april 6/RUN

4.35 miles
minnehaha falls and back
32 degrees / feels like 17

Cold again. Because of the low feels like temp, I overdressed: 2 pairs of tights, long-sleeved shirt, sweatshirt, pullover. Halfway through I ditched the pullover, which was awkward as I struggled to take it off without removing the outer layer.

Tried to stay steady and slow. Chanted in triple berries in my head. Took several walk breaks — not because I was tired, but to take pictures or to record my thoughts or to take off my second layer.

Thought about grids and nets (more on this below) as I ran. Recorded some thoughts on my phone:

recording 1: I’m thinking about grids and the lines and why it matters to me. And I’m thinking about the xy axis and a map and the visual field. And mapping and locating yourself within the known world and how reading is so important to that locating and figuring out how to navigate without that.

recording 2: Thinking more about why nets or grids or that particular way of being located is to be held, to be connected, to be located, to be seen or recognized or have others aware (of you). So not in this free fall. To orient yourself in some way. To not be entirely unmoored. Because as fun as it sounds in theory to be untethered and unlimited by these restrictions, physically it does not feel good. Dizzy, disoriented, nauseated (sometimes). A slow, growing anxiety.

This last bit about the ill effects of being unmoored was inspired by how I felt as I started my run. It wasn’t entirely unpleasant, but I did feel a little dizzy and disconnected from the path, unable to clearly see what was ahead of me. I wasn’t blind to the trail or anyone on it. I was disoriented and anything I saw was vague and barely formed. This way of seeing unsettled me; it also made everything feel dreamy and not real or unreal or surreal. By the end of the first mile, it had dissipated somewhat.

So, why the Amsler grid? First, the obvious: it’s a vision test and I am writing around (and through) vision tests in much of my vision/visual poetry. Another explanation: it represents a mapping, a locating, a connecting to the known world (where known partly = “normal”/medical understandings and models of seeing). Also, it is a reference point from and a starting point that readers can understand (a place of common ground, a concrete and easily expressed and understandable model and map for blind spots in central vision/visual field).

grids / nets

I was planning to study worms and bugs for my April challenge, but that will have to wait. This month is about grids and nets and matrices. I chose this topic because I want to dig deeper into the grid and what role it plays in my Holes series, and also because of a series of pieces that AMP pointed out to me at MIA (Minneapolis Institute of Arts):

text: Charles Gaines
Numbers and Trees: Tiergarten Series 3: Tree #1, #2, #4, #6
Charles Gaines / Numbers and Trees

I found a book from one of his exhibits and requested it from the local library. When I get it, I’ll discuss the grids more. (I also plan to return to MIA soon to study the pieces more closely). Here’s one photo of them that I particularly like of me, FWA, and RJP, who is talking with her hands in a way that I love.

3 people -- a son, a daughter, their mother -- stand in front of a series of trees. The daughter gestures with her hands.
3 people looking at art, 2 of them talking about it, one with her hands

. Heading out for my run this morning, I wanted to notice grids. A few minutes later, all I could think about was the twisted/bent fence at the falls that I noticed last Thursday. I regretted not stopping to take a picture of it then, so I took several today. Here are 2:

Remembering this crooked fence and then taking pictures of it, inspired me to expand my grid/net/matrix month to fences too — this fence + chainlink fences. Things that contain, orient, map, frame.

To start this grid exploration, some research on the Amsler Grid. Have I done any research about it in past years? Not that I can find!

Amsler Grid

The Amsler grid, used since 1945, is a grid of horizontal and vertical lines used to monitor a person’s central visual field. The grid was developed by Marc Amsler, a Swiss ophthalmologist. It is a diagnostic tool that aids in the detection of visual disturbances caused by changes in the retina, particularly the macula (e.g. macular degeneration, Epiretinal membrane), as well as the optic nerve and the visual pathway to the brain. An Amsler grid can show defects in the central 20 degrees of the visual field.

In the test, the person looks with each eye separately at the small dot in the center of the grid. Patients with macular disease may see wavy lines or some lines may be missing. . . .

Wikipedia Entry

and:

Although originally intended for use in clinical settings, the Amsler grid has proven highly adaptable for home monitoring. Its portability and ease of use enable patients to participate actively in the management of their ocular health, allowing earlier detection of disease progression and more timely medical intervention.

the Amsler Grid in Everyday Practice

This idea of it being for use at home connects to my desire to use whatever materials and words I can find around me for this Holes series. There’s more there, I think.

I’d like to spend a few minutes (maybe later today or tomorrow morning) writing more about lines and grids and mapping and why it’s important to me, both in this series and in my understanding/description of my vision loss.

While looking for more on Amsler and the grid, I found out about Edward Munch and his vision loss at 60. As he was experiencing it, he drew a series of sketches/paintings, some with grid lines, some annotating the strange ways he saw. Very cool. Here’s more about it from a exhibit at the Tate. Is there a book for the exhibit and could it be at my local library? Yes! I just requested it.

april 5/HIKE

60 minutes
Minnehaha Off Leash Dog Park
40 degrees / sun

note: writing this entry on monday (6 april) morning because I was busy yesterday talking non-stop with my wonderful older sister who was visiting.

A wonderful hike through the dog park with FWA, AMP, and Delia. It was cool but felt much warmer with all the sun. More than once, I took a deep breath, sighed, and said, this feels so good — to be outside here, now! Delia was in her element, and so was I: hiking on a wide and open trail with people I love, having great conversations about storytelling and trees and other things I can’t remember.

overheard: a tween protesting to an older sister or mother or some adult — I really didn’t MEAN to reference 6 7! The older sister’s response — oh yes you did!

10 Things

  1. a pileated woodpecker calling out several times and in several different spots
  2. a few stretches of goopy mud with footprints
  3. a dalmatian — long and lean with bright white fur and dark spots
  4. a distant knocking of a woodpecker on some dead wood
  5. a woman, frazzled, calling out for her dog — Tubby or Toby or Trouble? (I couldn’t quite hear the name, even though she called it at least a half a dozen times)
  6. another dog’s name: Lola
  7. a tree graveyard — barren: mud/dirt, a few tall trunks with no branches or bark, half-sheared
  8. trying (and just barely succeeding) to locate Delia’s poop so I could pick it up
  9. a contrast in textures: first firm mud then hard dirt studded with rocks then loose, soft sand
  10. a full parking lot on Easter Sunday

Dalmatian: I mentioned to AMP that the concentration of melanin in a dalmatian’s spots can often cause hearing loss. I looked it up on a past log entry and discovered that I was approximately/almost right but also wrong:

Interesting fact from Scott and Mental Floss: 30% of all Dalmatians are deaf:

Around 30 percent of all Dalmatians are inflicted with deafness as a result of their spotted markings. Breeding dogs with this coat can lead to a lack of mature melanocytes (melanin producing cells) in the inner ear. Without these, dogs can become hard of hearing. Dogs with larger patches of black are less likely to be deaf. 

10 oct 2020

It was a wonderful sister visit. I was able to show my Holes series to AMP, who is an amazing visual artist, and get some helpful and exciting feedback. So many new experiments to try with layers and different types of paper. We talked a lot about the Amsler Grid. She suggested trying out graph paper or making my own graph paper by copying and enlarging my handmade grid, made on a loom with thread. Also: plastic sheeting — I like plastic sheeting because I have often described feeling like I’m seeing/experiencing the world through a plastic bag or bubble. And: stencils for the circles, which would make the tracing part easier. Oh — and she mentioned using something other than canvas for the backing because pins would not be stable. Wood was one of her suggestions — I could learn to cut my own wood (I know I could do it even with my bad vision, but would I want to?) and drill into it.

A thought: there is something significant about my reliance on found materials for this project. I’m taking the words from old New Yorker articles. I’m using my kids’ old craft materials — markers, pencils, glue sticks, yarn — and various things around the house for circles — a penny, dime, nickel, quarter, candle cap, 2 pill bottle caps (including the cap from my lexapro). My grid is made from old cardboard (a shoebox from my running shoes). I like the idea of making these found materials as part of the form/limits.

Crayons! I just remembered another thing my sister said. Crayons are fun to work with. She said a lot of stuff that I wish I could remember; here’s one thing I did: you can create thick layers with crayons that you can scrap off with a knife or a sharp edge or something. I would love to find a use for the ridiculously big bin of crayons we have in the basement.

A reminder: AMP reminded me that not all of the ideas might work in this series, but I can save them for other projects. A refrain to apply to any new idea/experiment: does it serve the message I am trying to convey? What is that message? More on that in the next post and after my Monday run!

april 2/RUN

4.45 miles
minnehaha falls and back
35 degrees / steady drizzle

The forecast, rain all day, but when I looked out my window it didn’t seem too bad. No ice, above freezing, so I decided to go for a run, which was an excellent decision. I was bundled up and barely felt the rain — well, I guess I felt my soaked socks and cold legs (through my running tights), but I didn’t care. It was wonderful to be outside, mostly alone, only a few other walkers and runners joining me.

Because of the rain, I was wearing an old pair of Saucony’s (3 or more years old?) and didn’t run too fast. That helped me stay relaxed and able to keep going for longer. Maybe I should train some more in these shoes and save my new ones for faster runs, races, and until I’m trained up to run longer?Everything was wet. My favorite wet thing was the slick mirror Godfrey Boulevard made from the rain and new asphalt. Very cool! I saw my running self, trees, and sky and I thought about the upside down world where they all lived.

10 Things

  1. the creek water falling fast over the limestone ledge on the bridge at the top of the falls
  2. the deep puddle I stepped in that I thought was only a reflection of light on the trail
  3. drip drip drip of water off the brim of my cap
  4. taking off my hood, folding the flaps of my hat, and hearing the steady patter of rain
  5. in through the nose 2 3 / out through the mouth 2 — 123/12
  6. a steady, almost invisible rain with the occasional big drop — plain rain or freezing rain?
  7. the lid of the toilet in the porta potty was wedged behind a bar and couldn’t be closed
  8. empty benches / mostly empty parking lots
  9. bright headlights cutting through the trees on the other side of the ravine
  10. running by the Horace Cleveland Overlook parking lot and seeing an animal care truck (another name for animal control?) — is there a wolf or a coyote or a bear in the gorge — it’s always possible; they’ve all been spotted before

worms after the rain

It’s raining now, but sometime later today or tomorrow or the next day, it will stop and the worms will appear on the sidewalk. Here’s a poem I found about those worms:

Advice/ Dan Gerber

You know how, after it rains,
my father told me one August afternoon
when I struggled with something
hurtful my best friend had said,
how worms come out and
crawl all over the sidewalk
and it stays a big mess
a long time after it’s over
if you step on them?

Leave them alone,
he went on to say,
after clearing his throat,
and when the rain stops,
they crawl back into the ground.

march 31/RUN

4.25 miles
river road, north/south
45 degrees

Overdressed. When I checked the temp, it read 45 but feels like 34 so I added a layer, which was a mistake. Lots of dripping sweat and a flushed face. My goal today was to try and take it easy with a steady 10 minute pace. I was mostly steady, but ran faster than that. I need to figure out how to slow down again; my new shoes make me want to run faster than I can sustain for long runs.

I chanted in triple berries to keep steady and to lose track of words and ideas: strawberry/blueberry/raspberry. It worked. I don’t remember what I thought about.

For some of the run, it felt hard to keep going and for some of it, it was easy. I think it’s time to experiment more with ways to distract myself — or to lead my mind in directions other than, this is hard, I can’t keep going, when can I stop?

overheard: I think I heard something at the beginning of the run that I wanted to remember but I lost it when I started chanting in triples. I do remember hearing something at the end: Two women walking, one to the other — it feels so good to have the sun on my face!

10 Things

  1. a speedy runner in white down below, on the winchell trail — beside me, then ahead of me, then gone
  2. soft, shimmering shadows
  3. a LOUD siren coming from behind, then an ambulance speeding by on the river road
  4. empty benches
  5. the view from the sliding bench: uncluttered, the sands gleaming so white that it looked like snow
  6. soft, dry dirt — no more mud
  7. one car then another then another passing by on the river road
  8. dried flowers hanging from the pink sign reading, Someone was taken by ICE here
  9. a slower biker riding on the grass between the river road and seabury
  10. the chain is still strung across the top step of the old stone steps, blocking the way down to the river

holes

Arts and crafts fun. This morning I did a test run of a yarn grid for Holes 1. A 9 x 9 square of cardboard with 1/2 inch slits all around. A long piece of blue yarn1 which I wound through the slits. A poem under the yarn grid: circles/dark holes encasing the words: off center era.

Assessment:

  • I need an exact-o knife for more precise cuts
  • the blue yarn is too thick and makes it impossible to read; try dark thread instead
  • make sure that the thread is long enough before starting to wrap it around the notches
  • follow this order: cut notches, place/attach (glue?) poem to cardboard, make sure the thread is long enough then wind it around
  • question: if I’m using thread, can I use a thinner frame, like cardstock instead of cardboard?

Here’s a picture of my test poem — should I call it, “(i’m in my)”?

a blue grid over found text, a black dot in the center then three dots scattered around it reading "off center era"
(in my) off center era

Okay, I tried it with thread and it works better, I think, but I need to be neater with it. Although, I do like the color of the blue. . . . For the larger Holes series, I need the black thread. In Holes 1, the Amsler Grid is straight, but by Holes 3, the lines will be much more crooked and warped. Black thread is much more effective for this warping.

(in my) off center era

A few more thoughts: It looks like I’ll need to take the circle-encased words and place them over the grid to be legible — the easiest way to do that is with the words as cut-outs, although I could also try weaving the thread under them (but that sounds difficult and beyond my limited skill and ability as “barely not blind.” Also, more thread is needed for back-up. And, should I create a frame around the holes poem that covers the ends? It could be a basic frame, either purchased or made, but I like the idea of creating some texture and/or a collage — maybe the black mesh fabric I bought, or ___? It needs to be something related to the holes poems and the act of reading? I’ll keep thinking about it. Would it work to have the words of the found poem on the frame?

update from yesterday’s post

First, yesterday I mentioned a discussion of three types of freedom that I was having with FWA at the dog park: I was looking for my PhD advisor’s book that discusses it. I can’t find my copy yet, but I found it online:

Second, yesterday I also mentioned that I was picking up 2 books from the library: Sea of Grass: the Conquest, Ruin, and Redemption of the American Prairie and a found poem collection by Annie Dillard, Morning Like This. More on both of these tomorrow.

  1. Finding a long enough strand of yarn took at least 3 tries. I thought I had a long enough strand then it would run out half way through and I would have to unravel what I had already done. Something important to remember for the official grid: make sure the yarn/string/thread is long enough before you begin! ↩︎

march 28/RUN

4 miles
river road, south/wabun/bottom of locks/river road, north
38 degrees / feels like 22
wind: 15 mph / gusts: 32 mph

Another windy run. Cold-ish, too. Wore running tights, shorts, 2 long-sleeved shirts, a pull-over, a hat, a hood, gloves. I didn’t feel overheated until the end. Lots of cars on the road, not that many people on the trail. Are they all going to the No Kings March at the capitol? I (kind of) wanted to go, but big crowds are not the easiest for me and Scott, RJP, and FWA struggle in them too, so I’m skipping it.

According to my watch, I slept for 7 hours and 21 minutes last night. That is a lot for me! And, my sleep score1 was 77. I think it helped me to feel stronger on the run.

10 Things

  1. reaching the top of the wabun hill, I heard the clanging of the bell — is there a bell up here? no — it was a kid banging on something at the playground
  2. wild turkeys — 4 or 5 of them, under the ford bridge! I passed close by them as I ran up the wabun hill. By the time I return back down the hill, they were gone
  3. goose honks near the bottom of the locks and dam no. 1
  4. swirling leaves
  5. the round shadow of the light on the street lamp
  6. more scales on the gray water
  7. chanting in triple berries to keep a steady pace
  8. running on the rim of the bluff, looking down at the winchell trail which was empty and farther down than I usually remember
  9. at the top of the wabun hill, stopping to look through the chain link fence at the river
  10. a boot, stuck on a stalk on the boulevard of matt the cat’s house
serve and a boot / the pink sign near the far house says, “someone was abducted by ICE here.”

The abduction by ICE happened early on, between the murders of Renee Good and Alex Pretti. Two people were pulled from their car and taken; the car was left by the side of the road.

In addition to this boot picture, I also took some pictures of the view through the chainlink fence.

I like this series of pictures. It reminds me a little of how I see. I can see better through my peripheral vision than my central — even when and if I don’t want to. It’s distracting to focus on the edge details sometimes, and it makes what’s in the center look even fuzzier to me. In thinking about my Holes series, does this happen at all when I’m reading? Is there a way to connect this fence with the lines in an Amsler Grid? An idea: what if I drew a giant Amsler Grid over the top of the entire, 4 panel, Holes 1 poem?

  1. What does the sleep score mean? I’m less interested in the specifics of it at this point, and more interested in tracking which direction that number is headed. 77, which is only “OK” according to Apple health info, is the highest number I’ve had in the past almost 2 weeks. A goal by May: a number in the 80s. ↩︎

march 27/RUN

5.5 miles
ford loop
35 degrees / feels like 18
wind: 18 mph / gusts: 29 mph

Brr. I was underdressed this morning in only one long-sleeved shirt, a vest, tights, shorts, stocking cap, gloves. It was the wind that made it feel cold. Running north and east it blew into me. It was especially bad on the ford bridge. Even with the wind, a great run. Sun! Shadows! The feeling of spring!

Some of the run was hard, some of it wasn’t. A little bit of unfinished business, legs that were sometimes sore and heavy. Does it have to do with the iron pill I’m taking? I am not anemic, but on the very low end of ferritin stores — and have been for 4 or more years now — so I’m getting serious with trying to increase my iron. A pill everyday, first thing in the morning with a grapefruit. No coffee or other food for at least an hour. Hopefully my ferritin will increase a lot so I don’t have to get an expensive iron infusion. And hopefully that increased ferritin will make it easier for me to run longer because Scott and I signed up for the marathon in October again!

10 Things

  1. a siren — off in the distance, then closer, closer, then almost right behind me, then stopped — the closer it got, the more distorted the siren became — I wonder who/what needed this emergency truck?
  2. a dirt trail behind a bench and railing at the bottom of the summit hill that led to a delightfully open view of the river and the west bank
  3. running over the lake street bridge, wind on water, a scaled surface, gray
  4. bright blue sky with a few puffy clouds
  5. an almost full parking lot at the monument, only 2 spots open
  6. several groups of walkers with dogs, some emerging from the trails below the bluff, some entering them
  7. the wind on the ford bridge! slow and steady, squaring my shoulders and leaning into it
  8. goose honks under the ford bridge
  9. empty benches
  10. an interesting image of vine on the neighbor’s fence
fence / 27 march

holes

Yesterday I watched the clip with the caterpillar from Disney’s Alice in Wonderland and I started thinking more about language and letters and our relationship with words and meaning through reading.

O u e i o A

The scene begins with Alice peering through the leaves at a caterpillar smoking a pipe and singing the vowels. The vowels — the building blocks of language — is this cellular level of the english language? Taken on their own, apart from words and sentences and paragraphs, the vowels aren’t non-sense, but they offer very little sense. I found an old stencil of the alphabet that I inherited from my mom in a drawer yesterday. Could I stencil in the vowels in a way that didn’t look cheesy or ridiculous? I’m not sure.

A thought while I was running: I’m in the process of editing my poems, which involves erasing holes that contain words that I’m no longer using. What if those erased words, those ghosts, remained as traces, haunting the page? Almost like an after image? I’ve noticed that after staring at these dark holes on the page, they start to move around and appear in places they aren’t. (writing that last sentence, I’m reminded of Alice’s nonsense speech to her cat: nothing would be what it is because everything would be what it isn’t

A deconstructed amsler grid: an Amsler grid has 38 lines, not including the frame. I decided to use pieces of dried spaghetti and scatter 38 of them on top of 4 panel poem. I’m not sure what I will use in the final version. Sticks? Lines at strange angles drawn on the paper, over the holes and text? Here’s a picture of it.

holes 5 / wip

I had no plan for where the lines would go, I just dropped the spaghetti wherever — should there be a plan, or is haphazard better? Maybe I scatter the dried spaghetti haphazardly first, then replicate that with thick black lines on the actual poem? The only rules: 38 lines, all the same length.

Ok, I scattered the spaghetti and drew in the lines. Here’s what it looks like:

holes 5 wip 2

I just realized I only added 32 lines. I need to add 6 more. Are the lines dark enough? Does it make sense that they are a deconstructed amsler, or do I need to add in a more explicit reference to that somewhere on the poem?

march 23/HIKERUN

hike: 60 minutes
minnehaha dog park
37 degrees

Went to the dog park with FWA and Delia this morning. Chilly but sunny and still down in the floodplain. Beautiful. No snow, hardly any mud, lots of felled trees. Halfway in we encountered an awesome dog carrying a stick that was 3 times as wide as his head. His owner said, the governor is about 200 feet ahead. Last summer, I recalled watching a video of Gov. Walz being interviewed at the dog park, so I knew he came here. About 5 minutes later, there he was! Alone and friendly. Hello! Hi! Of course, I couldn’t see well enough to recognize him, but FWA could. I wish I could have seen that it was him. I would have told him thank you.

5 Dog Park Things / 5 Winchell Trail Things

  1. a section of the river, sparkling in the sun
  2. the bark of the giant felled tree that FWA and I have walked around all this year had been stripped recently — a huge section of the trunk was barkless and gleaming white
  3. faint footprints through the small stretches of mud
  4. a motorboat rumbling by, making waves that rushed onto the shore near Delia
  5. a woodpecker knocking on some dead wood, another (or the same one?) laughing
  6. shadows everywhere — trees, the fence, lamp posts
  7. the winchell trail path was covered in dry leaves that made a delightful crunch as I ran over them
  8. a steady stream of cars (at 3:30 pm)
  9. empty benches
  10. no snow, no puddles

2.8 miles
river road / winchell / lena smith
46 degrees

A quick run — in time and distance and speed. I should have slowed it down; it would have been easier. It’s hard to slow down in my new shoes! I was tired and felt the beginnings of a side stitch a mile in — I ate a protein bar too soon.

Today has been an off day — not terrible, there were many good moments in the hike and the run. But I woke earlier than I should have and felt, for lack of better word, weird. Untethered, fuzzy, maybe a little woozy, tired.

holes

As I continue to work on my holes poems, it has emerged that a few things are present in all of five of them: a hole, that hole’s impact on how I read, my blind spot, and the Amsler grid.

Why the Amsler Grid?

  1. it connects these hole poems with my last round of visual vision poems, mood rings, which take the shape of an amsler grid
  2. it ties in with the larger theme of all of my visual vision poems: vision tests — first, the snellen charts, then the amsler grid
  3. it gives a context for my vision loss and grounds it in within a scientific/medical model of seeing/not seeing
  4. it offers another way to visualize my untethering from that model/logic of test/diagnosis

This 4th one is especially interesting to me. I’m imagining fun ways to play with the implosion or destruction or destabilizing of the sharp, stable, rigid lines of a grid. The lines coming loose, or the lines a ladder without rungs — no way out of the hole, the lines collapsing and being sucked into the black hole, the lines forming a new path, a break in the lines — a gap, a dash, a slash, a breaking out of the lines — an opening, an exit, a room a door unlocked. What could that look like as part of my erasure poem? I mean, what, with my very limited skills in visual art, could I make possible?

I think I need to watch Alice in Wonderland again — should I read it, too? The hole in my vision as Alice’s rabbit hole. A passing through to wonderland. One difference: for Alice, Wonderland is the opposite of sense or nonsense.

everything would be what it wasn’t

I’d like to take this idea of non-sense out of the binary, Sense/Nonsense, to imagine non-sense as being more than just not sense. What if non-sense was its own kind of sense, just like Nothing is not nothing but something outside of our logic or language or ability to name it. Or, like I say in Holes 4, “a nothing that is something not sharing its secrets.

a flash: as I was working on the above list, I suddenly thought about the debate over whether or not listening to an audio book was reading. Does reading only happen with eyes? I like to distinguish it this way: reading with my eyes and reading with my ears. After this thought, a further thought: what if I created a holes poem that wasn’t visual, but aural? I could pick one of the New Yorker stories/articles that you can listen to, and figure out a poem from that. How might that work?

I had intended to work on all of this today, but I was busy all day: a birthday week coffee run with RJP, the dog park with FWA, weekly shopping with Scott, a run + cooking and laundry and a nap.

sleep

I decided to use my Apple watch this week to monitor my sleep. I’m averaging 6 1/2 hours a night, which I think is good for me, but only “okay” for my sleep score. Maybe that’s because I’m waking up every 2 hours. I have to get out of bed and stretch or go to the bathroom or walk around for 10 or 20 or more minutes before falling back asleep again. A thought occurred to me: could my low vision be contributing to my sleep problems? I googled it and yes, it might:

Visual impairment can lead to disturbances in the circadian rhythm20 and exacerbate neuropsychiatric conditions such as anxiety and depression, ultimately impairing central nervous system functionality and contributing to the development of insomnia21. Existing research underscores the negative impact of visual impairment on sleep patterns. Studies conducted in Russia found that individuals with visual impairment had more than twice the odds of reporting insomnia symptoms compared to those without, with this association remaining significant even after adjusting for factors such as age and gender21. This finding further confirms the link between visual dysfunction and sleep disturbances. Community research in the U.S. suggested that older adults with visual impairment are more likely to experience various sleep issues, such as difficulty falling asleep, trouble staying asleep, early morning awakenings, and daytime sleepiness22. Additionally, such individuals often report increased disrupted sleep patterns and a higher prevalence of sleep/wake disturbances23.

low vision and insomnia study

But, this study studied different visual impairments than I have. What about cone dystrophy or macular degeneration, which has similar effects? I looked it up and found some articles that link it, but it’s mostly about anxiety over vision loss that cause the sleep disturbances. I know I have some anxiety about the final break, when none of my cone cells work and all of my central vision is gone, but I think the connection between sleeping and not seeing or seeing differently is more complicated for me. I’ll have to ask the ophthalmologist at my appointment next month.

march 22/RUN

3.9 miles
wabun hill
36 degrees

Yesterday it was 76 degrees, today 36. I didn’t mind; everything was dry and clear and I was able to run on all the walking trails in my new blue shoes! Today it’s overcast and both bright — a white sky — and gloomy — everything dull and bare. Did I see any shadows? I don’t think so.

I felt strong, not quite like I could run for several hours without stopping, but at least believing that it is possible. I also felt untethered from the world, everything fuzzy and me, floating above it or outside of it.

10 Things

  1. early on, another running passing me, their feet slap slap slaping the ground
  2. several geese honking below the ford bridge
  3. empty benches
  4. two women stopped on the edge of the trail near the 42nd street parking lot, talking — I couldn’t hear what they were saying
  5. heading up the wabun hill — no one else around, just me and the dirt and the dead leaves
  6. running through wabun: several people playing frisbee golf, two little kids running around the course, giggling
  7. lots of traffic on ford and the river road — cars moving fast, no sunday drivers today!
  8. a man in a bright orange jacket, sitting on the edge, above a ravine, looking out at the river
  9. the bright headlights of a car, giving off a purple glow
  10. a sound across the river road and the grassy boulevard — a gobbling turkey or a yelling kid? Undetermined

holes

I’m working on another holes poem — Holes 5. I’m using an essay about Rian Johnson, “Mystery Man” in the November 17, 2025 issue. My only requirement for an essay is that it contains the word hole, either as the word itself, or as part of/within another word. When I searched in “Mystery Man” for hole I found 4 instances of it including, “my wHOLE perspective,” “wHOLE time,” and “the wHOLE process.” I’m thinking these will be frame of my poem, especially Hole Time and Hole Perspective. What is my perspective (how do I see) with and from within my vision hole?

another part of my method: In addition to requiring a chosen essay has at least instance of “hole,” I read the essay from back to front. I started with the last paragraph, jotting down any words that stood out to me, then I read the second to last paragraph, then the third to last, and so on. It was a strange experience. I kept finding myself wondering, when I read a name I didn’t recognize, if I had missed the introduction/description of the name, then I remembered that I was reading back to front, from an assumption of familiarity to a not-knowingness (or not knowing yet-ness).

Here is a selection of words and phrases I jotted down:

  1. bookshelf
  2. stone
  3. let me
  4. still
  5. strings
  6. filters
  7. window
  8. flash
  9. beauty
  10. gathered
  11. convivial
  12. ends
  13. spectrum
  14. unexplainable
  15. gesture
  16. earthiness
  17. underside
  18. gnarled roots of a tree
  19. feel
  20. loop er
  21. limitations / limit s
  22. making diagrams with straws
  23. an older version
  24. flock
  25. singular
  1. (un) locked room
  2. mind / mind’s eye / eye
  3. tidy solution
  4. make sense of it all
  5. some measure of control over an uncontrollable world
  6. the world has gone mad
  7. center
  8. puzzle
  9. watch ed
  10. the satisfaction of seeing
  11. firelit
  12. delight
  13. smug
  14. cringe
  15. between
  16. it seemed dusty
  17. hypothetical
  18. enters
  19. throuhout
  20. leap
  21. a ghost
  22. nobody
  23. flock
  24. vision
  1. get in the way
  2. framework
  3. scam
  4. everything
  5. (r) ambling
  6. story
  7. distance
  8. slanted
  9. attention
  10. made
  11. backward
  12. moving around
  13. wonder
  14. read
  15. what is this?
  16. slip away
  17. lept
  18. feeling trapped
  19. peculiar
  20. sunshine
  21. looming
  22. house
  23. couldn’t see
  24. covered in string
  25. over

This essay is five pages long, so I’ll have to figure that out — all 5 pages, or 4 to make it fit more evenly? Or even less?

march 19/RUNGETOUTICE

4.3 miles
minnehaha falls and back
44 degrees
10% puddles

Spring! Sun! Sharp shadows! Clear paths with far less puddles! I felt strong and satisifed and at ease in my body. Well, mostly at ease. Because it’s messy out by the gorge, I wore an old pair of shoes — the ones that don’t quite work. Sometimes my gait felt awkward, my feet not hitting the ground in the right spot or in the right way.

Marveled at the river’s surface as I ran above it. So beautiful with its frozen surface. In the past, I’ve described the surface as vast or barren or eerie, surreal or otherworldly, but today other words came to mind: still, frozen, fixed, unmoving, deadened, paused, suspended. Yes! I think these words better describe its strange beauty for me. Looking at it is like looking at a film still. Looking at it feels like everything is paused, suspended in time.

10 Things

  1. gushing falls — I could hear their loud descent and see their white foam
  2. looking down at the oak savanna, tall, slender, bare branches mixed with their shadows to make a mess of lines on the snow — how much of it was actual trees, how much shadow? I couldn’t tell
  3. water dripping fast and strong over the limestone edges in the ravine at 42nd street
  4. empty benches
  5. a guy walking with a small dog and looking at his phone
  6. someone biking near the falls playing some mellow music out of speakers
  7. taking off my sweatshirt, running with bare arms, seeing a walker with bare arms too
  8. sirens in the distance, a loud, sustained whistle
  9. the walking trails are still covered in snow
  10. the gutter that was gushing water yesterday now only has trickles

Off and on throughout the run, I recited Alice Oswald’s “The Story of Falling,” sometimes reciting it in my head, sometimes out loud.

Holes

I’ve mapped some more of Holes 4 and . . . it’s a lot. Will this just look like an ugly, jumbled mess? Yesterday, talking through this with Scott, he said something like, do what serves the poem and the meaning you are trying to convey (or the effect you are trying to achieve). In terms of meaning, the words of the first section of the poem are about what I see instead of a gaping hole: shimmering, fizzy, ephemeral or elusive (hard to see, fleeting) things: snow flake marble dust, seltzer fizz, a nothing that is something not sharing its secrets. Perhaps these ephemeral things have come loose from what bound them to “normal” sight and its monitoring through tests like the amsler grid; it’s where you dwell when normal sight is not longer possible. So maybe the unraveling occurs prior to this hole? Yes, the unraveling (and vision of amsler grid as broken strings happens in 2 and 3, Does that mean that Holes 4 is all disconnected free-floating words/phrases? If so, how to make it possible for others to read it? I could place the poem near the center, around the gaping hole. I could also number the pages/sections and mark each word with a page number? Yes, I like this!

And hours later, I’m thinking more of using a distorted Amsler Grid at the center of Holes 4, and the black hole that the grid is collapsing into is the shape of blind spot.

Another mini project: can I learn how to draw decent-enough eyeballs — pupil and iris only?

Get Out ICE

This flyer about the next No Kings march came up on Facebook from Minnesota’s Lt. Gov Peggy Flanagan (and hopefully our next senator?!):

“In Minnesota, we’ve seen the federal government at its worst — and showed the world how to fight back.

Now, I’m honored that the flagship No Kings protest will be held here in the Twin Cities. Together, we’ll show Donald Trump that we don’t do kings.”

NO KINGS TWIN CITIES VOL. 3. Joan Baex Jane Fonda Maggie Rogers. March 28, 12 pm. March then rally at the State Capital.
NO KINGS TWIN CITIES VOL. 3. Joan Baex Jane Fonda Maggie Rogers. March 28, 12 pm. March then rally at the State Capital.

march 16/RUNGETOUTICE

2.3
river road, south / lena smith boulevard, north
15 degrees / feels like 0
50% snow-covered

Many of the sidewalks were completely bare and dry, almost all of the trail was covered in slick snow. In some stretches, the trail was covered with chunks of snow from the snow plows that had just passed by. Running south, with the sun and the wind at my back, and on the short strips of bare pavement, it felt good. Then I ran through a puddle. I didn’t notice that my foot was soaked for several minutes, but when I did I decided I should head home; it was cold enough that I was (mildly) concerned for my wet toes. Good call, past Sara! When I got home, one of my toes was burning.

10 Things

  1. bright BLUE sky
  2. the sounds of shoveling and scraping and snow-blowing all around
  3. at the end of each block, I encountered an almost knee-high wall of snow where the plow had come through
  4. the surface of the river looked eerie and strange, pale and spotted with chunks of ice
  5. no kids’ voices from the school playground: for preK – 5th graders, school was closed, for 6th – 12th graders e-learning — that would suck! give the big kids a snow day too, I say!
  6. the rumble of two plows approaching, first a small one, then BIG one — I moved to the far side to avoid the spray of snow
  7. I encountered a few other runners but no skiers or bikers
  8. head north, I ran into a wall of wind — ugh! howling and biting
  9. I bet it was pretty and looked very winter wonderland-y — I couldn’t tell you because I was too busy trying not to slip!
  10. if it hadn’t been for the terrible wind, my wet toes, and the slick and uneven path, it would have been a great run — even with the bad conditions, I had some wonderful moments outside

mind-body connection

On last week’s episode of the podcast Nobody Asked Us, Kara Goucher talked about how she started taking a low dose of some (unnamed) anti-anxiety medication and it’s helping with her dystonia (“a movement disorder that causes the muscles to contract. This can cause twisting motions or other movements that happen repeatedly and that aren’t under the person’s control” — Mayo Clinic). She has discussed many times on the podcast how dystonia has made it very difficult for her to run, especially on pavement.

mind body connection — watch until 15:58

This mind-body connection is fascinating to me. Does her anti-anxiety med just make her more relaxed, or does it do something more to the brain — and maybe the neural mapping of her movements?

HOLES 4

Today I’m mapping my words on a copy of the “Still Life” article. I”m trying something different. In Holes 1, 2, and 3, I taped the paper together first and then found the words and drew the holes over and around the words. Today, with such a long article, I’m finding the words and drawing holes around them first, before I tape the pieces together. Will that make a difference? Not sure, but I might switch around the order of the pages to shape how the holes look together.

I drew and colored in holes on 3 out of the 8 pages, and tried adding some color to a few. I’m wondering if some of the holes should messier, with less defined borders or jagged, rough. I have limited ability in drawing; can I push myself some more? Here’s an image of one of the pages:

a page of holes 4 / “Still Life”

march 14/RUNGETOUTICE

3.7 miles
locks and dam no. 1
35 degrees

One last run on clear paths before it snows tonight. The forecast predicts more than a foot of snow tonight. It will probably melt fast, which will be as much as more of a nightmare than the actual snow. Walls of snow, then mush, then jagged ice, then little lakes and puddles. Oh well, I bet it will be pretty and I might get to see someone skiing down the street!

Today’s run was good. My left knee was a bit stiff and grumbly, but otherwise I felt good. In the last mile I started to feel relaxed, with my legs and arms and the space around me in sync. I was moving through the air, hardly noticing when my feet touched down — the space between beats! I love when I run like this!

10 Things

  1. honk honk honk honking geese all around the gorge, 1: down the hill, under the ford bridge, a lone geese floating in the middle of the river
  2. geese, 2: I heard their honks first, behind me, then beside me, then in front of me — finally saw them: 2 geese flying low
  3. overheard: one runner to another: it didn’t even taste like salmon!
  4. the bells of st. thomas
  5. someone in an bright orange jacket down below, on the stretch of the winchell trail that I call the edge of the world
  6. the river surface below the ford bridge was dotted with bright white slabs of ice — a strange sight; I wish I would have brought my phone today to take a picture!
  7. an empty parking lot at the locks and dam
  8. empty benches
  9. traces of snow in the grass
  10. a laughing pileated woodpecker

HOLES

Flipping through my past New Yorkers, I found an article from the 9 june 2025 issue that looks promising. It’s called “Still Life” in the print issue and “Greenwood Cemetery’s Living Dead” in the online version. The only test for whether I can use it or not: it must have at least one use of the word hole, or of a word that contains hole. This is a long article, so I’d hope there’s at least one hole, but is there? Yes, 4!

  1. Medina extended a tape measure into the hole and said, “Six-ten.” 
  2. Usmanov and I stared down into the gaping hole, its walls marbled with grass roots.
  3.  went to Green-Wood almost every day for weeks this spring, and the most unnerving thing I saw was an enormous hunched figure, wearing a cloak, with a gaping hole for a face.  
  4. Scientists were only starting to piece together that contaminated water, not flawed character, caused cholera; that smallpox probably originated in rodents; 

I’m surprised that an article about a cemetery only has 4 mentions of holes. Isn’t a cemetery more than half holes?!

some notes as I read through the article:

One, I am reading it backwards, section by section.
Two, one rule in the cemetery: no skylarking. I looked it up, skylarking is frolicking and playing jokes on others. It’s also the name of one of my favorite XTC albums.
Three, reading the text, which I’ve put in a pages document, I’m noticing a few things about the text: the text surrounding the word or phrase that I can see sometimes looks like it is scribbled out. Sometimes it looks like it has sparkles around it that are moving — not quite flashing. The text always seems to be vibrating. How can I translate that into a texture on my blind spot
Four, as I read through the sections, I jotted down words or phrases that stood out to me:

entrance
flaming torch
welcoming
appears
mirror
ink
you’re never alone
you’re never disconnected
love
full of little secrets
inhabit
center
recreate
experience
remaining time
offer
everyone
gently
between
seeing
moment
you look at space, you look at background, you look at sky
hope
visit
already
thinking
I don’t know why
there was room
about to open up
turn and follow her gaze
staring
hands
waste
bigger picture
across
threshold
neglect and care
art
cone
cell

heart
needed
landscape
fizz
snow flake marble dust
seltzer
balance
fills up
keeps the grass
space
enough
out of the water
upkeep
grounds
public spaces
essentail
failed
possible
efficiency
requires
can
stand on a sidewalk
people who never look up
out of room
true
mapping
crevice
easy
circular
elipses
inside
walls
outside
dark
happen
here
nothing
pale-blue
cluttered
wasn’t a place
searched

certainunmarked
is now used
other-siders
skylarking
exhume
make
when you see
in place of a road
the word
down through the plywood
a plank
settling
glacial till
earth
inches from
a layer of turf
dirt
unstratified jumble of sands, cobbles, and clays
caves in on itself
all-weather
like a bird
bench
what do you want
stone slabs
a door
uncut grave
terrain
geologically
life
this is a place to inter the dead
no good place to put all the boies
walked around
faces believing
piece together
rotting
disease
inspired
crowded

By the way, as I write, the snow has started. We officially have a blizzard warning that begins around 10 pm and lasts until Monday morning.

One of the reasons I picked this article is because I wanted more land language, like grass and dirt and dust and terrain and stone slabs and sands, cobblestones, clays, caves and glacial till. I want to connect the hole in my vision with the gorge — as a landscape, and a very big hole. I think of it as a powerful metaphor for my vision loss and what comes during and after. Of course, the gorge is also the actual place I go to for my writing practice.

The word plank stood out to me because of ED’s “I felt a funeral in my Brain” — and then a plank in reason broke/and I dropped down and down — I think of ED also with the stone slabs and the dark.

And, I like crevice and opened up, inside, outside, this is a place to inter the dead, room — a gaping hole, a threshold between,

I also like fizz and snow flake marble dust, which is what the words (and what I) sometimes feel like — fly, like a bird, sky — the words, cluttered, crowded and between walls

my eyes: a graveyard for dead cone cells

you look at space
you look at sky
you look at words
and don’t see the gaping hole
and its graveyard for dead cone cells
you see
snow flake marble dust
seltzer fizz
a nothing
that is something

I’d like to keep going, but it’s time to get ready for Scott’s birthday dinner!

march 12/RUNGETOUTICE

4.45 miles
the monument and back
35 degrees

Ran over the lake street bridge and to the monument today. When was the last time I ran this route? Just checked, it was 5 nov 2025. Wow! Of course, part of the reason why I haven’t run over there is because of the winter; they don’t plow the sidewalk on the bridge, and St. Paul, where the monument is, doesn’t plow their trails as well as Minneapolis. But another reason is definitely ICE; I’ve been staying closer to home with my runs because it feels safer.

Today’s run was good; I felt (mostly) strong, although my legs/feet are sore from wearing the shoes that make them hurt. It was windy and cold on the bridge, but it was beautiful. Steel gray water, open and high enough to hide the sandbars. Scattered stretches of the east and west banks were glowing with white snow. The sun was dulled by a thin layer of clouds.

10 Things

  1. drip drip drip drip — the steady drip of water falling off the bridge near the east steps
  2. graffiti — pink and orange and black block letters under the bridge
  3. I only encountered 1 or 2 people over the bridge, both walking
  4. the bells of st. thomas chiming at noon! 15 minutes later, at 12:15
  5. running above shadow falls I glimpsed a dark flash of something — a tree? no, a person
  6. with several more glances I realized the person was not hiking but running
  7. they were nearing the worn dirt trail that climbs up and out of the ravine
  8. St. Paul has replaced the port-a-potty at the edge of the monument parking lot — there is much less graffiti on this new one, and the door closes all the way — hooray!
  9. near the edge of an overlook on the east bank, staring out at the other bluff and down at the water — a hiker emerges
  10. a plaque on the bench for, “what a woman” Sharon. She was born 2 weeks after my dad was in 1941 and died in 2002 — so young!

Holes

Currently, I have 3 Holes erasure poems. Holes 1 is about my uneasy fellowship with the word. Holes 2 is about how the hole (my blind spot) makes it unprofitable to have faith in the visible. And Holes 3 is about falling through the hole into “who knows where”, on the border between the real and surreal. I need to do at least one more hole about the small holdout-of-a-hole in the very center of my vision that enables me to still read (even if that reading is slow and sometimes unreliable).

Tomorrow, RJP and I go shopping for textiles and textures at the Stashery, so today I’m working on mapping out Holes 3. I’m using “Me, Myself, and I: Helen Oyeyemi’s Novel of Cognitive Dissonance” from The New Yorker, August 25, 2025. Here is the version I just drafted:

swap the dead-eyed liturgy of
doomed vision
with shadowed acts
that leap for the light (OR flee from the light?)

read sentences
sliced in half
with strangeness
each one glitch ing
enough to let in
the improbable

fall through the hole
your reading eyes find / or your reading finds / or your eyes find
and land in a logic
of blur and almost

Is this too many words to easily/cleanly map out? Let’s find out! And if not, let’s shift the form to make it work! — several minutes pass — Okay, I mapped it, and it seems like too many words. I think I’ll save my “darling” — the line that started it all about swapping the dead-eyed liturgy for another project — a liturgy of shadowed acts and the periphery! Anyway, I’ll try to keep the rest of the poem, and figure out the rest of holes is a project tomorrow morning.

Get Out ICE and Ice

The other day I wondered when the ice would be gone from Lake Nokomis. This morning, Minneapolis Parks and Recreation Board offered a prediction!

Minneapolis Parks Water Quality staff have tracked “ice off” dates on city lakes for decades. Ice off is declared when a lake is substantially free of ice after being fully frozen.

We’re probably not setting any records like 2018 or 2024, which dominate the record books. Staff estimate we could see ice off on small lakes like Powderhorn and Loring as soon as this weekend. It will probably be a few more weeks for larger lakes.

MPRB post

Will the HUGE winter storm we’re expecting on Saturday night and all day Sunday impact the ice off date? BTW, I’m pretty sure that they used to refer to this as the ice out date; I think they’ve changed it because of the very negative association with ICE. I checked past entries on my log, and yes, that was what it was called. Negative association aside, I like ice out better than ice off.

march 11/RUNGETOUTICE

4.25 miles
minnehaha falls and back
35 degrees

Snow. A dusting last night, then a little more in the morning. An inch? Enough to make everything white. I was happy to be done with winter, but I don’t mind the snow. Since past snow has already melted and the ground has already warmed up, the snow didn’t stick around. By the time I went out for my run in the afternoon, almost everything was clear. The run didn’t feel easy, but I pushed through several difficult moments and kept going. Hooray for mental victories!

I listened to the dripping and gushing and the wheel whooshing as I ran south, 2 playlists — “Bunnies and Rabbits” and “the Wheelin’ Life” — as I ran back north.

10 Things

  1. sh sh sh — the shifting grit under my feet
  2. the wet pavement was shining and sparkling in the sun — so bright sometimes that I thought it was slick ice
  3. entering minnehaha park, the parking lot was empty
  4. exiting the park 10 or more minutes later, there was one car at the far end of the parking lot
  5. the creek was rushing
  6. the sidewalk on the bridge just above the falls was wet and clear — last week someone had chalked a long message on it, which I couldn’t read because of my bad vision
  7. on the walk just before I started, I noticed a small black bird skittering along the grass — it had a small circle of white feathers below its eye
  8. a runner in a bright red jacket stopped at the Rachel Dow Memorial Bench, a minute later they ran down a hill on the winchell trail
  9. only 1 or 2 small patches of ice, a few puddles
  10. I almost didn’t remember this one! — three people on the bridge over the falls, looking over the creek side. One, to the others, pointing down at the creek: look, there’s 75 cents! One of the others, joked (I hope): better go down there and get it!

Rabbit Recap

Slowly but surely, I’m getting to the end of my rabbit recap, but not today! See past rabbit recaps here: 9 march, 6 march, 5 march, and 4 march.

14 — 25 march 2026

Here’s a useful explanation of some reasons why I do monthly challenges about new topics, like rabbits (or wind or dirt, etc.):

And what’s the point of all of this? Following the rabbit down the rabbit hole is a wonderful distraction. It is also an excellent opportunity to learn. And to learn more about rabbits, which leads to caring about them as living things and as symbols. This caring might (is) enabling me to open up a closed part of myself (closed = strong dislike of rabbits). And it is helping me to think more broadly and specifically about the impacts of humans and human encroachment on environments and the consequences of that encroachment for humans and non-humans. Plus, all (or any) of it could inspire new poems.

A quick summary of some rabbits references and reveries: the killer bunny in Monty Python; Bunny Lebowski; Rabbit in Red matchbook from Halloween; Jimmy Stewart’s invisible bunny in Harvey; Max and Ruby; the PBS doc The Pill; Rabbit in Winnie-the-Pooh; the Cadbury Creme Egg Bunny; The Runaway Bunny; fix me hausenpffefer right away!

Rabbits in Diane Seuss:

excerpt from backyard song / Diane Seuss — I LOVE this whole poem. I’d like to use it as inspiration for a hole poem and a bunny poem!

Uncorked, I had a thought: I
want the want
I dreamed of wanting once, a
quarter cup of sneak-peek
at what prowls in the back, at
what sings in the
wet rag space behind the garage, back
where the rabbits nest

excerpt from Her first poem had a rabbit / Diane Seuss — I want to bring in the optical illusion of the bunny and duck + the idea of what seems mild but is really wild

She tended
toward rabbits back then.
Toward the theoretically mild

that are really
wild. Like ducks on a pond
that is really a moon

full of menacing weeds.

What form should my rabbit poems take? an inspiration — Seven American Centuries

New Yorker Experiment: A hole through the bottom of the known world

Today I worked on the template for my hole poem that erases the “Whisker Wars.” It has some of my blind spot, some big circles (from a iron pill cap), some medium sized-circles (lexipro cap), small (a quarter), and extra small (a penny). I want to create texture for the blind spots but leave the circles alone as pencil/gray.

a hole through the bottom of the known world

My choice of blind spots vs. circles, and the size of the circles, was mostly decided by what would fit where, but there might be some room to play around with some of it. I’ll think about it some more.

The words: nothing still / details drift like snow / cut off heads with pewter-colored faces float / a hole through the bottom of the known world / here it’s unprofitable to have faith in the visible — should it be what is visible?

added an hour later: I realized a further clarification on the idea of the hole and holes. The blind spot creates a hole in my vision, an absence that has created an uneasy fellowship with the world and made it unprofitable to have faith in the visible. But, there is also the small hole that remains in the otherwise dark blind spot that enables me to still read — it’s a small hole, and it’s getting smaller, but it’s still there. I’m noticing that my whisker wars poem offers many different sizes of holes depending on how many words I’m trying to fit in it. I need to have a poem that highlights that tiny hole holdout — ooo, holdout is a word in the whiskey wars article. Should I do a completely different poem using the same text?

Get out ICE

Each morning a local journalist, Sean Snow, offers updates on what’s happening in Minnesota, both what ICE and those in state and federal government that support ICE are doing, and how people and their communities are fighting back. I read them on Facebook, but he also posts them on Threads, Instagram, Tiktok, and YouTube. Today one of his examples

sitting at the dining room table, drinking my coffee while I write this, I just heard a long goose fly by — honk honk —

was about “a real act of public memory” n St. Paul:

Testimony Builds The Record: Minnesota residents, advocates, and families testified Tuesday in St. Paul before the chair of the U.S. Commission on Civil Rights about what they experienced during Operation Metro Surge. Star Tribune reported that people described racial discrimination, abusive detention conditions, treatment of protesters, and the deaths of two citizens, all in hopes of pushing the commission toward a formal investigation. This was not a final ruling or a courtroom win. But it was a real act of public memory and accountability on a day when it would have been easy for the country to start looking away.

Sean Snow on Facebook / 11 march 2026

march 3/RUNGETOUTICE

5.2 miles
bottom of franklin hill
44 degrees

Another SPRING day! It felt so warm that halfway through the run, I took off my pull-over and ran with bare arms. No gloves, nothing covering my ears. Even with less layers I was warm. The walking path was clear enough that I was able to run past the Welcoming Oaks and the tunnel of trees. There were a few puddles and chunks and sheets of ice and for one stretch near the lowest point, snow covered almost the entire path. A few times my foot slipped a little but never enough to make me worry I’d fall.

I felt good and my legs felt strong. I was able to run up 3/4 of the franklin hill before I stopped for a walk break. The only part of me that hurt was one of my toes on my right foot. I was wearing different shoes than I normally do — a Saucony Ride instead of a Brooks Ghost — and something about this version of the has never worked for me. I’ve had these shoes for more than a year — 2 years? — and they always cause something to hurt, like my toe or my calf.

10 Spring Things

  1. open river! down in the flats, when I could get very close to it, I watched the small spots of foam as they slowly floated downstream
  2. sh sh sh — the sound of my feet running over the grit on the edge of the trail
  3. good morning! hello friends! — greeting the Welcoming Oaks
  4. the loud and steady sound of water rushing down over the ledges in the ravine
  5. a woman running in shorts and a jog bra
  6. mud, on the edge of the path — once, as I turned a corner, I stepped in it and almost twisted something
  7. whoosh! car wheels speeding through a puddle, water flying up
  8. along with the mud, bare dirt, some grass
  9. last week, running under the franklin bridge when it was even wetter than today, I noticed a black jacket on the ground, soaked. Today that same jacket was hanging from a branch, dry
  10. like yesterday, where there was ice on the path, there were also dead leaves — suddenly realized: someone from Minneapolis Parks had most likely spread the leaves as a natural way to make the path less slippery (as opposed to ice-melt and all of its chemicals)

Rabbits in Art

1 — Rabbit by Jeff Koons

I’m fairly certain that I’ve seen and/or heard of Koons’s Rabbit, but I only thought of it for this “rabbits in art” exploration when it came up in my google search.

DETAILS

Jeff Koons (b. 1955)
Rabbit
stainless steel
41 x 19 x 12 in. (104.1 x 48.3 x 30.5 cm.)
Executed in 1986.D

You can find the image, both close-up and to scale, on Christies auction house site. I’m choosing not to post the image in this entry because of copyright concerns. Even though my use of the image should easily fall under fair use.1

In 2019, this controversial sculpture sold for $91 million. Christies’ page for this auction item has a lot of good information about the sculpture — it’s history, significance, probably all of the citations to articles about it that you might ever need.

Here’s the opening paragraph of Christies’ essay about it:

Since its creation in 1986, Jeff Koons’s Rabbit has become one of the most iconic works of 20th-century art. Standing at just over three feet tall, this shiny steel sculpture is at once inviting and imposing. Rabbit melds a Minimalist sheen with a naïve sense of play. It is crisp and cool in its appearance, yet taps into the visual language of childhood, of all that is pure and innocent. Its lack of facial features renders it wholly inscrutable, but the forms themselves evoke fun and frivolity, an effect heightened by the crimps and dimples that have been translated into the stainless steel from which it has been made. Few works of art of its generation can have the same instant recognizability: it has been on the cover of numerous books, exhibition catalogues and magazines; a monumental blow-up version even featured in the 2007 Macy’s Thanksgiving Day Parade. For an artist such as Koons, who is so focused on widening the sphere in which art operates and communicates, Rabbit is the ultimate case in point.

Christies

Childhood — all that is pure and innocent. Fun and frivolity.

And here’s what Jeff Koons says about it, cited in Kurt Varnadoe’s essay for Art Forum, 1986: Jeff Koons’s Rabbit:

This snarky little thumper has other stories to tell too. Koons said, “To me the Rabbit has many meanings. It is a symbol of the playboy, of fantasy and also of resurrection.” (The joining of those last two terms alone can provide food for long thought, or skepticism.) “But to me, the Rabbit is also a symbol of the orator making proclamations, like a politician. A masturbator, with a carrot to the mouth.” 

1986: Jeff Koons’s Rabbit

2 — Rabbit as Symbol

Drawing from “Going down the rabbit hole” and “Rabbit as Symbol: The Significance of Rabbits in Dreams, Literature, and Art,” here are some things that rabbits represent:

  • mortality (They are born, live and die within a short time, in line with the seasons)
  • fertility / abundance / sensuality (their rapid breeding rate)
  • innocence and vulnerability (a prey animal)
  • the Diaspora (introduced to the UK from Spain by the Romans)
  • a reliable source of food (The ability to keep rabbits would mean a fairly consistent source of meat for a struggling family)
  • treasured pet2
  • magic/mysticism/wonder/curiosity
  • gentle
  • agile
  • playful

3 — Medieval Killer Rabbits

I mentioned Monty Pythons killer rabbit last week. It comes up again in this article about drawings of bad bunnies in medieval art.

Rabbits can often be found innocently frolicking in the decorated borders or illuminations of medieval manuscripts, but sometimes, for reasons unknown, these adorable fluffy creatures turn into stone-cold killers. These darkly humorous images of medieval killer bunnies still strike a chord with modern viewers, always proving a hit on social media and popularised by Monty Python and the Holy Grail’s Beast of Caerbannog, ‘the most foul, cruel, and bad-tempered rodent you ever set eyes on!’.

Medieval Killer Rabbits

I like this explanation for why bunnies were depicted as killers:

In real life, rabbits and hares are docile prey animals. But in decorated initials and marginalia, medieval artists often depicted ‘the world turned upside down’, where roles are reversed and the impossible becomes the norm. So here, rabbits are violent hunters hellbent on punishing anyone who has committed crimes against rabbit-kind.

Medieval Killer Rabbits
the Beast of Caerbannog

Last week when I mentioned Monty Python, I didn’t know they were referencing a trend in medieval art/manuscripts of rabbits behaving badly, I thought they made it up as a joke!

I think it might be time to synthesize/summarize some of this bunny information. But, that’s a project for this afternoon! Now it’s time for day two of my New Yorker Found Poem experiment!

  1. “Fair use allows limited, unlicensed use of copyrighted images for purposes like criticism, commentary, news reporting, teaching, scholarship, or research. It is a legal defense based on four factors: purpose (e.g., non-profit, educational), nature of the work, amount used, and effect on the market” (source). I have been unfairly fined before, for using an image on an academic blog (over $700 in 2012).   ↩︎
  2. “It is rare for a domesticated animal to be both considered food and a treasured pet” (source). ↩︎

New Yorker Found Poem Experiment #2

10:30 am — Before starting to work with an article, I decided to sort through RJP’s old markers and find ones that still work. At some point during the process, I realized that this looking through old markers was making me dizzy; something about it was too much for my brain and my cone-starved eyes. I stopped sorting. I should have taken a break, instead I did something else. A few minutes later, I felt woozy and needed to sit down. My hands were shaking and my legs felt tingly. My pulse was fine, but my blood pressure was elevated — 158. I think I was having a mild panic attack, triggered by the dizziness from my bad vision. Boo. It seems as if my anxiety is back. I had a nice stretch of a year+ without it. It also seems like I will need to be more careful with how I use my eyes. Too much trying to closely see something might trigger another one of these. Am I right in my assessment?

I am noticing that my vision has deteriorated more. It’s even harder to recognize the faces of actors on tv, harder to see my kids’ faces when they talk to me. Am I getting closer to the complete end of central vision?

Because of this incident, I did not start my second experiment this moring. Should I now, at 2:10 pm, or will it trigger more dizziness and anxiety?

Yes, I did it. I need to make sure I test out/find the right tools and be more deliberate in what I’m doing. I’m very messy — which is mainly because of my vision, but not completely. I’ve always been an almost and a that’s good-enough girl.

These poems are from a July 2025 article, Money Talks:

1 — Let me ask you a question

I like the idea of this, with all of the questions marks, but it is really sloppy and it doesn’t highlight the text that I’m using, “Let me ask you a question.” I would try this one again, but if I plan it more carefully and work on my question marks!

2 and 3

2: In the middle of a story, you are either in or you are out
3 — About nothing: it is a junk drawer for everything nobody ever heard of

Again, messy and poorly executed. I like that I used less words than the last one. I need to figure out a way to draw that I can do with my unreliable vision. It’s hard to see enough to color within the box or to draw straight lines, even with a ruler!

I like the idea of nothing as a junk drawer. It might make even more sense if I found a much, and could make nothing into nothing much.

I am listening to HCR’s politics chat for today and she said, as she often does, OOPSIE POOPSIE. I love when she says that!

march 2/RUNGETOUTICE

4.35 miles
minnehaha falls and back
39 degrees

Spring-y! Sun, above freezing, and a clear walking path! I was able to take the trail that dips below the road between the double bridge and locks and dam no. 1! Also: birds and grass and no gloves. A good run. I feel more power in my legs and able to run for longer without stopping. I heard kids on the playground, the call of a bird that sounded mechanical — similar to the strange, high-pitched siren I heard earlier today, and the doppler effect on the light rail bells as I ran south to the falls. I heard Panic at the Disco, Radiohead, Gene Autry, and The Jazz Crusaders on the way back home.

Speaking of hearing, as I write this at my desk, I can hear a woodpercker outside my window pecking on a tree in our front yard that I think is dead or dying. Every peck is saying, right right right right (you’re) right. Ugh! Is it time to call a tree service?

At some point during the run I thought about I wasn’t thinking about much of anything. Then I thought, the purpose of today’s run is not to work out a writing problem, or encounter some inspiration, but to move and breathe, feel the sun on my face, and be by the river.

10 Things

  1. a thin skin of ice on the river
  2. larger areas of the creek open with dark water, some snow stretching out from the banks
  3. an occupied bench! someone is sitting on the bench at the 44th street parking lot
  4. overheard: some guy talking to his two friends about something being only 2 loops — when I passed them a few minutes later, I noticed they had on shorts and running shoes on
  5. that same truck that seemed to be hiding under the bridge last week was back again today — why?
  6. a few parts of the trail that still had any ice or snow were also covered with dead leaves
  7. enough snow had melted so that I could cross the road and walk on a wide strip of grass instead of mud and snow
  8. vision mistake: up ahead of me, it looked like a truck was parked on the path, blocking the way. I crossed over to the parking lot then immediately realized the curve in the trail made it look like the truck was blocking it, but it wasn’t. Oops
  9. more people near the falls, more cars parked in the parking lot
  10. stopped at Rachel Dow Memorial bench to admire the view through the slender tree trunks and to take a few pictures.
bare branches, some thick, some thin, against a gray sky with hints of blue
sitting beneath the bench looking up at the trees / 2 march 2026

more rabbits bunnies

It started on 20 feb, this occupation with bunnies.1 When will it end? Not today! Here are some more bunny things I’d like to archive:

1 — buuuuunnies

In footnote 1, I mention that bunny is fun to say. That might be partly because when I say it, I think of how Tom Haverford says it on Parks and Recreation2:

2 — Boynton Bunnies

At first he was skeptical, but I’ve managed to get Scott thinking about and noticing bunnies and bunny-related things everywhere! This morning he sent me an image someone posted on social media:

text: MARCH rabbit rabbit rabbit rabbit combined with cartoon rabbits, looking cute (and not remotely real)
you say rabbits, and I say bunnies / you say comics, and I say funnies

Actually, I don’t say funnies — who says funnies? — but it worked for the reference to “Let’s Call the Whole Thing Off.” Is Sandra Boynton still popular in 2026? I remember her greeting cards in the 80s and her kids books in the aughts. What was the one with the cd/songs that FWA and RJP loved? did they love it? I can’t remember; I think they at least liked it, or was that just me who did? I think the book/album was Philadelphia Chickens.

In addition to sending me random bunny images he finds, Scott was willing to watch the Disney Alice in Wonderland, which was awesomely weird, and sadly could never be made now, I think. Some of the nonsense in it, which was fabulous, reads not as kooky kid imagination but as being under the influence of psychedelics. There was also this menacing edge to the characters Alice encounters: they seemed fun or dangerous at any given moment. Two examples: the flowers in the garden — that head Rose! — and Tweedle-dee and Tweedle-dum — doing fun acrobatics but also stopping Alice from leaving.

3 — the Bronze Bunny

Their official name is “Cottontail on the Trail” because they are a bronze statue of a cottontail and they are right on the minnehaha bike trail, but I always call them the bronze bunny. Other people call them the Minnehaha Bunny.

The sculpture has garnered the nickname of the “Minnehaha Bunny” from residents.[4] Children often climb on the sculpture and people who live nearby have frequently costumed and decorated it based on seasonal occasions or topical events such as leaving eggs by the sculpture during Easter or cladding the mouth of the sculpture with a large cloth face mask during the COVID-19 pandemic.

Wikipedia entry

I’ve written about this bunny on here before. They’re 4.5 or so miles from my house so I only see them on bike rides and long runs when I am training for the marathon. Passing the bunny on a run is a big deal; it means that I’m fit enough to run for 10 miles or more.

This bunny was erected in 2002, but it seems like it’s been here much longer.

  1. I’ve tried to say rabbits, but I just like bunnies better. I think it’s partly because of how it sounds as I say it. ↩︎
  2. Finding and creating this clip took WAY longer than it should have. I kept at it because I was determined to get the clip, not because Tom saying “buuunnies” was worth it (I think I spelled buuuunnies with one n in my title, ugh), but because I wanted to figure this out. Before losing most of my cone cells it was so much easier to do stuff like this. ↩︎

Get Out Ice

Here’s an example of an existing group using their established community to provide mutual aid and support to people during the ICE occuption: How a Dungeons & Dragons meetup turned into mutual aid during ICE operations. Members have organized “know your rights” workshops, accompanied immigrants to appointments, coordinated food donations, and made barbecue for families in need.

This quotation fits with the erasure poem I’ve been working on this morning:

“In a story, you can be the underdog who defeats the big, bad, evil entity,” said D&D player Kat Hennan. “I think that having that kind of thought exercise and storytelling right now is extremely important.”

New Yorker Found Poetry Experiment, Day 1:

Picked a random old New Yorker. Found an interesting article, “The End of the Essay: What comes after A.I has destroyed college writing? / Hua Hsu. Put my watch timer on for 30 minutes.

Poem:

question: Has there ever been a time in human history when the arts could not offer hope and help us to be open to more possibilities?
answer: Never

A good first try. It’s funny that I want to do these visual poems when I struggle so much to see the words or how to make the boxes and lines that I need, but something in me keeps persisting, so I’ll keep trying. Hopefully it will get easier.

It’s messy — and with my vision, it will always be. and I added an extra to that’s just floating out there, disconnected. It’s too busy with too many lines. But it was fun and challenging and I like the poem I came up with a response to an article about AI ruining college writing.

When I showed it to Fletcher, he liked it and said there were ways to refine it. I agree, but not to this poem. I wrote on the original essay and I don’t have another copy. The question: next time should I scan the essay before drawing on it, or is the risky (you only get one shot) approach part of the challenge and the fun?

note: I also need to learn how to take better pictures of my work!

feb 28/RUNGETOUTICE

3.95 miles
wabun hill loop*
20 degrees

*wabun loop = river road, south/ go down locks and dam road / go up the steep hill that leads to wabun / through the park and back down to the river road / river road, north

future Sara might want to remember this, present Sara hopes it’s more like Venezuela, less like starting WW3: Trump, without approval from Congress, and Israel bombed the hell out of Iran last night or early this morning.

Colder today, but hardly any wind or sun. Last night the temperature dropped so quickly that there was a very wide ring around the moon. Showed it to Scott and he said it was a moon dog. I don’t recall ever seeing one of these before. Yesterday meteorologists were predicting snow today/tonight, but the forecast has shifted again. No snow, just cold.

My legs felt awkward for the first 5 minutes of the run, but then I warmed up and they felt better. By the third mile, they felt strong and efficient. It feels like I have more energy and power in my legs. Are the iron pills I’m taking to raise my ferritin working, or is it just a placebo effect?

When I got to the lock and dam no. 1, I decided — just seconds before I did it — to turn and run up the steep hill that leads to Wabun Park. It was mostly covered in ice, but also dead leaves, so it didn’t seem too slippery. As I neared the top, I walked for a stretch. At the top, I stopped to admire the view through the chainlink fence of the river and the island and the St. Paul side, then I walked until the ice had stopped. In the park, there were several small ice rinks where melted water had refroze.

10 Things

  1. someone was on the frisbee golf course at Wabun park — I couldn’t quite see, but I’m assuming they were playing
  2. at the top of the bluff, a big stretch of the paved path was covered in a thick sheet of ice
  3. also at the top of the bluff, on the other side neared to the park, there was a small clearing with a decomposing trunk and thick logs — do people come here to sit at night and watch the lights on the bridge?
  4. the hill leading up to wabun was mostly thin layers of ice mixed with thick, jagged layers of ice, butat least part of the trail was coated with dry leaves
  5. although there were walls of snow or thick chunks of ice at some of the entrances and exits, the walking paths were mostly clear
  6. empty benches, empty parking lots
  7. running, looking down at the winchell trail and seeing a person walking — they looked so far down, I felt so high up
  8. stopping to walk on the double bridge, hearing the loud shuffling of a runner’s feet approaching from behind
  9. do I remember any color, or was it all just pale gray and white today?
  10. the low rumble of a LOUD truck driving too fast on the river road

Like yesterday, I don’t remember what I listened to when I wasn’t listening to headphones and my “Bunnies and Rabbits” playlist. Traffic? The shuffling of my own feet? No birds or bells or fragments of conversation from other runners or walkers. A memorable song on my playlist: The Young Rabbits / the Jazz Crusaders

Rabbit Eyes: how they se, what they see

Rabbits have 3 eyelids, 3 tear glands, one tear duct. They rarely blink — only 12 times an hour — and can sleep with their eyes open which helps keep them safer. How? It

allows their light receptors to remain active. If a predator nears, their brain receives signals faster, enabling a quicker response than if their eyes were closed.

Rabbit Eye: a Complete Guide

To see without actively seeing. Two immediate thoughts: 1. I’m fascinated by passive seeing and how it works in the human brain (especially mine) and 2. how exhausting to sleep with your eyes open! I’d like to learn more about how this works.

How to tell when a rabbit is sleeping? Their nose stops twitching.

Here’s something I have in common with rabbits: they can’t see red and have a lot less cone cells than a normally sighted human. I can see red, but not that often. Also, they rely more on rod cells (and they have more of them than humans) and see better (best?) in low light. Peripheral vision!

rabbit eyes were built to excel in low light situations. Rabbits are usually the most active in the hours around dawn and dusk, when it’s not too bright out but also not pure darkness. This is a time of day when rabbits have the advantage over both predators that are nocturnal and see best in the dark, and predators that are diurnal and see best when there is bright light. 

7 fun facts about rabbit eyes / the bunny lady

Crepuscular!

360 degree view: “the rabbit visual system is designed–not for foraging and locomotion–but to quickly and effectively detect approaching predators from almost any direction. The eyes are placed high and to the sides of the skull, allowing the rabbit to see nearly 360 degrees, as well as far above her head” (What Do Rabbits See?)

Rabbits have a blind spot in front of their face.1 Like me! I wonder how the sizes of our blind spots compare? “The central blind spot in the rabbit’s field of view precludes a three-dimensional view of nearby objects. When your bunny cocks her head and seems to be looking at you “sideways,” she is actually looking as straight at you as is possible for a bunny” (What Do Rabbits See?). Sideways! Periphery! Me too. To really see something straight on, like where eyes are on a face, I need to look off to the side, at a shoulder. Sometimes when I watch tv, I look off to the edge of the screen to see what’s happening in the center.

And this!: “The image formed by the area centralis is relatively “grainy” compared to the one formed by your (normally sighted human with all cone cells intact) fovea, but it serves the rabbit well. Using this image, your voice, body movements and scent as cues, your rabbit can recognize you (his favorite human)–as long as you’re not carrying a scary box that completely changes your familiar shape!” (What Do Rabbits See?). Yes! Sometimes, like when I’m in a store and have separated from whoever I’m with, I use a combination of voice, body movement, overall silhouette, known distinctive features — like glasses or haircut or unusual dress — to identify them. My sense of smell is not good enough to identify by scent, though.

lack of depth perception and parallax motion: “rabbits have evolved in creative ways to overcome this limitation, enhancing their ability to spot predators and make a quick escape. Rabbits employ a method known as “parallaxing”, moving their heads back and forth to gauge the distance and size of distant objects” (Rabbit Eye: A Complete Guide). Sometimes I have trouble with depth perception. Could I use parallaxing to help me navigate better? I googled, “Can visually impaired humans use parallax motion to detect depth.” Yes! I should practice this parallaxing when I’m out running above the gorge! I found this answer on a Reddit thread that was started with this question, if we need both eyes in order to see depth (depth perception), why is it also possible to see said depth when you close one eye? What a useful thread about how our brains fill in gaps and determine depth based on patterns and a library of known depths. And even better than this thread, here’s an article about a scientific study that was designed to explore and answer the question, “Can people with different forms of low vision use motion parallax to improve depth judgments?” The answer? Yes! And many people with low vision use it without realizing. And it should be introduced to people with low vision as a tool early on in their vision loss. And not enough research has been done on it. This study is from 1997. Has more research been done since then? Has it been adapted by low vision educators?

Here’s something I found from Duke Health in 2013. It’s specifically about low vision as having vision only in one eye, but it’s still helpful:

Adults who lose vision in one eye also have more collisions when walking, especially on the side where they lost the vision. That’s where sessions with an orientation and mobility specialist can help.

“The emphasis is on helping people to judge distances by using monocular clues, such as something called motion parallax. If you’ve ever seen a cat moving its head or eyes side to side before it jumps, that’s motion parallax,” Dr. Whitaker said.

Duke Health

Returning to the parallaxing quote: “This behavior is less common in familiar environments (such as their home), as rabbits memorize their surroundings. However, introducing a rabbit to a new home or a new furniture layout often prompts this scanning technique during initial explorations.” Yes! I’ve memorized my surroundings, which has made it easier to navigate both my physical environment and my new reality of living with a lot less vision — inside my familiar world, I am far less aware of a loss. New environments can be scary, unsettling, upsetting. I need to be brave2 and build up skills and explore new environments.

This last sentence, and footnote 2 below, highlights something that I am doing with my poetry/attention/moving practice. Not only am I working on my craft (writing poetry) and increasing my capacity for care and attention and my commitment to where I live and the many creatures I live with, I’m also acquiring tools and learning how to see in new ways. For example, today I’m studying rabbits in a wide range of ways because it’s fascinating and delightful and because how they see shares some similarities with how I see. Like the bat (and echolocation), rabbits offer strategies for seeing with less (or without) central vision.3

hinged skulls/big feet: “When they do smell, see or hear a predator, rabbits have to be able to make quick escapes. To help with this bunnies have very large back feet, and hinged skulls to absorb shock. Their cranial hingeallows rabbits to run at speeds above which the impact of their feet would rattle their brain around” (Rabbits have hinged skulls).

family:  Leporidae / order: lagomorpha / backyard rabbits: eastern cottontail, sylvilagus floridanus

Looking through the wikipedia entry for eastern cottontails, I found this about habitat:

The eastern cottontail is a territorial species that relies on speed and agility to evade predators. When chased, it typically escapes in a zigzag pattern and can reach speeds of up to 18 mph (29 km/h). Cottontails favor habitats where they can feed in the open but quickly retreat to cover when threatened. Preferred environments include forest edges, swamps, brushy thickets, hedgerows, and open fields with nearby shelter. Instead of digging burrows, eastern cottontails rest in a form—a shallow, scratched-out depression in grass or beneath dense vegetation. . . .

The rabbit eye in A Young Hare

There was a moment in the year 1502, so the story goes, that the eye of a dead rabbit reflected the real window of Albrecht Dürer, who, with his watercolors and genius and passion for detail, painted that eye with the window in it. It then became art, and, then, art again: the painted eye with the painted window in Diane Seuss’s “Young Hare” that connects the artist to the poem’s speaker. “Why does the window feel so intimate in the hare’s unreadable eye?” the speaker asks, and the answer is that the window in the eye represents a straddling between worlds, between then and now, between artist and viewer, between life and art.

Diane Seuss

I’ve tried looking at the painting online and my eyes cannot offer enough detail to see the hare’s eye and the window in it. I have read Diane Seuss’ poem about it, The Young Hare, and believe I don’t need to see the eye myself to understand its significance or its beauty.

The Young Hare / Diane Seuss

Oh my love, Albrecht Dürer, your hare

is not a spectacle, it is not an exploding hare,

it is not a projection of the young hare

within you, the gentleness in you, or a disassembled hare,

nor a subliminal or concealed hare,

nor is it the imagination as hare

nor the soul as a long-eared, soft-eared hare,

Dürer, you painted this hare,

some say you killed a field hare

and brought it into your studio, or bagged a live hare

and caged it so you could look hard at a wild hare

without it running off into thorn bushes as hares

will do, and you sketched the hare

and laid down a watercolor wash over the hare

and then meticulously painted-in all the browns of hare,

toast brown, tawny, dim, pipe-tobacco brown of hare,

olive, fawn, topaz, bone brown until the hare

became dimensional under your hand, the thick hare

fur, the mottled shag, the nobility of the nose, the hare

toenails, black and sharp and curved, and the dense hare

ears, pod-shaped, articulated, substantial, erect, hare

whiskers and eyebrows, their wiry grace, the ruff of hare

neck fur, the multi-directional fur over the thick hare

haunches, and did I say the dark inside the hare

ears, how I want to follow the darkness of the hare

and stroke the dark within its ears, to feel the hare

ears with my fingers, and the white tuft, the hare

anomaly you painted on its side, and the fleshy hare

cheeks, how I want to squeeze them, and the hare

reticence, how I want to explore it, and the downturned hare

eye, it will not acknowledge or appease, the black-brown hare

eye in which you painted the reflection of a window in the hare

pupil, maybe your studio window, in the hare’s

eye, why does that window feel so intimate in the hare’s

unreadable eye, why do I press my face to the window to see the hare

as you see it, raising your chin to look and then back to the hare

on the page, the thin hair of your brush and your own hair

waving gold down your back, hair I see as you see the hare.

In the hare’s eye you see me there, my swaying black hair.

Oh, I love this poem and how it allows me to reflect on what it means to study/explore/be inspired by something and someone.4 And what wonderful work she does with her linking of hare with the hair of the paint brush, the hair of the artist, the hair of the person viewing the painting/writing and reading? the poem!5

  1. They also have a blind spot in the center of the back of their head, preventing full 360 degree vision. ↩︎
  2. I don’t usually like the use of the word brave to describe how I’m navigating new ways of seeing — as in, someone responding to hearing that I’ve lost vision with, you’re so brave! As if just continuing to exist with such a diagnosis, which they really imagine as a death sentence, is being brave. But seeking out unfamiliar situations that frighten/unsettle me in order to get better at navigating because I want a fuller life is me being brave. ↩︎
  3. Additionally, the language used to describe how low light animals see/navigate can be helpful in understanding and communicating to others the strange ways I see. Maybe I can borrow that language as I try to describe how I see? ↩︎
  4. Taking this discussion back to its origins a week ago, I’m returning to the muse. I don’t see the rabbit as my muse, but as both a gate — an opening — and a teacher. ↩︎
  5. Reading this poem is making me want to read Seuss’ “Two Dead Peacocks” collection again, and more closely, as part of my ekphrastic project. I just ordered it from Moon Palace Books! ↩︎

Get Out Ice

As a reminder of some of the ways Minnesotans have resisted ICE this winter, Racket offered this list:

Fifty-thousand people thronging the streets of downtown Minneapolis in subzero temperatures to protest ICE’s presence in the Twin Cities. Thousands more pedaling their bikes through south Minneapolis, many in “peaceful observer, don’t shoot” vests, to honor a cyclist killed by state violence. Massive papier-mâché puppets presiding over rallies and memorials as brass bands play songs of liberation, and luminaries on frozen lakes spelling out messages like “ABOLISH ICE” and “ICE OUT 4 GOOD.” 

Anti-ICE Ice Fishing, Subzero Marches, and Art Sled Activism: A Winter of Protest in the Twin Cities

The rest of the article describe the bike ride, sponsored by Angry Catfish, in honor/memory of Alex Pretti.

feb 26/RUNGETOUTICE

4.3 miles
minnehaha falls and back
35 degrees

A much better run today than yesterday. One difference: I had a big snack — yogurt, blue, pumpkin seed granola — before I went out. It was sunny and above freezing. Less layers! 1 pair of tights, shorts, 1 shirt, 1 pull-over, gloves, baseball cap. Listened to the snow melting, wheels whooshing, kids playing, a playground whistle blowing, grit scratching the asphalt as I ran sound, my “Bunnies and Rabbits” playlist on the way back. Listened to Jenny Lewis’ “Rabbit Fur Coat” again and want to look up rabbit fur coats — how do they compare to mink or fox in terms of status? who wears rabbit?

10 Things

  1. looked up — cerulean blue sky, no clouds, no birds, no planes
  2. drip drip drip drip — water falling down the gutter
  3. the strong smell of weed — like a skunk — in the 44th street parking lot, or was it the locks and dam no. 1 lot?
  4. the annual puddles have returned on certain neighbor’s sidewalks
  5. a thin sheet of ice on the river
  6. a few more cars in the falls parking lot, a few more people at the overlook
  7. an older man standing near my favorite spot, reading the old — how old? 1940s or 50s? — plaque about the falls, his partner just ahead, patiently waiting
  8. the cobblestones were clear! no ice, no snow, only 1 or 2 puddles
  9. running south, nearing the double bridge, my eyes fixed on a something shining BRIGHT — sun reflecting off of an object — the top of a trashcan?
  10. standing behind the Rachel Dow Memorial bench, stretching and looking down at the river, out and over to the other side, watching a car travel the east river road

updated in the evening, rabbit-related: I’m watching Heather Cox Richardson’s Politics Chat for today (she is amazing), and she said in her discussion of Hillary Clinton’s closed testimony on the Epstein files today, she was an interesting Secretary of State, I think, but that’s a rabbit hole I won’t go down. This isn’t the first time HCR has used that expression when discussion a topic she doesn’t have time for, it’s often a rabbit hole she won’t go down. Another update, a few minutes later: she referenced a rabbit hole again!

rabbit fur coat

My “research” didn’t yield that much, but enough to guess that the coat symbolizes Lewis’ mom’s obsession with attaining status, obtaining wealth.

Commercial fur trade of rabbit took off in the 20s. Less expensive than other animal furs, easily dyed and plucked to resemble other fur. A more accessible status symbol.

crepuscular

A few days ago, I used the word crepuscular (“Rabbits are crepuscular grazers” — 24 feb 2026) and suggested it would make a good title for a poem. This morning I’m exploring how other poets have used the word in their poems.

crepuscule: twilight (rare: noun)

crepuscular: of or relating/resembling1 twilight;
of an animal active in twilight (adjuective)

1 — from The Possessed / John Berryman

There was a time crepuscular was mild, 
The hour for tea, acquaintances, and fall 
Away of all day’s difficulties, all 
Discouragement. Weep, you are not a child. 

The equine hour rears, no further friend, 
Intolerant, foam-lathered, pregnant with 
Mysterious grave watchers in their wrath
Let into tired Troy. You are near the end. 

Midsummer Common loses its last gold, 
And grey is there. The sun slants down behind 
A certain cinema, and the world is blind
But more dangerous. It is growing cold. 

Light all the lights, heap wood upon the fire
To banish shadow. Draw the curtains tight. 
But sightless eyes will lean through and wide night 
Darken this room of yours. As you desire. 

2 — from Le crépuscule du soir / Charles Baudelaire / trans. Roy Campbell

But insalubrious demons of the airs,
Like business people, wake to their affairs
And, flying, knock, like bats, on walls and shutters.
Now Prostitution lights up in the gutters
Across the glimmering jets the wind torments.
Like a huge ant-hive it unseals its vents.
On every side it weaves its hidden tracks
Like enemies preparing night-attacks.

3 — from Crepuscle with Muriel / Marilyn Hacker

the void of an hour seeps out, infects
the slit of a cut I haven’t the wit to fix
with a surgeon’s needle threaded with fine-gauge silk
as a key would thread the cylinder of a lock.
But no key threads the cylinder of a lock.
Late afternoon light, transitory, licks
the place of the absent cup with its rough tongue, flicks
itself out beneath the wheel’s revolving spoke.
Taut thought’s gone, with a blink of attention, slack,
a vision of “death and distance in the mix”
(she lost her words and how did she get them back
when the corridor of a day was a lurching deck?
The dream-life logic encodes in nervous tics
she translated to a syntax which connects
intense and unfashionable politics
with morning coffee, Hudson sunsets, sex;
then the short-circuit of the final stroke,
the end toward which all lines looped out, then broke).

4 — twilight school / early 20th-century Italy / Britannica entry

crepuscolarismo, (Italian: “twilight school”), a group of early 20th-century Italian poets whose work was characterized by disillusion, nostalgia, a taste for simple things, and a direct, unadorned style. Like Futurism, a contemporaneous movement, crepuscolarismo reflected the influence of European Decadence and was a reaction to the florid ornamental rhetoric of the Italian author Gabriele D’Annunzio. It differed from the militant Futurist movement in its passivity, but both movements expressed the same spirit of desolation, and many crepuscolari later became futuristi.

crepuscular animals / wikipedia

Ten examples of crepuscular animals, active at dawn and dusk, include raccoons, deer, rabbits, skunks, bobcats, foxes, bats, house cats, coyotes, and moose, with many mammals, insects, and some birds fitting this activity pattern to avoid extreme heat and predators. 

Bats! I’ve been gathering poetic lines about bats for several years now! Not because I like bats (although, after all my thinking about them, I’m starting to!), but because the poetic language used to describe them is helpful in my own thinking about how I navigate the world in my less defined light.

  1. I’m interested in this idea of resembling, particularly in relation to light and my perception of it as I lose more cone cells. Does crepuscular describe me? Am I perpetually in the light of dawn and dusk? I’m also interested in it in terms of time, where twilight = that small/brief in-between time before day/light turns to night/darkness, the stage just before a final loss (in my case, all of my central vision) ↩︎

Get Out ICE

I’ve continued to tag my entries with “Get out ICE” because ICE is still here in Minnesota and is still awful. But that is about it; it’s time to return to posting examples of ice out. Here’s one small “ICE OUT” example that I heard about as I listened to a running podcast. As she was recounting her 100k 8-hour trail race, Molly Seidel wore “ICE OUT” on her vest. She said it was important for her to make this statement:

I haven’t been super vocal on social media just because I don’t feel like that’s where I can put my voice to best use sometimes. But I think being able to make a statement on what I wear through what I do and wear that for 62 miles mattered a lot to me.

Molly Seidel / Ali on the Run podcast

I can’t remember if I mentioned it here or just on Facebook, but I have posted about Olympic athletes speaking out against ICE, most notably Jessie Diggins. Local professional sports teams, like the Timberwolves and the Frost are too.

Somewhat related, but also very different, cycling communities in the twin cities have been very vocal in their opposition to ICE. A week after Alex Pretti was murdered, thousands of cyclists did a ride in honor of him. And Recovery Bike Shop on Central in NE Minneapolis has been very active, both in resistance and in caring for immigrant communities. Just today they posted a flyer about training people for bike patrols and wrote this:

This is a game changer for our communities. Patrollers on bikes can cover A LOT more ground and reach active incidents much faster.

And bikes are not trackable like cars.

We’re still walking Central Ave TONIGHT (and every Thursday) at 5:30.

And the Holland Neighborhood Association will be at Recovery Bike Shop at 7:00pm with Council Member Elliott Payne. Find out ways to engage in the community. This is where change happens.

facebook

feb 25/RUNGETOUTICE

2 miles
river road, north/lena smith, south
22 degrees

Sunny, cold, shadowed. Most distinctive shadow: the ball-like one, made by the light of the street light. It was nice weather for a run. Not too cold, or too warm, clear trails. Unfortunately, I struggled. Sore legs, unfinished business, and some fatigue. And now I’ll struggle not to worry about what caused the bad run — this worrying about my health is the way my anxiety is expressed. No fun.

Even with my not-so-great run, can I remember 10 things I liked (or loved)?

10 Things

  1. the feel of my feet sliding on the grit as I ran up the lake street hill
  2. the bright orange graffiti under the lake street bridge
  3. the surface of the river, covered in a thin skin of ice, a pale gray
  4. the bright blue and empty sky
  5. the deep footprints on the snow-covered walking path, descending just below the road
  6. feeling strong and relaxed as I ran up the hill from under the bridge
  7. the sheen of the thin glaze of ice on the shaded sidewalk
  8. some puddles on the sidewalk where snow from a yard had melted
  9. looking through a net of bare, slender trunks
  10. chirping birds, all around

For the first part of my run, I listened to the traffic and my feet striking the gritty ground. For the second part of the run and the walk, I put in my new “Bunnies and Rabbits” playlist — see below. I heard these songs today:

  1. Rabbot Ho / Thundercat
  2. Baile InoLVIDABLE / Bad Bunny
  3. Rabbit Fur Coat / Jenny Lewis
  4. Abracadabra / Steve Miller Band
  5. I’m Drivin’ My Life Away / Eddie Rabbit

I’d liked the speed/fast beat of the Bad Bunny song, the storytelling in “Rabbit Fur Coat,” the 80s kid nostalgia of Abracadabra, and the little North Carolina Sara nostalgia of Eddie Rabbit (from June 1980, when I was 6). Jenny Lewis’ story about her poor (both, no money and tragic figure) mom made me think of Diane Seuss and her use of a rabbit motif — see below and this diane seuss and rabbits.

Rabbits, Rabbits, Everywhere — written earlier today

As is usually the case when I give attention to something I haven’t given much attention to before, that something is suddenly everywhere, or not everywhere, but the instances of it seem to grow exponentially (you might say, they breed like rabbits). The rabbit/bunny/hare floodgate has been opened! This morning, I’m finding so many rabbit references!

And what’s the point of all of this? Following the rabbit down the rabbit hole is a wonderful distraction. It is also an excellent opportunity to learn. And to learn more about rabbits, which leads to caring about them as living things and as symbols. This caring might (is) enabling me to open up a closed part of myself (closed = strong dislike of rabbits). And it is helping me to think more broadly and specifically about the impacts of humans and human encroachment on environments and the consequences of that encroachment for humans and non-humans. Plus, all (or any) of it could inspire new poems.

Here are a few rabbit-related things:

1

The killer rabbit in Monty Python and the Holy Grail. I should rewatch this movie because I remember the rabbit in the cave (or is it a bunny) at the end, but not that clearly. Is the joke that rabbits/bunnies are soft and cute and frail and couldn’t possibly be vicious killers?

2

Bunny Lebowski in The Big Lebowski. It’s been long enough since I’ve seen this film that I all I can remember is that she is the young wife of the Big Lebowski, who is kidnapped and is a catalyst for much of the action. Is that right? I could look it up, but I’d rather use this lack of remembering as a reason to watch the movie again.

3

Rabbit in Red matchbox from Halloween. Near the beginning of the movie, the nurse who has accompanied Dr. Loomis to pick up Michael Myers from the mental hospital and bring him to his parole hearing lights a cigarette using a match from this matchbook just before Micheal Myers attacks them and escapes in their car. Later that same matchbook appears in the grass near the dead body of a mechanic. A clue! Michael Myers must have been here! And now he’s going home to finish what he started!

4

Harvey, a Jimmy Stewart movie from 1950 in which Stewart befriends a 6 foot tall invisible rabbit. I have never seen it, but when I was younger, after having watched Rear Window, I developed a bit of a crush on Jimmy Stewart. Maybe that’s why I thought of this? I looked to see if it was streaming anywhere or available from the library. Nope.

5

Max and Ruby, Ruby and Max. A cartoon with baby brother/big sister bunnies. My kids watched this when they were young, thanks to hand-me-down dvds from my sister whose kids watched it when they were young. When and where did it air? What I remember most about this show was that the adults were almost non-existent and Ruby was the suffering big sister who rarely got to have any fun because she had to mother clueless Max. The gendering in this one — wow!

6

The documentary from PBS, The Pill. When I taught a class about debated issues within feminism, we usually started with a section on Reproductive Justice. Instead of focusing on abortion, we looked more broadly at women’s reproductive health and their access to care and control over their own bodies. I often screened this documentary and I recall a section with rabbits in a lab that also included the story of how they experimented on women in Puerto Rico. I can’t easily stream this again, so I’m relying on my memory and the transcript. The section is called, “A Cage of Ovulating Females.” Here’s the mention of the rabbits:

Margaret Marsh, Historian: Gregory Pincus wasn’t a physician, he was a scientist. And so he could give the pill to as many rabbits as he wanted to. Rabbits everywhere could take this pill. But he couldn’t give the pill to women. He wasn’t a doctor. He couldn’t run a clinical trial on human beings.

The Pill

And here’s one bit about Puerto Rico:

Getting the pill to market would require approval from the Food & Drug Administration, and that would entail a large-scale human trial. In exasperation, Katharine McCormick, asked, “Where can we find a cage of ovulating females?”

Puerto Rico had a network of birth control clinics and no Comstock laws. Pincus called it “the perfect laboratory.”

The Pill

The experiments on Puerto Rican women were considered a success, but some of the women suffered terrible side effects: headaches, nausea, dizziness, vomiting.

7

Rabbit from Winnie-the-Pooh — Winnie-the-Pooh’s neighbor who sometimes wishes he wasn’t — there’s a real Dennis the Menace vibe happening here, with Pooh as Dennis, Rabbit as the menaced neighbor. Yesterday I read about how Lewis Carrol intended the White Rabbit to be a sharp contrast to Alice:

For her ‘youth’, ‘audacity’, ‘vigour’, and ‘swift directness of purpose’, read ‘elderly’, ‘timid’, ‘feeble’, and ‘nervously shilly-shallying’, and you will get something of what I meant him to be. I think the White Rabbit should wear spectacles. I’m sure his voice should quaver, and his knees quiver and his whole air suggest a total inability to say ‘Boo’ to a goose!”

The White Rabbit in Fandom

I see a similar contrast between Pooh (as Alice) and the Rabbit (as White Rabbit):

8

Cadbury Creme Egg Bunny. Growing up, I LOVED these eggs. Unlike now, in the 80s and 90s you could only get them around Easter. More than any other, these eggs are my favorite childhood candy. Do they hold up? Not really. I remember the commercial with the bunny that sounds like a chicken:

the 1983 commercial with copy read by the Smuckers guy!

9

9

Diane Seuss and rabbits. Yesterday I remembered a line from a favorite Diane Seuss poem, I Look Up at my Book and out at the World Through Reading Glasses:

The load of pinecones at the top,
a brown smudge which could be anything: a wreath
of moths, a rabbit strung up
like a flag.

She’s referencing some famous still life painting with the rabbit, I think — this is in her collection all about still life paintings, Still LIfe with Two Dead Peacocks and a Girl. I looked up “Diane Seuss and rabbits” and found two other poems by her with rabbits in them!1

excerpt from backyard song / Diane Seuss

Uncorked, I had a thought: I
want the want
I dreamed of wanting once, a
quarter cup of sneak-peek
at what prowls in the back, at
what sings in the
wet rag space behind the garage, back
where the rabbits nest

Her first poem had a rabbit/ Diane Seuss

in it. Life
story at age fourteen sifted
through a rabbit.

It had a tattoo on a hand
in it. And cherries, the kind
that come in a can.

She tended
toward rabbits back then.
Toward the theoretically mild

that are really
wild. Like ducks on a pond
that is really a moon

full of menacing weeds.
The duck gets ready for noon,
she wrote. Yes,

nonsense, I guess.
She embroidered a poem
on a foam

pillow with a felt pen.
Pinned an actual
cherry on it back then

life story sifted through a rabbit — drawing upon this poem and a few others, AI suggests that Seuss frequently uses the motif of rabbit to explore themes of wildness, vulnerability, and the grotesque. In the summary, it (AI) misnames the poem “Basket,” which is the name of the journal, not this poem.

theoretically mild, really wild

Ducks on a pond, right next to the rabbit? That has to be reference to the optical illusion — do you see a duck or a rabbit? — right?

11

The Runaway Bunny — This was one of my favorite books as a kid. At first, I wondered why I thought that, then I found the book and opened it and saw why:

book inscription: To little Sara on Easter 1978 -- from Mommy and Daddy
my copy from 1978

added, 28 feb 2026: I was never a big Velveteen Rabbit fan, but there is another bunny book I loved as a kid, Pat the Bunny.

11

Looney Tunes: I want hasenpfeffer! I am almost certain that when I watched this cartoon as a kid, this was the first time I had heard of hasenpfeffer or imagined that rabbit was something you could eat. I still never have, but whenever I hear the word hasenpfeffer I think of this cartoon.

Hasenpfeffer

From a comment: “The King wants Hasenpfeffer which is traditional Dutch and German stew made from marinated rabbit or hare, cut into stewing-meat sized pieces and braised with onions and a marinade made from wine and vinegar.”

What to do with all of this rabbit-holing? I want to orbit around all, or at least many, of these ideas. Bring them into poems. Write a series of small poems about rabbits and bunnies and hares. As I was writing this last line, another bunny zapped into my head — The Runaway Bunny! I’ll add it above. What form should these rabbit poems take? Could this be an inspiration — Seven American Centuries? Whatever the form, I like the idea of returning repeatedly to century bunny/rabbit themes, and telling a story across the poems, not in one poem.

  1. Yesterday I realized I could easily do footnotes and I’m here for it! Googling “Diane Seuss and rabbits” the AI explanation seemed useful and it was, but also a bit suspect. When I clicked on the links offered at the end of the AI summary and read the source, it often wasn’t saying what AI claims it saying. AI takes some liberties, I think. ↩︎

a Rabbit/Bunny/Hare playlist

When Scott reminded me of Thundercat’s song “Rabbot Ho,” I knew I needed to make a playlist for this recent preoccupation!

  1. Rabbot Ho / Thundercat
  2. Baile InoLVIDABLE / Bad Bunny
  3. Rabbit Fur Coat / Jenny Lewis
  4. Abracadabra / Steve Miller Band
  5. I’m Drivin’ My Life Away / Eddie Rabbit
  6. The Young Rabbits / The Jazz Crusaders
  7. Let’s Pretend We’re Bunny Rabbits / Magnetic Fields
  8. Rabbit Heart (Raise It Up) / Florence + the Machine
  9. Rabbit Fighter / T. Rex
  10. Jack Rabbit / Elton John
  11. Here Comes Peter Cottontail / Gene Autry
  12. White Rabbit / Jefferson Airplane
  13. White Rabbit / George Benson
  14. Rabbit Will Run / Iron & Wine
  15. Breathe (in the Air) / Pink Floyd
  16. Pink Rabbits / The National
  17. Mycomatosis / Radiohead
  18. Alice / Peggy
  19. Mad as Rabbits / Panic at the Disco
  20. Bunny is a Rider / Caroline Polachek

feb 24/RUNGETOUTICE

4.3 miles
minnehaha falls
35 degrees
25% puddles

Sitting at my desk in the morning, I heard some noise — rustling, I think? — just outside the window. Freezing rain or snow — graupels. Then it started snowing, not too hard, but enough to cover everything. No! I wanted to run today. Luckily, it warmed up and by the time I was ready to run, everything had melted.

10 Things

  1. a police car parked parallel to the road in the first falls parking lot
  2. aside from the police car, the lots were empty
  3. a lime scooter leaning against a bench
  4. one guy standing at the bridge overlooking the falls, with an orange hat or an orange something else (I couldn’t see)
  5. voices below on the other side of the wall, down in the falls
  6. no one else in the park
  7. big puddles everywhere — my one foot was soaked only 5 minutes into the run
  8. kids yelling and laughing on the playground
  9. the river was covered with ice and snow with one sliver of open water
  10. a walker approaching me, walking 3 tiny dogs — this made me smile

The run was mostly great. At times, my legs felt heavy (or, at least, heavier than they usually do) and I stopped to talk a few extra times. Were they sore or my lack of ferritin or some other ailment? The second half felt easier.

bunnies — nudge? muse? pest? ghost?

note: I started writing this section yesterday and have spent over four hours this morning wandering through the spaces it created . There’s a lot of movement in it — traveling from thought to thought to thought, here to here to here. Future Sara, and anyone else reading this, you might get lost.

So far I’ve written two bunny poems without really trying to. I’m starting to believe they want me to write about them. This very idea suddenly appeared in my third poem. I started writing about the moment when I first noticed the bunnies in the backyard at night and realized they had probably always been there. Then I wrote in my Plague Notebook 27: I didn’t choose to notice them as much as they decided to be noticed. And I thought: muse! Could this poem be about bunnies in the backyard and about bunnies as the thing that has decided it’s time for me to write, and write about them? For years now, I’ve disliked bunnies, and never imagined writing about them. But now here I am, writing about them, and I fear that I might learn to like bunnies.

All of this has me wondering, what is a/my muse? I’m familiar with the term, but have never seriously studied it, either as a concept or through examples of it in the popular imagination. Do I want to now? Is it necessary for my poem? Maybe instead of devoting a month to it — although that could be fun! — I’ll give it a day or two?

Muse/ Linda Pastan

No angel speaks to me.
And though the wind
plucks the dry leaves
as if they were so many notes
of music, I can hear no words.

Still, I listen. I search
the feathery shapes of clouds
hoping to find the curve of a wing,
and sometimes, when the static
of the world clears just for a moment

a small voice commes through,
chastening. Music
is its own language, it says.
Along the indifferent corridors
of space, angels could be hiding.

If the bunnies are my muse, I didn’t seek them out. I looked out the window one winter night and saw them on the lawn, not knowing what they were. Did they seek me out, or are they indifferent to me? Did they reveal themselves, or did I just happen to notice them one day? I think I do less trying to find a muse, more trying to create the conditions where it could be possible. I noticed the bunnies because I was doing a month-long practice I called the purple hour. It involved using the time when I woke up in the middle of the night, unable to sleep, to notice purple and write about it. One night, I was studying the different purples in the backyard and there they were, the bunnies. And maybe it’s more than creating the conditions where it’s possible; it’s also about being open to what could be a muse, letting it in.

Muse — to be occupied by, possessed, taken over, haunted, held captive, in the thrall of?

This idea of captivity reminded me of the poem, Captivity/ Siddhartha Menon which I posted on this log on 15 may of this year. In an essay, Menon wrote this about the final line of the poem:

“You are paralyzed.” It suggests the fatal indecision of a rabbit caught in a hunter’s flashlight, and snaps the poem shut” (Siddhartha Menon on Epigraphs).

My rabbit/bunny is back! This sentence is the only mention of a rabbit in a 872 word essay about a poem that features a bird. Where will my bunnies appear next?

Returning to definitions of muse, I googled it, and just past the dictionary entry — the nine daughters of Zeus, a person/personified force who is the inspiration for an artist — in the “People also ask” section was this question: What makes a woman a muse? Here’s the AI generated answer:

A woman becomes a muse through qualities like enigmatic allure, deep connection, and embodying creative energy, acting as a profound source of inspiration for an artist, often sharing a unique bond that fuels artistic expression, though not always romantically. Muses can be captivating personalities, friends, lovers, or even strangers who embody traits like wisdom, charisma, or mystery, prompting the artist to create, often embodying a living, breathing work of art themselves, inspiring everything from specific works to an artist’s entire focus. 

Eww. The uneven power dynamics here, between the subject (isn’t it most often a male artist?) and the object (a woman who is not an artist, or is not considered an artist) that inspires them bother me. After images of male artists and their models flashed in my mind, a phrase appeared: Manic Pixie Dream Girl. I recalled encountering a critical feminist essay about this trope back in the day (around 2007 or 2008, when I was teaching pop culture and queer theory at the University of Minnesota). I searched for it. Not an essay, a video from Feminist Frequency. Yes! I remember them. This video holds up. Around 4 and a half minutes in, they link the trope directly with the Muse:

manic pixie dream girl

And now I’m thinking about birds in poetry and how they’re used to do a lot of the heavy lifting of a poem. She’s not the only poet to write about it, but here’s a good example of this idea from Ada Limón:

does this bird want to be in this poem today? Maybe it doesn’t. You know, we always want to turn the animal into something else, right. And sometimes I want to let the animal be. Of course animals are symbols, of course they turn into our metaphors. I mean, that happens. But I also think there are moments when you just think, okay, the birds aren’t going to save me.1

VS Podcast Interview with Ada Limón

All of this makes me wonder: what am I doing as I keep putting the two bunnies in my backyard into my poems? And why do I insistent on calling these wild and mature eastern cottonwood rabbits bunnies? I’m not sure these rabbits are indifferent to me, but I think they notice me in terms of whether or not I am a threat to their main activity: grazing in the grass.

Now I’m remembering an interesting fact I encountered the other day: much of the eastern cottonwood rabbit’s time is spent eating, 6-8 of the day, both during the day and at night!) Okay, I looked it up again and I was right about the 6-8 hours a day, but here’s a delightful detail: primarily during dawn and dusk. Rabbits are crepuscular grazers. Crepuscular (cre PUS cular)?! What a word, and a good title for a poem?!

But, back to if rabbits (I still want to call them bunnies) notice me or not. Is my assumption correct about noticing me in terms of my threat level? Another google:

Wild rabbits are acutely aware of humans, perceiving them primarily as potential predators due to their innate, high-alert survival instincts. They utilize exceptional hearing and a keen sense of smell to detect people, often fleeing immediately to safety. While they may learn to tolerate consistent, non-threatening human presence over time, they generally maintain a healthy fear of people.

Yes! So, here’s something interesting: in the poem I’m working on right now, tentatively titled, Bold as Brass, my backyard bunnies do not care that I’m passing by; they keep grazing. They’re seemingly so indifferent that I’ve started calling out a pre-boomer phrase (and unironically!) to anyone around me: those bunnies are bold as brass! Where’s their healthy fear of humans? Is it that they can tell I am no threat, or are they being impudent? Or, has something screwed up their “normal” behaviors, and could that something be human-caused (like the over-developing of land, the loss of “natural” habitats, the increased need to live in the midst of humans?) Could that be the true heart of this poem?

Possibly, but first, another plunge2 down that rabbit hole! What do “experts” say about my theory of encroaching landscapes? Looked up “rabbits encroaching landscape” and What to do about wild bunnies? appeared. Here’s the subtitle: “Timid wild rabbits may occasionally eat plants in the garden, but usually live unnoticed on the fringes of our yards.” Usually unnoticed and on the fringes? Two favorite themes in my poems! Also included in one of the first paragraphs: edges, in-betweens.3 Back to “usually unnoticed,” here’s another useful bit from the article:

Here today, gone tomorrow is one way to describe rabbits in suburbia. Given the many predators who make meals of rabbits, their populations can rise and fall dramatically over the course of a year.

Come on, now, the pun was set up for you: hare today, gone tomorrow! Anyway, does my recent (for the last year) notice of backyard rabbits, almost every day, count as part of this normal rise and fall of rabbit populations? Or does it indicate something else?

The line about the gardens make me think of two things. First, a memory. My mom loved gardening and was especially proud of her West Des Moines garden (I created a digital story about it a few years ago). I recall the rabbits liked her flowers, especially her roses. On the advice of a neighbor, she sprinkled bone meal around the bush, which didn’t work. Not wanting to kill the rabbit, she managed to catch it — I can’t remember how, maybe with the help of that same neighbor — and drove 10 or 15 miles out of town and into the prairie to release the rabbit.

Second, a few feelings I recall having decades ago when reading the section in Peter Rabbit when Peter Rabbit’s coat gets caught on Mr. McGregor’s fence and he’s trapped and then when he manages (barely, at least how I remember it) to make it home and has to recuperate in bed. The feelings: not fear or relief but an understanding that life was dangerous and serious and an ambiguity as to who was in the wrong — the bold, misbehaving Peter who disobeyed his mother’s orders and stole vegetables, or the hard-working farmer who was planning to kill Peter as punishment. I recall thinking I was supposed to think Peter was in the wrong, but I wasn’t buying it.

What to do with these rabbit wanderings? And where has my plunge down the rabbit hole led me? It seems fitting to conclude this ramble with the rabbit hole, which is a reference to Alice’s Adventures in Wonderland and her following of the white rabbit down into Wonderland. Of course, “down the rabbit hole” is also a term used for getting lost on the internet:

“Down the rabbit hole” is an English-language idiom or trope which refers to getting deep into something, or ending up somewhere strange. Lewis Carroll introduced the phrase as the title for chapter one of his 1865 novel Alice’s Adventures in Wonderland, after which the term slowly entered the English vernacular. The term is usually used as a metaphor for distraction.[1] In the 21st century, the term has come to describe a person who gets lost in research or loses track of time while using the internet.

wikipedia

Out-of-control curiosity. Distraction. Losing track of time. Getting lost in strange worlds. These are presented as bad things. Are they? Many of them are embraced within poetry. And they are great tools of refusal and resistance against late-capitalism and wannabe fascist governments — you’re not working for/perpetuating the system while you’re following the rabbit hole.

Does that work when the getting lost is online, where the rabbit hole is designed to be the way curiosity is monetized: the more levels of the rabbit hole you enter, the longer you stay lost in all of the information offered, the more attention you give to a site and its advertisers.

I started this ramble yesterday after realizing my third bunny poem might be about the muse. That realization was partly inspired by a recent rereading of an excerpt from Tommy Pico’s poem, “IRL.” Somehow I’ve made it back to that beginning. Here’s the last section of that excerpt:

All I need is my phone.
Subway, elevator, drifting off
in a convo—no one really seems
to notice, occupied by their own
gleaming pod of longing.
I am the captain of my shit,
possessed by the spirit
of Instagram I am omnipotent
on Twitter on Blurb on Vine
Soap boxes on the street corner
of my mind Clear, boosted, boundless
something come stop the shaking
A sun to fly towards iMean
something to do: mimicry
of purpose. The injury
of hunger is: death. The word
of the day is: Gloze.
To explain away.
Glowing gauze glozes the
etc. Weather.com says
Stay inside forever, or
drop dead. We’ve ads
for you to click. You n me?
It’s going to take soooo long
for us to know each other
ten years.

I don’t understand all that is happening in this excerpt, but the more I read it, the more doors it opens for me and my thinking about the internet, IRL, and the Muse.4

  1. “the birds aren’t going to save me” — I suppose my initial turn to the bunnies was with that expectation, where saving = giving me something else to think about other than ICE and Occupation Minneapolis and fascism and my high blood pressure and insomnia ↩︎
  2. My choice of plunge is deliberate; it’s a reference to Emily Dickinson’s “I felt a funeral in my Brain” — And then a Plank in Reason, broke,/And I dropped down, and down,/ And hit a World, with every plunge,/And Finished knowing – then↩︎
  3. Something else included: “rabbits will excrete, eat and re-digest their own droppings to obtain the maximum amount of nutrients.” I wonder if that’s part of what the rabbits in my yard are doing when they spend so much time stock-still in the snow. ↩︎
  4. One last thing about the Muse that I want to mention for a future discussion. What if the bunnies/rabbits are not a muse, or a catalyst for action (which was said of the white rabbit in Alice in Wonderland), but a gate? As in, Marie Howe opening in “The Gate”: I had no idea that the gate I would step through / to finally enter this world / would be the space my brother’s body made ↩︎

feb 21/RUNGETOUTICE

4.25 miles
minnehaha falls and back
18 degrees / feels like 6

After a week of warmth, winter is back and this time the paths are clear! Hooray! It is (almost) never the cold but the uneven trails that bother me in January and February (and March and often April). I felt good as I ran south and even better as I ran back north. As I ran, I thought about how I was wearing my dead mother-in-law’s purple jacket and my dead mother’s teal cap with the tassels. I liked feeling as if they were both there with me. I also thought about #2 (see below) and what it means to be good at something. I imagined it not as something you are, I am good at x or y or z, but as a moment you experience or as a means to a deeper end: to feel free or satisfied or joyful — because I can run well, I am able to float on the trail and devote more attention to this place or to travel farther on this trail or enter the flow state and feel closer to the earth, the air, the water.

10 Things

  1. a flash or a slash or a blur of bright red below me — with a second glance I saw that it was a person with a red coat walking on the winchell trail
  2. a BRIGHT dot and a thought whispered in my head — yellow — an instant later recognition, a crosswalk sign
  3. thump thump thump the deep bass of a song exploding out of a car
  4. another car, more music — a song that I could almost but not quite hear — I strained my ears to identify any lyrics or a melody, but couldn’t
  5. the faint echo of the train bells near the falls
  6. the falls were still gushing from behind the ice columns, the dark water of the creek was rushing
  7. a group of people standing at the wall, looking down at the falls — they were laughing and cheering as they threw something below — I think they were snowballs
  8. the river was completely open and was mostly a deep brownish blueish dark gray — it stretched wide and far and looked more like a wall than water
  9. my feet slid (but didn’t slip) on the grit on the trail
  10. the paths held a range of people — single walkers, walkers with dogs, running pairs, running trios, adults and kids walking single-file — but the benches held nothing — they were empty

some things to remember

1

For almost a year now, I’ve been jumping from project to project. In the spring, it was color, then in the summer it was water and inklings, in the fall my book manuscript on echolocation and the gorge, and this winter it has been love. So many projects! And I have more big ideas that have been simmering for years and waiting for the light of my attention. But, I also like wandering without a clear purpose or goal. I like devoting a month to a random topic, like shadows or windows or wind, making a playlist for it, exploring new things that I haven’t encountered before. It’s difficult to balance a desire to wander and experiment with the need to turn it into something.

And right now, the need to turn it into something is winning. Even as I write this, I’m thinking of another project which would be part of a larger manuscript on how I see. So far, I have written about how I am seeing color (inner and outer color), how I navigate, looking at the world as if through water (inklings), now it’s time for another section/chapbook of this — thoughts? Optical illusions or hallucinations or mistaken identities? I’m imagining this might include examples from my log of seeing something in a very WRONG way — like disembodied legs walking toward me on the trail.

My starting point could be to gather: examples from past entries; lines from poems that speak to/of the beauty and the danger of these illusions; some research on illusions by scientists and psychologists; excerpts from essays by G. Kleege and Naomi Cohn; examples in art — like Monet and Magritte. Along the way, I want to turn this work of gathering into a resource page for others.

2

In my post from 21 feb 2017, I posed the question, what does it mean to be good at running? What does it mean to be good at something? And now I’m wondering, what does it TAKE to be good at something? The word excellence echoes in my head as I think about my studying of Aristotle and the figure skating in the 2026 winter Olympics. Two different models: Ilia Malinin (the quad god) and Alysa Liu. And I’m also thinking about the idea of needing to suffer for your art and where joy fits into your practice. And, another question — is the goal always to be good, to excel, to master?

3

A book to buy, or to check out of the library: Against Breaking — the power of poetry / Ada Limón

4

A mural to find:

a storm drain mural for water quality, designed and painted by local artist Precious, shows a sunset over a cityscape in vibrant colors. You can see it at the Mississippi River Gorge scenic overlook along Mississippi River Boulevard in Highland Park.

FMR

5

a poem to read again and to place beside my restlessness, my desire for movement, and my desire to find new ways to understand stillness:

The Art of Silence / Christine Anderson

a Buddhist monk taught me to sit silently
be the moon floating over my back field
a buttercup cradled in a clump of spring grass
sit hushed
as the broad shoulders of granite mountains
in their shawl of clouds—
sit despite
an unquiet morning
that buzzes and twitters and zips
sit to be a dewdrop
in the garden
a perfect pearl of daybreak—
a Buddha
sitting.

Get Out Ice

Found a substack list of LOTS of anti-ICE stuff happening around the cities. This one seemed particularly fitting:

We want ICE OUT!!! Of our city, our state, our community, and for one night only, out of our margaritas.

Celebrate National Margarita Day this Sunday 2/22 at Hai Hai with NO ICE margaritas to support our restaurant community. ICE doesn’t belong here anymore and we are pulling frozen water out of our favorite cocktail to prove it. A portion of each No Ice Marg sold will be donated to @thesaltcurefund for restaurants in need. If and when ICE leaves, restaurants will have a long way to go to recover from the impact their occupation has had on our community, join us for a drink and some laughter and help us take one step forward towards recovery.

Hai Hai Instagram post

feb 19/SHOVELWALKGETOUTICE

7.6 inches
30 degrees

When I went out for my run yesterday in the early afternoon to “beat the snow” I had no idea it would snow so much. What was completely bare yesterday morning, is now covered in white. Wow. It is very winter wonderland-y. If I didn’t need to take a day off from running, I’d be out there right now with my yaktrax. Instead of running, I settled for an early morning shovel. This winter, I’ve been shoveling my sidewalk and the sidewalk of my neighbors on both sides. The snow hasn’t been too hard to shovel and it feels good to help others, even in this small way. Today as I shoveled the sidewalk of my neighbor to the south, she opened her door and called out, Thank you Sara! Normally I listen to a podcast or a playlist when I shovel, but I didn’t today. I’m glad. I might not have heard her thank you if I had!

10 Things

  1. the snow was so bright that even though the sun wasn’t out, I wore sunglasses
  2. chirping birds
  3. a droning snow blower
  4. the sharp scrape of a shovel
  5. the snow moved easily under my crappy plastic shovel — it was both fluffy and wet
  6. without the snow, the sidewalk was slick
  7. the serviceberry tree/bush at the edge of our deck was loaded down with snow —
  8. once I accidentally brushed against it and snow fell under my jacket and down my back — brrr
  9. later I gently knocked the heavy branches with my shovel; a soft layer of snow fell on my head and covered my sunglasses
  10. my shovel unearthed clumps of dead leaves at the edge of the sidewalk

walk: 60 minutes
Winchell trail to Rachel Dow Memorial Bench
32 degrees

Every winter I try to do at least one winter wonderland walk, when it’s not too cold or too windy and everything is covered in white and winter feels like WINTER — as in the ideal form of winter. Today was the day for this year! Admittedly, the edges of the trail and the curbs were very wet, but I didn’t mind because I had on snow pants and boots.

As I walked to the river, I recited Wordsworth’s “Snow-flakes” — Out of the bosom of the air/Out of the cloudfolds of her garment shaken — and watched small clumps of snow dropping from the branches. I listened to the water falling over the concrete ledge, then the limestone ledge, then into the ravine. I felt the snow compacting through my boot and creak creak creaking with every step.

added on 20 feb 2026: Rereading my entry from 20 feb 2023, a mention of footprints reminded me of something else about my walk on the Winchell Trail: lots of footprints. I liked knowing that other people had taken this walk before me and wondered if they loved it as much as I did. A distinctive thing about these footprints: even though the snow was new, the footprints weren’t pure white. Many of them were tinged with yellow — not from dog pee, but from something else. The over saturated ground? The snow itself, polluted? And, related to footprints, the tracks from cross-country skis! Unfortunately it took me a few minutes to process that they were there and that I should not be walking over them and break the trail that someone had made. So I ruined a block-length stretch of them before realizing and shifting over to the unbroken snow.

The view of the river through the tall, slender trees was amazing. The water was all open and a blueish-greenish-gray — at least to me. I took some pictures but none of them captured the beauty of this moment.

snow-painted trees, a fence, the open river

When I got to the Rachel Dow Memorial Bench, I brushed off the snow and sat for a few minutes. I heard the birds and the faint rumble of a pick-up truck across the river. Then I walked back on the trail closer to the road, and it finally happened — an SUV sped through the puddles on the edge of the road and splashed me. When I run, I often wonder/worry if this will happen, but this was the first time it actually did. I didn’t mind; it was warm, and I dressed for it. Did they do it on purpose? Possibly. No other car splashed up water. Do I care? Not at all.

Get Out Ice

Another sticker in the Arbeiter bathroom. Maybe I should make a sticker to put up in that bathroom? A poetry sticker?

Best Friends Forever / Epstein and Trump

feb 17/RUNGETOUTICE

4.3 miles
minnehaha park and back
47 degrees
wind: 13 mph / 32 mph gusts

Warm, but windy, which made it feel colder, but only sometimes. The rest of the time it felt warm. Warm enough for bare arms. My left knee was a bit stiff and sore. Maybe I should take a break from running tomorrow.

overheard as I ran near Minnehaha Academy: a whistle blowing, then an adult voice — Okay fourth graders! I guess recess is over.

10 Things

  1. at least 2 runners were wearing shorts
  2. all of the walkers were bundled up in coats and hats and long pants
  3. open water!? I think the ice has fully cracked on the surface of the river, but it could just be much thinner in parts. Looking down at it, there were blobs of white, with larger stretches of pale grayish, blueish, greenish
  4. the falls were gushing behind thick ice columns
  5. voices below — an adult with several kids — were they hiking behind the falls?
  6. a police vehicle parked sideways in the parking lot at 44th
  7. the cobblestones near the falls overlook were all ice-free, but not puddle-free! squish squish squish
  8. more of the walking path is clear and open — a few clumps of snow, wet and shiny pavement, grit
  9. an old pick-up truck was parked under the ford bridge, up on the sidewalk across the road from the trail — was it hiding — if so, why and from whom?
  10. the walking half of the double bridge was covered in slushy snow, the bike half was mostly clear with a deep puddle in the middle

I decided that I would listen to music for the second half of my run. Because it was windy, I put on my “It’s Windy” playlist. The first song: Sailing / Christopher Cross The last song was the sound of birds chirping. Huh? Oh — checked the title of the track: “Breeze (forest)”

Get Out Ice

When FWA got home from his errand this morning, he told me that all of the Stop signs in the neighborhood have a stenciled “ICE” under the “STOP” in a matching font. Of course I had to check and take a picture!

STOP ICE

I’m not sure how long these signs have been this way. I hadn’t noticed, but I don’t drive, so I rarely see the stop signs. I wondered how long it took someone/someones to do this? I hope the city leaves them alone.

added, 18 feb 2026: Three notes from Scott. First, as we drove to the library, Scott and I noticed more stop signs with “ICE” and some without. Scott guessed that this stop ice action was probably not that systematic. Second, he also pointed out that it is not a stencil, but a sticker. Would I be able to notice that if I got close enough? I’ll have to take a walk today and check. And third, Scott informed me that these stickers have been on stop signs for several weeks.

Love

I finished my love poems. I decided to call it, We Love, We Love, We Love, We Love. I posted it on instagram, facebook, and as the home page of my author site: sarapuotinen.com

feb 13/RUNGETOUTICE

3 miles
locks and dam #1 and back
46 degrees!
75% sloppy

Okay first false spring! So many less layers today: running tights, shorts, short-sleeved shirt, pull-over, cap. No gloves or long sleeved base layers or coats or buffs. And, by the end of the run, I took off my outer layer and was walking back with bare arms. Nice! I’ve told the kids for years, whenever they wonder how they can make it through the long winter, once you get through January, it always warms up for a few days around Valentine’s Day. And, like it usually does, it warmed up right around Valentine’s Day!

I felt good during my run. Happy, strong, able to run through moments of wanting to stop. I wasn’t able to avoid puddles though. Squish squish squish. Soaked socks.

10 Things

  1. patch-work surface below: white and pale blue — will the ice split before it gets cold again?
  2. birds! sounding excited for spring
  3. deep puddles everywhere — they were particularly bad on the double bridge, I had to grab onto the wooden railing and climb around them
  4. a car passed me twice blasting some music that sounded like enya
  5. encountered lots of runners — were any wearing shorts? I can’t remember
  6. drip drip drip
  7. the sun was reflecting off of the water on the path, everything was shiny and bright
  8. at least one or two fat tires
  9. a few walkers in bright yellow vests
  10. the grassy boulevard was a combination of mushy snow, very slick snow, and grass, and mud

When I reached the locks and dam #1, I ran halfway down the hill and stopped to record a thought, and some false spring sounds:

False spring / 23 feb 2026

restless / still

At my annual check-up a week ago, I told my cnp that my legs were restless and I was waking up several times a night (which has been the case for a decade now, I think). She ordered a blood test for my ferritin. Yep — very low: 16; she wants it to be at least 40. So, iron pills for a month, another test, then maybe iron transfusions. This description is for future Sara who likes to remember these things, and present Sara who imagines a future Sara that will. This description is also prompted by two references to stillness in my “on this day posts” from past years. In 2021 I posted a passage from an audiobook I was listening to, Wintering:

There are gaps in the mesh of the everyday world and sometimes they open up and you fall through into somewhere else. Somewhere else runs at a different pace to the here and now where everyone else carries on. Somewhere else is where ghosts live, concealed from view and only glimpsed by people in the real world. Somewhere else exists at a delay so that you can’t quite keep pace. Perhaps I was already resting on the brink of somewhere else anyway, but now I fell through as simply and discretely as dust shifting through the floorboards. I was surprised to find I felt at home there. Winter had begun. Everybody winters at one time or another. Some winter over and over again. Wintering is a season in the cold. It is a fallow period in life when you’re cut off from the world, feeling rejected, side-lined, blocked from progress or cast into the role of an outsider.

Wintering / Katherine May

Here stillness = a lack of movement, frozen in the cold, removed from the action. Reading this passage again, I’m not so sure that I think of stillness, but when I read it a few minutes ago, and then read a line from Elizabeth Bishop, I thought, still. Here’s the line from Elizabeth Bishop’s poem, “Five Flights Up”:

Still dark.

When I read this brief line, I thought about how much I like that still can mean more than one thing at a time. Still dark = it is still dark, the dark continues, it is too early for light, we continue to be in the time/place of not-yet-day. And, still dark = it is quiet, there is a lack of movement, everything is still and dark, nothing moves and nothing can be seen.

Maybe I should spend some time studying Bishop? I have read several of her poems, even studying one more closely — The End of March on 30 march 2023. And now I’m thinking of Jorie Graham and studying her, or finally writing a poem about being still and restless? And all of this makes me think, again, of a film still, a photograph, an image frozen — my “how I see” project!

Get Out Ice

Thinking again about today’s false spring weather. FWA asked how many false springs I thought we’d have before it was warm for good and I said, I wasn’t sure but that I knew it would get very cold again. The earliest spring has stayed is the end of March. I added, no one believes that this warm-up will stay, that we’ve made it through winter. What this warm up does it reminds us that a world beyond winter is possible, which is easy to forget when we’re in the deep of it. This feels like a metaphor for ICE’s leaving of Minnesota. It’s not over, they’re not really leaving. No one here believes that. But this withdrawal of troops does signal a victory and demonstrates that a world beyond ICE beyond Trump is possible.

Love

I’m working on the introduction to my love, minnesota-style chapbook. Since I’m a little stuck, I tried to think about it as I ran. A sentence popped into my head, and I recorded in the middle of the run: “Words don’t merely describe something, they do something.” And I added, and I’m particularly interested in what these words did/do to me, to others here in Minneapolis and St. Paul.

feb 11/RUNGETOUTICE

4.5 miles
minnehaha falls and back
35 degrees
15% sloppy

Sun! Above freezing! Melting and melted snow! And I think I remember hearing chirping birds somewhere. Plus, the falls were faintly falling! Today’s run felt much better than yesterday’s. I felt stronger and calmer and more capable of handling everything — running included.

10 Things

  1. two benches at the park were occupied, one near Sea Salt and one just across the road from the Longfellow House
  2. a low, dull whine coming from the indoor ice rink at Minneahaha Academy
  3. the gentle curve of the retaining wall wrapped around the ravine between 42nd and 44th, covered in white
  4. much of the snow near the bench above the edge of the world was melted — the bench was empty, the river was white
  5. a few cars in the parking lots at the falls
  6. two people standing on the path at the edge of the falls looking up at something — but what?
  7. 2 fat tires
  8. a man and a dog emerging from a snow-covered trail, climbing a snow bank and then crossing the road
  9. a long honk from a car across turkey hollow
  10. the soft sound and the slide-y feel of my feet striking the grit on the path

As I ran, I thought about my low ferritin and wondered what impact it has made on my running. Is it why I struggle to run more than 4 or 5 miles at a time? Then I imagined how much better my running might be after a few months of taking the iron pills my np (nurse practitioner) prescribed for me.

Here in Minnesota, we have a few months (if we’re lucky!) before it’s spring, but it sure feels like it today. In honor of that feeling, here’s a Mary Oliver poem I just discovered in my recently purchased Little Alleluias:

A Settlement / Mary Oliver

Look, it’s spring. And last year’s loose dust has turned
into this soft willingness. The wind-flowers have come
up trembling, slowly the brackens are up-lifting their
curvaceous and pale bodies. The thrushes have come
home, none less than filled with mystery, sorrow,
happiness, music, ambition.

And I am walking out into all of this with nowhere to
go and no task undertaken but to turn the pages of
this beautiful world over and over, in the world of my
mind.

***

Therefore, dark past,
I’m about to do it.
I’m about to forgive you

for everything.

I love this poem! To turn the pages of this beautiful world, to forgive the dark past, to declare, I’m about to do it in a poem. I want to borrow that line.

Get Out Ice

An IRL friend shared a post on Facebook with some wise words about care and love. The whole post is great, but here’s an excerpt that explicitly discusses care and another form of love: relational humility and the de-centering of needs/desires

So beloved white women kin, please let us watch each other. If you see this happening, please turn towards our kin and ask them to hold a contradiction with you: we need the efforts and care that are being brought forth, this strategy that uses our privileges to build things that are needed but, at the same time, and with the greatest of humility, we have to recognize that we carry within us deeply rooted survival needs that are about our own comfort and centering; our desire to feel and be seen as valuable and worthy. And because those needs are deeply rooted, we often don’t see them when they crop up, although others do. Which is why practicing relational humility rather than defensiveness is key to this moment.

Link arms with each other and say, hey, while we are doing this work, let’s check each other on what we are bringing to it. Who else are we in relationship with? How are we checking our actions against something other than the minds of other white women? Is there anyone else doing the same thing or something similar and can we help them rather than start something new? Is there a part of us doing this thing because we have an image of ourselves as brave and selfless, a kind of inner hero narrative? Come on, loves, tell the truth. Where are we holding on to control rather than care, feeling a sense of ownership to our work that we are attached to, expressing false humility when we actually want the attention, and believing that we know what is best for whatever moment we are in? Are we trying to build an empire or just a moment for the people nearest to us, people we want to create safe? Loves, beloveds, there are a number of white women engaging in empire building right now, even though it is called care.

Raffo Susan

there are a number of white woman engaging in empire building right now, even though it is called care.

love

I have written 14 love poems using words/lines/phrases from the social media statements of local businesses. For Valentine’s Day, I want to gather them in a small chapbook to be shared and spread. I’d like to include a brief introduction that would explain what, why, and how I put these together, and might offer a more straight-forward description of how love is being imagined and practiced here in Minnesota. This afternoon and tomorrow, I need to write this introduction.

feb 8/RUNGETOUTICE

2.6 miles
river road, south/north
28 degrees
25% ice-covered

A beautiful morning for a run! Sunny, warmer, clearer trails. There was some ice, but most of it had been sprinkled with dirt so it wasn’t slick and dangerous — there’s a metaphor there, right? I was glad to be out on the trail, albeit with some anxiety. Two days ago, at my annual check-up, my blood pressure was in the high zone. High enough to need to monitor it daily for a month to see if I need to go on medication. Some other test results were “abnormal,” too: high cholesterol, high thyroid, low ferritin. Bad test results make me anxious, or is my potentially out-of-whack thyroid? Or maybe it’s just living in a city occupied by ICE for more than 2 months and living under a federal administration that is careening towards full totalitarianism vile evil unhinged extremely dangerous falling apart and is desperate to hold onto power. I’m struggling to find the words to effectively describe this administration. So, yes, I was worried as I ran, wondering if my heart rate should sky-rocket the more I ran. Thankfully it didn’t. The run wasn’t easy, and it wasn’t the big escape I had hoped for, but it did bring me some delight and some beautiful moments to look to when I’m feeling overwhelmed. Can I find 10?

11 Moments of Beauty

  1. the sizzling sound of wind moving through the brittle leaves still remaining on a tree
  2. quiet, then the softest knocking cutting through — a woodpecker somewhere close by?
  3. yes! looking up at a tree, I could actually see the white underwing of a downy woodpecker, it’s tiny head hammering a branch
  4. wide stretches of clear, dry trail
  5. stopping at the Rachel Dow Memorial Bench, looking out at the frozen river, wondering what Rachel would do in this moment, then believing she would be part of this amazing love spreading across the city, the state, the country
  6. a good morning from a passing walker
  7. a feeling of movement below me, then spotting a walker on the Winchell Trail, the remembering running down there, nearer to the river on a warm day
  8. the rhythmic clicking of a passing runner’s snow spikes on the bare pavement — click click click
  9. running over the slick ice and not slipping or sliding because Minneapolis Parks had sprinkled dirt — and not salt — on it recently
  10. speaking — out loud, but softly — the words to Alice Oswald’s “The Story of Falling” that I re-memorized earlier this morning — It is the story of the falling rain/to turn into a leaf and fall again/It is the secret of a summer’s shower/to steal the light and hide it in a flower
  11. (added 9 feb) a woman below, on the winchell trail, calling out, her name is Freya!, and a man responding, you’re a good girl! — just yesterday, Scott, Delia, and I had encountered this friendly woman and her dog near 7 Oaks. She was so friendly and kind that we agreed encountering her had made walking out in the cold, on the icy paths, worth it

Just writing this list, and the words preceding it, have made me feel better, more relaxed!

Get Out Ice

Even if I’ve written this before, I’ll write it again: I am finding that focusing on the fierce love and care that Minneapolis is practicing and de-centering/quieting the endless examples of ICE awfulness is helping me to endure this time. Well, more than endure. The love I am witnessing, and attempting to practice in my own way, is inspiring and making me hopeful about possible futures. It is also restoring my belief in democracy.

Here are 2 examples I shared on Facebook today:

1 — Rebecca Solnit post

One of the nuts things about organizing in the Twin Cities right now is that even the most long term organizers who’ve been here for decades can’t keep keep track of all the resistance that is going on. There are so many self-organizing crews just doing work that in any conversation with someone from another neighborhood you might stumble over a whole collective of people resisting in ways you didn’t think of. There’s a crew of carpenters just going around fixing kicked-in doors. There are tow truck drivers taking cars of detained people away for free. People delivering food to families in hiding. So many local rapid response groups that the number is uncertain but somewhere between 80 and the low hundreds . . . .

Rebecca Solnit on Facebook

2 — @terileigh via Liz May

every restaurant, church, karate dojo, dance studio, school, barber shop, and other small business has created their own underground grassroots supportive network to protect their neighbors, get people to and from work, and raise funds to pay everyday bills.

@terileigh

feb 5/RUNGETOUTICE

4.45 miles
minnehaha falls
33 degrees
60% sloppy and wet

A run outside! Above freezing! Less layers! And I made it all the way to the falls! It was sloppy, but I’ve run through worse. No lakes covering the entire path, only small ponds. I felt stronger running up all the small hills; it must be the hill workouts I’ve started doing. Maybe I should run to the falls and do some loops around the park — I could do the hills there multiple times? It’s strange, but I like running up hills now.

10 Things

  1. birds singing and sounding more like spring
  2. the dull, quiet whine of a power tool off in the distance — a drill on a construction site?
  3. the falls are completely frozen, so is the creek
  4. voices rising up from somewhere down below at the base of the falls
  5. faint traces of brown dirt discoloring the snow, making it less winter wonderland, but also less slick
  6. kids yelling and laughing on a playground — a teacher’s whistle blowing (not a warning about ICE)
  7. empty benches everywhere
  8. a few cars in the park parking lot
  9. another runner behind me, beside me, then in front of me. I delighted in hearing the sibilant sounds of their feet striking the slushy snow
  10. a few seconds of honking above on the ford bridge — someone honking at ICE or another car’s driving or in solidarity with a bridge brigade?

Get Out Ice

Today’s Get Out Ice moment is in honor of my mom, who was a fiber artist until she died in 2009, and my daughter, who is a fiber artist now.

AS OF FEBRUARY 5TH.
WE HAVE REACHED A TOTAL OF
$650,000 IN DONATIONS
Funds last week were donated to STEP St. Louis Park emergency assistance for rent and other aid and the Immigrant Rapid Response Fund.
We are working on donations to other local organizations
– stayed tuned for more info.
We are speechless. We are overwhelmed with the generosity of the fiber community and beyond. This outpouring of love and support is felt around the state.
Because of you, we can help so many people who need it.
Thank you thank you thank you.
Keep knitting. Keep resisting. Keep showing up for your neighbors.
Melt. The. Ice.

Needle & Skein Instagram post

The $650,000 came from people purchasing a $5 pattern for the Melt the Ice Hat:

In the nine years that Gilah Mashaal has owned Needle & Skein, a yarn store in the suburbs of Minneapolis, she has tried to maintain a rule that “nobody talks politics” in the shop. But amid the weeks-long occupation of the Twin Cities by federal immigration paramilitaries, Mashaal and one of her employees decided to turn one of their weekly knit-alongs into a “protest stitch-along”.

They didn’t want to return to the “pussy hats” that symbolized women’s resistance to Donald Trump in 2016, so Paul, their employee, did some research and came back with a proposal: a red knit hat inspired by the topplue or nisselue (woolen caps), worn by Norwegians during the second world war to signify their resistance to the Nazi occupation.

‘Rage Knitting’ against the machine

Love #13, version 2

This morning, I was trying out all different ways to create a poem out of text from a few local businesses. Nothing was quite working; partly because I am fixated on erasures and blackouts and can’t see (literally and figuratively) how to execute this effectively. One way out: Mary Oliver. My whole poem centers on a phrase from a MO poem, “Lead”:

I tell you this
to break your heart,
by which I mean only
that it break open and never
close again
to the rest of the world.

Here’s my version of those lines, using words from Social media posts:

Here, now, 
on this day,
my heart
breaks, 
and tomorrow
it will stay open
to everything.

Or this variation:

My heart breaks
here, now,
and tomorrow,
it will stay open
to everything.

jan 30/RUNGETOUTICE

4 miles
river road, south / lena smith blvd, north
8 degrees

Ran south above the river and to the 44th street parking lot. Crossed over to Lena Smith Boulevard, then north to 33rd. Did 3 loops of up the small hill, which takes about 1 minute, then down it, then rest until the start of the next minute. This is a good hill to start on — not too steep, not too long, but enough to feel like I’m working a little harder. I felt strong on the hills; everything before it was sometimes okay and sometimes hard. Maybe it was because of the wind and the cold and the hard asphalt. Every surface that wasn’t covered in ice or snow was stained a dull white.

10 Things

  1. the voices of kids on the school playground, at recess
  2. a cerulean sky — empty of clouds, but not helicopters
  3. birds! chirping and twittering and chatting with each other
  4. empty benches
  5. the river’s surface: a pattern of white and gray and light brown
  6. the parkway was thick with cars, some going too fast, at least one too slow
  7. an empty parking lot
  8. running by Dowling Elementary, it seemed deserted — were they participating in the General Strike day?
  9. some of the path was bare asphalt, some was soft snow, some was slick snow, and some was slippery ice
  10. my shadow joined me today — hello friend!

Get Out Ice

Scrolling through Facebook, I found this example of non-violent resistance, love, and support of local businesses:

So proud of my community showing up for Central Ave this week. This is Lunch Club. We started with 15 people at Hodan three weeks ago (highly recommend the Jay Crack fries). Just a way to recognize the hurt that a part of our community is experiencing in Trump’s war of terror.

30 people joined us at Chulla Vida the next week (llapingachos!). And we brought more than 60 lunchers to Holy Land last week (Chicken Lovers Combo every time).

Tomorrow we’re supporting La Colonia. Gather at noon and stay as long as it takes! A different restaurant every Saturday.

Every business on Central Ave is hurting. Our customers and staff (legal residents) are afraid to leave the house. Many have been harassed by ICE. Several have been detained even with legal documentation. A few have even been shipped to Texas or who knows where. These are people of color.

Trump is waging a race war. This is retaliation for Minneapolis protection of vulnerable people in defiance of the MAGA cult. And it ends when this administration is gone. It ends when we engage with our neighbors and come to see each other as human beings. We need more community and less polarization.

Until then (and ever after) we will be here.

Join us. Join the nonviolent resistance. Be a part of something that makes a difference.

Recovery Bike Shop

My favorite bookstore, Moon Palace is in Lithub! Everything We do Matters: Minneapolis’ Moon Palace Books is a Hub for Anti-ICE Resistance

jan 21/RUNGETOUTICE

4.5 miles
minnehaha falls and back
22 degrees / light snow
100% snow-covered

Today I ran outside. I decided that even though it is true I can’t always effectively assess the situation because of my vision, it is also true that it is unlikely I will encounter any incidents beside the river. And it was true, and I was fine. That doesn’t mean ICE isn’t around. Just before I went out running, a black SUV drove down the cross street with 7 or 8 cars following and HONKING their horns.

I also went out because I’m finally, after a week of a low-grade cold, starting to feel better. Hooray! The river was so beautiful — open and covered in snow — and it felt so good to be moving outside. It’s much easier to be running outside by the river, than downstairs in a dark basement.

There were a few people on the trail, mostly walkers, a biker, at least one other runner.

10 Things Heard

  1. kids playing on the Dowling Elementary and Minnehaha Academy playgrounds — screaming, laughing, having fun
  2. the falls barely falling over the ledge because the creek was frozen
  3. sirens
  4. the train bells as the light rail train passed through the station
  5. hammering and pounding coming from the construction site at a house on Lena Smith Boulevard
  6. honking geese
  7. from my favorite viewing spot at the falls: voices below or across the gap
  8. more voices below, somewhere on the winchell trail — some adults and kids
  9. the soft sizzle of snow flakes hitting my jacket
  10. an electric singing as it slowly travelled past on the road

Not too long after I got back from my run, Scott and I went to Costco to stock up on stuff before Friday’s strike of no work / no shop / no school. It was surprisingly normal in the store. Later, on the freeway, driving home, we passed by the Whipple Building and thought about all the people suffering in there right now. From the outside, just a tall building with lots of windows, a place that I have never noticed before, only seeing it as another generic office building. And inside, it’s filled with terror and hate and injustice and a bunch of under-trained goons.

Get Out Ice

This morning, hours before my run, I gathered together statements from local businesses, announcing their intent to be closed on Friday in solidarity with the no work / no shop / no class strike. I pulled out some words and phrases which are starting to take shape. Then I went running and talked with RJP and had to go shopping. so I haven’t returned to them yet.

While I continue to work on this poem, here’s a bit from one of the restaurants, Nicos Tacos:

On this day we are choosing to stand with our community, to stand for dignity and for humanity. No one should live in fear for simply seeking a better life. Strong communities are built when immigrants feel safe, seen, and supported. Let Nico’s be a home to all, and a reminder that we all belong here.

Nicos Taco Bar

And, here’s a running list of the businesses participating. As of 5:00 pm today, there are 382 businesses on it!

jan 13/RUNGETOUTICE

4.2 miles
lena smith – river road, north / river road – lena smith, south
42 degrees / wind: 15 mph
75% puddles, sloppy ice

Yuck! Not as fun running today, dodging puddles and slick strips of snow/ice on the trail. Warmer, but windier too. Parts of the run were great — I felt strong and efficient and sturdy. Other parts of it were not as great — a few times the path was covered either in a deep puddle or uneven, slippery ice. I am glad I went, and grateful to get to see the river — which was completely open, not frozen at all — but all of it was covered in a thin fog of fear. I heard sirens a few times and wondered if someone was being taken. Just before I went out for my run, Scott told me that someone had been taken just around the corner from us sometime in the last week.

10 Things

  1. city workers trimming trees, blocking the street
  2. a thick sheet of dirty ice covering almost half of a street — from curb, to the middle
  3. black chickadees singing, cheese burger cheese burger
  4. one biker, mostly biking in the road but on the path for a brief stretch
  5. the sound of sirens across the road, lasting less than a minute
  6. the wind, howling in my ears
  7. a dog barking off in the distance
  8. the sound of water splashing up as cars drove through puddles
  9. a gray sky with no sun, then blue with sun, then gray again
  10. city workers gone, a big pile of freshly trimmed branches — narrow ones — near the curb, 3 slender orange cones near the sidewalk

Get Out ICE

There are too many terrible headlines today about what’s happening with ICE in Minnesota, and it’s one of those days when I feel too tired to talk about them. I’m tired because of the headlines, because of the gray, sloppy weather, and because I tried (unsuccessfully, for now) to use a big ice breaker to break up the slippery ice on our small driveway. I chipped away at it for 30 or 40 minutes and had some success with a small patch, but I didn’t want to injure myself (because: 51 year-old bones and joints), so I stopped. I’m sure there’s a better (as in, more effective, less hard on my body) way to deal with this ice. — there’s a metaphor in there, I think. Anyway, I can’t force myself to post details from Trump and his cronies’ terribleness today, so instead, here are two videos that I’d like to watch repeatedly of the mississippi where the ice has mostly broken up and is floating, along with foam, downstream: here, the ice is getting out.

foam and ice, getting out / 5 jan 2024
ice on the mississippi / 5 jan 2024

Fear less / Tracy K. Smith

Thank goodness for the poets! Last week, I checked out the e-book version of Tracy K. Smith’s memoir and reflection on the value of poetry, Fear less, and just now I read some of the first chapter. Hopefully tomorrow I will post some quotations and respond to her powerful words, but for now, I’ll just mention that I’m reading it.

jan 9/RUNGETOUTICE

3.1 miles
track
ywca

I would have liked to run outside. It was sunny, not too windy, and almost above freezing, but the sidewalks were way too icy. I tried to go out for a recon walk earlier today and only made it to the end of our sidewalk before realizing the surface conditions were terrible. I had to turn around and come home. Bummer. Fresh air might have relieved some of the anxiety I’m carrying in my body from what’s happening. At least I was able to go to the y and run on the track. Moving and working up a sweat helped some, I think.

Since I was looping around a track, I decided to listen to my “Wheeling Life” playlist.

10 Track Things

  1. an orange bucket was out on the track in its yearly spot, catching drips from a pipe
  2. a short man with white hair was walking backwards in the inner lane
  3. the gym below was empty
  4. not too many people on the track, all of them quiet
  5. in the quiet, I could hear my feet striking the track surface — I think my striking feet were the loudest thing on the track — thwack thwack thwack
  6. a woman walking fast, wearing a shirt that reminded me of scrubs — had she just gotten off a shift at a hospital?
  7. some people follow the written rules and walk in the innermost lane, some ignore them and walk in the middle (which is for runners) or in the far left lane (which is for passing)
  8. just remembered: just before entering the track, passed the woman in a scrubs shirt putting air pods in her ears
  9. very few runners — while I was running, only me and Scott — after, while walking, one other runner
  10. inside it was warm (good) and very dry (bad)

Working on a tiny (24 word) poem tentatively titled bio-regionalism, and I was thinking about something I recalled hearing from Stanley Tucci in his series on regions in Italy and their food: he said that a region/neighborhood was/is defined by anyone who was in earshot of that neighborhood’s church bells. I looked it up and found this helpful definition and video from Rick Steves. The term is campanilismo:

During Tuscany’s medieval and Renaissance prime, this region was a collection of feuding city-states dominated by rich families. To this day, Tuscans remain fiercely loyal to their home community, and are keenly aware of subtle differences between people from different cities, towns, and villages. (Italians have a wonderful word for this: campanilismo, meaning that a community consists of the people within earshot of its bell tower — campanile.)

source

I love this idea of defining a community, your home-place, by its bells. My bells are the bells of St. Thomas, just across the river.

jan 6/SHOVELSWIM

shovel: 20 minutes
slushy, icy, thick snow
33 degrees

Yuck! It’s an awful mess out there on the sidewalk, the roads. After he got back from his walk I asked FWA if it was, a. doable and b. worth it to go out and shovel. He said yes to both, so I did, but now I’m wiped out and sore and not sure if it was either of those things. Looking out my window right now at the street, I am disheartened. One big soupy, slushy mess. Will more of it melt and be cleared out before it freezes again? I hope so.

A quick note about my ankle: crisis averted! The RICEing (both resting icing compressing and elevating AND playing around with acronym) must have helped. My ankle feels fine today!

Sara from 4 jan 2026 asked me to let her know if anything big and terrible happened today. Not yet (as of 4:49 pm), but there’s a lot of talk about invading Greenland and I keep seeing the headline, The Danish PM says a US invasion of Greenland will mean the end of NATO.

In other shitty news: I noticed, while clearing trying to clear the deck that a wide stretch of snow under our crab apple tree has been turned into a port-a-potty by the two rabbits who visit every night to feast on fallen apples. Very gross! Some scat here, some scat there, scat scat everywhere. The snow is glowing brown — I’ll have to try and get a picture of it, because my words can’t quite convey the color or the grossness — a picture probably can’t either.

update: I pointed out the tree/rabbit/shit situation to Scott and we agreed it wasn’t all rabbit scat and it wasn’t glowing brown. A lot of it was discarded apple bits from birds or squirrels or the bunnies and the snow beneath the tree’s wide canopy was glowing a faint orange, not brown.

swim: 1.75 loops
123 laps / 55 minutes
ywca pool

Decided to swim without stopping until Scott showed up at the end of my lane. I was hoping to go longer — distance and time. Maybe that can be next week’s goal: to get to 140 laps, which is 2 miles. I’d like to do it in 1 hour. It felt great to be swimming again.

shadows: the afternoon light coming in the window created lots of shadows on the pool floor. Today I decided that it looked less like the floor was dancing and more like it was crawling. As I swam, I suddenly thought of the line from Raiders of the Lost Ark: why does the floor move? Other memorable shadows: the lane lines on the shallow floor, then the lane lines casting a shadow at the far end, all the way up the wall, from the deep bottom to the top. Such a cool image. I liked admiring it every time I neared the far wall.

10 Pool Friends

  1. the yellow! grout between the bright blue tiles on the pool floor in the middle of each lane — I never noticed it was yellow and not white — is it, or was it just dirty?
  2. the bright blue tiles marking a cross at the end of each lane — usually I read them as black or dark navy
  3. some crud on a tile beneath me
  4. a small red chunk of something that started on the pool floor a lane over, near the spot where it slopes down, then slowly shifted down each lap — tile after tile — until it made it to the bottom and then under me in my lane — I was fascinated by this red thing and enjoyed tracking it — I prefer not knowing what it is/was
  5. a guy in black swim trunks 2 lanes over that I raced (in my head) and beat
  6. someone in fins one lane over
  7. the silver trail of bubbles that the swimmers’ fins made as they kicked
  8. a lifeguard in a BRIGHT yellow jacket
  9. a swimmer in green swimming on their back, doing some sort of reverse breaststroke
  10. a swimmer in red doing freestyle then sidestroke then walking then kicking with a kickboard

Halfway through, I swam breathing every 5 strokes and tried to think one word each time I surfaced to breathe: 1 2 3 4 5 light 1 2 3 4 5 tile 1 2 3 4 5 window 1 2 3 4 5 door 1 2 3 4 5 tree — Nothing that interesting . . . yet . . . I’ll have to keep working at it, see if I can open myself up to more words. The bigger challenge: can I remember them? Nearing the end of the swim I was getting into a groove and thinking about how swimming for almost an hour without stopping is good practice for longer runs/marathon training. I was also thinking — okay, now the fun starts — as in, I’ve swum enough today to get into a flow state, what could happen if I kept going? What doors might open for me? What wonderfully strange ideas could I have? What delightfully tiny poems could I craft? I didn’t get to find out because Scott arrived and my swim was over, which was fine for today. I’d like to experiment with this longer swim this winter, see what I can do with it.

Little House Update

A few days ago, we made it to season 3 of Little House on the Prairie. We both knew something had shifted in the wrong direction when we heard the opening theme song: season 2’s funky 70s bass line had been replaced with a cheesy swing.

The first episode guest-starred Johnny Cash and June Carter Cash. It was enjoyable, but had lost some of the dark edge of realism that we enjoyed in seasons 1 and 2. Episode 2 was the beginning of evil Nellie, which is camp-tastically awesome, but lacks a grounding in a real time and place. It was exaggerated and over-dramatic, shifting the story away from the lives of people trying to not die in the unforgiving frontier of the 1870s, to an epic battle between the flawed and feisty goodness of Laura and the pure, irredeemable evil of Nellie Oleson. Nellie and her twisted, unhinged glare. Nellie silent and still, lurking at the window. Nellie and her old-fashioned temper tantrums, one on the bed, wailing and squealing and pounding her fists into her pillow; another pacing the room, shrieking and breaking porcelain dolls on the wall, smashing an expensive dollhouse with a hammer on the floor. I do find Nellie’s antics to be entertaining, and get some pleasure in loathing Mrs. Oleson, but I miss the quieter, darker depictions of the difficult frontier life that we witnessed in seasons 1 and 2.

After Little House we’ve been watching an episode of Love Boat from season 1. We’re enjoying it. Such a contrast to Little House. It makes me want to watch the whole line-up from a 70s evening.* I’ll have to ask Scott what that would be; as a kid he memorized the tv guide and probably remembers exactly what was on and when. That would be a fun and enlightening project, to revisit the 70s values/perspectives/preoccupations represented in prime-time tv that we were both raised on.

*perhaps the more accurate recreating of our early kid viewing experience of these shows would be to figure out the reruns that ran back-to-back on TBS.

Wow, this entry went on a ramble! Before ending it, I’ll just add that I have been shocked by how relevant the themes in Little House are right now. Yes, I have problems with the show — too much God-talk and not enough discussion of what it means to live on stolen land less than 2 decades after the civil war — but the hope and resistance and the desire for social justice of the 70s shapes these stories in ways that I had forgotten ever existed (because: Reagan). I am resisting the urge to devote an hour or more to offering specific examples of what I mean here. I don’t have time today.

jan 3/RUN

4.5 miles
minnehaha falls
20 degrees
100% snow-covered

Not a single bare spot on the trail or the road. Hard on the ankles, calves, and the eyes — so bright and white and endlessly nothing. Difficult to see where the snow was loose and where it wasn’t. It didn’t bother me; I’m just happy to be outside moving, connected to this place. Tried to greet everyone I saw — runners, walkers, at least one biker — with a wave or a hello.

10 Things

  1. the smell of chimney smoke lingering near a neighbor’s house
  2. soft ridges of sand-colored* snow covering the street — tricky to run over and through
  3. empty benches
  4. (almost) empty parking lots
  5. a hybrid/electric car singing as it slowly rounded a curve near locks and dam no. 1
  6. the sound of the falls falling over the ledge: almost gushing
  7. scattered voices echoing around the park — at least one of them was from an excited kid
  8. stopping to tighten my laces, a woman in a long coat nearby, standing and admiring the falls
  9. splashes of yellow on the snow
  10. bird song then a burst of birds briefly filling the sky

*sand-colored: using these words, I immediately thought of a favorite poem that I’ve memorized, I Remember/ Anne Sexton: the grass was as tough as hemp and was no color — no more than sand was a color

I listened to the quiet — barely any wind — for the first half of the run, then put in my “Sight Songs” playlist on the way back. Memorable songs: Sheena Easton’s nasally high notes in “For Your Eyes Only,” and the lyrics in the refrain —

The passions that collide in me
The wild abandoned side of me
Only for you, for your eyes only

Yikes. Also, these lines from The Who’s “Behind Blue Eyes”:

And if I swallow anything evil
Put your finger down my throat

And if I shiver please give me a blanket
Keep me warm, let me wear your coat

And these, from Bonnie Tyler’s “Total Eclipse of the Heart,” which I don’t recall ever hearing:

Every now and then I know you’ll never be the boy you always wanted to be. . .

. . .Every now and then I know there’s no one in the universe as magical and wondrous as you

(Almost) 9 Years!

Typically each year, I mark the anniversary of this log as the first of January, with a new year beginning on that day. But, that’s not the real anniversary of this log. It’s January 12th, 2017. Why the 12th and not the 1st? I’m not quite sure; I’ll have to look through my journal from that year. It seems fitting, with my affinity (see D. Seuss below) for the approximate, the almost, to not start on the first day of the year!

On This Day: January 3, 2022

Reading this past entry today, I re-discovered this beautiful poem by a favorite poet, Diane Seuss, Love Letter. Rereading it, so many words, phrases, ideas tapped me on the shoulder, invited me it! Here’s the second half of the poem:

I’m much too sturdy now to invest
in the ephemeral. No, I do not own lace
curtains. It’s clear we die a hundred times
before we die. The selves
that were gauzy, soft, sweet, capable
of throwing themselves away
on love, died young. They sacrificed
themselves to the long haul.
Picture girls in white nighties jumping
off a cliff into the sea. I want to say
don’t mistake this for cynicism
but of course, it is cynicism.
Cynicism is a go-to I no longer have
the energy to resist. It’s like living
with a vampire. Finally, just get it
over with, bite me. I find it almost
offensive to use the word love
in relation to people I actually love.
The word has jumped off
so many cliffs into so many seas.
What can it now signify?
Shall I use the word affinity
like J.D. Salinger, not a good
man, put into the mouths
of his child genius characters? I have
an affinity for my parents. An affinity
for you. I will make sure you are fed
and clothed. I will listen to you
endlessly. I will protect your privacy
even if it means removing myself
from the equation. Do those sound
like wedding vows? Are they indiscriminate?
Well then, I am indiscriminate.
I am married to the world.
I have worked it all out in front of you.
Isn’t that a kind of nakedness?
You have called for a love letter.
This is a love letter.

sturdy! I love this word — the sound and the feeling of it: I like being sturdy. My Girl (in my Girl Ghost Gorge poem, the preferred version of me — Sara, age 8).

the “gauzy, soft, sweet selves” — these gothic girls, jumping off cliffs into the sea — a very different version/vision of a girl than mine

Linking these lines to others from Seuss, I imagine one version of her girl to be the one that died when her father did — she writes about him in Still Life with Two Dead Peacocks and a Girl. That girl’s father became sick when she was 2 and died when she was 7.

Of course, this is only one version of her girl. How many different versions of girls do I have? Do I write about?

Affinity?! Yes, I need to put that beside my list of “love?” words, accustomed, familiar, acquainted, known. Affinity = kinship, attraction, liking/affection, causal relationship, attractive force, “a relation between biological groups involving resemblance in structural plan and indicating a common origin”

Right now, I’m reading “You” as the poem and poetry.

Indiscriminate = not marked by careful distinction — ambiguous, sloppy? a (too) rough approximation?

love letter world . . . suddenly, I’m thinking of Emily Dickinson: This is my letter to the world that never wrote to me

That was fun, giving some time to these words! I am drawn — do I have an affinity? — to Diane Seuss’s words. Is it because my introduction to her was her fabulous poem about vision that begins with the line, the world, italicized? Or her ekphrastic poems, in Still Life with Two Dead Peacocks and a Girl?

a return to the ekphrastic! I am reminded of my past reading and writing about still life, especially with Diane Seuss. I’m imagining my “how to see” series of ekphrastic poems with a section on still life paintings and one on pastoral poems! Also, a section on artists with vision conditions or that particularly resonate for my vision: Magritte, Monet, Vincent Van Gogh. Ideally, a series of poems. But first, taking the time to gather all of the resources together, then to stay open to what could happen! I’m also imagining a section on cut-outs/silhouettes, which I studied during my shadow month.

Colette Love Hilliard and the erasure poem

Last night I bought CLH’s  a wonderful catastrophe. Wow! I love it. This one reminded me of my blind spot/mood ring visual poetry:

from A Wonderful Catastrophe / Colette Love Hilliard

jan 1/RUN

4.6 miles
minnehaha falls and back
11 degrees
100% snow-covered

A wonderful way to start the new year: a run outside, in the snow, above the gorge! There were moments when it felt easy, but mostly it was hard because of the uneven, loose slow. I think my calves are going to be sore all day from the effort! Not injured, just tired from being used to push through and keep balance in the snow. Ever since we got the 5.8 inches of snow last weekend, it has been snowing a inch of two every night. It’s beautiful, but not fun to drive in — I’ve heard; I haven’t driven in at least 5 years because of my vision. It’s not always fun to run in (and on), either. But I’m not complaining, I loved being out there today.

I encountered runners, walkers, at least one fat tire. No cross country skiers or regulars. I heard some people sledding at the park, and the light rail leaving the station — oh, and a woman saying to someone she was walking with, I just need to get the shoes and I’ll be fine. What shoes? Fine for what?

10 Things

  1. a bright while, almost blinding — I’m glad I had some dark tree trunks to look at
  2. snow on the side of a tree making a pleasing pattern on the textured trunk
  3. the falls were falling and making noise — more trickle than gush
  4. the dark gray water of the creek was moving through shelves of ice and snow
  5. the sounds of my yak trax in the snow: crunching and clopping and clicking
  6. the smell of a chimney smoke hovering in the air
  7. a small dome of snow on top of a wooden fence post
  8. empty benches
  9. a crunching noise behind me: crusty ice in my braid hitting the collar of my jacket
  10. overheard: an adult to a kid playing in the backyard, are you having fun?

Running up and out of the park, I had a moment of freedom and happiness — ah, to be outside moving in this fresh air and all of this snow! I thought about my wonderful, low-key New Year’s Eve with Scott and our kids, both of whom are doing so much better at the end of the year than they were at the beginning, both excited and hopeful about the next year.

Today I’m submitting my book manuscript to another press, Yes Yes Books. Before I went out for my run, I drafted a pithy description of my collection, Echolocate | | Echolocated:

“Echolocate, echolocated: to locate using echoes instead of sight, to be located by the echoes you offer. In this collection, a girl and her ghosts visit a gorge daily to locate and be located by the rocks, a river, and the open air and all who are held by it.”

Here’s a beautiful poem I discovered the other day about (not) naming.

Against Specificity / Virginia Kane

Hanif says never put a bird in a poem
without saying what kind of bird.

I want to agree. I like my blues
cerulean, my clouds cumulonimbus.

I prefer my mountains baptized
and my rivers carved with names.

Your reader will find you 
in the details, everyone says,

but when I write about memory
I am just writing about loss.

Here, I forget to tell
the flowers you brought me

they are irises. I decide
the dogwoods we laid under

are just those trees. The months
I knew you, crisp and labeled,

all become that year.
When you leave,

I christen nothing.
I call it what it wasn’t.

dec 30/RUN

2.5 miles
river road, south/north
20 degrees
100% snow-covered

We got another dusting of snow last night, so the path was covered in an inch or two of soft, uneven snow. Harder to run through, but not slippery with my yak trax. A few times, I could feel the spikes digging into slick spots. It was beautiful and I would have loved to run longer if the surface had not been so uneven. Halfway through, I stopped to hike down to an overlook on the winchell trail. Quiet, white, too bright. I encountered a few other runners, 2 trios of walkers. A fat tire. Walking back, I saw a small kin on disc sled sliding down a hill in his yard.

10 Things

  1. the rumble of a blue snow plow
  2. a line of cars driving very slowly along the river
  3. the dark curve of a retaining wall
  4. heavy, white sky
  5. the strong smell of weed coming from a car parked in the 44th street parking lot
  6. a sheet of dirty snow on the road, stirred up and flung by the wheels of a mini-van
  7. a kid sledding down a very small hill
  8. no ice or puddles, only powdery white snow on the path and light gray ridges of snow on the road
  9. empty benches everywhere
  10. the vine with orange leaves on a neighbor’s fence, some of it had snow — little white spots of ice? snow? making patterns on other parts of the fence
vine with ice, snow, orange leaves, on brown fence
vine with ice, snow, orange leaves, on fence / 30 dec 2025

This image is most vivid when I look at it on iPhotos. Is it because the quality is higher? When I noticed the white spots on the fence — directly, not through a phone or computer screen — these spots were only small white dots. In the photo, they look bigger and I can see small vince steps. Very cool and strange. I might make this photo my wallpaper!

With these 2.5 miles, I reached my goal of 950 miles for the year. I took some time off in May (because of my back) and I swam a lot more this summer, so I’m happy with 950. Next year, at least 1000 and the marathon again!

2025 cento: lines I love + lines I can relate to

It’s time for another cento created out of poems I gathered this year. First, I read through all of the poems and tried to pick out (at least) one line from each. Then I pasted these lines into a document, then printed it out. I cut out the lines, which took forever (and is very taxing on my eyes!).

favorite lines in a pile

Then I arranged the lines on a table, in no particular order:

2025 poetry lines

Now, it’s time to have fun! The first experiment: quickly divide the lines into 2 categories: 1. I love and 2. Does this happen to you?

an explanation: Each cut-out included the lines and the poem’s title and author in parentheses at the bottom. I tried carefully to make sure that the lines were always grouped with the title/author. But, on 2 occasions, I noticed lines that had no citation: I love and Does this happen to you? I decided to make those the titles of 2 different sections of the poem.

dec 29/SHOVELBIKEWALK

shovel: 30 minutes
12 degrees / feels like 0
bright sun

The official word is that MSP (airport), which is only a couple of miles away, got 5.8 inches of snow. It wasn’t too hard to shovel; thankfully it got a lot colder yesterday and overnight. No longer heart attack snow. Under the powdery stuff, there was some crust, but it didn’t seem too slippery either. I would love to go out for a run by the gorge, but I don’t think that’s a good idea for my glute/hip/back. It’s tough to resist.

10 Things

  1. bright blue sky
  2. warm sun on my face
  3. fogged up sunglasses
  4. an unsettling creaking noise above me: some frozen branches on our big maple in the front which seems to be dying (evidence: big branches have already fallen this fall + several woodpeckers have been drumming on the wood)
  5. the whiny rumble of a snow blower in the distance
  6. a cold spray on my face when the wind blew some of the snow I’d just shoveled
  7. the recycling and trash can lids frozen shut
  8. rabbit prints along the side of the house, near the garage
  9. a sharp rumble nearby: another slow blower, closer and in the alley
  10. sprawled branches of the crab apple tree, weighed down with snow and ice

bike: 35 minutes
basement

Resisted the urge to go outside and run; biked in the basement instead. Almost finished the first episode of season 2 of Wednesday. Like in the first season, she attends a boarding school, Nevermore. Did I know that Edgar Allan Poe was the founder? Probably. Some outcasts are psychics or wolves, can control bugs or shoot electricity out of their fingertips. I can’t remember if there’s only one siren or more. This season has Steven Buscemi as the principal and a scar-faced crow. It was helpful to watch the episode with audio description on — such relief to actually see and understand and to not not know what is going on. Yes, that is a double negative, and yes, I meant to write it — the feeling of uncertainty is not knowing, so the relief is in not being in that state of not knowing: to not not know

walk: 20 minutes
neighborhood
13 degrees

Managed to convince Scott to go outside for a quick walk around the block. It was cold, especially walking into the wind, but I had hand warmers in my gloves, which helped a lot. Scott did not, so he was very cold, and didn’t want to walk for long.

What did I notice? One neighbor had put salt down on their sidewalk (boo). Most of the sidewalks were shoveled. The street 2 blocks over had lights strung up from one end of the street to the other. I never see these lit up, because I don’t walk this way at night. A friendly woman greeted us halfway down another block — hello! / hi!. She was giving treats to a cute dog. Anything else? I can’t remember.

Found a purple poem earlier this morning:

an excerpt from Language Lessons/ Judith Kiros

Translated from the Swedish by Kira Josefsson with Judith Kiros

is it only words. On and on. If you shook up the words. On a
particular shade of purple being extracted from spiraling shells.
If the repetition had less to do with the broken-apart sea, see my
skin and my arms rippling like a wave, on and on again, I’ve
dyed them navy. On receiving a gift in your childhood, a purple
doll with foaming skirts, beneath them nothing, between her
legs nothing, what a perfect wave of black nymph. On violet.
Or on lavender. On being lowered into an ocean of colors. On
your head being pushed beneath the surface, on and on again,
to the tune of seashells knotting their purple insides. Don’t give
yourself up for free; there is a point in talking back to the sea. On
a particular shade of vague purple. On the way a shadow struts,
violet, across the page.

a particular shade of purple: tyrian purple, made from snail shells
violet, lavender, being lowered into an ocean, pushed beneath the surface: this makes be think of Alice Oswald and Nobody and Odysseus and his purplish-blueish cloak

I like the idea of being lowered into an ocean of colors
shade of vague purple

My favorite: the way a shadow struts,/violet, across the page

I love the word strut, especially when it involves a shadow! Immediately, it reminds me of another favorite line from “My Invisible Horse and the Speed of Human Decency “/ Matthew Olzmann:

I’m not asking for much.  A more tender world 

with less hatred strutting the streets.

Also discovered this morning: Fragment Thirty-six / HD and the reading guide by Dan Beachy-Quick — I’d like to return to this some other day, when I have time.

one final note: I have posted a log entry, either running or biking, on this day every year that I’ve written in this log: 2017-2025. Tomorrow, I’d like to experiment with mashing up or combining or erasing or scrambling or cutting up the words in these entries to make a new piece of writing — most likely, a poem.

dec 27/RUN

5.25 miles
bottom of franklin and back
38 degrees
humidity: 90%

Even more wet today than yesterday. I was prepared for these conditions because I asked FWA, when he got back from walking Delia and before I went out for my run, what it was like outside and he said, like yesterday but wetter. Yep. Today I ran north instead of south. Puddles everywhere. Like yesterday, I tried to avoid them, and like yesterday, I was successful until I wasn’t and then I squished squished squished for the remainder of the run. Even though they were wet, my feet weren’t cold. In fact, I was warm — dripping sweat. Saw and greeted Daddy Long Legs twice. Hello!

For the first 4 miles, listened to the gorge. For the last mile, Sight Songs (originally titled “Eye Tunes” but that name was too confusing for Siri), on shuffle. The song I remember the most was “Breakfast in America” and the twisted return of the opening lyrics:

Take a look at my girlfriend

and

Don’t you look at my girlfriend

10 Things

  1. the surface of the river, closer up, under the I-94 bridge — glossy, looking like the surface of the ice skating rink at Longfellow on a warmer day
  2. the not-quite-frantic, unsettled? call of a bird under the franklin bridge — one note, repeated
  3. a wall of snow on a curb, white speckled with grayish-brown, subdued cinnamon sugar
  4. a biker speeding down the franklin hill
  5. another biker powering up it
  6. a small patch of bright pink graffiti on the underside of the franklin bridge
  7. misty, foggy, thick gray air
  8. an empty sky with an occasional bird flying through it
  9. voices all around — talking, laughing
  10. a vine on a neighbor’s fence with orange leaves
vine, orange leaves on fence / 27 dec 2025

on walking

Discovered and read a beautiful essay about walking this morning: On Walking / Ira Sukrungruang.

1 — connected to place

Walking barefoot as a monk was a constant reminder of how we humans are always connected to the earth, bound by gravity, ever aware of the heft we carry—some of us more than others. It made me feel the mechanics of movement: muscles and tendons stretching and contracting, propelling the leg forward. It made me aware of the ground we walked on, the dirt and tar and tufts of grass in cracks, the unevenness of the pavement, the changes in terrain. This was spiritual walking, a bringing of awareness to our breath and our steps.

I am reminded of a line from my poem, “Girl Ghost Gorge,” it begins here, from the ground up: feet first, following

2 — an awareness of a changing climate

The environmental destruction we humans have enacted on this earth is obvious, but I didn’t take it in, I didn’t feel it, until I started walking.

Yes! Since starting to run above and beside and around and with the gorge (almost 9 full years and more than 8,500 miles), I have become more aware of the outside world and its shifts from season to season: when the leaves change and the acorns fall and the snow arrives (or doesn’t) and the floodplains are flooded and the sidewalks are cracked and the sun is covered in wildfire smoke and the bluff and a bench on its edge slowly slide into the gorge.

3 — eyes forward, ears open

After two weeks I came to look forward to taking the same path, seeing the same people. I was coming to understand devotion and repetition and humility. When a monk walks, his eyes should not look too far ahead, but neither should they be at his feet. They should be ten yards in front of him. And a monk’s ears should listen to the land waking up—the creaks and groans of the earth. The land is alive. It communicates. This earth, this world, is more than shape and matter.

Listening to the land speaking, open to how it communicates. Not staring, studying, dissecting it with our gaze.

4 — looking up and waving at a gargoyle

One afternoon in Exeter, walking to pick up Bodhi from school, I noticed how hunched I had become. It had been four months since our move, which meant I’d made that walk more than three hundred times by then, but only on this day did I notice a gargoyle staring down at me from above.

I stopped in the middle of the sidewalk to look up at it. Such an odd sensation to straighten and tilt my head back. It was a rare sunny day in Exeter. I shielded my eyes with my hand and felt like a flower willing itself through the ground. Then I waved at the gargoyle. I don’t know why. Cars whizzed by. People walked on both sides of the street—parents like me, getting their kids from school. The steeple of St. Leonard’s Church was in the distance, a beautiful marker of how far it was to Bodhi’s school. I headed toward it, my head high, learning a new way of being.

This ending paragraph and the looking up and waving at the gargoyle, reminds me of a favorite poem I read early on in this log (in a july 4th, 2019 entry I mention that I’ve been trying to write about this poem for years, but I can’t find an earlier entry with a mention of it, so I’m not sure when I first discovered it):

excerpt from Woman Waving to Trees / Dorothea Tanning

of these old trees. Raise your
heads, pals, look high,
you may see more than
you ever thought possible,
up where something might
be waving back, to tell her
she has seen the marvelous.

I love her use of pals — I’ve tried to (unsuccessfully) use it in my own poem. I often think of these lines whenever I stop to look up at a tree. Have I ever waved at one? I can’t remember, but probably not.

a year in poetry

Searching this my log for mentions of pals, I encountered a cento I wrote back in 2019, out of lines from all of the poems I gathered in 2019. I like it, and I want to do this again for 2025! I love centos and putting others’ words into conversation with each other!

Here’s the “finished” draft of the 2019 cento: I’m not Asking for MuchI’m hoping that I identified where the lines came from in some document because I’m not sure I could do it now! And here’s an earlier draft: Listen

Here’s where I begin: Poems Gathered in 2025

a word quarry game

While reading through my poems gathered in January of 2025, I came across an essay — We Could Just Gaga Our Grammar — and an idea for playing with words:

Find two or three random paragraphs from two sources and copy and paste the paragraphs into a word scrambler. From this jumble of found text, draft a poem. This activity is inspired by Dodie Bellamy’s Cunt Ups.

I’m thinking of a variation on this; instead of using a word scrambler, putting the paragraphs into my word quarry — grouping all the 1, 2, and 3 syllable words and then turning them into a new poem or chant or sentence based on rock (2-syllable/1-syllable words) river (3 1-syllable words) and air (1 3-syllable word) formations.

also: Looked up Cunt Ups and was reminded of William S. Burrough’s cut-ups. Found a book about it, and requested it. Now I’m thinking about cut ups and Lisa Olstein and then Henri Matisse and cut up forms and the cutting prow.

So many ideas! It is fun to let my mind wander again, after 6+ months of structured writing, first about open swim, then about haunting/being haunted at the gorge.

Back to Burroughs and cut ups. I watched this video, which I found in this essay: William S. Burroughs Cut Up Method

Cut-Ups William S. Burroughs

So good — when you cut into the present, the future leaks out. Also — the idea of the tape cut-ups and taking a phrase and scrambling the order until it means something else: I want to try that with my rock river air chants. And, the idea of taking different entries of this log — maybe entries from one day, different years — and cutting it up, or finding the same words, or picking a phrase from each entry . . .

dec 26/RUN

4.45 miles
minnehaha falls and back
36 degrees
humidity: 90%

Moist, thick, big puddles everywhere. I tried to avoid them, but I couldn’t avoid all of them and by my last mile I could hear my one shoe squish squish squishing. Since it was warm, it didn’t bother me. Oh — just remembered — my shoe/sock got wet at the falls — the cobblestones near the falls were full of puddles. There were a few slick spots, but mostly it was just wet.

For 3 miles, I listened to the wet wheels, whooshing, crows cawing, and people calling out to each other as I ran. For the last mile: TSwift’s Life of a Showgirl

10 Things

  1. the small patches of snow on the trail or the road, seeping murky gray-green-dirty white liquid
  2. the rusty orange leaves, dead, still clinging to the trees
  3. calmly letting a walker know I was approaching from behind — right behind you/thank you! I meant to say, you’re welcome, but didn’t, then lamented my failure to exchange the you until I realized I had with my right behind YOU –if I had said, the you would have been traveled 3 times: from the-walker-as-you when I said, right behind you, to me-as-you when she said, thank you, to the walker-as-you again with, you’re welcome
  4. overheard: a man leaving a group of people at the falls, calling out, I’m going back to pay the meter!
  5. clusters of people — 6-8 at the overlook just above the falls, and at the overlook close to “The Song of Hiawatha”
  6. a clump of something not moving ahead of me on the trail — dead leaves? A darting squirrel. I studied it closely to make sure it didn’t run in front of me
  7. a distant thumping, heard when stopped to put it my headphones — nearing, another running plodding along
  8. seen with peripheral vision: some frozen crystals on my cheek
  9. the trail on the bike side of the double bridge was mostly wet ice with 2 narrow strips of bare pavement that narrowed even more until not even my toe could fit in their groove
  10. crows! just before starting my run, they were gather in the trees above me. when I stopped to start my workout on my watch, they cawed furiously, as if to say, keep moving!

Just before the run, I got an email about one of the chapbook contests I entered — back in July. I didn’t win, but I got, along with 4 other poets, an honorable mention. I’ll happily take that! The chapbook I submitted included earlier versions of several of the poems that I revised for my manuscript. I think the poems are even better now.

In the last mile of my run, a sudden thought: I should submit something for tiny wren lit’s tiny zine series. It says they’ll open again in early 2026: submit a tiny zine

safari reading list, review:

1 — contentment

Found a poem about contentment while reviewing my Safari Reading List. I’m partial to the words satisfied or enough or still, but contentment works too.

from A Beautiful House with a Hot Tub and Pool/ Jason Schneiderman

Yes, I can be content anywhere,
but alas sadly: No. It’s not true. I can’t be content here
in my uncomfortable present, in my uncomfortable chair,
on the uncomfortable subway, at this uncomfortable desk,
in this uncomfortable classroom. But oddly, I am content 
to visit the past, to say Hello everything I’ve lost, 
to say I wish you could come here to the present, 
my lost companion trees. I wish you could meet 
everything I’ve found.

about this poem: “Making peace with the past has been a common theme in my work, so I decided to try to write about making peace with the present.”

2 — a no-one rose

from Psalm/ Paul Celan (trans. John Felstiner )

Blessèd art thou, No One.
In thy sight would
we bloom.
In thy
spite.

A Nothing
we were, are now, and ever
shall be, blooming:
the Nothing-, the
No-One’s-Rose.

I love this bit of Celan’s poem and the No-one’s-Rose! No One — a someone who is No One: what type of sight do they have? We were, are, shall be nothing, blooming. I want to use this — maybe as a breathing with poem — in a collection* about the gorge/gap/bling spot.

*maybe not a collection, but a series of attempts, orbiting around the idea or feeling or experience of the Nothing in the gorge and in my vision.

Speaking of orbiting: Last night, I was trying to name/remember something, but I couldn’t, quite. I kept almost getting the right name, but I was off, approximate. As I talked, I moved my hands around in a circle, as if to indicate I was circling around the name. I called out, I’m orbiting it! I do this a lot. I wish I could remember the exact example, to make this story more understandable, but I can’t.

3 — CAConrad’s Queer Bubbles

There are some great bits in this article about Conrad and their rituals in The Paris Review:

“I love being inside the ritual,” he says. “It’s like speaking in tongues. It’s not just automatic writing … Every nuance, every adjustment to the ritual, alters the language that comes out of me.”

Exercises like these are nothing new in poetry—Conrad cites Bernadette Mayer and Charles Olson as two practitioners of similar methods—but he insists that his rituals are chiefly inspired by his childhood, specifically the Pennsylvania Dutch Country where his grandmother taught him to meditate and where he took an interest in the occult, from local water diviners to the hex signs painted on barns. But as much as his work owes a debt to Boyertown, it is a deliberate rebuke to the bigotry, violence, and oppression he found there.

Queer Bubbles

I’m familiar with B Mayer’s work — a class on her list is what led me to poetry! — but I don’t know that much about Charles Olson. I should look into him more, like his archeology of morning (on a site that offers footprints not blueprints, which reminds me of my old academic slogan for my ethical/pedagogical approach: an invitation to engage, not a how-to manual) and the polis / Polis is This:

Polis is This

In his two books of (Soma)tic rituals and poems, A Beautiful Marsupial Afternoon and ECODEVIANCE—a third collection, While Standing in Line for Deathwill be published this September—the rituals and resulting poems appear opposite one another. Because the rituals are written in the second person, at times the books read like the world’s most bizarre and inventive self-help guides, manuals for what you might call acute mindfulness. One ritual starts like this: “Eat a little dark chocolate before getting on the subway. Sit in the middle of the car … Then close your eyes, and as the car rolls on its tracks make a low hum from deep inside you … As soon as the car stops write 9 words as fast as you can before the train moves again … Repeat this humming and writing for 9 stops.” He credits his rituals with lifting him out of depression and grief.

Queer Bubbles

The use of You — a bizarre self-help manual or how-to on mindfulness!

the blind ring project returns to haunt this log

Doing some reading about lit journals that accept visual poetry, I was introduced to the amazing erasures of Colette LH. So beautiful and wonderful. Here’s the first one I experienced:

(un)certainty

Then I saw this one, Brain, and I started thinking about what I could do with my blind spot black-out ideas, and now I’m wondering about doing something with my peripheral. These white trails above, in (un)certainty are making me think about movement and direction and motion as it relates to my peripheral vision. Hmmm….

I want to buy their 2018 chapbook: a wonderful catastrophe and this, Celestial Timpani from Yavanika Press

dec 22/RUN

4.25 miles
minnehaha falls and back
38 degrees
10% ice and 30% puddle-covered

Waited until the late afternoon to go out for a run; too icy this morning. This afternoon (at 3), there were lots of puddles and sun and not much ice. A good run. Even though I think I caught FWA’s cold, I had plenty of energy while I was running and felt great.

10 Things

  1. bright sun reflecting off the windows of a house
  2. the very strong smell of week near the 44th street parking lot
  3. the creek was moving, but the falls was not
  4. lots of walkers, a few runners, at least one fat tire
  5. a walker moving over to let me pass on the cleared bike path in the park — thank you! / you betcha!
  6. near the oak savanna, a little kid’s voice floating up from below
  7. at least one bright yellow jacket
  8. the river: covered with ice and snow
  9. a line of cars waiting at the stop sign on the road coming out of wabun park and the veterans home — did a shift just end?
  10. the clip clip clip of another runner’s ice cleats

blind spot

Yesterday I wrote about re-finding my blind spot and doing a series of erasure poems with it. Last night, I woke up with a vague idea about writing a hybrid piece (possibly to submit to a journal’s call for submission — Waxwing) that involves using and applying and reflecting on my blind spot. This morning, I’ve been spending more time thinking about it, wandering and wondering how and what to do with these ideas. Just now, a thought: even as I use a cut-out or an image of my blind spot and apply it to text, as if to demonstrate how I see, the resulting poem/prose piece/fragment can’t properly convey how it is that I do or don’t see. The difficulty with my failing/failed vision is that I can’t really see it. Well, sometimes I can see it, like when I’m talking to someone and their head is only a fuzzy, empty blur, but often I can’t. It’s more of a feeling, or sometimes it’s not anything; I don’t realize I’m seeing wrong or that I’m not seeing until it is pointed out to me. How do you convey that?

But, even if the dark outline of a blind spot doesn’t effectively represent my vision, it does do something. So I’d like to use it.

As I write this, I’m looking out my window, into the bright white and blue of the sun and snow and sky. The image is shaking or shuddering or unsettling constantly. I see pixels shifting. The entire image is not unstable — I see solid forms that aren’t moving — like a red car parked across the street, or the straight hulk of a tree trunk — but the feeling of all of it is movement and being unfinished, unsettled, or buzzing? Visual buzz?

Earlier today I was working on a movie musicals puzzle. I’m constantly amazed that I can still work on it, that I can see enough to fit pieces together, but I can. In fact, with the small bit of central vision I have left, right in the middle of the middle of my eye, I often see small details — a tiny face or eyes, a finger pointing — and can recognize where they go. Sometimes I can’t fit it in exactly, so I give it to Scott and he finds the exact spot. Vision is so strange.

several hours later: Right now, I’m starting to look through the entries I tagged, vision. I have 20 pages of them. Already with the first one, I have an idea. On jan 30, 2020 I posted the poem, Natural Forces/ Vicente Huidobro. Since then, I’ve spent a lot of time with this poem — analyzed it, memorized it, recited it while I was running. To me, it’s a great example of the myth of the power of sight. Could I fit it in an amsler grid-sized box, and apply my blind spot to it?

I tried. Made a text box the size of grid. Fit the poem in the box as many times as would fit. Printed it out. Traced my blind spot on an Amsler grid, then cut it out and placed it over the poem. Not sure I like it, but it’s a start.

blind spot experiment #1

I wonder what it would look like if I only wrote the poem once, and made it a horizontal band across the box? Maybe make the font size smaller too? What if offered a few different versions, some with larger fonts, some with smaller so a reader could see what I can/and can’t read. I’ll have to try that next time.

dec 18/RUNBIKERUN

run: 1.7 miles
neighborhood / river road trail
29 degrees
50% very slick ice

Not ideal weather for a run. Were there any other runners out there? I can’t remember; I do recall seeing one walker. A lot of the sidewalk, road, trail was fine — not slick at all — until it wasn’t. Every so often, a slippery spot, some I could see, some I couldn’t. I skittered several times, having to take little half-steps. No sense that I was almost about to fall. I think I was lucky today that I didn’t twist or strain or break anything.

My body didn’t tense up in anticipation of sliding or falling, but I also wasn’t relaxed. Constantly trying to see or feel the ice. Did I notice anything else?

10 Things

  1. flitting birds, emerging from trees
  2. rusted orange in the floodplain forest
  3. the loud scraaaape from a neighbor’s shovel
  4. na ice-covered river
  5. a strong wind — not heard or seen but felt, burning my ears and my face
  6. car wheels losing traction on snow/ice, turning around in the middle of the street
  7. puddles on the path
  8. the edges of the road, dry then super slick then wet
  9. puddles on the sidewalk, not in the usual spots — the house on the next block, the house past 46th — but just around the corner
  10. noisy trucks near a school, doing some sort of repair work involving banging and backing up and scraping and pounding — heard, not seen

bats!

Reviewing old entries, as part of my On This Day morning ritual, I encountered a poem with the great line,

Fix your gaze upward and
give bats their due,
holy with quickness and echolocation
(Abecedarian for Dangerous Animals/ Catherine Pierce

Give bats their due. Yes! This line led me to other bat poems — last year or the year before I created a bats tag — and to these wonderful lines which I’ve written about before:

Think of it—to navigate by adjustment, by the beauty
of adjustment. All those shifts and echoes.
(Threshold Gods/ Jenny George)

To navigate by adjustment, shifts, echoes. Can I do something with these lines, add them to my echolocated poem at the end, Ringing Still, or another poem in the final echolocated section? Hmmm….echolocated is about being located/found by others. The (current) title of this collection is echolocate || echolocated. There’s a gap/tension between locating and being located, the one doing the locating and the one being located. In past years, I’ve imagined these two subjects (the locater, the located) as one Sara (the Speaker) trying to located another Sara (the reader), a You and simultaneously an I. No. Too much explanation. There’s is a swirl of something in my implied speaker addressing a You which is not me, and also me, and my consistent reference to the person going to the gorge and running and noticing (which is what I am doing) as the girl or she — which, if I haven’t already mentioned it is an actual girl — me, age 8:

Sara, age 8, in my soccer team uniform.

Instead of spelling this out, I’d like this to haunt this collection. Does it?

bike: 30 minutes
run: 1.3 miles
basement

Scott and I were planning to go to the y, but it started sleeting and snowing, and the wind was blowing, so we didn’t. Instead I went to the basement and biked. I started watching a documentary that I’ve been wanting to watch for more than a month: Come See Me in the Good Light. It’s about the poet, Andrea Gibson. Beautiful.

Then I got on the treadmill and ran while listening to my new “Eye Tunes” playlist on shuffle:

  1. Breakfast in America/ Supertramp
  2. Double Vision/ Foreigner
  3. See You Again/ Miley Cyris
  4. Tell Me What You See/ The Beatles
  5. Eyesight to the Blind / The Who
  6. Eye of the Tiger / Survivor

Open up your eyes now, tell me what you see
It is no surprise now, what you see is me
(Tell Me What You See/ The Beatles)

tell me what you see, I can’t wait to see you again, take a look at my girlfriend, not seeing straight, she’ll give eyesight to the blind, he’s watching us all with the eye of the tiger.

look at/stare/gaze/encounter/watch/stalk

dec 16/RUN

5.25 miles
bottom of franklin hill
37 degrees
60% snow-covered

Above freezing today! Good, and bad. Good, because the snow on the path is melting. Bad, because it will freeze again tonight. I’ll take it, and the sun! and the warmth on my face! and the sound of wet, whooshing wheels. I ran to the bottom of franklin today to check out the surface of the river: completely covered with ice, a light grayish white. Almost all of the time, I felt strong. It was only after taking a break to check out the river, then starting again and running up the hill, that my legs felt strange. It took a minute to get back into a rhythm.

10 Things

  1. Looking up: powder blue sky, with streaks of clouds and sun
  2. something half-buried in a snow bank, 1: a lime scooter
  3. something half-buried in a snow bank, 2: a bike — not a rental — where is the owner of this bike, and why was it wedged in the snow and not put somewhere else?
  4. another runner, much faster than me, in a bright yellow jacket
  5. deep foot prints in the snow leading up to the sliding bench — someone must have sat here recently
  6. the view from the sliding bench: open, clear through to the snow-covered river and the white sands beach, which is just snow now
  7. someone at the bottom of the franklin hill, staring at the water
  8. a few honking geese down below
  9. cheeseburger cheeseburger — a calling bird — a chickadee, I think
  10. flowers for June in the makeshift vase of an uncapped railing under the trestle

Earlier today, while drinking coffee, I heard (not for the first time) Lawrence’s song, “Don’t Lose Sight” and I started to think about vision/sight/eye songs. Time for a playlist! I borrowed a title from someone’s spotify playlist that came up in a google search: Eye Tunes (groan). Came up with a long list of songs, then put a fraction of them in the list. I’ll keep fine-tuning it. I listed to the list during the second half of my run.

Eye Tunes

  1. I Saw the Light / Todd Rundgren
  2. Blinded by the Light / Mannford Mann’s Earth Band
  3. Eye in the Sky / The Alan Parson’s Project
  4. Eyes Without a Face / Billy Idol
  5. I Can See Clearly Now / Jimmy Cliff
  6. Can’t Take My Eyes Off of You / Ms. Lauryn Hill
  7. These Eyes / The Guess Who
  8. Eye of the Tiger / Survivor
  9. The Look of Love, Pt. 1 / ABC
  10. The Look of Love / Dusty Springfield
  11. For Your Eyes Only / Sheena Easton
  12. Eyesight to the Blind (The Hawker) / The Who
  13. Breakfast in America / Supertramp
  14. Don’t Lose Sight (Accoustic-ish) / Lawrence
  15. Total Eclipse of the Heart / Bonnie Tyler
  16. Double Vision / Foreighner
  17. In Your Eyes / Peter Gabriel
  18. Behind Blue Eyes / The Who
  19. Evil Eyes / Dio
  20. Stranger Eyes / The Cars
  21. Tell Me What You See / The Beatles
  22. My Eyes Have Seen You / The Doors

I listened up until Dusty Springfield’s “The Look of Love.” A few thoughts: I always think, anus curly whirly? when listening to “Blinded By the Light.” There is a LOT of vibraslap in “Eyes Without a Face” and, what does Billy Idol mean here? ABC’s “The Look of Love” is wonderful, and has some hilarious moments, especially the call and response section: Whose got the look? / If I knew the answer to that question I would tell you.

Back to Billy. Looked up the lyrics to “Eyes Without a Face,” and I think they mean that the person lacks humanity, is inhuman. Their look lacks compassion, grace.

Eyes without a face
Got no human grace
You’re eyes without a face
Such a human waste
You’re eyes without a face

And, I’ll end with ABC’s opening lines:

When your world is full of strange arrangements
And gravity won’t pull you through

That sounds like someone with vision problems (me)!

dec 15/RUN

4.2 miles
minnehaha falls and back
20 degrees
75% snow-covered

Much warmer today. Sunny, bright, low wind. My right glute/back/leg didn’t bother me. I felt strong and relaxed and very happy to be back out, beside the gorge. I took a week off from outside running; partly because of the extreme cold, partly the uneven paths, mostly because I was giving my body a break.

10 Things

  1. a runner in an orange-y, pinky jacket
  2. a walker — or a worker? — in a bright yellow jacket, standing above the overlook at the falls
  3. the falls: silent
  4. the creek, looking: almost completely frozen, only a few streaks of dark, open water
  5. the creek, listening: a soft trickling sound
  6. beep beep beep a park vehicle with a plow on the path, clearing out more snow
  7. scrape scrape the sound of the plow blade as it hit bare pavement
  8. the river surface, all white, burning bright through the trees
  9. a car blasting music that was so distorted I could just barely identify it — I think it was “Kids” by MGMT
  10. the big boulder that looks like an armchair, with a lapful of snow

I, Emily Dickinson

I’m finally getting around to doing my write-ups for my monthly challenges in Sept, Oct, and Nov —I was distracted by my manuscript. I found something helpful from 1 sept that I had forgotten about:

Surely, the finest way to appreciate Niedecker would be to read her well. And then repeated reading, reading aloud, transcribing the vibrant phrases on to paper, oh and even framing them. But how to linger in the presence of this voice, and let it echo within oneself, make her a part of oneself? Perhaps by applying Niedecker to Niedecker, I would arrive at a new condensary. De- and re- constructing her poems, deleting words, conflating words, writing through her writing.  

Mani Rao and Writing “Lorine Niedecker”

How to let it echo within oneself? (it = a poet’s words, ideas, worlds). I’m thinking about doing this, writing around and with and through Emily Dickinson, especially in relation to her references to failed vision. To let it echo, listen for the echoes, create echoes. Two immediate thoughts: 1. memorizing and running with her words and 2. taking her poems to my quarry — which I’ve done with 2 already (see the 13th and 14th of December entries).

dec 10/SHOVELBIKE

60 minutes
4 inches
22 degrees

Not sure why 4 inches took almost an hour to do, but it did. The snow was light and dry and easy to push around but I had a lot of area to cover: a front sidewalk, back sidewalk, side sidewalk, small driveway and a deck. All with a shitty shovel. Now, I’m tired. But I don’t care. While I shoveled, I listened to a musical I’ve never heard before — or only heard one of its songs: 3 Bedroom House — Bat Boy. I liked it, well, most of it. One thing that stood out to me: the songs actually told the story. Usually, if I’m listening to a musical and I don’t know the whole story, the songs don’t help, or they give me some of the story but leave crucial bits out. Camelot, I’m talking to you.

A few minutes later, talking to Scott about the musical, I realized how fitting it is to be listening to it — bats! The title of my manuscript is Echo | | location!

10 Things

  1. a group of young kids — in elementary school, I think — walking to school, laughing, calling out, stopping to throw snowballs at each other
  2. 2 women (moms?) pulling occupied sleds towards a school (1.5 blocks away), then empty sleds back again a few minutes later
  3. a burnt coffee smell
  4. a car with an engine that needs a tune-up pulling up to the daycare next door — sputtering
  5. a little girl getting out the car, trudging through deep snow
  6. robins bursting out of our crab apple tree in the backyard
  7. a thick slab of snow on each of our three garbage cans (organics, trash, recycling) looking like vanilla frosting
  8. a neighbor down the alley starting a snow blower
  9. the sharp, scratchy scrap of the metal tip of our bright green shovel on bare sidewalk
  10. the creak/groan of our wrought-iron gate

more manuscript

Thanks to past Sara who left the tab open . . .

the kids next door just came out to play in the front yard — SNOW!, one kid yelled. They’re completely covered in snowsuits, with their hoods up — I used to be annoyed by these kids, but I’ve grown to really like them. They’re always so kind to RJP and FWA when they see them. HAPPY SNOW DAY — a woman called out to them. HAPPY SNOW DAY!!! — one girl replied.

. . . who left the tab open on the computer to an entry in which I talk about daylighting, I remembered that I wanted to write a poem about it, that is, the effort/desire to bring buried creeks aboveground again. Yes! And I’ll put it in the river section, which needs at least one more poem. Before shoveling, I had the idea to take lines from different descriptions of these creeks/springs/ghost rivers and turn them into a cento.

As I shoveled and listened to a line in Bat Boy: the Musical about being let into the light, I had a flash of a thought and a line:

Being outside —
less the light
more the air

I was thinking about how I want to move away from reinforcing the idea that light = good, and dark = bad. Sometimes, with my vision I want/need more light, and sometimes it’s too bright, too much. I don’t mind the dark. I was also thinking about how much I crave/need fresh air. But — maybe for the underground streams it is not a need of air, but space, the room to flow naturally over the topography instead of being buried in a concrete coffin.

okay — these kids are too cute. They just said hi to FWA (as he walked by with Delia) — HI! Have a good day! And now they’re greeting everyone as they walk by, and everyone is returning their greeting with enthusiasm. Hi! / Hi! Are you having fun in the snow? / Yes! . . . FWA came back from the walk and I asked him about the kids. He told me that they said they liked his dog and then the littlest one said something he couldn’t understand — blah blah blah named Soda. He said, What?, and she repeated, blah blah blah named Soda. FWA replied, oh, you have a dog named Soda? That’s cute!

exhumation of streams from underground and reintroduction of them to the surface

exhuming
of bodies —
buried streams
coffined creeks
returned to
the surface
not only
to light, but
open space
and their place
of origin
(or open space/and their source)

Today, I’ll start with these sources for inspiration:

Reaching the Light of Day
“The Urban Mile: The Subterraeam Streams of St. Paul in Subterraean Twin Cities
Daylighting Phalen Creek
 Bridal Veil Falls

(hours later) I read the above sources, and fit some phrases into my triple (berry) chant form. I think I can some of these and shape them into a poem!

urban

waterways

the same path
but below,
under our
feet, under
the ground

natural
waterways —
flow through top-
ography

of a landscape

collective
memory

water, un
ruly, will
not be man-

aged
refuses

to obey

cities, planned
neighborhoods
rooted, creeks
rerouted

caverns, sink
holes, passage
ways deep in

archive of
memory
reflection
on all that
has been lost

she wonders
what a day-
lighted world
could look like

a pipe — the
container
for a
muted stream

not lost, but
forgotten
hidden from
view, walled-in
yet 
flowing still

down here it’s
difficult
to trace the

pedigree
of a pipe
to unearth
its stories
to trace its
influence,
on a place
its people

a creek, its
meadows and
woodlands re-
placed with new
neighbors: streets,
tunnels, pipes,
ditches, wells,
basements for

new houses.
once mighty
waterway
turned from creek
to brook to
rill to no
thing that could
be seen.
industry
buried the
creek that fed
the falls

from a
300
acre wet
land that fed
a creek that
followed
a bank that
spilled over
a ledge and
into a
river, lots
platted, a
street grid
 laid,
a railroad

arrives, ponds
filled, a
freeway built,
neighborhoods
developed

Some things I’d like to remember from what I read: some of the falls/springs/creeks by the river have dried up, no longer exist, others are not lost, only buried, housed in sewer pipes, flowing through massive underground tunnels. In Subterranean Twin Cities, the author — Greg Brick — mentioned how difficult and costly it would be to even attempt to get rid of these waterways altogether. Burying these creeks privileges a particular set of values over other values, comes at the expense of certain communities, cuts people off from their histories, their connection to a place, their waterways.

echoes of the past, of the still-present waterways: seeps, springs, sewer pipes — the dripping or trickling or flushing gushing rushing of water in ravines — it’s all around, and always there when she runs.

bike: 25 minutes
basement

After sitting for much of the day and feeling a twinge in my right glute (maybe) because of it*, I decided to do a short bike ride in the basement. I watched a short feature on a triathlete I like, Taylor Spivey. It felt good to move and get my heart rate up a little — avg. of 120 — from my resting rate of 54. My range = 49-142. All the running and swimming has given me a very fit heart, I think.

*either reasons why I have a glute twinge: overdid the 1/2 pigeon pose in my yoga session yesterday or a delayed reaction to the uneven snow-covered paths.

Last week, Scott tried the treadmill and it wouldn’t work at all. I decided to see if, magically, it had fixed itself. Yes! It was working. I only walked today, but it’s nice to know that if I’m snowed in, I could run in the basement again.

dec 8/RUN

5.25 miles
the flats and back
20 degrees / feels like 5 / snow
100% snow-covered

2 days ago, I mentioned that my next run should be to the flats so I could study the river surface. So that’s where I went this late morning and into the early afternoon: the flats. Unfortunately, there was no surface to study, only white. I had a late start to the run because I was trying to put my yaktrax back on. I might need a bigger size. How long did it take me to finally get them on? 10 maybe 15 or 20 minutes. That’s a long time to be sitting inside wrapped up in all my winter running layers!

Almost everything outside was white. White sky, white ground, white rock, white river. There were a few strips of worn down snow on the path, but a lot of it was lumpy and soft. I twisted my foot/ankle at least once on the uneven ground, but not hard enough to cause a problem. The conditions made it harder, but I didn’t mind too much. It was so quiet and calm and beautiful beside the gorge.

10 Things

  1. another running in a bright orange jacket — encountered them twice
  2. the bright headlights from an approaching bike
  3. under the I-94 bridge, 1: a few streaks of open water
  4. under the I-94 bridge, 2: honk honk honk — some gathered geese, gabbing
  5. heading north, no notice of the wind
  6. heading south, wind in my face
  7. approaching a woman — I was heading north, her south, I could see the snow flying up around her feet from the wind
  8. the bells of St. Thomas chiming and chiming and chiming at noon
  9. brightly colored (I can’t quite remember the colors — maybe pink and orange and blue?) graffiti under the bridges
  10. as I approached the franklin bridge from below, the wind picked up and I felt the arctic air, under the arch, a shopping cart

mental victory of the run: Even though I wanted to stop to rest my legs, sore from the uneven terrain, I kept going until I reached the bottom of the hill.

I had some success writing drafts for my m//other and g||host poems this morning before my run. During and just after the run, on my walk home, I had some thoughts about the third poem, t here involving the dotted line on the map that runs through the middle of the Mississippi River on the map indicating the dividing line between Minneapolis and St. Paul. Here’s a draft that I spoke into my phone. It needs some work!

if you look
on the map
between the
here of this
side and the
there of that
side, a dotted
line was drawn to
represent
that moment
mid-river
when one city
becomes the
other. Do
you think, if
you were to
swim across,
you could feel
this shift, could
find this place
where a there
becomes a
here and a
here becomes
a there? I’m
willing to
believe it
exists, this
space where both
here and there
dwell, a place
where both are
possible.

dec 1/RUN

3 miles
ywca track

The first run at the track in over 2 years. I looked it up and the last run at this track was 4 dec 2023. Not much has changed, which was good. It felt like time traveling. Lots of memories at the y with kids on swim team and inside winter running. I wore my bright yellow shoes, and between them and the bouncy track surface, I felt like I was flying. Fun! and also strange and awkward at first. Running at this track — 6 laps is a mile — is easier than the treadmill, but it’s still hard to run for a long time. I ran without stopping for 20 minutes, then walked a lap, then ran a lap, walked a lap, ran 2.

Aside from the dry and warm and not slippery conditions, one of the best things about running on the track is the chance to encounter the same people over and over, loop after loop.

10 People

  1. the fast runner in blue shorts — a great runner, graceful, making it look effortless — he passed me at least 3 or 4 times
  2. a short-ish woman in black pants and a white jacket walking slowly (and obliviously) in the middle lane, often veering slightly to the outside running lane
  3. 2 tall guys, one in a red shirt, walking and chatting
  4. later, one of the guys, starting to run
  5. an older woman, tall, in black pants, with short hair, her head cocked slightly to the right as she walked
  6. a woman in bright yellow shorts, running, her gait was strange: bouncy, but striking on the wrong part of her foot — too much vertical movement?
  7. 2 people chatting near the window — one of them complaining about how, because of insurance and property tax increases, her mortgage was jumping from $800 a month to $1300
  8. a guy in the far right corner, punching a bag in a steady and strong rhythm
  9. a woman walking with purpose, her locker key jangling in her pocket with each step
  10. someone entering the track and stopping in the middle of the lane to adjust their shoe — they saw me in plenty of time and moved out of the way — thanks!

Earlier today, or yesterday?, I came up with a ywca goal for December: swim a 5k. Now I’m thinking that I should have a running/track goal too. Run a 10k? Run an all out mile? I’ll think about it some more.

locker room encounter

Sandwiched between 2 other people changing, it was awkward. I overheard one say to the other, do you smell hot chocolate? I didn’t, and then suddenly I did. It smelled good. Without thinking, which is something I do more often because of my vision, I blurted out, excuse me, did one of you just say it smells like hot chocolate? One of them said, it’s my cocoa butter. I responded, it smells so good!

nov 29/RUN

3.3 miles
trestle turn around
26 degrees / snow
100% snow-covered

Wasn’t planning to run outside today, while it snowed, but something changed my mind — was it seeing people walking out my front window? Was it remembering that I have yaktrax? Was it not wanting to run on the treadmill? I’m not quite sure, but suddenly I found myself getting ready to go out, then leaving the house, then running through a winter wonderland. It wasn’t too cold, or too windy, and with the yaktrax, it wasn’t too slippery. There were times when I was cold or when my feet were a little sore from running with the yaktrax, but mostly I enjoyed being out there in the snow. Snow! Covering every inch of the ground, on the bluff, in the sky. The river was pewter and still open, but for how long? Some dog was losing it down below — maybe they were at the white sands beach, or on the part of the Winchell Trail that descends south from the trestle. So much barking. I’d like to imagine there barks were from the joy and the delight or frolicking through the snow.

Anything else? Some other walkers, at least 2 or 3 other runners, 3 fat tire bikers. Climbing up from under the lake street bridge, I listened to dead leaves on a tree shaking in the wind, sounding like gushing water. I heard more trees later closer to the old stone steps. I stopped at the sliding bench and noticed someone walking on the trail that winds beside the white sands beach.

earlier in the day

It is snowing again this morning. Barely more than flurries, but adding to the thin layer already started a few days ago. Encountered this poem on Instagram this morning, and wanted to remember it. It’s from one of my favorite poets/writers, Wendell Berry:

LIKE SNOW/ Wendell Berry

Suppose we did our work
like the snow, quietly, quietly, 
leaving nothing out.

Something else I encountered this morning that I’d like to remember:

Originally found here: Exploring Dakota Lands and Waters

later, after the run

It may have started as flurries this morning, but it’s bigger flakes now, and they’re piling up. 2 or 3 inches. I shoveled right after I finished running and now, 30 minutes later, the deck is covered again. I wonder how much will we get when it stops snowing?

update, Monday (1 dec 2025): It snowed all night. Apparently we got almost 4 inches, although it seems like more to me.

nov 28/HIKERUN

hike: 40 minutes
Minnehaha Dog Park
21 degrees

Since July or August, FWA and I have been taking Delia-the-dog to the dog park every Friday morning. We’ve only missed one Friday, when we were in Chicago. We took her a few days later, instead. I wasn’t sure if we’d go this morning because it was much colder, but we did. Wow! What a great walk! The dog park is like a winter wonderland. The trail was hard dirt, but no snow, and there was barely any wind. Lots of sun, calm, quiet air, and a river, still and sparkling. I was bundled up in long underwear and my new winter hat and gloves. Had a great talk with FWA about a new project he’s working on.

There was a moment — hard dirt path, bright sun, snow, tree trunks all around of various thicknesses, birds or Bird chirping above, crisp cold air, listening to FWA talk about something he was passionate about, being outside and moving through beautiful land. I told FWA that this moment was making my top ten images of Winter.

run: 4.25 miles
locks and dam / wabun / ford bridge and back
22 degrees
10% snow and ice-covered

With the warm sun, low wind, crisp refreshing air, and the clear path, I knew I needed to go out for a run. I was planning to run to the bottom of the locks and dam no. 1 to admire the river, then walk up the hill and run back, but I got to the bottom and someone was doing a video — they had their camera on a tripod and were standing with their back to the bridge, talking to the camera in Russian — I think it was Russian. I didn’t really stop, just turned around. I decided to run up the Wabun hill and over the ford bridge on the south side, then back on the north side.

Beautiful and wonderful and moments that were effortless, others that were difficult. A small mental victory: I wanted to stop and walk again, but I saw the bright yellow crosswalk sign at 38th street far in the distance. I told myself that I could keep running until I got to it if I just put one foot in front of the other and did it. I did!

10 Things

  1. the river surface was scaled and gun metal gray except for where it was burning silver
  2. a man with a dog, walking fast — I ran to the far side of the path to avoid them. even so, the dog lunged as I ran past and almost reached me
  3. cars driving fast! over the bridge — zoom zoom
  4. stopping at the bench above the edge of the world to admire the view — the bluff wall on the other shore was speckled white
  5. the grass near the bench was covered with crunchy snow — I listened to the 2 distinct sounds, crunch creak, as I slowly walked over it
  6. running on a bare sidewalk under the ford bridge on the st. paul side, hearing a slight echo from my footsteps and the rumble or whoosh? of car passing me
  7. the cold air rushing through my teal hat and making tassels hanging from the ear flaps bob
  8. the wabun hill was covered in leaves and a little slippery
  9. on parts of the path covered with snow, faint traces of reddish-brown dirt that someone from minneapolis parks had spread earlier
  10. the quick, graceful lift — up down up down up down — of a taller, faster runner behind then ahead of me then gone

nov 27/RUN

4.5 miles
john stevens’ house and back
27 degrees
wind: 18 mph
25% ice covered path

Too cold and icy for Scott, so no Thanksgiving run together. It’s too bad we couldn’t do it, but he made the right choice. Too much wind, too much ice, too many other people running and walking. He would have been miserable. I didn’t love all the run — it was hard to run into that wind! — but I loved a lot of it. It wasn’t too cold or windy or icy for me. Winter running is back!

10 Things

  1. clip clop clip clop a runner approaching from behind, wearing ice spikes and running on bare pavement
  2. 2 runners descending on the part of the path below the road south of the double bridge, one of them in a bright orange jacket
  3. minnehaha falls was rushing and (almost) roaring — I stopped at my favorite spot to watch it fall fast, and in sheets, over the ledge
  4. sometimes a little cloudy, sometimes bright sun
  5. the train bells at 50th street station were chiming frantically
  6. a group of people paying for parking at the falls — I wish I could remember what woman said . . .
  7. kids voices over at longfellow house — were they sledding down the hill like RJP did, when she was a kid?
  8. the view above the edge of the world was open and wintery and calming — I kept my distance from the bench because there was a big branch that looked like it might fall in the strong wind
  9. a human, in dark clothing, and a dog, standing at the Rachel Dow Memorial Bench
  10. the 38th street steps are blocked off for the season — today they were thick with ice

update, the next day: I forgot about the silver surface of the river! Runnng south, it burned in the distance as bright sun hit rough water. Wow!

Happy to have a relaxed, drama-free Thanksgiving. The kids are doing much better, and are getting along. RJP made the stuffing this year; FWA, mac-n-cheese. I made 2 pies: apple and maple cream. And, for the first time, I made my own pie crust! I’m proud of myself for saying I was going to do it, then actually doing it. Now we just have to see how it tastes.

Friday morning (the next day): The pies were excellent! Both of them, thanks to Smitten Kitchen: Maple Cream Pie and Even More Perfect Apple Pie. Scott said the maple cream one reminded him of pumpkin pie but better. I was delighted by how the 1/4 teaspoon of ground ginger brightened the apple pie. When I took my first bite I said, it’s so bright! that ginger really brightens it up!, which FWA found hilarious.

Found this poem today. What does the Mississippi River Gorge smell like?

Yaquina River/ Lana Hechtman


The river smells like the absence of sea,
like sky that has lost its confidence,

current wafting down the centuries from 
natives who lived and died on these shores,

the breaths of children’s laughter, their songs
ripple the slow water that goes

only at the pace it is determined to go.
The river smells like bufflehead feet and goose

feathers, salmon scales and brown silt,
fallen cedar boughs, dropped fir cones,

like women brave enough to swim
and gritty motor boat bottoms.

Slick as oil, clear as rain.
The river smells like green and bronze,

the blue of berries and purple of night, 
smells of floods and grief, of relief 

in times of drought, of every dreamer
who ever skipped stones upon it.

The river smells of sun’s sloped shoulders
and moon’s languid kisses, 

and the riverbank smells like a place
to plant myself for all my remaining years

rich delta, aroma I have come to love
despite missing the sea.

nov 24/RUN

7.5 miles
lake nokomis and back
47 degrees

A big goal of 2025 achieved: I ran over to the lake and back! I think this is the first time I’ve done that this year (I’ll have to check later). Since I accomplished that goal a month early, maybe I can add another goal for December: run to the lake and back without stopping. Today I stopped to walk, but only after I had run 3.3 miles. Stopping was mostly a mental issue, although I also started speeding up too much a few times, which elevated my heart rate and made it harder to keep going.

Another beautiful day — at least to me. It was gray and brown and dull yellow. Humid. The moisture made the air cooler when I stopped to walk.

10 Things

  1. a roller skier, graceful and smooth in their motions and the rhythm between their legs and arms
  2. the path under the ford bridge was closed: tree work
  3. running on the grass through large piles of leaves
  4. the creek was very low
  5. only one spot on the creek was babbling as water rushed over the rocks
  6. 2 people walking and talking on the pedestrian bridge, reviewing/planning their Thanksgiving menu
  7. the dock is disconnected, part of it in the middle of the lake, the other in the grass between the path and the water
  8. geese in the swimming area, one of them flapping its wings furiously
  9. the thwack of a ball on the pickleball court (someone is always playing! do they play in the winter?)
  10. the very strong, unpleasant smell of weed near the 44th street parking lot

before the run

Discovered this delightful line in poets.org’s poems of the day, Egg Tooth/ Benjamin Garcia

Ears are the eyes on the sides of your head. 

Ears are the eyes on the side of your head makes me think of what I read last night about echolocation from Daniel Kish (Batman) who sees through sonar.

Activating the Visual Cortex to rewire the brain

Our collaborative projects with research centers in the U.S. and around the world have led to the discovery that the echoes from FlashSonar clicks reflect off surrounding objects, sending auditory signals that activate, and are processed by the brain’s Visual Cortex.

Visioneers

Auditory signals that activate the visual cortex? Very cool. A decade ago, before my vision declined dramatically and before I knew much about vision, I would have found this statement impossibly strange, but now I know better. The brain is amazing and adaptable and its ability to compensate for faulty eyes is not surprising at all.

oops — for the second time in less than a week, I didn’t see my water glass on a table and put something down too close to it and tipped it over. Last week, water spilled all over a New Yorkers. This morning: my laptop. Boo! No more clear water glasses. Time to rely exclusively on my bright blue hydroflask.

during the run

I thought about seeing with my ears and echolocation and listening to the sharp sounds my feet made as I ran. Closed my eyes a few times while I was running to see how it felt and what I could notice. Wow — I need to work on my balance when my eyes are closed!

writing update

I have (almost) finished my manuscript, Echo // location (formerly known as girl ghost gorge and haunts before that). Also put together a chapbook out of the rock poems in it that I’m calling, Riprap which I’ll submit this week.

nov 22/RUN

6 miles
hidden falls overlook
40 degrees

Sun! Warmer (but not too warm) air! An open view! And 6 miles! A good run. I’m tired now and my legs are sore, but I felt strong and light and full of energy at the end.

10 Things

  1. click scrape scrape click — a roller skier’s poles approaching from behind
  2. one roller skier bundled up, another in shorts
  3. running beside 2 roller skiers, one of them listening to the other express concern/frustration about some part of his ski not locking in right
  4. a mini peloton on the road — 10 bikes?
  5. small scales on the surface of the gray water
  6. a serpentine of big cracks and asphalt erupting on the st. paul path
  7. the small building above the hydroelectric plant on the st. paul side is spray-painted bright pink
  8. the gentle trickle of water over the rocks at hidden falls
  9. a bad heavy metal hair band anthem blasting out of the window of a white car
  10. not a wide open view — too many thin branches — but the feeling of openness and air on the st. paul side

Thought about my rock, river, and air chants as I ran. Recited (in my head) as much of the rock one as I could remember. Liked the groove I fell into as I chanted

poet’s clock
poet’s clock
poet’s clock
this big rock

Finishing up the run, I felt strong and fast and proud as I thought about all the work I’ve put in over more than a decade of coming to the gorge at least 3 or 4 times a week, sometimes more, and running and noticing and writing.

nov 18/RUNSWIM

4.3 miles
marshall loop
35 degrees

The forecast was for 2+ inches of sloppy snow early this morning. Maybe rain too. Completely dry. Everything happened just south of us. Hooray! Great conditions for a run. Not too cold or too windy or too crowded. Today’s mental victory: I ran all the way up the marshall hill, over to the river, and down the summit hill without stopping. Stopped at the overlook on the bridge for a minute to check out the sandbar and the reflections and the smooth surface of the river. Beautiful.

10 Things

  1. egg/breakfast sausage smells coming from Black Waffle Bar — no sweet waffle smell
  2. no more leaves on the trees, all on the sidewalk
  3. cars backed up on lake street
  4. the light at the top of the hill: red
  5. smell: savory, eggs and bacon
  6. a car parked in a driveway blocking the path
  7. the bent and crooked slats from blinds in a garage window
  8. two people standing and looking at a stone wall above the ravine near shadow falls
  9. a roller skier on the path, then on the road
  10. several stones stacked on the ancient boulder

echo / / location

I can’t quite remember how it happened, but I was thinking about my Girl Ghost Gorge poems and echoes and chanting — oh, yes, it had something to do with sound and a call for submissions for soundscapes in poetry. As I thought about my rock river air chants, ECHOLOCATION, suddenly popped into my head!

Echolocation is a great title for this collection. Or, echo location. Or, echo | | location. Or, as Scott suggested, echo / / location. I looked it up and someone has a poetry collection with the title echolocation. Is that a problem? To have the same name? I’m not sure. I like the sound of girl ghost gorge, and a girl (me), her ghosts, and the gorge are the theme that inspired all of the poems. But, being located in time and space — both placing myself and being placed by others — seems even more like the theme. At the very least, I’d like to title the final poem of the collection, echolocation.

Here’s something to read about humans and echolocation: How Does Human Echolocation Work? It’s with Daniel Kish, Batman from an Invisibilia episode.

The rest of today is about studying echolocation!

I mentioned echolocation in these past entries:

update, several hours later: I received an email today from a journal that published one of my poems: I’ve been nominated for a Pushcart Prize! This is my second nomination, which is really exciting! It’s for “The Cut-off Wall” (“The Cut-Off Wall” — Rogue Agent, March 2025).

Also, another cool thought about my collection and the chants in it. I’ve been playing around with making the shape of the river out of words in my river chant:

flow flow flow
slow slow slow

In early drafts, I had the words form the river, but now I’m thinking of making a page of these words and removing some to form the shape of the river/gorge. It’s echolocation with the syllables flow and slow bouncing off the object I cannot see! I’m imagining a sound accompaniment to this, inspired by Diana Khoi Nguyen’s reading of her “Triptych” for Ours Poetica:

inspiration starts 2 minutes in

Nguyen doesn’t remove words, but creates space in-between them where the shapes of her brother would be if he had not cut himself out of the photograph. I need to think about how I want to do it — like in this poem, or by removing some of the chanted words altogether. Maybe I wouldn’t call them chants but echolocations?

I think I’d like to do them for all three of the key “objects/subjects”: rock, river, and air! Very cool. I think this would be a great submission for the poetry soundscapes feature that I mentioned earlier in this post.

This section explores poetry in all its sonic dimensions. Across the premodern world, at a time when books were scarce and costly, poetry was often chanted or sung aloud, and the boundary between song and verse was fluid. Many poems resonate with the sounds of nature, while others pulse with onomatopoeia and sonic texture. Later, poets since the early 20th century have pushed the medium to its limits, exploring how the sonic interacts with grammar, rhetoric and rhythm on the page. 

For a special section of Mantis 24 (2026), Soundscapes of Poetry, we invite submissions  that engage with sound in any and all ways—whether through music, noise, onomatopoeia or rhythm, or even the sound of silence itself.

submission call for Mantis

The only bummer: your submission doesn’t include sound files; it’s only the written word. I’d like to find a journal that also wants the sounds.

swim: 1.5 loops
ywca pool

Another swim! Swam at the y before community band rehearsal. It felt good and it wasn’t crowded. I had my own lane. I felt strong and relaxed and swimming a mile and a half wasn’t hard at all. I tried to think about echolocation while I swam, but I just counted my strokes instead.