Tag: poem

feb 10/WALKBIKERUN

walk: 30 minutes with Delia
neighborhood
26 degrees

Sun! A bright blue sky! Birds! Fresh, cold air! Clearer sidewalks! Wind chimes! What a wonderful walk. I moved slowly, stopping every few steps for Delia to get another sniff. I inhaled deeply, feeling the cold air open up my sinuses. I mostly listened to the birds, but a few times I saw the blur of a tiny body traveling from one branch to another. I noticed the sprawling oaks, their gnarled limbs towering over the sidewalk. I stepped on the thin sheets of ice covering puddles and heard them crack and crunch and then the water squish. I remember thinking that I wasn’t interested in naming what I was noticing, just experiencing it. I felt relaxed and open to the world and happy for these moments.

Most of the sidewalks were clear. On a few corners it was still solid ice. The corner with the mailbox was especially bad. Yikes!

I almost forgot — how could I forget? A birch tree in the middle of the block, its branches blindingly white, illuminated by the sun. Sparkling. I could almost hear a chorus singing its alleluias!

bike: 22 minutes
run: 2.35 miles
basement
outside: an ice rink

After yesterday’s slippery run, I decided I should stay inside today. Biked in the basement with some Dickinson, ran with a running podcast. As I often mention with my basement workouts, it’s difficult to find much to wonder about in such a dark, cold, unfinished space.

Before I worked out downstairs, I started planning the fifth lecture for the class I’m teaching. It’s going to be about the connections between wonder and play. I was reminded of it as I ran and listened to a professional runner turned triathlete talk about how being a beginner and having no expectations or pressure can help you to have fun in your training and in life. I started thinking about having fun and being a kid and the idea that fun and play are usually dismissed as not taking something seriously. It’s all fun and games to you. Or it’s too easy — that’s child’s play. But trying to remember your kid-self, being a beginner, opening up to fun, is something many of us have to work at — to practice — as adults. (Also, being a kid isn’t always easy.) Kelli Russell Agodon has some great things to say about play and wonder in this interview, which I plan to use in my class: Beauty and Play with Kelli Russell Agodon.

In the video interview, Agodon reads her poem, “Grace”:

Grace/ Kelli Russell Agodon

Even those who are living well
are tired, even the rockstar
who swallowed the spotlight,
even the caterpillar asleep
in a unbalanced cocoon.
Who knows how
to be happy when a lamb
is birthed just to be slaughtered
at a later date?
It’s so tiring
how every day is also a miracle—
the drunk bees in the plum
blossoms, the sliver of sun
through the branches
and on an early morning
walk we find the farmer’s
granddaughter has fallen
in love with the lamb,
so it will be saved
and named Grace.
And we are spared
for a moment, from a new
loss and life frolics
across a field of wildflowers
never knowing all it has escaped.

Thinking about the idea of no pressure or expectations, Agodon says this in another interview:

I am quantity over quality, but a lot of the really bad poems will never come out of my laptop. I love writing a poem a day. And I have no problems writing bad poems, just writing something thinking, oh that was just practice. That was just a writing exercise. That poem is never going to go anywhere. I don’t want to revise it. Again, it’s just to enjoy the creation. But when I do choose a poem to revise, then I highly craft it.

Poetry Snaps! Kelli Russell Agodon: Grace

And here’s something else she writes about taking walks and finding images:

Rumpus: I think of your poems as being “dense,” and by dense I mean tight and even crowded at times as you fly from one image to another. The imagery is always surprising, line after line. I wonder how you do that?

Agodon: I wonder how I do that, too. Could this mean I’m a word/image hoarder? Maybe my poems are the rooms you go into where everything is stacked to the ceiling? Like those antique shops that have a fascinator balancing on a Mickey Mouse phone on a blue Fiestaware plate toppling above a purple suitcase with a sticker that reads: London. Maybe it’s that I’ve always been a very visual person who notices the small strange details, and they stick with me. Like yesterday when I went for a walk, I saw a toothpaste cap under a tulip and I kept thinking—why is that there? There was a robin there and I started thinking, “What if that toothpaste cap was actually the robin’s bandleader hat.” Kooky stuff, but maybe because while I have six sisters, they were all much older than me, so much of my life felt like being an only child so I was always looking for ways to entertain myself, and I still am.

Wired for Wordplay: Kelli Russell Agodon

Reading this interview, I found out about another book Agodon write: Letters from the Emily Dickinson Room. Very cool! I ordered the ebook.

feb 9/RUN

4.45 miles
minnehaha falls and back
34 degrees
50% jagged ice / 25% slick ice / 25% clear path

I probably should have waited a few more hours to run. Now that the sun has finally come out and it’s another degree warmer, all the ice everywhere might melt. Oh well. This was a tough run. I still enjoyed most of it, but I had to stop and walk several times in order to avoid falling on ice. Now my upper back and knees are sore from the effort of staying upright.

Kids, 3 versions

  1. Running on Edmund, nearing Dowling Elementary, I wondered why it was so quiet. Where were all the kids on the playground? Then, suddenly, I heard them. Laughing and yelling. I decided the moisture in the air must be absorbing the sound, not allowing it to travel too far
  2. At the falls, I heard a few more kids. Standing above, at my favorite spot, I could hear voices below. Were they climbing on the trail that leads to below the falls? I imagined that path was as icy as mine, and I hoped not.
  3. Returning on Edmund, running past Dowling, more kids. This time in the big field by the community garden — at least I think that’s where they were; I only heard them, didn’t see them. So loud and raucous! Frantic, worked-up (or wound up?) screams. Excitement? Too much sugar? Something else? I encountered another runner — a man pushing a jogging stroller — and imagined after I passed him that I had asked, What’s going on over there?!

Here’s the Linda Pastan poem of the day. I’m pairing it with a wonderful Tony Hoaglund poem I found tat involves swimming laps and screaming underwater.

Almost An Elegy: For Tony Hoagland

Your poems make me want
to write my poems,

which is a kind of plagiarism
of the spirit.

But when your death reminds me
that mine is on its way,

I close the book. clinging
to this tenuous world the way the leaves

outside cling to their tree
just before they turn color and fall.

I need time to read all the poems
you left behind, which pierce

the darkness here at my window
but did nothing to save you.

Don’t Tell Anyone/ Tony Hoaglund

We had been married for six or seven years
when my wife, standing in the kitchen one afternoon, told me
that she screams underwater when she swims—

that, in fact, she has been screaming for years
into the blue chlorinated water of the community pool
where she does laps every other day.

Buttering her toast, not as if she had been
concealing anything,
not as if I should consider myself

personally the cause of her screaming,
nor as if we should perform an act of therapy
right that minute on the kitchen table,

—casually, she told me,
and I could see her turn her square face up
to take a gulp of oxygen,

then down again into the cold wet mask of the unconscious.
For all I know, maybe everyone is screaming
as they go through life, silently,

politely keeping the big secret
that it is not all fun
to be ripped by the crooked beak

of something called psychology,
to be dipped down
again and again into time;

that the truest, most intimate
pleasure you can sometimes find
is the wet kiss

of your own pain.
There goes Kath, at one pm, to swim her twenty-two laps
back and forth in the community pool;

—what discipline she has!
Twenty-two laps like twenty-two pages,
that will never be read by anyone.

Reading these poems again, I’m struck by their last lines, both about Hoaglund’s poems: 1. the ones Pastan read that could pierce the darkness but not save Hoaglund and 2. the unread ones that aren’t for anyone else, but offer some sort of private pleasure in the face of suffering.

Poetry is not meant to save us from dying, but that doesn’t mean it can’t save our lives.

feb 8/RUN

3.25 miles
trestle turn around
40 degrees
75% bare, wet, puddled pavement

A late afternoon run on a sunny, warm (warm for February in Minnesota) day! The path was wet, with lots of puddles, some slick spots, and lots of sloppy snow. Twice I had big slips. My one leg flew off to the side and I waved my arms involuntarily, but I didn’t seem to lose momentum and my body never felt the fear of falling — that fear deep in the pit of my stomach that quickly spreads to the top of my head and makes my whole body tense up.

10 Things

  1. the warm sun on my face — it felt like spring
  2. the late afternoon shadows — I can’t remember a specific shadow, maybe shadows of trees over the gorge?
  3. a siren behind me as I ran up from under the lake street bridge. It sounded close and like it was stopping. I think I heard the siren double beep and then stop
  4. some little yippy dogs freaking out down below at the minneapolis rowing club. So frantic! What’s going on down there? I worried for a minute, wondering if I was actually hearing someone screaming, but decided it was definitely some exuberant dogs
  5. Also heard a strange moan or whine coming from the rowing club — not a human moan, but one coming from a machine
  6. so much whooshing of car wheels through deep puddles on the edges of the road
  7. lots of bikes deciding to bike on the mostly dry road instead of the be-puddled path
  8. my shoes and socks were soaked before I reached the first mile. After the run, the white socks were now speckled in brown grit
  9. smelled pot as I ran past a parking lot
  10. heard a few random geese honks closer to the river

I didn’t look at the river or notice the ancient boulders or greet the welcoming oaks. Didn’t hear any birds — wait, I think I heard a crow at the beginning —or music coming from a car radio or a bike or someone’s phone.

This was a great afternoon run. I like running at this time, when the sun is slowly sinking. My only problem: the paths are usually much more crowded. Still, I’d like to try and add in some more of these runs so I can study the sun and the shadows.

Here’s my Linda Pastan poem for today. I don’t think there were any clouds to admire, but I’m posting it anyway!

The Clouds/ Linda Pastan

From a high window
I watch the clouds—

armada
of white sails

blown by the wind
from west to east, as if

auditioning for me,
as if they needed

nothing more
than to be in a poem.

What a delightful little poem! I think this counts as one of Mary Oliver’s little alleluias on the page.

feb 7/RUN

4.45 miles
minnehaha falls and back
31 degrees
100% slick, sloppy mess

Yuck! With warmer temperatures comes puddles, slicker ice, and soaked socks. Most of the trail was covered in little brown lakes. Oh well. The sun was warm on my face, and I felt almost too warm in my layers, so I was happy to get out there and run. Because I was trying out my new bluetooth headphones, and because the path was so challenging, I was distracted. Did I notice at least 10 things? I’ll try:

10 Things I Noticed

  1. running south into the sun, the slick path sparkled
  2. kids yellling at the playground. I think I heard one deep voice — was it a teacher?
  3. there was a very big puddle in the street at 42nd, right by the path. As cars drove through it, I could hear all the water splashing up onto the curb — glad I wasn’t running there!
  4. passed the same group of 3 walkers + 2 dogs in both directions on the narrow bridge
  5. the river was mostly open, with streaks of white ice
  6. a few people at the falls, near the bridge
  7. a man and a dog playing in the snow near the longfellow poem at the falls
  8. unable to avoid it, I ran straight through a deep puddle on my tiptoes
  9. glanced over at the house with the poetry in the window to check if there was a new poem. Too much snow to see the sign with the poem title
  10. the long dark tree branch of the mostly dead tree on the corner stretched across the path and the road. I wondered, as I ran under it, if it would fall on me

As part of my February challenge, I’m reading poems from Linda Pastan. Here’s the one for today:

Practicing/ Linda Pastan

My son is practicing the piano.
He is a man now, not the boy
whose lessons I once sat through,
whose reluctant practicing
I demanded–part of the obligation
I felt to the growth
and composition of a child.

Upstairs my grandchildren are sleeping,
though they complained earlier of the music
which rises like smoke up through the floorboards,
coloring the fabric of their dreams.
On the porch my husband watches the garden fade
into summer twilight, flower by flower;
it must be a little like listening to the fading

diminuendo notes of Mozart.
But here where the dining room table
has been pushed aside to make room
for this second- or third-hand upright,
my son is playing the kind of music
it took him all these years,
and sons of his own, to want to make.

I love the gentle way this poem unfolds, how it reminds me of my son and demanding he practice his clarinet, and its idea that practice accumulates and can take decades to lead to the things we want to do.

The practicing son in this poem reminds me of another poem I posted in the fall, Transubstantiation:

my six-year-old grandson, in the early
August rainy morning, piano-practices
“The Merry Widow Waltz.” Before
I was a widow, that song was
only a practice piece, a funny
opera

feb 6/SWIM

2 miles
ywca pool

Met RJP at the pool again after she was done with her classes. Added in about 1000 yards of swimming with the pull buoy. I tried reciting the poem I memorized yesterday — Linda Pastan’s “Vertical” — while I swam, but it was difficult. I couldn’t sync up the lines with my breathing rhythms. I don’t think I was ever able to recite the whole thing, only the first bit: “Perhaps the purpose of leaves is to conceal the verticality of trees which we notice in December as if for the first time: row after row of dark forms yearning upwards.”

10 Things

  1. cloudy water, at least as much, maybe more?, crud than the last time I swam: floating hairballs, some strange stain on the wall tiles in my lane
  2. when I got in the pool, there was only one other swimmer. More people came, then left. At one point, most of the lanes were filled, but it was never too crowded
  3. I could see that a storm was moving in by how the pool floor kept getting darker then lighter as the thickening clouds moved past the sun
  4. heard a click underwater several times. Decided it was caused by the swimmer next to me — her knee of elbow clicking as she did the breaststroke
  5. watching my daughter swimming freestyle underwater — looking strong and serious. Once as I passed her, I kept my head below looking over at her until she looked back
  6. doing my starting ritual of pushing off and them swimming underwater until I reached the blue line and the end of the shallow water, I held my arms out straight in front of me, almost squeezing my ears. I felt like I could have stayed underwater until I reached the wall
  7. the muscle I felt most while I was swimming today was my calf, and especially as I kicked harder during my first lap. It wasn’t sore, and it didn’t hurt, I just felt it more
  8. following behind my daughter, trying to stay slow and never pass her, I started my flip turn then stayed at the wall, suspended underwater
  9. worked on my flip turn, trying to flip with my core, and not my arms
  10. every so often, when the sun came out from behind the clouds, I saw a circle of light on the pool floor

Yesterday I posted a poem from Linda Pastan that describes a sparrow as “brief as a haiku.” That made me think of the first poem in her final collection, Almost an Elegy:

Memory of a Bird/ Linda Pastan

Paul Klee, watercolor and pencil on paper

What is left is a beak,
a wing,
a sense of feathers,

the rest lost
in a pointillist blur of tiny
rectangles.

The bird has flown,
leaving behind
an absence.

This is the very
essence
of flight—a bird

so swift
that only memory
can capture it.

All of this quick movement and the brevity of the bird in flight, also made me think of another poem by Pastan I discovered today:

The Birds/ Linda Pastan

are heading south, pulled
by a compass in the genes.
They are not fooled
by this odd November summer,
though we stand in our doorways
wearing cotton dresses.
We are watching them

as they swoop and gather—
the shadow of wings
falls over the heart.
When they rustle among
the empty branches, the trees
must think their lost leaves
have come back.

The birds are heading south,
instinct is the oldest story.
They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Because of my interest in peripheral vision and what it means to see movement (as opposed to sharp, fixed details), I’m always trying to find poems that offer details and descriptions of movement. I love how much Pastan focuses on how the birds move — they swoop and gather, cast wing shadows, rustle like leaves. She doesn’t offer any descriptions of their color, size, or sound. She doesn’t even name them. I don’t miss those details. The description of their movement is enough.

I love all of this poem, but today, especially this:

They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Their doubles, the mute weathervanes? Tailfeathers as teachers? So good!

feb 5/RUN

3.9 miles
river road, north/south
22 degrees / feels like 12
75% snow and ice-covered

Another good run. Not too cold, sunny. Near the beginning, I ran with my shadow. The road was slick in spots — that invisible ice that you can’t see, only feel. Greeted Mr. Morning! and a few runners. Noticed the river at the trestle. It was open in a few places just below. The open water wasn’t dark, but gray. Heard the drumming of a woodpecker, the screech of a blue jay, 2 quick caws on repeat from a crow, and countless chirp chirp chirps from some other birds. The path was slightly better, but still mostly uneven ice and snow. Maybe this week, as it climbs to the 30s, the rest of it will melt?

After I finished running, when I was walking home, I remembered that I had memorized the first sentence of Linda Pastan’s “Vertical.” I had intended to recite it in my head as I ran. I was too distracted by the path and forgot. Walking home, I whispered it into the cold air:

Perhaps the purpose
of leaves is to conceal
the verticality of trees
which we notice
in December
as if for the first time:
row after row
of dark forms
yearning upwards.

Last night I went to Moon Palace books and bought Linda Pastan’s last collection, Almost an Elegy. The rest of February will be dedicated to her and her words — reading them, memorizing them, being with them.

After the Snow/ Linda Pastan (from Insomnia)

I’m inside
a Japanese woodcut,

snow defining
every surface:

shadows
of tree limbs

like pages
of inked calligraphy,

one sparrow,
high on a branch,

brief as
a haiku.

Here
in the Maryland woods, far

from Kyoto
I enter Kyoto.

feb 4/RUN

4.3 miles
lake nokomis — one way
19 degrees / feels like 10
50% snow and ice-covered

Hooray for moving outside! Hooray for warmer air! Hooray for getting to run to Lake Nokomis! It felt good to be outside breathing in fresh air. My legs and lungs felt strong. At one point, I remember breathing in deeply through my nose, then out through my mouth and watching the frozen breath as it hovered in front of me.

layers:

  • 2 pairs black running tights
  • 1 bright yellow TC 10 mile racing shirt (2018)
  • 1 pink jacket with hood
  • 1 black winter vest
  • 1 pair of black gloves, 1 pair of pink and white striped gloves
  • 1 fleece lined cap with brim
  • a gray buff
  • 1 pair of socks

Only a few layers short of my most layered look. Maybe someday I’ll invest in an expensive running jacket and be able to wear less layers, but maybe not.

10 Things I Noticed

  1. the call, but not the drumming, of a pileated woodpecker
  2. the path on the biking side of the pedestrian bridge had packed down snow that was uneven, but not too slick. It had little flecks of light brown — sand? grit? dirt that Minneapolis Parks put down to make it less slippery?
  3. a fat tire! I could hear the crunching of their wheels as they approached from behind. After they slowly passed me, they stopped just past the locks and dam #1. Why? To rest? To figure out where they were? To take a picture?
  4. a few days ago I mentioned hearing construction noises near the falls. Heard them again today. Pounding hammers at another new apartment building going up on the other side of Dairy Queen
  5. heard a high-pitched whine near all of the apartments; it was coming from a gas vent by the roundabout
  6. minnehaha creek was mostly frozen, with a few stretches of open water
  7. heard, but didn’t see, kids’ voices — yelling, laughing — somewhere on the creek
  8. more voices down by the dock, near the shore, at lake hiawatha
  9. noticed the creek water leading into the lake was not completely iced over
  10. there were stretches where the path was an inch of solid brown ice, but most of it was a combination of bare pavement, stained with salt, patches of packed snow and smooth ice

I don’t remember noticing anything particular delightful. I devoted a lot of attention to my effort, staying relaxed, and avoiding slippery spots.

I follow the Mary Oliver Bot on twitter and they posted a line from this beautiful poem:

The Moths/ Mary Oliver

There’s a kind of white moth, I don’t know
what kind, that glimmers
by mid-May 
in the forest, just 
as the pink mocassin flowers
are rising.

If you notice anything, 
it leads you to notice
more
and more.

And anyway
I was so full of energy.
I was always running around, looking
at this and that.

If I stopped 
the pain
was unbearable.

If I stopped and thought, maybe
the world
can’t be saved, 
the pain 
was unbearable.

Finally, I noticed enough.
All around me in the forest
the white moths floated.

How long do they live, fluttering
in and out of the shadows? 

You aren’t much, I said
one day to my reflection
in a green pond, 
and grinned.

The wings of the moths catch the sunlight
and burn
so brightly.

At night, sometimes, 
they slip between the pink lobes
of the moccasin flowers and lie there until dawn, 
motionless
in those dark halls of honey.

jan 31/RUN

3.5 miles
under the ford bridge and back
0 degrees / feels like -9
75% ice and snow-covered

Brrr. This isn’t the coldest run I’ve done this year, but it felt like it! Well, most of me was fine, just not my feet or my forehead. Running into the frigid wind, I got a brain freeze. A mile in, I had mostly warmed up. The path was in terrible shape. All uneven with long sheets of slick ice. I never worried about falling, but I got tired of moving all around the path trying to find bare patches.

I thought about Bernadette Mayer and her list of experiments, especially this one: “attempt writing in a state of mind that seems less congenial” (Please Add to This List, 12). Extreme cold + uneven, icy paths + lots of layers = less congenial. I wondered how these conditions affected what and how I noticed the gorge.

10+ Things I Noticed

  1. crunching snow, loud and brittle
  2. the smell of smoke from the usual chimney (the one on edmund that I always smell every winter)
  3. the river, half frozen, half open, all cold-looking
  4. the path, 1: almost completely covered in snow and ice
  5. the path, 2: the ice is flat and smooth and light brown
  6. the path, 3: an occasional bare strip, sometimes what I thought was bare was actually brownish grayish ice
  7. at least 2 other runners — we held up our hands in greeting
  8. 2 or 3 walkers — all bundled up, faces covered up to the eyes
  9. the buzzing of a chainsaw, laboring in the cold — workers trimming dead branches at Minnehaha Academy
  10. looking across the ravine from the double bridge, noticing someone dressed in dark colors walking along the retaining wall at the top of the overlook
  11. haunting wind chimes
  12. the sizzling of dead leaves on a neighbor’s tree
  13. the sharp scratch of another dead leaf as the wind blew it across the sidewalk

At the end of my run, walking back home, I marveled at the chattering birds, sounding like spring. I saw them, not their details, just their movements, fluttering, swooping, soaring, flashing. Then I heard the distinctive knocking of a woodpecker on some dead wood. Before I had a chance to enjoy the sound, the beep beep beep of truck backing up silenced the bird.

layers:

  • 2 pairs of black running tights
  • 2 pairs of socks
  • a green long-sleeved shirt
  • a pink jacket with hood
  • a thicker gray jacket
  • a gray buff
  • 1 pair of black gloves
  • 1 pair of pink/red/orange mittens, wool and fleece combo
  • a fleece-lined cap with brim
  • sunglasses

Lots of layers!

Oh, I needed this run! What a difference it makes for my mental health to get outside and move.

This morning, I happened upon this beautiful prose poem:

The Year We Fell in Love with Moss/ Sally Baker

We made our bed in its mounds and all our furniture was covered in mossy baize. We swam through velvet-lined tunnels, swagged ourselves in greenness all winter. It was the green of pond algae, the painted shed at the bottom of the old garden, kale, tourmaline, the needlecord skater’s dress I wore in 1979. It was the emerald brilliance of moray eels, of tree snails; pea soup green. We were moss creatures, felted deep in woods. It was the first plant on earth, at least four hundred and fifty million years old, its rhizoids like a forest of stars, rootless, absorbing moisture and minerals from rain, surviving in the harshest of climates. We became bryophyliacs, singing hymns in the sunken moss cathedrals, while light through the leaves flickered over us in waves, like signals, as if we’d been blessed. I believed moss could live forever. You told me about the Barghest who haunted the valley, could turn you to stone with a look.

I need to add this to my growing list of green poems!

jan 30/BIKERUN

bike: 15 min warm-up
run: 3.2 miles
outside temp: 2 degrees / feels like -15

Because of the cold air, the icy paths, and the 10 mph wind, I decided to move in the basement today. Finished the episode of Dickinson I had started a few days ago while I biked, listened to the latest episode of If Books Could Kill (Men are from Mars, Women are from Venus) while I ran. Running on the treadmill in the basement is very different from running outside. A dark, unfinished basement with windows mostly blocked by a shelf with old lamps on it. Staring straight ahead, I can see a blank tv screen and then behind that, a dark window and the old coal chute. To the side, shelves with old paint cans (left) and a long work bench (right). Not much to notice, except spiders and dust. Difficult to run for that long and to remember any of my thoughts. I don’t mind running down here on occasion, but I couldn’t do it all the time. I’m so glad that I have the gorge.

a moment of sound

On days when it’s too cold for me to move outside, I record a moment of sound. Today’s moment was on my short walk back from the alley, where I had brought out some trash. It features my favorite, crunching snow, and another irritating delight: the cold, shrill creak of our iron gate. I walked through the snow in my small backyard and stopped briefly by the crab apple tree:

jan 30 / 3:00 pm

Here’s a poem I found on twitter today by Dana Levin about walking and thinking and wandering/wondering and being in and out of a body:

A Walk in the Park/ Dana Levin

To be born again, you need
an incarnation specialist—a team
from the Bureau of Needles
to thread you through—
Your next life
turns
on an axle of light—which Plato likens
to a turning
spindle—what was that?
I mean I knew

what a spindle was
from fairytales—how it could
draw blood
from a testing finger, put a kingdom
to sleep—
but what
did it actually do, how
did a spindle look
in real life?
I didn’t know. As with
so many things:
there was fact and there was

a believed-in dream . . .

Everyone had one back
in the ancient day,
spindles.
When we had to weave
our living-shrouds
by hand.
“A slender rounded rod
with tapered ends,” Google said. Plato’s,
so heavy with thread,
when viewed from the side,
looked like a top—
though most diagrams assumed

the hawk-lord view . . .

Moon thread, threads of the planets, earth thread.
Your thread.
Everyone else’s.
Nested one
inside the other, a roulette
machine—
If a thread could be spun from liquid light was what
I kept thinking—
imagining a sluice
of electric souls
between the earth wheel’s rims—
there “I”

was a piece of water, Necessity
wheeled it around―Necessity,
who was married to Time,
according to the Greeks—
Mother of the Fates.
Who would measure and cut your

paradise/shithole extra life . . .

Well we all have ways of thinking about
why,
metaphysically-speaking,
anyone’s born—
though the answer’s always Life’s
I AM THAT I AM
—how it hurls and breaks!
on Death’s No there
there . . .

—which sounded kind of Buddhist.

According to the teachings we were all
each other’s dream . . .

And soon able to vanish—

out of the real
without having to die, whoever’s
got the cash—to pay
the brainier ones
to perfect
a Heaven upload—to cut
the flesh-tether
and merge

with the Cloud . . .

Well we all have ways of constructing
Paradise.
To walk alone deep in thought
in a city park
was mine
for several minutes,
thinking about spindles.
Before the vigilance
of my genderdoom

kicked in—

And there it was, the fact
of my body—
all the nerves in my scalp
and the back of my neck,
alive—
How it moved through space, how close
it had strayed
toward concealing trees, my
female body—
Jewish body—inside my
White body—dreaming
it was bodiless

and free . . . 

to decide:

how and when and if to fill the body’s hungers—
how and when and if to walk in thought
through the wilderness . . .

before Death comes with its Fascist hat.

Its Park Murder Misogyny hat.

Its Year Ten in a Nursing Home stink
    hat—    

However spun
    my thread . . .

Anyway,
it’s peaceful here
in the park, at midday,
if a little deserted. I’ve moved to the path that winds
closer to the street.
Thinking again, as I always do,
about body and soul. How they
infuse each other. How they
hate each other.
How most people pledge allegiance
to one or the other.
How painful it was! To be
such a split

creature—

jan 27/RUN

4.5 miles
minnehaha falls and back
24 degrees / feels like 9
wind: 16 mph / path: 99% snow-covered

This run was both hard and easy, and I loved it. Hard because of the wind, often in my face, and the soft, slippery snow. Easy because it felt so good to be outside and moving through the wintery world.

Even with yak trax, the soft snow makes it harder for me to lift my legs. Today I felt it in my right knee — what I call the “OG” knee because it’s the one that first started giving me problems (my kneecap was slipping out of the groove) and that led to never doing the marathon. Every so often, a short sharp pang. Nothing too alarming, just enough to remind me that my body is still here, tethering me to the world. I started thinking about Thomas Gardner and something I wrote almost exactly (one day off) 6 years ago, right after I started writing in this blog:

My right calf is still a little stiff from where I strained it last week doing mile repeats in the cold. Just enough to not let me out of my body.

Poverty Creek Journal/ Thomas Gardner

I wrote: “Even as we try to transcend our bodies while running, we are constantly reminded of our limits. We are bodies. We need that reminder to ground us and to keep us from getting too lost in the dreamlike state that running creates (jan 26, 2017).

As I ran this morning, I thought about how I like that running outside in the winter tethers/connects me to my body. It’s impossible for me to get too lost in any dreamlike state, or any one thought or series of thoughts. The path, the wind, the cold always brings me back to my body. Sometimes, bringing me back to my body involves suffering and complaining, but more often it is about grounding me and helping me to stop overthinking things. Of course, these reflections only came in flashes that lasted less than a minute or two. When I’m running, I can’t hold onto thoughts for longer than that. Now, as I write this, I’m sure that I’m missing something else I was thinking while moving. It all made so much sense as flashes and feelings. Much harder to remember it and put it into words later!

10 Things I Noticed: Wind

  1. running south, the wind was in my face
  2. cold, but not brain-freeze cold
  3. strong, but not strong enough to shove me off the path
  4. I could hear it rushing through the dead leaves on the trees in the oak savanna — sizzling
  5. it stirred up an occasional dead leaf from the ground
  6. at one point, I felt the spray of water on my cheek — was that the wind blowing the snow? probably
  7. ahead of me on the trail, I could see something big-gish — was it a chunk of hard snow or ice? no, it was a branch with a few orange leaves on it. As I ran past it I was startled when the wind picked up and made it move slightly
  8. near the falls, I felt the wind from several directions — was it swirling, or was I winding, or both?
  9. no sledders enjoying the hill — is this because of the strong wind?
  10. the wind was not loud enough to roar, but it seemed to grumble non-stop for most of my run

Found this poem the other day when it showed up in my instagram feed. It’s from episode #799 for The Slowdown Show:

Fragment (Stone)/ Ann Lauterbach

                         What has a soul, or pain, to do with a stone? 
                                                                                               –Ludwig Wittgenstein

You could walk not far through the grass to the shed barefoot
restless eye landing on distance there not far you could walk
looking down at various grasses weeds clover along the way
your toes in the green the undersides of your feet the cool damp
where is significance you think as you imagine walking across
grass to the shed barefoot what counts here does anything count
on the short walk while looking down and then over then up
at the catbird in the lilac where there are now dry brown sprays
at the robin hopping in the grass over there what counts you ask
incredulous at the pace not your pace the pace of time as if
rolling downhill gathering speed wound around
itself like giant twine but invisible so not present
in the sense of seen the way you assign to the visible presence
even as what is on your mind as you walk across the grass toward
the shed is invisible names their persons hunger mistakes
the lost and the recently slaughtered because of words
believed by the hopeless lost from view tossed
into the past like a weed a rind a stone found in grass
so find solace in the particular single crow high in the dead ash
its one-note cry sky pale blue low light sliding across wires.

I was drawn to this poem because it reminded me of how I think and how I notice as I’m walking. Lots of wandering and words running together without a break. One thought into the next. From here to here to here.