feb 11/BIKERUN

bike: 25 minutes
run: 1.3 miles
21 degrees
wind + ice + snow

Watched most of the next episode of Dickinson. Emily is trying to help everyone, yet is failing to help anyone. She’s torn between Sue and her mother and sister, Austin and her father. She wants to lock herself in her room and write, believing that her poems are the only/best way to help others — her family and the nation, both divided, and the dying soldiers. A key question comes up a few times: what can poetry do? (and, is poetry ever more than just words?) I haven’t quite finished the episode, but this answer seems to be the most compelling, offered by the local seamstress, an African American woman named Betty:

Emily: So what if I can’t fix all the messy relationships in my family? The best thing I can do for the world, is to lock myself in my room and write my poetry.

Betty: But what good are your poems going to be if you do that? If you can’t handle the mess of the world, why should anyone need to hear what you have to say? Writing that shuts real life out is as good as dead.

Right before I started running, I listened to a recording of myself reading my mannequin poem. I have too many details, but I like the direction it’s going. Lots of editing needed. Here’s the beginning:

At the far edge of the fair
behind Merchandise Mart
in a red brick building
squeezed into an enormous glass case
are the mannequins.
Surrounded by
a glorious mess
of mismatched
textures textiles techniques
and adorned in handmade
hats and sweaters and coats
these legless armless women
preside over
a celebration
of an art form
both timeless and timed out.

Listening to the recording before I ran didn’t help me solve any of my poetry problems. Instead, I focused on my playlist as I ran.

It’s windy and white, with ice and snow covering the sidewalks. A blah day. February in its dreariest. Speaking of which, a poetry person posted this awesome news segment about February:

The idea about the trees revealing the truth, telling it like it is, seems like another version of, “What you see is what you get.” It’s funny because I have the opposite reaction to bare branches; I love the view they offer, and the gnarled truths they reveal. This could be another “WYSIWYG” poem.

feb 10/RUN

4.4 miles
minnehaha falls and back
18 degrees / feels like 8
less than 5% snow-covered!

Over the past couple of years, I’ve listened to several running podcasts. On one of them, the host ends the show by asking the guest to give listeners one reason to go out for a run today. More than half of the time, the answer they give is: because you’ll feel better and never regret it. For me, this is true. I’m better after every run and I’m glad I made it outside (or to the basement). Today included. It was colder than I expected, and I felt more sluggish than I’d like, but running for 40 minutes above the gorge and around the falls was an excellent way to occupy the late morning.

10 Things I Noticed

  1. the drumming of a woodpecker on a tree just above the oak savanna
  2. the river, white and flat and quiet
  3. 2 or 3 park vehicles in turkey hollow — are they trimming some trees, or what?
  4. the falls, frozen and still
  5. clearest view of the river: between folwell and 38th, beside a split rail fence
  6. best view of the falls: on the opposite end, near Longfellow’s “Song of Hiawatha” etched on top of a low stone wall. I stopped and stood on some packed down snow — a clear, straight shot of the falls, the creek, and the bluffs around it
  7. the paths were almost completely clear except for a few spots where ice spread across one side (the result of snow that melted in the warm temps on Monday refroze)
  8. kids yelling and laughing at the playground at Minnehaha Academy
  9. a car pulling into one of the parking lots at the falls, then looping around quickly and leaving
  10. About 10 people at the falls, walking above, admiring the view

I’m still working on thinking about “what you see is what you get” and the state fair mannequins, but I’m struggling. Is it possible for me to write about them in a meaningful way? Not sure. This morning, I was thinking more about form. I thought about how I imagine my poem as one of praise for the mannequins, and the improbability that they continue to exist. Then I thought about hymns and how Emily Dickinson wrote in common meter/hymn form. Quatrains: 8/6/8/6, mostly iambic tetrameter/iambic trimeter ABAB rhyme scheme (with lots of slant rhymes) (Common Questions on Emily Dickinson). This sounds exciting and promising, but do I have words to fit this form? Unsure. I also thought about one structure Mary Oliver uses in her poems of praise: First, a detailed description of the delightful thing; then a display of wonder/astonishment, possibly the posing of a question; and, finally, a revelation. I want to try these different approaches with some sort of praise poems, but I’m not sure they work for the mannequins.

One approach to the poem could be to provide more detail and development of the “as-is” mannequins’ location in the creative activities building at the Minnesota State Fair: encased in glass, jammed with sweaters and ponchos, dresses, hats, mittens, aprons. Close to the quilts, the rugs, the weavings. Across from the jars of jellies and jams and pickled beans, pickled peppers, pickled cucumbers. Cookies, breads, cakes, honey. And, for a few years, melted crayon art. The domestic arts. The enemy of convenience, the ready-made, the instant, the quick. Homemade, not store-bought, requiring slow, patient effort, “traditional” techniques. The point of this effort is not to sell (or buy) more of anything, but to pass on these practices, different forms of knowledge (and to win a ribbon). Things in this building are not typically recognized as artistic or possessing Beauty (as a form), but as functional, useful, necessary for survival. Women’s work. How much of this to put in this poem? And, how do I connect that with another important aspect of the mannequins: my kinship with them as strange not quite human aliens who almost look real — almost — but lack that extra something, like the spark in the eye, the direct eye contact. Not sure how (or if) I’ll do this yet.

Here are 2 praise poem that offer some good inspiration as I continue to push through how to write my poem:

Praise the Rain/ JOY HARJO

Praise the rain; the seagull dive
The curl of plant, the raven talk—
Praise the hurt, the house slack
The stand of trees, the dignity—
Praise the dark, the moon cradle
The sky fall, the bear sleep—
Praise the mist, the warrior name
The earth eclipse, the fired leap—
Praise the backwards, upward sky
The baby cry, the spirit food—
Praise canoe, the fish rush
The hole for frog, the upside-down—
Praise the day, the cloud cup
The mind flat, forget it all—

Praise crazy. Praise sad.
Praise the path on which we’re led.
Praise the roads on earth and water.
Praise the eater and the eaten.
Praise beginnings; praise the end.
Praise the song and praise the singer.

Praise the rain; it brings more rain.
Praise the rain; it brings more rain.

I especially like the repetition and the detail of this poem.

This next one, offers a much pithier approach:

All Praises / Lucille Clifton

Praise impossible things
Praise to hot ice
Praise flying fish
Whole numbers
Praise impossible things. 
Praise all creation
Praise the presence among us
of the unfenced is.

Wow. Talk about effective condensing! I love the repetition in this one as well. And, that unfenced is? the best!

feb 9/BIKERUN

bike: 22 minutes
run: 1.45 miles

32 degrees, feels like 22, with 22 mph wind gusts. Puddled paths that are part slushy water, part ice. With these conditions, and since I ran outside yesterday, I decided to stay inside. Watched another episode of Dickinson. Sue is in labor, Emily’s mom (also named Emily) is her self-appointed midwife. Austin is drunk and hosting a maple sugaring party. And Emily is meeting up with Austin’s college friend who is about to leave for the war and who Emily believe will die (and become the “nobody” ghost that haunted her in season 2). He tells her that she is the only person who is willing to tell the truth about the horrors of the war, to “call it like it is,” to look straight into the darkness. Could this be another definition of “what you see is what you get”? A straight shooter, truth-teller who calls it like it is? While I ran, I listened to a playlist and tried to think some more about out-of-date mannequins and the “as is.” And, maybe I did, but now, about 30 minutes after I finished my run, all I can remember is connecting my love for the unloved, dismissed mannequins with the aging body and a fear of death.


feb 8/RUN

5.75 miles
franklin loop
24! degrees
5% snow-covered

Warmer today. Today’s high is 42. Sunny, not too much wind. Greeted Dave the Daily Walker and he called out, “a great day to be outside!” Yes. Not too crowded on the trail. Not too slushy either. Felt relaxed and motivated to run for a little less than an hour. For most of the run (the first 4.25 miles, until I reached the lake street bridge), I didn’t have headphones in, but for the last mile and a half, I put in my jan/feb playlist.

10 Things I Noticed

  1. the floodplain forest was white and open and empty
  2. the river was also white, with a few small cracks beginning to appear
  3. for the first mile, there was a strong smell of gasoline. Was it the quality of the air, moisture holding in the fumes?
  4. no one was sledding down the hill between edmund and the river road
  5. running under the railroad trestle, I heard a chirp or a beep. I wondered if it was some strange bird then realized it was a warning beep. Was there a train coming? I looked and listened but couldn’t sense any sign of one
  6. the huge boulder on the east side of the river was half covered with snow
  7. thought I noticed someone running below, on the walking path, through the tunnel of trees — a flash of a gold shirt — but it was just some dead leaves on a tree
  8. running west on the lake street bridge, the trees were a blur, whizzing past through the slats in the bridge railing
  9. ran above the part of the Winchell Trail that steeply descends to the gorge, noticed how it was buried under snow, and thought about hiking it in the fall, which feels so long ago, and encountering a family as we climbed up and they climbed down: a father, a toddler in pajamas, and a mother with a baby strapped to her front
  10. a few other speedy runners, 1 or 2 bikes, 2 or 3 dozen dogs, lots of walkers

This morning, I’m continuing to think about “as is” as a meaning for “what you see is what you get.” I suddenly remembered the island of misfit toys.

The misfit, mistake toys — a pistol that shoots jelly instead of water, a bird that swims instead of flies, a cowboy that rides an ostrich instead of a horse — all want to be accepted and loved by some “girl or a boy.” They lament their banishment to the island. At the end, they are “saved” by Rudolph and Santa and become presents. I didn’t watch the entire show; are they “fixed” or delivered “as is” to the kids? Will the kids (or their parents) be happy with broken/misfit/flawed toys? I mentioned this to Scott and he said, “I would LOVE a cowboy riding on an ostrich!” Much of my love for the State Fair Mannequins is because they continue to exist outside of the acceptable in an old, out-dated creative arts building. I don’t want them to fit in, or to have what “fits” be expanded to include them. I like that there is a space that seems to exist outside of progress and the newest, slickest model. But, there’s a tension for me, too: I appreciate (and identify with) these mannequins as strange, queer misfit resistors, but I also feel haunted by the pressure (and sometimes the desire) to fit in, where fit in = connect, be recognized as acceptable and human, not have to always work against the “normal.” I want to think about how I can express that unresolved/unresolvable tension.

Before I went out running, I watched the misfit toys clip and wrote some of the previous paragraph. As I ran, I thought about them and the mannequins and some words came to me. I held onto them until I could record them into a voice memo while I walked up the lake street bridge steps: “not improved, accommodated, fixed, cured. Just left alone.” I’d add now: left alone to be, away from the new, the novel, the latest model.

I found this poem when I searched, “mannequin” in the poetryfoundation.org database:

To the Mannequins/ HOWARD NEMEROV

Adorable images, 
Plaster of Paris 
Lilies of the field, 
You are not alive, therefore 
Pathos will be out of place. 

But I have learned 
A strange fact about your fate, 
And it is this: 

After you go out of fashion 
Beneath your many fashions, 
Or when your elbows and knees 
Have been bruised powdery white, 
So that you are no good to anybody— 

They will take away your gowns, 
Your sables and bathing suits, 
Leaving exposed before all men 
Your inaccessible bellies 
And pointless nubilities. 

Movers will come by night 
And load you all into trucks
And take you away to the Camps, 
Where soldiers, or the State Police, 
Will use you as targets 
For small-arms practice, 

Leading me to inquire, 
Since pathos is out of place, 
What it is that they are practicing.

feb 7/BIKERUN

bike: 20 minutes
run: 2.6 miles
7 degrees / feels like 0

Thought about running outside, but decided that it would be warmer tomorrow, and that I wanted to watch some more of Dickinson. Finished the first episode of season 3, which was all about death — Aunt Lavinia’s death, too many young men in the community dying due to the Civil War, Edward (Dad) having chest pains and then almost dying from a heart attack, the barely alive relationship of Austin and Sue. Some of the parallels between the never-ending, nation dividing war and the pandemic seemed a bit heavy-handed, but it was funny to hear Lavinia (sister) lamenting her lost 20s because of the war: “It’s soooo boring and taking sooo long. This is our 20s, we’re supposed to be having fun!”

Started my run by listening to Erik Larson’s No One Goes Alone, but then decided I wanted to listen to music and think more about my latest version of “what you see is what you get”: as is…In praise of the “as is,” the outdated, bargain basement dwelling forgotten ones. I’m thinking about the State Fair mannequins and how I’ve wanted to write about them for years now. Maybe I finally will? I hope so.

A few minutes into the run, I had some ideas, so I stopped my music, pulled out my phone, and recorded them while running. A bit awkward, but I didn’t drop the phone or fall off the treadmill. Listening back to the recording, it’s hard to hear my voice over my striking feet, so I won’t post the recording. I talked about the “as is” as the old, out-dated, bargain basement, and progressive lenses versus bifocals and how the type of cone dystrophy I have is progressive cone dystrophy because my vision has not stabilized and is continuing to grow worse — it’s progressively deteriorating, as opposed to stationary cone dystrophy where your vision stays at the same level; it’s already lost what it’s going to lose. The progress I’m experiencing is progress as getting worse not better, which is a type of progress that rarely gets mentioned in all the appeals to it. This reminds me of Jenny Odell’s How to Do Nothing and a line she has about capitalism wanting uncontrolled/unlimited growth and how that’s what cancer is. I found it on goodreads:

But beyond self-care and the ability to (really) listen, the practice of doing nothing has something broader to offer us: an antidote to the rhetoric of growth. In the context of health and ecology, things that grow unchecked are often considered parasitic or cancerous. Yet we inhabit a culture that privileges novelty and growth over the cyclical and the regenerative. Our very idea of productivity is premised on the idea of producing something new, whereas we do not tend to see maintenance and are as productive in the same way.

How to Do Nothing/ Jenny Odell

I also found a similar, and much earlier quotation by the park ranger/ troublemaker/ writer/ environmental activist Edward Abbey:

growth for the sake of growth is the ideology of the cancer cell.

Edward Abbey

About a mile later, my thoughts went in a different direction with the as is. Here is some of the notes I recorded into my phone mid-run:

  • “as is” in terms of metaphor — I think I was thinking about the “as” or “as in this or that…” — and how what you see is what you get is the opposite of metaphor, the what that you see is what it is and nothing else, not almost or approximate.
  • what you see = your perspective, how you perceive/interpret/understand the world is how it is (or, more precisely how it seems/appears) to you. I was thinking particularly about my struggles to see/recognize other people’s faces and how I imagine others see me as rude or distant or unfriendly because of it. But, do they, or is that how I see myself? I feel like I’m not quite explaining this as I’d like to, but I’ll leave it for now

Of course, when I think about “as is,” I also think about IKEA and their as-is department:

The As-Is section is where you can view the selection of floor samples, discontinued pieces, and customer returns at a reduced price. IKEA has a certain amount of merchandise throughout the year that we retire, which ensures that we keep our selection of products up-to-date. That merchandise can end up in As-Is along with seasonal products that are left over after summer or after the winter holidays.

source

priced to sell, reduced, retired, discontinued, out-of-date, used, floor sample, damaged, banged up, unwanted or not wanted enough, last chance, remainders, hidden in plain sight (you know it’s there, but you ignore it), minor flaws (descriptions from the IKEA interview).

As Is/ Nicholas Friedman

Just north of town, a quaint Sargasso Sea*
for bric-a-brac: the barn, itself antique,
spills over with a grab-bag panoply
of outworn stock revalued as “unique.”
Typewriters tall as headstones fill the loft
where they’ve been ricked away like sacks of grain;
a coffer yawns the must of oak—gone soft—
when one man, squinting, lifts the lid to feign
intrigue. Nearby, his wife surveys the smalls:
art deco bangles bright as harpsichords,
a glut of iron trivets, Christmas balls,
Depression glass and warping Ouija boards.
One man’s junk is another’s all the same.
They don’t buy much, but that’s not why they came.

*I am familiar with Jean Rhys’s book, but wasn’t sure how Sargasso Sea worked here. Looked it up: “a vast area of the northern Atlantic Ocean which is home to sargassum, a kind of seaweed. The Sargasso Sea is legendary for being an oceanic black hole, where ships get ensnared by huge forests of floating seaweed, or drift helplessly when the wind ceases to blow.” Also found out: It’s the only sea not bounded by land.

feb 6/RUN

3.45 miles
river road, south/north
21 degrees / feels like 13
100% snow-covered

White and gray and a little gloomy this morning. Warmer. Not too cold. I was able to wear less layers: 1 pair of gloves instead of 2, one less shirt, no hood only my winter cap. Sometime last night, it snowed — a dusting. Enough to cover the trail, but not enough to make it more difficult to run. Looked down at the river: all white. Looked up at the sky: all white, too. It might have been snowing a little, but it was hard to tell. Mr. Morning! greeted me with an extra enthusiastic “morning!” and a wave. Like I often do, I imagined stopping to say hi and telling him that I call him Mr. Morning! because he always greets me with such delightful enthusiasm. I didn’t. The color of the day: bright, glowing orange. I was wearing it, and several other runners I encountered were too. Saw at least 2 fat tires, one with their bike light on. Overheard 2 walkers talking. One said: “Oh no, I don’t walk to Franklin. I used to run it, but it’s too far to walk. It’s 8 miles.” I wondered why she stopped running, and if she misses it. For 3/4 of the run, I listened to the gorge and my own breathing. For the very last bit, I put in a playlist — “Love is a Battlefield” and “Pressure” — and powered up the hill.

A great run. Always happy and grateful to spend time outside, moving my body by the river.

I’m thinking a lot about “what you see is what you get” and I’m starting to have too many ideas. Getting overwhelmed by possibilities. Maybe I should just watch the Olympics today? Yes, but before that, here are some meanings for whizz from the online OED (for the whizzy in whizzywig/WYSIWYG):

  1. An act, or the action, of whizzing; a sibilant sound somewhat less shrill than a hiss, and having a trace of musical tone like a buzz; a swift movement producing such a sound.
  2. The practice of picking pockets (chiefly in  on the whizz); a pickpocket. slang
  3. intransitive. To make a sound as of a body rushing through the air (see whizz n.1); (of trees) to rustle; (of a burning or hot object) to hiss, sizzle.
  4. To move swiftly with or as with such a sound.
  5.   intransitive. To urinate. slang. (as in, the whizz palace)

Looked up “whizz” in poets.org and found this poem with whizzing hummingbirds:

A Nearly Perfect Morning/ Jessica Greenbaum

It was a nearly perfect morning—bucolic, pastoral—
so I found myself cataloguing my past humiliations.
Really, there was no reason for it! I might as well have
looked for an ant hill to lie down on in a meadow
of goldenrod. I can’t explain it but perhaps I thought
that with the rising sun as my witness, with the catbirds
crows, and whizzing hummingbirds my soundtrack
that I could ameliorate them, neutralize their charges
against me by holding them up to the woods now in wait
for the light to balance on their individual leaves, on
the absorbing vastness of my fortune. The concentric rings
of the spider web have the wiry shine of guitar strings
there’s been so little wind it seems the trees have not
yet shook themselves awake, but we are moving around
this light at such a pace that by now the sun is nested
in the crook of two thin branches that could not hold
anything else. I was barely up to the third count
against my integrity when the whole lake turned white
but I decided it was not aghast, just trying to erase.

Looked up “whizz” on poetryfoundation.org and found this delightfully excessive poem about how water falls at Lodore. To save some space, I’m only including an excerpt:

from The Cataract of Lodore/ Robert Southey

Collecting, projecting,
 Receding and speeding,
 And shocking and rocking,
 And darting and parting,
 And threading and spreading,
 And whizzing and hissing,
 And dripping and skipping,
 And hitting and splitting,
 And shining and twining,
 And rattling and battling,
 And shaking and quaking,
 And pouring and roaring,
 And waving and raving,
 And tossing and crossing,
 And flowing and going,
 And running and stunning,
 And foaming and roaming,
 And dinning and spinning,
 And dropping and hopping,
 And working and jerking,
 And guggling and struggling,
 And heaving and cleaving,
 And moaning and groaning;

…

And so never ending, but always descending,
 Sounds and motions for ever and ever are blending
 All at once and all o’er, with a mighty uproar, –
 And this way the water comes down at Lodore.

I really like that cataract is another word for waterfall. So many poetic possibilities! Okay, I’m stopping now. Really.

feb 5/BIKERUN

bike: 10 minutes
bike stand
run: 3.25 miles
treadmill
10 degrees / feels like -6

Watched a few more minutes of Dickinson. Austin is drunk all the time, Sue is expecting his baby, Sue and Emily have declared their love for each other, Edward (Emily’s Dad) is having chest pains, and the mean girls are back. Oh, and the Civil War is raging and all the men in the town are dying. Should be an interesting season. Began listening to Erik Larson’s new book about William James and his expedition to a haunted house while I ran. Excellent! It’s called, No One Goes Alone. Listening to a book on the treadmill might help me to run longer. 30 minutes went by pretty quickly.

While I ran, I had some ideas of what and how to write about what you see is what you get: a lyric essay that juxtaposes many different ideas about it. I pulled out my phone and recording myself as I ran:

notes while running

Later, after I finished my run, while I was doing a cool down walk on the treadmill, I thought of another idea about what you see is what you get and Medusa and spoke it into my phone:

notes while walking

And, thinking about WYSIWYG as whizzywig, here’s a delightful poem I discovered about wigs:

Wigs Everywhere/ Justin Jannise

The brown squirrel, coiled & clinging
to the guardrail of my balcony,
is a wig.

I stepped out of the shower to dry my feet
on a damp wig.

You can fold a wig in a certain way
that it becomes a cup from which you can swig

water or juice or wigskey,
which is whiskey distilled
from fermented wigs.

I met Dolly Parton & she was all wig.

Kristen Wiig is a wig.
So was Ludwig van Beethoven.

In Britain, there used to be two political parties
—the Whigs & the Wigs.

There are wigs that are mops
& wigs that seduce cops.

In some countries, it is illegal for wigs
to marry other wigs.

Have you ever slept in a wig? It’s itchy.

The best wigs in life are free,
but the second-best cost
extraordinary amounts of money.

Somewhere in Detroit, you can trade
20 small wigs for one giant wig

& the award for Best Wig Ever goes to
Medusa. I love how she’d rather lose her head
than part with it

& how, even without a heart,
the head maintains its awful power.

feb 4/BIKERUN

bike: 25 minutes
bike stand
run: 2.2 miles
treadmill
7 degrees / feels like -8

Finished the final episode of season 2 of Dickinson and started the first episode of season 3 while I biked. This first episode of season 3 is titled, “Hope is the thing with feathers.” I memorized that poem last March. Didn’t think about it that much while I was finishing up my bike, but it, particularly the idea of hope, returned to me on my run.

I started my run feeling out of sorts, thinking about the possibility of a job I could apply for that sounds like a good/fun opportunity, but might require more vision than I have. As often is the case, I wondered: am I not pushing myself enough, using my vision loss as an excuse, or is this job just something too far beyond my abilities — too demanding, too much, too impractical for someone who can’t see fast enough? It took listening to several songs before I forgot these worries.

As I ran, I stared ahead at the blank tv screen, noticing how that empty black screen filled most of my central vision, while all around it, on the edge and outside of the frame were images — the light above, the wall to the side, parts of the treadmill and the floor below. All the things I can see in my periphery. Even when my central vision is all gone, if/when that happens, I don’t think I will see the world like this, with a black space surrounded by slightly fuzzy, but identifiable shapes. Everything in the center will be more like a smudge, or a fogged up window.

Thinking about my periphery and what I can see with it, I’m reminded of watching ice skating on the olympics last night. I can tell my vision is worse; it is very difficult to follow, or to see the skater — well, I could see the skater, but mostly just flashes of their movement, not as a whole, complete object. To actually see the skater, I tried looking off to my right so I could see them through my periphery. Much better. Not completely clear, but they became a discrete, stable object on the ice.

So, I was thinking all morning about my theme for the month, what you see is what you get. I discovered that it was the catch phrase of Flip Wilson, used by his character, Geraldine. One source I found suggested it meant: this is me, accept me for who (and what and how) I am. I also was reminded that this phrase turns into a computer acronym: WYSIWIG. I mostly use the WYSIWIG editor on wordpress. I forgot it was called that because now they refer to it as the visual editor (as opposed to the code editor). I kept thinking about how this idea that what you see on the screen is what appears on the printed page is an illusion, concealing all the code that is required to make it appear as you want it. About a decade ago, I started learning some of that code (html, css). I don’t know much, just enough to understand that everything about how words or images look online involves a ton of behind-the-scenes brackets and semi-colons and classes and ids (and more). I find a lot of value in understanding, or at least being familiar with, how this works. And, I find a lot of danger in believing that all of what appears on a screen just is the way it is, almost by magic. I’m not suggesting that everyone should learn to code — wasn’t that a trendy slogan a few years ago? — but that they should be aware of how it works, and that it exists.

This ignoring of the process, and the naive belief that “things just happen,” reminds me of how many (most?) people believe vision works: you see what’s there with your eyes. They don’t think about the complex processes of vision, from cornea to retina to visual cortex, and how the brain, to make things easier and/or efficient, or because it has limited data, distorts or alters or guesses. When we see, we are not seeing the world as it is, but how our brains have figured it out.

Human perception is patently imperfect, so even a normal brain must fabricate a fair amount of data to provide a complete sense of our surroundings. We humans are lucky that we have these fancy brains to chew up the fibrous chunks of reality and regurgitate it into a nice, mushy paste which our conscious minds can digest. But whenever one of us notices something that doesn’t exist, or fails to notice something that does exist, our personal version of the world is nudged a little bit further from reality. It makes one wonder how much of reality we all have in common, and how much is all in our minds.

Chuck Bonnet and the Hallucinations/ Alan Bellows

As I was running, I thought again about E Dickinson and her feathered hope, and then the idea of hope and faith, and why we need it, how we envision it. Then, I pulled out my phone and recorded myself, mid-run:

What you see is what you get is an illusion, a type of empty hope, false faith, that some need to survive.

Is this fair? I’m not sure, but it’s something to think about some more, the idea that people invest an uncritical faith (I’m resisting the impulse to write “blind faith” here) and superficial hope in the belief that what we see is what is there, and that what we see is what is real. This belief provides comfort, makes it easier, enables them to not have to question or challenge, just accept.

Also on my run, as I listened to the excellent-for-running song, TNT by AC/DC, I thought about alt-text, and alt-text poetry, and how I might use it for a poem that pushes against the idea that what you see is what you get. Maybe vivid text descriptions of some things I see in my strange, slightly off ways, paired with straight, clear/basic description of those same things? I really like this idea; I’ll keep going with it to see if it could work.

To remember:

“Hope” is the thing with feathers/ Emily Dickinson

“Hope” is the thing with feathers —
That perches in the soul —
And sings the tune without the words —
And never stops — at all –

And sweetest — in the gale — is heard —
And sore must be the storm —
That could abash the little Bird —
That kept so many warm —

I’ve heard it in the chillest land —
And on the strangest sea —
Yet, never in Extremity,
It asked a crumb — of Me.

“Faith” is a fine invention / Emily Dickinson

“Faith” is a fine invention
For Gentlemen who see!
But Microscopes are prudent
In an Emergency!

feb 3/RUN

4.6 miles
minnehaha falls and back
0 degrees / feels like 0
0% snow-covered

It was cold today, but there was sun, and no wind, so I decided to run outside above the gorge. It felt colder than 0 to me, especially at the beginning. I started to get a slight headache from the cold air on the bridge of my nose. Once I warmed up, it went away. The other part of me that was cold for a few minutes: my feet.

layers (extra cold version)

  • one pair of socks
  • 2 pairs of gloves, 1 black, 1 hot pink with white stripes + hand warmers
  • 2 pairs black running tights
  • green base layer long-sleeved shirt
  • black 3/4 pull-over
  • pink jacket with hood
  • gray jacket
  • buff
  • black cap
  • sunglasses

Mostly, I was alone on the trail. When I did encounter people, it was almost always walkers alone, or in pairs, often in clusters — one walker, then a few seconds later, another walker, etc. At the falls, there were a few more people. At least 2 of them had big cameras. The falls were totally frozen, so was the creek up above. Almost everywhere, it was quiet and still.

This month, I’ve decided to read and write about a phrase that is also the theme for a call for poems from a journal that I’m submitting to: “what you see is what you get.” I’m hoping to approach this from as many angles as I can think of (and have time for). As I ran, I thought about in two ways:

what you see is what you get = whatever it is you can see (with your cone dystrophy), is all you get to work with for figuring out how to make sense of something. With the limited data I get from cone cells, that will involve some guessing, and relying on other senses + past experiences

what you see is what you get = what you see is not what you get, or what is real is not seen, but sensed in other ways, like air and wind. You can’t see wind or air, but you know it’s there. I think I was thinking about another example — maybe something to do with shadows? — but I’ve forgotten now.

10 Things I Noticed

  1. School kids on the playground — in 0 degrees. Minnesota kids are hearty
  2. The collar of my jacket rubbing against my hood
  3. My breath, labored as I ran up a hill
  4. Some sort of bird chirping, sounding like spring
  5. A car’s wheel whooshing on the river road
  6. A low, almost shrill and sharp, buzz just barely noticeable near the DQ
  7. The soft shuffle of my feet striking the grit on the path
  8. Someone on the walking side of the double-bridge holding a snowboard (I think?), then a thud, then that someone yelling something that sounded slightly distressed, but mostly not. What were they doing?
  9. Returning 20 minutes later to the bridge, hearing some scraping or pounding in the ravine below. I don’t know what the noise was, but I imagined snowboard dude, along with some other snowboard dudes, was chipping ice, or climbing an ice column, or doing something else to ice to make it possible for them to get back up to the bridge. Will I ever know what was going on?
  10. (not related to sound): a walker, or runner, I couldn’t tell, below me on the winchell trail. As I ran I wondered, was there even someone there, or was I imagining it?
  11. one more: my shadow, behind me as I ran south. Sharp, well-defined

Another thing I did in relation to “what you see is what you get” was to do some research on Groundhog Day. I’ll add the notes to my February page; I’ve spent too much time in front of my computer right now. Some interesting stuff. I wanted to think about Groundhog Day because it was yesterday, and also it fits the theme. In the U.S. if it’s sunny and the groundhog sees his shadow on Feb 2, there will be 6 more weeks of winter. If it’s cloudy, and he doesn’t, spring is coming. As Scott pointed out, this tradition is not an instance of, “what you see is what you get,” but the opposite: “what you see, is what you don’t get.” note: If the groundhog sees his shadow, most people across the country are bummed. Ugh, 6 more weeks of winter! But, here in Minnesota, it’s cause for celebration. Only 6 more weeks of winter? Hooray!

feb 2/BIKERUN

bike: 15 minutes
bike stand
run: 2.8 miles
treadmill
2 degrees/ feels like -13

Another short stretch of very cold weather. Started the next episode of Dickinson while I biked, which is continuing the themes of fame, whether or not to be published, and the possible value of being invisible/ a Nobody. Fame is associated with glory and the impending Civil War and is presented almost exclusively as empty and unsatisfying. Invisibility, a quiet power, is better.

While I ran, listened to a playlist. Stared at the blank, black screen of the television. Don’t remember hearing anything, other than my music, or smelling anything. When I ran a few days ago, my daughter was cooking herself some lunch and had left the basement door open; I smelled her Velveeta mac-n-cheese. It was unpleasant. I don’t remember feeling much, other than my feet striking the belt. No wisps of hair falling out of my ponytail, feeling like spider webs. Did I feel any drips of sweat? Probably.

Missed Time/ Ha Jin

My notebook has remained blank for months 
thanks to the light you shower 
around me. I have no use 
for my pen, which lies 
languorously without grief. 

Nothing is better than to live 
a storyless life that needs 
no writing for meaning— 
when I am gone, let others say 
they lost a happy man, 
though no one can tell how happy I was.

I found this poem buried deep in a folder yesterday afternoon. It fits with the conversation I’ve been having with Dickinson as I watch and reflect on fame and being invisible. I didn’t think about many things while I was running, but I do remember thinking about how so much of my writing and documenting my life, on this running log, and my other online spaces (trouble, story, undisciplined, unofficial student transcript), is about recording my life for future others, including future Sara. This impulse (or compulsion) to document is partly the result of my love of storytelling, but it also comes from my desire to give others, especially my kids or their kids, etc., what I desperately wanted from my mom after she died: more words about a life lived — thoughts, experiences, accounts, stories. I missed the epic conversations I used to have with my mom, and I would have loved to continue them with her words. And, I wanted to know more about how she felt, what she thought about. Will my kids want my words? I’m not sure, but if they do, they’ll be there, a lot of them.

I disagree with the idea that nothing is better than to live/a storyless life that needs/no writing for meaning, and I don’t think happy is how I’d like to be remembered. Delighted? Joyful? Patient? Satisfied?