4 miles river road, south/wabun/bottom of locks/river road, north 38 degrees / feels like 22 wind: 15 mph / gusts: 32 mph
Another windy run. Cold-ish, too. Wore running tights, shorts, 2 long-sleeved shirts, a pull-over, a hat, a hood, gloves. I didn’t feel overheated until the end. Lots of cars on the road, not that many people on the trail. Are they all going to the No Kings March at the capitol? I (kind of) wanted to go, but big crowds are not the easiest for me and Scott, RJP, and FWA struggle in them too, so I’m skipping it.
According to my watch, I slept for 7 hours and 21 minutes last night. That is a lot for me! And, my sleep score1 was 77. I think it helped me to feel stronger on the run.
10 Things
reaching the top of the wabun hill, I heard the clanging of the bell — is there a bell up here? no — it was a kid banging on something at the playground
wild turkeys — 4 or 5 of them, under the ford bridge! I passed close by them as I ran up the wabun hill. By the time I return back down the hill, they were gone
goose honks near the bottom of the locks and dam no. 1
swirling leaves
the round shadow of the light on the street lamp
more scales on the gray water
chanting in triple berries to keep a steady pace
running on the rim of the bluff, looking down at the winchell trail which was empty and farther down than I usually remember
at the top of the wabun hill, stopping to look through the chain link fence at the river
a boot, stuck on a stalk on the boulevard of matt the cat’s house
serve and a boot / the pink sign near the far house says, “someone was abducted by ICE here.”
The abduction by ICE happened early on, between the murders of Renee Good and Alex Pretti. Two people were pulled from their car and taken; the car was left by the side of the road.
In addition to this boot picture, I also took some pictures of the view through the chainlink fence.
1234
I like this series of pictures. It reminds me a little of how I see. I can see better through my peripheral vision than my central — even when and if I don’t want to. It’s distracting to focus on the edge details sometimes, and it makes what’s in the center look even fuzzier to me. In thinking about my Holes series, does this happen at all when I’m reading? Is there a way to connect this fence with the lines in an Amsler Grid? An idea: what if I drew a giant Amsler Grid over the top of the entire, 4 panel, Holes 1 poem?
What does the sleep score mean? I’m less interested in the specifics of it at this point, and more interested in tracking which direction that number is headed. 77, which is only “OK” according to Apple health info, is the highest number I’ve had in the past almost 2 weeks. A goal by May: a number in the 80s. ↩︎
5.5 miles ford loop 35 degrees / feels like 18 wind: 18 mph / gusts: 29 mph
Brr. I was underdressed this morning in only one long-sleeved shirt, a vest, tights, shorts, stocking cap, gloves. It was the wind that made it feel cold. Running north and east it blew into me. It was especially bad on the ford bridge. Even with the wind, a great run. Sun! Shadows! The feeling of spring!
Some of the run was hard, some of it wasn’t. A little bit of unfinished business, legs that were sometimes sore and heavy. Does it have to do with the iron pill I’m taking? I am not anemic, but on the very low end of ferritin stores — and have been for 4 or more years now — so I’m getting serious with trying to increase my iron. A pill everyday, first thing in the morning with a grapefruit. No coffee or other food for at least an hour. Hopefully my ferritin will increase a lot so I don’t have to get an expensive iron infusion. And hopefully that increased ferritin will make it easier for me to run longer because Scott and I signed up for the marathon in October again!
10 Things
a siren — off in the distance, then closer, closer, then almost right behind me, then stopped — the closer it got, the more distorted the siren became — I wonder who/what needed this emergency truck?
a dirt trail behind a bench and railing at the bottom of the summit hill that led to a delightfully open view of the river and the west bank
running over the lake street bridge, wind on water, a scaled surface, gray
bright blue sky with a few puffy clouds
an almost full parking lot at the monument, only 2 spots open
several groups of walkers with dogs, some emerging from the trails below the bluff, some entering them
the wind on the ford bridge! slow and steady, squaring my shoulders and leaning into it
goose honks under the ford bridge
empty benches
an interesting image of vine on the neighbor’s fence
fence / 27 march
holes
Yesterday I watched the clip with the caterpillar from Disney’s Alice in Wonderland and I started thinking more about language and letters and our relationship with words and meaning through reading.
O u e i o A
The scene begins with Alice peering through the leaves at a caterpillar smoking a pipe and singing the vowels. The vowels — the building blocks of language — is this cellular level of the english language? Taken on their own, apart from words and sentences and paragraphs, the vowels aren’t non-sense, but they offer very little sense. I found an old stencil of the alphabet that I inherited from my mom in a drawer yesterday. Could I stencil in the vowels in a way that didn’t look cheesy or ridiculous? I’m not sure.
A thought while I was running: I’m in the process of editing my poems, which involves erasing holes that contain words that I’m no longer using. What if those erased words, those ghosts, remained as traces, haunting the page? Almost like an after image? I’ve noticed that after staring at these dark holes on the page, they start to move around and appear in places they aren’t. (writing that last sentence, I’m reminded of Alice’s nonsense speech to her cat: nothing would be what it is because everything would be what it isn’t
A deconstructed amsler grid: an Amsler grid has 38 lines, not including the frame. I decided to use pieces of dried spaghetti and scatter 38 of them on top of 4 panel poem. I’m not sure what I will use in the final version. Sticks? Lines at strange angles drawn on the paper, over the holes and text? Here’s a picture of it.
holes 5 / wip
I had no plan for where the lines would go, I just dropped the spaghetti wherever — should there be a plan, or is haphazard better? Maybe I scatter the dried spaghetti haphazardly first, then replicate that with thick black lines on the actual poem? The only rules: 38 lines, all the same length.
Ok, I scattered the spaghetti and drew in the lines. Here’s what it looks like:
holes 5 wip 2
I just realized I only added 32 lines. I need to add 6 more. Are the lines dark enough? Does it make sense that they are a deconstructed amsler, or do I need to add in a more explicit reference to that somewhere on the poem?
5 miles highland bridge (old ford plant) 58 degrees
58 degrees?! 58 degrees. Spring is back. Today I wore shorts, a short-sleeved shirt and a pullover that I took off before the end of the second mile. Ran south on the river road, down towards the locks and dam no. 1, up the wabun hill, over the ford bridge, to the edge of highland bridge park and across to the river where it is above the old hydroelectric power plant. As I neared it, I could hear the water rushing over the concrete apron at the locks and dam. The river is low; the sandy island in the middle was exposed.
The birds! Sounding like spring. The river! Sparkling in the sun. The shadows! Both sharp (distinct) and soft (the bare branches almost feathery on the path).
overheard: one biker to another — he’s between jobs right now. No contracts and no money coming in.
Is it because it’s warm, or because I started just a little too fast, but the second half of the run was hard(er). Took some breaks to admire the view. On the St. Paul side, I noticed a sticker on the fence that looked like the head of the “Hanker for a Hunka Cheese” guy:
“Time for Timer”
holes
Worked on Holes 5 today, mostly mapping the words on the page. Here’s a draft of the text:
A hole perspective life on the way to Disney’s wonder land
I fall through the center of a book
everything on the page at strange angles separated from each other in the firelit room*
a “what is this?” feeling starts while watching text bloom into nonsense
O the beauty of vision gone mad.
*not sure about this line — I’m thinking of, like in a firelit room, but low light from a fire doesn’t separate words, it softens them, makes them dim so they almost become ghosts of the text they were
Yesterday it was 76 degrees, today 36. I didn’t mind; everything was dry and clear and I was able to run on all the walking trails in my new blue shoes! Today it’s overcast and both bright — a white sky — and gloomy — everything dull and bare. Did I see any shadows? I don’t think so.
I felt strong, not quite like I could run for several hours without stopping, but at least believing that it is possible. I also felt untethered from the world, everything fuzzy and me, floating above it or outside of it.
10 Things
early on, another running passing me, their feet slap slap slaping the ground
several geese honking below the ford bridge
empty benches
two women stopped on the edge of the trail near the 42nd street parking lot, talking — I couldn’t hear what they were saying
heading up the wabun hill — no one else around, just me and the dirt and the dead leaves
running through wabun: several people playing frisbee golf, two little kids running around the course, giggling
lots of traffic on ford and the river road — cars moving fast, no sunday drivers today!
a man in a bright orange jacket, sitting on the edge, above a ravine, looking out at the river
the bright headlights of a car, giving off a purple glow
a sound across the river road and the grassy boulevard — a gobbling turkey or a yelling kid? Undetermined
holes
I’m working on another holes poem — Holes 5. I’m using an essay about Rian Johnson, “Mystery Man” in the November 17, 2025 issue. My only requirement for an essay is that it contains the word hole, either as the word itself, or as part of/within another word. When I searched in “Mystery Man” for hole I found 4 instances of it including, “my wHOLE perspective,” “wHOLE time,” and “the wHOLE process.” I’m thinking these will be frame of my poem, especially Hole Time and Hole Perspective. What is my perspective (how do I see) with and from within my vision hole?
another part of my method: In addition to requiring a chosen essay has at least instance of “hole,” I read the essay from back to front. I started with the last paragraph, jotting down any words that stood out to me, then I read the second to last paragraph, then the third to last, and so on. It was a strange experience. I kept finding myself wondering, when I read a name I didn’t recognize, if I had missed the introduction/description of the name, then I remembered that I was reading back to front, from an assumption of familiarity to a not-knowingness (or not knowing yet-ness).
Here is a selection of words and phrases I jotted down:
bookshelf
stone
let me
still
strings
filters
window
flash
beauty
gathered
convivial
ends
spectrum
unexplainable
gesture
earthiness
underside
gnarled roots of a tree
feel
loop er
limitations / limit s
making diagrams with straws
an older version
flock
singular
(un) locked room
mind / mind’s eye / eye
tidy solution
make sense of it all
some measure of control over an uncontrollable world
the world has gone mad
center
puzzle
watch ed
the satisfaction of seeing
firelit
delight
smug
cringe
between
it seemed dusty
hypothetical
enters
throuhout
leap
a ghost
nobody
flock
vision
get in the way
framework
scam
everything
(r) ambling
story
distance
slanted
attention
made
backward
moving around
wonder
read
what is this?
slip away
lept
feeling trapped
peculiar
sunshine
looming
house
couldn’t see
covered in string
over
This essay is five pages long, so I’ll have to figure that out — all 5 pages, or 4 to make it fit more evenly? Or even less?
4.3 miles minnehaha falls and back 44 degrees 10% puddles
Spring! Sun! Sharp shadows! Clear paths with far less puddles! I felt strong and satisifed and at ease in my body. Well, mostly at ease. Because it’s messy out by the gorge, I wore an old pair of shoes — the ones that don’t quite work. Sometimes my gait felt awkward, my feet not hitting the ground in the right spot or in the right way.
Marveled at the river’s surface as I ran above it. So beautiful with its frozen surface. In the past, I’ve described the surface as vast or barren or eerie, surreal or otherworldly, but today other words came to mind: still, frozen, fixed, unmoving, deadened, paused, suspended. Yes! I think these words better describe its strange beauty for me. Looking at it is like looking at a film still. Looking at it feels like everything is paused, suspended in time.
10 Things
gushing falls — I could hear their loud descent and see their white foam
looking down at the oak savanna, tall, slender, bare branches mixed with their shadows to make a mess of lines on the snow — how much of it was actual trees, how much shadow? I couldn’t tell
water dripping fast and strong over the limestone edges in the ravine at 42nd street
empty benches
a guy walking with a small dog and looking at his phone
someone biking near the falls playing some mellow music out of speakers
taking off my sweatshirt, running with bare arms, seeing a walker with bare arms too
sirens in the distance, a loud, sustained whistle
the walking trails are still covered in snow
the gutter that was gushing water yesterday now only has trickles
Off and on throughout the run, I recited Alice Oswald’s “The Story of Falling,” sometimes reciting it in my head, sometimes out loud.
Holes
I’ve mapped some more of Holes 4 and . . . it’s a lot. Will this just look like an ugly, jumbled mess? Yesterday, talking through this with Scott, he said something like, do what serves the poem and the meaning you are trying to convey (or the effect you are trying to achieve). In terms of meaning, the words of the first section of the poem are about what I see instead of a gaping hole: shimmering, fizzy, ephemeral or elusive (hard to see, fleeting) things: snow flake marble dust, seltzer fizz, a nothing that is something not sharing its secrets. Perhaps these ephemeral things have come loose from what bound them to “normal” sight and its monitoring through tests like the amsler grid; it’s where you dwell when normal sight is not longer possible. So maybe the unraveling occurs prior to this hole? Yes, the unraveling (and vision of amsler grid as broken strings happens in 2 and 3, Does that mean that Holes 4 is all disconnected free-floating words/phrases? If so, how to make it possible for others to read it? I could place the poem near the center, around the gaping hole. I could also number the pages/sections and mark each word with a page number? Yes, I like this!
And hours later, I’m thinking more of using a distorted Amsler Grid at the center of Holes 4, and the black hole that the grid is collapsing into is the shape of blind spot.
Another mini project: can I learn how to draw decent-enough eyeballs — pupil and iris only?
amsler ideavery rough eyepoem text
Get Out ICE
This flyer about the next No Kings march came up on Facebook from Minnesota’s Lt. Gov Peggy Flanagan (and hopefully our next senator?!):
“In Minnesota, we’ve seen the federal government at its worst — and showed the world how to fight back.
Now, I’m honored that the flagship No Kings protest will be held here in the Twin Cities. Together, we’ll show Donald Trump that we don’t do kings.”
NO KINGS TWIN CITIES VOL. 3. Joan Baex Jane Fonda Maggie Rogers. March 28, 12 pm. March then rally at the State Capital.
2.3 river road, south / lena smith boulevard, north 15 degrees / feels like 0 50% snow-covered
Many of the sidewalks were completely bare and dry, almost all of the trail was covered in slick snow. In some stretches, the trail was covered with chunks of snow from the snow plows that had just passed by. Running south, with the sun and the wind at my back, and on the short strips of bare pavement, it felt good. Then I ran through a puddle. I didn’t notice that my foot was soaked for several minutes, but when I did I decided I should head home; it was cold enough that I was (mildly) concerned for my wet toes. Good call, past Sara! When I got home, one of my toes was burning.
10 Things
bright BLUE sky
the sounds of shoveling and scraping and snow-blowing all around
at the end of each block, I encountered an almost knee-high wall of snow where the plow had come through
the surface of the river looked eerie and strange, pale and spotted with chunks of ice
no kids’ voices from the school playground: for preK – 5th graders, school was closed, for 6th – 12th graders e-learning — that would suck! give the big kids a snow day too, I say!
the rumble of two plows approaching, first a small one, then BIG one — I moved to the far side to avoid the spray of snow
I encountered a few other runners but no skiers or bikers
head north, I ran into a wall of wind — ugh! howling and biting
I bet it was pretty and looked very winter wonderland-y — I couldn’t tell you because I was too busy trying not to slip!
if it hadn’t been for the terrible wind, my wet toes, and the slick and uneven path, it would have been a great run — even with the bad conditions, I had some wonderful moments outside
mind-body connection
On last week’s episode of the podcast Nobody Asked Us, Kara Goucher talked about how she started taking a low dose of some (unnamed) anti-anxiety medication and it’s helping with her dystonia (“a movement disorder that causes the muscles to contract. This can cause twisting motions or other movements that happen repeatedly and that aren’t under the person’s control” — Mayo Clinic). She has discussed many times on the podcast how dystonia has made it very difficult for her to run, especially on pavement.
mind body connection — watch until 15:58
This mind-body connection is fascinating to me. Does her anti-anxiety med just make her more relaxed, or does it do something more to the brain — and maybe the neural mapping of her movements?
HOLES 4
Today I’m mapping my words on a copy of the “Still Life” article. I”m trying something different. In Holes 1, 2, and 3, I taped the paper together first and then found the words and drew the holes over and around the words. Today, with such a long article, I’m finding the words and drawing holes around them first, before I tape the pieces together. Will that make a difference? Not sure, but I might switch around the order of the pages to shape how the holes look together.
I drew and colored in holes on 3 out of the 8 pages, and tried adding some color to a few. I’m wondering if some of the holes should messier, with less defined borders or jagged, rough. I have limited ability in drawing; can I push myself some more? Here’s an image of one of the pages:
Ran over the lake street bridge and to the monument today. When was the last time I ran this route? Just checked, it was 5 nov 2025. Wow! Of course, part of the reason why I haven’t run over there is because of the winter; they don’t plow the sidewalk on the bridge, and St. Paul, where the monument is, doesn’t plow their trails as well as Minneapolis. But another reason is definitely ICE; I’ve been staying closer to home with my runs because it feels safer.
Today’s run was good; I felt (mostly) strong, although my legs/feet are sore from wearing the shoes that make them hurt. It was windy and cold on the bridge, but it was beautiful. Steel gray water, open and high enough to hide the sandbars. Scattered stretches of the east and west banks were glowing with white snow. The sun was dulled by a thin layer of clouds.
10 Things
drip drip drip drip — the steady drip of water falling off the bridge near the east steps
graffiti — pink and orange and black block letters under the bridge
I only encountered 1 or 2 people over the bridge, both walking
the bells of st. thomas chiming at noon! 15 minutes later, at 12:15
running above shadow falls I glimpsed a dark flash of something — a tree? no, a person
with several more glances I realized the person was not hiking but running
they were nearing the worn dirt trail that climbs up and out of the ravine
St. Paul has replaced the port-a-potty at the edge of the monument parking lot — there is much less graffiti on this new one, and the door closes all the way — hooray!
near the edge of an overlook on the east bank, staring out at the other bluff and down at the water — a hiker emerges
a plaque on the bench for, “what a woman” Sharon. She was born 2 weeks after my dad was in 1941 and died in 2002 — so young!
Holes
Currently, I have 3 Holes erasure poems. Holes 1 is about my uneasy fellowship with the word. Holes 2 is about how the hole (my blind spot) makes it unprofitable to have faith in the visible. And Holes 3 is about falling through the hole into “who knows where”, on the border between the real and surreal. I need to do at least one more hole about the small holdout-of-a-hole in the very center of my vision that enables me to still read (even if that reading is slow and sometimes unreliable).
Tomorrow, RJP and I go shopping for textiles and textures at the Stashery, so today I’m working on mapping out Holes 3. I’m using “Me, Myself, and I: Helen Oyeyemi’s Novel of Cognitive Dissonance” from The New Yorker, August 25, 2025. Here is the version I just drafted:
swap the dead-eyed liturgy of doomed vision with shadowed acts that leap for the light (OR flee from the light?)
read sentences sliced in half with strangeness each one glitch ing enough to let in the improbable
fall through the hole your reading eyes find / or your reading finds / or your eyes find and land in a logic of blur and almost
Is this too many words to easily/cleanly map out? Let’s find out! And if not, let’s shift the form to make it work! — several minutes pass — Okay, I mapped it, and it seems like too many words. I think I’ll save my “darling” — the line that started it all about swapping the dead-eyed liturgy for another project — a liturgy of shadowed acts and the periphery! Anyway, I’ll try to keep the rest of the poem, and figure out the rest of holes is a project tomorrow morning.
Get Out ICE and Ice
The other day I wondered when the ice would be gone from Lake Nokomis. This morning, Minneapolis Parks and Recreation Board offered a prediction!
Minneapolis Parks Water Quality staff have tracked “ice off” dates on city lakes for decades. Ice off is declared when a lake is substantially free of ice after being fully frozen.
We’re probably not setting any records like 2018 or 2024, which dominate the record books. Staff estimate we could see ice off on small lakes like Powderhorn and Loring as soon as this weekend. It will probably be a few more weeks for larger lakes.
Will the HUGE winter storm we’re expecting on Saturday night and all day Sunday impact the ice off date? BTW, I’m pretty sure that they used to refer to this as the ice out date; I think they’ve changed it because of the very negative association with ICE. I checked past entries on my log, and yes, that was what it was called. Negative association aside, I like ice out better than ice off.
Still feeling like spring, another run with bare arms for the second half. Chirping birds, rushing falls, a knocking woodpecker. Kids on a field trip, walking on the river road trail. Only a few random clumps of snow remaining in the grass. I’m sure we will still get snow, either later this month, or in April, but it won’t stick around. Spring is coming!
I recited Alice Oswald’s “The Story of Falling” and Lisa Olstein’s “Dear One Absent This Long While.” I intended to think about my mom on her birthday, but I forgot to, or did I? I’m sure she was there when I recited — in my head — the last lines of Olstein’s poem: Your is the name the leaves chatter/at the edge of the unrabbited woods.
As I listened to the rushing falls, I recalled my discussion yesterday about the poster with the words, Believe Your Eyes. I thought more about why you should Believe Your Ears and Your Eyes, although less catchy, is more accurate. I recorded a thought into my phone:
5 march 2026
transcript: the sound of minnehaha falls and, occasionally, some wind. “I’m thinking about my poster and switching it from Believe Your Eyes, to Believe Your Ears and Your Eyes. And I’m thinking about, on their own, they’re both unreliable, but when they work together, and with the other senses, they offer a more accurate representation of what’s happening.”
Listened to the birds, my feet striking the grit on the path, someone say, I’m a classroom teacher near the overlook, the falls, sounding like a June rainstorm on the first half of my run. Listened to my “Bunnies and Rabbits” playlist on the second half. I started with “Rabbit Fur Coat,” and was struck by this verse:
She put a knife to her throat “”Hand over that rabbit fur coat”” When my ma refused, the girl kicked dirt on her blouse “”Stay away from my mansion house””
My mother really suffered for that Spent her life in a gold plated body cast.
This last bit about the gold plated body cast — what a great way to describe someone who is obsessed with objects, like gold or fur coats, that bring status and luxury.
Happy Birthday Mom
If she hadn’t died in 2009, my mom would be celebrating her 84th birthday today. 17 years gone. Some memories of her have softened, lost their edges, others have been condensed into a flash or a few words. I was reminded of some of those words the other day when I heard Heather Cox Richardson say, oopsie poopsies. As I remember it, Mom was driving me and my best friend (JO) home. When we pulled into the garage, she called out, Front door service, Missy Doodles! I can’t remember our reaction in that moment — did JO and I exchange looks? did we laugh at her? — but I do remember that it became something we repeated to each other later for a laugh and as a way to mock my mom (mostly good-naturedly, I think).
Why does this dumb sentence stick, when others don’t? Maybe it’s partly because my mom often had a strange way of saying things — happy as a clam bake is another one that comes to mind; also, the way she pronounced absurd — abzurd — and milk — melk (I do that one too). There must be many more that I’m not remembering now; I should ask my sisters. These strange ways of speaking were part of her charm. Front door service, MissyDoodles fits with these others. I googled it just now, thinking it might be a famous catch-phrase from before my time, or that Missy Doodles might have been a character on some show from the 50s or 60s. Nope.
Returning to HCR’s oopsie poopsies, I’m thinking about how she uses it instead of swearing.1 Another connection to my mom surfaces: not swearing, or rarely swearing, or swearing in French or German. And now I’m thinking about her shit rock, which is now my shit rock. I created a digital story about it 10 or so years ago. I also posted about it on my TROUBLE blog. I need to find the video and a transcript of the story somewhere on a hard drive. I’ll post it when I find it.
the Rabbit Recap continues
Yesterday, working backwards, I made it through page 5, page 4, and half of page 3 of entries tagged, rabbit.
6 — 15 nov 2022
The optical illusion: the rabbit or the duck
I surmise that my general visual experience is something like your experience of optical illusions. Open any college psychology textbook to the chapter on perception and look at the optical illusions there. You stare at the image and see it change before your eyes. In one image, you many see first a vase and then two faces in profile. In another, you see first a rabbit then a duck. These images deceive you because they give your brain inadequate or contradictory information. In the first case, your brain tries to determine which part of the image represents the background. In the second case, your brain tries to to group the lines of hte sketch together into a meaningful picture. In both cases there are two equally possible solutions to the visual riddle, so your brain switches from one to the other, and you have the uncanny sensation of “seeing” the image change. When there’s not much to go — no design on the vase, no features on the faces, no feathers, no fur — the brain makes an educated guess.
When I stare at an object I can almost feel my brain making such guesses.
Sight Unseen / Georgina Kleege
7 — 27 sept 2022
Those who have it to give are like cardinals in the snow. So easy and beautifully lit. Some are rabbits. Hard to see except for those who would prey upon them: all that softness and quaking and blood. (I’ve Been Thinking about Love Again/ Vievee Francis)
rabbits — visible only to those who prey upon them — all that softness and quaking and blood.
8 — 1 dec 2021
You only spot the rabbit’s ears and tail:
when it moves, you locate it against speckled gravel, but when it stops, it blends in again; (First Snow / Arthur Sze)
So, does a bunny have two distinctive aspects to their form: ears and tail? Ears if it’s only the head, ears and tail if it’s the entire silhouette. Most things blend into the backyard if they’re still for me. I only see them by their movement and maybe the flash of a tail streaking away.
9 — 25 dec 2025
A child’s plush stuffed rabbit. (Ode to Gray / Dorianne Laux)
Why are stuffed animal toy bunnies usually gray when real rabbits are more often brown?
10 — 15 may 2025
“It suggests the fatal indecision of a rabbit caught in a hunter’s flashlight. . . .” Rabbits as prey, always needing a way to be escape, when cornered, they shut down. Survival strategy: run until you can’t then go stiff, play dead. The idea of always looking for an exit resonates for me. I would much rather avoid a bad/dangerous/uncomfortable situation than confront it. Wherever I go, I always look for the exits, or the entrances into other worlds.
And now I’m wondering about rabbits playing dead and how that works. According to a few different sites, it’s called tonic immobility or trancing and it is”
a behavioural response to a perceived threat, characterised by muscular rigidity, profound motor inhibition, and suppressed vocal behaviour. This behaviour occurs when freezing in response to a predator approach, fight, or flight are no longer perceived as options (Gallup 1974, Gallup 1977). McBride et al. (2006) observed that rabbits held in a tonic immobility position had elevated respiratory rates, heart rates, and plasma corticosterone concentration. Additionally, they expressed fear behaviours such as widened eyes and flattened ears, and demonstrated more hiding behaviours and fewer grooming behaviours post-trancing.
In yesterday’s Politics Chat, talking about her reaction to the news that Trump was bombing Iran, she said, “I said all the swear words you never think I say.” ↩︎
Get Out ICE
From Recovery Bike Shop in Northeast Minneapolis:
This is what community looks like. This is what “bustling” looks like. This is looking out for our neighbors. This is taking care of our own. This is supporting our city.
We feel safer when other people are around. We are those people. We are the ones we’ve been waiting for. And when we make our street a place that’s comfortable for walking, more people will feel comfortable walking. It’s a virtuous cycle. And it’s something we can do.
So come walk with us every Thursday evening at 5:30. Meet at Recovery Bike Shop. (And next week we’ll be walking in the sun!)
Note: any time you are out walking, you are making your community safer.
Any time you are out walking, you are making your community safer. I love this idea!
New Yorker Experiment #4
But before I move onto #4, I added some numbers to #3, so it was easier to follow the path of the poem:
Experiment #4: A Screaming Skull / New Yorker 18 august 2025
text:
You may feel like a shadow.
Another name for blind is a hole in the vision
You may feel like a shadow.
I tried photocopying the pages from the New Yorker, but the quality is terrible. Also, I ran out of time. I like the idea of another name for blind is . . . but I could find the right words to fill that in. I’ll work on this one more tomorrow. I think that my theme for these is my vision.
Another SPRING day! It felt so warm that halfway through the run, I took off my pull-over and ran with bare arms. No gloves, nothing covering my ears. Even with less layers I was warm. The walking path was clear enough that I was able to run past the Welcoming Oaks and the tunnel of trees. There were a few puddles and chunks and sheets of ice and for one stretch near the lowest point, snow covered almost the entire path. A few times my foot slipped a little but never enough to make me worry I’d fall.
I felt good and my legs felt strong. I was able to run up 3/4 of the franklin hill before I stopped for a walk break. The only part of me that hurt was one of my toes on my right foot. I was wearing different shoes than I normally do — a Saucony Ride instead of a Brooks Ghost — and something about this version of the has never worked for me. I’ve had these shoes for more than a year — 2 years? — and they always cause something to hurt, like my toe or my calf.
10 Spring Things
open river! down in the flats, when I could get very close to it, I watched the small spots of foam as they slowly floated downstream
sh sh sh — the sound of my feet running over the grit on the edge of the trail
good morning! hello friends! — greeting the Welcoming Oaks
the loud and steady sound of water rushing down over the ledges in the ravine
a woman running in shorts and a jog bra
mud, on the edge of the path — once, as I turned a corner, I stepped in it and almost twisted something
whoosh! car wheels speeding through a puddle, water flying up
along with the mud, bare dirt, some grass
last week, running under the franklin bridge when it was even wetter than today, I noticed a black jacket on the ground, soaked. Today that same jacket was hanging from a branch, dry
like yesterday, where there was ice on the path, there were also dead leaves — suddenly realized: someone from Minneapolis Parks had most likely spread the leaves as a natural way to make the path less slippery (as opposed to ice-melt and all of its chemicals)
Rabbits in Art
1 — Rabbit by Jeff Koons
I’m fairly certain that I’ve seen and/or heard of Koons’s Rabbit, but I only thought of it for this “rabbits in art” exploration when it came up in my google search.
DETAILS
Jeff Koons (b. 1955) Rabbit stainless steel 41 x 19 x 12 in. (104.1 x 48.3 x 30.5 cm.) Executed in 1986.D
You can find the image, both close-up and to scale, on Christies auction house site. I’m choosing not to post the image in this entry because of copyright concerns. Even though my use of the image should easily fall under fair use.1
In 2019, this controversial sculpture sold for $91 million. Christies’ page for this auction item has a lot of good information about the sculpture — it’s history, significance, probably all of the citations to articles about it that you might ever need.
Here’s the opening paragraph of Christies’ essay about it:
Since its creation in 1986, Jeff Koons’s Rabbit has become one of the most iconic works of 20th-century art. Standing at just over three feet tall, this shiny steel sculpture is at once inviting and imposing. Rabbit melds a Minimalist sheen with a naïve sense of play. It is crisp and cool in its appearance, yet taps into the visual language of childhood, of all that is pure and innocent. Its lack of facial features renders it wholly inscrutable, but the forms themselves evoke fun and frivolity, an effect heightened by the crimps and dimples that have been translated into the stainless steel from which it has been made. Few works of art of its generation can have the same instant recognizability: it has been on the cover of numerous books, exhibition catalogues and magazines; a monumental blow-up version even featured in the 2007 Macy’s Thanksgiving Day Parade. For an artist such as Koons, who is so focused on widening the sphere in which art operates and communicates, Rabbit is the ultimate case in point.
Childhood — all that is pure and innocent. Fun and frivolity.
And here’s what Jeff Koons says about it, cited in Kurt Varnadoe’s essay for Art Forum, 1986: Jeff Koons’s Rabbit:
This snarky little thumper has other stories to tell too. Koons said, “To me the Rabbit has many meanings. It is a symbol of the playboy, of fantasy and also of resurrection.” (The joining of those last two terms alone can provide food for long thought, or skepticism.) “But to me, the Rabbit is also a symbol of the orator making proclamations, like a politician. A masturbator, with a carrot to the mouth.”
I mentioned Monty Pythons killer rabbit last week. It comes up again in this article about drawings of bad bunnies in medieval art.
Rabbits can often be found innocently frolicking in the decorated borders or illuminations of medieval manuscripts, but sometimes, for reasons unknown, these adorable fluffy creatures turn into stone-cold killers. These darkly humorous images of medieval killer bunnies still strike a chord with modern viewers, always proving a hit on social media and popularised by Monty Python and the Holy Grail’s Beast of Caerbannog, ‘the most foul, cruel, and bad-tempered rodent you ever set eyes on!’.
I like this explanation for why bunnies were depicted as killers:
In real life, rabbits and hares are docile prey animals. But in decorated initials and marginalia, medieval artists often depicted ‘the world turned upside down’, where roles are reversed and the impossible becomes the norm. So here, rabbits are violent hunters hellbent on punishing anyone who has committed crimes against rabbit-kind.
Last week when I mentioned Monty Python, I didn’t know they were referencing a trend in medieval art/manuscripts of rabbits behaving badly, I thought they made it up as a joke!
I think it might be time to synthesize/summarize some of this bunny information. But, that’s a project for this afternoon! Now it’s time for day two of my New Yorker Found Poem experiment!
“Fair use allows limited, unlicensed use of copyrighted images for purposes like criticism, commentary, news reporting, teaching, scholarship, or research. It is a legal defense based on four factors: purpose (e.g., non-profit, educational), nature of the work, amount used, and effect on the market” (source). I have been unfairly fined before, for using an image on an academic blog (over $700 in 2012). ↩︎
“It is rare for a domesticated animal to be both considered food and a treasured pet” (source). ↩︎
New Yorker Found Poem Experiment #2
10:30 am — Before starting to work with an article, I decided to sort through RJP’s old markers and find ones that still work. At some point during the process, I realized that this looking through old markers was making me dizzy; something about it was too much for my brain and my cone-starved eyes. I stopped sorting. I should have taken a break, instead I did something else. A few minutes later, I felt woozy and needed to sit down. My hands were shaking and my legs felt tingly. My pulse was fine, but my blood pressure was elevated — 158. I think I was having a mild panic attack, triggered by the dizziness from my bad vision. Boo. It seems as if my anxiety is back. I had a nice stretch of a year+ without it. It also seems like I will need to be more careful with how I use my eyes. Too much trying to closely see something might trigger another one of these. Am I right in my assessment?
I am noticing that my vision has deteriorated more. It’s even harder to recognize the faces of actors on tv, harder to see my kids’ faces when they talk to me. Am I getting closer to the complete end of central vision?
Because of this incident, I did not start my second experiment this moring. Should I now, at 2:10 pm, or will it trigger more dizziness and anxiety?
Yes, I did it. I need to make sure I test out/find the right tools and be more deliberate in what I’m doing. I’m very messy — which is mainly because of my vision, but not completely. I’ve always been an almost and a that’s good-enough girl.
These poems are from a July 2025 article, Money Talks:
1 — Let me ask you a question
Let me ask you one questions
I like the idea of this, with all of the questions marks, but it is really sloppy and it doesn’t highlight the text that I’m using, “Let me ask you a question.” I would try this one again, but if I plan it more carefully and work on my question marks!
2 and 3
2: In the middle of a story, you are either in or you are out 3 — About nothing: it is a junk drawer for everything nobody ever heard of
Again, messy and poorly executed. I like that I used less words than the last one. I need to figure out a way to draw that I can do with my unreliable vision. It’s hard to see enough to color within the box or to draw straight lines, even with a ruler!
I like the idea of nothing as a junk drawer. It might make even more sense if I found a much, and could make nothing into nothing much.
I am listening to HCR’s politics chat for today and she said, as she often does, OOPSIE POOPSIE. I love when she says that!
2.6 miles river road, south/north 28 degrees 25% ice-covered
A beautiful morning for a run! Sunny, warmer, clearer trails. There was some ice, but most of it had been sprinkled with dirt so it wasn’t slick and dangerous — there’s a metaphor there, right? I was glad to be out on the trail, albeit with some anxiety. Two days ago, at my annual check-up, my blood pressure was in the high zone. High enough to need to monitor it daily for a month to see if I need to go on medication. Some other test results were “abnormal,” too: high cholesterol, high thyroid, low ferritin. Bad test results make me anxious, or is my potentially out-of-whack thyroid? Or maybe it’s just living in a city occupied by ICE for more than 2 months and living under a federal administration that is careening towards full totalitarianismvileevilunhingedextremely dangerous falling apart and is desperate to hold onto power. I’m struggling to find the words to effectively describe this administration. So, yes, I was worried as I ran, wondering if my heart rate should sky-rocket the more I ran. Thankfully it didn’t. The run wasn’t easy, and it wasn’t the big escape I had hoped for, but it did bring me some delight and some beautiful moments to look to when I’m feeling overwhelmed. Can I find 10?
11 Moments of Beauty
the sizzling sound of wind moving through the brittle leaves still remaining on a tree
quiet, then the softest knocking cutting through — a woodpecker somewhere close by?
yes! looking up at a tree, I could actually see the white underwing of a downy woodpecker, it’s tiny head hammering a branch
wide stretches of clear, dry trail
stopping at the Rachel Dow Memorial Bench, looking out at the frozen river, wondering what Rachel would do in this moment, then believing she would be part of this amazing love spreading across the city, the state, the country
a good morning from a passing walker
a feeling of movement below me, then spotting a walker on the Winchell Trail, the remembering running down there, nearer to the river on a warm day
the rhythmic clicking of a passing runner’s snow spikes on the bare pavement — click click click
running over the slick ice and not slipping or sliding because Minneapolis Parks had sprinkled dirt — and not salt — on it recently
speaking — out loud, but softly — the words to Alice Oswald’s “The Story of Falling” that I re-memorized earlier this morning — It is the story of the falling rain/to turn into a leaf and fall again/It is the secret of a summer’s shower/to steal the light and hide it in a flower
(added 9 feb) a woman below, on the winchell trail, calling out, her name is Freya!, and a man responding, you’re a good girl! — just yesterday, Scott, Delia, and I had encountered this friendly woman and her dog near 7 Oaks. She was so friendly and kind that we agreed encountering her had made walking out in the cold, on the icy paths, worth it
Just writing this list, and the words preceding it, have made me feel better, more relaxed!
Get Out Ice
Even if I’ve written this before, I’ll write it again: I am finding that focusing on the fierce love and care that Minneapolis is practicing and de-centering/quieting the endless examples of ICE awfulness is helping me to endure this time. Well, more than endure. The love I am witnessing, and attempting to practice in my own way, is inspiring and making me hopeful about possible futures. It is also restoring my belief in democracy.
Here are 2 examples I shared on Facebook today:
1 — Rebecca Solnit post
One of the nuts things about organizing in the Twin Cities right now is that even the most long term organizers who’ve been here for decades can’t keep keep track of all the resistance that is going on. There are so many self-organizing crews just doing work that in any conversation with someone from another neighborhood you might stumble over a whole collective of people resisting in ways you didn’t think of. There’s a crew of carpenters just going around fixing kicked-in doors. There are tow truck drivers taking cars of detained people away for free. People delivering food to families in hiding. So many local rapid response groups that the number is uncertain but somewhere between 80 and the low hundreds . . . .
every restaurant, church, karate dojo, dance studio, school, barber shop, and other small business has created their own underground grassroots supportive network to protect their neighbors, get people to and from work, and raise funds to pay everyday bills.
