dec 26/RUN

4.45 miles
minnehaha falls and back
36 degrees
humidity: 90%

Moist, thick, big puddles everywhere. I tried to avoid them, but I couldn’t avoid all of them and by my last mile I could hear my one shoe squish squish squishing. Since it was warm, it didn’t bother me. Oh — just remembered — my shoe/sock got wet at the falls — the cobblestones near the falls were full of puddles. There were a few slick spots, but mostly it was just wet.

For 3 miles, I listened to the wet wheels, whooshing, crows cawing, and people calling out to each other as I ran. For the last mile: TSwift’s Life of a Showgirl

10 Things

  1. the small patches of snow on the trail or the road, seeping murky gray-green-dirty white liquid
  2. the rusty orange leaves, dead, still clinging to the trees
  3. calmly letting a walker know I was approaching from behind — right behind you/thank you! I meant to say, you’re welcome, but didn’t, then lamented my failure to exchange the you until I realized I had with my right behind YOU –if I had said, the you would have been traveled 3 times: from the-walker-as-you when I said, right behind you, to me-as-you when she said, thank you, to the walker-as-you again with, you’re welcome
  4. overheard: a man leaving a group of people at the falls, calling out, I’m going back to pay the meter!
  5. clusters of people — 6-8 at the overlook just above the falls, and at the overlook close to “The Song of Hiawatha”
  6. a clump of something not moving ahead of me on the trail — dead leaves? A darting squirrel. I studied it closely to make sure it didn’t run in front of me
  7. a distant thumping, heard when stopped to put it my headphones — nearing, another running plodding along
  8. seen with peripheral vision: some frozen crystals on my cheek
  9. the trail on the bike side of the double bridge was mostly wet ice with 2 narrow strips of bare pavement that narrowed even more until not even my toe could fit in their groove
  10. crows! just before starting my run, they were gather in the trees above me. when I stopped to start my workout on my watch, they cawed furiously, as if to say, keep moving!

Just before the run, I got an email about one of the chapbook contests I entered — back in July. I didn’t win, but I got, along with 4 other poets, an honorable mention. I’ll happily take that! The chapbook I submitted included earlier versions of several of the poems that I revised for my manuscript. I think the poems are even better now.

In the last mile of my run, a sudden thought: I should submit something for tiny wren lit’s tiny zine series. It says they’ll open again in early 2026: submit a tiny zine

safari reading list, review:

1 — contentment

Found a poem about contentment while reviewing my Safari Reading List. I’m partial to the words satisfied or enough or still, but contentment works too.

from A Beautiful House with a Hot Tub and Pool/ Jason Schneiderman

Yes, I can be content anywhere,
but alas sadly: No. It’s not true. I can’t be content here
in my uncomfortable present, in my uncomfortable chair,
on the uncomfortable subway, at this uncomfortable desk,
in this uncomfortable classroom. But oddly, I am content 
to visit the past, to say Hello everything I’ve lost, 
to say I wish you could come here to the present, 
my lost companion trees. I wish you could meet 
everything I’ve found.

about this poem: “Making peace with the past has been a common theme in my work, so I decided to try to write about making peace with the present.”

2 — a no-one rose

from Psalm/ Paul Celan (trans. John Felstiner )

Blessèd art thou, No One.
In thy sight would
we bloom.
In thy
spite.

A Nothing
we were, are now, and ever
shall be, blooming:
the Nothing-, the
No-One’s-Rose.

I love this bit of Celan’s poem and the No-one’s-Rose! No One — a someone who is No One: what type of sight do they have? We were, are, shall be nothing, blooming. I want to use this — maybe as a breathing with poem — in a collection* about the gorge/gap/bling spot.

*maybe not a collection, but a series of attempts, orbiting around the idea or feeling or experience of the Nothing in the gorge and in my vision.

Speaking of orbiting: Last night, I was trying to name/remember something, but I couldn’t, quite. I kept almost getting the right name, but I was off, approximate. As I talked, I moved my hands around in a circle, as if to indicate I was circling around the name. I called out, I’m orbiting it! I do this a lot. I wish I could remember the exact example, to make this story more understandable, but I can’t.

3 — CAConrad’s Queer Bubbles

There are some great bits in this article about Conrad and their rituals in The Paris Review:

“I love being inside the ritual,” he says. “It’s like speaking in tongues. It’s not just automatic writing … Every nuance, every adjustment to the ritual, alters the language that comes out of me.”

Exercises like these are nothing new in poetry—Conrad cites Bernadette Mayer and Charles Olson as two practitioners of similar methods—but he insists that his rituals are chiefly inspired by his childhood, specifically the Pennsylvania Dutch Country where his grandmother taught him to meditate and where he took an interest in the occult, from local water diviners to the hex signs painted on barns. But as much as his work owes a debt to Boyertown, it is a deliberate rebuke to the bigotry, violence, and oppression he found there.

Queer Bubbles

I’m familiar with B Mayer’s work — a class on her list is what led me to poetry! — but I don’t know that much about Charles Olson. I should look into him more, like his archeology of morning (on a site that offers footprints not blueprints, which reminds me of my old academic slogan for my ethical/pedagogical approach: an invitation to engage, not a how-to manual) and the polis / Polis is This:

Polis is This

In his two books of (Soma)tic rituals and poems, A Beautiful Marsupial Afternoon and ECODEVIANCE—a third collection, While Standing in Line for Deathwill be published this September—the rituals and resulting poems appear opposite one another. Because the rituals are written in the second person, at times the books read like the world’s most bizarre and inventive self-help guides, manuals for what you might call acute mindfulness. One ritual starts like this: “Eat a little dark chocolate before getting on the subway. Sit in the middle of the car … Then close your eyes, and as the car rolls on its tracks make a low hum from deep inside you … As soon as the car stops write 9 words as fast as you can before the train moves again … Repeat this humming and writing for 9 stops.” He credits his rituals with lifting him out of depression and grief.

Queer Bubbles

The use of You — a bizarre self-help manual or how-to on mindfulness!

the blind ring project returns to haunt this log

Doing some reading about lit journals that accept visual poetry, I was introduced to the amazing erasures of Colette LH. So beautiful and wonderful. Here’s the first one I experienced:

(un)certainty

Then I saw this one, Brain, and I started thinking about what I could do with my blind spot black-out ideas, and now I’m wondering about doing something with my peripheral. These white trails above, in (un)certainty are making me think about movement and direction and motion as it relates to my peripheral vision. Hmmm….

I want to buy their 2018 chapbook: a wonderful catastrophe and this, Celestial Timpani from Yavanika Press

dec 25/WALK

30 minutes
neighborhood
34 degrees / mist-drizzle

An afternoon walk with Scott and Delia. Gray, mild, misting. Some ice on the sidewalk, few cars on the road. Walking on Lena Smith Boulevard, looking over the hill and down into the gorge, I said, that looks so pretty, then realized it probably didn’t to anyone else. The view was gray sky, brown trees, rusted leaves, and the feeling of a river beyond it — a flash of a car or a runner traveling through the tunnel of trees. Scott said, it’s peaceful, but I wouldn’t call it pretty. At first I agreed, but then I decided it did look pretty to me.

A low-expectations Christmas. RJP made gifts for all of us: for Scott, a dark gray hat with yellow trim; for me, a neck warmer in green with a purple stripe; for FWA, light gray mittens. Beautifully crafted. We had a nice dinner, then watched Die Hard for the first time since it came out in 1988. Loved it — even though I could only see about half of it. Scott and I agree: a new tradition.

in the morning

Another Christmas is here. I’m sitting at the dining room table while everyone else is still asleep or hiding out in their rooms. Looking for something, I decided to search through my Safari Reading list — it’s the main way I save links. Found Dorianne Laux’s “Ode to Gray” at the bottom. Very cool! I love this poem and the idea of creating a list of all of the things of a certain color that are meaningful to me.

Ode to Gray/ Dorianne Laux

Mourning dove. Goose. Catbird. Butcher bird. Heron.
A child’s plush stuffed rabbit. Buckets. Chains.

Silver. Slate. Steel. Thistle. Tin.
Old man. Old woman.
The new screen door.

A squadron of Mirage F-1’s dogfighting
above ground fog. Sprites. Smoke.
“Snapshot gray” circa 1952.

Foxes. Rats. Nails. Wolves. River stones. Whales.
Brains. Newspapers. The backs of dead hands.

The sky over the ocean just before the clouds
let down their rain.

Rain.

The seas just before the clouds
let down their nets of rain.

Angelfish. Hooks. Hummingbird nests.
Teak wood. Seal whiskers. Silos. Railroad ties.

Mushrooms. Dray horses. Sage. Clay. Driftwood.
Crayfish in a stainless steel bowl.

The eyes of a certain girl.

Grain.

Ode to Gray/ Dorianne Laux

Oh, and the absolute first thing I have saved on my reading list is a wonderful poem from Tomas Tranströmer (love his poetry!):

After Someone’s Death./ Tomas Tranströmer

Once there was a shock
that left behind a long, pale, shimmering comet’s tail.
It shelters us. It makes the TV images fuzzy.
It settles in cold droplets on the power lines.

You can still shuffle along on skis in the winter sun
through groves where last year’s leaves hang on.
Like pages torn from old telephone books—
all of the names swallowed up by the cold.

It’s still pleasant to feel the heart beating.
But the shadow often seems more real than the body.
The samurai looks insignificant
beside his armor of black dragon scales.

it makes the TV images fuzzy / you can still shuffle along on skis / last year’s leaves / the shadow often seems more real than the body — so many lines that speak to me!

dec 24/RUN

4.25 miles
minnehaha falls
33 degrees
10% slick ice

Great weather for a run. Only needed one pair of gloves and no jacket. For the first mile, I didn’t encounter anyone, but as I neared the falls, more walkers and runners. I tried to greet everyone I encountered with a wave or a good morning. There was some ice, but I only slipped once or twice. The creek was flowing and I could hear the falls falling behind the thick ice columns. Running up the hill and on my way out of the park I heard voices below in the part of the park that is both the bottom of a massive sledding hill in the winter and a wading pool in the summer.

On my way home, I stopped at the bench above the edge of the world and admired the open view to the river below and the other side. Beautiful. Heard more people down below, on the winchell trail.

late night blind spot revelations

Last night, another thought: I’d like to take a break from structured writing that is shaped by a larger project. Time to experiment more instead. Also: time to add to my “How to Be” project, do my year-end summary, and edit my writing experiments list. Oh — and read some more of the poetry books I bought this year.

Discovered this poem the other day and wanted to remember it, especially for how it incorporates research about lichens into the poem:

The Lichens/ Talvikki Ansel

Crinkly-thin, the perfect marriage of algae and fungi, 
furbelowed and curled.


                                               venerable ancestors: strange as vellum, 
                                               an onion poultice, leather jerkin

                                                
Johann Dillen’s portraits of 1741: 
the ‘Strange Charactered Lichen, Black Dotted Wrinkled Lichen,
Leprous Black Nobb’d Lichen,
Crawfish Eye-like Lichen.’

                                                the youngest occupy a wicker couch, 
                                                eavesdrop on the aunties’ tales, wonder 
                                                why so aged-looking, their skin?

‘Wanderflechten’—those who traveled
on deer’s hooves, birds’ feet, hot air balloon baskets over arid land.


                                                travel’s allure, the turquoise ring, scarab bracelet

                                                
Those who embraced the seductions of moths’ wings, 
gave their bodies to the hungers  
of the ‘Brussels Lace Moths, Beautiful Hook-Tips, the Dingy Footman.’

                                                when can we stay out past dawn?

                                                
Lichens who gave sustenance, grew thin,
flailed against famine, 
lichen packed in the bodies of mummies.

                                                these have an aura, a blue-mauve cloud
                                                we can’t imagine the ribs’ furrows

                                                
Erik Acharius, 1808, the “father of lichenology,”  
fastens samples onto herbarium sheets,
lichens’ filaments and flakes suspended.

                                               nice—but not our father, who is spores and fragments

A thin cord anchors lichens to rock,
small bits chip off, wear of paw pad and fur,
take hold elsewhere.

                                               we hear the wind caressing bark

                                                
Lichens swept up by grazing reindeer,
hot breath devouring, rub of meaty tongues,
meat toxic to herders— 
radioactive fallout the lichens never meant to harbor.

                                               ghostly stalks of trees, an ashy forest 
                                               we can barely look

A single spruce hosts a rare green and red-lobed lichen.

                                                the odd one out, the one no one ever set eyes on


Lichens in the armpits of marble statues
differentiated from lichens on the thighs, 
eaten by snails on moonless nights.

                                               moonglow, 
                                               something we don’t know here, no one’s talking

                                                
A hummingbird’s nest, its outer layer  
shingled gray-green with lichen flakes, a point of pride, see—

                                               how beautiful they were, and useful.

dec 19/SWIM

1.5 loops
101 laps
ywca pool

Another swim! Today the pool was not that crowded, and by the time I was done, it was almost empty. Then, after Scott and I got out of the hot tub, it was completely empty. I almost wanted to get in and swim some more. I probably would have if we didn’t need to go shopping. Scott commented on how calm and still it was.

The swim felt good — mostly. At the beginning, a little harder to breathe, but as I warmed up, it got easier. The woman next to me also had an open swim club cap on; I would have said something to her, but I was afraid I was seeing it wrong. She was a strong, slow swimmer. She swam freestyle with some snorkeling and breaststroke mixed in. Many new friends in the other lane: first, someone in black swim trunks, kicking furiously as they swam freestyle for a 50, then stopping, then breaststroke, then a break. They lasted 5 or 10 minutes. Next was someone in an orange suit, doing a slanted breaststroke. After them another fast-ish freestyler. My favorite friend: the shadows dancing on the pool floor. Everything looked almost animated — like a cartoon, not quite real, and also hyper-real.

Continuous 200s again. A ladder of 50s: breathing 2/3/4/5/6/7/6/5/4/3. A set of continuous 100s, with the second fifty faster and more kicking — a 6 beat kick?

In the hot tub, I asked Scott if he wanted to increase his mileage to make his workout longer, so that I could swim longer. I’d like to increase my average per workout from 1.5 to 2 loops/miles. He said yes! I need to figure out some fun writing/attention/imagining/thinking experiments as I swim for January.

This past Tuesday, during the community jazz band rehearsal in which I don’t play, I read more of Jana Prikyl’s Midwood. Some of it I like, much of it I don’t understand, which could mean I need to read it several more times, or that I just don’t like it. Here’s a poem I copied into my plague notebook that spoke to me immediately.

Another Visit/ Jana Prikyl

A flock of Boy Scouts dispersing early morning
from the summits down into the valley
while I looked from the window of another
visit to that city, considering the bus routes
I’d sew together along the rim of the hills
and the park tucked under the shoulder of a slope
I mean to see but never do, made of transparencies
that dropped their leaves on top of leaves
description falls, it’s there without me

dec 14/SWIM!

1.5 loops
100 laps
outside: -5 degrees

I swam 3 times this week! Scott and I decided to go early, before the water aerobics class. For almost the entire swim, I had the lane to myself. In the last 5 minutes, a woman (I think) I shared a lane with earlier in the week joined me. I did my usual swim of continuous 200s, broken up by breathing, but I added a twist in the middle: for a 600, or maybe an 800?, I swam faster and kicked harder on the even 50s (when I was breathing every 4 and 6 strokes). It felt fun to go faster.

Today’s pool friends: shimmying shadows on the pool floor, making everything look strange and off-kilter; the older woman in the pale blue suit who is not particularly fast, but is a strong swimmer; a guy in black trunks who was also a strong swimmer; a guy in olive green shorts walking and stretching the length of the shallow end; my squeaky nose plug; a guy in black shorts with a belt on, aqua jogging in the deep end. No fuzz or unsettling floating things.

I tried to think about my echolocation hybrid piece, but I struggled to keep a thought in my head. Instead I counted strokes, and noticed other people, and turned off most of my conscious thought.

Earlier this morning, I quarried another Emily Dickinson poem: We Grow Accustomed to the Dark:

one syllable: We grow Dark when light put holds lamp Her step night then fit meet road those brain not moon sign star come out grope hit tree in but They learn see sight life straight

two syllable: away neighbor witness goodbye moment newness vision erect larger evenings disclose within bravest  little sometimes forehead either darkenss alters something adjusts itself midnight almost

three syllable: accustomed uncertain directly

my poem:

Brain alters —

gropes the Dark,
hits lamp light,

and meets night
directly.
Away moon!
Away stars!
Goodbye sight.
The moment
adjusts — they
learn larger
uncertainties,
witness newness
within, fit
vision into
the almost,
then meet the
evening erect,
but not straight.

The other day, I came across a powerful poem by Pat Parker on poems.com. Wow!

excerpt from One Thanksgiving Day/ Pat Parker

One Thanksgiving Day
Priscilla Ford
got into her
Lincoln Continental
drove to Virginia Street
in downtown Reno
and ran over thirty people.
Six of them died.

One Thanksgiving Day
Priscilla Fordgot into her
Lincoln Continental
drove to Virginia Street
in downtown Reno
and ran over thirty people.
Six of them died.

. . .

Priscilla Ford
got into her
Lincoln Continental
drove to Virginia Street
in downtown Reno
and ran over thirty people.
Six of them died
and now Priscilla Fordwill die.
The state of Nevada
has judged
that it is
not crazy
for Black folks
to kill white folks
with their cars.
Priscilla Ford
will be
the second woman
executed in Nevada’s history.
it’s her highest
finish in life.

dec 4/RUN

4.3 miles
minnehaha falls and back
9 degrees / feels like 0
50% snow-covered

The coldest run of the season, so far. All the layers, including the hand warmers, which I wouldn’t have used if I didn’t already have an open pair from FWA. No yaktrax today, and I (think I) regret it. I thought the path would be clear enough today without them, but I was wrong. My feet felt very strange when I first started running without the spikes (and without the more cushiony Saucony Rides that I’ve worn all week — today I wore Brooks Ghosts). It was hard, my legs felt heavy. I only wanted to to run a mile. But I kept going and by the time I got to under the Ford bridge I decided that I could keep going to the falls.

The creek is half frozen, and the water still flowing seemed thick and sluggish. Water was still rushing over the ledge, but there was less of it. About half of the falls is frozen with huge columns of ice.

10 Things

  1. the strong smell of weed in the 44th street parking lot
  2. the voices of kids playing on the school playground
  3. the river surface is more ice than water, and white
  4. very few people out walking or running
  5. the rumble of a park worker’s mini-truck at the falls
  6. empty parking lots at the falls
  7. empty benches, too
  8. the smell of a fire on Lena Smith bvld — coming from someone’s chimney
  9. the wind rushed through dead leaves on a tree — they sounded like rushing water
  10. the green gate at the falls’ steps is now closed and locked

I just checked out Jana Prikryl’s Midwood. It’s all about the middle of things, and midlife.

MIDWOOD 1/ Jana Prikryl

Out of the garment of the land
out of the
of

There in the ravine the place
that’s deepest,
bent

I found an interview with her, and found this last bit interesting:

So there is little punctuation, and I avoided titles at first because they’re so performative. Ultimately I realized that without titles the poems ran together too much, but I stuck to two-word titles to keep them all quiet. Many of the titles repeat words from the poem because often the extracted word pair, as a title, pulls new meaning or significance from the phrase. That kind of underlining, and the other kinds of repetition in the book, seem like ways of tightening the screws, bringing the writer and reader into a smaller and smaller room to study these documents together. Hopefully a transaction takes place that is confidential—somehow secret, transgressive, inexpressible in any other form.

Short Conversation with Poets: Jana Prikryl

I’m using repetition in my collection, but I think (or, I’m hoping, at least) that it creates more space, instead of less.

Random things that happened today:

first, an hour or so before heading out for my run, I got another rejection email about 3 of my poems. Slowly I’m getting better at not letting it upset me. Intellectually, I know how hard it is to get something published (5% acceptance rate, roughly), and how much it’s based on fit or reader/editor preference, or some other thing out of my control. Still, it can sting, especially when I really believe in something I’ve written. Today, I’m okay.

second, RJP had to go to a textile event for her textiles class, so I went with her to the Textile Center. Wow! So inspiring and exciting to see RJP in her element and tender as I thought about my mom, a fiber artist, who would have loved coming here.

Third, I’ve known about this song ever since I saw Camp in the theater, back in 1999 (or 2000?), but I don’t think I remembered that it was a Christmas song. I guess because it has turkey in the title, I thought it was a Thanksgiving song. A video of it being performed on The Ed Sullivan Show came up this morning, and I have decided it’s the Christmas song of 2025:

dec 3/RUNSWIM

3.65 miles
trestle turn around
17 degrees / feels like 2
100% snow and ice covered

It snowed again last night. A dusting. I think we might get a lot of snow this winter. Hooray! I’m ready for winter running! Today, I didn’t like running straight into the wind at the beginning, but it wasn’t too bad and it was at my back on the way home. I liked running with the yaktrax. At first, my feet were sore, but that didn’t last long. There were a few runners, some walkers. No skiers or bikers.

Geese! A small vee in the sky, a cacophony of honks under the trestle. When I looked up to watch the geese, I admired the BLUE! sky, with only a few clouds.

Running back, I heard the tornado siren. No worries — it’s the first Wednesday of the month and that’s when they test it. One problem: it’s supposed to be tested at 1, and it was noon. Mentioned it to Scott and his suggestion: someone forgot to adjust the timer for daylight savings time.

Anything else? Near the end of my run, I enjoyed listening to the quick, sharp sound of my spiked feet piercing the snow. The sliding bench was empty. Oh — the streets looked bright silver — caused by the sun hitting the ice and snow on the road. The river was streaked with white, and not completely covered. I noticed traces of dirt on the trail where the park workers had come through to make the path less slippery — they don’t use salt because it would do damage to the river. A small thing, but evidence: of someone else here before me, the daily labor of maintaining safe (and fun) winter trails, and care for others.

Richard Siken!

I think I posted a Richard Siken! heading a few months ago, but his new book is so amazing, it’s worthy of another heading with an exclamation point. Last night, during Scott’s jazz rehearsal, I read more of I Know Some Things, including Sidewalk:

excerpt from Sidewalk/ Richard Siken

It was clear that something had happened that wasn’t going to unhappen. In the emergency room, the woman at the desk kept asking me questions. All my answers were stroke, dizzy, numb. I kept saying the words in different ways so she would understand. She didn’t. She didn’t believe me. They put me in the waiting room, which I knew was wrong, and I realized that I had messed it up because I didn’t call for an ambulance. I kept falling asleep in the waiting room. I looked much worse, slack and crooked, the two sides of my face moving at different speeds. I went back to the desk and said help. They put me in a room. No one believes that I know what I know because sometimes I miss a part or tell it sideways.

Tell it sideways. I love this idea of telling something sideways — and, as someone who does/tells things sideways a lot, I get how it can alienate you from others.

What does it mean to tell something sideways? Of course I’m thinking immediately of Emily Dickinson and tell all the truth but tell it slant, but I’m also thinking about a book I used to teach when I taught queer theory — The Queer Child, or Growing Up Sideways by Kathryn Bond Stockton. And I’m thinking about my peripheral vision and how see/think/imagine in its edges and not in the center.

swim: 1.25 miles
88 laps
ywca pool

It is always a wonderful day when I can swim! I felt strong and relaxed. The pool was not crowded. Everyone got their own lane — all 4 of us. There was a lifeguard on duty, which is rare. I overheard her saying to someone in the hot tub: I love going in the hot tub after a long day of giving swimming lessons! My pool friends today were the shadows. The shadow of the lane line. I liked watching what happened as the pool got deeper: at first it was straight and parallel, but soon it angled. Lots of angled shadows on the pool wall. The floor was shimmying from shadows. The blue-tiled t on the wall at the end of the lane letting you know there’s a wall, looked distorted to me. Almost like the lines at the center of an Amsler grid when I look at it.

locker room encounter

Two older women talking near my locker. Or, one woman talking at the other, speculating on the state of things, talking about bifurcated society and the haves hoarding it over the have-nots and then believing that if it compresses enough, people will fight back. The other woman, not buying it. As she left, the first woman called out, I’ll see you up there. We can sweat it out! After she left, the second woman mumbled, YOU can sweat. When I laughed she explained that she didn’t sweat easily and it was hard for her and she feels uncomfortable when she can’t and she wishes she could just sweat.

My reaction: At first — come on ladies, this is the locker room. We come here to escape and have fun and to not think about the state of things. Then, when I heard that they hadn’t worked out yet, I got it. Oh, you just haven’t worked out yet! Also: I wondered if the second woman (the woman who couldn’t sweat) enjoyed working out with the first woman (who used bifurcated and talked at her and told her they would sweat),

nov 29/RUN

3.3 miles
trestle turn around
26 degrees / snow
100% snow-covered

Wasn’t planning to run outside today, while it snowed, but something changed my mind — was it seeing people walking out my front window? Was it remembering that I have yaktrax? Was it not wanting to run on the treadmill? I’m not quite sure, but suddenly I found myself getting ready to go out, then leaving the house, then running through a winter wonderland. It wasn’t too cold, or too windy, and with the yaktrax, it wasn’t too slippery. There were times when I was cold or when my feet were a little sore from running with the yaktrax, but mostly I enjoyed being out there in the snow. Snow! Covering every inch of the ground, on the bluff, in the sky. The river was pewter and still open, but for how long? Some dog was losing it down below — maybe they were at the white sands beach, or on the part of the Winchell Trail that descends south from the trestle. So much barking. I’d like to imagine there barks were from the joy and the delight or frolicking through the snow.

Anything else? Some other walkers, at least 2 or 3 other runners, 3 fat tire bikers. Climbing up from under the lake street bridge, I listened to dead leaves on a tree shaking in the wind, sounding like gushing water. I heard more trees later closer to the old stone steps. I stopped at the sliding bench and noticed someone walking on the trail that winds beside the white sands beach.

earlier in the day

It is snowing again this morning. Barely more than flurries, but adding to the thin layer already started a few days ago. Encountered this poem on Instagram this morning, and wanted to remember it. It’s from one of my favorite poets/writers, Wendell Berry:

LIKE SNOW/ Wendell Berry

Suppose we did our work
like the snow, quietly, quietly, 
leaving nothing out.

Something else I encountered this morning that I’d like to remember:

Originally found here: Exploring Dakota Lands and Waters

later, after the run

It may have started as flurries this morning, but it’s bigger flakes now, and they’re piling up. 2 or 3 inches. I shoveled right after I finished running and now, 30 minutes later, the deck is covered again. I wonder how much will we get when it stops snowing?

update, Monday (1 dec 2025): It snowed all night. Apparently we got almost 4 inches, although it seems like more to me.

nov 27/RUN

4.5 miles
john stevens’ house and back
27 degrees
wind: 18 mph
25% ice covered path

Too cold and icy for Scott, so no Thanksgiving run together. It’s too bad we couldn’t do it, but he made the right choice. Too much wind, too much ice, too many other people running and walking. He would have been miserable. I didn’t love all the run — it was hard to run into that wind! — but I loved a lot of it. It wasn’t too cold or windy or icy for me. Winter running is back!

10 Things

  1. clip clop clip clop a runner approaching from behind, wearing ice spikes and running on bare pavement
  2. 2 runners descending on the part of the path below the road south of the double bridge, one of them in a bright orange jacket
  3. minnehaha falls was rushing and (almost) roaring — I stopped at my favorite spot to watch it fall fast, and in sheets, over the ledge
  4. sometimes a little cloudy, sometimes bright sun
  5. the train bells at 50th street station were chiming frantically
  6. a group of people paying for parking at the falls — I wish I could remember what woman said . . .
  7. kids voices over at longfellow house — were they sledding down the hill like RJP did, when she was a kid?
  8. the view above the edge of the world was open and wintery and calming — I kept my distance from the bench because there was a big branch that looked like it might fall in the strong wind
  9. a human, in dark clothing, and a dog, standing at the Rachel Dow Memorial Bench
  10. the 38th street steps are blocked off for the season — today they were thick with ice

update, the next day: I forgot about the silver surface of the river! Runnng south, it burned in the distance as bright sun hit rough water. Wow!

Happy to have a relaxed, drama-free Thanksgiving. The kids are doing much better, and are getting along. RJP made the stuffing this year; FWA, mac-n-cheese. I made 2 pies: apple and maple cream. And, for the first time, I made my own pie crust! I’m proud of myself for saying I was going to do it, then actually doing it. Now we just have to see how it tastes.

Friday morning (the next day): The pies were excellent! Both of them, thanks to Smitten Kitchen: Maple Cream Pie and Even More Perfect Apple Pie. Scott said the maple cream one reminded him of pumpkin pie but better. I was delighted by how the 1/4 teaspoon of ground ginger brightened the apple pie. When I took my first bite I said, it’s so bright! that ginger really brightens it up!, which FWA found hilarious.

Found this poem today. What does the Mississippi River Gorge smell like?

Yaquina River/ Lana Hechtman


The river smells like the absence of sea,
like sky that has lost its confidence,

current wafting down the centuries from 
natives who lived and died on these shores,

the breaths of children’s laughter, their songs
ripple the slow water that goes

only at the pace it is determined to go.
The river smells like bufflehead feet and goose

feathers, salmon scales and brown silt,
fallen cedar boughs, dropped fir cones,

like women brave enough to swim
and gritty motor boat bottoms.

Slick as oil, clear as rain.
The river smells like green and bronze,

the blue of berries and purple of night, 
smells of floods and grief, of relief 

in times of drought, of every dreamer
who ever skipped stones upon it.

The river smells of sun’s sloped shoulders
and moon’s languid kisses, 

and the riverbank smells like a place
to plant myself for all my remaining years

rich delta, aroma I have come to love
despite missing the sea.

nov 19/RUN

5.2 miles
bottom and franklin and back
39 degrees

Another great late morning for a run. Overcast, possibly some drizzle/freezing rain/flurries. Not too cold, not too windy. Everything gray with brown and dull yellow. Listened to music because I had the King George song from Hamilton in my head — Billie Eilish, then my time and moment playlists. Even with the headphones in, I could hear a loud rumble below. Some sort of big machine doing something — was it at the white sands beach? I noticed a walker notice the sound too. He was startled, then confused, then curious as he peered down, trying to figure out what was causing the ruckus.

Witnessed a big, dark brown squirrel dart fast across my path. So fast that I didn’t have to stutter-step. Stopped at the bottom of the hill for a port-a-potty stop and to admire the river: blueish gray with little ripples. All open, no ice chunks yet. Stopped again at the sliding bench and in the tunnel of trees just above the floodplain forest. Took out my headphones and listened to the gorge. It sounded like it might be softly raining. Heard loud rustling, saw a flash of movement down below. Felt calm, relaxed.

At the sliding bench, I took a picture of the progress: open! no leaves to block out my view of the white sands beach, only thin branches that I can see through!

sliding bench / 19 nov 2025

One more thing about the run that I almost forgot. During the second half, after I climbed out of the flats, I felt fast and free. I had a huge smile on my face and was almost feeling a runner’s high. I haven’t experienced one of those in a while.

more of echo location

echolocation: using sonar flashes to “see” / interpreting echoes (as sound, as reverberations from the past) / navigation / location / locating and being located / finding being found / placing being placed / listen for echoes / gain substance and become an echo / repeat, not same but similar / the location of echoes / an indication of a big and open space / using words and sounds and syllables to place my self, to become more than ghost, girl

“Echolocation is the act of emitting a sound that bounces off an object or surface and comes back to you as an echo. This echo can help determine distance, location, motion, size, shape or surface material” (source).

Passive echolocation is sound that occur incidentally in the environment. As a car travels through a tunnel, the sound changes as the car enters the tunnel, travels through it and exits the tunnel. The sound your cane makes on the ground as you tap or roll will be different when you are next to a building compared to in an open area without obstruction.

Active echolocation, on the other hand, is sound you consciously produce like clapping your hands or clicking your tongue. Eventually, the sound you create bounces off other objects and comes back to you. Since your brain is familiar with the sounds you make, the echoes are easier for you to distinguish. By consistently emitting a sound and waiting for the sound to change, you can use active echolocation to help you navigate through an environment.

source

 How does the
sound of your
footsteps change
as you move
from tile floor
to carpet?
Listen to
the sound your
voice makes when
you are in
a small room
compared to
a large room.

Sit in a
moving car
passing by
parked cars. Roll
your window
down. Listen
to how sound
shifts between
each parked car
as you pass them.

you learn to
hear doorways
and walls and
wide open
spaces

Echolocation is an interesting metaphor within poetry and an important practical approach to navigating an unseen (or not seen) world.

Location for me is about recognition — being seen, offered a place in the family of things, and recognizing others (being held by/holding). And it is also about literally locating and navigating a world. As my vision fails, what other ways can I safely move through space?

And, here are a few lines from U A Fanthorpe that link echoes with ghosts and remind me of echolocation — especially those humpback whales:

Ghosts of past, present, future.
But the ones the living would like to meet are the echoes
Of moments of small dead joys still quick in the streets

These are the ghosts the living would prefer,
Ghosts who’d improve our ratings. Ghosts
Of the great innocent songs of freedom
That shoulder their way round the world like humpback whales