Tag: color

feb 18/BIKERUN

bike: 30 minutes
run: 3.05 miles
outside temp: -1 degree / feels like -18

Public schools were canceled today because of the cold. I don’t have a kid in public school anymore (hooray!) but I do rehearse at a high school on Tuesday nights for community band. When schools are closed band is canceled. Bummer.

I have run when it felt like 20 below, but 18 below was too cold for me today. Also, I figured out something I wanted to watch while I was biking: The Gorge. There is very little talking in it; it’s almost all visual. Luckily, I had the audio description on. I think I would have missed most of the movie without it. What a relief, for my eyes and brain, to hear the descriptions. About 20 or 30 minutes in, the movie was dragging and I wondered if I could keep watching it. Then bam, a suprise! I was done with my bike so I stopped, but I’m looking forward to watching more of it now. The lead actor is a poet and writes every day. Will he ever mention one of his favorite poets, or quote a line from them? In one of the last scenes I watched before I stopped, he told the other main character that he was writing a poem about her. He would only give her the tentative title: She collapsed the night (I think it was collapsed, but it could have been collapses?). added, 20 feb 2025: Finished the movie and Levi’s poem is mentioned, but Eliot’s line is not — an unsatisfying ending.

I started the run with a podcast, but moved to my energy playlist again. Listened to a few rock songs with electric guitar and thought: electric purple. Then, purple sparking on the surface or on the underside of the surface shimmering shaking distorting and dis or mis or strangely coloring my perception of the world. Purple as energetic electric chemical reactions with ganglion cells. Then I heard another song — why can’t I remember which song? — with a great beat that I was able to get inside of: feet, the beat of the song, the speed of the treadmill, a chorus in tight unison. Could this be the purple part of the beat?

During my morning poem-a-day practice, I read this:

The title is from [Immanuel] Kant’s description of reason, and I want to pry what’s moving and plaintive about it apart from what’s world-ending. Not because I care about Kant but because, from the standpoint of reason, genocide can be justified.

the author’s note about their poem, “What can I know what should I do what may I hope/ Benjamin Krusling

This explanation brings me back to my first year of grad school — fall 1996, Claremont, CA — in a class on Horkheimer and Adorno and critical theory. I remember learning about the limits of reason and the violence of modernity and the hypocrisy of claims for freedom and democracy by those in power.

the purple hour — feb 17th and 18th

2:10 am / dining room / 17 feb

  • raisins
  • plums
  • prunes
  • figs
  • dates
  • beets

Plums!

This Is Just To Say/ William Carlos Williams

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

8:42 am / dining room / 17 feb

plum plumb plump (source)

plum = part of the rose family, prunes when dried, something sweet — a plum job, a plum deal, plummy (adj)

plumb = pipes/plumbing, plumbum (Latin/lead), lead weight attached to line — used to indicate vertical direction, vertically (adj), absolutely — plumb wrong / exactly — plumb in the middle (adv), plumb the depths (v)

plump = having a full rounded form (adj), dropping placing or sinking suddenly and heavily — they plumped down (v), making or becoming plump — plumping a pillow (v)

a plum assignment
plumb out of luck
plump up an ego

Thinking more about William Carlos Williams:

Love Song/ William Carlos Williams

I lie here thinking of you:—

the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branches that lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole world—

you far off there under
the wine-red selvage of the west!

Yellow and purple. Reminds me, again, of Robin Wall Kimmerer and asters and goldenrods!

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning.

Why do they sand beside each other when they could grow alone? Why this particular pair?

Color perception in humans relies on banks of specialized receptor cells, the rods and cones in the retina. The job of the cone cells is to absorb light of different wave lengths and pass it on to the brain’s visual cortex, where it can be interpreted. The visible light spectrum, the rainbow of colors, is broad, so the most effective means of discerning color is not one generalized jack-of-all-trades cone cell, but rather an array of specialists, each perfectly tuned to absorb certain wavelengths. The human eye has three kinds. One type excels at detecting red and associated wavelengths. One is tuned to blue. The other optimally perceives light of two colors: purple and yellow.

The human eye is superbly equipped to detect these colors and send a signal pulsing to the brain. This doesn’t explain why I perceive them as beautiful, but it does explain why that combination gets my undivided attention. I asked my artist buddies about the power of purple and gold, and they sent me right to the color wheel: these two are complementary colors, as different in nature as could be. In composing a palette, putting them together makes each more vivid: In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Our eyes are so sensitive to these wavelengths that the cones can get oversaturated and the stimulus pours over onto the other cells.

Goldenrod and asters appear very similarly to bee eyes and human eyes. We both think they’re beautiful. Their striking contrast when they grow together makes them the most attractive target in the whol emeadow, a beacon for bee.s Growing together, both receive more pollinator visits than they would if they were growing alone.

Braiding Sweetgrass / Robin Wall Kimmerer

3:06 / dining room / 18 feb

  • the rattle of the vent as the warm air is forced through it 
  • my dark reflection on the stainless steel dishwasher door, caused by the dim string of lights in the front room cast on me as I stood on the rug in the dining room — silvery purple
  • a creaking house, settling after the heat stopped
  • a hiss in my head
  • what are the origins of magenta? why were the vikings purple and gold?
  • purplish blue = indigo
  • reddish purple = magenta, purplish red = fuchsia
  • the crab apple trees and their fuchsia funnels (Ada Limón)
  • Magenta is named after a town in Italy (Magenta) and a bloody battle for independence in 1859

10:00 am / front room

Searching for magenta on poetryfoundation.org, I found some very cool looking exercises from Rebecca Lindenberg about perception, including one using Ezra Pound’s ideogram. Lindenberg offers this example:

CHERRY FLAMINGO
ROSE IRON RUST

Say the students choose, for example, yellow. It is likely they will start by suggesting, again, the usual concrete items we associate with that color—lemons, bananas, the sun, corn on the cob, sunflowers. After they’ve exhausted those, it’s important to keep asking—what else is yellow? Taxis, rubber duckies, corn tortillas, rain slickers, caution tape, butter. Then, onion skins, sticky notes, school buses, yield signs, egg yolks, urine, grapefruit rinds, fog—and now we’re getting somewhere. Now we’re not talking so much about what we think of as yellow, we’re talking about what we actually see as yellow.

Once the board or screen is full of things we see as yellow, it’s worth pausing to remind students that we aren’t just making a picture of yellow. What the class chooses will suggest something about yellow—but it doesn’t have to be everything there is to say about yellow. It doesn’t have to be comprehensive, just visceral, evoking “yellow-ness” (or “teal-ness” or “tan-ness”). Then, another vote. Or rather, a few rounds, in which each student gets two votes, until you narrow it down to the final four. And ka-pow! You’ve made an ideogram.

A Poetry of Perception

Lindenberg suggests a homework assignment: pick a color, brainstorm at least 25 things related to the color, narrow it down to four, write a paragraph of explanation. I think I’ll try this with purple — just one, or a series of purple moods?!

note: I’m resisting the inclination to dig deep into articles/essays/posts about Pound and imagism. I might (will) get lost in theories and concepts and schools and jargon and devote all my time to understanding and knowing instead of making and feeling. That’s Dr. Sara’s style, not mine!

updated a few hours later: Watched about 20 more minutes of The Gorge. In one scene they’re walking through a yellow fog and into a purple wood. I used my phone to take a picture. Don’t think it quite captures the intense colors.

yellow into purple

In this scene, yellow and purple are used to evoke a hellscape. The half-dead skeletons with trees growing out of them are referred to as hollow men, which is a reference to T.S. Eliot’s poem. The poem keeps coming up; I think I should read it. Wow — just read it. Here’s a bit from the middle and the last lines, which Levi, one of the main characters, recites as they walk in purple (violet) air.

excerpts from The Hollow Men/ T.S. Eliot

Shape without form, shade without colour.  
Paralysed force, gesture without motion; 

Those who have crossed 
With direct eyes, to death’s other Kingdom 
Remember us—if at all—not as lost  
Violent souls, but only  
As the hollow men  

                              II 

Eyes I dare not meet in dreams  
In death’s dream kingdom  
These do not appear: 
There, the eyes are  
Sunlight on a broken column  
There, is a tree swinging 
And voices are  
In the wind’s singing  
More distant and more solemn  
Than a fading star.

—

This is the way the world ends 
This is the way the world ends 
This is the way the world ends 
Not with a bang but a whimper.

feb 16/RUN

note: I’m starting this post at 9:50 am. The temp is 4 degrees / fees like -11. The wind is 11 mph with gusts up to 20 mph. At this point, I’m thinking I will run inside on the treadmill. Will I, or will some part of me convince the rest to run outside?

3.5 miles
ford bridge and back
7 degrees / feels like -10
50% snow-covered

We did it. Good job legs and lungs and heart, you convinced brain that we really needed to be outside this late morning! Almost all of the layers were on: 2 pairs of black running tights; dark gray tank top; green long-sleeved shirt; orange pullover; dark purplish/blueish/grayish pullover with hood; purple jacket; orange striped buff; black fleece cap with ear flaps; black gloves; pink striped gloves; 2 pairs of socks — gray (long) / black (short). At times, I was too warm.

It was wonderful and sometimes hard, especially when I was running into the wind on the way back. It was also bright — glad I had my sunglasses. Encountered someone in orange with their hand up to shield their eyes as they walked south. Saw the round shadow of a street lamp and the jagged shadow of a small tree. Passed a group of four walkers, laughing and yelling and having fun on the double bridge.

Did I think about purple at all? I can’t remember now. The only color I recall noticing was orange.

the purple hour (15th and 16th of feb)

3:38 am / dining room / 15 feb

the heat turnning on, the house shifting settling, my legs restless
purple mountains — in Japan, looking out at the mountains, different shades of purple — fall, 1994
Emily Dickinson purple — sunsets and sunrises
someone shoveling at 4 am

[discussion below added at 10:30 am on 16 feb]

Where Ships of Purple—gently toss — / Emily Dickinson

Where Ships of Purple—gently toss —
On Seas of Daffodil—
Fantastic Sailors—mingle—
And then—the Wharf is still!
F296 (1862) 265

No one does sunsets better than Dickinson. I wonder if Amherst sunsets are still so colorful. Where I’ve lived sunsets are primarily red, pink, and gold, but the ones she describes often have purple. This one does, too. Here she sees great ships, large purple clouds, gently tossing in their moorings. The sea beneath them is tinted golden, “Daffodil,” from the setting sun. The mingling and fantastic sailors are no doubt smaller clouds that move among the larger ship-like ones, their shapes constantly changing. When the sun sets the sky turns dark and “the Wharf is still!”

the prowling bee

The prowling bee has been such a wonderful resource for me. Reading the comments for this poem, there was speculation about why the Amherst sunsets were so brilliant and purple:

Romantic era sunsets WERE particularly vivid, due to volcanic ash from several cataclysmic eruptions worldwide. The Hudson River School artists and their sunsets might not have been hyperbole, after all, nor were ED purple sunsets.

Another commenter doubted this suggestion, so I did a quick search and found a pop science article about a study on sunset paintings and volcanic ash: How Paintings of Sunset Immortalize Past Volcanic Eruptions

Volcanoes can cause some of the world’s most spectacular sunsets. An eruption spews small particles of gas, dust and ash, called aerosols, high into the atmosphere where they can spread around the world. The particles can’t be seen during the day, but about 15 minutes after sunset, when conditions are right, these aerosols can light up the sky in brilliant “afterglows” of pink, purple, red or orange.

The impact of climate/climate disruptions on how we see color? Fascinating. Earlier this morning, while doing my “on this day” practice, I reread my entry from 16 feb 2024. In it, I described a photo I took above the gorge.

The most important thing about this image is how the branches create a net which mimics how my vision often works — I can almost see what’s there, but not quite. Secondary, but connected, is the feeling of being disoriented, off, almost but not quite, untethered, which comes from swirling forms and the climate crisis — there’s almost always snow on tthe ground here in February. Where are my Minnesota winters?

This last bit about climate crisis and lack of snow returns me to the ash in the sky and its effect on how 19th century artists saw and depicted the world. Many places to go with this, for now I’m thinking about how my vision loss (or the making strange of my vision) has enabled me to be more open (than many people with “normal” vision) to understanding vision as complex and not as simple or straightforward as “what you see is what you get.” Does that make sense?

1:50 am / dining room / 16 feb

doorways/thresholds are definitely purple — a deep, dark purple
the air above the gorge: different versions (tints/shades) of purple
purple hums, a soft lavender static in my ears
lachrymose purple 
originally wrote violet static, but looked up the color again and thought it was too dark for the static I was hearing in my head

9:46 am / front room / 16 feb

Thought more about violet. Decided to search, “Alice Oswald violet.” Found this beautiful poem:

Violet/ Alice Oswald

Recently fallen, still with wings out,

she spoke her name to summon us to her darkness.

Not wanting to be seen, but not uncurious,

she spoke her name and let her purple deep eye-pupil

be peered into.

‘Violet,’ she said

and showed her heart under its leaf.

Then she leant a little frightened forwards

and picked a hand to pick her.

And her horrified mouseface, sniffed and lifted close,

let its gloom be taken and all the sugar licked off its strangeness

while we all stood there saying, ‘Violet! Violet!’

fingering her blue bruised skin.

Finally she mentioned

the name of her name

which was something so pin-sharp,

in such a last gasp of a previously unknown language,

it could only be spoken as a scent,

it could only be heard as our amazement.

“purple deep eye pupil”: so good!

“the name of her name” — I wrote in my notes: the flower is never one solid, consistent color — the color is an abstraction, a taking one part for the whole, a disconnection — to name a color is to reduce the experience and perception of that color to one thing — colors cannot be fully named

What is lost — in our perception, experience of the world — when we reduce what we see to a fixed color/fixed name?

This question reminds me of something I read in Turning to Stone on the importance of naming yesterday:

The names themselves are, of course, human constructs, but the act of naming requires making distinctions that sharpen the powers of observation.

*

Taxonomy is comforting because it creates a sense of control and finitude in a chaotic and open-ended world.

Turning to Stone / Marcia Bjornerud

Lists! I love lists. My lists aren’t taxonomies, but something else . . .

The proper name of God is a list.

Valentina Izmirlieva in Aster of Ceremonies

Once I get the audiobook of Aster of Ceremonies, I want to put name as taxonomy and control in conversation with JJJJJerome Ellis’ “Liturgy of the Name” and “Benediction.”

feb 9/RUN

3.
under ford bridge and back
9 degrees / feels like 0
100% snow-covered trail

Winter running! Sun, low wind, shadows, snow. I wouldn’t say it was an easy run, but it felt great to be outside and above the river. I don’t remember breathing in the cold air, but I do remember hearing the strange crunch of my foot as it struck the ground. Maybe not a crunch. Some noise that sounded like my foot was slipping or sliding on the snow. A thrust then a momentary stuck-ness before lifting off.

10 Things

  1. the sharp shadow of the street lamp with its pointy top
  2. my shadow crossing over and through another street light shadow
  3. the smell of weed down below in the oak savanna
  4. the thin, crooked shadow of a small tree cast on the snow
  5. an equal mix of solitary and paired runners
  6. the river was mostly covered in still white snow with a few patches of darker ice
  7. a few walkers below on the winchell trail
  8. a bird, singing
  9. a bird, laughing
  10. the sky, a very bright blue

I chanted triple berries — strawberry/raspberry/blueberry — then: purple grape/grieving loss.

today’s small victory: Instead of stopping at the turn around — which is what I usually do — I ran through it and back north, past locks and dam no. 1, past the part of the trail that dips below the road, and up the hill.

With the bright blue sky and the fresh white snow, I would have described the light as blue, but today I saw it as a faint purple. Another purple thought: purple grief is grief tinged with and/or beside joy. Dark, difficult, but more than that, too.

the purple hour

Up twice last night/this morning for the purple hour. Here are my notes:

12:04 am dining room

  • too many naps today? rich dinner? restless legs
  • uncomfortable purple
  • purple gas, purple ache, purple discomfort
  • the purple buzz of the refrigerator
  • the purple clicking of the coputer keys
  • everything chilled, a heavy stillness — not still, as in resting, calm, quiet, but still as in trapped — a purple pause
  • a memory from a run by the gorge: l.e.d. car headlights — not white but bright and purple, or the suggestion of purple

2:01 bedroom

  • Womanist is to feminist as purple is to lavender (Alice Walker)
  • The color purple — should I read it again?
  • The lavender menace — Betty Friedan’s homophobia
  • 2 sets of snores: dog, Scott
  • purple light — the air in the room almost gray, but not, soft, dull, patches of very deep purple, and in-between shadows that are lighter than deep purple, but darker than the purple air

morning reflections: Sitting at my desk, bright from the cold sun, I look around and see blue and green and red and yellow and cream. Purple demands a different sort of light, or lack of light. I thought, suddenly, purple is peripheral. Then I remembered standing in front of a mirror this morning, looking directly into it, not seeing my face, but a purplish gray glob. So, purple is my central vision. Maybe it’s both, but in different ways?

Looked up “purple peripheral” and the first page of search results were all about cyanosis and a lack of oxygen to the extremities (hands, feet).

Somewhere in this search I remember something else about purple: it’s the color associated with pancreatic cancer. You wear a purple ribbon to support pancreatic cancer research. My mom died from pancreatic cancer. Looked it up and it’s a purple ribbon in honor of the founder’s mother whose favorite color was purple and who was diagnosed with and died from pancreatic cancer in 1996.

feb 7/RUN

5.3 miles
bottom franklin hill
16 degrees
10% snow and ice covered trail

Less wind today. Cold, but not as cold as yesterday and still. Ran north on the bike trail. My lower back was still a bit tight and sore, my neck too, at least for the first mile. Then things loosened up. Mostly I felt relaxed and strong and glad to be outside on a clear path. I tried running on the snow-covered walking trail for a minute, but it was too uneven. Greeted Dave the Daily Walker, although it took me a little too long to say Hi Dave because I didn’t quite recognize him. Has his arm swing become less pronounced, or has my vision become worse? Chanted triples, first berries, then the world around me: big old tree/big pine tree/red stop sign/motorbike/rumblin’ truck/passing car

10 Things

  1. a strong smell of weed when I stopped at a bench above franklin
  2. orange — or was it pink or red? — bubble lettered graffiti under the 1-94 bridge
  3. the river was mostly covered, but the surface ice was uneven — some thick, some thin, some white, some gray — I thought I saw a few footprints on it — is that what they were?
  4. chickadeedeedee
  5. empty benches
  6. the faint jangle of a dog collar somewhere below me
  7. for a few stretches, the trail had strips of snow or ice or both — none of it slick or wet or a problem
  8. thought about how long the hill was from the bottom of lake street to the top — is it as long as franklin? how much less steep is it?
  9. mostly solitary male runners, one trio of women
  10. the air was cold and crisp and felt clean as I inhaled it through my nose, exhaled it through my mouth

purple hour

Before writing about last night’s purple hour, a thought: At some point early in the run I realized I was wearing a purple jacket. Of course I know it’s purple and I’ve noted that on this log lots of times, but today it clicked that it was purple. I started imagining my time by the gorge in the winter as another purple hour. Then a George Sheehan passage echoed in my head:

I must listen and discover forgotten knowledge. Must respond to everything around me and inside me as well….The best most of us can do is to be a poet an hour a day. Take the hour when we run or tennis or golf or garden; take that hour away from being a serious adult and become serious beginners. 

Running / George Sheehan, 1978

There’s something cool about how I (unintentionally) wear purple during these purple hours — a purple jacket during winter running, a purple robe during winter nights. It’s also interesting to me that I didn’t choose this color, both of them were chosen by my mother-in-law. When she died, I inherited her purple jacket; the purple robe was a christmas present from her years ago.

I like this idea of multiple meanings of the purple hour and how I can call these purple hours just because they involve me wearing purple — my purple habit (get what I did there? habit = a regular practice and clothing worn, like a nun’s habit).

Later in my run, I thought about dark purple and how closely it resembles, at least to me, dark brown tree trunks or dark water. Purple as another name for dark.

And now onto last night’s purple hours: two of the times I woke up in the middle of the night (how many times did I wake up and get out of bed?), I wrote about purple. Once on the ball in my bedroom (1:49 am), one at the dining room table (3:06).

1:49 am

  • Dark purple door (open closet)
  • Rustling dog
  • Droning fan layers of noise

3:08 am

  • midnights (tswift) lavender haze
  • violet purple lilac lavender
  • tints/shades of purple = mauve, orchid, eggplant, heather, iris
  • purple noise inside my ear — when the heat turns off
  • the house settling, unsettling
  • the other room, not illuminated by the light of my computer screen: deep ,dark purple
  • rhw (note: what is rhw? what word was trying to write?) hum, buzz from inside me stirring up the air
  • purple robe/comfy

Reviewing this list this morning, a thought: does anything rhyme with purple? Looked it up: hirple, to walk with a limp. I can envision purple as the color of limping. Now I’m thinking of having a hitch in your step which reminds me of un-hitching and Mary Ruefle and Claude Lévi-Strauss.

unhitching: to crudely paraphrase Lévi-Strauss, unhitching happens in brief moments when we can step outside of or beside or just beyond — below the threshold of thought, over and above society — to contemplate/experience/behold the this, the what it is, the essence of everything, Mary Oliver’s eternity. In your run above the gorge, near the river, below the trees, can you unhitch? (from log entry on 31 may 2023)

unhitching

The possibility, vital for life, of unhitching, which consists … in grasping, during the brief intervals in which our species can bring itself to interrupt its hive-like activity, the essence of what it was and continues to be, below the threshold of thought and over and above society; in the contemplating of a mineral more beautiful than all our creations; in the scent that can be smelt at the heart of a lily and is more imbued with learning than all our books; or in the brief glance, heavy with patience, serenity and mutual forgiveness, that, through some involuntary understanding, one can sometimes exchange with a cat.

Lévi-Strauss quoted MRH page 52

Purple/ Margaret Steele Anderson

A pigeon walking dainty in the street;
The morning mist where backyard fences meet;
An old Victoria—and in it, proud,
An old, old woman, ready for her shroud:
These are the purple sights for me,
Not palaces nor pageantry.

purple prose

I just learned about purple prose: excessive, overly verbose, wordy, too many metaphors, similes, adverbs, adjectives, language that calls attention to itself and lacks substance, a drama bomb. Just realized that Lumpy Space Princess, who coined “drama bomb” is lavender. Also, remembering Lumpy Space Princess inspired me to find and order a Drama Bomb t-shirt.

According to wikipedia, purple prose originates with the Roman poet Horace in his “Ars Poetica”:

Weighty openings and grand declarations often
Have one or two purple patches tacked on, that gleam
Far and wide, when Diana’s grove and her altar,
The winding stream hastening through lovely fields,
Or the river Rhine, or the rainbow’s being described.
There’s no place for them here. Perhaps you know how
To draw a cypress tree: so what, if you’ve been given
Money to paint a sailor plunging from a shipwreck
In despair?

jan 22/RUN

6.1 miles
flats and back
24 degrees / flurries

Warmer today! Still wore lots of layers, but it wasn’t close-school cold like yesterday. After reading my post from a year ago when I wrote about running to the frozen springs in the flats, I decided to do it again this year. On my way north, I started chanting triple berries:

strawberry/blueberry/raspberry

then: mystery/history/magical . . .illusion/confusion/contusion

Then I was inspired by what I noticed:

bright orange coat
speeding cars
little dog
blue trash can
yellow shirt
gray-white sky
falling flakes
empty bench

When I reached the spring, I could hear it falling from the rock, but couldn’t see it, hidden behind the thick ice. Also heard but didn’t see the water it left on the road as cars whooshed over it.

Stopped at the river to check out the surface. Very cool. I took some pictures but I’m not sure they can capture the opaque greenish ice. It was a grayish-green, drab and looked slushy and cold and thick.

Mississippi River / 22 jan 2024

And I stopped at my favorite sliding bench and looked down at the white sands beach. Quiet, empty, white with snow, not sand.

Early on in the run, I greeted Dave, the Daily Walker. Hi Dave! Hi Sara! How are you doing? I’m good. How are you doing? I’m out here.

added a few hours later: I almost forgot something I was thinking about. As I listened to the song, Remember (lullaby) from Coco, I thought about people I miss and remembering them and then I thought about how sometimes it’s more than memory that helps me stay connected, like the time I opened my mom’s old book and saw her signature in the front. It was a physical trace of her reaching out to me. As I thought about this trace and the reaching out I remembered Diane Seuss commencement address and her discussion of Keats and his invisible hand reaching up from the grave. I’m glad I remembered the Keats bit because I remember having that thought then forgetting it almost immediately as I kept running.

an emptied mind — emptied of memories, emptied of everything

During my “on this day” practice, I encountered this phrase in Occasional Poem/ Jacqueline Woodson: zapped all the ideas from my head. I started thinking about this feeling of going blank or losing words or a sudden rush of nothing but space between your ears. What are some different ways that words describe being emptied of thought — the moment it happens and/or the feeling of emptiness?

the fish in us escaping, dandelion seed scattering, bees leaving the hive,

more than memory

I started a post yesterday (21 jan) and added this, intending, but failing, to finish it.

The wall is, for me and maybe me alone, a holy place. A place of pilgrimage, both full of meaning and void of meaning. I take photos, and the photos hold the memories still. The photos make the wall mean more than memory can, but with meaning, like a fact. No longer in motion, no longer something to which one can return and brush your fingers against (and feel the peeling paint).

*

Maybe a place like this pursues its meaning. Like when you say love and what you say means less than the actual word means. We love a place or a person, or we say a word, trying to stop time, hold something still. Maybe a place makes meaning how a dream might, in opposition to logic, inventing its own sense with presence.

*

Maybe we borrow meaning with a word, like how a photograph borrows a place, hoping meaning might remain recognizable if we say the word with the right angle of light, seeking something definite in a breath. How the impossible blue of a blue wall couldn’t be the blue of memory, a blue no photograph can contain.

Maybe to make a place holy, you must remember it more than real life allows, with all the truth of a squint, all the grace of peeling paint.

*

I’d like to look into one of those photographs, past the image, past what the image contains, past memory and regret and all the salt that sticks to the skin, into experience, into a love known true in one moment, undeniable, un-understandable, the kind of thing that splits everything in half. If I could find that photo of Cassie at the blue wall and step inside it and ask her to stay alive in a world where she was loved, maybe then I could finally know what a word means.

I could almost believe holiness is a process of remembering, but then I see the wall again, in all that sunlight, paint peeling, the blue not only the remembered blue, but more blue in the now of being seen, so I can barely stand to stand beside it, holy as it is with the fact of its own meaning.

This is the Place: A Blue wall in Leadville / Mathias Svalina

Words I’ve been studying: dream, memories, photograph, motion, still, light, breath, remember, squint, blue, real, love, now

nov 14/RUN

4.1 miles
trestle turn around
45 degrees

Moist this morning. Wet sidewalk, wet leaves, wet air. Something was squeaking — my shoes on the leaves or the leaves on my shoes? Only one stone on the boulder, looking lonely and flat. The black stocking cap I mentioned yesterday was still there on the pole. Today I remembered that it was above the old stone steps. Greeted Dave, the Daily Walker with a good morning Dave!, greeted Daddy Long Legs with a wave. He was with his walking partner again. Smiled and gave a head nod to another walker who I think I’ve mentioned before. They always wear a long skirt with tights, and most of the year, a blue puffer jacket. They have gray hair in a long braid. I looked it up, and when I wrote about them before (26 jan 2024), I described them as wearing a dress and tentatively named them, All Dressed Up.

Anything else? I’m pretty sure I looked at the river, but I don’t remember what I saw. No fat tires or roller skiers or geese — where are all the geese? — or turkeys. More YELLOW leaves, falling fast. Some sour sewer smells, puddles, empty benches.

I listened to squeaking leaves and thudding feet as I ran north, then my Color playlist returning south: “Not Easy Bein’ Green,” “Roxanne,” “Mellow Yellow,” and “Let’s Go Crazy.” Speakig of color, I discovered this excellent color poem yesterday afternoon:

Night Comes and Passes Over Me/ Carl Phillips

There’s a rumor of light that
any dark starts off as. Plato speaks
here and there of colors, but only
once, I think, does he break them
down into black and white, red,
and a fourth color. By then they’d
reached for California high country
where, knowing none of the names for
all the things that grew there, they

began to make names up. But to have
trained an animal to come just a bit
closer because here, here’s blood,
doesn’t mean you’ve tamed it. Trans-
lations vary for what Plato calls his
fourth color: what comes closest
to a combination of (since they
aren’t the same) radiant and
bright–what shifting water does,

with light? Violence burnishes
the body, sometimes, though we
call it damage, not burnishing, more
its opposite, a kind of darkness, as if
to hide the body, so that what’s been

done to it might, too, stay hidden,
the way meaning can, for years, until
some pattern by which to trace it
at last emerges. There’s a rumor of light.

I need to give more time to this poem; there’s so much I don’t quite get. But I love the discussion of Plato and color and what shifting water does to light.

sept 30/MARATHON WEEK

The first day of marathon week. The 15th anniversary of my mom’s death. 11 years after witnessing the marathon near Lake Nokomis, feeling the magic of it, and knowing that one day I wanted to run this race. In 2013, I had been running for 2 years, not that long but long enough to believe that this distance was possible.

The horrible way my mom died in 2009 — slowly, painfully, her strong body prolonging her suffering for more than a year– forced me to confront a truth I hadn’t yet, even though I was 35: our bodies will fail us.

note, 1 oct, 2024: Instead of fail, I first wrote betray, our bodies will betray us. It seemed too strong, but fail doesn’t seem strong enough. Maybe: our bodies can betray us? Or, instead of “forced me to confront” I could say, The horrible way my mom died in 2009, transformed my understanding of my body; I began to fear it, to believe that one day it would betray me.

For me, training for and getting to the start line of this marathon, especially not being able to do so in 2017, is an acceptance of that failing and an expression of deep (and complicated) love for my body.

I love how athletes believe in the body and know it will fail them.

Love/ Alex Dimitrov

Inspired by a writing prompt, I just checked out Marianne Moore’s collection, Observations. Another color poem!

In the Days of Prismatic Color/ Marianne Moore

not in the days of Adam and Eve but when Adam
was alone; when there was no smoke and color was
fine, not with the fineness of
early civilization art but by virtue
of its originality; with nothing to modify it but the

mist that went up, obliqueness was a varia-
tion of the perpendicular, plain to see and
to account for: it is no
longer that; nor did the blue red yellow band
of incandescence that was color keep its stripe: it also is one of

those things into which much that is peculiar can be
read; complexity is not a crime but carry
it to the point of murki-
ness and nothing is plain. complexity
moreover, that has been committed to
darkness, instead of granting it-

self to be the pestilence that it is, moves all a-
bout as if to bewilder us with the dismal
fallacy that insistence
is the measure of achievement and that all
truth must be dark. Principally throat,
sophistication is as it al-

ways has been — at the antipodes from the init-
ial great truths. “Part of it was crawling, part of it
was about to crawl, the rest
was torpid in its lair.” In the short legged, fit-
ful advance, the gurgling and all the
minutiaæ — we have the classic

multitude of feet. To what purpose! Truth is no Apollo
Belvedere, no formal thing. The wave may
go over it if it likes.
Know that it will be there when it says:
“I shall be there when the wave has gone by.”

I do not understand this poem or get many of its references, but it’s about color and there’s something in her mist and murkiness and the dark that is inviting me to read it a few more times.

aug 16/SWIM

3 loops
lake nokomis open swim
66 degrees / drizzle / mist

Open swim is open through drizzle and rain — as long as it’s not thundering or pouring. I’m glad because I enjoy swimming in the rain. Today there was a soft, steady drizzle. Much of the world was gray — a grayish white sky, gray-green-blue water — but some of it was glowing orange (3 buoys), yellow (lifeguard boat/jacket), and green (2 sighting buoys, a swimmer’s safety buoy).

image: Nearing the orange buoy — an equilateral triangle, glowing ORANGE! Everything else gray, washed out, smudged.

The water was cold and buoyant and, after the first loop, choppy. I felt strong and fast and like a machine — a boat cutting through the water, heading straight for the buoy. 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left. Between the green buoys, when the water was washing over me on my left side, I breathed only to my right. 1 2 3 4 breathe right 1 2 3 4 breathe right 1 2 3 4 breathe right. Breathing only to one side seems strange, unbalanced, intense.

image: Heading to shore at the end of my third loop, watching a swimmer ahead of me. All I could see was the green dot of their cylindrical safety buoy, bobbing brightly in the gray water.

10 Things

  1. a thick mist just above the surface of the water
  2. getting briefly tangled in a floating vine mid-lake
  3. flinging a leaf stuck on my arm mid-stroke
  4. waves off to my side looking like swimmers
  5. a big splash in the water but no swimmer around to have made it — was it a fish jumping out of the water?
  6. orange buoys in a straight line
  7. a dozen other swimmers with yellow, pink, and green safety buoys
  8. sweet solitude, stroking through the mist
  9. one swimmer doing backstroke
  10. another swimmer using their safety boat as a float, turning their face up to receive the rain

I stopped a few times in the middle of the lake to adjust my googles or sight the buoys or take in the solitude and silence. So quiet and empty. Heard a few sloshes but otherwise, nothing or Nothing. Wow.

As we were driving back, I told Scott that another great thing about open swim was the hot shower afterwards. Ah! It’s the only time I take a long shower. I love standing there, rinsing off the muck, feeling the heat of the water on my warm muscles.

This was the last Friday swim of the season. Next Thursday, open swim ends. On Friday RJP moves into her dorm. FWA returns of campus on Sept 2. Then, Scott and I are empty-nesters.

july 28/SWIM

4 loops
lake nokomis open swim
77 degrees
wind: 11 mph, 21 mph gusts

Choppy today. Lots of swells and breathing on my right side. Sun, haze, sparkling water. I might have seen a few sparkle friends underwater, but no seagulls or fish. At least one swan boat and one paddle boarder. No algae or prickly vines. The water was a pale green with a hint of blue. Mostly opaque, although I could see my hands and the beautiful bubbles they shed. The sky was a pale blue with a few clouds.

The swim was hard. My back was sore from having to stretch higher to sight buoys and other swimmers hidden behind waves. I grew tired from battling the swells. I loved it — what a great workout! For short stretches, I got into a steady rhythm and felt Mary Oliver’s deepening and quieting of the spirit. I didn’t stop thinking. I didn’t feel like I was outside of myself. I felt relaxed and emptied, suspended in water, moving up and down, side to side. Not worried, just shoulders and calves and triceps and lungs rotating and kicking and flexing and breathing.

wave/swell pattern: Side to side rocking heading east from the big beach to the first buoy, the current pushing me a little to the north. Choppy, but no water crashing into or over me. Somewhere between the last orange buoy and the first green one, rough. Mostly breathed to my right. The buoy and other swimmers were lost in the waves. Draining. This is where my back would start to ache. The most challenging spot was rounding the green buoy closest to the big beach. Big waves wanting to push me under the buoy. It took 4 tries, but on the last loop I angled my boat-body right to avoid this pushing. Heading north, parallel to the big beach, the water rippled behind and over me. Mostly giving me a boost, sometimes sucking the energy out from under me. As I swam this last stretch, I wondered if I could learn to ride the waves or angle in ways that avoided the roughest contact.

image: I love the almost/half/barely-view of the first orange buoy after rounding the green buoy. I think I’ve written this before, but it reminds me of the faintest trace of the moon in the afternoon sky. Sometimes a faint orange, sometimes only the silhouette of something that makes the Sara in the back of my head whisper, moon.

This might be the image of the summer. Maybe I could put it in a poem with the image of the moon on water that I used to see in the dark basement window, made by a lightbulb, as I ran on the treadmill? Yes!

I’m continuing to revisit AO’s Dart. we change ourselves into the fish dimension. The fish dimension? I love it! Sounds like a great title for a poem.

excerpt from Dart/ Alice Oswald

He dives, he shuts himself in a deep, soft-bottomed
silence,
which underwater is all nectarine, nacreous. He lifts
the lid and shuts and lifts the lid and shuts and the sky
jumps in and out of the world he loafs in.
Far off and orange in the glow of it he drifts

I feel the silence under the water, but I also feel it above. A few times during my swim today, I stopped stroking and tread water, my head out in the air. Quiet. Only a few soft slaps of the water by other swimmers’ hands and feet.

nacreous = iridescent/iridescence = “a lustrous rainbowlike play of color caused by differential refraction of light waves (as from an oil slick, soap bubble, or fish scales) that tends to change as the angle of view changes (Merriam-Webster Dictionary).

Last week, the water had streaks of red — or maybe tangerine? — in it. Today, blue-green. Not iridescent below, maybe above?

I love describing stroking through the water as lifting and shutting the lid! Also, the sky jumping in and out the world he loafs in. So good! I want to play with these images!

A different take on the far off orange glow: a buoy, or the idea of a buoy, or the certainty that a buoy, orange and glowing, is there.

july 22/RUNSWIMBIKE

run: 4 miles
to lake nokomis
73 degrees

Did a one-way run to the lake to meet RJP for a swim. Now that she’s 18, she’s old enough to swim across the lake, but she needs to get used to the scary, unsettling feeling of lake swimming, when you can’t see anything and scratchy vines reach up to grab your leg and there’s no bottom to touch. Her first attempt overwhelmed her — staring into a void of yellow, nothing to see in front, nothing solid to feel below. I told her about the first time I swam out to the buoys and across the lake. It was hard and I was scared. I kept thinking about Jaws. I could only swim 1 loop. It’s taken me 10 years to build up physically and mentally to swim as much as I do, I said. Later, when we were home, she said she wants to try again; she liked how it felt after she swam and maybe it wouldn’t be so scary once she got used to it. I hope it works out. I love swimming with her and feel so much joy watching her strong arms cut through the water.

One more thing about the swim: After RJP got out of the water, I swam a loop. If you ignored the algae scum, it was perfect water: still, not cold, empty. As I neared each white buoy, I displaced a seagull from their perch. Seagulls! I haven’t seen them much this summer, maybe that’s because I haven’t been swimming alone, in the morning?

Before meeting RJP, I ran. Hot! Some shade, lots of sun. I felt pretty relaxed for the first 2 miles, then I started negotiating with my legs: Can you make it to the turn-off past the mustache bridge before we walk? How about until we get over the duck bridge? Okay, we’ll take a quick walk break under the echo bridge. And we did, 2.6 miles into the run, but only for 10 or 15 seconds. When I started running again, I thought about how hard it is to notice anything when you’re distracted by the heat and the effort and your legs pestering you to walk. Can I name 10 things I noticed?

10 Things Noticed While Distracted by Heat and Fatigue

  1. park workers out near the trail, moving and weed-whacking
  2. since the last time I ran on the dirt trail between edmund and the river road someone has trimmed the tree branch that leaned over the trail — thank you, park worker!
  3. a little mud, some soft, sandy dirt, scattered tree limbs
  4. water rushing out of the sewer pipe — steady, soft
  5. someone biking on the walking path
  6. the creek was high and tumbling over rocks, impersonating a babbling brook
  7. through the trees, a kayak gliding down the creek — would they stay in until just below the mustache bridge? Does anyone turn around and paddle against the current?
  8. thwack thwack people playing on the pickleball court, hitting the balls hard
  9. a haunting call — was it a mourning dove or a kid? difficult to tell
  10. heading to the water fountain, wondering if that was where the person approaching was heading too, realizing finally that it was RJP — always unsettling when I don’t recognize the kids or Scott

Found this poem that I had archived in a document named, “Reading Links List” a few years ago: My First Black Nature Poem/ LaTasha N. Nevada Diggs. So many great lines. Here’s what I wanted to remember today:

the green clearness. so mud olive I cannot see the bottom.

Mud olive — that’s the color I’ve been trying to name. That’s the mix of yellow and green with a hint of blue that I’ve been seeing as I swim across the lake!

But not this morning. This morning the lake was pale yellow; near the surface it almost looked white. Not nearly as pleasing as olive colored!

Before the run and swim, I drank coffee and looked for inspiration from the few people still on twitter. Jackpot! Found some wonderful poems from Moist (which I’ll save for another entry) and the Ten Muses of Poetry — from the writer, Andrei Codescru, in his book, The Poetry Lesson. I’ve never heard of Codescru — he’s great. I found the chapter his Ten Muses are in and read it. Funny and strange and great. I wonder, would I enjoy taking a class from him? Probably.

The Ten Muses of Poetry

  1. Mishearing
  2. Misunderstanding
  3. Mistranslating
  4. Mismanaging
  5. Mislaying
  6. Misreading
  7. Misappropriating cliches
  8. Misplacing objects belonging to roommates or lovers
  9. Misguided thoughts at inappropriate times, funerals, etc.
  10. Mississippi (the river)

Ending with the Mississippi? Yes!

read / heard / watched

read: Just finished reading this book excerpt on lithub: Kinds of Blue: On the Human Need to Swim. It’s an excerpt from Abundance/ Karen Lloyd. After reading the wonderful essay, I requested to book from the library!

heard: Listening to a 6 part series called Tested, written and recorded by Rose Eveleth for NPR and CBC.

Who gets to compete? Since the beginning of women’s sports, there has been a struggle over who qualifies for the women’s category. Tested follows the unfolding story of elite female runners who have been told they can no longer race as women, because of their biology. As the Olympics approach, they face hard choices: take drugs to lower their natural testosterone levels, give up their sport entirely, or fight. To understand how we got here, we trace the surprising, 100-year history of sex testing.

watched: This short video about Katie Ledecky came up on YouTube for me the other day. As a long distance swimmer, I think Katie Ledecky is amazing. I wanted to archive it for 2 reasons. First, starting at 2 minutes when she discusses how she knew that she loved swimming when she broke her arm and still wanted to get into the water. She even put a plastic bag over her arm so she could. I was thinking about this idea, but not remembering where it came from, when I was talking to RJP about trying to swim again in the lake. When you love something, you’re willing to try almost anything to keep doing it.

The second reason I wanted to archive this video was because of the story about her kid-self and how she never loses sight of the fact that swimming is something she “started just for fun, on a summer league swim team” (video start: 4:08). That idea, combined with the old footage of her as a very young kid, makes me think of Sara, age 8, and how much of what I’m trying to do now, is to reclaim her spirit and try to translate it for Sara, age 50, without losing the fun and the passion and the exuberance I had back then.

bike: 3 miles
arbeiter and moon palace books
84 degrees

I was planning to do open swim at cedar lake at 5:30, but I checked the weather and learned that an intense storm would be moving through at 6 — high winds, thunder, hail. Not good for the car, or for someone swimming in the lake. What a bummer! I had a book to pick up at the book store, Gave / Cole Swensen, so we decided to bike to Moon Palace and then wait out the storm at Arbeiter Tap Room. What a storm! Wind, rain, thunder, but no hail. We thought we were leaving after the storm, but as we unlocked our bikes, more rain.

Another year when I can see well enough to bike!