Tag: headphones

sept 21/RUN

3.1 miles
2 trails
70 degrees / dew point: 59

Another warm morning. Sunny, too. Not much wind. Almost a mile into the run my back on the right side, just under the shoulder blade, started to hurt. Enough that I needed to stop and walk for a few steps. When I started again, and ran more upright, it felt better, and didn’t hurt for the rest of the run. I wondered what it was, then suddenly realized: yesterday Scott and I cleaned out a lot of crap in the garage, some of it heavy; I must have pulled something.

Running south, I listened to cars, construction, kids arriving for school at Dowling Elementary, screeching blue jays, trickling water out of the sewer pipe. For the last mile, I put in my headphones and listened to more Olivia Rodrigo.

before the run

Thinking about Gary Snyder and circumambulation and Forrest Gander’s poem, “Circumambulation of Mt. Tamalpas.” I listened to him reading the first stanza:

from Circumambulation of Mt. Tamalpais/ Forrest Gander

 
maculas of light fallen weightless from
pores in the canopy our senses
part of the wheeling life around us and through
an undergrowth stoked with the unseen
go the reverberations of our steps

my notes: I was immediately drawn in with his use of maculas. I think a lot about maculas because the macula (in the center of the retina in the back of our eyes) is where all the cones reside in your central vision and my cones are almost all dead. I looked up macula and it can also mean, more generally, spot or blotch. Here I like how his use of macula and pores reminds me that the canopy is a living thing, and living in ways that are similar to humans. “the undergrowth stoked with the unseen” — I’m thinking of how thick the trees are beside the path, how much goes unseen — but always felt — above the gorge.

During my run, I want to think about and notice the maculas of light falling weightless, the pores in the canopy, wheeling life (cars? bikes?), the undergrowth, the unseen, and the reverberations of our steps. That’s a lot!

during the run

I did it! I thought about most of these things and it made the run more interesting and meaningful. At the 38th street steps, before I ascend to the river road trail, I stopped to record what I thought about and noticed:

running notes, 21 sept 2023

transcript: September 21st, 2 miles into my run, at 38th street steps. Thinking about the Forest Gander poem and first, the idea of the maculas weightless. Then I was thinking of dappling light but the light today is not weightless, but thick. It must be humid, feels warm, and it’s pouring through, which makes me think of pores and difficult breathing. My nose, hard to breathe through my nose, and my back behind the rib cage, it hurt. And then I was thinking of the wheeling life and taking that literally: the wheeling of cars, whooshing off to work. And then I saw 2 different sets of bicycles: an adult on one bicycle, a young kid on the other, biking to school at Dowling. And then I was thinking of the wheeling life and the changing of seasons and transformations and the idea of life continuing to move, not necessarily forward (although it does that too), but also just a constant motion, even when you might want it to stand still for a while. Then I was thinking of the wheeling life as the hamster wheel [I thought about the hamster because I heard the rustling of a squirrel or chipmunk in the dry brush] and repetitions and routines and continuing to do the same thing over and over again — the loops, the way it’s warm every year at this time in September: too hot, too humid, too sunny.

Wow, when I’m talking into the phone about my ideas mid-run, I have a lot of run-on sentences!

after the run

 I love Forrest Gander’s poetry. And I love how packed with meaning his words are, like “wheeling life.”

the wheeling life: 10 things

  1. car wheels, near the road — relentless, too fast, noisy
  2. car wheels, below, on the winchell trail — a gentle hum, quiet, distant
  3. bike wheels, approaching from behind very slowly — a little kid biking to school with his mom who had a carrier with another kid behind her seat
  4. bike wheels, nearby, another kid and adult on the way to school
  5. the wheel of life as a loop: a favorite route, running south, looping back north, first on edmund, then on the winchell trail
  6. the wheel of life as transformation: red leaves decorate a tree halfway to the river
  7. the wheel of life as cycles: not the end of the year, but the beginning — school time: kids at the elementary school
  8. the wheel of life as constant motion: on the trail, below the road and above the river, everything is active: birds calling, squirrels rustling, wheels traveling, river flowing, feet moving, leaves and lungs breathing
  9. the wheels of life as cycle: always in late september, hot and humid and too sunny
  10. the wheels of life as transformation: thinning leaves, falling acorns, a small view of the river
Thinning leaves, some yellow, some green. Straight and slender brown trunks. A view of the river -- blue? gray? a few ripples
a picture of my view wile recording my notes, near the 38th street steps

sept 19/RUN

3.6 miles
trestle turn around (+ extra)
65 degrees / 72% humidity

Out near the gorge, everything is busy today — wheels whooshing, hammers pounding, bobcats speeding by. All the sounds felt electric. I’ve wondered this before (and looked it up, but forgot the answer): is the moisture in the air causing everything to sound different — louder, more intense?

Having just written something about triple berry chants for my class, I decided to do them today. Strawberry / raspberry / blueberry. I think I chanted them for at least a mile. They helped keep my cadence up. Did they do anything else?

10 Things I Noticed While Chanting Triple Berries

  1. Dave the Daily Walker had on bright blue running shoes — nice!
  2. a rollerblader passed me from behind — no clicking and clacking ski poles to alert me to their approach
  3. minneapolis parks has trimmed back the bushes and wildflowers that were blocking part of the already narrow path that splits from the biking path and dips below the road
  4. a runner, only a little faster than me, entered the path in front of me at 32nd. Very gradually, he inched away, then turned off the trail again
  5. more yellow leaves, a few slashes of red, no orange
  6. human voices and the clanging of a dog collar down below on the Winchell Trail
  7. several openings in the otherwise thick trees — dirt trails descending to the Winchell Trail
  8. a noisy runner with an awkward gait — did he swing his arms awkwardly too?
  9. another runner, speeding fast. Almost a blur with feet thumping the ground
  10. at least one loud thud as an acorn fell

Running north, I listened to feet striking the ground, an acorn falling, runners joking. I stopped at the turn around put it Olivia Rodrigo’s GUTS then ran south.

At the halfway point, I took this picture. The river and the gorge are behind those leaves. In a month, I’ll get to see them again!

fall leaves, mostly yellow, several straight brown trunks, no view of the river
no view of the river, near franklin

sept 18/RUN

2.5 miles
2 trails
75 degrees

Recorded the lecture for my class this morning, so I had to run in the afternoon, when it’s warmer. Hot! Sunny! Everything dry and dusty, thirsty — the dirt trail, the dead leaves, me.

Listened to a playlist until I reached the south entrance to the Winchell Trail, then to the gorge. Dripping pipes, striking feet, my breathing, falling acorns.

10 Peripheral Things — above, below, and beside

  1. dirt flying up on my ankles as I ran on the dusty trail
  2. brittle red leaves, crunching underfoot
  3. the shadow of a bird flying overhead
  4. frantic rustling in the bushes — I flinched in anticipation of a darting squirrel that never arrived
  5. a walker moving over to the edge of the path for me to pass — thank you! / you’re welcome
  6. a slash of red just below — a changing leaf
  7. flashes of orange all around — construction signs
  8. to my right and below: dribble dribble dribble — water falling down a limestone ledge in the ravine
  9. shrill squeaking under the metal grate in the ravine as I crossed over it — a chipmunk?
  10. is this peripheral? breaking through several spider webs on the winchell trail, about chest height

For the second week of my class, which starts this Wednesday!, I’m offering alliteration as one way into the words for describing/conjuring/communicating wonder (along with abecedarians and triple berry chants). This poem-of-the-day on poems.com (Poetry Daily), is a great example of what’s possible when you write only words starting with one letter — in this case, a:

Autobiography/ Michael Dumanis

Attempted avoiding abysses, assorted
abrasions and apertures, abscesses.

At adolescence, acted absurd: acid,
amphetamines. Amorously aching

after an arguably arbitrary Abigail,
authored an awful aubade.

Am always arabesquing after Abigails.
Am always afraid: an affliction?

Animals augur an avalanche. Animals
apprehend abattoirs. Am, as an animal,

anxious. Appendages always aflutter,
am an amazing accident: alive.

Attired as an apprentice aerialist,
addressed acrophobic audiences.

Aspiring, as an adult, after applause,
attracted an angelic acolyte.

After an affirming affair, an abortion.
After an asinine affair, Avowed Agnostic
approached, alone, an abbey’s altarpiece,

asking Alleged Almighty about afterlife.
Ambled, adagio, around an arena.
Admired an ancient aqueduct. Ate aspic.
Adored and ate assorted animals.
Ascended an alp. Affected an accent.
Acquired an accountant, an abacus, assets.
Attempted atonal arpeggios

There’s also an essay about how Dumanis wrote this poem, which I haven’t had time to read yet. Very excited to check it out! Okay, I just skimmed it. Here are some resources from the end that I might want to explore:

A few terrific examples of letter-constraint-based contemporary poems include Phillip B. Williams’s tour de force “Mush-mouf’s Maybe Crown,” where all the words begin with M (or, occasionally, “em” or “im”); Izzy Casey’s univocalic “I’m Piss Witch”; several terrific single-vowel lyrics in Cathy Park Hong’s collection Engine Empire including “Ballad in A”; Harryette Mullen’s linguistic experiments, such as “Any Lit,” in her collection Sleeping with the Dictionary, and, of course, Christian Bök’s virtuosic book-length project Eunoia, in which, among other idiosyncratic constraints, every chapter can only use a single vowel. All such projects derive at least some of their inspiration from the mid-20th century French avant-garde collective Oulipo, or Ouvroir de littérature potentielle, a “workshop of potential literature,” which encouraged systematic, sometimes arbitrary, language-based constraint in the composition of texts. For my Oulipian autobiography, it was especially important to me that every individual narrative moment made clear semantic sense despite the constraint, that the alliteration did not overly affect the speaker’s syntax or natural cadence, that taken together they told the story of a life.

sept 15/RUN

3.5 miles
past the trestle turn around
63 degrees / dripping

Unexpected rain this morning. Waited until 11 to go out for a run. Everything wet. Added 1/2 of distance to one of my classic routes: the trestle turn around. Felt pretty good. A few minutes in, after I reached the river, I started chanting in triple berries: raspberry / strawberry / blueberry. Then I tried to move beyond berries to other triples — mystery, history — but I got stuck.

Running through the tunnel of trees I listened to my shoes squeaking on the wet leaves. squeak squeak I heard the squeak behind me and looked back: no one, just my own echo.

A few minutes later, thunk! — an acorn falling from a tree, landing hard and intact on the pavement.

10 Things

  1. no stones stacked on the ancient boulder
  2. lots of dirt and mud kicked up on the edge of the path — maybe from park vehicles’ wheels or from the rain
  3. a smell — something pleasant — green, almost like cilantro, fresh
  4. pale yellow leaves
  5. a coxswain’s voice (female) from below
  6. the only view of the river I had was when I ran under the lake street bridge between the posts
  7. a walker holding a blue umbrella, from a distance I couldn’t tell that they were holding an umbrella. It looked like they were missing a head
  8. the ravine by 35th street overlook: the water was glittering, you could hear it falling out of the sewer pipe, moving down the limestone ledge
  9. more earthy smells — fresh, not sweet
  10. the Welcoming Oaks are turning from green to gold

Gary Snyder and Circumambulation

A few months ago, I came across a reference to Snyder and circumambulation. Now, since I’m studying Snyder and his work for the second half of September, I get the chance to think about it some more. Very cool.

Snyder explained, “The main thing is to pay your regards, to play, to engage, to stop and pay attention. It’s just a way of stopping and looking — at yourself too.” In graduate school at UC Davis in the late 1990s, I studied poetry with Snyder. I learned from him the importance of noticing and naming where I am and what is around me, the concept of bioregionalism.

bioregionalism: noticing and naming where I am and what is around me

I recall encountering the term “bioregionalism” for the first time in Jenny Odell’s How to Do Nothing. I searched my files and yes!, I found some notes I took:

2 parts:
disengage from attention economy
engage in/from specific place: rootedness, bioregionalism

rooted in a place + in time (as in past, present, future…not always linear)
time/historical and space/ecological (who and what live/d here)

bioregionalism = an awareness of inhabitants AND how they/we are all connected (entangled?), identify as citizens of a bioregion as much as or more than the State

my notes, june 2021

circumambulation: the act of walking in a circle around a object of veneration.

On the morning of October 22, 1965, the Beat Generation poets Gary Snyder, Allen Ginsberg and Philip Whalen stood near this spot [in Muir Woods National Monument, on the Marin Peninsula north of San Francisco] and chanted the Heart Sutra before setting out to consecrate the mountain through ritual circumambulation. That historic walk would be enshrined in Snyder’s poem “The Circumambulation of Mt. Tamalpais” 

*

He would later explain his motivation for pioneering the ritual walk: “I felt it was time to take not just another hike on Mt. Tam, the guardian peak for the Bay and for the City — as I had done so many times — but to do it with the intent of circling it, going over it, and doing it with the formality and respect I had seen mountain walks given in Asia.” Starting at Redwood Creek in Muir Woods, the three Beat poets walked clockwise around the mountain, stopping to chant at 10 “stations” — notable spots along the route that were selected spontaneously for what the poets considered their special power — before closing the loop back at the creek.

Circling the Mountain

on ritual and repetition

Without exception, everyone commented on the value of ritual. Lisa Kadyk, a geneticist, said, “I’m not religious, but I do like rituals and recognition of spirituality in a big sense.” Visual artist and environmental field educator Kerri Rosenstein put it this way: “I like the nature of practice. To do something over and over. To train. It requires patience and discipline. I trust that each time offers something new. That we evolve by repeating the same walk as we awaken both to what becomes familiar and to what becomes revealed.” Gifford Hartman had throughout the day played the important role of “sweep,” following us to make certain no one took a wrong turn or needed help. “A ritual is returning to a place,” said Hartman, an English as a second language instructor. “Rituals also reinforce the seasonal cycles of life.”

Circling the Mountain

So many ideas about doing something with my earliest tanka collection, River Running, or my latest Haunts that includes a circumambulation! I just wrote in my Plague Notebook, Vol. 16:

The sacred object I’m circling around: emptiness, open air, the gorge

I really like the idea of doing a circumambulation around the gorge while (or, and then?) writing about it. A brief google search has given me lots of sources to explore, including this one — The Circumambulation of Mount Tamalpais: Limited Series. Wow!

I’ve decided to print out Snyder’s poem about the circumambulation and put it on my desk, under the glass, to study. I did this with Schuyler’s poem, “Hymn to Life” last year and it was very useful and fun.

sept 13/RUN

5 miles
bottom of franklin hill
55 degrees

What a wonderful morning for a run! 55 degrees! Low wind, bright sun. Wore my pink jacket until I warmed up, faded black shorts, gray t-shirt, raspberry red shoes, my mostly purple with pink splotches lightweight baseball cap that I found in my mother-in-law’s closet after she died, with the tag still on, and white socks (also found with tags on in her closet).

Running south, then back up to under the Franklin bridge, I listened to chainsaws, workers yelling about trees falling, bluejays screeching, Dave the Daily Walker saying good morning, and Daddy Long Legs calling out hello. For the last 2 miles of the run I listened to Olivia Rodrigo’s GUTS.

10 Things

  1. the deep voice of the coxswain calling out instructions
  2. the blue, empty river
  3. graffiti on a post under the lake street bridge — block letters outlined in black — was there blue too? I can’t remember
  4. an old convertible sports car parked under the bridge, white or cream
  5. a photographer with a telephoto lens on their camera, standing under the trestle, probably taking pictures of the river
  6. Daddy long legs stretched out on a bench
  7. some guy talking (to the gorge? on the phone? to some other person I couldn’t see?) halfway up a column under the bridge — was I seeing this right?
  8. a line of bikers in bright yellow and orange vests heading south when I was heading north
  9. someone running in a bright pink shirt, another in orange, and one without a shirt
  10. my shadow — sharp and dark in the sun, running alongside me

Found June Jordan’s Guidelines for Critiquing a Poem in one of my files. Right now, I’m especially interested in these bits:

2. Is it a poem? 

a. Poetry: A medium for telling the truth. 
b. Poetry: The achievement of maximum impact with minimal number of words. 
c. Poetry: Utmost precision in use of language, hence, density and intensity of expression. 

Technical Checklist: 

a. Strong, descriptive verbs. Eliminate all forms of the verb “to be.” 
b. Singularity and vividness of diction (choice of words) 
c. Specificity / resonant and representative details 
d. Avoidance of abstractions and generalities 
e. Defensible line breaks 
f. Compelling / appropriate horizontal and / or vertical rhythm and / or vertical line breaks. 
g. Alliteration / Assonance / Dissonance 
h. Rhyme 
i. Consistency of voice / distance from the reader / diction 
j. Dramatic inconsistencies 
k. Punctuation (Punctuation is not word choice. Poems fly or falter according to the words composing them. Therefore, omit punctuation and concentrate on every single word. E.g., if you think you need a question mark then you need to rewrite so that your syntax makes clear the interrogative nature of your thoughts. And as for commas and dashes and dots? Leave them out!)

sept 12/RUN

2.25 miles
dogwood run
61 degrees / 71% humidity

Cool. Wore my pink jacket this morning. Thick air. Fall is here. The Welcoming Oaks are starting to turn golden. Everywhere, the feeling of soft yellow. We ran north on the river road trail. I was on the outside and was nearly hit a few times by bikers speeding by without warning. Oh well. I’ll try to remember the kind bikers I encountered on Saturday and forget today’s jerks.

Saw one of my running regulars, Santa Claus! Also, as we ran through the tunnel of trees, I recounted to Scott the time I noticed some guy silently sitting in a tree. What was he doing? added an hour later: I just realized that this strange tree sitting happened on september 11, 2019. I can’t remember what we talked about, and I forgot to look down at the river.

10 Things

  1. several stacked stones on the ancient boulder
  2. the port-a-potty is back near the overlook
  3. slippery trail, a few squeaking leaves
  4. burnt toast or burnt coffee bean smell near the Lake Street bridge
  5. passing a fast walker on the inside near the trestle
  6. encountering a runner almost sprinting on the greenway
  7. a duet of chainsaws in the gorge below, probably cutting up the giant tree that we noticed on the ground last Sunday on our hike
  8. yellow vests at Brackett Park — park workers mowing the lawn?
  9. clashing colors: a pale green bench next to a pale blue church
  10. after finishing, walking to Dogwood, passing a welcome mat with thick stripes of black and white

sept 11/RUN

4.35 miles
to longfellow garden and back
61 degrees

Beautiful! Sunny, not too warm, calm. Ran past the falls to Longfellow Gardens. Stopped to check out the beautiful flowers — wow! — then started running back, past the barely trickling falls and to the Winchell Trail. I listened to cars driving by, acorns falling, kids yelling at the playground, an accordion player at the falls.

My left leg felt fine on the way to the gardens, a little stiff and sore on the way back. I’ve decided that part of the problem might be that my left glute isn’t firing. Listening to so many podcasts with professional runners and their injuries I’ve learned that this can happen and that it’s important to make sure your glute is actually working. Time to google some “glute firing exercises.” Found something! How to Get the Glues to Fire in Running

before the run

This weekend I was looking through Julia B. Levine’s collection, Ordinary Psalms. Here’s another poem about losing your vision that resonates for me and that I read before heading out for my run:

Psalm with No Cure/ Julia B. Levine

Beneath our grapevines at dusk, I will tell him
that the world is falling in on me,

a blurred unseaming of each from each
into a great sameness.

My husband reaches into the trellis,
cuts a cluster with his knife

and lays the red grapes on a plate before us.
I already know science is a religion too,

with its pantheon of evidence steadying terror.
Believe me, I’m grateful for any anchor.

Though here at the edge of autumn,
doesn’t it seem that the mythic breaks down

into that battered couch we once saw in Rome
floating down the Tiber

like a boat broken free of its mooring,
except this time, one of the five white gulls

shining at rest on its pillows
will not rise into the air again.

Please don’t try to make it better.
For now, there is a hunger in my lips, my hands,

as if I’d been called late to wander,
to feel by way of edges and texture

around lintels and doors, hallways
of shadow broken open by stairs.

There are too many choices
and ultimately none.

Don’t tell me a station of light will remain
like a lit house at midnight

in the fields rumbled through and groaning
under the evening train.

There’s a lot I could think/write about with this poem. This morning, the phrase “edge of autumn” stuck with me and I decided to try and think about what the edge of autumn looks/feels like outside, above the gorge.

during the run

This theme of the edge of autumn kept returning and leaving. I started thinking about the edge as on the brink of/nearing/almost here and then looking, listening, feeling for evidence of its impending arrival. Then my thoughts shifted and I thought about what it means to be on the edge and where the edges were on my route.

10 Edges

  1. (edge = almost, nearing) a soft golden light from the changing trees
  2. (edge = almost, nearing) over-rehearsed flowers — an excessive of past-their-prime blooms
  3. (edge = almost, nearing) school starting again, running past Dowling Elementary, watching cars line-up in the drop-off zone
  4. (edge = location) a garden worker kneeling at the edge of the flowerbeds, removing dead bulbs, weeds
  5. (edge = location) walking around the outside of the garden path, staying out of the way of a photographer taking pictures of the vibrant yellows, reds, oranges, purples
  6. (edge = location) running the stretch of the Winchell Trail that I’ve named “the edge of the world” because you’re running up a hill on the edge of the bluff that has a curve that if you miss taking would lead to falling off and into the river below. In late fall through early spring, when the leaves are all off and there’s nothing blocking your view of the empty air, it really looks the edge of the world
  7. (edge = location) encountering a walker, I moved to the very edge of the trail. No problem for me to navigate, but one wrong step and you could fall down the very steep hill — no railings here!
  8. off the edge: water trickling over minnehaha falls, through the sewer pipe at 42nd and down the limestone rocks to the river
  9. edges dissolving: listening to someone playing the accordion near the steps down to the bottom of the falls mixed with my footsteps mixed with the fast, steady rhythm of sprinklers. Difficult to tell which sound was the accordion, which my feet, which the sprinklers
  10. at the bottom of the steps, a choice: go up the stairs and run on the upper trail or go past the stairs and take the dirt trail through the oak savanna (I took the steps)

A few days I wrote about the kindness of 2 bikers on the bridge. Today it was a woman on the Winchell Trail:

As I approached a woman walking ahead of me on the narrow Winchell Trail, she moved over.
me: Thank you!
her: Have a great run!
me: Thanks! Have a great walk!

Another woman walking with a dog, stopped and moved over to the side, keeping her dog close and calm as I ran by. Thank you!

sept 9/RUN

4 miles
marshall loop to prior
65 degrees

Keeping up the weekly tradition of running with Scott. Today we added a few blocks before turning off of Marshall. A great run. My IT band didn’t hurt at the end of it — hooray! 65 felt almost hot, but only in the sun. In the shade it felt like fall. The leaves by the gorge are already starting to turn — a little red, some yellow.

Scott and I didn’t talk much as we ran, which I think helped us to not tire out too soon, but I do remember one conversation. Scott was talking about trying to focus on those brief moments when neither foot is touching the ground and he’s flying. Of course I had to bring up my Haunts poem. The first lines —

I go to
the gorge

to find the
soft space

between beats,
before

one foot strikes,
after

the other
lifts off.

When I float.

Running on the bridge, 2 bikers kindly alerted us that they were passing —

on your left…there’s 2 of us…
thank you!
have a wonderful day!
you too!

Such a small thing, but so generous and thoughtful. I hope their bike ride was as good as our run was.

10 Things

  1. running over the bridge, a cross wind — hold onto your hat!
  2. the river was blue and empty — no rowers this morning
  3. continued construction on lake street — a blocked sidewalk, orange cones
  4. running around, sometimes over the little wooden bridges protecting the hoses/pipes/yellow tubes that the entire neighborhood is using to get water while the city is working on the sewers — almost done, Monday we get our water back!
  5. standing in a temporary trench at Marshall and Cretin because the sidewalk is being redone, waiting for the light to change
  6. a grand old plum-colored house on Marshall — I thought it was red, but Scott told me it was plum
  7. another, even grander house on the corner of Prior and Summit — we encountered the giant backyard first. I could see a net for a trampoline just above the fence line
  8. deep voices rising up from the ravine near Shadow Falls
  9. flowers placed next to the railing on the hill just above the lake street bridge — was someone else killed by a car, or is this in memory of someone who died years ago?
  10. Walking through the Minnehaha Academy parking lot at the end of the run — a girls’ soccer game — penalty kick — thwack! Hooray! some boys watching from the parking lot were impressed

reading with ears and writing without eyes

After reading her article in The New Yorker about Dickens and finally writing a historical novel, I put a hold on Zadie Smith’s new novel, Fraud. I started listening to it yesterday. Zadie Smith is reading it, and she does an amazing job — so much fun with her accents for the different characters.

Speaking of audio books, I just finished listening to A Marriage Portrait. Excellent. I loved Hamnet too. I’ll have to read more of Maggie O’Farrell’s work.

In my recent round of requesting books using the Libby app, I’ve been choosing mostly audio books. Reading with my eyes is getting harder. It really doesn’t bother me that much because audio books are amazing. So many choices, with highly skilled narrators.

Gradually over the last several years, I’ve been building up my listening skills, learning to read with my ears instead of eyes — but only through audio books and podcasts. Reading for fun. I have spent very little time learning how to read with my ears in practical situations. I’m not using a screen reader. I don’t listen to my text messages. When I’m writing on this blog, I only use my eyes to proofread what I’ve written. This eyes-only approach has led to an increasing number of typos.

Every so often I worry about how I’ll use this blog, which has so many words, when I can’t read what I’ve written. Over the years, I have experimented a little with dictation — dictating my log entries into my phone — but these experiments have been limited and don’t usually last that long. I think it might be time to step up my efforts, to experiment more, to start developing new habits that can ease me into life without central vision, both practically and creatively, helping me to navigate the world better and to create art that better reflects/communicates how I see and don’t see.

I’d like to return to this book excerpt from Andrew Leland and The Country of the Blind soon, taking up some of what he discusses about Borges, dictation, and writing with screen writers.

A few things I have been thinking about which translate practically, but are about my art, one is about seeing in new ways, the other about not relying on sight.

seeing while writing in new ways: Instead of keeping my writing style the same but accessing it with new technology, like a screen reader, I’m changing my writing style: shifting to the sparseness and blank spaces of poetry, dramatically reducing my word count, experimenting with how many words I can take out and still convey/create meaning.

writing without seeing: In addition to memorizing poetry, I’m interested in exploring/pushing at the sound of poetry and thinking about/studying oral traditions. I’d like to try to find some resources for this. In a quick google search, I found out the oral tradition of cowboy poetry.

sept 7/RUN

3.4 miles
2 trails
59 degrees

59 degrees! A great temperature for a run. Overcast, misting, low wind. Tried to relax and release the tension in my shoulders (cause: failing to get a girl to go to school) and keep a slow, steady pace for my left IT band. Mostly it worked. I had my headphones set up to put in but never did.

6 Things Heard, 1 Smelled, 3 Unseen

  1. SCREECH! SCREECH! — bluejays
  2. tat tat tat tat tat — a roofer’s nailgun
  3. drip drip drip — the sewer at 42nd
  4. there’ve been so many drownings there — a woman walking and talking on the phone
  5. thump kerplunk — falling acorns
  6. good boy! — a woman talking to her dog as she stopped to let me pass on the narrow trail
  7. sickly sweet, slightly off, a hint of rotten egg — sewer smells near the ravine
  8. the voices of kids playing above and across the road (unseen: only voices drifting down, heard but not seen)
  9. a black shirt left on a bench (unseen: the shirt being left behind/the person who left it)
  10. a bare rock (unseen: no stones stacked, yesterday’s wind that must have knocked the stacked stones off)

before the run

I just started a new thing in the morning with my wordle habit. I’m calling it birdle and the only rule is this: the first five letter guess must be a bird. So far I’ve used: finch, robin, goose, eagle, egret, and quail. Confession: I don’t know or couldn’t think of many bird names so I had to look it up after goose. I suppose that could be part of the point of this goofy game: to learn more bird names.

Some others 5 letter bird names I’ll try:

  • crane
  • heron
  • junco
  • owlet
  • raven
  • swift
  • stork
  • vireo
  • veery

Veery reminds me of a delightful little poem I posted on july 13, 2021 from Lorine Niedecker (I love her!):

We are what the seas
have made us
longing immense
the very veery 
on the fence

Two things via Heather Christle on twitter this morning while drinking my coffee out on the deck: a poem and a concept

MORE SWANS AND MORE WOMEN/ Heather Christle

A swan makes a bad pet It is a murderer
but very beautiful just like a woman
If you see a woman moving in the water
you must run away very fast to a mountain
It happened to me once and there
are no swans on a mountain
This made it lonely and natural so
I was very safe but I forgot
how to talk and when I came home
people could not see I was a woman
although I made a lot of statues to explain
and I live by myself in a cottage and
the water is no longer working It won’t
make me beautiful just wet and the same

As of 2 or 3 readings, I don’t yet understand what this poem means. I’m not sure I need to. I like it for the swans and the swimming woman and the idea of the water no longer working, although I hope I never get to a place where the water is no longer working for me. Also: water making you wet and the same (like everyone else — all bodies floating freely and free from ailments/injuries, all together, a congregation) is magical, isn’t it?

concept — via negativa

Taught child about concept of via negativa this morning and had SO much fun watching her looking all around the bus stop, making silent notes to herself of what was not there.

Heather Christle on twitter

I’m sure I encountered the idea of via negativa in one of my theology classes, but I’ve forgotten it. And now, after some very brief searches, I’m not sure I totally understand it, or that what I think it means is complex enough to capture what it really means. Regardless, for right now, I like thinking about via negativa in terms of the gorge and what’s present in its absence (does that make sense?).

Looking up “via negativity and poetry,” I found a great site, Via Negativa, which led me to many wonderful poems by Luisa A. Igloria, including this one:

Talisman/ Luisa A. Igloria

Even now, at what we believe is near the end, my mother is what kids today might describe as #fighting, A month in the hospital and she’s rallied and flailed, flailed and rallied. Through intravenous feeding, oxygen delivery, antibiotics, everything short of TPN. Who is Patty? my cousin and the nurses ask. My mother has been calling the names of the dead, names of the living, names of all the remembered ghosts in her life. Perhaps more than death or dying, the ghost of our own approaching absence is the most difficult piece of the puzzle. She still knows the difference between the clothed and naked body, how the taste and texture of water on the tongue disappears like a stolen jewel. Once, she fashioned for me an ugly name in a second baptism meant to confuse and repel the gods. She embroidered it on towels and the inside of my collars as she mouthed it like a spell. Sometimes, I still start at my shadow on the wall, blue and sick from being shorn from light.

I’ve thought a lot about fighting death this last month as Scott’s dad was dying. I remembered how my mom fought it for almost a year and how difficult that was for everyone. I hoped that Scott’s dad wouldn’t fight it too, wouldn’t linger in an almost dead state for months. He didn’t.

during the run

Inspired by my brief exploration of via negativa, ideas of the gorge as an absence that is present and embracing — or centering? — the unknown kept flaring in my mind. Then I wandered with these ideas, moving beyond (or beside?) via negativa, thinking about the unknown as what we can never access (never see) but also what we might be able to see if we slowed down and opened ourselves to the world. I thought about Robin Wall Kimmerer and her chapter in Becoming Moss, “Learning to See,” how being patient and present in the world can enable us to see things that were previously invisible to us. And I thought about the periphery and what dwells there (both the unknown and the known-made-strange).

sept 4/RUN

2.1 miles
the falls coffee
77 degrees

Another run to the Falls coffee with Scott. So hot this morning! Today we ran a little farther — up the mustache bridge hill to Longfellow Gardens. Back in May I had run here, hoping to see the purple flowers but they hadn’t been planted yet. This morning the garden was full of color — purples, reds, oranges, yellows.

10 Things

  1. 3 turkeys on the part of the dirt trail we call the gauntlet because it’s so narrow and near the road. The turkeys didn’t care we were running by; they were too busy pecking the grass. What are they eating? we wondered*
  2. a bunch of barricades and a cluster of construction signs with flashing lights lining edmund bvld — uh oh, what are they planning to do here, and how will it impact my running?
  3. more sun than shade — so hot!
  4. lots of bikes over on the river road trail, not too many walkers or runners
  5. click clack click clack — a roller skier! said to Scott: I bet they’re excited summer’s over Scott (with some bitterness): good for them
  6. the falls were quiet — I forgot to look as we ran by — with the very low creek, were they even falling?
  7. Hi Mr. Longfellow! — checking out the Longfellow statue in the field below the garden
  8. Crossing under the mustache bridge, noticing the stagnant creek water — so low!
  9. songs overheard at the Falls coffee: an acoustic (asmr-y) version of “I’m So Excited” and a techno, poppy version of “Wonderwall”
  10. checking out the empty Riverview, wondering when the new owners will finally do something with the space; we’ve been waiting for about 2 years now

*a quick search for what wild turkeys eat:

Wild turkeys are opportunistically omnivorous, which means they will readily sample a wide range of foods, both animal and plant. They forage frequently and will eat many different things, including:

Acorns, hickory nuts, beechnuts, and walnuts, either cracked open or swallowed whole

Seeds and grains, including spilled birdseed or corn and wheat in agricultural fields

Berries, wild grapes, crabapples, and other small fruits

Small reptiles, including lizards and snakes

Fleshy plant parts, such as buds, roots, bulbs, succulents, and cacti

Plant foliage, grass, and tender young leaves or shoots

Large insects, including grasshoppers, spiders, and caterpillars

Snails, slugs, and worms

Sand and small gravel for grit to aid proper digestion

from The Spruce

I found this writing prompt from @sundresspublications the other day. I’ll have to try it and recommend it to my class!

Go for a walk around your neighborhood and write down any words you see- words on street signs, buildings, bumper stickers, etc. – and try to arrange them into a poem.

@sundresspublications