1 loop
lake nokomis open swim
69 degrees
wind: 16 mph / gusts: 32 mph
The first Friday morning open swim! Windy. Again, the water temperature was warmer than the air. In the water: ah! Out of the water: brrrrr!! The new way to start the swim: swimming through a patch of thick vegetation. Oh well. I’ll get used to it during open swim. A question: will it be possible to swim around the white buoys on days I don’t have open swim, or will the weeds be too thick? Maybe I can find out by going for a morning swim on Monday?
RJP came with me to the lake. She wasn’t ready to swim across the lake, and said she might try going in for a swim in the beach area. When I returned from my first loop, there she was! We swam together for a few minutes, then I convinced her to swim out to the white buoy. She did, but it freaked her out, especially when she saw the little big of milfoil there. I told her that the milfoil was much, much worse on the other side. We agreed that she might not be ready to swim across the lake this summer. She might try to swim at a pool instead.
It was almost impossible for me to see the buoys heading toward the little beach. Because it was morning, the sun was in my eyes. I kept swimming and didn’t panic when nothing but waves and trees and blue sky were in front of me. Eventually, the flash of the buoy far off to my right. I adjusted it, then swam straight to the third buoy. On the way back, it was easier to see the buoys, but harder to stroke through the water. So much chop! Mostly, I didn’t mind the water being choppy, although it did tire me out.
10 Things
- slimy lake floor — covered with milfoil leaves
- sparkles on the water surface
- ghost vines, 1: reaching up, far enough down in some spot near shore that I could only see the ghostly tips
- ghost vines, 2: clustered just below the surface, making it impossible to swim a full freestyle stroke
- shaft of light reaching down to the bottom at an angle
- 1 2 3 4 breathe right 1 2 3 4 breathe right
- 1 2 breathe right 1 2 3 breathe left 1 2 breathe left 1 2 3 breathe right
- 2-3 foot waves, rolling at an angle
- finishing the swim, standing up, feeling the very cold air
- standing in the shallower water (almost up to my shoulders), a small black bird — small enough that I thought it might be a butterfly — flew right past my face
things not noticed or forgotten: sparkle friends, bubbles, silver flashes, the water surface glowing orange because of a reflection from the orange buoy, sailboats, menacing swans, kayakers
SWIMMING 1935/ Peter Davison
SIX SENTENCES FOR ROBERT PENN WARREN
He thrashed his way across the yellow lake,
high in the water streaming past his shoulders
one arm akimbo, then the other, feet
churning like a paddlewheel behind,
and never faltering to whistle, whoop,
spout like a whale, but simply, ceaselessly
trudgening forward to attack the water
the lake had clamped between its bulldozed knees.
That forward motion, hinging on the shoulder,
that steady beat, the tug of arms and legs,
that deafness, purposefulness, isolation
he kept despite the hurl of rushing water—
these were the obsessions of a poet
who celebrates the instincts of his body
religiously as one who greets the sunrise
crosslegged at the entrance to a cave.
For more than forty years I’ve watched this swimmer
in elements no less unknown than water
tell secrets of the ways we make a poem,
the way of Lilburne Lewis with an ax,
the way of entrance to a woman’s body,
the way a deer can bleed to death in snow.
The swimmer’s ears are sealed from careless words
that picnickers are shouting from the shore:
his eyes squeeze shut, to open only when
he takes a sight upon that destination
to which ambition, force, despair have pointed.
How can he, in the cavern of the lake,
let up his churning enterprise to listen,
since, for the sake of breathing, he must swim
as though the shore ahead did not recede,
as though he did not know we never arrive?
His body keeps the pulse of water music
that swimmers cradle as they force a passage,
forever pressing the receding shore,
crazed one-eyed gods who gape into the sun.
Oh, I like this! The description of the poet as swimmer resonates for me.
That forward motion, hinging on the shoulder,
that steady beat, the tug of arms and legs,
that deafness, purposefulness, isolation
he kept despite the hurl of rushing water—
these were the obsessions of a poet
who celebrates the instincts of his body
religiously as one who greets the sunrise
crosslegged at the entrance to a cave.
Celebrating the instincts of the body. Yes!
The “for Robert Penn Warren” in the epitaph was in another swimming poem I found earlier in the search (Swimming After Thoughts/ Jay Parini). Did RPWarren swim a lot? Yes, and it was deeply connected to his writing/creating process:
The rhythm of Robert Penn Warren’s life now is settled but not sedate. He rises early, fixes his own breakfast, exercises with a set of barbells kept on the living room floor then dons trunks and a plastic cap and makes the short walk to a bower-hidden swimming hole behind his summer home. He swims nearly a mile in the chilly water, sculling along at a steady, rigorous pace. The clay-bottomed pool is surrounded by ferns and high trees, and in the morning—as thin, miasmic bars of sunlight filter down, dappling the water in tones of emerald and gold—it is Edenic. Here, his body aching slightly from the exertion and his mind free from worries, Warren slips into a creative trance. This is the the hour when the images bloom. The swims are never draining, are in fact less taxing than distance running, the exercise he used to stimulate himself when he was younger. As Warren strokes back and forth through the glittering pond, a poem usually flowers.
Robert Penn Warren Finds His Place to Come To
Continuing to read, I found this cool connection to a writer and their memoir about vision loss that I checked out and read (some of, at least) 6 or more years ago:
Three years ago, Eleanor Clark was partially blinded by the disease macular degeneration. At first, the condition seemed hopeless and was emotionally devastating. Clark had written several books, and in 1965 had won the National Book Award for her non-fiction account of the men and women who work in the French oyster industry, The Oysters of Locmariaquer. Her vision stabilized about six months after she was stricken, allowing her to perceive dim, impressionistic glimpses of the world and return to her writing. Composing sentences by drawing giant Magic Marker letters on blank sheets of newsprint then transcribing these jottings with a large-type typewriter while peering through a lighted magnifying glass, she wrote a book about the fight to regain control of her life: Eye, etc.
RPWarren’s wife is Eleanor Clark, the author of Eye, etc! I recognized the book from the description of her writing process with big black markers. I should return to this book! (I just requested it from my local library!)