps up to 38th street, I thought about care and a class proposal I’m trying to put together for the fall about poetry and social transformation. Audre Lorde’s suggestion of “selfcare as warfare” and Sara Ahmed’s 2014 blog essay about it popped into my head. It would be interesting to put this into conversation with Taylor Swift’s ME! claim.

Post-run, I’m thinking about nature poetry and birds. I randomly came across this amazing poem on Ours Poetica. Wow!

Where Every Bird is a Drone/ Tarik Dobbs
Where Every Bird is a Drone/ Tarik Dobbs

I also just started reading Tommy Pico’s Nature Poem. He writes:

I can’t write a nature poem
bc it’s fodder for the noble savage
narrative. I wd slap a tree across the face,
I say to my audience.

—

Let’s say I literally hate all men bc literally men are animals—
This is a kind of nature I would write a poem about.

may 16/RUN

4.1 miles
top of franklin hill turn around
65 degrees

Wow! What a morning! In less than a week everything has turned green and fragrant and summery — not spring because spring in Minnesota is cold and snowy/rainy/muddy. This run felt much better than yesterday’s. Was it the oatmeal I ate today but didn’t yesterday? Before runs, I used to eat cheerios with a banana and walnuts. I even wrote about it on here. But now I eat oatmeal with walnuts, 1 cup of wild blueberries, raisins, and vanilla yogurt. I eat it partly because it tastes good to me, but I also because my almost 48 year old body needs it. It’s so fiddly getting old. Such a need for deliberate, careful attention to the body so it continues to work.

Right after returning home I remembered: I forgot to look at the river. Or, I forgot to remember what the river looked like when I looked at it. This distinction between not looking versus looking but not remembering or putting into words (or images or feelings) what I looked at is something I’ve been thinking about this morning. These two things, 1. looking and 2. remembering/taking note of the looking are things we (can) consciously do. Add to that, something we aren’t aware of: the way the brain filters out visual data and decides what we register as seeing. I’ll stop there, but I have more to write about the brain and vision and attention. Of course, it is also possible that I didn’t even see the river because it was blocked by all of the green!

Speaking of green, I recited Philip Larkin’s wonderful poem The Trees. A great poem to recite while running. I thought briefly about green as grief. For some reason, I struggled to remember the first line for a few minute — “The trees are coming into leaf” — and when I did remember it, I remembered it wrong — “The trees are turning into leaf”. I thought about this transformation in spring, from a rough, gnarled, bare Tree to a soft, filled out, collection of leaves.

Before my run, Scott and I were talking about how some new cars seem to shut off when they’re stopped, and then start up when they begin moving again. I’ve been telling Scott about this phenomenon for at least a year now. I always hear it when I am approaching a stop sign at the beginning of my runs. He would never hear it. We joked that I was doing something to cars that made them stall. I have a reputation for making some things not work — like watches or phones. This morning, while driving RJP to school, they both heard it happen several times. He looked it up and discovered that some new cars are designed to do this now. It saves gas, I guess. I said to him that I heard it because I notice things; I’ve been training for years to give attention to the world, and to notice (and register and wonder about) the things I notice. During my run, I thought about our conversation, and a thought occurred to me: attention is magic. It enables us to witness impossible things — or things that seem impossible to us. I feel like I might be forgetting part of this thought; there was more to this idea of attention and magic that I’m forgetting right now.

10 Things I Noticed (and remembered I noticed)

  1. Mr. Morning! mornied me
  2. no stones stacked on the ancient boulder
  3. some green on the welcoming oaks
  4. an empty over-turned clear plastic cup in front of the porta-potty under the lake street bridge
  5. a strong floral scent
  6. received at least 2 or 3 waves from other runners
  7. several walkers with dogs
  8. at least 2 strollers
  9. the tunnel of trees is completely filled in with green leaves
  10. running straight into the wind, up a hill, 2 bikers were biking so slow behind me that it took forever for them to pass

During the run, I was thinking about spring and winter and stories we tell about how the seasons came to be. I thought about greek myths and Persephone and how many of these explanations involve violence towards women and I wondered about myths from other traditions, like Skywoman as told by Robin Wall Kimmerer in Braiding Sweetgrass.

The other day, I discovered Louise Glück’s Averno and this poem about Persephone:

Persephone the Wanderer/ Louise Glück

In the first version, Persephone
is taken from her mother
and the goddess of the earth
punishes the earth—this is
consistent with what we know of human behavior,

that human beings take profound satisfaction
in doing harm, particularly
unconscious harm:

we may call this
negative creation.

Persephone’s initial
sojourn in hell continues to be
pawed over by scholars who dispute
the sensations of the virgin:

did she cooperate in her rape,
or was she drugged, violated against her will,
as happens so often now to modern girls.

As is well known, the return of the beloved
does not correct
the loss of the beloved: Persephone

returns home
stained with red juice like
a character in Hawthorne—

I am not certain I will
keep this word: is earth
“home” to Persephone? Is she at home, conceivably,
in the bed of the god? Is she
at home nowhere? Is she
a born wanderer, in other words
an existential
replica of her own mother, less
hamstrung by ideas of causality?

You are allowed to like
no one, you know. The characters
are not people.
They are aspects of a dilemma or conflict.

Three parts: just as the soul is divided,
ego, superego, id. Likewise

the three levels of the known world,
a kind of diagram that separates
heaven from earth from hell.

You must ask yourself:
where is it snowing?

White of forgetfulness,
of desecration—

It is snowing on earth; the cold wind says

Persephone is having sex in hell.
Unlike the rest of us, she doesn’t know
what winter is, only that
she is what causes it.

She is lying in the bed of Hades.
What is in her mind?
Is she afraid? Has something
blotted out the idea
of mind?

She does know the earth
is run by mothers, this much
is certain. She also knows
she is not what is called
a girl any longer. Regarding
incarceration, she believes

she has been a prisoner since she has been a daughter.

The terrible reunions in store for her
will take up the rest of her life.
When the passion for expiation
is chronic, fierce, you do not choose
the way you live. You do not live;
you are not allowed to die.

You drift between earth and death
which seem, finally,
strangely alike. Scholars tell us

that there is no point in knowing what you want
when the forces contending over you
could kill you.

White of forgetfulness,
white of safety—

They say
there is a rift in the human soul
which was not constructed to belong
entirely to life. Earth

asks us to deny this rift, a threat
disguised as suggestion—
as we have seen
in the tale of Persephone
which should be read

as an argument between the mother and the lover—
the daughter is just meat.

When death confronts her, she has never seen
the meadow without the daisies.
Suddenly she is no longer
singing her maidenly songs
about her mother’s
beauty and fecundity. Where
the rift is, the break is.

Song of the earth,
song of the mythic vision of eternal life—

My soul
shattered with the strain
of trying to belong to earth—

What will you do,
when it is your turn in the field with the god?

may 15/RUN

5 miles
veterans’ home loop + extra
56 degrees

A beautiful morning, a difficult run. Not sure why, but I feel tired, fatigued. It might be allergies or warmer temperatures or low iron? Whatever it is, I found it hard to keep running in the second half. I stopped a few times to walk. Oh well, still great to be out there (somewhat) early, absorbing the gorge.

10 Things I Noticed

  1. the green is filling in, the view is disappearing
  2. heard some noises below me, in the ravine by the 44th street parking lot. Was it people camping down there now that it’s warm? I didn’t see any tents
  3. the hollow knock of a woodpecker’s beak, echoing out over the gorge
  4. the falls, gushing and roaring, spilling over the limestone ledge
  5. 2 people stopped at the stone slabs etched with Longfellow’s “Song of Hiawatha.” Were they reading the lines?
  6. crossing the small bridge just above the falls, 3 kids taking a selfie and a biker next to his bike
  7. running past the wrought-iron green benches sprinkled along the trail, I noticed the sun illuminating one half of each bench — perfect for a pair where one person wants sun, the other shade
  8. heard the fake dinging of the recorded bell on the train as it approached the station
  9. running over the high bridge that leads to the Veterans’ home, I could hear the fast moving water in the creek
  10. a runner was doing hill training at the locks and dam no. 1 — maybe I should try that?

I don’t remember noticing the river — was it sparkling in the sun? Also, didn’t see any regulars or roller skiers or big groups of bikes with their whirring wheels sounding like drones. No irritating bugs (yet) or path hoggers or big packs of runners — the most I saw was 4 who ran single-file as they encountered me. No radios blasting out of bike speakers or TED talks/MPR out of smart phones. No fragments of conversation to wonder about. No sewer smells or big fallen branches to hurdle. No surreys. Not even one good morning to anyone.

Yesterday I began listening to an old On Being interview with Braiding Sweetgrass author Robin Wall Kimmerer. Here are a few great passages so far:

1

Kimmerer: One of the difficulties of moving in the scientific world is that when we name something, often with a scientific name, this name becomes almost an end to inquiry. We sort of say, Well, we know it now. We’re able to systematize it and put a Latin binomial on it, so it’s ours. We know what we need to know.

But that is only in looking, of course, at the morphology of the organism, at the way that it looks. It ignores all of its relationships. It’s such a mechanical, wooden representation of what a plant really is. And we reduce them tremendously, if we just think about them as physical elements of the ecosystem.

2

…attention is that doorway to gratitude, the doorway to wonder, the doorway to reciprocity. 

3

What I mean when I say that science polishes the gift of seeing — brings us to an intense kind of attention that science allows us to bring to the natural world. And that kind of attention also includes ways of seeing quite literally through other lenses — rhat we might have the hand lens, the magnifying glass in our hands that allows us to look at that moss with an acuity that the human eye doesn’t have, so we see more, the microscope that lets us see the gorgeous architecture by which it’s put together, the scientific instrumentation in the laboratory that would allow us to look at the miraculous way that water interacts with cellulose, let’s say. That’s what I mean by science polishes our ability to see — it extends our eyes into other realms. But we’re, in many cases, looking at the surface, and by the surface, I mean the material being alone.

But in Indigenous ways of knowing, we say that we know a thing when we know it not only with our physical senses, with our intellect, but also when we engage our intuitive ways of knowing — of emotional knowledge and spiritual knowledge. And that’s really what I mean by listening, by saying that traditional knowledge engages us in listening. And what is the story that that being might share with us, if we knew how to listen as well as we know how to see?

4

…science asks us to learn about organisms, traditional knowledge asks us to learn from them. 

may 13/RUN

2.5 miles
austin, mn
68 degrees

Last run in Austin before Scott’s parents move. I will miss running through the town, past the SPAM museum, then getting coffee from Kyle at the Coffee Place. Scott was feeling nostalgic and told me stories about many of the places we passed as we walked back home after the run. A good and necessary move for aging parents with health problems. A little sadness, but mostly relief.

may 12/RUN

4.5 miles
Veterans’ Home loop
65 degrees
humidity: 90%

It felt much warmer than 65 degrees. The humidity, my nemesis! I felt drained and decided to walk a few times after reaching the falls. Speaking of the falls, they were gushing. We had a intense storm last night, with tornado warnings and severe weather sirens going off at least twice. Everywhere I looked this morning, I witnessed the aftermath. Nothing too bad, just small branches on the ground, water gurgling out of the sewer pipes, dirt and mud washed up on the sidewalk, leaves piled up on the path.

Someone posted an excerpt from a Louise Glück poem on twitter the other day that made me stop scrolling. I liked it, but wanted to find where it came from: her poem, “October,” in Averno. I particularly wanted to know what happened to Beauty. Here’s the excerpt from twitter:

What others found in art,
I found in nature. What others found
in human love, I found in nature.
Very simple. But there was no voice there.
Winter was over. In the thawed dirt,
bits of green were showing.
Come to me, said the world. I was standing
in my wool coat at a kind of bright portal—
I can finally say
long ago; it gives me considerable pleasure. Beauty

And here’s the larger (more complete) excerpt from “October“:

3.
Snow had fallen. I remember
music from an open window.
Come to me, said the world.
This is not to say
it spoke in exact sentences
but that I perceived beauty in this manner.
Sunrise. A film of moisture
on each living thing. Pools of cold light
formed in the gutters.
I stood
at the doorway,
ridiculous as it now seems.
What others found in art,
I found in nature. What others found
in human love, I found in nature.
Very simple. But there was no voice there.
Winter was over. In the thawed dirt,
bits of green were showing.
Come to me, said the world. I was standing
in my wool coat at a kind of bright portal—
I can finally say
long ago; it gives me considerable pleasure. Beauty
the healer, the teacher—
death cannot harm me
more than you have harmed me,
my beloved life.

I posted a different section from this poem 2 or 3 years ago. It’s a beautiful poem, so I decided to request the collection from the library.

may 10/RUN

5.15 miles
franklin loop
70 degrees

Ugh. Beautiful weather, but a more difficult run. Not sure if it was the pollen or the sun or my sore legs, but I struggled in the last 2 miles. Even so, it was wonderful to be out beside the river. I was able to greet Dave the Daily Walker and Mr. Morning!. I have decided that like me, Mr. Morning! has (at least) 2 versions: Winter Mr. Morning! and Summer Mr. Morning (mine are Winter Sara and Summer Sara). Winter Mr. Morning! heads south on the river road trail and wears a parka and a stocking cap. Summer Mr. Morning! heads north on the river road trail and wears shorts and a button up short-sleeved shirt. Both versions are enthusiastic in their greetings and wear transition lenses, or maybe just sunglasses. I often wonder, is Mr. Morning! that enthusiastic with everyone, or just people like me that he encounters a lot, all of us regulars?

Speaking of regulars, I have a new one: an older male runner with white hair who shuffle-runs — or does a combination of walk-running or run-walking — and is very friendly. I recall seeing him probably half a dozen times over the last 5+ years. The thing I remember most about him, other than his great spirit, is his greeting. One time it was, “Happy Fourth of July!” and today it was, “Happy Spring!”. I think I’ll call him Mr. Holiday.

Other things that happened: I greeted all of the welcoming oaks (in my head); noticed there were no stones stacked on the boulder; marveled at how quickly the leaves have filled in below me in the floodplain forest; looked for, but didn’t find, any rowers on the river; noticed how the river was blue as I ran west, and brown as I ran east; watched a plane slip through the clouds above me; didn’t see an eagle perched on the dead limb of the tree near the lake street bridge; and wondered how flooded Meeker Island Dam dog park was as I ran by a sign that read, “closed due to flooding.”