Tag: Mary Oliver

aug 5/SWIM

a few hours before my swim: just got word, finally, that lake nokomis is reopening after a week of being closed. not because the e-coli was that bad all week, but because they only test it once a week.

5 loops
100 minutes
lake nokomis open swim
80 degrees

A wonderful night for a swim! The water was choppy, but gentle, and never forcing me to alter the side I breathed on. 1 2 3 4 5 right 1 2 3 4 5 left. Before the swim began, I encountered an older man and we talked about how much we love open swim. We agreed: it’s our favorite thing to do. As I started my swim, I thought about this wonderful exchange and this swimmer who loved what he was doing and I was happy.

10 Things

  1. a plane parallel to the water, flying low but not too low
  2. a dragonfly just above the surface
  3. a distant swan boat
  4. my sparkle friends were moving fast and into me as I swam
  5. thick, murky water
  6. seagulls
  7. ducks — quack quack
  8. the long, low light heading back to the big beach
  9. the alert on my watch beep beep beeping underwater at the end of a loop — was it a reminder about the amber alert we got earlier today — did other people hear it under water?
  10. more ghostly vines, one wrapping around my foot

I recited Mary Oliver’s, “Swimming, One Day in August” and felt the deepening and quieting of my spirit. Peaceful, calm, relaxed, in my element.

This entire poem is fire, but for the sake of space I’ll just the pertinent section in today’s entry:

from Swimming Chenango Lake/ Charles Tomlinson

There is a geometry of water, for this
Squares off the clouds’ redundancies
And sets them floating in a nether atmosphere
All angles and elongations: every tree
Appears a cypress as it stretches there
And every bush that shows the season,
A shaft of fire. It is a geometry and not
A fantasia of distorting forms, but each
Liquid variation answerable to the theme
It makes away from, plays before:
It is a consistency, the grain of the pulsating flow.

geometry: the shape and relative arrangement of the parts of something / relationship of points, lines, surfaces, angles


geometry and not
distorting form — angles and points and lines off due to water and unreliable vision

Thinking about geometries of water and Anne Carson’s anthropology of water and the relationship of points, lines, surfaces, angles. Suddenly remembered a reference to geometry that I’d like to experiment with:

“Closed because geometric mean of E. coli exceeds 126 MPN/100 mL“

It’s the message on the parks lake water quality map, explaining why the beach is closed. Will it reopen in time for tonight’s open swim? I hope so!

Geometric mean, what’s that? While Minneapolis Parks doesn’t explain, I found another site with some helpful information: E-coli Open Water Data

  • tests take 24 hours to process, that’s why I’m still waiting for the results to show up now, even though they tested yesterday (could this 24 hours be another example of swimming, one day in august?)
  • MPN = most probable number
  • this site is out of Toronto so it gives the acceptable rates for Canada. In Canada, it’s under 200 MPN, which is higher than here in Minneapolis: 126
  • e-coli stands for  Escherichia coli

I asked FWA — my science guy — what the geometric in geometric mean means and he explained it this way: they make an imaginary grid for the lake and then take samples from different sections of the grid, then they average those samples to get the MPN/ML number. So geometric = grid

The grid makes me think of my vision and the visual field test and the amsler grid and imagining the lake as a grid with different sections of it muted or extinguished or replaced with other sections of the grid that I can actually see.

And now I’m thinking about the geometric ways in which I approach swimming in the lake:

  • angles
  • trajectories
  • following a line, working to understand that relationship between points and surfaces (swimmers’ hands piercing the water and plotting my course with glitter)
  • lines and angles (wider angles to achieve distance from other swimmers, to find the buoy without seeing it)
  • lines and surfaces (try to follow a line that cuts across a wave/swelled surface instead of directly into it)
  • the line of the rope tethered to the buoy and a weight, anchoring the buoy
  • the angle of that rope line
  • how the angle of the sun and the angle of the buoy determine how likely I am to see it and how much orange is reflected on the surface of the water
  • the angle of the lifeguards in relation to the angle of my projected path, how the difference between these angles affects how straight I swim
  • same with the angle of other swimmers’ paths
  • the sharp angles of prickly vines
  • parallel lines: water and airplane, kicking feet, body and bottom, body and big beach
  • perpendicular lines: water and light pole
  • buoys as balls, spheres, orbs
  • buoys as cylinders
  • buoys as equilateral triangles
  • angles of elbow, the arc of an elbow’s path from out of the water to back in
  • grid quadrants: 1. from big beach to little beach, 2. from little beach to middle green buoy, 3. from middle green to final green buoy, 4. from final green buoy to first orange buoy
  • rounding the buoy vs. cutting a sharp angle
  • coordinate points: hand/water, a swimmer/another swimmer’s toe, orange buoy/surface

More on geometry . . . searched geometry on Poetry Foundation and this was the first result:

Geometry/ Nancy Botkin

All the roofs sloped at the same angle.
The distance between the houses was the same.
There were so many feet from each front door
to the curb. My father mowed the lawn
straight up and down and then diagonally.
And then he lined up beer bottles on the kitchen table.

We knew them only in summer when the air
passed through the screens. The neighbor girls
talked to us across the great divide: attic window
to attic window. We started with our names.
Our whispers wobbled along a tightrope,
and below was the rest of our lives.

slopes angles

distance = feet


lines straight diagonally






screens = grid
divide line bar

We knew them only in summer when the air
passed through the screens. The neighbor girls
talked to us across the great divide: attic window
to attic window. We started with our names.
Our whispers wobbled along a tightrope,
and below was the rest of our lives.

All of this geometry talk has inspired me to craft a sonnet about grids and seeing and the grid in my eye tethered to the grid in the water. I have a first draft that needs a little work. The poem is about how I’ve been using sighting buoys during open swim to learn how to see in new ways, or to function without needing to see things clearly or often. Or, is it about the parallel paths that learning to sight and learning to rarely or unreliably see have taken and how that’s shaped my experiences with vision loss? or, are both of those conclusions too heavy-handed? Should it be stranger?

1

tethers us to each
other — swimming and
vision, buoy and
body, to sight
but rarely see

2

tethers us to each
other — swimming and
vision, buoy and
body, to use sight
to learn how to see

Typing up both of these endings, I like the first one better. I’ll keep thinking about it.

aug 4/RUNSWIM

2.5 miles
2 trails
66 degrees
dew point: 61
AQI: 81 (moderate)

Better air! Well, less smoky air. Also, humid air. Heavy air. I checked the weather for rain. Nope. Leaving the house, I was greeted (or threatened or warned) by my next door neighbor, the bluejay. Screech! Screech! I admired the beautiful flowers — dark and light purple, orange, yellow — of the neighbor who lives with Matt the Cat. On the paved path, I glanced down at the oak savanna — dark green — and over at the leaning, almost twisted, fence. Heard the coxswain giving rowers their workout, something about 75ers, and wishing she had a micro-stop on her watch (at least, I think that’s what she said). Also heard rustling in the leaves, sounding bigger than a squirrel. A dog? A turkey? Heading down the hill at the Cleveland overlook, the river looked green and still through the trees. Someone was sitting on the bench in the grass near the stone wall. It was dark enough that the cars and bikes had their headlights on.

Because it’s cooler than the air is better, I have the windows open. Several squirrels are rooting around in the bushes. The sound is irritating me as I write this entry.

Listened to the cars and the rowers and the birds running south and on the Winchell Trail, then a few songs by Lawrence for the last stretch from the 38th street steps to home.

Swimming One Day in August

Because the big beach at Lake Nokomis has been closed due to high levels of e-coli, I haven’t had a chance to swim yet in August. Finally today, at Cedar Lake, I will start working towards my goal of swimming a total of 24 hours (= 1 day) in August. As part of that project, I’m devoting time out of the water to swimming in Minneapolis lakes, too by reading, researching, reflecting, and writing on water. Today, I’m reviewing the history of Cedar Lake, thanks to a masters thesis I found a few years ago.

Already today, I’ve been reading about the dredging of the lakes. 2.5 million cubic yards of peat and sand and wetland were dredged out of nokomis; it took 4 non-stop years. The sand went to the beach, the peat and wetland to making the park bigger and building a neighborhood. Why dredge? Not just because it would make a lake I could swim in a century and a half later. Original Park Board Superintendent Theodore Wirth was thinking about economic growth and the future of a city:

Wirth is outspoken in his belief in the utility of taming nature to increase land value and develop the city’s natural resources. By dredging and creating more shoreline, the park board could improve the parkland, thereby making the property surrounding the parkland a more desirable place to live. The increased value of the private property could provide a greater tax base for the city and for the Park Board, which could use the revenue to continue to acquire and improve park space.

Cedar Lake History/ Neil Trembley

swim: 4 loops
75 minutes
cedar lake open swim
77 degrees

Wonderful night for a swim! Calm water, not too warm or too cold. Not too crowded. And even with fogged up goggles (I haven’t treated them in a few weeks), I didn’t get too far off course.

The water felt a little sluggish — not buoyant. There were tons of sharp and scratchy vines, some individual strands, others in clumps. The water was opaque — no fish sightings tonight.

The sky was white; no clouds to notice. I think I remember seeing one bird. Oh — every so often the sky would break open and there was sun. It didn’t last that long.

I wanted to think about Mary Oliver’s “deepening and quieting” but there was none of that tonight. I was swimming hard — not all out, but not stopping either.

aug 1/RUN

4 miles
the monument and back
68 degrees
AQI: 163

The wild fire smoke is still here. Mostly it didn’t bother me, but it did make running a little harder. The worst smoke moment was when I came off the lake street bridge and turned onto the river road — not hard to breathe so much as hazy. There weren’t too many runners out there, some walkers, a few bikers, a family of hikers and shadow falls.

10 Things

  1. graffiti on the lake street bridge steps: STOP HATE
  2. a fancy water fountain, bubbling, in the grand yard of the U of M President’s house that Gov. Walz rented while his mansion was being renovated
  3. someone asleep on a hard stone bench by the Monument — in the hot sun, wearing long pants, a long-sleeved shirt, and a stocking cap
  4. the bells of St. Thomas — ding dong ding dong / ding dong ding dong / ding dong ding dong / — the time, 10:45
  5. an orange flash on the sidewalk — the smoky light or spray paint?
  6. a boat speeding up the river, leaving streaks on the water’s surface
  7. no kids outside at the church preschool — were they staying inside because of the smoke, or was it not recess?
  8. the graceful curve of the bridge’s arch — I checked if anyone was climbing on it (nope) — my daughter told me about how kids do that (her included, but only once and only halfway across)
  9. the soft trickle of water near Shadow Falls
  10. a stone wall above the ravine, leaning — it had a sign on it that I couldn’t read, so I took a picture of it to study later
Furnished to the city of St. Paul by the Kettle River Co.

I could mostly read it when I looked at the photograph, but I had to doublecheck with Scott.

I wish the lake was open so I could have gone to open swim for the first day of my “Swimming One Day in August” project, but at least I was able to run. I am almost didn’t go out because of the smoke. Glad I decided to!

The smoke doesn’t seem that bad so, for the first time in weeks, we have the windows open! I like the relief that air conditioning brings, but I hate how it makes me feel trapped in the house. As I sit at my desk writing this, I just heard the feebee call of the black-capped chickadee through the open window!

Today I’m working on more swimming sonnets and Inklings. Some subjects: water quality, blue-green algae, milfoil, water as the medium, loops at lake nokomis are actually triangles, the color of the water, Alice Oswald seeing self in water, again and more darkly, Mary Oliver and the deepening and quieting of the spirit

a little later: I almost forgot about the mushrooms! Walking north before my run, I saw some HUGE mushrooms in a neighbor’s yard. The first one I noticed had lost its cap and I thought it was a newly cut tree trunk. I think there were a cluster of 4 or 5 mushrooms. I started reciting Sylvia Plath’s Mushrooms in my head. I thought about mushrooms as the fruit of fungi and little explosions and expressions of the self (like through poetry) as emerging like mushrooms. For the rest of the run I checked the grass for more mushrooms, but don’t recall seeing any more.

a lot later: RJP checked out a book for me, Mary Oliver’s Blue Pastures, so I could read some of Oliver’s sand dabs and the chapter, “Pen and Paper and Breath of Air.” I’m on the second page and I already needed to stop and archive some of her ideas:

First, in describing her practice of keeping a notebook, she writes that she doesn’t write in it from front to back, but just opens a page and writes anywhere and everywhere. She uses “private shorthand” to record phrases and feelings.

The words do not take me to the reason I made teh entry, but back to the felt experience, whatever it was. this is important. I can, then, think forward again to teh idea—that is, teh significance of the event—rather than back upon it. I ti s the instant I try to catch in the notebooks, not the comment, not the thought. And, of course, this is so often waht I am aiming to do in the finished poems themselves.

“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver

And here’s one of the phrases she put in a notebook:

A fact: one picks it up and reads it, and puts it down, and there is an end to it. But an idea! That one may pick up, and reflect upon, and oppose, and expand, and so pass a delightful afternoon altogether.

“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver

may 21/RUN

5.5 miles
ford loop
44 degrees
drizzle

Wasn’t planning to run the ford loop, but I started it and then just kept going. It felt good, relaxed, not hard to keep my heart rate a little lower. My pace was slow, but it didn’t feel slow, or fast, or any speed really.

10 Things

  1. mist
  2. dripping
  3. spray
  4. mirrors
  5. puddles
  6. graffiti
  7. traffic
  8. bridge
  9. debris
  10. slick

It rained all day yesterday, and some early in the morning. Started again during my run. Everything dripping wet, including me, although I didn’t really feel it, or couldn’t distinguish it from my sweat. Before I started running, as I walked through the neighborhood, I looked into the puddles on the sidewalk and admired how they had become mirrors, reflecting the sky and the trees. Running over the river, I looked down at the east bank and saw colorful graffiti all over the rocks at the base of the lake street bridge. In spots, the trail was slick with mud or covered in debris — fallen leaves, broken branches, grit. Crossing the ford bridge, I looked north and was delighted by the mist, making everything seem fuzzy and unformed. The traffic on the bridge was thick — I couldn’t see or feel any spray coming off of their wheels, but I could hear it.

overheard: one runner to another — you can bank the time.
Another use of time as a commodity.

Listened to the water, in its various forms, for the first half of my run. Put in my “moment” playlist for the second half. The most memorable song today: One Moment in Time/ Whitney Houston

A line that stood out to me:

And in that one moment of time
I will feel
I will feel eternity

I thought about Mary Oliver’s definition of eternity and how Whitney Houston’s doesn’t fit with it. MO understands eternity as creative time that’s outside of the ordinary and beyond the self. Houston’s eternity seems more like eternal glory.

As I listened to all of the lyrics, I thought about Whitney Houston’s tragic life and terrible death — an overdose. I also thought about the idea of one moment and what happens after that moment is over. And this made me think about post-Olympic blues, or post-marathon blues, or post-publishing a poem blues.

To keep myself distracted and steady, I chanted in triple berries —– strawberry blueberry raspberry. Then I chanted my poem — I go to the gorge/to find the soft space/between beats.

more on the moment as between

Read a very brief interview with Marie Howe the other day. She mentioned a poem that inspired her and that she wished everyone would read: The Season of Phantasmal Peace/ Derek Walcott. Beautiful! Here’s a line to remember that describes the moment:

and this season lasted one moment, like the pause
between dusk and darkness, between fury and peace

Before my run, I began listening to a talk by Jennifer Chang, “Other Pastorals: Writing Race and Place“. She mentions one between in the presentation of her thesis statement: how poets of color use pastoral to grapple with the complex composition of place as a tension between lived and learned experience. She recites another between from Rick Barot’s “On Gardens”: somewhere between/what the eye sees and what the mind thinks/is the world, landscapes mangled/into sentences, one color read into rage.

Chang also mentions context: If you look at the word “garden” deep enough you see it blossoming in an enclosure meant to keep out history and disorder.

Chang’s lecture is part of the Bread Loaf conference in 2019. This page has many great links for future Sara to explore.

And here is helpful essay with some ideas for thinking about the pastoral, and links to poems, like Rita Dove’s Reverie in Open Air, which I’ve already posted on this log. The second half of Dove’s poems fits with early May’s theme of grass:

But this lawn has been leveled for looking,   
So I kick off my sandals and walk its cool green.   
Who claims we’re mere muscle and fluids?   
My feet are the primitives here.   
As for the rest—ah, the air now   
Is a tonic of absence, bearing nothing   
But news of a breeze.

And a few more grass lines from Jennifer Chang:

Stalk of wither. Grass-
noise fighting weed-noise. Dirt
and chant. Something in the
field.
(Pastoral/ Jennifer Chang)

What sound does grass make? Wind through the grass, crunching over dry, brittle grass, feet on grass — bunny’s feet:

 I think my favorite sound was the soft footsteps of the bunny hurrying across the lawn. A silvery whisper only possible to hear on a calm summer morning like today. I love the sound of animal feet moving — running or hopping through the grass

log entry on 16 july 2024

may 16/RUN

4.15 miles
trestle+ turn around
60 degrees
wind: 35 mph gusts

Another earlier run. Cooler and windy! Luckily, I wasn’t running straight into it for that long, or if I was, it didn’t bother me. I felt strong and relaxed and like I’m slowly getting back into the groove.

Right after my run, we drove down to St. Peter to help FWA move out of his dorm. He graduated a few weeks ago. I didn’t have time to write this entry until I got back. Can I remember 10 things?

10 Things

  1. the green has taken over the gorge, no more wide open view of the river, only a splotch of bright white through the small gap in the trees
  2. heard, not seen: a roller skier’s clicking poles
  3. Good Morning! to Mr. Morning!, twice
  4. running past the field at Minneahaha Academy, all dug up. Scott thinks they’re putting in a new irrigation system
  5. little purple flowers — not sure if it was Siberian Squill, maybe some other purple flower?
  6. empty benches
  7. passed the dirt rail near the trestle and thought about taking it but didn’t
  8. a small blue ball under the trestle
  9. most of the stones stacked on the ancient boulder — there had been 6 — were blown over in yesterday’s storms, only 2 small pebbles were still stacked
  10. the big crack just past the trestle that they’ve patched up several springs in a row is cracking again. 2 out of the 3 sections of it have big cracks, the one closest to the trestle has a big crater

I decided to stop and take a picture of it:

crack, overview / 16 may 2025
crack, close-up / 16 may 2025

Listened to the blowing wind as I ran north, my “Beaufort Scale” playlist running south.

among / between

When I read and posted Lorine Niedecker’s poem about standing among the birch last week —

For best work
you ought to put forth
some effort
to stand
in north woods
among birch.

I was struck by the word among and wondered how it was different from between. I looked it up this afternoon and, after wading through discussions about how between is used with 2 items, among with more than 2, I came across a helpful distinction in Merriam Webster:

We use between when we want to express a relation to things and have them considered as individual and usually equal entities.

Among, on the other hand is the best word to use when referring to things collectively and imprecisely.

I like among in LN’s poem, although I wonder about the effect of using between (or beside or with) instead. to stand/in north woods/between birch. Among indicates a kinship — among all of us trees, but between suggests an actual place — stand between this birch and that birch and an exchange — between us. I like both meanings. I like imaging my best work as trying to become a tree. But I also like the idea of my best work happening when I stand between birch — giving and receiving air.

I was reminded of among and between while reading this passage from Marie Howe:

That was really a big deal. I was given this place to be without any expectations really. And everything changed so that the particulars of life—this white dish, the shadow of the bottle on it—everything mattered so much more to me. And I saw what happened in these spaces. You can never even say what happened, because what happened is rarely said, but it occurs AMONG the glasses with water and lemon in them. And so you can’t say what happened but you can talk about the glasses or the lemon. And that something is in BETWEEN all that.

You can name/describe the collection of things (among), but you can’t find words to describe how their meaning has changed in that moment. Often when I think about the slight shifts in meaning between small words, like among or between, I’m reminded of an essay I read about Mary Oliver and her mousier words. I love mousy words! Meanwhiles and in-betweens and yous and wes and usses (is that the plural of us?).


…it’s tempting to be blinded by the more immediately visible parts of speech: the monolithic nouns, the dynamic verbs, the charismatic adjectives. Mousier ones—pronouns, prepositions, particles—go ignored.

Mary Oliver and the Nature-esque

may 14/RUNWALK

4.15 miles
minnehaha falls and back
68 degrees
dew point: 59

Even though it was warm and the dew point was high, my run was good. Managed to bring my heart rate back down and keep it under 170 until I reached my favorite spot at the falls — 2.25 miles in. Excellent. I’m feeling stronger, mentally and physically.

10 Things

  1. a turkey in the middle of the road, honking? squawking? yelling? at the cars unwilling to stop and let him cross
  2. a hazy green above the gorge
  3. the sun hitting the light green leaves so intensely in the distance that I thought it was a bright yellow crossing sign instead of a tree
  4. the falls were rushing, all white foam framed by green trees
  5. a steady procession of cars on the road
  6. roots and rocks hidden in the shadows on the trail — I lightly twisted both ankles, one from a root, the other a rock
  7. the tree that feel in the creek sometime last year was gray — will they remove it?
  8. a line of a dozen or more cars backed up on the parkway, stuck at the stop sign
  9. a crowded trail heading north — bikers and walkers, a few runners, strollers
  10. the water fountains have been turned on again! I stopped for a drink and to wet down my hat

Listened to the hum of traffic as I ran south, my “Doin’ Time” playlist heading back north.

before the run

Thinking about LN’s poem — that I posted yesterday — about standing in the north woods with birch, which led me to think about becoming a tree, like in Katie Farris’ “What Would Root” and Linda Pastan’s “In The Orchard” — I shall come back as a tree.

I’m also thinking about Mary Oliver and “Can You Imagine” — surely you can’t imagine trees don’t dance from the roots up, wishing to travel a little, not cramped as much as wanting a better view, or sun, or just as avidly, more shade.

during the run

I don’t remember thinking about becoming a tree or rooting or stillness while I ran, but I remembered right after I finished and as I walked back home I recited “What Would Root” in my head. I need to practice the second half of the poem. Then I thought about the illusion of stillness and how nothing, not even rocks or trees, stand still. They’re sinking and shifting and swaying and responding to (being changed) by the world around them.

after the run

Still as not not moving but being stuck in a rut, doing the same thing again and again, as in, you’re still doing that?

Still as not needing more, content, at peace, satisfied, stilled desire or anxiety.

Nox Borealis/ Campbell McGrath

If Socrates drank his portion of hemlock willingly,
if the Appalachians have endured unending ages of erosion,
if the wind can learn to read our minds
and moonlight moonlight as a master pickpocket,
surely we can contend with contentment as our commission.

Deer in a stubble field, small birds dreaming
unimaginable dreams in hollow trees,
even the icicles, darling, even the icicles shame us
with their stoicism, their radiant resolve.

Listen to me now: think of something you love
but not too dearly, so the night will steal from us
only what we can afford to lose.

walk: 1 hour
winchell trail / edmund
77 degrees

Remembered to take Delia the dog for a walk before it got too hot. We walked to the Winchell trail than sauntered, me studying the leaves with my fuzzy vision and fingers, and Delia sniffing them with her snout. Warm in the sun, cool in the shadows.

10+ Things

  1. clumps of tallish grass growing through the mulch — a vibrant green
  2. even taller grasses growing among the flowers on the hill, creating a visual effect that was dizzying as my eyes tried to land on anything solid
  3. little bits of some sort of plant scattered along the top of the fence. It looked like it was growing there — a form of lichen? — but I couldn’t tell. It might have just fallen from a tree
  4. the pleasing, easily identifiable shape of the maple tree on the trees close to the trail
  5. sparkling, blue water
  6. blue water, blue sky, green trees
  7. the laugh of a woodpecker
  8. a yard with several bleeding heart bushes, all in bloom
  9. sprawled tree shadows on the grass
  10. the crotch of a tree — standing beside a tree that branched off into two equally sized limbs which looked like thighs to me. I imagined a person planted head first in the ground, which is what happens in “What Would Root”
  11. walking near Hiawatha Elementary, watching as a gym class “ran” around the block, studying the different approaches to “running” — a steady jog, sprint then stop then sprint, skipping, arms flailing and screaming while moving

As I walked with Delia, stopping at almost every tree or tuft of grass or clump of dirt, I thought about the differences between walking and running, this time in relation to a sense of self. Does one enable you to lose yourself or step outside of yourself more easily? I haven’t decided, but I think while walking you can be more aware of what you are doing, how you are attending to the world and noticing what is going on. While running, the attention is less deliberate; you’re too busy managing your effort to carefully study things. There was more to that thought but I lost in the time that it took me to get home.

may 5/RUNWALK

4.25 miles
minnehaha falls and back
59 degrees

Warm! Nothing hurt, it was just hard. My heart rate was higher. Who cares? No back or calf or hip pain! I’m trying to ease back in. Today I ran 4 minutes/walked 1, 8 times. I was proud of myself for sticking with it, even as my heart rate climbed. Yes, I’m ready for some mental toughness!

10 Things

  1. an abundance of sparkles on the river
  2. more green leaves crawling up the trunks of trees
  3. fee bee fee bee
  4. shadow, 1: a straight-ish line on the path from the fence
  5. shadow, 2: soft, sprawling branches
  6. shadow, 3: me — sharp, upright, satisfied
  7. the faint, slightly off tune dinging of the train bell
  8. flowing falls
  9. park workers had the one set of stairs blocked off — I heard water, were they spraying down the steps?
  10. passing another runner from behind, they were dressed warmly in long pants and a a jacket and breathing heavily

enoughness / contentment / not scarcity

Moss lifeways offer a strong contrast to the ways we’ve organized our society, which prioritizes relentless growth as the metric of well-being: always getting bigger, producing more, having more. Infinite growth is ecologically impossible and exceedingly destructive, as it demands the transformation of the lives of other beings into raw materials to feed the fiction. Mosses show us another way—the abundance that emanates from self-restraint, from enoughness. Mosses have lived too long on this planet to be seduced by the nonsense of accumulation, the delusion of permanence, the endless striving for productivity. Maybe our heartbeats slow when we sit with mosses because they remind us that contentment could be ours.

Ancient Green/ Robin Wall Kimmerer

Summer Day/ Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

When I think of green, I think of another concept Robin Wall Kimmerer promotes: abundance — as in, a gift economy and a challenge to the (mostly) myth of scarcity. In May, green is almost too abundant — a gift that is not scarce!

walk: 45 minutes
winchell trail (ravine) / tunnel of trees / edmund
76 degrees

Took Delia out for a walk in the afternoon. The green is taking over. The view from above in the tunnel of trees was only green — no dirt trail below, no sliver of river, no exposed sewer pipe. Just green. As we walked, I thought about another passage I read from RWK in “Ancient Green” this afternoon:

They [green moss] cover the inanimate with the animate. Without judgment, they cover our mistakes, with an unconditional acceptance of their responsibility for healing.

Ancient Green/ Robin Wall Kimmerer

Everywhere green — not moss, but leaves — were covering bare branches, sewer pipes, the gorge. A green skin growing over whatever winter did to us, a return of the strange idea of continuous living despite the mess of us, the hurt, the empty. Did I feel that way about the green I was encountering today? Somewhat, but I also felt it taking over, transforming the floodplain forest in ways I didn’t like: too hidden.

overheard: music from car radios! Someone blasting “Bohemian Rhapsody,” someone else “Rhapsody in Blue.” Until typing these 2, I didn’t make the rhapsody connection.

It must be this rhapsody or none,
The rhapsody of things as they are.
(The Man with the Blue Guitar/ Wallace Stevens)

rhapsody: a portion of an epic poem adapted for recitation

may 1/RUN

4 miles
minnehaha falls and back
60 degrees

Warm! Green everywhere — tufts of grass on the bluff, leaves unfurling from the trees. Lots of bikers on the trail today. I ran to the falls without stopping, then took several walk breaks on the way back. My heart rate was high, my legs were sore. I think I should do a post-injury walk/run plan to ease back into moving.

As I write this on my deck, a black-capped chickadee is doing their feebee call. So loud! So constant. No answer yet.

10 Things

  1. Sea Salt is open at the falls — I could smell it as I ran through the park — what was the smell? fried and salty?
  2. a group of kids with adults — students/teacher? — below me on the winchell trail
  3. the falls parking lot was full of cars
  4. kids yelling/laughing on the playground
  5. a park worker driving a big mower, cutting grass on the strip between the walking and biking path — the lawn mower had a bright orange triangle on the back
  6. a biker in a bright yellow shirt with a matching bright yellow helmet
  7. someone swinging at the falls playground
  8. a biker biking in wide circles under the ford bridge
  9. flashes of white though the (already) thick green on the trail below me and beside the creek — I think it was the heads of people taking the path that leads to the river
  10. yellow and red tulips near a parking lot

before the run

Thank you past Sara for posting this beautiful Katie Farris poem — Ode to Money, or Patient Appealing Health Insurance for Denial of Coverage — and giving me inspiration for a May challenge with these lines:

America’s optimistic to dye its money
green. Leaves are green
because of chlorophyll, which is the machine
that turns sunlight, water, and carbon dioxide into leaf, stem, and root. All
the little blades of grass left behind by the lawn mower like Civil
War soldiers. Same as cash.

Grass! A whole month with grass? Maybe a whole month with green, one week with grass? Yes! And (at least) a week with Robin Wall Kimmerer’s gathering moss. Will this challenge idea go the way of last month’s steps? Forgotten after a few days? I hope not.

like Civil War soldiers — the line this is referencing in Walt Whitman’s Leaves of Grass was one of my first favorite lines from a poem:

And now it seems to me the beautiful uncut hair of graves.

I posted this section of Song of Myself on 18 may 2020. Here’s another part I want to remember:

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

And now I’m thinking about Mary Oliver and her line about rising up again like grass, and realizing that she was referencing Whitman with it. She loved Walt Whitman. Uh oh — I’m feeling a shift in direction. Will I forgo grass for a study of Walt Whitman?

during the run

As I mentioned in my 10 things list, while I was running, I encountered a park worker mowing the strip of grass between the bike and walking paths. I decided that that would be my image of grass for today. I could smell the freshly cut grass as I ran by. I wonder what the parks’ department’s schedule for mowing grass is — how often? and how many acres of grass do they maintain across the city?

after the run

1

Read Mary Oliver’s chapter in Upstream, “My Friend, Walt Whitman.” I’m pretty sure I’ve posted this line before, but I’ll do it again because it fits:

I learned from Whitman that the poem is a temple–or a green field–a place to enter, and in which to feel.

2

I decided to look up information about minneapolis parks and mowing.

4,660 acres of grass/turf mowed

They divided grassy areas into 3 types: athletic fields, general park turf, reduced mowing areas.

general park turf: “We cut grass to a height of 3 inches on a regular basis as time and weather allows, but grass height may exceed 5 inches at times. This standard applies to most of the Park System including neighborhood parks, boulevards, parkways and active use areas within regional parks.”

reduced mowing areas: “We maintain some park lands through mowing on an infrequent basis. These areas include steep hillsides, erosion prone slopes, shorelines and park lands that are not intensively maintained.”

I love that the parks department posts this information!

Also wanted to add this video. It’s light on sources, especially the early history of grass, but I like the clips from commercials:

And here’s a useful resource to return to, and also to use to supplement the video:

The History of Early American Landscape Design: Lawn

And also this — Get Off My Lawn! — which has an interesting 30 minute podcast, images related to the lawn from the Smithsonian Museum.

april 28/WALKBIKE

50 minutes
neighborhood / edmund / river road trail
64 degrees

Took a walk in the late morning with Scott and Delia. A few hours ago it rained, so everything is wet and green and gray. Puddles, mud, dripping leaves. Scott talked about irritating AI generated images on facebook and how he hardly ever notices the trees. I talked about orange and my back and pointed out interesting looking oaks. When I pointed out a gnarled, leafless one, Scott said, now that tree is a hot mess! I also mentioned D.H. Lawrence’s poem, “The Enkindled Spring,” and the idea of green spreading like a fire all over the forest. We saw tulips and explosions of green and several trees growing closely beside each other — expressions of intimacy (Scott described them as intimate). Intimacy is a key topic in the conversation between Forrest Gander and Anne Pringle that I mention below.

We heard a woodpecker laughing in the gorge and some robins encouraging us to cheer up! cheer up! in the neighborhood. On the river road trail, Scott suggested that it smelled very porky. A fire perhaps? I sang, or tried to sing, the Woody Woodpecker Show and Friendship from Anything Goes, which irritated Scott. Don’t get those dumb songs in my head!

My back didn’t hurt, but it felt tight. I need to relax.

before the walk/bike

Orange! The poem of the day at poets.org is a fabulous poem about orange!

Orange/ Noel Quiñones

If I have a gender, let it be a history learned from orange
Freak            Sun Sucker           Queer            Orange Boy

Rumor of 6th grade sunrise, dressed in you I was a child
of unspeakable obsession. Archaic language, Giolureade

Until Margaret Tudor, Queen of Scots. Her lips unlocked
your sarcenet line, my fingers knew taste before the orange
The earliest known use of orange as a colour name in English was in 1502, in a description of an item of Margaret Tudor’s clothing.  By the 17th Century, the fruit and its colour were familiar enough for ‘orange-coloured’ become ‘orange’ as an adjective.
Sarcenet line: thin, soft lining often in bright colors and used in elaborate dresses

Dared on Norwood apartments, Dutch colonies
hunted man straight into your family crests of orange
the color, Dutch Orange

Scraped from dust to crown our bruises, warriors we
stared directly into the sun, Tainos dyed in orange

As if we always knew we were history. Amber hardened into gold
tricking mortals, mortals tricking gods asking Was it the fruit or the color?

First, Tibbets’ grove, millions of fruits grafted
instead of born, from two parent orange trees

The key to a philosopher’s stone: Colormen flirting
with volcanos to retrieve your arsenic orpiment

Forever in danger of sliding into another color, I ran
after you, tracing rivers and creeks and streams of citrus

The Washington Navel Orange, a second fruit protruding:
not a twin, nor translation, but a new name every season.

Wow, this poem! I love how the poet weaves in interesting facts about orange. I started looking some of them up, but I don’t have time to finish right now.

The risk of severe weather in the late afternoon and early evening — tornadoes, strong thunderstorms, high winds. Hopefully nothing will happen.

Yesterday afternoon while leaning down to take off my compression sock, something suddenly hurt — OUCH! Was it a pop or a slide or a snap? I’m not sure. All I know is that after it happened, my leg/back hurt and it was difficult to find a position that wasn’t uncomfortable. I think the pain started in/near my piriformis. Within an hour, it was slightly better. I was worried that I would have trouble sleeping, but it was fine. Now today, everything is back to how it has been for the past 2 months — manageable and occasional pain and stiffness. I checked this log and the first time I mentioned back pain was on 25 feb. About 2 months. If it is my piriformis, which I think it is, it looks like (according to several sources online) that I can run as long as it isn’t painful. Thought about running today, but I think I should stick with my original plan to not run again until May.

motion/movement

Reading my 28 april post from 2021, I came across this:

Mary Oliver’s ethical poetics of noticing, being astonished, and telling others about it involves a lot of standing back and still, staring, stopping, taking notes, sitting at a desk and writing. Yes, becoming connected or immersed in what you are noticing does happen, but the emphasis is on observing/seeing/staring at the world at some sort of distance and when you have stopped moving or doing anything. You stop to notice, or notice then stop, observe or behold (this makes me want to revisit Ross Gay and the idea of beholding), then sit and write. What if you didn’t stop? What if you observed while moving (while running?) Took notes while moving? Wrote while moving? I wonder how far I can push at the limits of writing about the gorge while running at the gorge–not running and noticing then writing, but running while noticing while writing.

A sudden thought: for May as I read more of CA Conrad, I want to create rituals that involve writing while moving/moving while writing. I’d also like to play around with the word/idea/feeling of still — yet, motionless, still life paintings. And I want to explore different ways motion/movement matter: movement in poetry — associations, rhythms, movement in diagnosing injuries, motion = energy, restlessness, the color of motion — not green (like Carl Phillips suggests in a poem) but silver.

Speaking of silver, 2 lines came up in the 28 april 2021 entry: ED’s too silver for a seam and MO’s gathering up the loose silver.

Getting back to MO’s practice/ethics of noticing:

But nothing you ever understand will be sweeter, or more binding,
than this deep affinity between your eyes and the world.

So I’m thinking about this in relation to my quote about the difference between looking and listening at the beginning of this post, and in terms of my own desire to feel with senses other than sight, or with sight not as Sight (as an objective, unfiltered way of being in and with the world). This idea of sight not as Sight, comes out of my thinking about how I see through my damaged eyes. I can see, but not with sharp focus or precision or mastery–I don’t look and See, as in, capture/own what I see with my eyes. My seeing is softer and involves more fluid waves and forms being felt. Returning to MO’s poem, I could definitely be delighted by the terns as I watched them moving—sweeping and plunging and thickening–because you detect motion in your peripheral vision and my peripheral vision is great. But I probably couldn’t see how many terns there are or how their thin beaks snapped. And I wouldn’t be able to see their hard eyes happy as little nails. But, seriously, can anyone see bird eyes in this way, other than MO?

28 april 2021

This discussion of sensing beyond vision, reminds me of something I heard yesterday while listening to an interview with the poet Forrest Gander and the mycologist Anne Pringle:

At 18:30, Pringle says:

I think a lot about humans being visual creatures. We study with our eyes almost as much as — almost more in a way — than with any other sense. But fungi, for example mushrooms, don’t see each other. I know that will be a shock and a revelation to your audience. So I’m constantly thinking about interpreting Visual Evidence and what it means to use your eyes to study something that doesn’t see.

What does it mean to use your eyes to study something that doesn’t see?

In my 28 april 2023 entry, I read about A.R. Ammons and his book garbage. And now I want to read it again and think about it in relation to motion. Here’s a recap I wrote using Ammons’ own words:

Energy and motion. The spindle of energy, motion as spirit, all forms translated into energy: value systems, physical systems, artistic systems, from the heavy (stone) to the light (wind) and back again. Loops, returns, the constant recycling of stone to wind to stone, waste into something new then returning to waste, using words to find a moment of the eternal, losing it again, the words becoming waste to break down and rebuild. Always motion, flow, decomposing, returning. Always behind it all, the relief of indifferent stars: twinkle, twinkle: just a wonder. And old people dying, bodies falling apart, individual existence ending. All of it happening, whether we believe in or not. All of us motion: a whirlwind becoming gross body, all navel and nipple and knee, then vaporized, refined, distilled into a place not meaning yet or never to mean.

28 april 2023

bike: 32 minutes
basement
outside: 68 degrees / 40 mph gusts / dew point: 63

Began watching a documentary about an upcoming 250 mile ultra running race. The doc = The Chase, the race = Cocodona in Arizona. Wow, that’s a lot of miles, and a lot of hallucinations!

The biking didn’t bother my legs or back.

I’m not watching The Residence while I bike anymore because Scott and I are watching it together. It’s helpful to watch it with Scott because he picks up on things I can’t see and/or the person doing the audio description doesn’t mention, like that Jane Curtain is playing the alcoholic mother-in-law (I couldn’t recognize her) and Bronson Pinchot is the pastry chef.

april 26/BIKE

30 minutes
basement
outside: 57 degrees

It’s beautiful out there today, but I think it’s too crowded on the trails for me to bike outside with my failing vision. Plus, I didn’t want to miss the live coverage of Ironman Texas, so I biked in the basement while I watched it. It felt good to move my legs, which were restless from less activity. No pain while I biked, only a slightly stiff left knee 20 minutes in.

Before I biked, some pain in my lower glutes/upper hamstrings — a dull ache? Not sharp, but constant, a little uncomfortable.

injury spells

Yesterday I found the scrabble tiles for P I R I F O R M I S S Y N D R O M E and put them on my table. This morning I worked on them some more, trying to find a way to use all the tiles to make a phrase. The idea is that once I do, I will have a spell to break open or through my latest injury. Here are some of attempts:

  • Do I personify? [MMIRRS]
  • Miss Fiery Moon Drip [R]
  • Or is my form inspired? — all tiles used!
  • O sir, my form inspired! — all tiles used!
  • I inform my spired rods — all tiles used!
  • Miss Merry Porfirio [DN] — porfirio = purple-clad person, surname in Spanish/Portuguese
  • Is my sniper mood fir? [R]
  • Sir, spin my fired room — all tiles used!
  • Rim mood: spiny fires [R]
  • I spy: red moon, fir rims — all tiles used!
  • I spy: fir moon, red rims OR I spy: fir’s moon, red rim
  • (dry form) I sin, I’m prose! — all tiles used!

I might like this last one the best.

yes, that is an upside down W. We’re missing an M.

On Thursday I FINALLY picked up CA Conrad’s Ecodeviance, which I requested on march 4 and was planning to use that month. In the book, Conrad is interested in making it impossible to not be present in place by performing rituals that access the “extreme present.” A quick, perhaps half-baked, thought about Conrad’s soma(tic) rituals: from the ones I’ve read so far, a key element seems to be making other people uncomfortable.

Example: (Conrad riding an elevator repeatedly) “At the top and bottom of each ride I would show photographs of myself to strangers and ask, “EXCUSE ME, have you seen this person?”

I laughed out loud when I read this, but I also wondered about other ways of accessing the extreme present were possible that didn’t involve confronting strangers.

Conrad performs these rituals for days/weeks and take notes. From the notes, they write poems. A line from one reminded me of a delightful image from Mary Oliver that I read yesterday:

Six/ CA Conrad

a golden needle
stitches my head to
my knee leaving me
aching along the river

from The Book of Time/ Mary Oliver

those silver sheets, with the occasional golden staple,

I love MO’s description of a storm!