feb 21/RUNGETOUTICE

4.25 miles
minnehaha falls and back
18 degrees / feels like 6

After a week of warmth, winter is back and this time the paths are clear! Hooray! It is (almost) never the cold but the uneven trails that bother me in January and February (and March and often April). I felt good as I ran south and even better as I ran back north. As I ran, I thought about how I was wearing my dead mother-in-law’s purple jacket and my dead mother’s teal cap with the tassels. I liked feeling as if they were both there with me. I also thought about #2 (see below) and what it means to be good at something. I imagined it not as something you are, I am good at x or y or z, but as a moment you experience or as a means to a deeper end: to feel free or satisfied or joyful — because I can run well, I am able to float on the trail and devote more attention to this place or to travel farther on this trail or enter the flow state and feel closer to the earth, the air, the water.

10 Things

  1. a flash or a slash or a blur of bright red below me — with a second glance I saw that it was a person with a red coat walking on the winchell trail
  2. a BRIGHT dot and a thought whispered in my head — yellow — an instant later recognition, a crosswalk sign
  3. thump thump thump the deep bass of a song exploding out of a car
  4. another car, more music — a song that I could almost but not quite hear — I strained my ears to identify any lyrics or a melody, but couldn’t
  5. the faint echo of the train bells near the falls
  6. the falls were still gushing from behind the ice columns, the dark water of the creek was rushing
  7. a group of people standing at the wall, looking down at the falls — they were laughing and cheering as they threw something below — I think they were snowballs
  8. the river was completely open and was mostly a deep brownish blueish dark gray — it stretched wide and far and looked more like a wall than water
  9. my feet slid (but didn’t slip) on the grit on the trail
  10. the paths held a range of people — single walkers, walkers with dogs, running pairs, running trios, adults and kids walking single-file — but the benches held nothing — they were empty

some things to remember

1

For almost a year now, I’ve been jumping from project to project. In the spring, it was color, then in the summer it was water and inklings, in the fall my book manuscript on echolocation and the gorge, and this winter it has been love. So many projects! And I have more big ideas that have been simmering for years and waiting for the light of my attention. But, I also like wandering without a clear purpose or goal. I like devoting a month to a random topic, like shadows or windows or wind, making a playlist for it, exploring new things that I haven’t encountered before. It’s difficult to balance a desire to wander and experiment with the need to turn it into something.

And right now, the need to turn it into something is winning. Even as I write this, I’m thinking of another project which would be part of a larger manuscript on how I see. So far, I have written about how I am seeing color (inner and outer color), how I navigate, looking at the world as if through water (inklings), now it’s time for another section/chapbook of this — thoughts? Optical illusions or hallucinations or mistaken identities? I’m imagining this might include examples from my log of seeing something in a very WRONG way — like disembodied legs walking toward me on the trail.

My starting point could be to gather: examples from past entries; lines from poems that speak to/of the beauty and the danger of these illusions; some research on illusions by scientists and psychologists; excerpts from essays by G. Kleege and Naomi Cohn; examples in art — like Monet and Magritte. Along the way, I want to turn this work of gathering into a resource page for others.

2

In my post from 21 feb 2017, I posed the question, what does it mean to be good at running? What does it mean to be good at something? And now I’m wondering, what does it TAKE to be good at something? The word excellence echoes in my head as I think about my studying of Aristotle and the figure skating in the 2026 winter Olympics. Two different models: Ilia Malinin (the quad god) and Alysa Liu. And I’m also thinking about the idea of needing to suffer for your art and where joy fits into your practice. And, another question — is the goal always to be good, to excel, to master?

3

A book to buy, or to check out of the library: Against Breaking — the power of poetry / Ada Limón

4

A mural to find:

a storm drain mural for water quality, designed and painted by local artist Precious, shows a sunset over a cityscape in vibrant colors. You can see it at the Mississippi River Gorge scenic overlook along Mississippi River Boulevard in Highland Park.

FMR

5

a poem to read again and to place beside my restlessness, my desire for movement, and my desire to find new ways to understand stillness:

The Art of Silence / Christine Anderson

a Buddhist monk taught me to sit silently
be the moon floating over my back field
a buttercup cradled in a clump of spring grass
sit hushed
as the broad shoulders of granite mountains
in their shawl of clouds—
sit despite
an unquiet morning
that buzzes and twitters and zips
sit to be a dewdrop
in the garden
a perfect pearl of daybreak—
a Buddha
sitting.

Get Out Ice

Found a substack list of LOTS of anti-ICE stuff happening around the cities. This one seemed particularly fitting:

We want ICE OUT!!! Of our city, our state, our community, and for one night only, out of our margaritas.

Celebrate National Margarita Day this Sunday 2/22 at Hai Hai with NO ICE margaritas to support our restaurant community. ICE doesn’t belong here anymore and we are pulling frozen water out of our favorite cocktail to prove it. A portion of each No Ice Marg sold will be donated to @thesaltcurefund for restaurants in need. If and when ICE leaves, restaurants will have a long way to go to recover from the impact their occupation has had on our community, join us for a drink and some laughter and help us take one step forward towards recovery.

Hai Hai Instagram post

sept 4/RUN

4.2 miles
minnehaha falls and back
53 degrees

Cool enough today for my bright orange sweatshirt! Excellent running weather. I felt strong and was able to push through a few moments when I wanted to stop. Thought about the perception of time during difficult moments, particularly in terms of how to endure it — learning to hold multiple perceptions at once: time on a short scale, day by day, minute by minute, step by step / on a long scale, think beyond this moment to a bigger goal / as in flux, this feeling can/will change again, and again

10 Things

  1. a cool, dark green
  2. far ahead, tunnels of bright light
  3. birdsong — difficult to identify
  4. a coxswain — rowers down below!
  5. kids arriving at school — heard, not seen: excited voices
  6. a roaring creek
  7. every bench, empty — a stone wall, occupied by a person leaning and looking at their phone
  8. tall grass smell: almost like cilantro
  9. sharp, yippy barks at the falls — two little dogs greeting each other
  10. Hi Sara! / Hi Dave!

After stopping at my favorite spot at the falls, I put in my “The Wheeling Life” playlist. Most memorable song today: “Windmills of my Mind” and these lines:

Like a door that keeps revolving in a half-forgotten dream
Or the ripples from a pebble someone tosses in a stream

I thought, ripples. Such a great word and image on the surface of the water, or from tall grass in a field, or through the thick leaves on a tree. Later, on my walk back, I thought more about ripples and triples and inklings:

  • an inkling
  • a ripple
  • a flicker
  • a ruffle
  • a whisper
  • a rumor
  • a tumor — where did that come from?
  • a lurking
  • a leaking
  • a speaking — soft, slow, barely audible

added a few minutes later: Early this morning, 5:30 am, I briefly woke up to stretch my restless leg. I noticed a flashing light through the blinds. An ambulance? The police? A fire truck? No. A runner with a flashing headlight running in the street. I’ve never seen that before, but that’s probably because I’m hardly ever up this early. Would I see it more if I were up this early? Probably.

aug 26/BIKESWIM

bike: 8.6 miles
lake nokomis and back
62/66 degrees

Feeling a bit tired and out of it this morning. Yesterday, Scott and I biked over to the State Fair and spent the entire day walking around with 145,000 other people (a record!). Wow, crowded. And fun. And great to bike there instead of driving or taking a bus. We biked 10 miles and walked almost 9.

Even with all of yesterday’s exercise, today’s bike ride wasn’t too difficult. Not easy to see with the gray sky, but not too many people around so it didn’t matter. Encountered acorns, walkers, runners, a few other bikers, and one dude on a hover board.

swim: 1 loop (6 mini loops)
30 minutes
lake nokomis main beach
65 degrees

The water looked smooth and silvery from the shore, so I was excited to get in. When I did, uh-oh, a film of green. Not quite looking like green paint, but not not looking like green paint either. Blue-green algae blooms? I got out and walked the shore, wondering what to do. Was it an isolated patch? Should I stay out of the water? I was thinking of biking over to the other beach when I saw another swimmer get in. Decided to go for it, but only a shorter swim until the testing results come out later today — they always test the water on Mondays with results on Tuesdays.

It felt great to be in the water, but I was uneasy. Would I run into slime? No, but I encountered even more milfoil than usual. So many vines reaching up to tap my foot or wrap around my wrist. No thanks.

Out, just past the white buoys, the water didn’t seem too bad — no slime, not that green. Quiet, calm. No boats or other swimmers. One seagull that was committed to their perch on a white buoy. 4 geese having a conversation on the edge of the shore. A few ducks. The water was colder. By the 6th loop, my hands and feet were getting a little numb. Time to get out!

10 Things

  1. swirls of green on the surface when looking from abover
  2. goose poop on the sand, feathers in the water
  3. thick, opaque water
  4. a silvery surface in the distance
  5. seagull on a buoy
  6. swimming directly over some clusters of milfoil, inches from my face, its sudden appearance was unsettling
  7. a feathery soft tap on my heel — swimming over milfoil
  8. a kid at the nearby playground repeating the same phrase over and over (6, 7, 8? times) it’s so quiet
  9. wading through water, a line of green at the point of contact between suit and lake
  10. clouds then, at the end, the sun breaking through

Swimming One Day

With today’s morning swim, I’m done to 56 minutes left. If it were actually a day, it would be 11:04 pm. Very close. Hopefully the lake won’t be shut down with algae blooms in a few hours! If that happens, I will still swim the 24 hours by finding water somewhere, but it will be more difficult.

hour entry: That it never/ Endi Bogue Hartigan

-That in 1751 Carolus Linneas conceived of a floral clock, a botanical garden designed with species that blossomed predictably at certain hours of day, so that walking through it, one could tell time from the petals.

That it never worked may have been critical to the pollen of future ruins and revolts, that the lily wrist opacity decided not to show itself, that 6:00 industry was lost to the ants and the nectar chambers, that I got nothing intended done all day and coworkers floated between cubicle sunbeams, that the cockle shell women and the snapdragon breaths and the pin code clues and the politicians’ shoes never quite stood to stand there in a punctuating sequence, that all sequence would stymy and revolt, that Mary mary, alarm and delay and caterpillar-staring, that the empirical battalion of the flower clock disintegrated by noon, that subsequently there would be wilderness of soon and soon and soon where the ruins of the instrument held us.

flowers:
lily / wrist, as in wrist watch?


cockle shell
snapdragons / pin flower?
politicians

Miss Mary Mary

a wilderness of soon and soon and soon!

Is this poem in the collection that mostly directly references the title, on orchid o’clock? Possibly. I love the idea of a botanical clock! And also, I don’t. What a delightful way to connect the natural world with our sense of time and what an impossible way to impose invented time on the natural world. And that wilderness of soon by noon? I love that as a description of rewilding! I want to memorize this poem for tomorrow’s swim!

An idea somehow inspired by giving attention to this poem : 24 short poems — inklings? — about swimming one day in august.

aug 21/RUNSWIM

3.6 miles
locks and dam #1
74 degrees
humidity: 88% / dew point: 65

I’m trying to write this entry but I’m distracted by the little kids next door in the front yard — such cute voices. One of them was singing a song — take this grass. . .broken world. . . broken glass.

Refrain: hot, humid. Even so, a better run today than the last one I did. When was that? Tuesday (checked my log). Ran all the way to the bottom of the locks and dam #1 hill without stopping. Noticed the river. Such reflections! Clouds, trees, the bridge. Took a picture:

bridge / clouds / surface / sky

The water was smooth beneath the bridge and rippled (corrugated, as Anne Carson wrote) farther out.

Everything is still this morning, calm, quiet. Partly inspired by my 21 aug 2024 entry, I thought about being still. Not as not moving, but as a calm, steadiness. Stillness as the space between beats, when both of my feet are off the ground. Or, stillness as my strong core that floats through that space — suspended as held up in the air, not as stopped.

10 Bridge Things

  1. at the top of the hill, in-between the top and bottom of the bridge, a family was sitting on a bench
  2. the gate near the columns of the bridge was unlatched and slight ajar
  3. beyond it, hollowed out bricks with a strange pattern
  4. empty benches all the way down
  5. the reflection of the bridge on the water’s surface, upside down
  6. a car nearing the bottom, voices — couldn’t hear what they were saying but imagined it was about whether or not the locks and dam was open
  7. the echo of my footsteps under the bridge
  8. the clicking of a bike’s gear across the service road
  9. thought about what RJP told me yesterday: someone went over this locks and dam in a canoe (or was it a kayak?) yesterday
  10. at the top of the hill again, a man read the sign to a little kid who started jumping and asked him to join — by the time I reached them, they were both jumping and laughing and making goofy noises

the deepening and quieting of the spirit
among the flux of happenings

still

I thought about being quiet and calm and the opposite of restless and anxious. Then I thought about my core — literally and figuratively. Core = my core muscles, strong back, a straight spine. Core = enduring values, character. I felt the stillness within my self and my body even as the world blurred and floated and drifted around me. Then, Mary Oliver’s “deepening and quieting of the spirit” popped into my head — amongst the flux of happenings. Yes! A stillness of the spirit, where stillness is being satisfied and balanced and present in the moment, not needing to do more or feel guilt or regret for what was or wasn’t done. 

21 aug 2023 log entry

I still the clock./ Endi Bogue Hartigan

/I still the clock.

/I still the clock by holding the pendulum coin still so that
the mechanism stops
and I can sleep without the consciousness of it.

to still the clock is a ritual of the demagnification of clocks.

/it is a kind of violence of fiction for the clock to not
function as a clock while others click and breathe and blink.

the eyes blink more before they stop functioning as eyes.

/the rapid eye movement of dream frightening being pure
pulse, pure frenetic zag force

/to watch a gold-painted platinum extravagant clock you’re an excess you’re
a fire you’re in competition with the tiredness of time.
/to hold in your satiny eyelids the still unstill pendulum of
the gaudy machination you are in unison

with the aspirant expirations of the day.

still / holding / pending / stop
sleep / not function /
click / breathe / blink / dream / pulse / excess / rapid fire extravagance / tiredness / still unstill / aspire to expire

underwater the end (expiration) is the breath (expire)
the end / forced above / evicted from below / no longer water but air

In this poem, to still is to stop, to end, the deep sleep

swim: 6 loops
110 minutes
cedar lake open swim
82 degrees

The final open swim of the season. It goes so fast! Another great night for a swim. Warm, sunny. I liked that the wind made the water less smooth — not too rough, a gentle rocking. The course was set up strangely and even though I complained about it afterwards, I think I liked the challenge of it. One buoy was in the middle of the lake, the other was at the far left edge of hidden beach. At first I worried that this set-up would cause chaos with swimmers crossing over the path and running into to each other, but it was fine.

a risky moment: Because the course was so far to the left, I swam in water I haven’t before. Almost halfway across, I swam straight into a nest of vines — the biggest cluster of vines I’ve ever experienced. I didn’t panic and was able to swim out of it, but I could imagine a weaker swimmer struggling to free themselves and getting wrapped more tightly. As I swam away from it, I thought about the high school football player that drowned off of the little beach at lake nokomis about 10 years ago. That’s probably how it happened.

Some things irritated me: the swimmer that I tried to pass but sped up to prevent it, another swimmer stopped at the buoy, blocking the way, the unmoving lifeguard on his kayak too close in on the course, the bright sun making it almost impossible to see anything on the way back, the scratchy vines. But more things relaxed and delighted me: the gentle water, feeling strong and able to swim for so long, swimming past other swimmers like they were standing still, the faint clouds in the sky, the solitary orange buoy sitting on the surface of the water glowing, glimpsing other swimmers off in the distance — only inklings: the flash of a yellow or orange buoy, a bright pink cap, white foamy water.

overheard:

a mom with 2 kids, one who was around 4 or 5, the other a baby in her arms, to a lifeguard: Can he swim out to the orange pyramid?
lifeguard: (thinking she meant the baby and not the kid) alone?
mom: oh no, not the baby!

Later I heard her recounting the story to a friend. They were laughing about it.

At the end of the second to last loop, I stopped at the beach, stood in the shallow water and the sand, checked my watch, and decided to do one more loop. For the final loop, I felt Mary Oliver’s one day in August, everything calm and quiet. I thought about what a great season it has been, how grateful I am to have this time swimming, and how satisfied I am to have taken advantage of it. No open swims until next June. I thought about how no next season is guaranteed; a lot could happen between now and then. Then I remember the story of my great-grandmother Johanna standing out in the field at the farm near the end of the fall to behold the familiar view, wondering if she’d still be around the next fall.

aug 18/SWIM

5 loops (9 cedar loops)
95 minutes
cedar lake open swim
77 degrees

A fabulous evening: no wind, sun, calm water. I felt so strong and buoyant for much of the swim. High on the water, a steady kick, strong arms. The light around 7 was that great late summer evening light. The sun setting earlier than in July — a chance to see a different sort of sparkle on the surface. Point beach was shallower than usual. I was able to stand up farther out than I ever have before — or, was I just standing in a different spot? The floor of this beach is very uneven. Lots of prickly vines, single strands passing slowly over my legs, clusters or clumps or knots almost getting tangled with my kicking feet.

before the swim

Continuing to read and think about Endi Bogue Hartigan’s on orchid o’clock as I experiment with what it could mean to swim one day in august. In process note #27, Hartigan writes this about the process of working on the book:

I dove into reading about the history of horology, clock systems, and theories/philosophies of time and my mind wandered through these histories for years, clock history being an incredible palimpsest of histories: religious, industrial, scientific, astronomical, governmental, economic, natural, more. The history of clocks and time measure includes everything from the capitalist puppetry of measuring industrial time to drive efficiency, to the synchronization with atomic clocks from computers where real time headline bleed into our screens and consciousness, to medieval monks creating mechanisms to wake for morning prayers. Time itself as a concept has no one definition. And while clock measure is cultural it is also so personal, is used to keep us close to our beloved ones and moments. I wrote from this interlay, and the more I wrote the more I wrestled with how we inherit these interwoven histories and constraints, but also fight against them and can slip boundless out of them. 

The mechanization and measurement of time. I’m thinking of the second verse of Oliver’s poem:

Something had pestered me so much
I thought my heart would break.
I mean, the mechanical part.

The mechanical part. The clock! That twelve-figured moon skull, that white spider belly! Regular. Ordering disorderly life. Ordinary (Oliver, Upstream). the hours on their rounds, twelve white collar workers who manage the schedules of water (A Oswald, Dart).

Precise. Neat little boxes. Nothing approximate about it, exact. The closest I can get to precision when measuring my encounter with lake water. The next closest is arm strokes, but only because I’m steady with my strokes and rarely stop or vary it. My Apple watch records this data. It even distinguishes breast stroke from freestyle. How?

It’s 150 strokes o’clock. It’s 30 breaths o’clock.

Where does an Apple watch fit into the study of clocks? To my swimming one day in August?

Later in her process notes, Hartigan describes the three forms she uses in her book:

The forms I arrived at became a way of moving with different paces in time, moving in primarily three different forms/paces: hour entries which are prose-like and which move at a slower loosely-shadowed mental pace that allows for sentences; second entries which are like little insect legs notching forward with alliteration and gap-jumping nonlinear narratives; and a variety of lyrics that often use the slash as an entrance. They work together and of course the forms mix and disrupt their own boundaries too. The slash was important to my mental movement. 

Very cool. I’m thinking about my own forms and how to express different modes of swimming in the lake. Inklings, which is the chapbook I’m working on, are short 5 syllable, 5 line, flash encounters with the lake. Brief glimpses, approximations, things witnessed in the midst of motion. Then I have some shortened sonnets — 5 syllable 14 line poems represent more sustained encounters. What other form to use, and what does it represent?

hour entry: “calendaring” is a verb/ Endi Bogue Hartigan

“Calendaring” is a verb. You can “clock yourself in.” These terms like rows of hothouse orchids living in some God-forsaken pre-purchase interval steam. New verbs for new measures, new signs of transaction as home, this moon hour spent “off the clock,” but tracked, this noon hour packed in screen-time and foam, this stem of the orchid holding itself up as an orchid. you can even check off “orchid,” you can list for Tuesday, “unnatural hothouse mixture of purple and green.”

clock yourself in / measuring data / transactor or transacted or transaction? / tracked / tricked / off the clock / on the clock / in the clock

calendar / 7 days / every day / any day / a certain day / day after day / all day / once a day / 30 days has september

orchids in rows / hothouse / swimmers doing loops / a dredged-out lake / unnatural green / fertilizer run-off / blue-green algae o-clock / an exchange — a perfect lawn for an unswimmable lake

during the swim

Thought about days and remembered my “On This Day” practice. I should use that in my thinking and writing about one day in August. Also thought about another way, in addition to minutes, strokes, and distance, that I use to measure duration: active calories. Finally, as I counted my strokes between breaths — 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left — I thought about counting as a comforting practice and about counting and accumulation (minutes/hours accrued) versus counting as a repeating of numbers with no accumulation (1 2 3 4 5 breathe). Of course, there is accumulation with these strokes and I keep track of it on my watch: total number of strokes. But, the act of counting in the water over and over is different.

aug 8/SWIM

4 loops
70 minutes
78 degrees
AQI: 37

Another great swim, even if my goggles kept leaking. I had to stop several times to fix them. The water was not too rough but wasn’t still either. It offered a gentle rocking. My sparkle friends were abundant today and coming at me, like swimming through stars or light like it looks in a time lapse video. Mostly it was cloudy, but sometimes the sun came out and the surface of the water sparkled. From a bird’s view above, I imagine they were able to watch it turn from pewter to silver to pewter again.

The buoys near the main beach were in close, which I like. It means the course is longer. Was it? I’ll compare these different days, all swimming 4 loops:

8 aug: 2010 strokes / 1.78 miles
22 july: 2347 / 2.29 miles
17 july: 2660 / 2.64 miles
11 july: 2020 / 1.89 miles

Okay. I was wrong. Today’s four loops was the shortest 4 loops out of this sample of 4 4 loop swims.

10 Things

  1. a sloshing sound of water — was it my arms piercing the water that made this sound, or my head turning to breathe or my torso being rocked by the water?
  2. a plane
  3. opaque water
  4. bubbles around my hands
  5. my feet feeling like rudders
  6. the sky, white and thick with clouds
  7. later the sky, split open, the sun peeking through
  8. sparkles on the water
  9. the far off dot of the green buoy not looking green but white
  10. the area around the white buoys thick with milfoil

Took a screen shot of my path today. The off-course lines are when I went to the swimming area at the big beach to fix my googles.

4 loops at lake nokomis / 8 aug 2025

A scalene triangle, almost an isosceles.

Today I’m working on adding to my inklings (inkling poems / 5 line, 5 syllable small poems that spread rumors, drop hints, whisper, are approximate/vague/rough in their descriptions). Today’s inklings are about sketching different points on the course. One of the inklings, which serves as an intro to the larger goal of describing my course is title, “Plotting the course.” As I swam, I realized that this has a double meaning. Plotting as in identifying/marking points on the course and plotting as in create a story/plot for my experience swimming around the course. With that in mind, I’d like to write more about the story/stories I want to tell. Of course, plotting also means secret planning to do something/hatching a scheme. Will that meaning factor in too?

aug 3/RUN

2.25 miles
2 trails
70 degrees
AQI: 151

Another short run today. The air quality is still bad, but it didn’t bother me — or, I’m so used to it bothering me that I didn’t notice. Wore my bright yellow shoes again and felt bouncy. Listened to my “Slappin’ Shadows” playlist running south, the gorge running north: trickling water, laughing kids, someone talking about walking on a boardwalk, a beeping/ringing noise on repeat somewhere below. Noticed a haze above the river, everything washed out, pale. The tree that fell a few weeks ago is still there, unmoved. The benches were empty, the trails were thick with bikes. No more mud. Acorn shells on the sidewalk.

Walking back after the run, I thought about my inkling poems and how I like to/have to try and guess what something is based on very little data. Some lines came to me —

It’s a game, really —
Name that Tune but for
forms. I can name that
form in 2 curves . . .

Searching for “inkling” on poets.org, I found these great lines:

For what is prophecy but the first inkling
of what we ourselves must call into being?
The call need not be large. No voice in thunder.

It’s not so much what’s spoken as what’s heard—
and recognized, of course. The gift is listening
and hearing what is only meant for you.
(from Prophecy/ Dana Gioia)

And now I’m thinking about inklings as creatures, and not just hunches or ideas or guesses or a call/prophecy to listen to. An inkling is the tiny creature that speaks to us — not a little man, but a spirit or an insect or Dante’s spiriti visivi.

aug 1/RUN

4 miles
the monument and back
68 degrees
AQI: 163

The wild fire smoke is still here. Mostly it didn’t bother me, but it did make running a little harder. The worst smoke moment was when I came off the lake street bridge and turned onto the river road — not hard to breathe so much as hazy. There weren’t too many runners out there, some walkers, a few bikers, a family of hikers and shadow falls.

10 Things

  1. graffiti on the lake street bridge steps: STOP HATE
  2. a fancy water fountain, bubbling, in the grand yard of the U of M President’s house that Gov. Walz rented while his mansion was being renovated
  3. someone asleep on a hard stone bench by the Monument — in the hot sun, wearing long pants, a long-sleeved shirt, and a stocking cap
  4. the bells of St. Thomas — ding dong ding dong / ding dong ding dong / ding dong ding dong / — the time, 10:45
  5. an orange flash on the sidewalk — the smoky light or spray paint?
  6. a boat speeding up the river, leaving streaks on the water’s surface
  7. no kids outside at the church preschool — were they staying inside because of the smoke, or was it not recess?
  8. the graceful curve of the bridge’s arch — I checked if anyone was climbing on it (nope) — my daughter told me about how kids do that (her included, but only once and only halfway across)
  9. the soft trickle of water near Shadow Falls
  10. a stone wall above the ravine, leaning — it had a sign on it that I couldn’t read, so I took a picture of it to study later
Furnished to the city of St. Paul by the Kettle River Co.

I could mostly read it when I looked at the photograph, but I had to doublecheck with Scott.

I wish the lake was open so I could have gone to open swim for the first day of my “Swimming One Day in August” project, but at least I was able to run. I am almost didn’t go out because of the smoke. Glad I decided to!

The smoke doesn’t seem that bad so, for the first time in weeks, we have the windows open! I like the relief that air conditioning brings, but I hate how it makes me feel trapped in the house. As I sit at my desk writing this, I just heard the feebee call of the black-capped chickadee through the open window!

Today I’m working on more swimming sonnets and Inklings. Some subjects: water quality, blue-green algae, milfoil, water as the medium, loops at lake nokomis are actually triangles, the color of the water, Alice Oswald seeing self in water, again and more darkly, Mary Oliver and the deepening and quieting of the spirit

a little later: I almost forgot about the mushrooms! Walking north before my run, I saw some HUGE mushrooms in a neighbor’s yard. The first one I noticed had lost its cap and I thought it was a newly cut tree trunk. I think there were a cluster of 4 or 5 mushrooms. I started reciting Sylvia Plath’s Mushrooms in my head. I thought about mushrooms as the fruit of fungi and little explosions and expressions of the self (like through poetry) as emerging like mushrooms. For the rest of the run I checked the grass for more mushrooms, but don’t recall seeing any more.

a lot later: RJP checked out a book for me, Mary Oliver’s Blue Pastures, so I could read some of Oliver’s sand dabs and the chapter, “Pen and Paper and Breath of Air.” I’m on the second page and I already needed to stop and archive some of her ideas:

First, in describing her practice of keeping a notebook, she writes that she doesn’t write in it from front to back, but just opens a page and writes anywhere and everywhere. She uses “private shorthand” to record phrases and feelings.

The words do not take me to the reason I made the entry, but back to the felt experience, whatever it was. this is important. I can, then, think forward again to the idea—that is, the significance of the event—rather than back upon it. It is the instant I try to catch in the notebooks, not the comment, not the thought. And, of course, this is so often what I am aiming to do in the finished poems themselves.

“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver

And here’s one of the phrases she put in a notebook:

A fact: one picks it up and reads it, and puts it down, and there is an end to it. But an idea! That one may pick up, and reflect upon, and oppose, and expand, and so pass a delightful afternoon altogether.

“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver

july 30/SWIM

5 loops
lake nokomis open swim
90 degrees

5 loops! An almost perfect night: warm, sunny, calm. I don’t think there were any waves. No green goo, either. They (whoever they are — I’ll have to look it up) tested the water on Monday and lifted the blue-green algae advisory. Hooray! I felt strong and relaxed — except for when I got boxed in between a freestyler and a breaststroker and accelerated for 5 minutes to get clear of them.

I couldn’t see the green buoys at all and got a bit off course in the back stretch on every loop, but I didn’t panic or get upset. In the first loop, the second green buoy was way off course: too close to the other green buoy and too far out to the south. They moved it during my second loop and I had no idea where it was. I ended up swimming behind the lifeguard. I remember not caring and approaching the rest of the swim as a fun challenge: can I manage to do one loop right? My last loop was the closest. I briefly considered doing a 6th loop, but when I thought about my troubles sighting the last green buoy, I decided against it.

10 Things*

  1. blue sky with a few wispy clouds
  2. mostly warm, almost hot, water with a few pockets of cold, which felt great
  3. a few scratchy vines, one forced me to stop stroking to fling it off
  4. menacing swan count: 3
  5. doing a few quick breaststroke strokes and catching a glimpse of something small, but not that small, flying just above the water — hope it was a dragonfly
  6. stopping in the middle of the lake, hearing happy voices at the big beach: crowded
  7. the light! later in the summer, the sun lower in the west, giving everything — water, trees, beach — a warm glow
  8. later, after getting beers at the Painted Turtle, Scott pointed out that a few of the swan boats had lights on them! very cool
  9. real birds — a row of ducks, then a duck and ducklings
  10. menacing kids: 2, tormenting the ducks

from Dart/ Alice Oswald

like a ship the shape of flight
or like the weight that keeps it upright
or like a skyline crossed by breath
or like the planking bent beneath
or like a glint or like a gust
or like the lofting of a mast

such am I who flits and flows
and seeks and serves and swiftly goes —
the ship sets sail, the weight is thrown,
the skyline shifts, the planks groan,

the glint glides, the gust shivers
the mast sways and so does water

then like a wave the flesh of wind
or like the flow-veins on the sand
or like the inkling of a fish
or like the phases of a splash
or like an eye or like a bone
or like a sandflea on a stone

such am I who flits and flows
and seeks and serves and swiftly goes —
the waves slide in, the sand lifts,
the fish fades, the splash drifts,
the eye blinks, the bone shatters,
the sandflea jumps and so does water

the inkling of a fish — mostly, all I get in the middle of the lake are inklings of fish: silver flashes below. I’m glad. Near shore, in the shallow water, minnows seem more like inklings of fish than fully realized fish. I love inkling as a hint or suggestion: the inkling of a buoy, a whisper from a fish, orange or come this way or over there

What are the phases of my stroking splash? What will glint tonight at open swim? I thought briefly about these things as I swam, but I don’t remember what I thought. I’ll have to try again on Thursday.