aug 3/RUNSWIM

4.2 miles
veterans home
69 degrees
humidity: 87%

Warm again this morning. Humid, too. Not easy to run, but still nice to be outside and breathing air that wasn’t that smoky. I was planning to run through the grounds of the veterans home and over the tall bridge then to the falls, but the bridge was closed, so I had to adjust my route. No bridge, no John Stevens’ house, no Big Feet statue or falls. Instead, I ran through Wabun, over to the edge of Minnehaha park, then back north on the river road.

Mostly I ran for 2 minutes then walked for 45 seconds. I listened to the audio book, Tomorrow, and Tomorrow, and Tomorrow. I saw a regular, Skirt with Sandals. Like I mentioned the last time I wrote about her, she no longer wears sandals, but running shoes. Should I rename here? Anything else? I don’t recall seeing the river or hearing any rowers. No turkey sightings. I did see one roller skier and heard their poles clicking the paved path. And I ran, carefully, over some acorns scattered across the sidewalk.

a word I’ve learned before but forgot: mondegreen

Returning to my poem-of-the-day practice, which I haven’t done for some time, I encountered a word that looked familiar but that I couldn’t remember the meaning of: mondegreen. It’s the title of Poetry Daily’s poem for today.

Mondegreen: “a word or phrase that results from a mishearing especially of something recited or sung” (Merriam Webster).

origins: from the mishearing in a Scottish ballad of “laid him on the green” as “Lady Mondegreen”

example: Up until a few years ago, I always the heard the line, what are we doing here?, from “Grease” as what do we do in PE?

I mentioned mondegreens to Scott and he offered up his favorite:

From “The Heart of Rock and Roll” from Huey Lewis and the News: Scott heard the old boy may be barely breathing as the oboe may be barely breathing.

Mondegreen/Bobby Elliott

I mistake the sound of a recycling cart
hitting the curb
for the latch of our gate
and picture him instantly:
my father stumbling
into the light of the backyard
to shoot himself.
I’d been looking at the fruit trees
and the fire pit,
the loose board of the old fence
in the wind.
I’d been thinking of how lost
you’d have to be
to believe you knew
everything there was to know
about yourself.
And now this sound
I mistake for my father
going through with it: one
awful letter in his coat pocket
to me, another
to my unborn son.

Reading an interview with the poet, I discovered that this book is autobiographical and about his father, but that father is “very much alive.” This fact offers an interesting shift in meaning for me, like something new clicking into place. But, more than the father, I’m interested in the idea of mishearing, mis-imagining, mis-seeing, mis-interpreting. It reminds me of something I’ve posted on here a few times (26 jan 2025 / 22 feb 2026):

The Ten Muses of Poetry

    1. Mishearing
    2. Misunderstanding
    3. Mistranslating
    4. Mismanaging
    5. Mislaying
    6. Misreading
    7. Misappropriating cliches
    8. Misplacing objects belonging to roommates or lovers
    9. Misguided thoughts at inappropriate times, funerals, etc.
    10. Mississippi (the river) 

    And, here’s a line from a scientific study using mondegreens: “Expectations and prior knowledge can strongly influence our perception.” How does that impact what I see and what I hear?

    Also, this passage from the same study:

    An elegant method to examine top-down modulation of perception is to employ stimuli which can induce two concurring percepts which has been extensively employed in vision research using reversible figures, such as Rubin’s vase-face illusion [8]. So far, much less is known about how expectations can alter perception in the auditory modality. For speech content, such ambiguous stimuli that can be perceived in two different ways are called ‘slips of the ear’ which have been described as phenomena during which ‘a listener reports hearing, as clearly and distinctly as any correctly perceived stretch of speech, something that does not correspond to the speaker’s actual utterance’.

    Slips of the ear reminds me of something else I read in the 22 feb 2026 entry about squinting with your ears:

    A second key might be “eavesdropping.” As it happens I have deficient eyesight and hearing, not enough to impair my regular function but enough that I can, as my colleague Karla Kelsey puts it, “squint,” either with the eye or the ear, without difficulty. Some of my best lines—especially the generative lines, the bits of poetic grist from which poems develop—come from phrases I’ve misheard in conversation or (at least initially) misread as text. I guess you could say I “own” such material—I make a lyric and creative claim to it—by mishearing or misreading it.

    An Inheritance Reassembled

    swim: 2 loops (6 mini mini loops)
    cedar lake open swim
    86 degrees / wind: 16 mph

    Windy, which made the water choppy. So choppy that the lifeguards couldn’t use the buoys and needed to shorten the course. Instead of swimming from beach to beach, we swam out into the middle of the lake and turn around near a lifeguard at a kayak. That might be some of the choppiest water I’ve ever swum in. I wonder how it compares to mild chop on Lake Superior or an ocean?

    10 Things

    1. bobbing green caps
    2. bright yellow orange pink buoys
    3. the water’s surface was corrugated (a word Anne Carson used to describe a lake she swam in)
    4. a swimmer returning from the middle, doing a powerful backstroke — not looking or able to see where he was going — just swinging his arms, chopping the water — did he run into anyone?
    5. a strong spray from behind — waves crashing into me?
    6. so many scratchy vines floating in the water — one got stuck on my back and I had to stop to fling it off
    7. a pale blue sky, a few patches of bright blue
    8. a group of women in the shallow water in the swimming area — chanting and taking pictures — a party? a cult meeting? a religous ceremony?
    9. leaking goggles
    10. breathing mostly on my right side

    A vigorous rocking as I swam. Between that delightful distraction and the constant need to look out for other swimmers and to find the turn around point, I didn’t think about Mary Oliver’s poem at all. Only after, did I realize I was living one of her verses:

    I went down in the afternoon
    to the sea, which held me
    until I grew easy.

    Yes, that lake water this late afternoon/early evening held me and rocked me, helping me to forget any worries or irritations I had. The water was rough, but not overwhelming. No waves rushing into my mouth when I breathed at the wrong time, just swells nudging me from side to side. Fun!