Tag: poem

sept 30/MARATHON WEEK

The first day of marathon week. The 15th anniversary of my mom’s death. 11 years after witnessing the marathon near Lake Nokomis, feeling the magic of it, and knowing that one day I wanted to run this race. In 2013, I had been running for 2 years, not that long but long enough to believe that this distance was possible.

The horrible way my mom died in 2009 — slowly, painfully, her strong body prolonging her suffering for more than a year– forced me to confront a truth I hadn’t yet, even though I was 35: our bodies will fail us.

note, 1 oct, 2024: Instead of fail, I first wrote betray, our bodies will betray us. It seemed too strong, but fail doesn’t seem strong enough. Maybe: our bodies can betray us? Or, instead of “forced me to confront” I could say, The horrible way my mom died in 2009, transformed my understanding of my body; I began to fear it, to believe that one day it would betray me.

For me, training for and getting to the start line of this marathon, especially not being able to do so in 2017, is an acceptance of that failing and an expression of deep (and complicated) love for my body.

I love how athletes believe in the body and know it will fail them.

Love/ Alex Dimitrov

Inspired by a writing prompt, I just checked out Marianne Moore’s collection, Observations. Another color poem!

In the Days of Prismatic Color/ Marianne Moore

not in the days of Adam and Eve but when Adam
was alone; when there was no smoke and color was
fine, not with the fineness of
early civilization art but by virtue
of its originality; with nothing to modify it but the

mist that went up, obliqueness was a varia-
tion of the perpendicular, plain to see and
to account for: it is no
longer that; nor did the blue red yellow band
of incandescence that was color keep its stripe: it also is one of

those things into which much that is peculiar can be
read; complexity is not a crime but carry
it to the point of murki-
ness and nothing is plain. complexity
moreover, that has been committed to
darkness, instead of granting it-

self to be the pestilence that it is, moves all a-
bout as if to bewilder us with the dismal
fallacy that insistence
is the measure of achievement and that all
truth must be dark. Principally throat,
sophistication is as it al-

ways has been — at the antipodes from the init-
ial great truths. “Part of it was crawling, part of it
was about to crawl, the rest
was torpid in its lair.” In the short legged, fit-
ful advance, the gurgling and all the
minutiaæ — we have the classic

multitude of feet. To what purpose! Truth is no Apollo
Belvedere, no formal thing. The wave may
go over it if it likes.
Know that it will be there when it says:
“I shall be there when the wave has gone by.”

I do not understand this poem or get many of its references, but it’s about color and there’s something in her mist and murkiness and the dark that is inviting me to read it a few more times.

sept 26/RUN

10k
flats and back
59 degrees

Warmer than I thought this morning. Lots of sweat. Sun. Shadows. Sparkling water. Ran past the road closed on Oct 6 (that’s for the marathon!) and smiled. Not long now. I felt fine. My big toe on my right foot stung a little. My right foot is a bit of a mess: an in-grown big toenail, a blackish-purplish second toe, another possible in-grown toenail on the fourth toe. I think it will all be fine — nothing’s infected and it doesn’t hurt that much.

10 Things

  1. a coxswain’s voice, calling out instructions
  2. a motorboat’s wake, leaving soft ripples on the surface of the river, moving upstream and contrasting with the motion of the water heading downstream
  3. ahead of me, under the 1-94 bridge, the river sparking silver
  4. water seeping out of the limestone below the U of M’s west bank, wanting to be a waterfall
  5. my shadow, running ahead of me: sharp and solid
  6. several of the benches were occupied — one person at each
  7. a few more red leaves — a bright, fiery red
  8. the rhythmic snap of a fast runner’s striking feet
  9. cracks in the asphalt just north of the trestle — they just patched these in late spring and the entire stretch was redone 2 or 3 years ago — in 10 years will you even able to run on this section, or will it have slid into the gorge?
  10. someone left the lid of the trashcan below the lake street bridge open — wow, it stinks!

Here’s a poem I read yesterday that I liked to add to my collection of shadow poems — I might also add it to my growing group of moment poems too:

On a Walk/ Heather Christle

My child is upset that they cannot jump over their shadow.
They want me to help them. They want me to teach them
how it’s done. The best I can do is an invitation

to jump over each other’s shadows instead. This satisfies them
for a moment and then the moment is gone. In sunlight
my shadow loves to give me a little dose of sorrow,

the beams having traveled so far only for the lump of me
to get between them and the ground. They came so close.
If I were the earth I would resent me too. My child

has gone into the next moment. I have to catch up. They say
they are riding a horse. They point and it drags them away.

I read this wonderful quote from Hanif Abdurraqib the other day in one of my favorite former grad student’s newsletter. It’s about the ekphrasis form and is helpful for thinking about my “How to See” project:

Many of us live in an ekphrasis mindset. We are often executing ekphrasis storytelling…creating a story based off of that witnessing. I don’t ever want to move beyond that desire to say, I saw something and I know that you were not there to see it. But I can build the world wherein you felt like you have witnessed it alongside me.

via rachael anne jolie

I want to build a world about how I see with my dead-coned eyes in my poems, partly to feel less alone and isolated and partly to invite people to think more what it means to see (and to not see).

Last night, Scott and I were watching “Escape to the Country” and one of the escapees (Carol from Hertfordshire) was registered blind. She sometimes used a white cane and had some help from her husband in navigating, but she could make eye contact and see some of what was going on. When the host (Jules) asked her to explain her vision, she said she could see about 20% of what he could, enough to get a sense of the space, but not clearly. I appreciated that Jules had asked her to explain her vision (and impressed with the positive, non-tragic way they depicted her throughout the episode), but I wanted more. I wished she (and/or the show) had had an ekphrasis mindset and offered additional details about what seeing/not seeing is for her. The host, Jules, suggests, “Fundamentally, understanding how she sees the world is going to be crucial to finding properties that will absolutely deliver.” Even a sentence or two more might have helped in that understanding.

I wondered what someone who had never thought about the process of seeing or the spectrum of no-sight to full-sight made of her description and how she (fairly) easily/”naturally” moved through the world. After my run, I decided to google the episode and see if I could find more information about the woman, like what her condition was, etc. I was disappointed to discover headlines describing her blindness as “heartbreaking” or that she told of it, “with tears in her eyes.” That’s not how I perceived it. Admittedly, I can’t see faces clearly enough to grasp slight facial expressions, but this woman did not seem heartbroken and if she had any tears in her eyes, it was because she was looking into the sun. This was not a tragic episode; she and her husband were excited to move. These headlines seem to be typical examples of writers projecting their own fears and negative understandings of blindness onto blind people (or people with low vision, or people who see differently). Blind = tragic = heartbreaking = pity.

Scott and I watched the brief, 10 second clip that this “heartbreaking” description is based on, and he agreed that she wasn’t upset or crying. Her description was neutral and matter-of-fact. Sigh.

At the beginning of my run, I thought more about the ekphrastic mindset and asked myself, what is art? I didn’t come up with an answer — a task for another run!

one more thing to add: Talking with RJP about my various projects, she introduced me to a new phrase for describing the dirt trails that walkers/runners make in the grass: desire paths. That should be a title for one of my gorge poems, for sure!

sept 18/YARDWORK

30 minutes
cutting back moldy peonies
78 degrees

Every late spring, the peonies return. First shoots that look like asparagus to me, and which I try (and usually fail) to wrangle into wire hoops before they get too unruly. Then big bulbs. Then ants crawling on the big bulbs. Then red, pink, and white blooms that last only a few days — and less when it rains. Then ugly brown clumps that I eventually prune. Then white-ish, gray-ish mold on the leaves. When they get to the mold stage, I usually cut them down; the mold could be the reason Delia-the-dog itches in the summer. A few days ago I noticed mold, so this late morning I cut down the last of the peonies. Winter is coming.

7 Things

  1. some bug has been feasting on the hosta leaves, so many ragged holes!
  2. our crab apple tree seems to be dying — withered leaves, bare branches too soon — is it the ants?
  3. stepping around the yard, trying to find Delia’s poop, the ground was riddled with craters and divots and soft spots — is it the ants?
  4. often they hydrangea leaves are dropping and sprawled and tangled — this year at least two stalks are standing up straight and nearing the top of the fence — are they trying to avoid the ants?
  5. no matter how hard I try, I can’t ever see wasps flying in or out of the giant, papery nest they’ve built at the top of the crab apple tree — Scott does and it always stresses him out
  6. a greeting from a neighbor — hello! hi!
  7. there is a daycare next door and almost every day this spring and summer, 2 little kids have had recess, which involves shouting and non-stop running back and forth across the neighbor’s front yard and our side yard. It is strange and a bit haunting to see these short figures dart across my vision — sometimes I feel almost, but not quite, like I’m watching a horror movie

I was listening to a podcast (Nobody Asked Us), so 7 things was all I could remember.

Still Water/ Patricia Fargnoli

“What times are these when a poem about trees is almost a crime because it contains silence against so many outrages.” – Brecht

And why not silence?
Ahead of me, Goose Pond parts pale water
and my canoe slides through into June sun, cathedral quiet,

      soft plums of cloud.

A thin gauze of rain stalls over Mt. Monadnock.

This is the way I drift

from each skirmish with the world
to the diplomacy of light
as it flares off the water,

  flickers among the flute-notes

of birds hidden in the leaning birches.

Would you condemn me?

I’ve already held the old bodies of grief
long past morning; leave them
to the ministrations

  of the dirt-borers

who work what is finished back into the earth.

Some atrocities are beyond redemption–

you know them already–
the world will be the world no matter.
I want the blinding silver of this small pond

      to stun my eyes,

the palaver of leaves to stop my ears.

sept 6/RUN

10 miles
confluence loop*
57 degrees

*lake street bridge / east river road to confluence / highway 5 bridge / fort snelling / past minnehaha dog park / minnehaha falls / west river road

Ran with Scott on a loop I’ve wanted to do ever since we tried part of it last November. Because there are several isolated stretches, I’ve never wanted to do this run by myself. I’m glad Scott could come with me today. It’s a great loop.

Near the beginning of the run, I recited the poem I just memorized, “To the Light of September” and we talked about blue plums and whether we’ve ever eaten them (no). Scott wondered where Merwin was writing about — the landscape seemed familiar. I know Merwin ended up in Hawaii, but I thought he might have taught at Iowa or on the east coast. Looked it up and he was born in NYC and lived there — and in Spain and France too — in his early adult years. In the 70s, he moved to Hawaii.

10 Things

  1. the fee bee of a black capped chickadee
  2. bright red leaves in the low bushes
  3. all the yellow leaves on a the tree near Marshall last week are gone this week
  4. the shshshsh of the sandy dirt with every foot strike
  5. what a view of the mississippi from high above as it rounds the bend!
  6. crossing the highway 5 bridge, admiring my shadow down below, running over the treetops
  7. the disorienting effect of the sun coming through the railing slats as we ran
  8. a cloud of grasshoppers at fort snelling — jumping out of the way just before we reached them
  9. a man walking above the falls in BRIGHT yellowish-orange shorts
  10. a cloud of dust, which I thought was smoke at first, stirred up by construction work at the site of a new house

During mile 6, we ran up a long hill that wasn’t too steep but was in the sun and faced the wind and seemed to stretch on forever. At the start of it I thought I wouldn’t be able to keep going, but I put one foot in front of the other and didn’t stop, and I made it. At the top there was shade and I called out, Victory!

For the first 8 miles, Scott and I ran for 9 minutes, then walked for 1. Our pace was at least a minute faster than when I’m running on my own. Nice! I’ll have to do more 9/1 on my 18 mile run on Sunday.

added a few hours later: I almost forgot about the gnats! So many gnats swarming us as we ran from Fort Snelling to the falls. Scott was particularly bugged by them. Mostly I didn’t care, but at least one or two flew into my mouth. Thankfully, not down my throat!

I love anagrams and the spell they cast on words, and I love this poem, which was the poem of the day on the poetry foundation site:

Anagrammer/ Peter Pereria

If you believe in the magic of language,
then Elvis really Lives

and Princess Diana foretold I end as car spin.
If you believe the letters themselves

contain a power within them,
then you understand

what makes outside tedious,
how desperation becomes a rope ends it.

The circular logic that allows senator to become treason,
and treason to become atoners.

That eleven plus two is twelve plus one,
and an admirer is also married.

That if you could just rearrange things the right way
you’d find your true life,

the right path, the answer to your questions:
you’d understand how the Titanic

turns into that ice tin,
and debit card becomes bad credit.

How listen is the same as silent,
and not one letter separates stained from sainted.

sept 5/WALK

35 minutes
neighborhood, with Delia the dog
68 degrees

Today, I convinced an anxiety-ridden dog to go for a walk. What a beautiful, late summer/early fall morning! Wow. Our pace was slow, with Delia stopping to “read the news” at every tree, but I didn’t mind. I tried to stand straight and felt the calm in my core — a stillness so sweet it almost buzzed or hummed. Speaking of buzz, Delia stopped to smell some pink zinias and right next to her nose a bumble bee hovered. Only for a moment, then it flew off to the next blossom.

10 Things

  1. a city pick-up truck with a yellow arrow flashing on the bumper as it drove by
  2. a thick and long root sticking out of some boulevard dirt where the grass had been removed
  3. an shaded balcony on the second floor of a house across from 7 Oaks
  4. a chattering squirrel
  5. the steady, relaxed rhythm of a shirtless runner with a baseball cap on backwards
  6. big, bright pinkish-red blooms, emerging from a bush
  7. soft shadows cast across a big boulder
  8. a shaggy, scruffy tree, needing a shave, leaves covering the trunk and whole branches
  9. a steel planter on a boulevard filled with carrot greens, looking to my untrained eye like they were ready to be picked
  10. a neighbor across the alley dumping some cans in his recycling bin — hello! / hi!

Found this poem the other day, Painblank/ Daniel Borzutsky. So good! Instead of posting the entire poem, here’s the author’s helpful description:

About this Poem

I have said Emily Dickinson’s line ‘Pain has an element of blank’ in my head thousands of times…. I don’t know how many times I have tried to make sense of something only to conclude that the best poetic solution available is to say that it’s blank—the blank in the blank of my blank, the blankest of times, the blankness into which we all digress. Perhaps the thing about Dickinson’s poem is the way in which pain is enveloped so completely by, well, pain itself. But also, the problem of pain’s untranslatability, its blankness, resides in the sounds and symmetry of the words. What I’m suggesting in this translation of Dickinson’s Pain-Blank relationship is a reading and writing practice that believes in two things: that repetition is never repetition and that poetry, like pain and blankness, resides in the body. Perhaps poetry has the ability—definitely for the writer and perhaps for the reader—to assimilate into the body, to become inseparable from it, to become a language that is ingested through sonic relationships that have an effect beyond time, logic, and comprehension.

Daniel Borzutzky

And here’s the Emily Dickinson poem that inspired Borzutsky:

Pain–has an Element of Blank–/Emily Dickinson

Pain—has an Element of Blank— 
It cannot recollect 
When it begun—or if there were 
A time when it was not— 

It has no Future—but itself— 
Its Infinite Contain 
Its Past—enlightened to perceive 
New Periods—of Pain.

sept 3/YARDWORK

45 minutes
gathering twigs, mowing the lawn
75 degrees

Listened to a podcast (Nobody Asked Us) while I “mowed” the front yard with our reel mower, which does more pushing down grass than cutting it. Then gathered and broke down twigs on the side of the house. It’s the first day of public school today and the first year since 2008 that I don’t have a kid in public school. One is a senior in college, the other will start their first year in the spring. Mostly I’m glad to be out of this stage, but it’s still seems strange for it to be over.

Here’s something I’d like to remember from the wonderfully whimsical poet, Heather Christle. She’s responding to this line from an essay criticizing ChatGP

The point of writing an essay is to strengthen students’ critical thinking skills; in the same way that lifting weights is useful no matter what sport an athlete plays, writing essays develops skills necessary for whatever job a college student will eventually get.

First, she suggests alternatives to “whatever job a college student will eventually get”:

  1. delighting in the diction and syntax of your beloveds and strangers
  2. recognizing the nature of lies uttered by those who wish to wield power over you
  3. composing nonsensical songs while puttering about one’s day…

Yes! These are all things important for an education in how to live a life!

Second, she responds to the strength/lifting weights analogy:

“Rather than relying on an analogy focused on strength, what if we chose to think of freedom, flexibility, and foolishness?”

freedom, flexibility, and foolishness

I love these ideas, where all three encourage possibility and openness and generosity, which are fundamental skills needed in order to navigate the divisions and anxieties and crises of the 21st century.

And, here’s a poem I read yesterday that I love — that last line!

Fullness/ Edward Salem

Behind eternity isn’t
more eternity. Nothing
lies in wait. Maybe you

think of it as a vacuum,
a void at the center of
the universe, a dot

that went all ways
at once, an asterisk,
footnote to everything.

Nothing is the Godhead
that gobbles the world
in one fell swoop,

but has no anus.

aug 31/RUN

4 miles
marshall-loon loop*
70 degrees

*north through the neighborhood, over to lake street, up the marshall hill, turn right at prior, then right at Summit, down to the river, back over the bridge, stop at Loons for coffee

Ran with Scott this late morning. We talked mostly about our son and how to help him as he tries to figure out what he can do with his music major after he graduates next year. Scott pointed out the signs on the huge and fancy houses on Summit opposing the new hockey arena at St. Thomas. I pointed out the one streetlamp that is still lit on the St. Paul side.

10 Things

  1. pink and orange zinnias in a yard
  2. a shrieking (or hissing?) squirrel in a tree
  3. a blue river, emptied of boats
  4. a bright yellow chair outside of a salon
  5. a dead black-capped chickadee on the sidewalk
  6. a biker slowing then calling out, on your right, before passing us on our left
  7. people sitting outside, laughing and enjoying their coffee at Loons
  8. a friendly barista*
  9. the bathroom for the building, which has always been open now has a keypad on it**
  10. not seen, but described by Scott — being blinded by the sun reflecting off of the flat, metal surface of a stupid cybertruck***

*I’m realizing as I write this that I couldn’t see this barista very clearly and I’m wondering if my vision has gotten worse and I’m so used to it that I hardly notice.

**Customers at Loons and Longfellow Grill now have to punch in a code to use the bathroom. I think the bathrooms should be open. I was wondering if they were having too many people coming up from the river just to use the bathroom. Up until last fall, there has always been a porta potty under the lake street bridge for runners, walkers, rowers, and people living in the gorge. They should bring it back — everyone should have access to a bathroom!

***I’m not sure I’ve ever seen one of these abominations, but Scott HATES them. They sound terrible.

Mountains/ Alice Oswald

Something is in the line and air along edges,
Which is in woods when the leaf changes
And in the leaf-pattern’s gives and gauges,
The water’s tension upon ledges.
Something is taken up with entrances,
Which turns the issue under bridges.
The moon is between paces.
An outlet fills the space between two horses.
 
Look through a holey stone. Now put it down.
Something is twice as different. Something gone
Accumulates a queerness. Be alone.
Something is side by side with anyone.
 
And certain evenings, something in the balance
Falls to the dewpoint where our minds condense
And then inslides itself between moments
And spills the heart from its circumference;
And this is when the moon matchlessly opens
And you can feel by instinct in the distance
The bigger mountains hidden by the mountains,
Like intentions among suggestions.

I think this poem fits in with my study of the in-between moments. So many great lines in the last stanza: falls to the dewpoint where our minds condense; spills the heart from its circumference — I like this idea of a leaky heart that breaks open/out of its borders; intentions among suggestions.

aug 26/RUN

3.1 miles
river road, south/north
77 degrees / dew point: 75

Heat advisory. Today is one of those days that makes me glad that fall is coming, especially since I can’t swim anymore. I’m looking forward to cooler runs — please come soon. I heard a pro runner say once that humidity is a poor man’s altitude. I wonder, since my body doesn’t tolerate humidity well, would it be the same with altitude? Probably.

Today is RJP’s first day of college classes. It has worked out for her to regroup and not stay in the dorms until she’s ready because her dorm doesn’t have air conditioning. Even if she was enjoying the dorm, she probably would have come home until the heat breaks anyway.

10 Things

  1. exposed roots everywhere on the dirt trail, difficult to navigate
  2. one short stretch of the trail had loose, sandy dirt that my feet sunk into
  3. forecast predicted partly cloudy, but the sky was cloudless and burned a bright blue
  4. car after car after car on the river road — this is often the case at 8, which is when I started my run
  5. loud waves of cicada buzz
  6. noisy bullfrogs and crickets in the marshy meadow just past the ford bridge
  7. more bikes than walkers or runners
  8. the dirt path into the small wood by the ford bridge: a deep, cool green
  9. a flushed, sweaty face
  10. a woman in a big straw hat and a pink something — I can’t remember if it was her shoes or pants or a shirt; I just remember pink — sitting on a bench, her back to the gorge

today’s view from my window

On august 26, 2023, I wrote about a big spider outside of my window. She’s back. She’s huge. And she’s just hanging there in mid-air. I know there’s a web, but I can’t see it, so I like imaging she’s levitating. I was going to write that she’s not moving, but then the wind stirred her, and then I noticed a small fly caught in her web. Soon, she crawled to it and now she’s doing whatever spiders do to their prey. If it didn’t hurt my head to stare and try to see what is happening, I could watch her for hours.

I looked for a Mary Oliver poem about spiders, but instead found a blog post talking about spiders and their patience and referencing a poem by MO that I haven’t read before:

The Messenger/ Mary Oliver

My work is loving the world.
Here the sunflowers, there the hummingbird—
     equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand. 

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
     keep my mind on what matters,
which is my work, 

which is mostly standing still and learning to be
     astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here, 

which is gratitude, to be given a mind and a heart
     and these body-clothes,
a mouth with which to give shouts of joy
     to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
     that we live forever.

aug 22/RUNSWIM

3.7 miles
marshall loop
61 degrees / humidity: 80%

Cooler, but thicker air. Did the Marshall loop for the first time in months. Running up the Marshall hill wasn’t too bad. I don’t remember what I thought about, except briefly hearing my steady foot strikes and imagining them to be a stillness in contrast with the traffic and the wind and the noises everywhere around me.

10 Things

  1. running up the hill, I felt the presence of orange — pinkish orange light. Was it from a wildfire sun? an orange sign?
  2. zinnias! more orange and pink
  3. running past Black coffee, noticing a man sitting at the counter, facing the window — I think he was reading the paper
  4. running past a walker on the hill, breathing as hard walking as I was running
  5. messed up slats on blinds in the window of the garage that is up against the sidewalk — blinds in a garage?
  6. steady traffic on the east river road
  7. overheard, a runner talking to 2 other runners: and when you got injured, and you got covid, I realized, ok they’re human too
  8. the river, running towards the marshall bridge — slate blue, empty
  9. yellow leaves on one of the earliest trees to change color
  10. an unusual stone stacking! 3 different stacks precariously placed on the slanted part of the boulder

Running on Cretin, I saw (but didn’t stop to read it) another poem from the St. Paul poetry project. I checked the map and maybe it was this one?

Untitled/ Pat Owens (2010)

A dog on a walk,
is like a person in love – You can’t tell them
it’s the same old world.

Saw this quote from Louise Glück and wanted to remember it:

I tell my students who believe passionately in explaining the work they’re sharing, “You know, when you’re dead, you can’t go around explaining this thing–it has to be right there on the page.”

Interview with Paris Review/ Louise Glück

Continuing to think about still and its many meanings.

still (def.)

  1. a static photograph, movie still
  2. an apparatus used for the distillation of liquids
  3. inactive, motionless, static
  4. silent, soundless
  5. placed, quiet, unruffled, tranquil, smooth
  6. noneffervescent, not sparkling
  7. free from noticable current
  8. calm down, quiet, lull, tranquilize
  9. hush, silence, shut up
  10. allay, relieve, ease
  11. without change, interruption, or cessation
  12. howver, nonethelss, yet, all the same, even so, nonetheless

swim: 5 nokomis loops
cedar lake open swim
74 degrees

Since Lake Nokomis is closed due to the sewer break, the final open swim was at Cedar Lake. It was windy and felt much cooler, both in and out of the water, than mid 70s. Brrr! Even before I got in the water, I had goosebumps. The water was very choppy — lots of breathing on my right side, some breathing every 2 strokes. I’m glad I didn’t really need to sight because it was difficult to see anything in the choppy water.

10+ Things

  1. sailboat with a white sail — have I ever seen a sailboat at cedar?
  2. a tall person, upright, on a paddle board with a dog
  3. scratchy vine, stuck on my googles
  4. scratchy vine, wrapped around my shoulders
  5. scratching vine, feeling almost like a full body scan as I crossed over it
  6. vine, reaching up from the bottom, clinging to my foot
  7. faint feelings of red and orange in the trees
  8. following behind a swimmer with a pink buoy, always just ahead, sometimes getting lost in the waves
  9. the soft, fading light as the sun dipped lower
  10. pale blue sky with feathery clouds
  11. a seagull span soaring above the water, looking for fish?

The last open swim of the season. As I swam my final loop, tired out from the waves and cold, I tried to take the moment in. Such a wonderful season. I leveled up — swimming much longer and for more loops. I felt strong and confident and not afraid when I couldn’t see anything but water and sky and Tree. Part of me wishes open swim would never end, but the rest of me knows that 10 weeks of swimming this much, especially outside in a lake, is enough. In January and February, I’ll remember the first orange buoy looking like the moon in an afternoon sky or the glow of orange when the light hits the buoy just right or the gentle rocking of the waves or that satisfied feeling after 90 minutes in the water.

aug 14/RUN

8 miles
ford-franklin loop
70 degrees / dew point: 64

Oh that sun! Too bright and warm! Advice for future Sara: get up earlier and pick a route in the shade. The sun sapped my energy and made me sweat even more than usual. Dripping ponytail, wet shirt, damp face. Had a few brief thoughts about cutting the run short and crossing at lake street, but didn’t. I remember reaching that bridge and hearing a voice in my head whisper, there’s no turning back after this. I’m proud of myself for continuing with the run. Did it get easier? I’m not sure, but I didn’t think about stopping again or doubt that I could keep going, and the last mile felt good, like I could have run longer.

On the warm-up walk before starting my run, I walked over dozens of acorns on a neighbor’s sidewalk, under their huge tree. As I walked, I could hear more acorns falling. I wondered if one would land on my head (it didn’t). I’ve been noticing the acorns for the last couple of weeks, hearing them hit garage roofs and the alley asphalt while sitting on my back deck. Usually the acorns begin falling at the end of July, so mid-August is a little later for me to start noticing them.

All I remember about crossing the ford bridge was that I had just started and I was already overheated. So hot in the sun! Running (and walking) across the franklin bridge, I looked for rowers (none) and noticed the sandbars just beneath the surface and the current, moving fast. It reminded me of some lines I read from Gave by Cole Swensen:

from Gave/ Cole Swensen

You walk alongside the river. No; you walk always with. Not down, or along, or beside. And you can’t help but measure–is it moving faster? And does that mean each molecule of water? Or does a body of water form internal bodies, pockets that move in counterpoint, in back-beat, in eddies? And does the surface ever move? Or is it something underneath that does? Of course, yes, the molecules of water that form the surface must certainly go forward, but does that mean that the surface itself moves too? Then what is a standing wave? What stays? I watch a large branch being carried down by the river, and then a kayaker, moving faster, then turn to walk back upstream like I’m walking into the arms of some thing.

I haven’t thought much about the distinction between being with and beside. I like beside as next to, and imagine it as a possible form of being with the thing you are in proximity to — a new way of being in community with others?

Reading through a great article about Lorine Niedecker, Dwelling with Place: Lorine Niedecker’s Ecopoetics, I’m wondering if a focus on with, and not just beside, is partly about seeing the river as another community member, not a thing/landscape/scenery you walk beside, but someone you walk with. And now, reading the CS’s lines again, I’m thinking of the idea that the walking with the river is describing how the water is moving too, so you’re not just walking past something that’s next to you.

I’m also thinking about the Sheldrake quotes I posted at the end of yesterday’s entry, on stability and flux and how we (bodies) are processes, not just things. Some of CS’s questions seem to be getting at this, wondering what part of the river fluctuates, and what part of it is stable.