Tag: remember/forget

feb 28/RUN

4.25 miles
minnehaha falls and back
35 degrees
30% puddle-covered

Another wonderful, spring-like day, if you consider 35 degrees and white ground everywhere spring-like, which I do. When the sun is this warm, the sky this blue, the birds this chatty, how can you not think of spring? Everywhere, wet: drips, drops, wide puddles stretched across the trail soaking my socks.

10 Things I Noticed

  1. that same bird call that I’ve been hearing and wondering about happened again, right before I reached the river. I heard it, then hoped it would be followed by some drumming. It was! I’m calling it; this sound is a pileated woodpecker
  2. a distant goose, or geese?
  3. cawing crows
  4. cardinals, doing at least 3 or 4 of their 16 (is it 16?) songs
  5. black-capped chickadees
  6. my shadow: off to the side, then behind, then finally in front of me
  7. the shadow of the old-fashioned lamp posts on the trail. So big, they almost looked ,\like giant potholes to me
  8. the river slowly opening. Still white, but darkening and thinning
  9. a kid yelling at the playground. At first, I thought they were a siren — so high-pitched and insistent!
  10. a mixing of sounds: an airplane, a bobcat, a crow, a kid, all crying out

As I left for my run, I remembered something I didn’t want to forget. I’m pleased that I still remember what it was after my run. Scott and I watched the first episode of After Party last night. Very good. Anyway, this episode focused on Aniq. For much of the episode he looked ridiculous: someone/s had drawn cat whiskers and ears on his face, along with the word “nerd” in big letters. It’s very obvious and a crucial element in understanding who he is as a character. Because of my vision problems — my lack of cone cells, limited central vision — I did not see any of this on his face until someone, the detective, finally referenced it. Up to that point, about 40 minutes, it was all invisible to me. I could see his face (well, roughly, I guess) and mostly follow what was going on, but I had no idea anyone had drawn on him. He looked “normal” to me. I wanted to remember this as an example of how my vision works, or doesn’t work, how much I miss that I’m not aware of. It doesn’t seem like that big of a deal, but you miss out on a lot of what’s happening and how it’s being communicated when you can’t see certain things and don’t even realize you’re not seeing them (and no one else realizes you’re not seeing them either; they just think you’re not paying attention or being stupid, or that you don’t care).

Here are two poems featuring birds that I encountered today. Both wonderful, both about much more than birds.

Egrets/ Kevin Young

Some say beauty
may be the egret
in the field

who follows after
the cows
sensing slaughter—

but I believe
the soul is neither
air nor water, not

this winged thing
nor the cattle
who moan

to make themselves
known.
Instead, the horses

standing almost fifteen
hands high—
like regret they come

most the time
when called.
Hungry, the greys eat

from your palm,
tender-toothed—
their surprising

plum-dark tongues
flashing quick
& rough as a match—

striking your hand,
your arm, startled
into flame.

In her discussion of the poem for The Slowdown Show, Ada Limón discusses the soul:

The Portuguese writer José Saramago wrote: “Inside us there is something that has no name, that something is what we are.” This seems clear enough. The soul is the part of you that you cannot name. One of the reasons I love the obsession that writers have with the soul is that their interest is not confined to what happens to the soul after you die. Rather, writers seem to be interested in what the soul is doing right now. Can the soul have likes or dislikes, coffee or tea, can one soul connect to another in what is called a soul mate? Is our soul only alive in relation to others, in community with nature, with something larger?

And here’s the other poem. It’s about cardinals. I heard, but never saw, many cardinals this morning on my run.

Statement of Teaching Philosophy/ Keith Leonard

In February’s stillness, under fresh snow,
two bright red cardinals leaping 
inside a honeysuckle bush.
All day I’ve thought that would make
for a good image in a poem. 
Washing the dishes, I thought of cardinals.
Folding the laundry, cardinals.
Bright red cardinals while I drank hot cocoa.
But the poem would want something else.
Something unfortunate to balance it,
to make it honest. A recognition of death
maybe. Or hunger. Poems are hungry things.
It can’t just be dessert, says the adult in me.
It can’t just be joy. But the schools are closed
and despite the cold, the children are sledding.
The sound of boots tamping snow are the hinges 
of many doors being opened. The small flames 
of cardinals and their good talk in the honeysuckle.

Wow, do I love this line: “The sound of boots tamping snow are the hinges/of many doors being opened.”

One more thing. After my run was done, and I was home, I went outside on my back deck and sat in the sun. Then I recorded this moment of sound. I’m calling it, Spring coming, drip by drip. As I listen back to it, I’m disappointed that trucks are so much louder than the drips.

spring coming, drip by drip / 28 feb 2022

feb 25/RUN

3.5 miles
trestle turn around
17 degrees / feels like 9
100% snow-covered

I was planning to do a short run on the treadmill today, but when I went out to shovel the 2 or 3 inches we got yesterday afternoon and felt the warm sun on my face, I knew I needed to run outside by the gorge. What a beautiful day! Clear sky, bright sun, chatty birds. No wind or frozen fingers. I ran north towards the trestle today, first listening to the gorge, then to an old playlist (songs I remember hearing: “Eye of the Tiger”, “I Knew You Were Trouble”).

10 Things I Noticed

  1. running above the tunnel of trees, on the plowed biking trail instead of unplowed walking path, there were big chunks, almost balls, of snow on the edge of the path. Some were bright white, others with a tinge of gray. I made sure to avoid them but wondered, are these chunks of snow soft or hard? If I hit one with my foot, would it crumble or would my toe?
  2. lots of birds singing, sounding like spring, mostly cardinals, I think. At least one black-capped chickadee doing their fee bee song
  3. ran by the porta-potty below the lake street bridge. The door was closed so I steered clear of it, imagining someone might quickly open it on me, if I was too close. Last week, I ran by it and it was wide open. Why?
  4. the path was completely covered in snow. Some of it was soft, like sand, and difficult to run on. Some of it, was packed down or scraped away by a plow. Will most of this melt in the sun?
  5. the smell of the sewer, near 28th street as I passed a crosswalk. Stinky and fishy and foul
  6. a car doing a 3 point road turn at the top of hill, just past lake street, near longfellow grill
  7. a man and his dog, hanging out near the trestle, just above the steps down to the winchell trail, which are closed for the winter
  8. 2 runners, one of them wearing a red coat, shuffling her feet
  9. looking back to check if a biker was coming, see my shadow following me
  10. running down the hill to under the bridge, feeling like I was flying, my arms and feet in sync, my breathing easy

No geese or woodpeckers or kids laughing or crying. No overheard conversations about war or winter. No smells of burnt toast or breakfast sausages. No good mornings to anyone. No run-ins with squirrels or lunging dogs. A great run in which I forgot about a lot of things, and synced up with time in such a way that we both seemed to get lost or disappear or dissolve into the clean, blue air.

While doing some research for a course proposal I’m working on, I found a great article, “Running, Thinking, and Writing.” Here’s a question that was asked to some writers who run, and their answers:

Do you have trouble remembering your creative ideas after you have finished your workout? If so, any strategies?

Aschwanden: “I don’t use a special trick to remember. If the ideas are any good, I’ll remember them. At times I’ll repeat the thing to myself a few times as I run to make sure I’ve instilled it.”

Epstein: “I have a ton of trouble remembering the ideas I come up with while running. Sometimes I’ll tell myself, ‘I must remember this,’ and then five minutes later it’s totally gone. So I’ve taken to doing my own modified version of a memory palace where I make a little story that contains the cues that will remind me. Occasionally I’ve made notes in my phone’s memo app.”

Magness: “Yes, I forget them. This is the biggest problem I have with running as a path to insight. I don’t carry a phone or pen with me, and I don’t have a perfect solution. I often forget my big ‘breakthrough’ and spend hours trying to remember the insight. I try to retain thoughts by repeating them over and over in my head, and tying them to a landmark on the run. For example, if I get an idea while crossing a bridge at mile 4, I’ll incorporate that fact into what I’m trying to remember.”

McDougall: “I don’t want to screw things up by stopping to write notes. I just let it flow and try to visualize the big ideas as movie scenes in my mind. It’s not the words or phrases that matter. You just need to retain the Big Picture, and that’s easier to retain as an image rather than some syntactical word sequence.”

Miller: “Sometimes, I’ll forget. I try to remember by repeating the thought over and over in my head. Or I’ll type a note into my phone.”

Pappas: “I will stop and type in my phone if I have an idea that needs to be actually remembered.” 

Switzer: “They are absolutely very difficult to remember. I choose three of the most important ideas, and repeat them like a mantra. I’ll forget others, but can generally hold onto three. I do have to write them down as soon as I get home. If I shower or even stretch first, they’re gone.”

Thompson: “Yes! I do forget. But if I remember something genuinely useful, I will jot it down in Evernote at my desk after the run.”

Here’s a poem I bookmarked last spring. It seems fitting as I think about how running (or just being) by the gorge and noticing more things, then making note of those things, and turning some of them into poems, helped me to endure the 2 years of the pandemic.

Every day as a wide field, every page/ NAOMI SHIHAB NYE

1

Standing outside
staring at a tree
gentles our eyes

We cheer
to see fireflies
winking again

Where have our friends been
all the long hours?
Minds stretching

beyond the field
become
their own skies

Windows   doors
grow more
important

Look through a word
swing that sentence
wide open

Kneeling outside
to find
sturdy green

glistening blossoms
under the breeze
that carries us silently

2

And there were so many more poems to read!
Countless friends to listen to.
We didn’t have to be in the same room—
the great modern magic.
Everywhere together now.
Even scared together now
from all points of the globe
which lessened it somehow.
Hopeful together too, exchanging
winks in the dark, the little lights blinking.
When your hope shrinks
you might feel the hope of
someone far away lifting you up.
Hope is the thing …
Hope was always the thing!
What else did we give each other
from such distances?
Breath of syllables,
sing to me from your balcony
please! Befriend me
in the deep space.
When you paused for a poem
it could reshape the day
you had just been living.

feb 10/RUN

4.4 miles
minnehaha falls and back
18 degrees / feels like 8
less than 5% snow-covered!

Over the past couple of years, I’ve listened to several running podcasts. On one of them, the host ends the show by asking the guest to give listeners one reason to go out for a run today. More than half of the time, the answer they give is: because you’ll feel better and never regret it. For me, this is true. I’m better after every run and I’m glad I made it outside (or to the basement). Today included. It was colder than I expected, and I felt more sluggish than I’d like, but running for 40 minutes above the gorge and around the falls was an excellent way to occupy the late morning.

10 Things I Noticed

  1. the drumming of a woodpecker on a tree just above the oak savanna
  2. the river, white and flat and quiet
  3. 2 or 3 park vehicles in turkey hollow — are they trimming some trees, or what?
  4. the falls, frozen and still
  5. clearest view of the river: between folwell and 38th, beside a split rail fence
  6. best view of the falls: on the opposite end, near Longfellow’s “Song of Hiawatha” etched on top of a low stone wall. I stopped and stood on some packed down snow — a clear, straight shot of the falls, the creek, and the bluffs around it
  7. the paths were almost completely clear except for a few spots where ice spread across one side (the result of snow that melted in the warm temps on Monday refroze)
  8. kids yelling and laughing at the playground at Minnehaha Academy
  9. a car pulling into one of the parking lots at the falls, then looping around quickly and leaving
  10. About 10 people at the falls, walking above, admiring the view

I’m still working on thinking about “what you see is what you get” and the state fair mannequins, but I’m struggling. Is it possible for me to write about them in a meaningful way? Not sure. This morning, I was thinking more about form. I thought about how I imagine my poem as one of praise for the mannequins, and the improbability that they continue to exist. Then I thought about hymns and how Emily Dickinson wrote in common meter/hymn form. Quatrains: 8/6/8/6, mostly iambic tetrameter/iambic trimeter ABAB rhyme scheme (with lots of slant rhymes) (Common Questions on Emily Dickinson). This sounds exciting and promising, but do I have words to fit this form? Unsure. I also thought about one structure Mary Oliver uses in her poems of praise: First, a detailed description of the delightful thing; then a display of wonder/astonishment, possibly the posing of a question; and, finally, a revelation. I want to try these different approaches with some sort of praise poems, but I’m not sure they work for the mannequins.

One approach to the poem could be to provide more detail and development of the “as-is” mannequins’ location in the creative activities building at the Minnesota State Fair: encased in glass, jammed with sweaters and ponchos, dresses, hats, mittens, aprons. Close to the quilts, the rugs, the weavings. Across from the jars of jellies and jams and pickled beans, pickled peppers, pickled cucumbers. Cookies, breads, cakes, honey. And, for a few years, melted crayon art. The domestic arts. The enemy of convenience, the ready-made, the instant, the quick. Homemade, not store-bought, requiring slow, patient effort, “traditional” techniques. The point of this effort is not to sell (or buy) more of anything, but to pass on these practices, different forms of knowledge (and to win a ribbon). Things in this building are not typically recognized as artistic or possessing Beauty (as a form), but as functional, useful, necessary for survival. Women’s work. How much of this to put in this poem? And, how do I connect that with another important aspect of the mannequins: my kinship with them as strange not quite human aliens who almost look real — almost — but lack that extra something, like the spark in the eye, the direct eye contact. Not sure how (or if) I’ll do this yet.

Here are 2 praise poem that offer some good inspiration as I continue to push through how to write my poem:

Praise the Rain/ JOY HARJO

Praise the rain; the seagull dive
The curl of plant, the raven talk—
Praise the hurt, the house slack
The stand of trees, the dignity—
Praise the dark, the moon cradle
The sky fall, the bear sleep—
Praise the mist, the warrior name
The earth eclipse, the fired leap—
Praise the backwards, upward sky
The baby cry, the spirit food—
Praise canoe, the fish rush
The hole for frog, the upside-down—
Praise the day, the cloud cup
The mind flat, forget it all—

Praise crazy. Praise sad.
Praise the path on which we’re led.
Praise the roads on earth and water.
Praise the eater and the eaten.
Praise beginnings; praise the end.
Praise the song and praise the singer.

Praise the rain; it brings more rain.
Praise the rain; it brings more rain.

I especially like the repetition and the detail of this poem.

This next one, offers a much pithier approach:

All Praises / Lucille Clifton

Praise impossible things
Praise to hot ice
Praise flying fish
Whole numbers
Praise impossible things. 
Praise all creation
Praise the presence among us
of the unfenced is.

Wow. Talk about effective condensing! I love the repetition in this one as well. And, that unfenced is? the best!

jan 23/RUN

3.4 miles
river road trail, south/north
2 degrees / feels like 2
100% snow-covered

Cold, but only 2 mph wind and sun, so the feels like temperature was the same as the actual temperature. Nice! A great morning for a run, even if it was too bright, with the sun reflecting off the new snow. For the last two runs, I was inside, and I could have decided it was too cold and too snow-covered again today and ran on the treadmill, but I remembered how much I love running outside in the winter and went for it. Very glad I did. Saw Santa Claus, several fat tires, half a dozen walkers, and a cross-country skier, skiing in the wide boulevard between edmund and the river road. It’s always a great run when I encounter a cross-country skier! The river was pure white and quiet. Two people were shoveling the WPA stone steps at the 44th street parking lot –were they “official” volunteers, or had they just decided to shovel the step because they needed to be cleared? Heard a black-capped chickadee, but not any geese, or cardinals, or crows.

My Glasses/ Jane Hirshfield

Glasses can be taken off.
The world instantly soften, blurs.
The pattern of carpet
or leaves out a window,
words on a page,
the face in a mirror.
Blurs,
even the war that is coming,
pushing its iron boat-shape
onto the sand of a beach not far
but not seen;
even the silences coming,
following the boat
as a swimming dog follows its master.
Lu Chi, poet and scholar,
born into a family of generals,
was executed
in the thirty-fifty year of the Xi Jin dynasty,
after his soldiers’ bodies
blocked the Great Yangtze.
The Yangtze went elsewhere,
blurring the nearby fields.
Merciful blurring, merciful forgetting.
Meeting Lu Chi’s name.
I think of his image of culture
as one axe handle shaping another,
I think of his thoughts about unpainted silk.
Each of the Yangtze dead
had a mother, a father, wife, children,
a well, some chickens.
No, the largesses of glasses is not seeing.

For more on Lu Chi, see Wen fu/Essay on Literature.

jan 9/BIKERUN

bike: 15 minutes
bike stand, basement
run: 2.4 miles
treadmill
2 degrees / feels like -11

For most of the day, the feels like temp was hovering around -20. I have decided that that is too cold for me. So, I stayed inside. Watched a race while I biked, listened to a playlist and part of the Aack Cast by Jamie Loftus while I ran. It’s about the comic strip Cathy and it’s really good.

Some Things I Noticed*

  1. my shadow, flashing, off to my left side, as I ran
  2. in addition to my shadow, some sort of silvery something flashing or streaking or appearing in my left peripheral
  3. the loud whir of the treadmill when I stepped off it to change my playlist (maybe it’s because of my vision, but I cannot pick new music on spotify when I’m in motion). The whirr almost sounded like a plane revving its engine before take off
  4. my fine hair, falling out of my ponytail, felt like a spider web
  5. before I warmed up, it was very cold in the basement
  6. the soft space between beats felt continuous
  7. sometimes my foot strikes were quiet, sometimes they were loud

*It’s difficult to notice things in a boring, dark, unfinished basement, especially when I’m listening to music. Maybe I should try to use my treadmill time for remembering thoughts or ideas?

Found this poem yesterday. Paige Lewis is wonderful, especially how they find delight in small things, and do such strange things with words!

THE MOMENT I SAW A PELICAN DEVOUR/ PAIGE LEWIS

a seagull—wings swallowing wings—I learned
that a miracle is anything that God forgot
to forbid. So when you tell me that saints

are splintered into bone bits smaller than
the freckles on your wrist and that each speck
is sold to the rich, I know to marvel at this

and not the fact that these same saints are still
wholly intact and fresh-faced in their Plexiglas
tomb displays. We holy our own fragments

when we can—trepanation patients wear their
skull spirals as amulets, mothers frame the dried
foreskin of their firstborn, and I’ve seen you

swirl my name on your tongue like a thirst pebble.
Still, I try to hold on to nothing for fear of being
crushed by what can be taken because sometimes

not even our mouths belong to us. Listen, in
the early 1920s, women were paid to paint radium
onto watch dials so that men wouldn’t have to ask

the time in dark alleys. They were told it was safe,
told to lick their brushes into sharp points. These
women painted their nails, their faces, and judged

whose skin shined brightest. They coated their
teeth so their boyfriends could see their bites
with the lights turned down. The miracle here

is not that these women swallowed light. It’s that,
when their skin dissolved and their jaws fell off,
the Radium Corporation claimed they all died

from syphilis. It’s that you’re telling me about
the dull slivers of dead saints, while these
women are glowing beneath our feet.

jan 3/RUN

5 miles
franklin bridge turn around
16 degrees / feels like 9
100% snow-covered

Cold, but much warmer than the last time I ran. 21 degrees warmer. Was planning to wear my Yak trax, which make the soft, slippery snow much easier to run on, but one of them was broken — some of the rubber had ripped. Bummer. Technically, my Yak trax are only for walking, so maybe running is too much for them. Should I find some intended for running? Is it worth the investment? Probably.

Greeted Dave the Daily Walker. He wished me a happy new year. My dorky, overly formal, response: “happy new year to you too.”

It was a little more difficult than usual, running in soft snow. Less traction, more effort from the leg muscles. I was so focused on watching the path, and making sure I didn’t run over a mound of snow, or on ice, that I forgot to look at the river. Well, maybe I glanced at it, but I have no memory of what it looked like. Was it all covered with snow (probably)? Were there any splits in the ice (probably not)? It always amazes me when I forget to look at the river. It’s so big, it’s so there, just below me, how can I forget to look at it?

10 Things I Noticed

  1. 4 or 5 geese, flying in a loose formation, honking. Just above the lake street bridge
  2. Daddy Long Legs, walking, in a bright orange vest, with black pants
  3. Graffiti on a piling under the franklin bridge — just the outline of letters, no color. I wasn’t able to read the letters or the word they might have been spelling
  4. The closed gate with an orange sign attached to it, blocking off the entrance to the minneapolis rowing club
  5. voices below the lake street bridge
  6. a man standing in the middle of the walking path, talking to someone sitting on a bench overlooking the white sands beach
  7. the trail covered in loosely packed snow, except for a few narrow trails where feet or bike wheels or both had worn it down almost, but not quite, to bare asphalt
  8. passing a runner, both of us raising our hands in greeting
  9. no stones stacked on the ancient boulder
  10. breakfast smells from longfellow grill — no burnt toast this time, just a subtle, gentle, general/generic smell of savory breakfast

Love Letter/ Diane Seuss

But what can it be if love is a past
tense event? And what
was love then
according to my brain
and what
is love now and how do I direct it
like a beam with the power
to excise all that is not love? For a time
I believed getting and keeping
love required lace. Procuring lace
and arranging it
on my body in a certain way.
Isn’t that funny and/or strange?
I modulated my voice to the northern
region of its register. Reddened
my lips. This was love’s drapery
and music and face.
If you’ve read Madame Bovary, if you’ve read
gothic romance, you know
the denouement of that arc.
When I first read the word denouement
out loud my ex-husband laughed
at my mispronunciation.
I include it here as an illustration
of the fact that love does not conquer
all. Now when I think
of love it’s like focusing too hard
on the mechanisms of blinking or breathing.
You can be blinded or suffocated
by that degree of self-consciousness.
Like a love letter, love seems to me to exist
on a thin plane, a disintegrating page
covered in words scratched
onto the surface with purple disappearing ink
cooked up in a chemistry lab.
I’m sure I’ve written a love letter here
and there. Something gauche,
a performance designed toward
the specific outcome of eternity.
I read of a feral dog who could only be captured
by putting the soiled blankets of her puppies
in a live trap. This is my metaphor for a love letter.
I own a letter my father wrote my mother
when they were newly in love.
The stationery is smallish and decorated
with a garish deep red rose in aching
bloom. He spends most
of his language’s currency bemoaning
his bad spelling. No wonder
she found him charming. For my people
it is the flaw that counts, but not for all
people. Our narrative is an object
lesson in the fact that flawed people
deserve to be loved, at least for a while.
That’s the ephemeral part.
I’m much too sturdy now to invest
in the ephemeral. No, I do not own lace
curtains. It’s clear we die a hundred times
before we die. The selves
that were gauzy, soft, sweet, capable
of throwing themselves away
on love, died young. They sacrificed
themselves to the long haul.
Picture girls in white nighties jumping
off a cliff into the sea. I want to say
don’t mistake this for cynicism
but of course, it is cynicism.
Cynicism is a go-to I no longer have
the energy to resist. It’s like living
with a vampire. Finally, just get it
over with, bite me. I find it almost
offensive to use the word love
in relation to people I actually love.
The word has jumped off
so many cliffs into so many seas.
What can it now signify?
Shall I use the word affinity
like J.D. Salinger, not a good
man, put into the mouths
of his child genius characters? I have
an affinity for my parents. An affinity
for you. I will make sure you are fed
and clothed. I will listen to you
endlessly. I will protect your privacy
even if it means removing myself
from the equation. Do those sound
like wedding vows? Are they indiscriminate?
Well then, I am indiscriminate.
I am married to the world.
I have worked it all out in front of you.
Isn’t that a kind of nakedness?
You have called for a love letter.
This is a love letter.

Wow. Things I love about this: affinity instead of love, sturdy instead of ephemeral, “its like living/with a vampire. Finally, just get it/over with, bite me.”, being married to the world, flawed people as charming, and the final line and how the poem leads you to it.

dec 8/RUN

4.1 miles
river road, north/south
14 degrees
99% snow-covered

Fully boosted! Scott, FWA, and I got our booster shots 2 weeks ago today. Very relieved. I wish RJP could get hers too.

A little warmer today with lots of sun and hardly any wind. The only part of me that was cold this morning were my fingers and only for the first mile. The path was covered mostly in smooth packed snow. Not slippery but still requiring more effort than on dry pavement to lift my feet off the ground. Was able to greet Dave the Daily Walker and a few other walkers that I might have seen before but I can’t remember. The floodplain forest below the tunnel of trees was quiet and wintery and beautiful. Running north, I was distracted by a runner ahead of me, traveling at my same pace. He was far enough ahead that he probably didn’t notice I was there. He was wearing black running tights, black shorts, and a bright blue jacket with some writing or images on the back that I couldn’t identify. The only time I remember noticing the river was when I was high up on edmund at my favorite viewing spot where the sun, when it’s out, makes the small sliver of river peeking through the trees glow white hot. Today, the river was covered with snow and looked flat and dull. No sparkle or glow.

A few words related to my restless poem popped into my head: unsatisfied/not or never satisfied, unsettled, collecting, gathering, assembling

Ilya Kaminsky is in charge of the poem-a-day at poets.org this month and he’s doing a great job. Here’s the one for today from another poet I admire:

Big Clock/ Li-Young Lee – 1957-

When the big clock at the train station stopped,
the leaves kept falling,
the trains kept running,
my mother’s hair kept growing longer and blacker,
and my father’s body kept filling up with time.

I can’t see the year on the station’s calendar.
We slept under the stopped hands of the clock
until morning, when a man entered carrying a ladder.
He climbed up to the clock’s face and opened it with a key.
No one but he knew what he saw.

Below him, the mortal faces went on passing
toward all compass points.
People went on crossing borders,
buying tickets in one time zone and setting foot in another.
Crossing thresholds: sleep to waking and back,
waiting room to moving train and back,
war zone to safe zone and back.

Crossing between gain and loss:
learning new words for the world and the things in it.
Forgetting old words for the heart and the things in it.
And collecting words in a different language
for those three primary colors:
staying, leaving, and returning.

And only the man at the top of the ladder
understood what he saw behind the face
which was neither smiling nor frowning.

And my father’s body went on filling up with death
until it reached the highest etched mark
of his eyes and spilled into mine.
And my mother’s hair goes on
never reaching the earth.

There is so much I love about this poem, for right now I’ll pick: “And collecting words in a different language/for those three primary colors:/staying, leaving, and returning.”

dec 3/RUN

6 miles
franklin loop
37 degrees

Writing this entry almost an hour after my run, it’s sunny, but when I was out by the gorge it was overcast, with some mist or fog or some kind of moisture hanging in the air. Barely any wind. Calm, quiet, peaceful. I thought about the haunting poems I’m working on, and tried to forget Omicron. Just a few days ago, I wasn’t too concerned about this new variant. Without enough data, it’s too early for that. But, even though intellectually and emotionally (at least, I thought) I wasn’t stressed about it, my body has decided to have a mild sinus flair-up. Some pressure in my face/cheeks, a ticklish, scratchy throat. It’s not debilitating, just uncomfortable and distracting. Is this caused by anxiety over this new variant? Possibly. I’m trying to avoid twitter, facebook, and any online news in the hopes that it will calm me down.

Back to the poems I’m working on. Before heading out the door, I gave myself 2 questions to ponder: Who are the ghosts, the dead or the living? Does it depend on how you see (understand, think about, imagine) it? These questions were partly inspired by some lines from Ed Bok Lee in “Halos” that I’m using as an epigraph:

How else, when blinded by life,
would I remember:

to the dead, we’re the ghosts.

When I first read these lines, I was confused by them. I still am, but they seem to fit with how my sequence of poems on haunts/haunting/haunted play around with who is being haunted and who is doing the haunting. I like the idea of not resolving this question and letting both answers be possible at any given time, or at specific times. Sometimes the living are the ghosts, sometimes it’s the dead. I also like the idea of not spelling out what that means, but presenting images that complicate it. Running on the east side of the river, with a gray, mostly sunless sky, I encountered such an image: a pale, still river reflecting a fully formed, clear inverted trestle bridge in the water. Marveling at it, I wondered, which bridge is real, the one that’s right side up or the one upside down? As I continued to look at the water, I noticed fully formed trees, the lake street bridge, and clouds also reflected in the water. Very cool.

This images reminds me of May Swenson’s wonderful poem, Water Picture. Here’s an excerpt:

In the pond in the park
all things are doubled:
Long buildings hang and
wriggle gently. Chimneys
are bent legs bouncing
on clouds below. A flag
wags like a fishhook
down there in the sky.

The arched stone bridge
is an eye, with underlid
in the water. In its lens
dip crinkled heads with hats
that don’t fall off. Dogs go by,
barking on their backs.

10 Things I Noticed

  1. 4 stones stacked on the ancient boulder
  2. the clicking and clacking of ski poles as a roller skier approached from somewhere I couldn’t see
  3. running past the old stone steps: a clear, beautiful view of the forest floor and the trail that winds through bare tree trunks to reach the river
  4. the dark brown dirt of the Winchell Trail below me as I neared Franklin
  5. the folding table set up at the White Sands Beach far below me
  6. puddles on the franklin bridge — no ice, only standing water
  7. the ancient boulder on the east side of the river never has any stones stacked on it. Is that because its top isn’t flat enough?
  8. the fence panel that was removed a month or so ago, has been replaced and now, it’s hard to remember (or easy to forget) that it was ever missing
  9. looking down at the the part of the winchell trail that goes under the lake street bridge: the dirt is not a dark brown, but lighter, more yellow, almost like spicy brown mustard
  10. running north on the west side of the river road: car headlights approaching me through the trees

One more thing: I was able to greet both Dave, the Daily Walker and Mr. Morning! — that’s the name I came up with right now for the walker I’ve been seeing lately who likes to greet me with an enthusiastic, “morning!” I think he wears a darker blue coat, a stocking cap, and sunglasses. Mr. Morning! I love it.

I love how poets.org has an “about this poem” for each poem of the day. The one for today’s poem (from “The Book of Absence”) is very fitting for what I’m working on with my haunting poems:

About this Poem:

This is not poetry. This is a reading of the moment. Read it in the moment and pass on. Do not linger. Go. We don’t go to places. We go from places. We are dedicated to going, not staying. In going, we fade away. Consider my poetry as if you are walking down a road. Someone calls your name. You turn your head. There is nobody around. The road is deserted. Empty. You tell yourself somebody must have been there. But there is no one. Consider my poetry like that moment.”
—Alireza Roshan, translated by Erfan Mojib and Gary Gach

source

nov 29/RUN

4 miles
river road, north/south
50! degrees

Wow! Warm this afternoon. Ran at 3, about an hour and a half before sunset. The light was very cool. I might want to run again at this time. The best part: running above the gorge, over the river and the Winchell Trail, I was positioned just right so that I cast a shadow onto the water far below. Today my shadow got to swim. At least one of us could. Encountered some high schoolers running with sticks or ski poles or something. I couldn’t tell what they were. After I was done, I took off my visor, forgetting that I also had my bright pink headband on. A few minutes later I remembered and noticed it was gone. I retraced my steps and amazingly, was able to find it in the grass. I can’t believe I realized I had lost it, and I can’t believe I could see it in the grass.

Here’s something I read earlier today, which I love:

from Among the Trees/ Carl Phillips

SOME TREES ARE compasses, and some are flags. If a flag tells you where you are, a compass can potentially tell you how to get there or how to find someplace else. A flag, in marking a spot, seems more definitive, a form of punctuation; a compass implies movement, navigation. I know a man who, whenever he needs to write, or cry, or think—really think—goes to a willow in his local park and hides beneath its draped branches. He goes there so often, you could almost say he’s become part of the willow; he seems a willow himself; he marks a place in my life where I stopped to rest, once, but I couldn’t stay. Then there’s another man, long ago now. His body a forest when seen from the air in a small plane, so that it’s possible to get close enough to see where the oaks give way to poplar trees, or where, if you follow the pines far enough, they’ll open out to a field across which you can see the ocean. I couldn’t have found my way here without him.

I love the idea of trees as flags and compasses, and I love his description of the man who retreats to the willow. One of my favorite poems by Phillips features a willow, “And Swept All Visible Signs Away.” In it, could Phillips be referencing the willow man?

Here’s something else I read yesterday on twitter. I want to think some more about the differences between an eruption and a scattering:

when most people say their mind has been blown I think they mean like a volcano erupting but when I say it I mean my brain is a plucked dandelion someone’s scattered with their breath

@toddedilliard

nov 7/RUN

3.15 miles
turkey hollow
50 degrees
humidity: 81%

Shorts weather. Overcast, everything a brassy yellow with brown and gray. A nice run in my new shoes. Cold update: almost gone. Just a thin layer of crud lining the throat, lungs, in the nose. Slighter harder to breathe when running.

Went to Gustavus Adolphus College for FWA’s first fall band concert yesterday. Very cool. I love that he’s attending the same school Scott and I did. It’s so great to go back and remember where my life began. Before the concert we walked around the arboretum/prairie, to a big sculpture of a bison on a small hill. As we walked the mowed grass trail, we saw a “river of birds” above our heads (love this phrase, river of birds, which is how a friend from band that we saw at the concert described it). Thousands of birds flying above us, their wings flapping like thunder. I think they might be starlings or swallows? An amazing thing to witness — the whole sky filled, looking like static. A few times, right above our heads, the birds would split up, with a mass of them flying left of us, another mass flying right.

At some point during my run, I began counting in 3s and doing triple berry chants: strawberry/blueberry/raspberry — raspberry/blackberry/gooseberry. I added in mystery and later: ri/ver/road ri/ver/gorge run/ning/path thir/ty/eighth (for 38th street steps) tres/tle/bridge. I stuck mostly with the meter: stressed/unstressed/unstressed. I should remember what meter this is, but I always forget: is it iambic or anapest. I started chanting those two: an/a/pest — i/am/bic Sometimes An/a/pest, sometimes an/a/Pest I/am/bic i/am/Bic

Just looked it up:

anapest = unstressed unstressed stressed
iambic = stressed unstressed
dactyl = stressed unstressed unstressed

So, it was dactyls, not iambic or anapest. I KNOW I’ve written about this a few years ago, and I’ve reviewed it many times. Will I ever remember? I think I should print it out and put it under the glass on my desk, so I can look at it all the time.

Anyway, as I was thinking about meter and form, I decided that I’d like to use triples — with dactyls and anapests — as the meter (or form?) for another poem about haunting, with the theme of a faint trail, the trace, the worn dirt as path and evidence of others, the residue/remains as offering (poem, an alleluia on the page, Mary Oliver).

Here’s a poem that fits with this idea of what remains (or refuses to die/leave?, that persists, offers up something unexpected or not quite locatable):

Perennials/ Maggie Smith

Let us praise the ghost gardens
of Gary, Detroit, Toledo—abandoned
lots where perennials wake
in competent dirt & frame the absence
of a house. You can hear
the sound of wind, which isn’t
wind at all, but leaves touching.
Wind itself can’t speak. It needs another
to chime against, knock around.
Again & again the wind finds its tongue,
but its tongue lives outside
of its rusted mouth. Forget the wind.
Let us instead praise meadow & ruin,
weeds & wildflowers seeding
years later. Let us praise the girl
who lives in what they call
a transitional neighborhood—
another way of saying not dead?
Or risen from it? Before running
full-speed through the sprinkler’s arc,
she tells her mother, who kneels
in the garden: Pretend I’m racing
someone else. Pretend I’m winning.