aug 6/RUNSWIM

2.2 miles
2 trails
68 degrees
dew point: 64

Humid. It rained last night — everything is wet — but there must been wind, too, because small branches and leaves were scattered over parts of the path. No big trees.

10 Sounds

  1. Bird
  2. the coxswains speaking through their bullhorns
  3. a faint radio with someone singing, some vibrato
  4. the steady trickle out of the sewer pipe near 42nd
  5. good morning, excuse me / morning! no, excuse me (passing a walker)
  6. morning! a greeting from Mr. Morning!
  7. good morning / good morning (greeted by an older runner)
  8. the whirr of a motor on an e-bike zooming by
  9. another runner’s music coming from her phone as she ran by — some poppy upbeat song that I can’t remember
  10. who run the world? girls! Beyoncé from my headphones and my mood: Energy playlist

Listened to the poem I wrote yesterday before I headed out for my run. This is my tentative ending:

tethers us to each
other — swimmer and
vision, buoy and
body, to sight
and to rarely see

swim: 3 loops (6 cedar loops)
60 minutes
cedar lake open swim
81 degrees

Choppy today. Sometimes hard to stay high on the water. Lots of vines. Saw some planes and birds above, no fish below. The surface looked silvery. Sometimes the sun was out, sometimes it was behind a cloud. Once a big, hulking cloud, looking like something other than a cloud from my perspective half-submerged in the water — a monster, like godzilla?

Forgot to recite Mary Oliver or think about the deepening and quieting of the spirit, but I felt it. Relaxed, happy, strong. Swimming for an hour wasn’t difficult.

Found this description of how we are both part of and separate from water saved on my reading list:

Nature—the non-built environment, creatures—is a realm of supreme “otherness” with which we are already always in strange relation. We plead for communion with this nature; it cannot answer us; so we project that onto it, that feeling of harmony and oneness at a shore or a vista. We are both a part of that natural sphere and stand distinctly apart within it, in our creaturely and industrial/technological dominance over it. You are both part of that sphere, and stand painfully apart, with your consciousness, language, cumbersome car and computer.

Moheb Soliman on “On the water”

Now I’m thinking about Anne Carson and her definition of anthropology (as in, “Anthropology of Water”). I wrote about it on 13 july:

encounter with that which you cannot contain, control, that is not You — the not-I.

added on 8 aug 2025: I forgot to mention a delightful thing that happened on the way over to cedar lake: a vee of geese — 20? — flying low over Bde Maka Ska then just above us — and, lucky me, I had the moon roof open to watch! — then heading towards Lake Harriet.

aug 5/SWIM

a few hours before my swim: just got word, finally, that lake nokomis is reopening after a week of being closed. not because the e-coli was that bad all week, but because they only test it once a week.

5 loops
100 minutes
lake nokomis open swim
80 degrees

A wonderful night for a swim! The water was choppy, but gentle, and never forcing me to alter the side I breathed on. 1 2 3 4 5 right 1 2 3 4 5 left. Before the swim began, I encountered an older man and we talked about how much we love open swim. We agreed: it’s our favorite thing to do. As I started my swim, I thought about this wonderful exchange and this swimmer who loved what he was doing and I was happy.

10 Things

  1. a plane parallel to the water, flying low but not too low
  2. a dragonfly just above the surface
  3. a distant swan boat
  4. my sparkle friends were moving fast and into me as I swam
  5. thick, murky water
  6. seagulls
  7. ducks — quack quack
  8. the long, low light heading back to the big beach
  9. the alert on my watch beep beep beeping underwater at the end of a loop — was it a reminder about the amber alert we got earlier today — did other people hear it under water?
  10. more ghostly vines, one wrapping around my foot

I recited Mary Oliver’s, “Swimming, One Day in August” and felt the deepening and quieting of my spirit. Peaceful, calm, relaxed, in my element.

This entire poem is fire, but for the sake of space I’ll just the pertinent section in today’s entry:

from Swimming Chenango Lake/ Charles Tomlinson

There is a geometry of water, for this
Squares off the clouds’ redundancies
And sets them floating in a nether atmosphere
All angles and elongations: every tree
Appears a cypress as it stretches there
And every bush that shows the season,
A shaft of fire. It is a geometry and not
A fantasia of distorting forms, but each
Liquid variation answerable to the theme
It makes away from, plays before:
It is a consistency, the grain of the pulsating flow.

geometry: the shape and relative arrangement of the parts of something / relationship of points, lines, surfaces, angles


geometry and not
distorting form — angles and points and lines off due to water and unreliable vision

Thinking about geometries of water and Anne Carson’s anthropology of water and the relationship of points, lines, surfaces, angles. Suddenly remembered a reference to geometry that I’d like to experiment with:

Closed because geometric mean of E. coli exceeds 126 MPN/100 mL

It’s the message on the parks lake water quality map, explaining why the beach is closed. Will it reopen in time for tonight’s open swim? I hope so!

Geometric mean, what’s that? While Minneapolis Parks doesn’t explain, I found another site with some helpful information: E-coli Open Water Data

  • tests take 24 hours to process, that’s why I’m still waiting for the results to show up now, even though they tested yesterday (could this 24 hours be another example of swimming, one day in august?)
  • MPN = most probable number
  • this site is out of Toronto so it gives the acceptable rates for Canada. In Canada, it’s under 200 MPN, which is higher than here in Minneapolis: 126
  • e-coli stands for  Escherichia coli

I asked FWA — my science guy — what the geometric in geometric mean means and he explained it this way: they make an imaginary grid for the lake and then take samples from different sections of the grid, then they average those samples to get the MPN/ML number. So geometric = grid

The grid makes me think of my vision and the visual field test and the amsler grid and imagining the lake as a grid with different sections of it muted or extinguished or replaced with other sections of the grid that I can actually see.

And now I’m thinking about the geometric ways in which I approach swimming in the lake:

  • angles
  • trajectories
  • following a line, working to understand that relationship between points and surfaces (swimmers’ hands piercing the water and plotting my course with glitter)
  • lines and angles (wider angles to achieve distance from other swimmers, to find the buoy without seeing it)
  • lines and surfaces (try to follow a line that cuts across a wave/swelled surface instead of directly into it)
  • the line of the rope tethered to the buoy and a weight, anchoring the buoy
  • the angle of that rope line
  • how the angle of the sun and the angle of the buoy determine how likely I am to see it and how much orange is reflected on the surface of the water
  • the angle of the lifeguards in relation to the angle of my projected path, how the difference between these angles affects how straight I swim
  • same with the angle of other swimmers’ paths
  • the sharp angles of prickly vines
  • parallel lines: water and airplane, kicking feet, body and bottom, body and big beach
  • perpendicular lines: water and light pole
  • buoys as balls, spheres, orbs
  • buoys as cylinders
  • buoys as equilateral triangles
  • angles of elbow, the arc of an elbow’s path from out of the water to back in
  • grid quadrants: 1. from big beach to little beach, 2. from little beach to middle green buoy, 3. from middle green to final green buoy, 4. from final green buoy to first orange buoy
  • rounding the buoy vs. cutting a sharp angle
  • coordinate points: hand/water, a swimmer/another swimmer’s toe, orange buoy/surface

More on geometry . . . searched geometry on Poetry Foundation and this was the first result:

Geometry/ Nancy Botkin

All the roofs sloped at the same angle.
The distance between the houses was the same.
There were so many feet from each front door
to the curb. My father mowed the lawn
straight up and down and then diagonally.
And then he lined up beer bottles on the kitchen table.

We knew them only in summer when the air
passed through the screens. The neighbor girls
talked to us across the great divide: attic window
to attic window. We started with our names.
Our whispers wobbled along a tightrope,
and below was the rest of our lives.

slopes angles

distance = feet


lines straight diagonally






screens = grid
divide line bar

We knew them only in summer when the air
passed through the screens. The neighbor girls
talked to us across the great divide: attic window
to attic window. We started with our names.
Our whispers wobbled along a tightrope,
and below was the rest of our lives.

All of this geometry talk has inspired me to craft a sonnet about grids and seeing and the grid in my eye tethered to the grid in the water. I have a first draft that needs a little work. The poem is about how I’ve been using sighting buoys during open swim to learn how to see in new ways, or to function without needing to see things clearly or often. Or, is it about the parallel paths that learning to sight and learning to rarely or unreliably see have taken and how that’s shaped my experiences with vision loss? or, are both of those conclusions too heavy-handed? Should it be stranger?

1

tethers us to each
other — swimming and
vision, buoy and
body, to sight
but rarely see

2

tethers us to each
other — swimming and
vision, buoy and
body, to use sight
to learn how to see

Typing up both of these endings, I like the first one better. I’ll keep thinking about it.

aug 4/RUNSWIM

2.5 miles
2 trails
66 degrees
dew point: 61
AQI: 81 (moderate)

Better air! Well, less smoky air. Also, humid air. Heavy air. I checked the weather for rain. Nope. Leaving the house, I was greeted (or threatened or warned) by my next door neighbor, the bluejay. Screech! Screech! I admired the beautiful flowers — dark and light purple, orange, yellow — of the neighbor who lives with Matt the Cat. On the paved path, I glanced down at the oak savanna — dark green — and over at the leaning, almost twisted, fence. Heard the coxswain giving rowers their workout, something about 75ers, and wishing she had a micro-stop on her watch (at least, I think that’s what she said). Also heard rustling in the leaves, sounding bigger than a squirrel. A dog? A turkey? Heading down the hill at the Cleveland overlook, the river looked green and still through the trees. Someone was sitting on the bench in the grass near the stone wall. It was dark enough that the cars and bikes had their headlights on.

Because it’s cooler than the air is better, I have the windows open. Several squirrels are rooting around in the bushes. The sound is irritating me as I write this entry.

Listened to the cars and the rowers and the birds running south and on the Winchell Trail, then a few songs by Lawrence for the last stretch from the 38th street steps to home.

Swimming One Day in August

Because the big beach at Lake Nokomis has been closed due to high levels of e-coli, I haven’t had a chance to swim yet in August. Finally today, at Cedar Lake, I will start working towards my goal of swimming a total of 24 hours (= 1 day) in August. As part of that project, I’m devoting time out of the water to swimming in Minneapolis lakes, too by reading, researching, reflecting, and writing on water. Today, I’m reviewing the history of Cedar Lake, thanks to a masters thesis I found a few years ago.

Already today, I’ve been reading about the dredging of the lakes. 2.5 million cubic yards of peat and sand and wetland were dredged out of nokomis; it took 4 non-stop years. The sand went to the beach, the peat and wetland to making the park bigger and building a neighborhood. Why dredge? Not just because it would make a lake I could swim in a century and a half later. Original Park Board Superintendent Theodore Wirth was thinking about economic growth and the future of a city:

Wirth is outspoken in his belief in the utility of taming nature to increase land value and develop the city’s natural resources. By dredging and creating more shoreline, the park board could improve the parkland, thereby making the property surrounding the parkland a more desirable place to live. The increased value of the private property could provide a greater tax base for the city and for the Park Board, which could use the revenue to continue to acquire and improve park space.

Cedar Lake History/ Neil Trembley

swim: 4 loops
75 minutes
cedar lake open swim
77 degrees

Wonderful night for a swim! Calm water, not too warm or too cold. Not too crowded. And even with fogged up goggles (I haven’t treated them in a few weeks), I didn’t get too far off course.

The water felt a little sluggish — not buoyant. There were tons of sharp and scratchy vines, some individual strands, others in clumps. The water was opaque — no fish sightings tonight.

The sky was white; no clouds to notice. I think I remember seeing one bird. Oh — every so often the sky would break open and there was sun. It didn’t last that long.

I wanted to think about Mary Oliver’s “deepening and quieting” but there was none of that tonight. I was swimming hard — not all out, but not stopping either.

july 30/RUNSWIM

2.5 miles
2 trails
71 degrees

Hazy and smoky this morning. Canadian wild fires again. A present from the wind. It looked bad, but didn’t bother my breathing too much. Inspired by the wind, I listened to my “Beaufort Scale” playlist until I reached the old stone steps near the south entrance of the Winchell Trail. Then I listened to the water falling out of the sewer pipe and splashing on the rocks down to the river.

a stone wall with a plaque that reads, WPA 1938
WPA 1938

I took this picture of a stone wall built by the WPA, and possibly by grandfather, on the stone steps at the edge of the 44th street parking lot. 1938 was four years before my mom was born. Was my grandfather working for the WPA then?

At the bottom of the steps is the Winchell Trail and the 44th street sewer pipe/ravine. Also, the curved wall that I like to admire from above as I run by and the spot in the trail that transitions from crumbled asphalt to cracked. Yesterday I wrote about the sound of the water falling. I decided to stop and record it today:

water falling at the 44th street ravine

10 Things

  1. a section of the fence on the edge, missing a slat
  2. something on the asphalt ahead — a big puddle? no spots of light shining through a gap in the trees — a pool of light!
  3. smoke on the water (waTER — Deep Purple/Pat Boone reference) — my view from the Winchell trail through the trees, light blue looking fuzzy and faded through the smoke
  4. the faint voices of kids on playground
  5. the blending of car wheels above with wind in the trees and water falling down the ravine
  6. an older couple walking fast and with purpose, especially the woman who was leading the charge, seen twice
  7. a small bird flittering by, a flash of yellow — was it yellow, or was it a trick of the light, or was it my unreliable vision?
  8. the 38th street steps are still rainbow colored — well, at least, a few steps are — the yellow and orange and purple ones
  9. glancing across the road and doing a double-take: is that a turkey or a young tree with its trunk covered in black plastic?
  10. empty benches

swim: 2.5 loops (5 cedar loops)
cedar lake open swim
77 degrees

Very glad Cedar Lake is okay so that open swim could happen. It was windy and choppy and smoky. At first I thought my goggles were fogged up, but then I realized it was the smoke in the air. Air quality was bad: 168, which is unhealthy. With the choppy water, it took a few loops to get into a rhythm. Lots of breathing on one side, or breathing every 2 or 3 strokes.

I’ve been working on a new poem form today. I’m calling it inkling. It’s inspired by an Alice Oswald line from Dart: the inkling of a fish. Inkling as vague, the idea of, a whisper, unproven, a rumor. My little poems — 3-5 lines, I think — are about describing or evoking the feeling or idea of something that you can’t quite see, or that you feel more than anything else. My first one will be about fish.

july 28/RUNSWIM

2.5 miles
2 trails
70 degrees
dew point: 65

Cooler than last week, but still too warm for me. Felt drained and my feet were sore from my shoes — the Saucony Rides strike again. Even so, happy to be out beside the gorge with my friends — the boulders, benches, trees, shadows, walkers, runners, river. But not the bikers — too many of them, and too many close calls.

Last night, we had some intense wind and thunderstorms. Eveidence of it is everywhere: leaves, twigs, branches, whole trees scattered near the trail, gushing sewer pipes, muddy paths. The water from the 44th street pipe gushed out in spurts, almost like a bucket filling up then dumping over. The water from the 42nd street sewer pipe rushed with a steady flow of water, like a waterfall.

I ran closer to the river and I remember looking at it, but I don’t remember what it looked like. Was it smooth? scaled? blue? gray? brown? I don’t recall. I do remember not hearing any rowers.

I didn’t have any deep thoughts about water or swimming or life or, if I did, they didn’t stick around. Instead, I thought about how my feet were sore and my legs felt sluggish, how I wanted to stop, and how I had some unfinished business and needed to get to a bathroom soon.

swim: 3 loops (6 cedar loops)
cedar lake open swim
88 degrees

The water was warm but calm and more greenish than usual. Lots of scratchy vines and swimmers swimming in the middle. Also, a giant rubber ducky inner tube floating beside the course. The safety buoy of the day was a clunky, lumpy orange one. Lots of other yellow and pink buoys too. The sky had a few clouds but was mostly blue. Made sure to notice the bubbles around my hands. At the end of the swim, near shore, I went a little deeper in the water — it was cool, which felt nice.

As Scott and I left the beach I noticed an older woman waving at someone, than a little kid yelling excitedly, Grandma!

No bathroom stop in the one port-a-potty today. Someone puked on the floor right next to the toilet. Yuck!

july 27/SWIM

3 loops, long*
lake nokomis open swim
80 degrees
humidity: 80%

*there are no set locations for the buoys, so each swim the distance is a little different. Sometimes shorter than usual, today longer. I usually compare by number of strokes. 3 loops last Thursday was 1, 700 strokes, 3 loops today was 2000 loops.

Hot! The few times I stopped mid-lake to adjust by nose plug or googles I was overheated. That doesn’t happen often when I’m in the water! The first loop was choppy with swells. Not rough, but active, and difficult to breathe on my right side. The choppiest part of the loop was the last segment back toward the big beach. Loops 2 and 3 were calm. I guess the wind died down. No sign of blue-green algae blooms.

10 Things

  1. a pale yellow something below me in the water — a leaf? a fish? a vine?
  2. blue sky with puffy white clouds
  3. sloshing sounds as water lapped over me
  4. a plane flying low and parallel to the water
  5. squeaks from my leaking nose plug
  6. spots of sparkling water in the distance
  7. sparkle friends moving fast
  8. below the surface, the water was a greenish-yellow
  9. rounding the buoy, noticing the angle of the rope as it disappeared into deeper, darker water
  10. swimming into a few vines — thin, not scratchy or slippery

I thought about doing 4 loops, but at the end of the third I could tell that my body was done. Hours later, writing this and feeling tired, I’m glad I listened and stopped.

Returned home and watched Tadej Pogacar win the tour and Wout Van Aert win the stage. Excellent.

24 july/RUNBIKESWIM

run: 4 miles
the monument and back
73 degrees
dew point: 69

Thought about going out for a run around 6:30 am but watched Pogacar defend his yellow jersey in the alps instead. Excellent. Finally made it out for a run at 10:30. Not as bad as yesterday, but too warm, especially in the direct sun.

Chanted in triple berries. Admired the reflections of clouds on the river. Heard the kids on the playground at the church preschool. Put in the soundtrack to “Operation Mincemeat” for the second half.

I thought briefly about fields — visual and of tall grass and open vistas — and buoys and dots and simple forms.

Walking home after the run, I noticed someone stopped on the corner with a dog. I wondered why they were stopped — was there a car coming? should I not cross? Got to the other side and realized that it was my son, FWA, and our dog, Delia. It’s happened before — just last week — but it’s always upsetting when I don’t recognize my kids or my husband or my dog. For a moment, they’re only strangers.

Crossing back over the lake street bridge, I took a few pictures of the clouds reflected on the river:

note: I had to crop out my finger from the left hand corner. Even with the cropping, I think these are cool pictures.

visual fields, landscapes, meadows

1

At the end of yesterday’s entry I wondered what sighting buoys and swimming in the lake had to do with the visual field test. I’m still thinking about it. On a literal level, the way I’ve trained myself to sight a buoy, lining up its path, then trusting myself to swim straight to it even when I can’t see it, is how I took the visual field test last month: I fixed on the center dot and looked straight at it, or where I knew it to be when I couldn’t see it. My eyes didn’t wander. Another connection: at a distance, the buoy doesn’t look like the shape that it is — a triangle — it looks like a small dot in the center of my vision.

2

Yesterday, reviewing early july entries, I encountered this definition of visual field: “that portion of space in which objects are visible at the same moment during steady fixation of the gaze in one direction.”

It reminded me of definitions of landscape I came across yesterday in the OED: “A view or prospect of natural inland scenery, such as can be taken in at a glance from one point of view.”

the space in which objects are visible at the same time, what all can be taken in (simultaneously) with one glance

3

as
though there
swung at the end
of a tunnel,
a passage dotted
with endless
points of
arrival, as
though our gaze
started just outside
our faces and
corkscrewed its way
toward the horizon,
processual,
as if looking
took time to happen
and weren’t
instantaneous,
offered whole in
one gesture
before we
ask, before our
will, as if the far
Sonoma mountains
weren’t equally ready
to be beheld as
the dead
fly on the sill)
(Pastoral/ Forrest Gander)

What I remember of better eyesight is how the world assembled all at once, an effortless gestalt—the light, the distance, the dappled detail of shade, exact crinkles of a facial expression through a car windshield, the lift of a single finger from a steering wheel, sunlight bouncing off a waxed hood.
(Naomi Cohn)

4

A quick glance — my eyes emerge from the water like an alligator to look ahead for the buoy. Often all I see is a green mass of trees and empty water. Occasionally, a bright dot, far off. I don’t see it every time I look, but enough times to keep steadily swimming towards it. No time to think, not enough data to be certain, but I believe it’s the buoy, and usually I’m right. A few times I’ve mistaken a bright swim cap or a car’s headlight or a sailboat for the buoy.

5

“A field is used more often to describe an area managed by people. The field before you was once an orchard and pasture belonging to a farmer. A meadow is used to describe a wild area.”

“Fields and meadows start when trees have been removed from an area. This can occur naturally with a forest fire or flood, or humans may cut down a forest. Seeds from grasses and weeds take root shortly after and a meadow is born.

As the trees within my macula disappear, my forest meadows. here I’m thinking about my classic memory from science class with the inverted tree in the back of the eye.

bike: 8 miles
lake nokomis and back
82 degrees / 79 degrees

Biked to the lake! No worries, felt relaxed and able to see well enough, or if I couldn’t see, able to navigate well enough. No moments of panic. Biking back was the best. Long shadows, cooler, people biking/walking/running and enjoying the calm evening. I admired the shadow of me on a bike, looking larger than life.

swim: 3 loops
lake nokomis open swim
82 degrees

Yesterday, open swim sent out a warning about blue-green algae. They weren’t closing the lake, just encouraging people to be cautious. I didn’t see any algae blooms, although I noticed that the water was a more vivid, electric green. The water was warm and calm and wonderful. With the sun, it was difficult to see — I could see dots, which I trusted were buoys as I swam towards the little beach, but swimming back towards the big beach, barely anything other than bright sun, sparkling water. I managed to see the buoys at least once and trusted my shoulders to guide me across. I don’t think I’ll ever not be amazed that this works, that I swim straight to the buoys when I can’t (or barely can) see them.

I tried something new as a I swam. Each time I tilted my head to breathe, I thought a word, usually 1 syllable but occasionally 2: squish flash flit fly flush flare zip zap bird tree cloud blue girl ghost gorge life death bliss breath bubbles bike run float lift shut jump black red orange feet toe hand face field grass give take spirit sprite light dark

There were many other words, but I don’t remember them all. I might try this again. Maybe some great words/images will burst out?!

images collected in consciousness
like a tree alone on the horizon
(Crows/ Marilyn Nelson)

july 22/SWIM

swim: 4 loops
lake nokomis open swim
89 degrees
choppy

A great swim, but choppy! Lots of breathing on one side to avoid waves. Sighting buoys (and other swimmers) was harder, everything lost in the waves. The first loop was the toughest. Got into a groove after it and managed to do 2 more loops before pausing to tread water at a white buoy and then beginning the final loop. It was crowded in the water — kids wading at the beach, adults taking advantage of the free night at open swim. Because of the crowds and the choppy water, it was difficult to give attention to the water or the bubbles or anything else. Did I manage to notice 10 things?

10 Things

  1. sparkle friends — particles floating, churning in the water
  2. so many vines reaching up from the bottom, wrapping around my wrist or ankles — it didn’t bother me, but I could imagine that freaking out some other swimmer
  3. a plane flying low, parallel to the water
  4. hot pink safety buoys tethered to torsos
  5. the pale foot of a breaststroker under the water
  6. the silhouette of an upright lifeguard on a kayak, marking the edge of the course
  7. someone swimming at the edge of my vision — far off to the left
  8. 3 swimmers with yellow safety buoys clustered together, treading water and talking
  9. mostly blue sky, a few clouds
  10. paused at the buoy, witnessing a strange sight: the way a swimmer was breathing and sighting in the choppy water, jerking their head high up and out of the water — at first I thought they were doing a double-take when they noticed me, but nope, that’s just the way they swim

before the swim

Each summer of swimming builds on the last. I get stronger, able to swim for longer without stopping. It’s not a deliberate choice or part of a training plan — I have no training plan for swimming; I just swim until I am too tired or I have to go to the bathroom or I’ve run out of time. I have loose goals: 100 miles for the summer or a 5k or 6 loops or the full 2 hours in one session. This year: swimming cumulatively for a day, or 24 hours, in August. It’s a goal inspired by the title of a Mary Oliver poem: Swimming, One Day in August. It’s possible, but it will take some planning and pushing myself to achieve.

In July, I’m finding myself thinking about how much time I’m spending above the surface versus below it. This year, I’m below much more than above. In past summers, I’ve done less loops and more stops at shore in-between. This year, I might occasionally pause mid-lake for 5-10 seconds, or take a 30 second break at the beach between the 3rd and 4th loop, but mostly I’m swimming freestyle without stopping. 60-90 minutes of 1 2 3 4 5 breathe right 1 2 3 4 5 breathe left. That’s a lot of time submerged and becoming acquainted with the underwater world!

Below, my thoughts are the bubbles that surround me. Above, they become words that hover above the water or travel across the lake — maybe they get lost beyond the horizon, or maybe they linger, later taking the form of words on a page. Last night, swimming the stretch from hidden beach back to point beach, I imagined each breath as one word bursting into the air: 1 2 3 4 5 BLUE 1 2 3 4 5 GRAY. I didn’t get very far with my words before I was distracted by something — another person? a scratchy vine? trying to sight an invisible buoy? I’d like to play around with this some more while I’m swimming tonight. Does each breath have to be only one word?

My ideas about thoughts below and above the water are partly inspired by the lines from Alice Oswald that I’ve memorized and have been reciting in my head:

dived again and surfaced
and smelt all the longings of grass-flower smells
and bird-flower sounds and vaporous poems
that hang in the chills above rivers
(Nobody/ Alice Oswald)

the vaporous poems as my thoughts bursting into the air and hanging above the surface?

and thoughts escaping to the surface to move beyond the self

I wish I was there or there he thinks and his mind
immediately

as if passing its beam through cables
flashes through all that water and lands
less than a second later on the horizon
and someone with a telescope can see his tiny thought-forms
floating on the sea surface wondering what next

*

like spirits of sight whose work is on the water
where the massless mind undulates the intervening air
shading it blue and thinking

I wish I was there

or there

All the time in the water, the front half of me submerged except for my quick breathe every 5 strokes, has me wondering about which world is real, which a dream. On 3 July, I posted a quotation from Anne Carson that ended with, Could we be exactly wrong about such things as—he rotates again—which way is up? High above him he can feel the clouds watching his back, waiting for him to fall toward them. Which way is up, which down?

I’m thinking of May Swenson’s “Water Picture” and her vivid description of a water world as the world above water in reverse:

Treetops deploy a haze of cherry bloom for roots, where birds coast belly-up in the glass bowl of a hill

The first line of her poem — In the pond in the park
all things are doubled — reminds me of something Alice Oswald said in her “Interview with Water” lecture: when you look at water, it allows you to exist twice but more darkly (see full quote from 20 june 2024)

And that line reminds me of part of Oswald’s Nobody:

I lost track of
the underneath of things everything became my mirror
once I stood up to look over the side
I sat down again terrified it was myself I saw
thronged and pitch-green
spilling over the top of the earth
the same soft dust-sheets over my hands as the clouds
the same thick curtain across the horizon

Above and below the surface is not just reversal, the same backwards, symmetry, but something else. In her lecture, the lines before the bit about twice darkly, Oswald says:

but the surface of water is complicated by transparency, and its transparency is complicated by refraction. Water is never the same as itself. Rivers can only exist as similarities, lakes reflect more than their own volume

The surface offers the illusion of reversal, one way up, the other down. Below the surface, beyond its mirror, another world waits to be witnessed. And not with eyes — the visibility in lake nokomis is currently 6.6 feet. In the middle of the lake, all I see below me are particles, stray vines, an occasional flash, and murky green-blue-yellow. Not so much dark, as Nothing.

I’m fascinated by surfaces, or what Oswald calls the waterlid. What does the surface look like from below looking up? I should make note of it today. Also, from above, looking down?

Looked up some notes, and found this great quotation from Darby Nelson in his book, For the Love of Lakes:

Human understandings rely heavily on the endless flood of messages from our eyes. But with a lake, the laws of optics work against us. Its reflective surface and the water’s rapid absorption of light with increasing depth conspire to keep much of a lake hidden from view. At a lake, open your eyes and you don’t see half of it. Nearly all the visual input from a lake comes as surface reflections, mere superficialities. Thoreau reveled in reflections. He felt because they were constantly changing they could present previously known truths from new points of view. But those truths don’t penetrate into the world of the lake below, a truth with which he seems unconcerned. What kind of landscape even exists in the absence of vision? How can we fully perceive what we cannot see?

For the Love of Lakes/ Darby Nelson

during the swim

I wanted to think about these things and recite some lines as I swam, but I was distracted by the effort of choppy, crowded water, always looking out for waves crashing over me and making it hard to breathe, or random slow or stopped swimmers. Near the end of the swim, I decided to dip lower in the water so that I could see the surface from below — a wavy, slightly distorted version of the sky and clouds. Cool!

july 21/RUNSWIM

run: 1.75 miles
from minnehaha falls to home
73 degrees / dew point: 64

A quick run with Scott from the falls back home before the rain started. We made it! Checked the weather on my watch after we finished — 95% chance of rain in 8 minutes. Ran at 1 pm, which might be my least favorite time to run. It felt hard. Still, I’m glad we did it. (It never rained.)

We stopped to walk where the trail dips below the road so I could point out the new trail they’ve created that winds down to the river. I can’t wait until they’re finished. It looks cool. Speaking of cool, I was trying to convey to Scott how I felt about the air and what the impending storm was doing to the sky and the air and green of the gorge. First I said “cool,” but it’s not cool (temperature), so I started to clarify, I mean the atmosphere, but realized that atmosphere could be related to temp so I said, I mean the vibe is cool. Cool is such a strange word — both full of meaning and history and empty too. For 35 years, I’ve been trying to expand my vocabulary beyond it, but it never works. How many times a day do I use this word?

I know that there is a rich history of the term within African American culture and jazz and that it’s been appropriated by white culture, but I don’t know the history that well. In poetry, my immediate thought about cool is Gwendlyn Brooks amazing, “We Real Cool.” I also think about Beatnik poetry and the Pia Zadora/Ric Ocasek scene in Hairspray:

“your hair is really uncool”

swim: 3 loops (6 cedar loops)
cedar lake open swim
79 degrees
rain

Overcast, gray. Calm water, warm-enough air. A great night for a swim. As I swam, I monitored the sky, noticing it getting darker and thicker. Wondered if it would start raining. During loop 4, it did. It’s always difficult to tell if it’s raining when I’m swimming. Today I felt a drop on my check and then paused to lift my head out of the water — a steady rain. I think I heard it underwater, but I couldn’t see it, and barely felt it. No thunder, so open swim kept going. Hooray!

10 Things

  1. a graying sky
  2. a big canoe moving fast across the swim course
  3. even as I tried to stay on the edge of the course, the current pushed me toward the center
  4. pale green, opaque water
  5. bubbles encasing my hands
  6. attacks from floating vines
  7. a party with a campfire and barking dogs at hidden beach
  8. buoyant, feeling held by the water
  9. after: itchy skin
  10. standing up in the sand after the last loop — a final look at the buoys and the water

Remembered the first line from the A Oswald poem fragment that I forgot several times last week: this disintegrating certainty

Thought about the bubbles and imagined that they were holding me up, like some sort of raft or inner tube.

My legs felt like rudders, my torso rocked rhythmically, my shoulders rose and fell.

july 20/SWIM

4 loops
lake nokomis open swim
67 degrees

Wow! What a morning for a swim. Sunny and not too windy. I couldn’t see the green buoys heading towards the little beach, but I didn’t care. I’m used to my eyes not seeing the buoys and trusting that some part of me has seen them and is leading me the right way, and I use other things to keep on course — sparkles on the water, which mean other swimmers are around, the lifeguard kayaks on the edge of the course, buildings.

10 Things

  1. a swirled glob of vines
  2. orange safety buoys tethered to torsos
  3. cloudless blue sky
  4. pale green water
  5. a young kid calling out to another kid — look at the little fish!
  6. a swim clinic for people doing the Y-tri — the instructor encouraging people to take breaks if they needed to — of course it’s hard! it’s okay to take a break
  7. little specks: swan boats in the distance
  8. little specks: green buoys looking like far off white dots
  9. sparkle friends
  10. a paddle boarder crossing the path, then a kayak

Recited my Alice Oswald lines: He dives. He shuts himself in a deep soft-bottomed silence . . . Underwater, the silence was more than a lack of sound, not empty but still — the same view with no variations: the pale green water studded with particles. No shafts or light, no fish.

Recited some lines of my own, too: I go to the lake/to beholld to be/ held by the water

a return to EXAQUA

“Water is the medium, the texture, the weight, the space, the motion/emotion or your writing/thinking. Would you agree? Is that too tidy? Your work is attuned to water and being close to it (or, better, being inside it) is important to you” (EXAQUA/ Jan-Henry Gray).

What might it look like to have water be the medium, the texture, the weight space motion emotion of my writing/thinking?

medium = way in which the writing is delivered — print, digital, audio, visual
water as medium = delivered with water = the bubbles sparkles wound on the water my piercing hands leave

Giving water the weight and size of myself
in order to imagine it, water with my bones
water with my mouth and my understanding

weight and size of myself = swimming in the lake, again and again, a full immersion — without wetsuit or raft — more time below the surface than above, my full devotion and attention