sept 11/RUN

4.5 miles
monument and back
60 degrees
humidity: 93%

A mist hanging above the river. A heavy white sky. It looked very cool, but felt too humid. Heavy legs. Not a great run, but still wonderful to be moving through the mist. Noticed more leaves changing, mostly yellow. Heard water falling in the Summit ravine: Shadow Falls. I imagined that it was not water falling, but shadows. Then I thought about myself shedding shadows as I ran. A cool image.

On the lake street bridge heading west, 2 more memoriable images.

First, a single shell on the river, rowing towards the mist. The rower in a bright yellow shirt. I couldn’t hear the paddles, but saw them gliding through the water.

Second, looking down at the shadow of the bridge: dark with a quivering edge. I thought about how all edges I see are often moving like this. The moving edge of the bridge is because of wind on water. The moving edges for me are because of dying cone cells.

bridge shadow, moving edge

Recited some of the chants I’ve been working on:

girl ghost gorge
soft slow sight

saint peter saint peter saint peter sandstone
glenwood glenwood glenwood forMAtion
plateville platteville plateville limeston
glac ial till
glac ial till

In the late afternoon, Scott and I went to the lake. He was planning to take a walk, I was going to swim. I even brought my wetsuit. But, when I went down to the water, I immediately knew it wasn’t going to happen. The water lapping the shore was bright green and the water beyond it looked like green paint. Blue-green algae blooms. Maybe the blue-green algae was only in this spot, but probably it wasn’t. I decided it wasn’t worth the risk. So I took off my wetsuit and went for a walk with Scott instead.

sept 10/RUN

4 miles
river road, north/south
65 degrees
humidity: 87%

Went out for my run later than I’d like because I was watching the final climb on the Vuelta. I was hoping Vingegaard would do something special but sadly he didn’t have the legs (as commentator Christian likes to say). Other favorite phrases from Bob and Christian on Peacock’s coverage of the tour: going from strength to strength, fire power, full cry, and Jonas & co..

The run was a little difficult, partly because of the humidity, partly because of my need for a port-a-potty. Sigh. Oh — and the front of my left knee felt weird — tight? — for the first 5 or so minutes. Even with the difficulty, there were moments I felt strong and bouncy. I did a few strides (sprints, fast bursts) at the end.

Thinking about Girl Ghost Gorge some more, working on triple chants related to rock.

st. peter sandstone
st. peter sandstone
st. peter sandstone
limestone shale

platteville limestone
platteville limestone
platteville limestone
shale sandstone

10 Things

  1. a big orange X spray painted on a tree
  2. another orange x, smaller, painted on another tree
  3. gushing ravine
  4. more yellowing trees
  5. hello friend! to the still green welcoming oaks
  6. tunnel of trees — red leaves on the path, green on the branches
  7. orange construction signs — road closed ahead E. Franklin
  8. click clack click clack a roller skier
  9. ghost bike for June hanging high in the trestle — dried flowers wound through the spokes
  10. the sharp bark of a dog below, on the winchell trail

sept 8/RUNSWIM

4.3 miles
veterans home and back
61 degrees

Fall! Noticed a few more slashes of orange and yellow and some red leaves on the ground. More acorn shells on the trail. At the beginning my knee — I can’t remember if it was the left or the right one — hurt, a dull not sharp pain. I can’t remember when it stopped. Maybe it was when I started feeling the rumbling of unfinished business. When I reached the falls, I went to the bathroom. I’m ready to be done with perimenopause.

Running south, I listened to chickadees and music blasting from a bike radio — I recognized the 70s or 80s rock song, but now I’ve forgotten what it was. Just past the Veterans home, I put in my “the Wheeling Life” playlist.

10 Things

  1. the sound of the rushing creek, 1: just before it falls over the limestone ledge
  2. the sound of the rushing creek, 2: far below, as I ran over the bridge to the Veterans Home
  3. a soft mist rising from the falling water
  4. a half-filled parking lot at the falls
  5. a full parking lot at the Veterans Home
  6. an empty parking lot at Locks and Dam no 1
  7. above on the bluff at Waban Park, a view of the river, the water rushing over the concrete, one white buoy, several redorangepink buoys
  8. an American flag waving near the Veterans Home
  9. strange flashes and a distorted view out of my central vision as I ran across the bridge — a result of facing the sun, I think
  10. soft shadows from the chain link fence on the bridge

While I ran, I chanted in triples. I was hoping to center or ground or locate myself in the time and place. First, berries, then:

I am here/I am here/I am here
I am now/I am now/I am now
I am here/I am here/I am here
It is now/It is now/It is now
here here here/ now now now/ here here here/ now now now

Then, I added a condensed version of some Emily Dickinson:

Life life life/death death death/bliss bliss bliss/breath breath breath

Then:

I am here/I am here/I am here/Here I am
123/123/123/123

Throughout the run, I thought about locating myself and how I might translate that for my project. A list of surfaces? my landmarks? a topographical map?

Reviewing old notes and entries, including 19 may 2025, which includes a bit on context, I encountered the phrase, there or there abouts. I had written it in my notebook after hearing it several times on the TNT coverage of the giro d’italia (the tour of italy cycling race). Yes. When I locate myself, it’s not here! or there. but there or thereabouts. Maybe that could be the title of a poem for the collection?

there or thereabouts

double bridge
old stone steps
ancient rock / stacked with stones
sliding bench
near the fence
under tree
on the edge (of the world)
high above
down below
in the flats
past the creek
wrapped in green
off the ground / in the air
deep in oak
riverside
locks and dam
sewer pipe
steep ravine
brand new trail
snowy path
in the groove
seeping hill
leaking ledge
eagle’s perch
spreading crack

Do I want to do this poem in triples? Not sure. It is how I locate myself sometimes — by chanting in triples about what’s around me. This syncs up my feet with my breath and my surroundings. But, how does it sound? And does it work as a poem?

A new poet to read and podcast episode to listen to!
Translation of the Lilies Back into Lists/ Laynie Brown
Laynie Brown: Apprentice to a Breathing Hand (tinhouse podcast)

swim: .75 loop
lake nokomis main beach
76 degrees
wind: 29 mph gusts

Another swim! When RJP told me the buoys were still up I knew I needed to swim again. Wow, it was choppy, and wow, that water was cold, but it wasn’t too cold and the choppy water was fun. I think there were whitecaps. In one direction, I could mostly ride the waves, the other direction, I punched water. Both fun, but in different ways. Speed from one, power the other. Got tangled in some vines, but nothing I couldn’t get out of. Noticed: soaring and hovering seagulls, held up by wind; planes, bobby buoys, voices, and water rushing over me, water crashing into me, water dragging me forward and sideways. I wouldn’t want to swim in water like that every time, but it was fun today.

sept 7/RUN

3.5 miles
bottom locks and dam no 1
60 degrees / humidity: 59%

What a difference low humidity and less direct sun makes! Today’s 61 felt much cooler. A wonderful, early fall morning. Often September still feels like summer — that is, it’s uncomfortably warm — but this year it definitely feels like fall. It looks like it too. Leaves changing color already. At the bottom of the locks and dam, looking over at the east bank of the river, I think I noticed changing leaves. Not sure what color, just the sense that they were no longer green green green.

10 Things

  1. at the bottom of the hill, the surface of the river was covered with swirls of green-tinged foam
  2. the pedestrian gates to the lock and dam were open — I thought it was closed?
  3. encountering an adult and a kid on bikes having just crossed the road. The kid: why didn’t they stop? the adult: because they were breaking the law
  4. running parallel to a runner slightly slower than me. me, on the dirt trail in the grassy boulevard, them, on the river road trail
  5. down on the winchell trail, admiring the color of the river: light blue and only partly visible through the green leaves
  6. no puddles, but patches of soft dirt and mud from yesterday’s multiple rain showers
  7. near the 38th street steps, another runner emerged from the trees and the part of the winchell trail that travels down to the oak savanna
  8. the strange shuffle of someone’s feet — part-walk, part-run, part-skip
  9. lots of cars parked on the street, lots of people walking towards the river — longfellow’s annual clean up the river event
  10. water streaming out of the 42nd street sewer pipe

girl ghost gorge

It’s fall, so good-bye my obsession with open swim, hello girl and ghost and gorge. I’m hoping to build on the dozen poems I wrote last year and create a full collection. I want to add some different forms and approach my obsessions from different perspectives.

On the way home, a thought, partly inspired by W Berry’s reversal of wild and domestic: my collection of poems / hybrid pieces is about locating myself and making a home beside/above/near the gorge. In a disorienting time — for many reasons, including my vision loss — I’ve been running by the gorge to orient myself, to find a home space, to establish an enduring location.

connections and re-connections: place, family, others, a larger history, the non-human world, my body, a nation (not sure if nation is the right word here, but I’m thinking about the park system and public works projects in the US), past and future Saras.

a flash: somehow bring in the unigrid brochure that I did, or something like it, into the book — a map, a nod to the national parks — would this fit in this collection, or should it be a separate project? If not the unigrid brochure, take some inspiration from the WPA poets hired to write guide books, like Lorine Niedecker. Add in a few entries inspired by that?

Back to the connections/being located thread: I wrote in my Plague Notebook vol. 26: Locating myself on eroding, shaky ground. Too unstable for a foundation? No, but offering a new way of thinking about location and connection and where I might root myself. Not just rooted in the ground, but connected to water and air — the river, the gorge. The location is and is not a place: a specific location with paths and forests, a river, limestone and sandstone walls AND the absence of land that the gorge frames — space, air, Nothing.

sept 6/RUN

5.1 miles
bottom of franklin and back
53 degrees

Another cooler run. Shorts with my bright orange sweatshirt. Ran to the bottom of the franklin hill before I stopped to walk and use one of the few port-a-potties on the route. There used to be at least one more under the lake street bridge, but they removed it. Chanted in triple berries to keep steady and distracted, or focused, depending on your perspective.

Listened to rowers and a beeping bike that I thought might be a bird before I saw it and striking feet, all around. Lots of runners out there this late morning. Listened to my “Moment” playlist once I started running again. It started with U2’s “Stuck in the Moment” and I thought about my latest insomnia rut.

10 Things

  1. a greeting from Dave, the Daily Walker: Happy 100 days after your birthday! Dave is the best — well, maybe not with his math!
  2. dark and green in the tunnel of trees, a circle of faint light up on the hill
  3. at least one yellowish orangish tree
  4. down in the flats the river’s surface was laced with grayish-white foam
  5. someone sitting on the sliding bench as I ran north, their bike propped behind the back of the bench
  6. returning south, the sliding bench was empty so I stood behind it and assessed the crumbling hill and the block view of the white sands beach
  7. finally took the dirt path that cuts behind some benches just south of the trestle
  8. 2 people walking 2 dogs, one person saying to the other something about an unwalked dog needing to be walked
  9. 2 women walking in the flats, one of them to the other: It’s by Ann Patchett. I wish I would have written down the passage.
  10. running on the north double bridge — just past the old stone steps — something caught my eye on the fence. On the way back, I remembered to stop to check it out. A small cut-out of Frump’s head on a popsicle stick with a caption: ‘tator on a stick. I took a picture, but decided not to post it*

*it took me a minute to understand fully the meaning here — at first I was thinking of the state fair, but finally it hit me that tator = dictator. Memories of reading Simon Schma’s Citizens about the French Revolution and heads on pikes being paraded around Paris. A sad and scary time in this country to have a president who foments such violence and violent responses in others.

You

1

A line from Endi Bogue Hartigan’s poem “Running Sentences”:

First the cloud of gnats first the movement through the cloud
and then the body, not a cloud

Something about running through gnats — which I’ve done many times — and the body as not a cloud, triggered past thoughts about encountering someone on the trail and what happens to the You in the time/space between my Thank you and someone else’s You’re welcome when I thanked them for moving over.

2

These were the original thoughts, from a 31 may 2023 log entry:

I had a breakthrough in the second mile as I passed a walker and a dog on the Winchell Trail. They noticed me before I reached them and moved to the side. I said thank you and the woman replied you’re welcome. As I continued running on the steep-ish trail with no railing I thought about how when I said thank you, I was the I, she was the you. But when she answered you’re welcome, I become the you and she the I. Each of us both. Then I started thinking about the space and time between when we each embodied the pronoun, before my I turned into a you or her you into and I. This is the space of possibility where unhitching can happen, when we can be both a you and an I or something else that doesn’t divide and separate or assign us a fixed role — as active I or passive you. A moment when we can experience or behold the is below the threshold of thought, over and above society and its constructs.

31 may 2023

3

And here’s an excerpt from the draft of the poem I wrote:

first movement,
a making

space for each
other, then

a cloud of
Yous to pass

through. Bodies
enter cloud,

cloud enters
bodies

sept 4/RUN

4.2 miles
minnehaha falls and back
53 degrees

Cool enough today for my bright orange sweatshirt! Excellent running weather. I felt strong and was able to push through a few moments when I wanted to stop. Thought about the perception of time during difficult moments, particularly in terms of how to endure it — learning to hold multiple perceptions at once: time on a short scale, day by day, minute by minute, step by step / on a long scale, think beyond this moment to a bigger goal / as in flux, this feeling can/will change again, and again

10 Things

  1. a cool, dark green
  2. far ahead, tunnels of bright light
  3. birdsong — difficult to identify
  4. a coxswain — rowers down below!
  5. kids arriving at school — heard, not seen: excited voices
  6. a roaring creek
  7. every bench, empty — a stone wall, occupied by a person leaning and looking at their phone
  8. tall grass smell: almost like cilantro
  9. sharp, yippy barks at the falls — two little dogs greeting each other
  10. Hi Sara! / Hi Dave!

After stopping at my favorite spot at the falls, I put in my “The Wheeling Life” playlist. Most memorable song today: “Windmills of my Mind” and these lines:

Like a door that keeps revolving in a half-forgotten dream
Or the ripples from a pebble someone tosses in a stream

I thought, ripples. Such a great word and image on the surface of the water, or from tall grass in a field, or through the thick leaves on a tree. Later, on my walk back, I thought more about ripples and triples and inklings:

  • an inkling
  • a ripple
  • a flicker
  • a ruffle
  • a whisper
  • a rumor
  • a tumor — where did that come from?
  • a lurking
  • a leaking
  • a speaking — soft, slow, barely audible

added a few minutes later: Early this morning, 5:30 am, I briefly woke up to stretch my restless leg. I noticed a flashing light through the blinds. An ambulance? The police? A fire truck? No. A runner with a flashing headlight running in the street. I’ve never seen that before, but that’s probably because I’m hardly ever up this early. Would I see it more if I were up this early? Probably.

sept 3/RUN

3.1 miles
2 trails + tunnel of trees
56 degrees / humidity: 80%

Fall! Cooler this morning for my run. Windy, too. Ran south on the paved path, then north on the Winchell Trail. Heard kids arriving at Dowling Elementary. It’s the second day of school. Also heard wind rushing through the trees and some water falling out of the sewer at 42nd but not at 44th. No rowers or packs of runners or fragments of conversation.

Chanted in triple berries — strawberry/blueberry/raspberry — for several minutes then other triples — mystery/mystery/mystery deepening/quieting/deepening interior/exterior/deep deep down Thought about surfaces again and their value. Wondered: should I spend a month studying surfaces?

Listened to my “The Wheeling Life” playlist for the last mile of the run. Started with “Proud Mary” and my feet found the fast beat. I swung my arms back and forth but imagined they were rolling like wheels. Rollin’ Rollin’ Gave the most attention to the lyrics of XTC’s “Season Cycle”:

Darling, don’t you ever sit and ponder (darling, did you ever think)
About the building of the hills a-yonder (all this life stuff’s closely linked?)
Where we’re going in this verdant spiral
(‘Round and ’round) who’s pushing the pedals on the season cycle?

It’s September, so it is time to wrap up my reading of Endi Bogue Hartigan’s oh orchid o’clock. Here’s another great hour entry:

hour entry: The hawk is an approximate whisking together/ Endi Bogue Hartigan

The hawk is an approximate whisking together of fractions of itself the 23 intervals in the second the eye can see the 500 intervals in the second the ear can hear the 100 intervals in the second the bird can see. The second is forming midair like any duration or station in sun. Say “look a red-tailed hawk” and in that second the alliterative span of flashes of light formed by a moving pinking-sheared wing shape becomes it. I wish my words to become unfit for a second, to not make such burred sad sounds. The unspoken fractions of our seconds are expressed imprecisely all the time in seconds. “I’ll be there in a second.” “He was gone for a second.” “The next second they were on the ground.”

intervals / frames per second / illusion: converting what’s still into motion, what’s motion into a still / duration station span / blurred imprecise approximate

motion, the animation of the still
still, the freezing of motion
Oliver’s quieting of the spirit = slowing and smoothing of the motion

sept 2/RUNBIKESWIM

5 miles
franklin loop
70 degrees

I was planning to bike over to the lake and swim this morning but it looked gloomy and ominous, and then started raining and thundering for several hours. Bummer. By the time it stopped raining it had warmed up and the sun came out. Even so, I went for a hot and humid run. Everything was wet. A slick trail, dripping branches, wet shoes and shirt.

10 Things

  1. someone covered over the graffiti on the steps that read, stop hate, with blue paint
  2. sky, part 1: gray, heavy
  3. sky, part 2; blue and cloudless
  4. empty river
  5. white foam on the edge of the east bank near the franklin bridge
  6. kids laughing on the playground at the church daycare
  7. some orange and red leaves beyond the fence near east river road
  8. the squeal of tires near the trestle — what happened?
  9. orange cones lining the path: there must have been a race or a sponsored bike ride this past weekend
  10. the sliding bench was empty of people but close to a thick veil or green

Listened to voices, cars, and drips for the first half of the run, my “Doin’ Time” playlist for the second half. The song I remember the most was Peter Gabriel’s “Playing for Time.”

Oh, there’s a hill that we must climb
Climb through all the mist of time
It’s all in here what we’ve been through

Not a fan of the phrase, mist of time, but these lyrics reminded me of a few lines from Mary Oliver that I read right before heading out for my run:

Slowly
up the hill,
like a thicket of white flowers,
forever.
(The Leaf and the Cloud/ Mary Oliver)

The lines just preceding these were a series of good-byes to the world: the swaying trees, the black triangles of the winter sea, oranges, the fox sparrow, blue-winged teal, lettuce, turnip, rice fields, the morning light, and the goldfinches.

Down, I’m getting it down
Sorting it out
So everything I care about
Is held in here
All of those I love, inside

Listening to these lines, I thought about Oliver’s deepening of the spirit. I thought about the interior and moving inside of yourself and of burying memories and ideas not as a way to avoid them, but to protect them. I also thought about someone growing older and having memory-loss and trying to hold onto faces and names and experiences. I weighed the possibilities and limitations of going deep inside as compared to opening up to the outside. All of these thoughts came at once — not in a linear progression — in a burst which lasted until I heard these lines less than a minute later:

There goes the sun
Back from where it came
The young move to the center
The mom and dad, the frame

I just remembered: at the start of my run, I was thinking about the difference between ordinary and extraordinary time, which was a continuation of thoughts that began earlier this morning. Habits, routines, activities/events experienced again and again — the mundane — versus the scattered, sporadic occasions that break up the routine. While meaning and memories are often found in the singular moments, I’m drawn to the rituals and repetitions and daily events as where imporant meaning dwells.

Everyday. everyday = ordinary / every day = each day, daily.

Everyday—I have work to do (“Work” in The Leaf and the Cloud/ Mary Oliver)

I love that she writes everyday and not every day, so it’s not, each day I have work to do but, ordinary, everyday life: don’t bug me, I have work to do!

bike: 7.5 miles
lake nokomis and back*
75/71 degrees

*instead of the river road trail, we took 44th until the falls park, which is shorter

A good bike ride with Scott. As usual, better on the way back — easier, more relaxed. On the way there: wind. No problems with panicking about not seeing. The ride home was great: the sun was setting soon. Passed by adults playing soccer or flag football or some team sport in the field by the duck bridge, and kids playing soccer at Hiawatha school. RJP and FWA both played for a season at Hiawatha. I played for 5 or 6 years when I was kid in Northern Virginia. I loved it; they didn’t.

swim: 2 loops
lake nokomis main beach
74 degrees

Only 4 other people in the lake, and none of them were swimming laps, just standing around and talking — brrr, I bet that was cold! I swam far from the white buoys and almost completely avoided the milfoil. Only a few times, I got too close and felt the vines on my toes and wrists. For most of the swim there was wind and choppy water. In one direction, it pushed me along. In the other, I got to swim straight into it, which I liked doing. Mostly, a fun swim. The vines were the only bad thing about it. They were too thick by the one buoy so I didn’t want to circle around it. This made it much harder to loop, so I mostly stopped and twisted around. I noticed some birds in the sky and a few planes. Trees on the distant shore were looking less green — were any of them changing?

I thought about how this might be my final swim of the season. It’s cooler for the rest of the week — highs in the 60s, so they might take down the buoys soon. It’s been a great season. I swam for longer, both distance and time. And, I had fun reciting more water lines in my head and writing about water.

sept 1/SWIM

2 loops
lake nokomis main beach
68 degrees

A beautiful morning! Sunny, only a slight breeze, algae-free water. There were 2 exuberant kids and a scraping shovel somewhere, so it wasn’t quiet above the water. But below: a deep soft-bottomed silence. My only complaint: too much milfoil! The vines were thick and just under the surface, wrapping around my wrist, touching my toe. Once, when I stopped to tread water, a vine encircled my foot. I wasn’t worried about them pulling me under, but I didn’t like brushing against them or having a pale clump suddenly appear in my face. I swam far out from the white buoys to avoid them, but then I had to worry about paddle boarders and kayaks. The vines were irritating enough to make me think maybe open swim season is ending. I want to keep coming this week until they take down the buoys, but navigating these vines is taking some of the fun out of swimming in the lake.

10 Things

  1. 2 women on a blanket speaking in Spanish
  2. 4 kids playing soccer in the sand, one the kids looked about 2 years old
  3. a big bird high up in the sky, soaring
  4. at least one plane taking off from the nearby airport
  5. aggressive bird shadows — sharp, too close
  6. sparkles on the water
  7. racing a kayak, both of us parallel to the beach — I was winning, then I looped around
  8. a metal detector man waving his machine over the sand
  9. a few shreads of clouds in a pale blue sky
  10. paddle boarders exiting the water — I’m so glad we were able to paddle board! And it wasn’t too warm!

Minutes after my swim, I felt the gentle, burning glow of muscles having been used. I will miss that feeling this winter!

The Poetry Daily’s poem-of-the-day is I, Lorine Niedecker. Very cool and difficult for my cone-compromised eyes to read, I’m glad they included an essay by the author about the process of writing the poem.

Surely, the finest way to appreciate Niedecker would be to read her well. And then repeated reading, reading aloud, transcribing the vibrant phrases on to paper, oh and even framing then. But how to linger in the presence of this voice, and let it echo within oneself, make her a part of oneself? Perhaps by applying Niedecker to Niedecker, I would arrive at a new condensary. De- and re- constructing her poems, deleting words, conflating words, writing through her writing.  

Mani Rao on Writing

After their explanation, Rao offers a writing prompt:

Pick a poet who moves you, isolate their characteristics, and apply this to their work. Using words from within their own work, write the narrative of their poetics or/and biography. Example: Get romantic and didactic with Wordsworth, apply surrealism on André Breton … 

Imitation is the best form of flattery, but also of ridicule—so this kind of repetition can function as a spotlight or a spoof. I suggest choosing a poet you absolutely adore, as it’s better to have such a voice under your skin.

Mani Rao on Writing

Someday I’d like to try this with Niedecker, but right now, I’m more interested in Alice Oswald and her collection, Nobody. And, maybe Mary Oliver, too — especially since I’m using her poem, Swimming, One Day in August.

aug 30/RUN

4 miles
minnehaha falls and back
63 degrees / humidity: 86%

Felt cooler at the beginning, then the sun came out. Warm! A good run. There was a nice spray coming off of the falls and lots of people taking selfies. I felt strong and able to run 2.25 miles without stopping for a walk break. A slow, steady progression towards more endurance. By winter will I be able to run 10 miles without stopping? I hope so.

Listened to cars and one runner’s slapping feet and rushing water on the first half of my run, then my “Slappin’ Shadows” playlist on the second half. I was hoping that listening to songs about shadows would make more of them appear! Did it? I don’t think so.

10 Things

  1. a speedy runner sprinting past me, his feet striking the ground with a loud slap — Slap! Slap! Slap!
  2. crunch crunch — discarded acorn shells on the trail
  3. the steady whooshing of car wheels
  4. 2 walkers, or maybe runners who were taking a walk break, walking towards me, one of them saying, let’s turn around, the other, let me get some water up ahead first
  5. empty benches, including the one above the edge of the world
  6. crash! crash! some critter rooting around in the bushes in the park
  7. kids laughing and yelling at the park playground
  8. a runner with a white shirt wrapped around her waist, running on the bike path, then on the edge closest to the bike path, forcing runners and bikers to more around her
  9. a roller skier on the walking trail doing a strangely slow shuffling exercise with her poles and roller skis
  10. a coxswain down below — rowers!

quieting of the spirit (from 29 aug 2024)

stillness: Anne Carson and taming uncontrolled movement:

The other day I discovered an essay by Anne Carson about her experiences with Parkinson’s, especially with trying to navigate tremors and tame uncontrolled movement. My experiences with vision loss are very different, yet I recognize similarities in terms of focused attention as a way to combat constant motion.

Righting oneself against a current that never ceases to pull: the books tell me to pay conscious, continual attention to actions like walking, writing, brushing my teeth, if I want to inhibit or delay the failure of neurons in the brain. It is hard to live within constant striving. 

Gloves on!/ Anne Carson

*

Since being diagnosed with a degenerative eye disease, I’m giving conscious, but maybe not constant, attention to how I see, to the complicated process of seeing. Some of this attention is out of curiosity and astonishment. And some of it is about helping neurons to fire in new ways and learning how to see differently. 

The uncontrolled motion I experience is not tremors, but images that constantly shift and shimmer and buzz, usually in ways too subtle to see clearly. I feel them — soft notes of disorientation, dizziness, restlessness. Maybe you could call them tremors? The ground never ceasing to unsettle.

Recently, I’ve been writing about the different definitions of still. Is the constant motion I see never still? I’m not sure. I think I’m striving for new ways of defining that word and of accessing the feeling of being still, enough, calm.

still / enough / calm / quieter

Here are 2 more poems from Hartigan’s excellent collection, On Orchid O’clock that I want to put beside each other:

hour entry: Sorry, I am at the gym this instant/ Endi Bogue Hartigan

I am at the gym again this instant and of it, in its treadmills, its black tongues and beetle shines its oily handles in time and time and time intervals and people cupped and kept in beeps and measures, always. I’m nearly half done with my pre-programmed eliiptical slot, having spent 211 calories. This very instant a woman, having come in from the street, is staring at the smeared glass of the vending machine an instant too long, the change hot in her palm, a kind of calm as yet unspent. And I am bent away from God, running horizontally in place, & all instance protests movement, all instance must be thick with protest, coated with candle wax of sadness, walking upright like unlit wicks.

The treadmills black tongue / time and time and time intervals (intervals as verb?) / people cupped and kept in beeps and measures / 211 calories / I am bent away from God

hour entry: Orchids because orchids are impossibly mimicking / Endi Bogue Hartigan

Orchids because orchids are impossibly mimicking the milk fluid capture of being orchids, orchids because they are grown commercially in soldiering rows in hothouse tents, because they are given as gifts for merely being orchids, because they are inherently exceeding themselves and held as if rare, though they are not, their stems are second hands untimed and slightly skewed to binding. Orchids because they are wrist-colored, because they are eyelid textured, because they are partial light captured, because they are hard to keep living. And on the slope of a hillside of a rainforest of my childhood was an orchid nursery. I don’t know I ever entered it, but knew the plastic walls sweat.

I love the repetition in this poem — the orchids, because
orchids as partial light captured / eyes as orchid textured / the slope of a hillside of a rainforest of my childhood