Tag: water

aug 7/SWIM

5 loops
90 minutes
lake nokomis open swim
86 degrees

Yes! A wonderful swim, and another hour and a half to add to my goal of reaching 34 hours by the end of the month. The water was choppy, which I liked, except for when it made it hard to get a stroke in and I felt like I was sinking. The water was thick and filled with my sparkle friends. Several times it felt like the buoy kept getting farther and farther away, until I broke the spell and suddenly had reached it. I saw some menacing sailboats and 1 or 2 paddle boarders. The light during the last loop was very cool — why? I guess because it was giving very chill twilight vibes. Noticed a few planes flying low and lots of seagulls and ducks. A few flashes down below — fish?

I felt strong and can tell that I’m getting stronger as I do more longer swims. A thought — could I possibly manage 7 loops in 2 hours? That would be amazing!

A few lines from two poems discovered this morning:

There is the clarity of a shore
And shadow,   mostly,   brilliance

summer

                the billows of August
(from “From the Sustaining Air“/ Larry Eigner

The clarity of a shore and shadow. Not sure about the shore, but I like the idea of shadows bringing clarity. They do for me.

2

I am pointless. This I come to know
by pressing ear to night’s machinery.
Outside, the words rub each other
until they are dull: calibrate, resurface,
surface, invest, investigate, snowy, open,
environ, woman, wooden, system.
I look where little nodes of language cling,
lichen-like, to what will have them.
(from “Rose-crowned Night Girl”/ Emily Skillings

I read this line about being pointless and it helped me to think about pointless meaning more than useful or not worthwhile. To be pointless is to not have points, to be smooth instead of rough, nothing sharp about you. My vision is point-less but not pointless. Everything softens with my fuzzy gaze.

added after the swim: During loop 4 or 5, I started thinking about pointless again as a way to indicate a dot — it’s a star without points. Earlier today I was working on a poem that describes a dot as a distant star. After thinking about pointless I thought about how the star/point, which was the far-off buoy, wasn’t always there — it flickered.

added 8 aug 2025: Just remembered a few more things. After the swim, I met Scott at Painted Turtle for a beer. We watched the ducks in the water, bobbing and floating and almost getting into fights with seagulls. We also watched the final swimmer being escorted into shore by 3 lifeguards. I told Scott that being the last swimmer, that is, staying until the very end of open swim, is a goal every year. I think I’ve done it once. Then we watched the green buoys heading in for the night, looking so much smaller than they do in the water when you’re right next to them.

aug 6/RUNSWIM

2.2 miles
2 trails
68 degrees
dew point: 64

Humid. It rained last night — everything is wet — but there must been wind, too, because small branches and leaves were scattered over parts of the path. No big trees.

10 Sounds

  1. Bird
  2. the coxswains speaking through their bullhorns
  3. a faint radio with someone singing, some vibrato
  4. the steady trickle out of the sewer pipe near 42nd
  5. good morning, excuse me / morning! no, excuse me (passing a walker)
  6. morning! a greeting from Mr. Morning!
  7. good morning / good morning (greeted by an older runner)
  8. the whirr of a motor on an e-bike zooming by
  9. another runner’s music coming from her phone as she ran by — some poppy upbeat song that I can’t remember
  10. who run the world? girls! Beyoncé from my headphones and my mood: Energy playlist

Listened to the poem I wrote yesterday before I headed out for my run. This is my tentative ending:

tethers us to each
other — swimmer and
vision, buoy and
body, to sight
and to rarely see

swim: 3 loops (6 cedar loops)
60 minutes
cedar lake open swim
81 degrees

Choppy today. Sometimes hard to stay high on the water. Lots of vines. Saw some planes and birds above, no fish below. The surface looked silvery. Sometimes the sun was out, sometimes it was behind a cloud. Once a big, hulking cloud, looking like something other than a cloud from my perspective half-submerged in the water — a monster, like godzilla?

Forgot to recite Mary Oliver or think about the deepening and quieting of the spirit, but I felt it. Relaxed, happy, strong. Swimming for an hour wasn’t difficult.

Found this description of how we are both part of and separate from water saved on my reading list:

Nature—the non-built environment, creatures—is a realm of supreme “otherness” with which we are already always in strange relation. We plead for communion with this nature; it cannot answer us; so we project that onto it, that feeling of harmony and oneness at a shore or a vista. We are both a part of that natural sphere and stand distinctly apart within it, in our creaturely and industrial/technological dominance over it. You are both part of that sphere, and stand painfully apart, with your consciousness, language, cumbersome car and computer.

Moheb Soliman on “On the water”

Now I’m thinking about Anne Carson and her definition of anthropology (as in, “Anthropology of Water”). I wrote about it on 13 july:

encounter with that which you cannot contain, control, that is not You — the not-I.

added on 8 aug 2025: I forgot to mention a delightful thing that happened on the way over to cedar lake: a vee of geese — 20? — flying low over Bde Maka Ska then just above us — and, lucky me, I had the moon roof open to watch! — then heading towards Lake Harriet.

aug 1/RUN

4 miles
the monument and back
68 degrees
AQI: 163

The wild fire smoke is still here. Mostly it didn’t bother me, but it did make running a little harder. The worst smoke moment was when I came off the lake street bridge and turned onto the river road — not hard to breathe so much as hazy. There weren’t too many runners out there, some walkers, a few bikers, a family of hikers and shadow falls.

10 Things

  1. graffiti on the lake street bridge steps: STOP HATE
  2. a fancy water fountain, bubbling, in the grand yard of the U of M President’s house that Gov. Walz rented while his mansion was being renovated
  3. someone asleep on a hard stone bench by the Monument — in the hot sun, wearing long pants, a long-sleeved shirt, and a stocking cap
  4. the bells of St. Thomas — ding dong ding dong / ding dong ding dong / ding dong ding dong / — the time, 10:45
  5. an orange flash on the sidewalk — the smoky light or spray paint?
  6. a boat speeding up the river, leaving streaks on the water’s surface
  7. no kids outside at the church preschool — were they staying inside because of the smoke, or was it not recess?
  8. the graceful curve of the bridge’s arch — I checked if anyone was climbing on it (nope) — my daughter told me about how kids do that (her included, but only once and only halfway across)
  9. the soft trickle of water near Shadow Falls
  10. a stone wall above the ravine, leaning — it had a sign on it that I couldn’t read, so I took a picture of it to study later
Furnished to the city of St. Paul by the Kettle River Co.

I could mostly read it when I looked at the photograph, but I had to doublecheck with Scott.

I wish the lake was open so I could have gone to open swim for the first day of my “Swimming One Day in August” project, but at least I was able to run. I am almost didn’t go out because of the smoke. Glad I decided to!

The smoke doesn’t seem that bad so, for the first time in weeks, we have the windows open! I like the relief that air conditioning brings, but I hate how it makes me feel trapped in the house. As I sit at my desk writing this, I just heard the feebee call of the black-capped chickadee through the open window!

Today I’m working on more swimming sonnets and Inklings. Some subjects: water quality, blue-green algae, milfoil, water as the medium, loops at lake nokomis are actually triangles, the color of the water, Alice Oswald seeing self in water, again and more darkly, Mary Oliver and the deepening and quieting of the spirit

a little later: I almost forgot about the mushrooms! Walking north before my run, I saw some HUGE mushrooms in a neighbor’s yard. The first one I noticed had lost its cap and I thought it was a newly cut tree trunk. I think there were a cluster of 4 or 5 mushrooms. I started reciting Sylvia Plath’s Mushrooms in my head. I thought about mushrooms as the fruit of fungi and little explosions and expressions of the self (like through poetry) as emerging like mushrooms. For the rest of the run I checked the grass for more mushrooms, but don’t recall seeing any more.

a lot later: RJP checked out a book for me, Mary Oliver’s Blue Pastures, so I could read some of Oliver’s sand dabs and the chapter, “Pen and Paper and Breath of Air.” I’m on the second page and I already needed to stop and archive some of her ideas:

First, in describing her practice of keeping a notebook, she writes that she doesn’t write in it from front to back, but just opens a page and writes anywhere and everywhere. She uses “private shorthand” to record phrases and feelings.

The words do not take me to the reason I made teh entry, but back to the felt experience, whatever it was. this is important. I can, then, think forward again to teh idea—that is, teh significance of the event—rather than back upon it. I ti s the instant I try to catch in the notebooks, not the comment, not the thought. And, of course, this is so often waht I am aiming to do in the finished poems themselves.

“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver

And here’s one of the phrases she put in a notebook:

A fact: one picks it up and reads it, and puts it down, and there is an end to it. But an idea! That one may pick up, and reflect upon, and oppose, and expand, and so pass a delightful afternoon altogether.

“Pen and Paper and Breath of Air” in Blue Pastures/ Mary Oliver

july 29/RUNRUN

2.5 miles
2 trails
73 degrees
dew point: 70

Another hot and hazy morning. I remembered to notice the river and it looked . . . thirsty? Trying to think of the best word that conveys the opposite of refreshing and cool. Uninviting? Thick? Stuck? Inert? By the Cleveland Overlook it was green and dull and thick. Below the Winchell Trail near the south entrance it was a pale blue with a soft haze hovering above it. Farther north on the trail it was bright blue with a few spots of sparkle through the trees.

Because of the intense thunder storm last night, there was water everywhere — puddles, gushing sewers, squishy mud. The puddles were small but filled with the reflections of trees and flat, still. The mud was slick and slippery. Two distinctive sewer sounds/movements: 1. below 44th street, the water was pulsing, coming in waves — a moment of steady flow, then nothing, then water flowing again. I stopped to lean over the railing and watch it. 2. below 42nd street, the water was rushing out of the pipe, making a small waterfall on the rocks below — a continuous dropping of water.

With all the wind and rain last night, I expected there to be more trees or branches down than there were. Was there any new debris? I don’t think so.

The weather is strange this week: very hot and humid and sunny during the day — we’ve had several heat advisories, then violent storms move in quickly at night. Last night, it started with the wind. I opened the front door and watched the trees bending, twisting, waving. Very unsettling to watch. Then the sky unzipped and rain came down in sheets. Will it happen again tonight? I hope not.

For future Sara: Scott and I discovered a new sport to watch during the Aquatic World Championships — men’s 27 meter (that’s 9 stories!) and women’s 20 meter diving. Why can’t the men and women dive from the same height? Anyway, I’d never heard of this before. An extremely HIGH platform is created outside with a small circular pool at the bottom — don’t worry, the water is deep. Divers jump — they enter feet first — from high up, doing flips and twists and somersaults as they plummet. It’s so dangerous that they have 4 first-responders in the pool waiting to rescue them if they need it. And the first thing they do after surfacing is alert the responders with a thumbs up. What? Wow. Like other diving competitions, a lot of the score is determined by how much splash they make entering the water. I can’t see the splash, because of my bad vision, but I still enjoy watching it. After the dive, they show several slow-motion replays, including one from below. You watch as the diver nears the water; Scott says it reminds him of seeing someone falling to their death.

Discovered this beautiful poem yesterday:

Someone Is the Water/ Austin Araujo

I am alone but for this vein
splitting the earth open
and we are silent, the stream and I

far away from our mouths. The stream
folds over itself, my hand
speculating under the surface.

The stippled faces of orioles
sail by slowly, their dark wings working
hard as tired men pulling oars

in a landscape painting, their lantern
chests dotting a modest pattern
across the sky, over this brook

a mile from your house—from you
who are alone but for your sons
and your sons’ refusal to recognize

you cloaked under a sadness,
the color of whose cloth is muted
as these late-afternoon birds.

The stream sluices crawdads
and stones, carefully takes its bend
like a tongue spackled with canker sores.
I still expect it to speak. I’ve come
to listen to this slow
unfurling, hoping I’ll fall

asleep as it turns like a lullaby
a child promises he will strain
to hear, to memorize. I make sense

of smudged pastoral visions.
Gone, the birds long gone.
Palms, I cup water with bent palms.

run: 3 miles
trestle turn around
86 degrees

I was supposed to go to open swim, but the beach has been closed for a week because of e-coli. Not sure why, but I’m guessing it’s because of the storm. What a bummer! I’m supposed to start my “swimming one day in august” project on 1 august. It will be more difficult to do it now that I’m missing august 1 and 3. Thankfully Cedar Lake is open so at least I can swim there tomorrow.

Since I couldn’t swim, I decided to do another run. It was hot, but the humidity was lower so it seemed less terrible than this morning’s run.

10 Things

  1. I think I heard the rowers; I know I saw a few of them heading down the hill to the dock
  2. traffic was backed up — so many cars trying to turn onto lake street
  3. a mini peloton — a dozen bikers — whirred by me on the river road
  4. someone in a strange t-shirt with lots of words or logos or symbols that I couldn’t make sense of was sitting on the ledge under the trestle listening to heavy metal on their phone
  5. a walker, dressed in brown shorts and a brown shirt, passing me twice, their head titled to the side
  6. the sliding bench was a cool, dark green
  7. the spray paint on the ancient boulder looked extra orange today — did someone touch it up recently?
  8. a lime scooter parked in the middle of the walking path under the bridge
  9. the big crack north of the trestle looks about the same as it did last week — not bigger — but the path is blocked off with caution tape, orange cones, and a warning spray-painted on the asphalt
  10. as I neared them, someone was emerging from the old stone steps

july 25/WALK

1 hour
to east lake library and back
84 degrees

No open swim today. It wasn’t canceled, but I wanted to watch the tour stage live and the air quality was very bad this morning — wild fires from Canada. Hours later, I might be regretting missing it a little — and if it rains Sunday morning or they close the lake, I’ll be regretting it a lot. Oh well. I walked to the library instead. Hot with bright sun, hardly any shade.

10 Things

  1. leaving the house, a sudden swarm of bzzzzzbzzzzz — bees? nope, a drone hovering above the house. Google earth? Images for a nearby house for sale? Something else, more sinister?
  2. 2 people on bikes in bright yellow vests
  3. an older man walking by the church just behind the library, hunched, his head tilted to the side awkwardly, wearing a rumpled suit
  4. passing by a different church — in the courtyard, heard not seen: a fountain/water feature bubbling
  5. same church: a sign for “little sparks” (preschool?) and silver mushroom shaped lights lining the sidewalk in front of the door
  6. a woman on the public phone in the library — no I don’t have that, but I can tell you my social security number, my address, or my date of birth, which she then did, loudly
  7. someone sitting on a front stoop of a duplex, the front doors separated by 2 garages, listening to BBC news, 5 bodies were recovered, or something equally gruesome
  8. 2 people behind me, walking slightly faster, slowly gaining — not seen, heard: the occasional footstep sliding on sand or dirt or gravel
  9. as I walked past a car parked in a driveway, I heard a noise — sort of like an alert or an alarm or a ring tone. returning later, heard it again when I passed
  10. (noticed many times before) a free library at the edge of a yard, under it 4 or 5 stones, one of them with eyes, positioned to resemble a (book) worm

As I walked, I thought about water and being immersed in it, then I imagined being immersed in the air that surrounded me, not separating me from the world but connecting me to it, in a soft haze of togetherness, hearing all the other sounds, feeling a part of them. I thought about something I read the other day in Darby Nelson’s For Love of Lakes:

Sight insists on separation; hearing, like touch or taste or smell insist on connection.

Scott Russell Sanders, cited in For Love of Lakes

Sight insists on separation. To me, very little feels separate with its blurred lines and fuzzy forms, and sounds are often difficult to isolate and find their source.

Then, another thought: to be present in a moment requires soft absorption: not focused attention on what you are hearing, but an openness to taking in what’s happening now and only reflecting on it later.

Here are the 2 books I picked up from the library:

  1. Pawnbroker’s Daughter: A Memoir/ Maxine Kumin
  2. It is Almost Than: A Collection of Images + Text by Women Artists & Writers/ Lisa Pearson, ed.

Anne Carson, Water, and You

Found this passage from Anne Carson which I think fits with a conversation of immersion and being reminded of the self mid-swim.

There is a moment you are swimming in the pool, stroking forward strongly and down across the fingers of your right hand as you press it through the water, comes a hair. You feel this hair as a jolt of what should not happen. Just a single hair, so slight a sensation you could think you imagined it except, pushed against your fingers by the pressure of the water as you continue to thrust, it clings an instant, it will not go its way, you may have to shake your fingers sideways in the water spoiling your stroke and then it slides off, this hair that has no business there, someone else’s hair, this little nightmare of a hair whose touch has suddenly startled you out of the sleep of self-containment that swimming induces into the fact of dirt. Other people’s dirt. Other people. Your own dirt, you. Not this pure noncontingent forward motion unmarred by agent or accountability but you, a person, a person known all too well, a person in a swamp of others and others’ dirt, hair, skin, fluids, anger, who knows. You in all this. You utterly violable. Of course everyone is aware swimming pools are full of dirt but there is no reason to think of this now. The thought in fact is canceled by swimming by its sound aspect – both deaf and cavernous – that separates you from normal perception; by its blue aspect, an immaterial blue that reminds you vaguely of laundry ads or other planets; by its water aspect, which cannot help but evoke the whole history of purification and lustral joy not to say ritual rightness; and above all by its heroic, streaming, organized, forward motion. What could dirt have to do with this motion?

excerpt from Waterworld/ Anne Carson

Carson’s hair and dirt remind me of the “friends” I’ve written about in the YWCA pool (a few years ago), my sparkle friends in Lake Nokomis, and the floating vines I encounter in the middle of Lake Nokomis or Cedar Lake that wrap around my head or shoulders or slide (like a full body scan) down my torso and legs.

july 22/SWIM

swim: 4 loops
lake nokomis open swim
89 degrees
choppy

A great swim, but choppy! Lots of breathing on one side to avoid waves. Sighting buoys (and other swimmers) was harder, everything lost in the waves. The first loop was the toughest. Got into a groove after it and managed to do 2 more loops before pausing to tread water at a white buoy and then beginning the final loop. It was crowded in the water — kids wading at the beach, adults taking advantage of the free night at open swim. Because of the crowds and the choppy water, it was difficult to give attention to the water or the bubbles or anything else. Did I manage to notice 10 things?

10 Things

  1. sparkle friends — particles floating, churning in the water
  2. so many vines reaching up from the bottom, wrapping around my wrist or ankles — it didn’t bother me, but I could imagine that freaking out some other swimmer
  3. a plane flying low, parallel to the water
  4. hot pink safety buoys tethered to torsos
  5. the pale foot of a breaststroker under the water
  6. the silhouette of an upright lifeguard on a kayak, marking the edge of the course
  7. someone swimming at the edge of my vision — far off to the left
  8. 3 swimmers with yellow safety buoys clustered together, treading water and talking
  9. mostly blue sky, a few clouds
  10. paused at the buoy, witnessing a strange sight: the way a swimmer was breathing and sighting in the choppy water, jerking their head high up and out of the water — at first I thought they were doing a double-take when they noticed me, but nope, that’s just the way they swim

before the swim

Each summer of swimming builds on the last. I get stronger, able to swim for longer without stopping. It’s not a deliberate choice or part of a training plan — I have no training plan for swimming; I just swim until I am too tired or I have to go to the bathroom or I’ve run out of time. I have loose goals: 100 miles for the summer or a 5k or 6 loops or the full 2 hours in one session. This year: swimming cumulatively for a day, or 24 hours, in August. It’s a goal inspired by the title of a Mary Oliver poem: Swimming, One Day in August. It’s possible, but it will take some planning and pushing myself to achieve.

In July, I’m finding myself thinking about how much time I’m spending above the surface versus below it. This year, I’m below much more than above. In past summers, I’ve done less loops and more stops at shore in-between. This year, I might occasionally pause mid-lake for 5-10 seconds, or take a 30 second break at the beach between the 3rd and 4th loop, but mostly I’m swimming freestyle without stopping. 60-90 minutes of 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left. That’s a lot of time submerged and becoming acquainted with the underwater world!

Below, my thoughts are the bubbles that surround me. Above, they become words that hover above the water or travel across the lake — maybe they get lost beyond the horizon, or maybe they linger, later taking the form of words on a page. Last night, swimming the stretch from hidden beach back to point beach, I imagined each breath as one word bursting into the air: 1 2 3 4 5 BLUE 1 2 3 4 5 GRAY. I didn’t get very far with my words before I was distracted by something — another person? a scratchy vine? trying to sight an invisible buoy? I’d like to play around with this some more while I’m swimming tonight. Does each breath have to be only one word?

My ideas about thoughts below and above the water are partly inspired by the lines from Alice Oswald that I’ve memorized and have been reciting in my head:

dived again and surfaced
and smelt all the longings of grass-flower smells
and bird-flower sounds and vaporous poems
that hang in the chills above rivers
(Nobody/ Alice Oswald)

the vaporous poems as my thoughts bursting into the air and hanging above the surface?

and thoughts escaping to the surface to move beyond the self

I wish I was there or there he thinks and his mind
immediately

as if passing its beam through cables
flashes through all that water and lands
less than a second later on the horizon
and someone with a telescope can see his tiny thought-forms
floating on the sea surface wondering what next

*

like spirits of sight whose work is on the water
where the massless mind undulates the intervening air
shading it blue and thinking

I wish I was there

or there

All the time in the water, the front half of me submerged except for my quick breathe every 5 strokes, has me wondering about which world is real, which a dream. On 3 July, I posted a quotation from Anne Carson that ended with, Could we be exactly wrong about such things as—he rotates again—which way is up? High above him he can feel the clouds watching his back, waiting for him to fall toward them. Which way is up, which down?

I’m thinking of May Swenson’s “Water Picture” and her vivid description of a water world as the world above water in reverse:

Treetops deploy a haze of cherry bloom for roots, where birds coast belly-up in the glass bowl of a hill

The first line of her poem — In the pond in the park
all things are doubled — reminds me of something Alice Oswald said in her “Interview with Water” lecture: when you look at water, it allows you to exist twice but more darkly (see full quote from 20 june 2024)

And that line reminds me of part of Oswald’s Nobody:

I lost track of
the underneath of things everything became my mirror
once I stood up to look over the side
I sat down again terrified it was myself I saw
thronged and pitch-green
spilling over the top of the earth
the same soft dust-sheets over my hands as the clouds
the same thick curtain across the horizon

Above and below the surface is not just reversal, the same backwards, symmetry, but something else. In her lecture, the lines before the bit about twice darkly, Oswald says:

but the surface of water is complicated by transparency, and its transparency is complicated by refraction. Water is never the same as itself. Rivers can only exist as similarities, lakes reflect more than their own volume

The surface offers the illusion of reversal, one way up, the other down. Below the surface, beyond its mirror, another world waits to be witnessed. And not with eyes — the visibility in lake nokomis is currently 6.6 feet. In the middle of the lake, all I see below me are particles, stray vines, an occasional flash, and murky green-blue-yellow. Not so much dark, as Nothing.

I’m fascinated by surfaces, or what Oswald calls the waterlid. What does the surface look like from below looking up? I should make note of it today. Also, from above, looking down?

Looked up some notes, and found this great quotation from Darby Nelson in his book, For the Love of Lakes:

Human understandings rely heavily on the endless flood of messages from our eyes. But with a lake, the laws of optics work against us. Its reflective surface and the water’s rapid absorption of light with increasing depth conspire to keep much of a lake hidden from view. At a lake, open your eyes and you don’t see half of it. Nearly all the visual input from a lake comes as surface reflections, mere superficialities. Thoreau reveled in reflections. He felt because they were constantly changing they could present previously known truths from new points of view. But those truths don’t penetrate into the world of the lake below, a truth with which he seems unconcerned. What kind of landscape even exists in the absence of vision? How can we fully perceive what we cannot see?

For the Love of Lakes/ Darby Nelson

during the swim

I wanted to think about these things and recite some lines as I swam, but I was distracted by the effort of choppy, crowded water, always looking out for waves crashing over me and making it hard to breathe, or random slow or stopped swimmers. Near the end of the swim, I decided to dip lower in the water so that I could see the surface from below — a wavy, slightly distorted version of the sky and clouds. Cool!

july 20/SWIM

4 loops
lake nokomis open swim
67 degrees

Wow! What a morning for a swim. Sunny and not too windy. I couldn’t see the green buoys heading towards the little beach, but I didn’t care. I’m used to my eyes not seeing the buoys and trusting that some part of me has seen them and is leading me the right way, and I use other things to keep on course — sparkles on the water, which mean other swimmers are around, the lifeguard kayaks on the edge of the course, buildings.

10 Things

  1. a swirled glob of vines
  2. orange safety buoys tethered to torsos
  3. cloudless blue sky
  4. pale green water
  5. a young kid calling out to another kid — look at the little fish!
  6. a swim clinic for people doing the Y-tri — the instructor encouraging people to take breaks if they needed to — of course it’s hard! it’s okay to take a break
  7. little specks: swan boats in the distance
  8. little specks: green buoys looking like far off white dots
  9. sparkle friends
  10. a paddle boarder crossing the path, then a kayak

Recited my Alice Oswald lines: He dives. He shuts himself in a deep soft-bottomed silence . . . Underwater, the silence was more than a lack of sound, not empty but still — the same view with no variations: the pale green water studded with particles. No shafts or light, no fish.

Recited some lines of my own, too: I go to the lake/to beholld to be/ held by the water

a return to EXAQUA

“Water is the medium, the texture, the weight, the space, the motion/emotion or your writing/thinking. Would you agree? Is that too tidy? Your work is attuned to water and being close to it (or, better, being inside it) is important to you” (EXAQUA/ Jan-Henry Gray).

What might it look like to have water be the medium, the texture, the weight space motion emotion of my writing/thinking?

medium = way in which the writing is delivered — print, digital, audio, visual
water as medium = delivered with water = the bubbles sparkles wound on the water my piercing hands leave

Giving water the weight and size of myself
in order to imagine it, water with my bones
water with my mouth and my understanding

weight and size of myself = swimming in the lake, again and again, a full immersion — without wetsuit or raft — more time below the surface than above, my full devotion and attention

july 18/BIKESWIM

bike: 8.6 miles
lake nokomis and back
61 degrees (there) / 68 (back)

It’s great to bike! Independence! Not having to rely on someone else to get me to the lake. And, being on a bike is much more fun than being in a car.

Overcast and cool. Some wind as I biked south and west. I might have glimpsed the river through the trees, looking almost white, but I don’t remember. Heard the rush of the light rail going past on the other side of the barricade. Also heard the rush of the creek, moving past the spot where all the kids like to swim. Heard the rhythmic thwack of the pickle ball hitting the racket. The pickle ball courts by the lake nokomis rec center are always full. And, as I neared the big beach, I heard a shrill sound on repeat. Scott and I had heard it last night and thought it was a person whistling. Nope. Was it a bird? What else could it have been?

swim: 3 loops
lake nokomis open swim
64 degrees

A little tired today after last night’s swim. Otherwise, I felt good, buoyant, high up on the surface of the water. My sparkle friends were coming right at me as I swam across to the little beach. The sky was covered in clouds. The positioning of the buoys was closer today than last nigh, so a much shorter course. Two things: the green buoy closest to the little beach was farther away this morning than last night and the middle green buoys were closer together — a tighter angle. According to my watch, I swam a mile and 1000 less strokes today.

I had trouble keeping my nose plug on; it was leaking air which made a funny nose underwater. I wondered if other swimmers could hear it. Have I heard the noises of other swimmer’s underwater before? Not in lake, but I’ve heard clicking elbows in the pool.

Mostly my stroke pattern was: 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left
Occasionally: 1 2 3 4 5 6
or 1 2 3 breathe right 1 2 3 4 breathe right 1 2 3 left 1 2 3 4 left

I recited Alice Oswald, mostly the one about microscopic insects that catch pigment on their shivering hair-like receptors. I wanted to recite the new lines I tried to memorize last night, but I got stuck on the first line. I couldn’t remember disintegrating certainty.

Yesterday I watched a little of the 5k open water swim world championships from Singapore. The competitors were swimming in a shipping lane with an over-sized lane line on one side. This lane line was enormous, much bigger proportionately than a pool lane line. It looked strange and unreal.

10 Colors

  1. orange buoy
  2. red lifeguard kayak
  3. white swan
  4. an occasional dot of robin’s egg blue — the green buoy getting closer
  5. lime green buoy
  6. yellow safety buoy
  7. pink cap
  8. green vine, floating
  9. pale greenish-brown vine from milfoil reaching up from the bottom
  10. a smear of green so dark it almost looked black near the ford bridge: a dark dirt trail that winds through the woods

EXAQUA

Last week, I returned to a poem I posted on this log a few years back: EXAQUA / Jan-Henry Gray. So many good lines about water. I decided to request it from the library — it’s in Gray’s collection, Documents. Yesterday RJP and I went and picked it up. Exaqua is several pages long, with multiple sections. Today I’ll start reading it more closely.

I wondered about the title. What does it mean? In a note, Gray writes that the title comes from the “Notanda” section of M.NourbeSe Philip’s Zong. I’ve heard of Zong! before. JJJJJermoe Ellis writes about it in Aster of Ceremonies. I had to do a little more digging to find out what it means in Zong! Found a masters thesis with an explanation:

When Morrison writes, “By and by all trace is gone, and what is forgotten is not only the footsteps but the water too and what is down there,” she gestures toward the material remains of the enslaved who we know to have been drowned by those waters—the “Sixty Million and more” to whom Beloved (324). It is in an attempt to remember “the water and what is down there” that NourbeSe attempts to do the work of recovering, reclaiming, or exhuming those bodies from their liquid graves. The term NourbeSe uses to describe this process is exaqua: that is, to exhume the bodies of the Zong’s victims from the water. In lieu of the enslaved’s literal, material remains—their scoured bones— Zong! orients itself toward creating a textual space where their voices may sound out. When we have observed that a voice is singular, this observation has rested on the embodiedness of our voices. As sound, our voices are constituted by the materialities of our bodies that produces them, thereby carrying something of our bodies outside of ourselves and spacing it out into the material world. For NourbeSe, then, Zong! as a material object is like the surface from which the sound of the captives’ voices reemerge.

Listening/Reading for Dismembered Voices

This definition is fascinating. I want to keep thinking about it as I do a close reading of the different sections of the poem. An immediate thought: the idea of surface here is interesting — surface as where what is inside us travels outside.

immersion

The only way to know a song is to sing it.
The only way to know an ocean is to swim it.
(from Across the Pacific Ocean/ Jan-Henry Gray)

These lines are from an earlier poem in the collection, but I’ve been thinking about them and I think they can be put into conversation with EXQUA. I’d also like to put them into conversation with my own thoughts on being in the water as opposed to being near it or beside it or above it (like I am with the river).

I think about all that I know or understand or am familiar with because of the time I’ve been in lake nokomis over the last 12 years. The quality of the water, its currents, its colors, its buoyancy, its temperatures. The sediments, the ducks, seagulls, loons, dragonflies, the vegetation.

In the water, you feel the ripples, the swells, the rocking of the waves, the wind. Out of the water, you might see a textured surface or a whitecap, but you might only see flat, calm water.

july 17/RUNSWIM

4 miles
river road, north/south
57 degrees
humidity: 80%

In the 50s! What a beautiful morning. Sunny, calm, cool. My gait felt strange, awkward, for the first 1/2 mile. Was it the shoes? I wore Brooks instead of Sauconys. The humidity was high — lots of sweat, not dripping but pooling near my nose. Chanted in triples for the first mile.

10 Things

  1. rowers! heard 2 different coxswains
  2. after 5 or 6 months, they’re finally replacing the fallen fence panel above the northern end of longfellow flats
  3. the dirt they put in the crack north of the trestle has settled and the crack is back and as big as before — at one point will this be unfixable?
  4. good morning! / good morning! — exchanged greetings with a runner with a dog
  5. good morning! — Mr. Holiday wished me a good morning
  6. click click thought it was a roller skier, but it was a biker changing gears
  7. a circle of light below the sliding bench — have they cleared some branches for more of a view here?
  8. smell of cigarette smoke
  9. the dark dirt of a steep trail leading down to the river
  10. the loud slap of a runner’s shoes as he passed me, running fast, or at least much faster than me

I was watching the tour as I compiled the 10 Things list, but had to put my computer away when they reached the last climb — a tough HC. Pogacar went for it near the bottom and Vingegaard couldn’t follow. Wow!

to remember and return to

water and time / log entry for 11 july 2024

lines to memorize for today’s swim?

this disintegrating certainty this water
whatever it is whatever anything is
under these veils and veils of vision
which the light cuts but it remains

unbroken
(Nobody/ Alice Oswald)

while I’m swimming today: recite this bit and the others from Dart and Nobody:

swim: 4 loops
lake nokomis open swim
71 degrees

Open swim is back and I did 4 loops! A wonderful night, in and out of the water. The water was smooth and fast and not too warm or too cold or too crowded. Entering the lake, I watched as a motorized paddle board zoomed by, then another. What? As I swam toward and then past the orange buoy I heard a metallic buzz in the water. Was it because of these paddle boards? I am very grateful that motorized boats aren’t allowed on nokomis. If they were, would I be hearing this buzzing sound all of the time?

I was off course in the first loop; the sun made it very difficult to see the green buoys. But it wasn’t a big deal. On the second loop, I figured it out.

I marveled at the contrast between above and below the surface. Above was a smooth blue, below a glittering green. Checked out my bubbles. Felt the water darken when the sun went behind a cloud. Was attacked by a few stray vines.

Thought about how much I love the water and how confident I am in it, and then about how dangerous and scary and deadly it can be.

Recited Alice Oswald lines — not the new ones I just memorized, but the ones I’d already been reciting in my head.

july 15/RUN

1.75 miles
neighborhood
80 degrees
dew point: 70

Wanted to do a longer run today, but it was too hot! At first I wasn’t going to run at all, but I decided to do a short one to, as I sang to Scott, kick start my heart. Of course I sang the melody of this song completely wrong and of course we had to listen to the original. Ugh! And of course I had to remind Scott that one of the many soccer teams I was on as a kid was named Motley Crüe. Another team: Jabberwockies.

When I was in the shade it wasn’t too bad, but in the direct sun — HOT! I had wanted to run to the overlook on the bridge but I noticed, at the last minute — a few feet from the sign — that the sidewalk was closed. So, I turned down and ran south on the river road trail. Ah, shade!

10 Things

  1. my bright yellow running shoes
  2. the neighbor who is always sitting on his front steps smoking was there but wasn’t smoking
  3. the excited chirping of little kids on the playground at the daycare
  4. from a biker: that was so sweet — the tone of sweet made me think kind, thoughtful, not awesome
  5. a long line of cars on lake street
  6. my shadow, straight and strong
  7. 2 runners crossing the street, standing in the bike path, a biker approaching, heads up! / oh, sorry!
  8. the rush of wind through the trees
  9. a steady stream of cars on the river road making it difficult to cross
  10. the dark brown dirt, the gentle curve of the green grass, the sharp edge between of a front yard on 46th

This Be the Place: a Pond

Today is the first rest day of the tour so no cycling to watch all morning. Instead I returned to my morning reading practice of visiting poetry sites and rereading past log entries. A lot of great stuff, including: This Be the Place: A Several-Acre Space of Tenderness/ Han Vanderhart

The “several-acre” space is a pond, which struck me as strange. I think of ponds as small bodies of water and several-acres sound big. But is it (big, that is)? Maybe several acres is small. What distinguishes a pond from a lake? I recall looking up brooks and streams and creeks and rivers when I was reading Emily Dickinson’s poem, Have you got a Brook in your little heart (see 13 march 2021), but not ponds. So I looked it up. Fascinating!

pond or lake: the distinction is arbitrary

The term “lake” or “pond” as part of a waterbody name is arbitrary and not based on any specific naming convention. In general, lakes tend to be larger and/or deeper than ponds, but numerous examples exist of “ponds” that are larger and deeper than “lakes.” . . .Names for lakes and ponds generally originated from the early settlers living near them, and the use of the terms “lake” and “pond” was completely arbitrary. Many have changed names through the years, often changing from a pond to a lake with no change in size or depth. Often these changes in name were to make the area sound more attractive to perspective home buyers.

Lake or Pond: What’s the Difference?

from lake to pond to wetland

Learned that the study of inland waters is limnology. And the terms, lotic and lentic, too:

surface waters are divided into lotic (waters that flow in a continuous and definite direction) and lentic (waters that do not flow in a continuous and definite direction) environments. Waters within the lentic category gradually fill in over geologic time and the evolution is from lake to pond to wetland. This evolution is slow and gradual, and there is no precise definition of the transition from one to the next.

Lake or Pond: What’s the Difference?

From lake to pond to wetland reminds of my discussion of ecological succession and Robin Wall Kimmerer at the begining of May. A meadow becomes a thicket, a thicket becomes a forest.

Was Lake Nokomis ever a (bigger) lake that became a pond, then a wetland, then a lake again? Yes!

The landscape around Lake Nokomis was formed by natural forces, to be a place that absorbed and stored water. Over 11,000 years ago, glaciers carved through the land, and then retreated and melted. As the ice blocks that were left behind melted, they formed an expansive system of interconnected wetlands and lakes. Under these saturated conditions organic material from dead plants was unable to completely decompose, forming extensive peat deposits — a wetland soil. Because peat readily absorbs moisture and can hold up to 10 times its weight in water, it can act as a barrier and prevent rainfall from draining into deeper layers of the soil. This can cause water to accumulate, or perch, above the peat. Once abundant wetlands in South Minneapolis were filled or development.

In 1853, the U.S. Surveyor General’s Office conducted the first government land survey of the landscape around Lake Nokomis, then called Lake Amelia. The area contained over 1,500 acres olakes and wetlands. At that time, the natural lakes were larger and shallower than today. Since then, nearly 60% of the area’s wetlands have been filled. In their place is today’s built landscape.

Lake Nokomis Area Groundwater and Surface Water Evaluation

if we opened people up, we’d find landscapes

Linda Gregg might call my pond a “resonant source,” a term she uses for places that are “present as essences. They operate invisibly as energy, equivalents, touchstones, amulets, buried seed, repositories, and catalysts.” These are the Ur-images of our creative psyches, that live with us and inform our writing. “If we opened people up,” remarked the filmmaker Agnès Varda, “we’d find landscapes.” Along with a Virginia creek and cornfields and the wood with its mayapples, this pond is inside me: as summer, as stillness, as childhood—as peace.

This Be the Place: A Several-Acre Space of Tenderness/ Han Vanderhart

You can not realize you are in despair, looking at a pond’s surface.

I love the surface of Lake Nokomis. How when I lift my head out of the green water to sight, I see blue. How its ripples sparkle and its small waves sometimes look like other swimmers. How dragonflies hover above, bubbles hang just below it. How it often hides its moods from those at a distance; what looks calm and still from afar, feels rough and active from within.

ponds and writers: Maxine Kumin and Henry David Thoreau

Two writers that popped into my head as I think and read about ponds; Maxine Kumin and her homemade pond, Pobiz Pond, on her farm and Thoreau and Walden Pond. I just requested Kumin’s memoir in which she writes about how she and her husband, along with help from friends, dug out a pond on their farm property.

Other poetry people who love ponds? Mary Oliver, of course!

note: I was planning to swim, but open swim was canceled because of thunderstorms forecasted for 6:30.