4.6 miles minnehaha falls and back 11 degrees 100% snow-covered
A wonderful way to start the new year: a run outside, in the snow, above the gorge! There were moments when it felt easy, but mostly it was hard because of the uneven, loose slow. I think my calves are going to be sore all day from the effort! Not injured, just tired from being used to push through and keep balance in the snow. Ever since we got the 5.8 inches of snow last weekend, it has been snowing a inch of two every night. It’s beautiful, but not fun to drive in — I’ve heard; I haven’t driven in at least 5 years because of my vision. It’s not always fun to run in (and on), either. But I’m not complaining, I loved being out there today.
I encountered runners, walkers, at least one fat tire. No cross country skiers or regulars. I heard some people sledding at the park, and the light rail leaving the station — oh, and a woman saying to someone she was walking with, I just need to get the shoes and I’ll be fine. What shoes? Fine for what?
10 Things
a bright while, almost blinding — I’m glad I had some dark tree trunks to look at
snow on the side of a tree making a pleasing pattern on the textured trunk
the falls were falling and making noise — more trickle than gush
the dark gray water of the creek was moving through shelves of ice and snow
the sounds of my yak trax in the snow: crunching and clopping and clicking
the smell of a chimney smoke hovering in the air
a small dome of snow on top of a wooden fence post
empty benches
a crunching noise behind me: crusty ice in my braid hitting the collar of my jacket
overheard: an adult to a kid playing in the backyard, are you having fun?
Running up and out of the park, I had a moment of freedom and happiness — ah, to be outside moving in this fresh air and all of this snow! I thought about my wonderful, low-key New Year’s Eve with Scott and our kids, both of whom are doing so much better at the end of the year than they were at the beginning, both excited and hopeful about the next year.
Today I’m submitting my book manuscript to another press, Yes Yes Books. Before I went out for my run, I drafted a pithy description of my collection, Echolocate | | Echolocated:
“Echolocate, echolocated: to locate using echoes instead of sight, to be located by the echoes you offer. In this collection, a girl and her ghosts visit a gorge daily to locate and be located by the rocks, a river, and the open air and all who are held by it.”
Here’s a beautiful poem I discovered the other day about (not) naming.
2.5 miles river road, south/north 20 degrees 100% snow-covered
We got another dusting of snow last night, so the path was covered in an inch or two of soft, uneven snow. Harder to run through, but not slippery with my yak trax. A few times, I could feel the spikes digging into slick spots. It was beautiful and I would have loved to run longer if the surface had not been so uneven. Halfway through, I stopped to hike down to an overlook on the winchell trail. Quiet, white, too bright. I encountered a few other runners, 2 trios of walkers. A fat tire. Walking back, I saw a small kin on disc sled sliding down a hill in his yard.
10 Things
the rumble of a blue snow plow
a line of cars driving very slowly along the river
the dark curve of a retaining wall
heavy, white sky
the strong smell of weed coming from a car parked in the 44th street parking lot
a sheet of dirty snow on the road, stirred up and flung by the wheels of a mini-van
a kid sledding down a very small hill
no ice or puddles, only powdery white snow on the path and light gray ridges of snow on the road
empty benches everywhere
the vine with orange leaves on a neighbor’s fence, some of it had snow — little white spots of ice? snow? making patterns on other parts of the fence
vine with ice, snow, orange leaves, on fence / 30 dec 2025
This image is most vivid when I look at it on iPhotos. Is it because the quality is higher? When I noticed the white spots on the fence — directly, not through a phone or computer screen — these spots were only small white dots. In the photo, they look bigger and I can see small vince steps. Very cool and strange. I might make this photo my wallpaper!
With these 2.5 miles, I reached my goal of 950 miles for the year. I took some time off in May (because of my back) and I swam a lot more this summer, so I’m happy with 950. Next year, at least 1000 and the marathon again!
2025 cento: lines I love + lines I can relate to
It’s time for another cento created out of poems I gathered this year. First, I read through all of the poems and tried to pick out (at least) one line from each. Then I pasted these lines into a document, then printed it out. I cut out the lines, which took forever (and is very taxing on my eyes!).
favorite lines in a pile
Then I arranged the lines on a table, in no particular order:
2025 poetry lines
Now, it’s time to have fun! The first experiment: quickly divide the lines into 2 categories: 1. I love and 2. Does this happen to you?
an explanation: Each cut-out included the lines and the poem’s title and author in parentheses at the bottom. I tried carefully to make sure that the lines were always grouped with the title/author. But, on 2 occasions, I noticed lines that had no citation: I love and Does this happen to you? I decided to make those the titles of 2 different sections of the poem.
5.25 miles bottom of franklin and back 38 degrees humidity: 90%
Even more wet today than yesterday. I was prepared for these conditions because I asked FWA, when he got back from walking Delia and before I went out for my run, what it was like outside and he said, like yesterday but wetter. Yep. Today I ran north instead of south. Puddles everywhere. Like yesterday, I tried to avoid them, and like yesterday, I was successful until I wasn’t and then I squished squished squished for the remainder of the run. Even though they were wet, my feet weren’t cold. In fact, I was warm — dripping sweat. Saw and greeted Daddy Long Legs twice. Hello!
For the first 4 miles, listened to the gorge. For the last mile, Sight Songs (originally titled “Eye Tunes” but that name was too confusing for Siri), on shuffle. The song I remember the most was “Breakfast in America” and the twisted return of the opening lyrics:
Take a look at my girlfriend
and
Don’t you look at my girlfriend
10 Things
the surface of the river, closer up, under the I-94 bridge — glossy, looking like the surface of the ice skating rink at Longfellow on a warmer day
the not-quite-frantic, unsettled? call of a bird under the franklin bridge — one note, repeated
a wall of snow on a curb, white speckled with grayish-brown, subdued cinnamon sugar
a biker speeding down the franklin hill
another biker powering up it
a small patch of bright pink graffiti on the underside of the franklin bridge
misty, foggy, thick gray air
an empty sky with an occasional bird flying through it
voices all around — talking, laughing
a vine on a neighbor’s fence with orange leaves
vine, orange leaves on fence / 27 dec 2025
on walking
Discovered and read a beautiful essay about walking this morning: On Walking / Ira Sukrungruang.
1 — connected to place
Walking barefoot as a monk was a constant reminder of how we humans are always connected to the earth, bound by gravity, ever aware of the heft we carry—some of us more than others. It made me feel the mechanics of movement: muscles and tendons stretching and contracting, propelling the leg forward. It made me aware of the ground we walked on, the dirt and tar and tufts of grass in cracks, the unevenness of the pavement, the changes in terrain. This was spiritual walking, a bringing of awareness to our breath and our steps.
I am reminded of a line from my poem, “Girl Ghost Gorge,” it begins here, from the ground up: feet first, following
2 — an awareness of a changing climate
The environmental destruction we humans have enacted on this earth is obvious, but I didn’t take it in, I didn’t feel it, until I started walking.
Yes! Since starting to run above and beside and around and with the gorge (almost 9 full years and more than 8,500 miles), I have become more aware of the outside world and its shifts from season to season: when the leaves change and the acorns fall and the snow arrives (or doesn’t) and the floodplains are flooded and the sidewalks are cracked and the sun is covered in wildfire smoke and the bluff and a bench on its edge slowly slide into the gorge.
3 —eyes forward, ears open
After two weeks I came to look forward to taking the same path, seeing the same people. I was coming to understand devotion and repetition and humility. When a monk walks, his eyes should not look too far ahead, but neither should they be at his feet. They should be ten yards in front of him. And a monk’s ears should listen to the land waking up—the creaks and groans of the earth. The land is alive. It communicates. This earth, this world, is more than shape and matter.
Listening to the land speaking, open to how it communicates. Not staring, studying, dissecting it with our gaze.
4 — looking up and waving at a gargoyle
One afternoon in Exeter, walking to pick up Bodhi from school, I noticed how hunched I had become. It had been four months since our move, which meant I’d made that walk more than three hundred times by then, but only on this day did I notice a gargoyle staring down at me from above.
I stopped in the middle of the sidewalk to look up at it. Such an odd sensation to straighten and tilt my head back. It was a rare sunny day in Exeter. I shielded my eyes with my hand and felt like a flower willing itself through the ground. Then I waved at the gargoyle. I don’t know why. Cars whizzed by. People walked on both sides of the street—parents like me, getting their kids from school. The steeple of St. Leonard’s Church was in the distance, a beautiful marker of how far it was to Bodhi’s school. I headed toward it, my head high, learning a new way of being.
This ending paragraph and the looking up and waving at the gargoyle, reminds me of a favorite poem I read early on in this log (in a july 4th, 2019 entry I mention that I’ve been trying to write about this poem for years, but I can’t find an earlier entry with a mention of it, so I’m not sure when I first discovered it):
of these old trees. Raise your heads, pals, look high, you may see more than you ever thought possible, up where something might be waving back, to tell her she has seen the marvelous.
I love her use of pals — I’ve tried to (unsuccessfully) use it in my own poem. I often think of these lines whenever I stop to look up at a tree. Have I ever waved at one? I can’t remember, but probably not.
a year in poetry
Searching this my log for mentions of pals, I encountered a cento I wrote back in 2019, out of lines from all of the poems I gathered in 2019. I like it, and I want to do this again for 2025! I love centos and putting others’ words into conversation with each other!
Here’s the “finished” draft of the 2019 cento: I’m not Asking for Much — I’m hoping that I identified where the lines came from in some document because I’m not sure I could do it now! And here’s an earlier draft: Listen
While reading through my poems gathered in January of 2025, I came across an essay — We Could Just Gaga Our Grammar — and an idea for playing with words:
Find two or three random paragraphs from two sources and copy and paste the paragraphs into a word scrambler. From this jumble of found text, draft a poem. This activity is inspired by Dodie Bellamy’s Cunt Ups.
I’m thinking of a variation on this; instead of using a word scrambler, putting the paragraphs into my word quarry — grouping all the 1, 2, and 3 syllable words and then turning them into a new poem or chant or sentence based on rock (2-syllable/1-syllable words) river (3 1-syllable words) and air (1 3-syllable word) formations.
also: Looked up Cunt Ups and was reminded of William S. Burrough’s cut-ups. Found a book about it, and requested it. Now I’m thinking about cut ups and Lisa Olstein and then Henri Matisse and cut up forms and the cutting prow.
So many ideas! It is fun to let my mind wander again, after 6+ months of structured writing, first about open swim, then about haunting/being haunted at the gorge.
So good — when you cut into the present, the future leaks out. Also — the idea of the tape cut-ups and taking a phrase and scrambling the order until it means something else: I want to try that with my rock river air chants. And, the idea of taking different entries of this log — maybe entries from one day, different years — and cutting it up, or finding the same words, or picking a phrase from each entry . . .
4.45 miles minnehaha falls and back 36 degrees humidity: 90%
Moist, thick, big puddles everywhere. I tried to avoid them, but I couldn’t avoid all of them and by my last mile I could hear my one shoe squish squish squishing. Since it was warm, it didn’t bother me. Oh — just remembered — my shoe/sock got wet at the falls — the cobblestones near the falls were full of puddles. There were a few slick spots, but mostly it was just wet.
For 3 miles, I listened to the wet wheels, whooshing, crows cawing, and people calling out to each other as I ran. For the last mile: TSwift’s Life of a Showgirl
10 Things
the small patches of snow on the trail or the road, seeping murky gray-green-dirty white liquid
the rusty orange leaves, dead, still clinging to the trees
calmly letting a walker know I was approaching from behind — right behind you/thank you! I meant to say, you’re welcome, but didn’t, then lamented my failure to exchange the you until I realized I had with my right behind YOU –if I had said, the you would have been traveled 3 times: from the-walker-as-you when I said, right behind you, to me-as-you when she said, thank you, to the walker-as-you again with, you’re welcome
overheard: a man leaving a group of people at the falls, calling out, I’m going back to pay the meter!
clusters of people — 6-8 at the overlook just above the falls, and at the overlook close to “The Song of Hiawatha”
a clump of something not moving ahead of me on the trail — dead leaves? A darting squirrel. I studied it closely to make sure it didn’t run in front of me
a distant thumping, heard when stopped to put it my headphones — nearing, another running plodding along
seen with peripheral vision: some frozen crystals on my cheek
the trail on the bike side of the double bridge was mostly wet ice with 2 narrow strips of bare pavement that narrowed even more until not even my toe could fit in their groove
crows! just before starting my run, they were gather in the trees above me. when I stopped to start my workout on my watch, they cawed furiously, as if to say, keep moving!
Just before the run, I got an email about one of the chapbook contests I entered — back in July. I didn’t win, but I got, along with 4 other poets, an honorable mention. I’ll happily take that! The chapbook I submitted included earlier versions of several of the poems that I revised for my manuscript. I think the poems are even better now.
In the last mile of my run, a sudden thought: I should submit something for tiny wren lit’s tiny zine series. It says they’ll open again in early 2026: submit a tiny zine
safari reading list, review:
1 — contentment
Found a poem about contentment while reviewing my Safari Reading List. I’m partial to the words satisfied or enough or still, but contentment works too.
Yes, I can be content anywhere, but alas sadly: No. It’s not true. I can’t be content here in my uncomfortable present, in my uncomfortable chair, on the uncomfortable subway, at this uncomfortable desk, in this uncomfortable classroom. But oddly, I am content to visit the past, to say Hello everything I’ve lost, to say I wish you could come here to the present, my lost companion trees. I wish you could meet everything I’ve found.
about this poem: “Making peace with the past has been a common theme in my work, so I decided to try to write about making peace with the present.”
Blessèd art thou, No One. In thy sight would we bloom. In thy spite.
A Nothing we were, are now, and ever shall be, blooming: the Nothing-, the No-One’s-Rose.
I love this bit of Celan’s poem and the No-one’s-Rose! No One — a someone who is No One: what type of sight do they have? We were, are, shall be nothing, blooming. I want to use this — maybe as a breathing with poem — in a collection* about the gorge/gap/bling spot.
*maybe not a collection, but a series of attempts, orbiting around the idea or feeling or experience of the Nothing in the gorge and in my vision.
Speaking of orbiting: Last night, I was trying to name/remember something, but I couldn’t, quite. I kept almost getting the right name, but I was off, approximate. As I talked, I moved my hands around in a circle, as if to indicate I was circling around the name. I called out, I’m orbiting it! I do this a lot. I wish I could remember the exact example, to make this story more understandable, but I can’t.
3 — CAConrad’s Queer Bubbles
There are some great bits in this article about Conrad and their rituals in The Paris Review:
“I love being inside the ritual,” he says. “It’s like speaking in tongues. It’s not just automatic writing … Every nuance, every adjustment to the ritual, alters the language that comes out of me.”
Exercises like these are nothing new in poetry—Conrad cites Bernadette Mayer and Charles Olson as two practitioners of similar methods—but he insists that his rituals are chiefly inspired by his childhood, specifically the Pennsylvania Dutch Country where his grandmother taught him to meditate and where he took an interest in the occult, from local water diviners to the hex signs painted on barns. But as much as his work owes a debt to Boyertown, it is a deliberate rebuke to the bigotry, violence, and oppression he found there.
I’m familiar with B Mayer’s work — a class on her list is what led me to poetry! — but I don’t know that much about Charles Olson. I should look into him more, like his archeology of morning (on a site that offers footprints not blueprints, which reminds me of my old academic slogan for my ethical/pedagogical approach: an invitation to engage, not a how-to manual) and the polis / Polis is This:
Polis is This
In his two books of (Soma)tic rituals and poems, A Beautiful Marsupial Afternoon and ECODEVIANCE—a third collection, While Standing in Line for Death, will be published this September—the rituals and resulting poems appear opposite one another. Because the rituals are written in the second person, at times the books read like the world’s most bizarre and inventive self-help guides, manuals for what you might call acute mindfulness. One ritual starts like this: “Eat a little dark chocolate before getting on the subway. Sit in the middle of the car … Then close your eyes, and as the car rolls on its tracks make a low hum from deep inside you … As soon as the car stops write 9 words as fast as you can before the train moves again … Repeat this humming and writing for 9 stops.” He credits his rituals with lifting him out of depression and grief.
The use of You — a bizarre self-help manual or how-to on mindfulness!
the blind ring project returns to haunt this log
Doing some reading about lit journals that accept visual poetry, I was introduced to the amazing erasures of Colette LH. So beautiful and wonderful. Here’s the first one I experienced:
Then I saw this one, Brain, and I started thinking about what I could do with my blind spot black-out ideas, and now I’m wondering about doing something with my peripheral. These white trails above, in (un)certainty are making me think about movement and direction and motion as it relates to my peripheral vision. Hmmm….
4.25 miles minnehaha falls 33 degrees 10% slick ice
Great weather for a run. Only needed one pair of gloves and no jacket. For the first mile, I didn’t encounter anyone, but as I neared the falls, more walkers and runners. I tried to greet everyone I encountered with a wave or a good morning. There was some ice, but I only slipped once or twice. The creek was flowing and I could hear the falls falling behind the thick ice columns. Running up the hill and on my way out of the park I heard voices below in the part of the park that is both the bottom of a massive sledding hill in the winter and a wading pool in the summer.
On my way home, I stopped at the bench above the edge of the world and admired the open view to the river below and the other side. Beautiful. Heard more people down below, on the winchell trail.
late night blind spot revelations
Last night, another thought: I’d like to take a break from structured writing that is shaped by a larger project. Time to experiment more instead. Also: time to add to my “How to Be” project, do my year-end summary, and edit my writing experiments list. Oh — and read some more of the poetry books I bought this year.
Discovered this poem the other day and wanted to remember it, especially for how it incorporates research about lichens into the poem:
Crinkly-thin, the perfect marriage of algae and fungi, furbelowed and curled.
venerable ancestors: strange as vellum, an onion poultice, leather jerkin
Johann Dillen’s portraits of 1741: the ‘Strange Charactered Lichen, Black Dotted Wrinkled Lichen, Leprous Black Nobb’d Lichen, Crawfish Eye-like Lichen.’
the youngest occupy a wicker couch, eavesdrop on the aunties’ tales, wonder why so aged-looking, their skin?
‘Wanderflechten’—those who traveled on deer’s hooves, birds’ feet, hot air balloon baskets over arid land.
travel’s allure, the turquoise ring, scarab bracelet
Those who embraced the seductions of moths’ wings, gave their bodies to the hungers of the ‘Brussels Lace Moths, Beautiful Hook-Tips, the Dingy Footman.’
when can we stay out past dawn?
Lichens who gave sustenance, grew thin, flailed against famine, lichen packed in the bodies of mummies.
these have an aura, a blue-mauve cloud we can’t imagine the ribs’ furrows
Erik Acharius, 1808, the “father of lichenology,” fastens samples onto herbarium sheets, lichens’ filaments and flakes suspended.
nice—but not our father, who is spores and fragments
A thin cord anchors lichens to rock, small bits chip off, wear of paw pad and fur, take hold elsewhere.
we hear the wind caressing bark
Lichens swept up by grazing reindeer, hot breath devouring, rub of meaty tongues, meat toxic to herders— radioactive fallout the lichens never meant to harbor.
ghostly stalks of trees, an ashy forest we can barely look
A single spruce hosts a rare green and red-lobed lichen.
the odd one out, the one no one ever set eyes on
Lichens in the armpits of marble statues differentiated from lichens on the thighs, eaten by snails on moonless nights.
moonglow, something we don’t know here, no one’s talking
A hummingbird’s nest, its outer layer shingled gray-green with lichen flakes, a point of pride, see—
4.25 miles minnehaha falls and back 38 degrees 10% ice and 30% puddle-covered
Waited until the late afternoon to go out for a run; too icy this morning. This afternoon (at 3), there were lots of puddles and sun and not much ice. A good run. Even though I think I caught FWA’s cold, I had plenty of energy while I was running and felt great.
10 Things
bright sun reflecting off the windows of a house
the very strong smell of week near the 44th street parking lot
the creek was moving, but the falls was not
lots of walkers, a few runners, at least one fat tire
a walker moving over to let me pass on the cleared bike path in the park — thank you! / you betcha!
near the oak savanna, a little kid’s voice floating up from below
at least one bright yellow jacket
the river: covered with ice and snow
a line of cars waiting at the stop sign on the road coming out of wabun park and the veterans home — did a shift just end?
the clip clip clip of another runner’s ice cleats
blind spot
Yesterday I wrote about re-finding my blind spot and doing a series of erasure poems with it. Last night, I woke up with a vague idea about writing a hybrid piece (possibly to submit to a journal’s call for submission — Waxwing) that involves using and applying and reflecting on my blind spot. This morning, I’ve been spending more time thinking about it, wandering and wondering how and what to do with these ideas. Just now, a thought: even as I use a cut-out or an image of my blind spot and apply it to text, as if to demonstrate how I see, the resulting poem/prose piece/fragment can’t properly convey how it is that I do or don’t see. The difficulty with my failing/failed vision is that I can’t really see it. Well, sometimes I can see it, like when I’m talking to someone and their head is only a fuzzy, empty blur, but often I can’t. It’s more of a feeling, or sometimes it’s not anything; I don’t realize I’m seeing wrong or that I’m not seeing until it is pointed out to me. How do you convey that?
But, even if the dark outline of a blind spot doesn’t effectively represent my vision, it does do something. So I’d like to use it.
As I write this, I’m looking out my window, into the bright white and blue of the sun and snow and sky. The image is shaking or shuddering or unsettling constantly. I see pixels shifting. The entire image is not unstable — I see solid forms that aren’t moving — like a red car parked across the street, or the straight hulk of a tree trunk — but the feeling of all of it is movement and being unfinished, unsettled, or buzzing? Visual buzz?
Earlier today I was working on a movie musicals puzzle. I’m constantly amazed that I can still work on it, that I can see enough to fit pieces together, but I can. In fact, with the small bit of central vision I have left, right in the middle of the middle of my eye, I often see small details — a tiny face or eyes, a finger pointing — and can recognize where they go. Sometimes I can’t fit it in exactly, so I give it to Scott and he finds the exact spot. Vision is so strange.
several hours later: Right now, I’m starting to look through the entries I tagged, vision. I have 20 pages of them. Already with the first one, I have an idea. On jan 30, 2020 I posted the poem, Natural Forces/ Vicente Huidobro. Since then, I’ve spent a lot of time with this poem — analyzed it, memorized it, recited it while I was running. To me, it’s a great example of the myth of the power of sight. Could I fit it in an amsler grid-sized box, and apply my blind spot to it?
I tried. Made a text box the size of grid. Fit the poem in the box as many times as would fit. Printed it out. Traced my blind spot on an Amsler grid, then cut it out and placed it over the poem. Not sure I like it, but it’s a start.
blind spot experiment #1
I wonder what it would look like if I only wrote the poem once, and made it a horizontal band across the box? Maybe make the font size smaller too? What if offered a few different versions, some with larger fonts, some with smaller so a reader could see what I can/and can’t read. I’ll have to try that next time.
run: 1.7 miles neighborhood / river road trail 29 degrees 50% very slick ice
Not ideal weather for a run. Were there any other runners out there? I can’t remember; I do recall seeing one walker. A lot of the sidewalk, road, trail was fine — not slick at all — until it wasn’t. Every so often, a slippery spot, some I could see, some I couldn’t. I skittered several times, having to take little half-steps. No sense that I was almost about to fall. I think I was lucky today that I didn’t twist or strain or break anything.
My body didn’t tense up in anticipation of sliding or falling, but I also wasn’t relaxed. Constantly trying to see or feel the ice. Did I notice anything else?
10 Things
flitting birds, emerging from trees
rusted orange in the floodplain forest
the loud scraaaape from a neighbor’s shovel
na ice-covered river
a strong wind — not heard or seen but felt, burning my ears and my face
car wheels losing traction on snow/ice, turning around in the middle of the street
puddles on the path
the edges of the road, dry then super slick then wet
puddles on the sidewalk, not in the usual spots — the house on the next block, the house past 46th — but just around the corner
noisy trucks near a school, doing some sort of repair work involving banging and backing up and scraping and pounding — heard, not seen
bats!
Reviewing old entries, as part of my On This Day morning ritual, I encountered a poem with the great line,
Fix your gaze upward and give bats their due, holy with quickness and echolocation (Abecedarian for Dangerous Animals/ Catherine Pierce
Give bats their due. Yes! This line led me to other bat poems — last year or the year before I created a bats tag — and to these wonderful lines which I’ve written about before:
Think of it—to navigate by adjustment, by the beauty of adjustment. All those shifts and echoes. (Threshold Gods/ Jenny George)
To navigate by adjustment, shifts, echoes. Can I do something with these lines, add them to my echolocated poem at the end, Ringing Still, or another poem in the final echolocated section? Hmmm….echolocated is about being located/found by others. The (current) title of this collection is echolocate || echolocated. There’s a gap/tension between locating and being located, the one doing the locating and the one being located. In past years, I’ve imagined these two subjects (the locater, the located) as one Sara (the Speaker) trying to located another Sara (the reader), a You and simultaneously an I. No. Too much explanation. There’s is a swirl of something in my implied speaker addressing a You which is not me, and also me, and my consistent reference to the person going to the gorge and running and noticing (which is what I am doing) as the girl or she — which, if I haven’t already mentioned it is an actual girl — me, age 8:
Sara, age 8, in my soccer team uniform.
Instead of spelling this out, I’d like this to haunt this collection. Does it?
bike: 30 minutes run: 1.3 miles basement
Scott and I were planning to go to the y, but it started sleeting and snowing, and the wind was blowing, so we didn’t. Instead I went to the basement and biked. I started watching a documentary that I’ve been wanting to watch for more than a month: Come See Me in the Good Light. It’s about the poet, Andrea Gibson. Beautiful.
Then I got on the treadmill and ran while listening to my new “Eye Tunes” playlist on shuffle:
Breakfast in America/ Supertramp
Double Vision/ Foreigner
See You Again/ Miley Cyris
Tell Me What You See/ The Beatles
Eyesight to the Blind / The Who
Eye of the Tiger / Survivor
Open up your eyes now, tell me what you see It is no surprise now, what you see is me (Tell Me What You See/ The Beatles)
tell me what you see, I can’t wait to see you again, take a look at my girlfriend, not seeing straight, she’ll give eyesight to the blind, he’s watching us all with the eye of the tiger.
3.5 miles under ford bridge and back 36 degrees 20% slick ice
An afternoon run. Mostly the paths/road/trail were clear but, because of yesterday’s thaw, there were random super slick patches. I didn’t slip, but I was more focused on the path than I’d like to be. Still, there were a few moments of freedom and forgetfulness, almost floating on the path, looking blankly ahead and just moving and breathing and being. Gray and overcast and heavy: thick air. It wasn’t that late, only around 3, but it was darkening fast and the road was crowded with cars. The river was light grayish white and empty and expansive. Encountered several runners, many walkers — any bikers? Yes, 1 or 2, at least one of them seemed to be commuting home from work. I remember watching their back light glowing red.
My favorite view: looking down at the graceful retaining wall then a ravine, then the river and the other shore.
morning ritual routine habit
My morning ritual has altered over the years since I’ve been writing in this log, but a few things have stayed the same: up earlier than anyone else with Delia-the-dog; coffee; quiet; sitting and reading. The reading has changed: it used to be articles about the academic industrial complex, then news headlines and poetry people on twitter. Now only poets.org, poetryfoundation.com, and poems.com. Oh, and my “On This Day” posts from that day between 2017 and 2024. Sometimes only 2 or 3 entries to revisit, sometimes the complete set. Today: 2017, 2018, 2019, 2020, 2021, 2022 — what happened to ’23 and ’24? Today was an especially excellent day for poetry. Wow!
Quiet is not silence. Silence is absolute like never and forever. Quiet invites attention to cicadas, the warbling vireo on the wire, the cardinal’s whistle as it wings its brightness over the horizon of the Blue Ridge Mountains, then disappears amid the crape myrtles’ baroque blossoms.
I love this contrast between quiet and silence, and that would have been enough for me to want to spend more time with this poem, but then she continued with lines from Emily Dickinson, and I knew I needed to archive this poem. In her “About this Poem” in the sidebar, she writes:
All the quotations in italics are Emily Dickinson lines. I talk with her across time.
Yes! I’ve been wanting to write with Emily Dickinson, to find different ways to engage with her words. I’ll have to try this one out. Writing this last bit, I just had an idea for a poem or a lyric essay or a hybrid form and a monthly challenge: My Emily Dickinson. It’s the title of a Susan Howe book, which I’ve read bits of and own. The lecture/chapter in Mary Ruefle’s Madness, Rack, and Honey, “My Emily Dickinson,” which I also own and love. And, “My My Emily Dickinson,” an essay in Kenyon Review by Meg Shevenock. I have the title already: My Eye Emily Dickinson, or My Eye and Emily Dickinson, or Eye: Emily Dickinson or My Eyes and Emily Dickinson, or M(e)y(e) Emily Dickinson? In addition to rereading the other “My Emily Dickinson” books/lectures/essays, I would revisit her lines that are about sight and vision and experiment with ways to describe their importance for me as I navigate losing vision. The experiments could include poems and essays and practices and whatever else I can think of. Oh, I hope this idea sticks; I love it!
What is it ’bout the river that makes even spirits sing?
I love how this poem is about a river and that’s in a form that I want to practice more in early 2026 and that it embraces alliteration and the letter g. I will order her book: Blood-Flex!
The middle of this short poem — a single line that continues a sentence of the lines before and after, but also answers the sky’s implied question (The sky said I am watching/to see what you/can make out of nothing):
5.25 miles bottom of franklin hill 37 degrees 60% snow-covered
Above freezing today! Good, and bad. Good, because the snow on the path is melting. Bad, because it will freeze again tonight. I’ll take it, and the sun! and the warmth on my face! and the sound of wet, whooshing wheels. I ran to the bottom of franklin today to check out the surface of the river: completely covered with ice, a light grayish white. Almost all of the time, I felt strong. It was only after taking a break to check out the river, then starting again and running up the hill, that my legs felt strange. It took a minute to get back into a rhythm.
10 Things
Looking up: powder blue sky, with streaks of clouds and sun
something half-buried in a snow bank, 1: a lime scooter
something half-buried in a snow bank, 2: a bike — not a rental — where is the owner of this bike, and why was it wedged in the snow and not put somewhere else?
another runner, much faster than me, in a bright yellow jacket
deep foot prints in the snow leading up to the sliding bench — someone must have sat here recently
the view from the sliding bench: open, clear through to the snow-covered river and the white sands beach, which is just snow now
someone at the bottom of the franklin hill, staring at the water
a few honking geese down below
cheeseburger cheeseburger — a calling bird — a chickadee, I think
flowers for June in the makeshift vase of an uncapped railing under the trestle
Earlier today, while drinking coffee, I heard (not for the first time) Lawrence’s song, “Don’t Lose Sight” and I started to think about vision/sight/eye songs. Time for a playlist! I borrowed a title from someone’s spotify playlist that came up in a google search: Eye Tunes (groan). Came up with a long list of songs, then put a fraction of them in the list. I’ll keep fine-tuning it. I listed to the list during the second half of my run.
Eye Tunes
I Saw the Light / Todd Rundgren
Blinded by the Light / Mannford Mann’s Earth Band
Eye in the Sky / The Alan Parson’s Project
Eyes Without a Face / Billy Idol
I Can See Clearly Now / Jimmy Cliff
Can’t Take My Eyes Off of You / Ms. Lauryn Hill
These Eyes / The Guess Who
Eye of the Tiger / Survivor
The Look of Love, Pt. 1 / ABC
The Look of Love / Dusty Springfield
For Your Eyes Only / Sheena Easton
Eyesight to the Blind (The Hawker) / The Who
Breakfast in America / Supertramp
Don’t Lose Sight (Accoustic-ish) / Lawrence
Total Eclipse of the Heart / Bonnie Tyler
Double Vision / Foreighner
In Your Eyes / Peter Gabriel
Behind Blue Eyes / The Who
Evil Eyes / Dio
Stranger Eyes / The Cars
Tell Me What You See / The Beatles
My Eyes Have Seen You / The Doors
I listened up until Dusty Springfield’s “The Look of Love.” A few thoughts: I always think, anus curly whirly? when listening to “Blinded By the Light.” There is a LOT of vibraslap in “Eyes Without a Face” and, what does Billy Idol mean here? ABC’s “The Look of Love” is wonderful, and has some hilarious moments, especially the call and response section: Whose got the look? / If I knew the answer to that question I would tell you.
Back to Billy. Looked up the lyrics to “Eyes Without a Face,” and I think they mean that the person lacks humanity, is inhuman. Their look lacks compassion, grace.
Eyes without a face Got no human grace You’re eyes without a face Such a human waste You’re eyes without a face
And, I’ll end with ABC’s opening lines:
When your world is full of strange arrangements And gravity won’t pull you through
That sounds like someone with vision problems (me)!
5.25 miles the flats and back 20 degrees / feels like 5 / snow 100% snow-covered
2 days ago, I mentioned that my next run should be to the flats so I could study the river surface. So that’s where I went this late morning and into the early afternoon: the flats. Unfortunately, there was no surface to study, only white. I had a late start to the run because I was trying to put my yaktrax back on. I might need a bigger size. How long did it take me to finally get them on? 10 maybe 15 or 20 minutes. That’s a long time to be sitting inside wrapped up in all my winter running layers!
Almost everything outside was white. White sky, white ground, white rock, white river. There were a few strips of worn down snow on the path, but a lot of it was lumpy and soft. I twisted my foot/ankle at least once on the uneven ground, but not hard enough to cause a problem. The conditions made it harder, but I didn’t mind too much. It was so quiet and calm and beautiful beside the gorge.
10 Things
another running in a bright orange jacket — encountered them twice
the bright headlights from an approaching bike
under the I-94 bridge, 1: a few streaks of open water
under the I-94 bridge, 2: honk honk honk — some gathered geese, gabbing
heading north, no notice of the wind
heading south, wind in my face
approaching a woman — I was heading north, her south, I could see the snow flying up around her feet from the wind
the bells of St. Thomas chiming and chiming and chiming at noon
brightly colored (I can’t quite remember the colors — maybe pink and orange and blue?) graffiti under the bridges
as I approached the franklin bridge from below, the wind picked up and I felt the arctic air, under the arch, a shopping cart
mental victory of the run: Even though I wanted to stop to rest my legs, sore from the uneven terrain, I kept going until I reached the bottom of the hill.
I had some success writing drafts for my m//other and g||host poems this morning before my run. During and just after the run, on my walk home, I had some thoughts about the third poem, t here involving the dotted line on the map that runs through the middle of the Mississippi River on the map indicating the dividing line between Minneapolis and St. Paul. Here’s a draft that I spoke into my phone. It needs some work!
if you look on the map between the here of this side and the there of that side, a dotted line was drawn to represent that moment mid-river when one city becomes the other. Do you think, if you were to swim across, you could feel this shift, could find this place where a there becomes a here and a here becomes a there? I’m willing to believe it exists, this space where both here and there dwell, a place where both are possible.
