Tag: vision

dec 8/RUN

6.1 miles
hidden falls loop
36 degrees

Wow, what a great morning for a run! All the snow has melted so the paths were clear and I don’t remember much wind. I felt strong and relaxed and grateful to be outside when everything is bare and brown and open. And that river! Half frozen with a thin layer of ice, half open with shiny, dark water. I stopped at the overlook on the ford bridge and stared down at it, admiring the variations of gray and the feeling of air and nothingness — barren, vast, other-worldly.

10 Things

  1. the sound of a kid either laughing when his voice bounced as he went over something bumpy or crying so hard that his voice was breaking — heard, not seen
  2. several runners in bright yellow shirts
  3. two runners in white jackets
  4. some kids laughing and yelling near the skate park just past the ford bridge, again heard, not seen
  5. the view of the valley between ford and hidden falls — bare tree branches, then endless air, then the other side
  6. a blue port-a-potty with the door ajar
  7. the sound of water rushing over concrete at the locks and dam no. 1
  8. a lone goose honking somewhere near the oak savanna
  9. the contrast of wispy, dark branches against the light gray sky
  10. the river — no color, some shiny, some dulled by ice

an attempt to track my train of thought

I’m working on another section of my Haunts poem (which might need a different name as I stray away from ghosts). Before my run, I was thinking about being tender and erosion and H.W.S Cleveland (Horace William Shaler) as envisioning the grand rounds and the gorge as art. Before I headed out, I gave myself a task for during the run: to think about and look for examples of erosion and how it fits in with my idea that art is about making us feel things deeply (feeling tender). This task was inspired by this section in my poem:

his pitch for parkways
was about making space
for beauty and for
feeling things deeply —
he wanted to turn
this place into art.
Grass and benches and
trees to frame open
sky and the stone that
holds a river and
all who seek it. But
up here exposed on
the bluff, it is not
only the view that
makes the girl tender.
Wind, sun, frigid air,
the effort it takes
to keep moving, a
slow wearing down of
cone cells, smooth out her
edges, peel away
her layers, create
cracks that start small then
spread.

During my run, I stopped to record three ideas into my phone:

One: I thought about the cracks and the idea of being split open and how this splitting open was not a wound that needed to be patched but something else.

Two: I can’t quite remember how I continued to think about this idea of the wound and breaking open but I do remember suddenly thinking about eroding shorelines and bluffs and how cracks and a wearing away can be harmful. At first I wanted to make a clear distinction between the erosion I was writing about, and the tenderness it allowed for, but then I realized, just before reaching the ford bridge on my way back from hidden falls, that tenderness and feeling things deeply and art as inspiring this is both wound and that something else I can’t quite name. I spoke into my phone:

Beauty as not always pretty, sometimes ugly. Art as wonder and amazement, terror and pain.

I think I was remembering some lines from a podcast episode for Off the Shelf with Dorothy Lasky, as I mentioned terror.

I don’t think beautiful things are innocent, I guess, sadly. I mean, I don’t know what “innocent” means also, but yeah, I think beautiful things are holy, and I think that those things can be awful. I guess it’s like the sublime, and those things which we have awe about is what beauty is. And I don’t think it’s always kind, sadly. You know, I wish it were. It can be, but I don’t think that’s what is really there. It overwhelms. So, it is terrifying by its nature. Like, real beauty should make you terrified.

Good for the World

Three: By the time I had crossed the ford bridge, I had another thought about erosion and my diseased eyes:

My cone cells eroding is this slow softening, but at some point, most likely, there’s going to be a break — an abrupt break [when the few remaining cone cells in my central vision die, when I won’t be able to read or rely on my central vision at all]. And that is how the gorge works. It’s the slow softening of sandstone until limestone breaks off.

Yes! This is a helpful way for me to connect the gorge with my vision. I’m not sure that this third thing fits into this section of the poem, but I will use it somewhere!

posted an hour later: I can’t believe it, but after searching through the archive of this log, I realized that I have never posted this beautiful, tender poem by Mary Oliver:

Lead/ Mary Oliver

Here is a story
to break your heart.
Are you willing?
This winter
the loons came to our harbor
and died, one by one,
of nothing we could see.
A friend told me
of one on the shore
that lifted its head and opened
the elegant beak and cried out
in the long, sweet savoring of its life
which, if you have heard it,
you know is a sacred thing.,
and for which, if you have not heard it,
you had better hurry to where
they still sing.
And, believe me, tell no one
just where that is.
The next morning
this loon, speckled
and iridescent and with a plan
to fly home
to some hidden lake,
was dead on the shore.
I tell you this
to break your heart,
by which I mean only
that it break open and never close again
to the rest of the world.

oct 31/RUN

3.5 miles
trestle turn around
38 degrees / drips then drizzle then freezing rain

Happy Halloween. Snow later this morning. Wanted to get in a quick run before that happened. When I started it was only dripping but as I finished, freezing rain. Wore black running tights, a pink hooded jacket, a black winter vest, and black gloves. Running north I had the wind in my face. Running south, to my side. I enjoyed this run. Hardly anyone else out on the trail and cool temperatures. Winter running is coming!

Since I’m trying to finish an audio book that’s due in 2 days, I listened to it instead of the rain — except for in the last minutes of the run. I took out my headphones and heard water falling steadily.

10 Things

  1. the usual puddles on neighborhood sidewalks: just past the alley, a stretch on the next block, a big one covering entire slab on 46th
  2. bright headlights cutting through the trees on the other side of the ravine
  3. a few stones stacked on the big boulder
  4. under the lake street bridge: a red blanket stretched on the uneven limestone with a person under it, an empty wheelchair nearby
  5. a small stretch of the river road between lake street and the trestle was flooded. It almost was cresting the curb
  6. most cars slowed down for the flooding, but one didn’t — splash! — thankfully not on me
  7. only one other runner out there
  8. roaring wind
  9. light gray sky
  10. a steady, strong rhythm of striking feet

That wheelchair broke me open for the rest of the run.

Yesterday, Scott, RJP, and I voted early! Everyone at the polling place was happy and nice and excited to be voting. A great experience, even as it was difficult because of my failing vision. Before voting, we were required to fill out an absentee ballot form. Only the highlighted parts, the person who handed us the form instructed. The problem: I can’t see yellow, and that was the color of the highlighted text. RJP had to point out the sections. Scott was unsettled as he was reminded of how bad my vision is getting. At first, when I looked at the ballot, I couldn’t quite make sense of it, but after a moment, slowly, I could read the different categories and names. I thought I was filling in the entire bubble (Harris/Walz, OF COURSE!), but when I double- then triple-checked it, I had only filled in half of it. Another few times, and I finally filled it all in.

water section of haunts

Wrote this bit about the hidden cut-off wall in downtown Minneapolis that was put in place in 1876 and still holds the river back from breaking through the last bed of limestone:

A century and
a half later, the
concrete, hidden deep*,
still stands and the river,
ever restless*, has
not stopped trying to
move past it. Water
will flow where water
wants to go, under
over through. Near the
gorge the girl beholds
its quiet refusal
to be contained.

*should I cut these extra bits?

I thought about the idea of water going where it wants to go as I ran through the rain, navigating the streams and puddles.

oct 22/RUN

3.1 miles
2 trails
65 degrees

A quick run after getting my flu and COVID shot and before taking FWA to an eye exam. Another beautiful, warm morning. Everything yellow and crunchy. The Winchell trail was crowded with hikers admiring the leaves and the view. Heard kids on the playground. Smelled the sour sewer. Felt the soft sand. The theme of the morning: leaves. Brittle leaves covering the trail, making it harder to see roots or rocks. Fluttering leaves falling from the trees. Absent leaves giving me a better view of the other side. And that sound! Before starting my run, yellow locust leaves near the curb sizzled after a car drove by. A few blocks later, a cluster of leaves — or was it a plastic bag? — crackled and crunched in the slight wind.

Near Folwell, after climbing the short, steep hill, I stopped to record a few lines for the next section of my poem. The section is called Nobody and it’s about bells and mom-ghosts and dead cone cells.

In the gray morning
the few cone cells that
remain are starved for
light, everything lacks
form — no edges, no
bodies, just blurs

Here’s a beautiful poem I encountered this morning. I’m adding it to my collection of dirt/dust poems.

Housekeeping/ Natasha Trethewey

We mourn the broken things, chair legs
wrenched from their seats, chipped plates,
the threadbare clothes. We work the magic
of glue, drive the nails, mend the holes.
We save what we can, melt small pieces
of soap, gather fallen pecans, keep neck bones
for soup. Beating rugs against the house,
we watch dust, lit like stars, spreading
across the yard. Late afternoon, we draw
the blinds to cool the rooms, drive the bugs
out. My mother irons, singing, lost in reverie.
I mark the pages of a mail-order catalog,
listen for passing cars. All day we watch
for the mail, some news from a distant place.

It’s 14 lines. Is it a sonnet? Is there a volta? Is it the dust, lit like stars?

sept 26/RUN

10k
flats and back
59 degrees

Warmer than I thought this morning. Lots of sweat. Sun. Shadows. Sparkling water. Ran past the road closed on Oct 6 (that’s for the marathon!) and smiled. Not long now. I felt fine. My big toe on my right foot stung a little. My right foot is a bit of a mess: an in-grown big toenail, a blackish-purplish second toe, another possible in-grown toenail on the fourth toe. I think it will all be fine — nothing’s infected and it doesn’t hurt that much.

10 Things

  1. a coxswain’s voice, calling out instructions
  2. a motorboat’s wake, leaving soft ripples on the surface of the river, moving upstream and contrasting with the motion of the water heading downstream
  3. ahead of me, under the 1-94 bridge, the river sparking silver
  4. water seeping out of the limestone below the U of M’s west bank, wanting to be a waterfall
  5. my shadow, running ahead of me: sharp and solid
  6. several of the benches were occupied — one person at each
  7. a few more red leaves — a bright, fiery red
  8. the rhythmic snap of a fast runner’s striking feet
  9. cracks in the asphalt just north of the trestle — they just patched these in late spring and the entire stretch was redone 2 or 3 years ago — in 10 years will you even able to run on this section, or will it have slid into the gorge?
  10. someone left the lid of the trashcan below the lake street bridge open — wow, it stinks!

Here’s a poem I read yesterday that I liked to add to my collection of shadow poems — I might also add it to my growing group of moment poems too:

On a Walk/ Heather Christle

My child is upset that they cannot jump over their shadow.
They want me to help them. They want me to teach them
how it’s done. The best I can do is an invitation

to jump over each other’s shadows instead. This satisfies them
for a moment and then the moment is gone. In sunlight
my shadow loves to give me a little dose of sorrow,

the beams having traveled so far only for the lump of me
to get between them and the ground. They came so close.
If I were the earth I would resent me too. My child

has gone into the next moment. I have to catch up. They say
they are riding a horse. They point and it drags them away.

I read this wonderful quote from Hanif Abdurraqib the other day in one of my favorite former grad student’s newsletter. It’s about the ekphrasis form and is helpful for thinking about my “How to See” project:

Many of us live in an ekphrasis mindset. We are often executing ekphrasis storytelling…creating a story based off of that witnessing. I don’t ever want to move beyond that desire to say, I saw something and I know that you were not there to see it. But I can build the world wherein you felt like you have witnessed it alongside me.

via rachael anne jolie

I want to build a world about how I see with my dead-coned eyes in my poems, partly to feel less alone and isolated and partly to invite people to think more what it means to see (and to not see).

Last night, Scott and I were watching “Escape to the Country” and one of the escapees (Carol from Hertfordshire) was registered blind. She sometimes used a white cane and had some help from her husband in navigating, but she could make eye contact and see some of what was going on. When the host (Jules) asked her to explain her vision, she said she could see about 20% of what he could, enough to get a sense of the space, but not clearly. I appreciated that Jules had asked her to explain her vision (and impressed with the positive, non-tragic way they depicted her throughout the episode), but I wanted more. I wished she (and/or the show) had had an ekphrasis mindset and offered additional details about what seeing/not seeing is for her. The host, Jules, suggests, “Fundamentally, understanding how she sees the world is going to be crucial to finding properties that will absolutely deliver.” Even a sentence or two more might have helped in that understanding.

I wondered what someone who had never thought about the process of seeing or the spectrum of no-sight to full-sight made of her description and how she (fairly) easily/”naturally” moved through the world. After my run, I decided to google the episode and see if I could find more information about the woman, like what her condition was, etc. I was disappointed to discover headlines describing her blindness as “heartbreaking” or that she told of it, “with tears in her eyes.” That’s not how I perceived it. Admittedly, I can’t see faces clearly enough to grasp slight facial expressions, but this woman did not seem heartbroken and if she had any tears in her eyes, it was because she was looking into the sun. This was not a tragic episode; she and her husband were excited to move. These headlines seem to be typical examples of writers projecting their own fears and negative understandings of blindness onto blind people (or people with low vision, or people who see differently). Blind = tragic = heartbreaking = pity.

Scott and I watched the brief, 10 second clip that this “heartbreaking” description is based on, and he agreed that she wasn’t upset or crying. Her description was neutral and matter-of-fact. Sigh.

At the beginning of my run, I thought more about the ekphrastic mindset and asked myself, what is art? I didn’t come up with an answer — a task for another run!

one more thing to add: Talking with RJP about my various projects, she introduced me to a new phrase for describing the dirt trails that walkers/runners make in the grass: desire paths. That should be a title for one of my gorge poems, for sure!

aug 29/RUN

9 miles
lake nokomis and back
75 degrees / dew point: 72

I thought it was supposed to be cooling down this week. I was wrong. This run was tough and I was slow. Still, I pushed through and did it. 72 is a high dew point — in the miserable and “adjust your expectations” range. I tried to remember that as I ran and then stopped to walk. Mostly I did and was kind to myself.

While the run overall was difficult, it wasn’t all struggle. Running up the hill between Lake Hiawatha and Lake Nokomis, a walker called out, looking good! There were wild turkeys along the side of the road. The buoys are still up at the main beach. There was more shade than sun. The shadows were dancing in the wind. The river water was sparkling, the creek water was gently moving, the lake water was softly lapping the shore.

Recently, I heard a suggestion for keeping a steady rhythm on a long run: listen to a metronome. I decided to try it, at 175 bpm. Pretty cool. My phone app metronome was set for even beats not a time signature (like a heavier downbeat) so I heard steady, unstressed clicks. It was strange and fun when I lined up my feet with the beats so it sounded like my foot was making the noise as it struck the ground. It reminded me of the scene in Indiana Jones and the Last Crusade when the librarian is stamping the books at the same time Jones is stamping the floor with a heavy post. As his ink stamp hits the page, a loud thud happens, and he wonders (while staring strangely at the stamp) how he could be making such a noise.

I wonder what might happen if I did set the metronome for different rhythms, like 4/4 or 3/4 or 6/8?!

anne carson

The other day I discovered an essay by Anne Carson about her experiences with Parkinson’s, especially with trying to navigate tremors and tame uncontrolled movement. My experiences with vision loss are very different, yet I recognize similarities in terms of focused attention as a way to combat constant motion.

Righting oneself against a current that never ceases to pull: the books tell me to pay conscious, continual attention to actions like walking, writing, brushing my teeth, if I want to inhibit or delay the failure of neurons in the brain. It is hard to live within constant striving.

Gloves on!/ Anne Carson

Righting oneself against a current that never ceases to pull . . . When I swim across Lake Nokomis, I trust straight, steady strokes to get me across the lake. I’ve lined up the buoys, set a course, then let my good form (shoulders, head position, breathing on both sides with even strokes) lead me to a buoy that I usually can’t see. I also have help from the lack of current in such a small lake. When I swim across Cedar Lake, those same straight strokes don’t help as much. I have to adjust constantly, fight against a current I can’t quite feel. When I don’t, I drift into the middle of the course, then too far over to the other side where swimmers are heading the other way. Even as I try, I can’t read or properly predict this current — is it a current, or something else? Often I drift. On my best loops, it feels awkward, forced, too conscious — more lifting my head to sight, a constant swimming against water that wants me somewhere else.

Since being diagnosed with a degenerative eye disease, I’m giving conscious, but maybe not constant, attention to how I see, to the complicated process of seeing. Some of this attention is out of curiosity and astonishment. And some of it is about helping neurons to fire in new ways and learning how to see differently.

The uncontrolled motion I experience is not tremors, but images that constantly shift and shimmer and buzz, usually in ways too subtle to see clearly. I feel them — soft notes of disorientation, dizziness, restlessness. Maybe you could call them tremors? The ground never ceasing to unsettle.

Recently, I’ve been writing about the different definitions of still. Is the constant motion I see never still? I’m not sure. I think I’m striving for new ways of defining that word and of accessing the feeling of being still, enough, calm.

july 7/SWIM

4 loops
lake nokomis open swim
69 degrees / calm

Finally, the water was warm! Warm enough that I wasn’t freezing on the drive home, wrapped in blankets. And I didn’t have to take a long, hot shower to thaw out. Another wonderful swim. Strong, confident strokes. Steady, barely a break in the rhythm — 1 2 sight 3 4 5 breathe left 1 2 3 breathe right 1 2 sight 3 4 5 breathe left — once to adjust my nose plug, a few times to avoid drifting swimmers, and once to stand at the big beach between loops 3 and 4.

today, 4 loops = 3800 yards

10+ Lake Things

  1. getting ready to start, overheard: a tiny, older woman in wetsuit to another women in a tri-suit — are you ready to swim? the tri-suit replies: no, I don’t want to do this wetsuit: you don’t want to swim? tri-suit: no, but I have a race on the 14th
  2. a delightfully creaking swing, sounding almost like it was calling out or scolding me — creeaakkk creeaakk
  3. glittering sediment in the water
  4. pale, ghostly legs near the buoys
  5. lifeguards for the win: the course set up and open 5 minutes early! and the buoys were fairly in line with each other!
  6. no swans or geese or ducks or minnows (at least that I recall)
  7. loop 1: sun, a few clouds
  8. loop 2: less sun, more clouds, half the sky turning white
  9. loop 3: more sun again
  10. bubbles, bubbles everywhere from exhaling and piercing the water
  11. I added to the collection of sad, scattered hairbands at the lake floor by accidentally dropping mine at the end of the swim
  12. at the beginning: a metal detector dude, wading in the water!

A few random thoughts: I don’t miss the silver-boat bottom and even if it were still here, the course is set up in a way that would make it unhelpful for guiding me. I only breathe through my mouth when I swim because of my nose plug. Longterm, what kind of impact does that have on my swimming, breathing, fitness? It’s me, hi, I’m the problem it’s me: breaststrokers always seem to be trying to race me. They irritate me. Not that I’m complaining, but how come I never see any snakes in this water (or eels)?

During loop two, I recited Anne Sexton’s “The Nude Swim” as I swam. All this in us had escaped for a minute is still my favorite line, although I also like, we entered in completely and let our bodies lose all their loneliness. I also recited a bit from MO: It is time now, I said, for the deepening and quieting of the spirit among the flux of happenings.

scott’s big band concert

Last night, FWA and I went to Scott’s big band concert. It was outside beside a beautiful lake in a small town northwest of Minneapolis. It lasted for 2 hours. Sitting there, I witnessed the changing light — from bright to shadows to sun descending, sky suggesting pink. At one point, I turned to FWA and mentioned the pink then asked, is it pink? And he said, no and looked at me a little strangely. I responded, I love how my vision makes everything magical. It didn’t look PINK! but more like a whisper, a trace, the slightest hint of pink, as if someone was whispering to me, pink. Was I anticipating the sunset I expected? Or maybe just more attuned than FWA to the changing light, having given so much attention in the past few years to subtle shifts in color?

10 Things During the Concert

  1. at the end of a song, just as the singer was hitting a fabulous high note, a train passed nearby, its horn blaring, sounding like part of the music
  2. someone was smoking a pipe nearby — later Scott complained that he could smell it on stage; I smelled it, but it didn’t bother me
  3. a woman behind me cackling
  4. another woman in a flowing turquoise skirt walking by then stopping to listen to the Stevie Wonder medley then swaying to — now I can’t remember which Wonder song it was, Sir Duke?
  5. no bugs!
  6. birds! — high in the sky, one bird awkardly flapping its wings, frantic with speed
  7. birds! — shooting up in the sky like fireworks or static on a screen, one at a time
  8. the lake behind me — I could feel it but couldn’t see it because to turn and look would seem as if I was staring at the people behind me — oh, why didn’t they position the band shell in front of the lake!
  9. during the concert, people were playing basketball at the court next to the stage — I don’t remember hearing them, just seeing bodies moving back and forth
  10. in the distance, to my right, carnival rides — a spinn-y ride lit up in red and green and blue lights — as dusk neared, I watched the lights glow

It was a long night — we left the house at 3:45 pm, got to the concert venue at 5, waited around until the concert started at 6, then listened for 2 hours, and finally got home at almost 10. But I’m glad I went, and grateful that FWA came too. So many cool images to witness and remember.

june 30/SWIM

4 loops
lake nokomis open swim
65 degrees

Wow wow wow! What a wonderful swim for my birthday weekend. The air was cooler, but the water was fine and the sun was warm. Not much wind, so few waves, but the sun reflecting off the water sparked light everywhere. Felt strong and sore, then not sore, then sore again: mostly my neck from sighting and breathing. I didn’t wear my safety buoy and it felt strange, like I was missing something.

1

The water was clearer, lighter. Less greenish-blue and empty, more greenish-yellow and full of living things — particles, vines, sediment — and light. Shafts of light everywhere underwater — not straight down, but at angles and coming up from the bottom not down from the sky. An illusion, but fun to imagine the light source as down below. The opposite of Lorine Niedecker’s “ocean’s black depths” (Paean to Place) and Alice Oswald’s “violet dark” (Nobody). I noticed the shafts of light the most in the stretch of water between the last green buoy and the first orange one.

2

After I finished my 4th loop, swimming just inside the pink buoys, I looked underwater — clear enough to see the sandy, rocky bottom, but not clear enough to see any hairbands. Writing this reminded me of what I witnessed before the swim: minnows! As I waded in the shallow water, dozens of little fish scattered as I approached. None of them nibbled at my toes, or if they did, I didn’t feel it.

3

During the first loop somewhere between the first and second orange buoys an alarming thought appeared: what if I fainted in the middle of the lake? In the past this thought might have caused panic which I would feel in my body — a flushed face, harder to breathe, hot tingling on the top of my head. Not today. No physical effect. Within a few minutes the thought was gone. Is this because of the lexapro? FWA says that sometimes he feels the lexapro working — he’ll start having overwhelming thoughts but instead of spiraling, he feels himself become separated from those thoughts — they become abstract and distant. I wondered about this as I stroked then connected it to Alice Oswald’s Homeric mind and the idea of thoughts not just living in our head but traveling outside of our bodies from there to there.

3

I only saw the orange buoys when I was right next to them. I was almost always swimming straight at them, so some part of me knew they were there, just not my eyes. No panic or fear or negative thoughts as I looked at the nothingness of water and sky and a vague, generic tree line.

june 19/RUNSWIM

2.5 miles
2 trails
64 degrees

A quick run before meeting my college friends for lunch. Cooler today. Heard the rowers. Spotted: at least 2 bright yellow shirts, one bright pink. City (or county or park?) workers were out re-tarring a few more spots on the trail. Hooray for less craters! Last week, they finally filled in the big crack that had white spray-paint around it, making it look like a tube sock or Florida (I’ve written about it before). I wonder if they’ll finally fill in the hole that’s been getting deeper every year? The one that would definitely twist your ankle if you stepped in it. I hope so.

I don’t remember hearing any birds or roller skiers or laughing kids, but I do remember the squishy mud on the winchell trail and the bug bite I got as I walked home.

color in/on/under water

Listening to Alice Oswald’s lecture, Interview with Water, I came across this great passage about color. First she’s mentions that poets performing The Odyssey always wore blue robes, then she mentions a line from book 8:

Odysseus
with his strong hands picked up his heavy cloak
of purple, and he covered up his face.
He was ashamed to let them see him cry.
Each time the singer paused, Odysseus
wiped tears, drew down the cloak (8:84-89)

Then she references something she said a few minutes earlier —

I keep a bucket of rainwater under my window and it delights me that green leaves reflected in a black bucket are not quite green. I don’t know what color they are. At certain moments, early in the day, they might be called pre-green, but then the clouds change or the wind moves the surface mark and all at once they seem bright dark and blind silvery then foggy emerald.

— and says this:

To go back to that bucket of water — to wave a blue gown above it and ask, What is that color which Homer calls porfurium? It is not blue exactly; it gets translated as purple but purple is a settled color whereas Homer’s word is agitated. It derives from the sea verb porfurion which means to roll without breaking, so it is already a fluid word, a heaped up word, a word with underswell, not a pigment but an emanation from the nature of water. To get a true sense of porphyrion you need to see the sea in it and for Homer the sea is unhuman full of strange creatures missed colored unplowable and this is my favorite word it is a peritone meaning unfenced. If you want to imagine the colour of Odysseus’ gown you will have to swim out into the unfenced place, the place not of definitions but of affirmations. Yes I’m afraid you will have to find your way to the p volume of Johnson’s unwritten dictionary. There you will discover a dark light word an adjective for edgelessness — a sea word used also of death smoke cloth mist blood between bluish purple and cobalt mauve. It appears mid-ocean when the wind perhaps makes a network of backblowing glitters that the underswell moves sideways as when a big sea swells with noiseless waves. It is used of the heart meaning his heart was a heaving not quite broken wave. It indicates a surface but suggests a depth a mutation of flatness or noiseless sheen, a sea creature, a quality of caves, any inlet or iodine or shaded stone, a type of algae or rockfish, anything excessive or out of focus or subliminal — for example: a swimmer seen from underneath, a rotting smell, a list of low sounds, an evening shadow or sea god, a whole catalogue of simmering grudges storms waves and solitudes or deep water including everyone who has drowned in it. To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light. to be either sleepless or weightless and cut off by dreams — find yourself in the silence underneath an overhanging way that or thereabouts is the color of a bluish violet ultramarine gown so the great poet sang.

Interview with Water

Wow! So many wonderful things to do with this passage! For now, I want to think about how color works underwater. In an hour, I’m heading over to deep (at least, deeper than Lake Nokomis) Cedar Lake to swim across it. How will color work as I swim? Below water? Above? Is this agitated, moving purple similar to how I see all the time? (Yes, I think.)

swim: 4 cedar loops (= 2 nokomis loops)
cedar lake
72 degrees

The first swim at Cedar Lake! As I’ve mentioned here before, Cedar has a very different vibe than Nokomis. Hidden away, at the end of a gravel road. A small beach. No buildings, the only bathroom a port-a-potty. Chill lifeguards. Today the water was cold but (mostly) calm. Not too many swimmers. 2 lifeguards on kayaks, 2 orange buoys, too much vegetation growing up from the bottom of the lake. I overheard another swimmer mentioning the vines too.

color: Inspired by Alice Oswald, I tried to think about the color of the water. Cloudy, not clear. I could see the vines and the bubbles from my breathing and my hands entering the water but not much else. Not purple or blue but green — not dark green but pale green. Maybe some pale blue — yes — and light gray. Occasionally a shaft of light from above, a dark vine below. Textured bubbles. Not much to see, but not nothing there. Instead, everything small, packed, too dense to decipher. No color and too many colors. Impossible to pin down with “green” or “gray” or “blue.” Not grief, but uncertainty.

june 16/SWIM

swim: 2 loops
lake nokomis open swim
75 degrees / choppy

A choppy swim. Fun, but not easy with my out-of-swimming-shape body. I didn’t swim at all this winter: sore back, neck, shoulders. Wow, do I love open swim! I was nervous before the swim, wondering again if I’d be too disoriented. Nope. I just kept swimming and made it to all of the buoys. I love how approximate open swim is; you don’t have to take the straightest, most direct line, you just need to stay on the right side of the 5 buoys and on the left side of the 4 or so lifeguards on kayaks.

10 Things

  1. the water felt COLD when I first entered, but wonderful as I swam
  2. a strange pale vine just below the surface
  3. small waves to my right, making it harder to breathe
  4. swells from behind making it hard to stroke on the stretch parallel to the big beach
  5. my eyes couldn’t see the far orange buoy, but my brain did: sighting, a voice in my head said, it’s straight ahead — this happens a lot, these days. The trick, to trust
  6. on the other loop: that same orange buoy in sight but so far away, seeming to get farther away with every stroke
  7. breathed: a mix of every 5 or 4 or 3, a few 2s when it was extra choppy
  8. more vegetation, pale, ghostly, reaching up from the bottom
  9. exiting the water, a woman speaking to some friends: I was nervous, so I didn’t wait. I already swam./ another woman: Did you like it?/I loved it!
  10. no birds or planes or strange noises underwater

An essay to return to: Friday essay: ‘an engineering and biological miracle’ – how I fell for the science, and the poetry, of the eye

Okay, I’m returning to it now (added a few hours later). I wasn’t planning to, but I read something in a recent New Yorker story that decided for me that I should. Two moments, one from the article and one from the story:

1

Iris presents to me with failing vision. Examining her eyes, I see “geographic atrophy”, little islands of missing retinal tissue worn away over time. This is a form of incurable, age-related, macular degeneration. It results in permanent loss of central vision, with peripheral vision remaining intact.

It’s not good news; my stomach tightens as I prepare to deliver it.

Iris replies, tearily, that she just lost her husband of 60 years. She’s now alone and becoming blind. I’m taken aback – what can one honestly say to this?

Sure, there are visual magnifiers, home modifications, other practical aids that may guardrail her physical safety. But her anguish goes beyond this; she’s on the edge of a personal precipice, and teetering. There’s electricity in the consult room, a lightning-rod moment for sure.

How might a poet view this scene?

Then, a few sentences later:

Good poetry must go further, seeking the patterns beneath the surface. What precisely is it about Iris that moves me so? She is losing things, important things. Witnessing this touches my deepest fears, knowing that, like an unwelcome house guest, loss visits us all, sometimes staying for good. 

As my Persian countryman Rumi wrote, “this human being is a guest house”. Losing our own physical abilities or our loved ones, what would become of us?

Distilling this further, what exactly is loss, its weight and texture?

Inversions,
your cherished glass of shiraz shatters
on the tiles, your laden table
upended. Warmth whistles
out through the cracks, cold rises up.
Midnight:
your reasons for living dwindle,
walking out the door
one by one.

Friday essay

2

Farah put up her hand. She said, “I don’t find it difficult to think about . . . ,” then paused in surprise at not being able to say “dying,” “about choosing not to live if I’m going blind.”

Beyond Imagining (fiction) / Lore Segal

Wow. I am not as old as Iris, and I didn’t just lose my husband, but the description of her vision loss (albeit a different condition) is the same as mine: all central vision gone, peripheral sight stays. I don’t doubt that many “Irises” feel this despair when confronted with this diagnosis, but it’s not the only way that people respond. It is not how I responded. It is, however, the way that most haunts our imaginations — the blind specter. I’d rather be dead than blind!

I’ve read the whole article, but I stopped reading the short story. I should return to it and see what happens. Maybe I’ll be surprised, maybe it will go deeper than the tired trope of the blind specter.

june 13/RUNSWIM

5 miles
bottom of franklin hill and back
70 degrees / dew point: 60

Overcast, which helped it feel a little less warm. Sticky, thick air. A lot of sweat, especially on my face. Dripping ponytail. So green even the air was green. Greeted the Welcoming Oaks — hello friends! Descended into the tunnel of trees and was enveloped in green. Chanted triple trees: sycamore/sycamore/sycamore/red oak leaf/silver birch. Heard the rowers through the trees. Admired the barely moving, calm water under the bridge — the surface was dotted with foam and reflected clouds. Saw a speck in the sky out of the corner of my eye. Tried to look at it, gone. Tried again, a plane almost covered in fog. Saw a dark ring around it — my ring scotoma? Appreciated how the outline of the treetops on either side of the river road echoed the shape of the river banks. Walked up the hill — it took me 7 minutes — then ran, walked, ran back. Ended with a dozen roller skiers above me while I climbed out of the tunnel of trees.

For the first mile, in the dark green quiet, everything was dreamy. Thought again about how running puts me in a strange, surreal state. Nothing quite real. Then thought about Lorine Niedecker and the physical act of seeing with messed up eyes and using the poetic form to represent that. I’m not aware of how my eyes move as I see except for when I look to the peripheral as a way for my central vision to see something. I imagine having nystagmus makes you more easily register the movement of your eyes. How conscious was LN of her eye movement and how it was mimicked in her lines? When I think about how I see — the mechanics of it and its physicality — I think more about what happens when the corrupt or limited data travels as electrical impulses through the optic nerve and to the brain. Are the effects of nystagmus primarily physical — strain on eyes, the rapid movement creating dizziness and headaches? I should read more about it. . . . The physical impact of my vision sometimes reads as dizziness and light-headedness, but mostly it’s just a vague sense of unease and fatigue — more naps. I rarely feel the eye strain or get headaches from my effort.

In the article I was reading about LN’s nystagmatic poetics, this poem was discussed:

Tattoo/ Wallace Stevens

The light is like a spider.

It crawls over the water.

It crawls over the edges of the snow.

It crawls under your eyelids

And spreads its webs there—

Its two webs.

The webs of your eyes

Are fastened

To the flesh and bones of you

As to rafters or grass.

There are filaments of your eyes

On the surface of the water

And in the edges of the snow.

note at 11 am: Today is my first day of open swim! After the swim, I’ll return to this entry.

I’m spending the afternoon on the deck, reading Niedecker and thinking about Alice Oswald and Niedecker and my Haunts poems. Here are some jumbled thoughts:

You have been in my mind/between my toes/agate — Lake Superior/LN

You’ve been in
my mind

beneath my
feet Mom

Look for me under your boot-soles — Walt Whitman

Ars Poetica/ Arcelis Girmay

May the poems be
the little snail’s trail.

Everywhere I go,
every inch: quiet record

of the foot’s silver prayer.
             I lived once.
             Thank you. 
             I was here.

“We a lovely/finite parentage/mineral/vegetable/animal” — Wintergreen/ LN

I’m interested in how many layers you can excavate in personality. At the top it’s all quite named. But you go down through the animal and the vegetable and then you get to the mineral. At that level of concentration you can respond to the non-human by half turning into it.

Alice Oswald interview for Falling Awake

To write a poem is to be a maker. And to be a maker is to be down in the muck of making and not always to fly so high above the muck.

Poetry is Not a Project/ Dorothy Lasky

We can’t float or fly for long, above. We are part of the muck, not stuck but entangled, beholden

to work down/ to ocean’s black depths/us us an impulse tests/the unknown — Paean to Place/ LN

2 loops / 1.5 miles
lake nokomis open swim
80 degrees

Open swim! Open swim! I was nervous before the swim, wondering if I would see the buoys. I did! The water felt wonderful — a little cold, but not too cold, and wavy but not choppy. I watched the sun filtering through the water, avoided the vegetation growing up from the bottom and the swan boat stuck right by the orange buoy. That menacing swan was a little too close as I neared the buoy. The last green buoy was so far from the orange buoy — it seemed to take forever to reach the beginning of the loop. Oh, I love open swim and what joy to have had a good first swim!