Tag: treadmill

jan 16/RUN

bike: 24 minutes
bike stand, basement

run: 1.25 miles
treadmill, basement

Didn’t want to run too much today, so decided to go down to the basement. Of course, the -10/ feels like -25 also influenced my decision. But if I hadn’t already run twice yesterday, I might have tried going outside because I’m crazy that way. Finished the first episode of Cheer! that I started last week. From the teacher who was very committed to her right to bear arms, “hell yeah! I’m packing right now!”, to the 2 concussions suffered in one pyramid rehearsal–those sounds of loud smacks on the floor as the girls fell!–to the male cheerleader who was kneed in the face and had to put a tampon up his nose to stop the bleeding, this was an intense 20 minutes. Wow.

TEN YEARS LATER MY HUSBAND WALKS OUT OF THE WOODS/ Emily Pérez

after “Hans My Hedgehog”

In one version you remove your coat
of quills at dusk, drape it by the hearthside.

My father’s bravest men then burst
into our room and net the carapace, fling

it in the waiting blaze, burn the thorns
that stippled you. The hollow spires

in the fire sing like copper smelted,
the slag amassing on the flagstones

cooling to a twisted fist of all that had you
hinged. Unmasked at last you stand

before me, born anew: not a monster, not
a man, but a fledgling flayed. Oh husband,

what soulbrave bargain have you made
that leaves you so tender, and how

am I to salvage you?— just wife, not
witch, not doctor.

Author’s Note

I’ve been obsessed with the Grimm’s fairy tale “Hans My Hedgehog” for years. In addition to featuring a hedgehog who plays bagpipes and rides a rooster, it provides some crazy inroads for thinking about parenting and marriage. As in many fairy tales, a father promises his daughter to the hero, who, in this case is a hedgehog. Later, the hedgehog decides to permanently take on human form for his wife’s sake, which involves shedding his coat of quills and having it burned by his wife’s father’s men. The rebirth chars him. In the years that I tinkered with this story as a source for poems, my husband made a major life change that felt both morally brave and (perhaps) personally foolish. As his partner, I felt compelled to be supportive but also inadequate to the task. This poem gets at my ambivalence.

I loved reading the explanation of this poem and then reading the poem again. Powerful. I also like the idea of taking a favorite fairytale and re-imaging it.

jan 10/ BIKERUNBIKE

bike: 30 minutes
bike stand, basement
run: 1.25 miles
treadmill, basement

The weather isn’t too cold (at least for me) this morning or too blustery, but I decided to stay inside and do more biking, less running to rest my sore legs. Now as I write this I feel a little regret. Winter runs in the cold are the best. Why didn’t I run outside?

While biking, I watched part of the first episode of the netflix doc series: Cheer. It’s fascinating and freaking me out. They take so many risks with their bodies. I wonder what the long term effects of these risks and the injuries they get are? Will the series address this at some point?

When I was younger, I never thought about my body. But after I had 2 kids, my mom died too young, and I started running and open water swimming, I became more aware of its fragility and developed a need to protect it and be careful with it.

Living in the Body/ Joyce Sutphen

Body is something you need in order to stay
on this planet and you only get one.
And no matter which one you get, it will not
be satisfactory. It will not be beautiful
enough, it will not be fast enough, it will
not keep on for days at a time, but will
pull you down into a sleepy swamp and
demand apples and coffee and chocolate cake.

Body is a thing you have to carry
from one day into the next. Always the
same eyebrows over the same eyes in the same
skin when you look in the mirror, and the
same creaky knee when you get up from the
floor and the same wrist under the watchband.
The changes you can make are small and
costly—better to leave it as it is.

Body is a thing that you have to leave
eventually. You know that because you have
seen others do it, others who were once like you,
living inside their pile of bones and
flesh, smiling at you, loving you,
leaning in the doorway, talking to you
for hours and then one day they
are gone. No forwarding address.

I’m mostly okay with my body. Together we’ve done some great things. I guess sometimes I wish my kneecaps would stay in their grooves and not temporarily displace or my central vision wasn’t almost completely destroyed or my legs didn’t get unbearably restless when I wake up in the middle of the night, which happens a lot. But I think I feel less like Joyce Sutphen and her body as (treasured) burden, and more like Linda Hogan in Rapture: “Oh for the pleasure of living in a body.”

jan 5/BIKERUNBIKE

bike: 25 minutes
bike stand, basement
run: 2 miles
treadmill, basement
outside: wind advisory, icy paths

The combination of too many days running on uneven paths and a wind advisory meant I ran and biked in the basement today. I’m fine with it. I still don’t like the treadmill for long distances, but it’s okay for a mile or two. Watched a super league triathlon race while I biked, listened to a playlist while I ran. The coolest thing I remember: running, staring straight ahead and just above the blank tv screen, I noticed the reflection of the single lightbulb in the dark window. A small bright circular light. I imagined it was the moon, hovering above Lake Superior, which I remember seeing a few years ago when I was at a resort on the North Shore. Very cool. I was so mesmerized by the image that I almost ran into the front of the treadmill. Who knew the basement could be so beautiful and inspiring?

Yesterday, wandering around the internet, I discovered Steve Healey’s 10 Mississippi–a book of poetry about the Mississippi River. He’s based in Minneapolis, which is really cool. I need to buy this collection from 2010.

2 Mississippi/ Steve Healey

Standing next to the river, I recorded the sound
of the river in an attempt to represent that sound
more accurately than my earlier description of it,
which compared the river sound to someone
saying “shhhh.” I rewound the tape and played it back,
and the recording also sounded like someone saying
“shhhh,” but then I remembered that I was listening
to both the recording of the river and the river itself,
and I could not with absolute certainty distinguish
one from the other. It sounded like the two sounds
synchronized into one “shhhh,” but at times they
seemed to separate, as if telling each other to be quiet,
like accomplices committing a crime. Or they may
have both been telling me to be quiet, despite the fact
that I was producing no sound, or so I thought.
Retreating swiftly and quietly to the privacy
of my own home, a safe distance from the river itself,
I listened again to the recording of the river sound.
This time it sounded like a perfectly preserved memory
of the river, a solitary “shhhh” moving inexorably
toward the Gulf of Mexico, and just as I felt liberated
from the burden of having to remember the river
through my own mental activity, the recording stopped,
precisely at the moment when I had turned off
the tape recorder. Then I remembered that the river
itself was elsewhere, continuing its perfect sound
forever, and that I would never be able to represent
that continuousness accurately. I remembered,
however, that I could take a length of magnetic tape
on which that river was recorded and splice the ends
together to form a loop which I could then play
continuously. The sound could keep going “shhhh”
all the way to the Gulf of Mexico, telling all the cars
and condos to be quiet. It’s worth remembering,
however, that a river is not a person, and that a person
saying “shhhh” eventually needs to stop making
that sound, either to inhale or die. There would be no
other choice, unless of course I recorded myself
saying “shhhh” and played a loop of that recording
continuously, in which case I’d no longer need
to remember myself. I’d be immortal
in the privacy of my own sound.

jan 1/BIKERUNBIKE

bike: 30 minutes
basement, bike stand
run: 1.25 miles
basement, treadmill

Decided to take it easy today, the first day of 2020. Yesterday my muscles took a beating on the rough path. Working out in the basement is never as inspiring or interesting as being outside but it does make me less restless and helped me fill my 3 rings for the 218th day.

Before and after my workout, continued working on my poetry line project. Managed to pick out lines from the 12 months of poems I gathered in 2019. Cut the list way down from 38 pages! to 14. Took out all the line breaks and cut it down even further to 6 pages. Then started crafting a cento from the lines. So much fun–even if this has been a very time consuming process. Rereading all the poems and picking out lines, then trying to arrange them in a new form has taken a few weeks at least. Here’s a first draft:

Listen/ Sara Lynne Puotinen

I.

The world is filled with music, and in between the music,
silence and varying the silence
all sorts of sounds coming into tune.

Knuckles of the rain on the roof,
chuckles into the drain-pipe,
spatters on the leaves that litter the grass,

gnats, frogs, dandelion pollen,
the pebbles & leaves & the whole
world of us, our names whispered
through an intercom in the evergreens,
our calls like an echo of lake, or what makes lake lake.

II.

I can hear a hum inside me,
an appliance left running.
I’ve started calling the hum the soul.
The soul sings at the top of her lungs,
laughs at her little jokes,
begins to kick up her heels,
jazz out her hands,
thrust out her hipbones,
and bellow forth—
like the thrashing of a lemon in the garbage disposal,
a clatter of jackhammers, an earful of leaf  blowers,
the hissing of trees so loud the air is stunned—
the chant, I’m great! I’m great!

III.

I’m not asking for much.
A white, indifferent morning sky.
Unsentimental sleet
A lamentation of geese
less hatred strutting the streets
to feel a little less, know a little more
enough jam jars to can this summer sky at night
a way out, the one dappled way, back
Paradise, all glam-glow, all twinkle and gold
The Meadows – mine –
The Mountains – mine –
All Forests – Stintless stars –
As much of noon, as I could take
gorged, engorging, and gorgeous

IV.

When sorrows come—fast, without warning—
whipping their wings down the sky,
stop seeking before or after life.
If anyone asks say
some of us don’t need hell to be good.

V.

Empty your mind
drift for a minute or an hour
blinking off old eyelids for a new way of seeing.
Remember this is not your land
You don’t get to be the grass
Grow wise with such teachings—
Bees in the lilac tree have something
to say and say it
without giving away the ending
the day knows exactly what it’s doing

VI.

What I love is one foot in front of another
Poets and walkers look up more
often than other people.
Go forth to the forests
Raise your heads, pals, look high,
see more than you ever thought possible
trees tossed like coins against the sky.
Stunned gold and bronze,
oaks, maples stand in twos and threes

dec 28/BIKERUNBIKE

bike: 37 minutes
bike stand, basement
run: 1.3 miles
treadmill, basement
outside: sleet, ice, weather advisory

So glad to have a bike stand for my bike and a treadmill in the basement. The sidewalks, roads, paths are pure ice. Saw a video on twitter of a kid skating on the sidewalk with ice skates. What? Re-watched the Track and Field World Championships while I biked and managed to forget about all of the ideas about writing/creative projects I had swimming around in my head. Too many ideas! Listened to an old playlist while I ran. What a dreary, trapped-in-the-house-kinda-day. Gray, dark, wet. Now it’s raining. At the end of December. Strange.

This morning I watched the wonderful America Ferrera read Denise Levertov’s Sojourns in the Parallel World on Brain Pickings.

SOJOURNS IN THE PARALLEL WORLD
by Denise Levertov

We live our lives of human passions,
cruelties, dreams, concepts,
crimes and the exercise of virtue
in and beside a world devoid
of our preoccupations, free
from apprehension—though affected,
certainly, by our actions. A world
parallel to our own though overlapping.
We call it “Nature”; only reluctantly
admitting ourselves to be “Nature” too.
Whenever we lose track of our own obsessions,
our self-concerns, because we drift for a minute,
an hour even, of pure (almost pure)
response to that insouciant life:
cloud, bird, fox, the flow of light, the dancing
pilgrimage of water, vast stillness
of spellbound ephemerae on a lit windowpane,
animal voices, mineral hum, wind
conversing with rain, ocean with rock, stuttering
of fire to coal—then something tethered
in us, hobbled like a donkey on its patch
of gnawed grass and thistles, breaks free.
No one discovers
just where we’ve been, when we’re caught up again
into our own sphere (where we must
return, indeed, to evolve our destinies)
—but we have changed, a little.

I love the idea of nature not caring about our preoccupations and of living in and beside it and of a moment or an hour in which we can drift and lose track of ourselves as we respond to nature–which is, by the way, what running enables me to do by the gorge for at least a few seconds every time I run. I also love how she describes nature in such simple forms: cloud, bird, fox. With my vision and how it makes objects fuzzy, sometimes all I can recognize is the basic form: person, tree, boulder, river, bird

This valuing of losing track of ourselves is central to my own goals and has me thinking that it is just as or more important than the constant refrain to find ourselves.

What would it look like to center/prioritize losing instead of finding ourselves?

dec 19/BIKERUN

bike: 22 minutes
basement, bike stand
run: 1.2 miles
basement, treadmill

Mostly biked today. Giving my legs a rest from running hard last night on the us bank stadium concrete. Watched a Superleague Triathlon race on the bike, listened to a playlist on the treadmill. Wore a pair of ridiculously patterned leggings that I bought for my daughter a few years ago that she has never worn. Wow–blue and white tie-dyed with bright blue patches on the back of the knees.

We Are Monica (Acrostic)/ Victoria Chang

What if it were true? That in the
End, no matter what dress we look for,
All we have in our closets are blue ones?
Remember the surface area of the body?
Each one inch square can be bruised blue.
Maybe we know how to betray cloth, its
Old downy fibers are really our skin,
Nightmare after nightmare, it grows back,
It desires to be touched, and nerved, and
Caught. Maybe it is meant to be put on
And taken off, then put on and taken off.

*

What happened to the blue girl who
Entered into the meadow, the one we
Accused, then asked how it felt,
Rubbing our ears against her mouth for
Everything she would give, for what didn’t
Matter—did his hand touch you there
Or there, did he control or tendril?
Nothing, she was to us, but how
I would still look if she rose one night,
Covet the night, listen for their lies,
And take joy in hearing her cries.

*

Who are we to say who belongs on
Earth? We hate the cold mornings
And the warm mornings. What we
Require we never get. We have the hots for
Everything. We aspire to be aspirers.
Maybe we were meant to fancy everything,
Or at least think each vowel in a word
Needs to exist. How many ways can we
Inch forward? We can walk towards, even
Crawl towards with no legs. But even then, we
Are still dependent on dirt and its filth.

*

Why did we spend our lives looking
Everywhere for what we have now, if
All we want is travel? The red leaves,
Regioning off our yards, not the responsible
Envelopes that stay on the trees, but
Maple leaves, the ones that giddily
Opt to follow rain, those opportunists,
Never accepting stasis. Maybe we all
Itch for twice, life. Watch a new
Checker who opens a line at a store,
And how fast we leave each other to get there.

*

We are done for then, or are we just
Erratic, like a tack, constantly moved
Around from paper to paper. A tack never
Reflects, a tack doesn’t die for truth,
Expressing crisis at every new job.
Maybe we are all like tacks, one side sharp,
One side dark. And maybe we are all
Narrow, only truly visible in the night,
In the line of a troubled light.
Could our fingerprints exist because
We know we can’t be trusted?

*

What if, in the end, the want for
Everything, a drink of water, a mother,
A new face, is not a waste, or even
Rare, but what keeps us alive?
East me then, I say to the wind, song me,
Move me where you will, to edge, to roots.
O compass in my mouth, take me to
Noon, the summer, and send the warmth
Into my veins. I will follow it, let it
Carry me through the squares in the screen,
And let me not get stuck.

*

When we are done looking for the
Ex-wife, the ex-lover, the ex-girlfriend,
And finished looking through telescopes, we
Remember how we used to look into
Each round hole for something larger,
Meant to test our vision, not turn it
Onto our hearts and mine its every
Nook, see the heart’s shape as love,
Its arteries as desire. Call me half-hearted,
Cull me from the cold, turn me back to
August, those nights I studied the celestial.

*

Why is writing about her odd?
Evening comes constantly and poets
Ask too much of the moon, too much of
Reeds that always seem to sway.
Everything I know is in a house,
Measured by hands of men that nailed
Over the reeds and tried to roof me from
Night and its eye. This is what
I know but will never understand, this
Capsule, body, this thing that loves others
And lies to us, that doesn’t last.

I love acrostic poems with (not so) hidden messages. I’d like to spend some more time with this poem to read it closely.

dec 9/RUN

2 miles
treadmill, basement

Was planning to run at the US Bank Stadium with Scott but ended staying home and running on the treadmill. Tomorrow it gets cold. 0 degrees. Not sure what the feels like temp will be. Guess I’ll see when I got out in it for a run.

“Hope” is the thing with feathers – (314)
BY EMILY DICKINSON

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.

nov 29/BIKERUN

bike: 20 minutes
stand, basement

run: 1 mile
treadmill, basement

Icy sidewalks and waiting too long to decide to workout means I’m in the basement again today. Supposed to do a 10K tomorrow but we’re also supposed to get more snow and ice and lots of wind. Even if they don’t cancel it, Scott and I most likely won’t be doing it. Bummer.

nov 6/BIKERUN

bike: 18 minutes
stand, basement

run: 1.2 miles
treadmill, basement

Biked then ran in the basement this morning. Partly to cross train, partly to avoid the snow outside. Only a dusting but cold and windy. Didn’t mind it, but I’m glad I don’t run in the basement very often.

God on the Treadmill
BY BENJAMIN S. GROSSBERG

Sometimes it takes miles to give up resistance,
though the mirror shows a body unresisting, shows
perhaps something to admire. Others may.
A body without difficulty loosening, breaking
its own willfulness, cracking itself
like a rusted bolt that finally begins to turn.
A body that turns. Toward openness, fantasy,
those desires of and not of the body. Sometimes
I notice a powerful man engaged steadily
repeating difficult action: folding himself, his tight
skin, over and over, lifting a declined torso
or pulling up a suspended trunk, and think,
how neat, how controlled to be inside that body.
I struggle not to stare, grip myself not to lose myself
inside the thought of being inside that body.
I can never get there I know because it is
the image I want, the veneer of muscle
having taken primacy from mind, now first
among equals: bicep, abdominal, quadricep,
the launch after launch of a perpetual run.
I want the image even when I am it, or nearly it—
because even then, I am also that other thing,
self-conscious, burdened, struggling for movement.

If there is a link between God and animals—
the way He identifies with the so much
that isn’t us, as He had to have, to have made them—
it must be in the body enacting will immediate
through movement, as if with a word
creating a world (enacting creation immediate
through speech). Which is to say, this is my time
of prayer, my only time: miles in, as long
as it takes for the body to relinquish resistance.
Bright, public, surrounded by others who move
toward better movement. And all the while seeing
in a wall of mirrors that image of myself, deer,
horse, running close kin to breathing, motion
necessary to survival, perfect image of a man
that I’m merely a self-conscious copy of.
I pray for things, of course, for myself
and for those whose pain touches me, selfish
and unselfish prayers for intimates and strangers.
I pray for the runner in the mirror, too, sleek, easy
animal, unselfconscious and present, and absent
as a god, the man who could almost be me,
who I do my best to rush toward. I pray that
one day, by His grace, we may meet.

oct 22/BIKERUNBIKE

bike: 17 minutes
stand in basement

Windy and rainy and cold outside so I decided to bike in the basement while watching more of the Super League Triathlon. Such a bummer that all of the beautiful leaves will be ripped from the trees by this wind instead of getting to fall gently to the ground.

run: 1.2 miles
treadmill in basement

Decided to run for 10 minutes in-between bike rides. Listened to music and stared ahead at the lightbulb reflecting in the darkened window. Not very inspiring but still felt good to move.

bike: 16 minutes
stand in basement

Not much to add with this bike ride except that I biked for a minute less yet burned 15 more calories. I guess the run in-between helped?

My Invisible Horse and the Speed of Human Decency
Matthew Olzmann

People always tell me, “Don’t put the cart
before the horse,” which is curious
because I don’t have a horse.
Is this some new advancement in public shaming—
repeatedly drawing one’s attention
to that which one is currently not, and never
has been, in possession of?
If ever, I happen to obtain a Clydesdale,
then I’ll align, absolutely, it to its proper position
in relation to the cart, but I can’t
do that because all I have is the cart.
One solitary cart—a little grief wagon that goes
precisely nowhere—along with, apparently, one
invisible horse, which does not pull,
does not haul, does not in any fashion
budge, impel or tow my disaster buggy
up the hill or down the road.
I’m not asking for much. A more tender world
with less hatred strutting the streets.
Perhaps a downtick in state-sanctioned violence
against civilians. Wind through the trees.
Water under the bridge. Kindness.
LOL, says the world. These things take time, says
the Office of Disappointment. Change cannot
be rushed, says the roundtable of my smartest friends.
Then, together, they say, The cart!
They say, The horse!
They say, Haven’t we told you already?
So my invisible horse remains
standing where it previously stood:
between hotdog stands and hallelujahs,
between the Nasdaq and the moon’s adumbral visage,
between the status quo and The Great Filter,
and I can see that it’s not his fault—being
invisible and not existing—
how he’s the product of both my imagination
and society’s failure of imagination.
Watch how I press my hand against his translucent flank.
How I hold two sugar cubes to his hypothetical mouth.
How I say I want to believe in him,
speaking softly into his missing ear.

I’m very glad I gave this poem a chance and kept reading. At first, I wasn’t sure, but when the narrator starts imagining his invisible horse, I was intrigued. And when he offers up the fabulous line: “with less hatred strutting the streets” I was all in.