may 12/3 MILES

mississippi river road north
57 degrees

Another great morning and another great run. Found myself composing poems to keep my rhythm. At first, the chant was pretty mundane: this is the path/that I like to/take all the time or this is the path/that I run on/most of the time. I came up with a variation on this that had 2 lines with four beats and one with three, like 2 measures with eighth notes and one with a triplet, but I can’t remember it. I played around a lot with how I matched my feet to the words. Sometimes I chanted a word–mostly in my head, but occasionally out loud–with each step. I did this when I wanted to go a little faster.

this is the path
step, step, step, step or ♩♩♩♩

When I wanted to go slower, I chanted one word for each two steps.

this step is step
the ♩ path ♩

So much fun. I’m a musician who played clarinet for over 20 years (only occasionally now), so I like to think about things musically. Rhythm and beats might become a new focus on some of my runs.

In the last mile, I came up with a different chant. It was inspired by Marie Howe’s discussion of poetry as counter-spell in her interview for On Being:

Poetry has a kind of trancelike quality still. It has the quality of a spell still. My daughter came home one day and she said — she did this whole snappy thing. “Don’t make me snap my fingers in a Z formation, explanation, talk to the hand, talk to the wrist. Ooh, girl, you just got dissed.” And it’s this whole thing the girls were doing when they were 11. And I said — a counter spell. It was like a counter spell for a mean girl. And I thought this is what we all need to walk around with, a handful of counter spells. And, and poetry, when you think of its roots, is that.

this is my charm
against all harm
this is my spell
as you can tell
it works real well
I mean really
but it did not
work in the rhyme

It’s a fun challenge to try and compose lines on the spot, while you’re running at a brisk pace (8:45 minute per mile, at that point). I wasn’t happy with the last two lines and how they didn’t work for the cadence. So, after I finished my run, I came up with these lines instead:

I hope you see
but it did not
fit in the slot

this is my spell
as you can tell
it works real well
I mean really
I hope you see
but it did not
fit in the slot

may 10/3 MILES

62 degrees
mississippi river road south

Didn’t have to wear my pink jacket today, which is great because it means it was warm enough to run just in a t-shirt but also annoying because it means I no longer had a pocket for my iPhone and had to wear an armband to carry it.  Listened to a different playlist. The final song that played before I finished was Prince’s “Let’s Go Crazy.” I had put that on the playlist right after he died last spring. I listened to it on my first runs (more like, run/walks) after the injury where my knee so swollen that I couldn’t walk. My knee didn’t really hurt, it just wouldn’t work and I didn’t know how to walk. Such a strange and unsettling feeling. I never think about how to walk.

How does walking work? I think it’s time for more fun with medical terms!

More Fun with Medical Terms!

Walking involves: 1. moving your hips and thighs backwards as you push off, 2. moving your legs forward, 3. striking the floor with your foot in a heel to toe action and 4. shifting your weight as you move from one leg to the other. A ton of muscles, with fantastical, sometimes ridiculous, often overly-complicated, names are used in this process. Such as the following:

semitendinosus, semimembranosus, biceps femoris
the first two terms
aren’t that hard to figure out how to pronounce
so I’ll focus on the third.
I’d like to say that the femoris in biceps femoris is pronounced: fee moor is
like some sort of Harry Potter spell.
I’d like to say that
but I can’t
because it’s pronounced: femme a ris

semitendinousus, 
semimembranosus, 
biceps femoris
There’s a nice cadence to these three
semi tendi nou sus
/ ♫ ♫ ♩ ♩
semi membra nou sus/ ♫ ♫ ♩ ♩
bi ceps fem o ris/ ♩ ♩ ♪♪♪

semitendinosus, semimembranosus, biceps femoris
are all hamstring muscles
that come from the ischial (iss keel) tuberosity of the pelvis
which is, according to the Merriam Webster medical dictionary,
“a bony swelling on the posterior part
of the superior ramus
of the ischium
that gives attachment to
various muscles and
bears the weight of the body in sitting.”
What’s the ramus, you might ask,
and what makes it so damn superior
(and gives me such a headache)?*
Would you settle for:
part of the hip bone,
along with the ilium and pubis?
It’s superior because THEY said so and
because it’s not the other two parts: the body or the inferior ramus.
speaking of the THEY,
as I attempt to read and understand
these medical terms,
I’m struck by how alienating they are.
who, but a select few, can actually
understand and retain this stuff?
Scott generously suggests that
these terms are complicated and abstract
so as to help doctors have some professional distance
from people,
to be able to put their feelings aside
and focus on doing their job: healing patients.
maybe
but I also think it’s a way to safeguard an industry and
to alienate us from our own bodies.
how many of you can imagine the “ischial tuberosity”
as a real part of yourself?
I’ll admit
sonically, ischial (iss keel) tuberosity is intriguing
I might go hear the lead singer of a band with that name
as long as I brought ear plugs.
but, when I hear those words, I don’t immediately think,
oh yeah, the sitting bones,
which is what they are—
the bones that make it possible for us to sit—and
what, I learned only after reading wikipedia,
they are informally called.

*Someone else gets this reference, right? I’m not the only one who has random lyrics from musicals like Hair pop into their head, am I? Of course not!

note: the initial source for this experiment was Muscles Engaged While Walking, an popular article for a fitness site. I tried to start with more technical sources, but they made my brain start to melt, so I eased my way into it with this article and then, after some exposure to the terms, moved on to other sites.

Sadly, I’ve run out of time to have even more fun with medical terms. Sometime soon I’d like to play around with sartorius, which is the longest muscle in your body, stretching down form top of your thigh, curving inside your thigh, ending at the inside part of your knee.

may 9/5 MILES

56 degrees
mississippi river road north

Wow! Another beautiful morning. Can it be like this all year? Wasn’t planning to, but as I ran towards the Franklin hill I started composing a poem in my head. Is it a poem? Or just a rhythm to repeat in order to create a steady cadence? Whatever it is, it was fun and it worked. My running felt strong and steady. And the chant helped me to slow down my heart rate after the tough hill. Because I didn’t want to forget it, as I was running, I recorded myself reciting it into my voice memo app.

There’s a path

there’s a path
there’s a path
that was closed
that was closed
up until
up until
late last fall
late last fall

there’s a path
that was closed
up until
late last fall
there’s a path
that was closed
up until
late last fall

then they opened it back up
then they opened it back up
to the runners thump thump
and the bikers thump thump
and the walkers thump thump
and the drivers thump thump

on the path
on the path
there is a hill
there is a hill
a steep, long hill
a steep, long hill

as you turn back up the hill
you’ll see a bridge at the top
look at it, look at it
never stop, never stop

there
was
a
hill
there
was
a
hill
that
I
climbed
up
that
I
climbed
up
now
that
I’m
done
slow
down
the
run
now
that
I’m
done
slow
down
the
run

may 7/5.15 MILES

51 degrees
franklin loop

Great run! Listened to headphones and my running playlist. Put it on shuffle:

Furr/Blitzen Trapper
Cheap Thrills/Sia
I’m Going to Go Back There Some Day/Gonzo
Skyfall/Adele
Hey Ladies/Beastie Boys
Another One Bites the Dust/Queen
Uptown Funk/Bruno Mars
The Best of Times/Styx
Don’t Dream It’s Over/Crowded House
Hot for Teacher/Van Halen
Baby/Justin Bieber
Learn to Fly/Foo Fighters
Pinball Number Count: 4/The Pointer Sisters

Running with a playlist can feel isolating; I can’t hear or interact as much with the world around me. But sometimes that isolation is necessary and liberating. Today, running with my playlist was great. It put me in this weird, dreamy state. And, when “Baby” by Justin Bieber came on around mile 4, I felt a huge smile spread through me, settling in the top of my head. As I ran, my head tingled, partly from my sweat mixing with the wind and partly from a euphoric feeling of openness and love. A runner’s high, of sorts, complements of Justin Bieber!

After my run, I had fun taking some of the lyrics from the songs on the list and turning them into poems. These are erasure poems, but I’m just posting them straight. For now.

1. Furr

wandered aimlessly
howling in song
listenin’ for the leaves
gently ushered in To a dream of running
through 
And
 Across ancient water

2. Cheap Thrills

Come on, come on,
dance
dance
have fun
high on the beat
love
love
love
feel
don’t need

3. I’m Going to Go Back There Someday

familiar,
Almost unreal,
far away
someday.

Sun calls.
I belong
I know the way.
someday.

midair. flyin’ invisible
not a word
space, place?
just someday.

someday.

4. Another One Bites the Dust

the sound of feet,
To the sound of the beat
I’m ready, yes, I’m ready
two feet Repeat

5. Baby

whoa
my heart
I believe
And I wanna play anything
dream always
amazing
my heart
Yeah Yeah Yeah

UPDATE:I turned the poems with hidden lyrics. When you hover over the poem, you can see the lyrics. Read them here.

may 6/8 MILES

51 degrees
mississippi river road path south/lake nokomis/mississippi river road path north

Another great morning. Sunny. Not too much wind. Great air quality. Wish I could say the same about my run. Most of it just seemed hard. I couldn’t really focus on anything but how I didn’t feel the greatest. But I did it. There was a moment on the “moustache bridge” (called that because someone, at some point, spray painted a hipster handlebar moustache on it. It’s no longer there, but the name stuck with us–me, Scott and the kids) when I really wanted to stop. I could almost feel myself stopping, but I didn’t. I made it through the moment and kept running. Eventually, around 7.25 miles,  I did stop to walk for a minute. I’m fine with that. Hopefully tomorrow’s 5 mile ran will be better.

Part of my route today was on the Minnehaha Creek trail, from Minnehaha Falls to Lake Nokomis. When I lived in that neighborhood, I used to walk with my kids on that trail a lot. We named all the bridges: the duck bridge, the echo bridge, the step bridge, the hole bridge, the stinky bridge. A few years ago, I made a video about walking on that path:

may 5/4 MILES

59 degrees
mississippi river road path north

Yet another beautiful day. Sunny. Hardly any wind. Everything seemed to be moving gently, without hurry. Even the cars on the river road approached as if they were on a leisurely Sunday drive. Tried out my new running shoes for the first time. Excellent. Dependable. Cheap. Since I started running almost 6 years ago, I’ve worn Saucony Grid Cohesion shoes. $39.99. I think my first pair were version 4. Now I’m on version 10. An intense blue with coral stripes. Great for someone with a “neutral” (as opposed to pronate or supine) foot strike and a super wide (thanks, freakish bunions!) foot. I used to be envious of Scott and his fancy and brightly colored $100+ Nike shoes. Why can’t I find cool, high-tech shoes like that to fit my foot? But for the past several versions, my bottom-of-the-line basic Saucony’s have been available in more than boring white or gray. I’ve worn bright orange, teal and now a deep blue.

In yesterday’s post, I wrote about slow time and gave myself a task: write a poem using “syncing” unexpectedly. This morning, I started the poem; I finished it just after my run. It’s inspired by bits and pieces from Gros’ book and my experiences running.

how do you slow down time?

stop thinking
about things you must do!
right now!
before the day ends!
and the sun starts sinking
below the trees
and behind the garage.

start drinking
your coffee earlier
so that you can wake up
and get outside
before that cooing bird starts syncing
up with the rest of the chorus:
the barking dogs,
the rumbling cars,
the humming city.

move your legs.
first one, then the other.
head to a field or the woods or a path,
anywhere on the edge
of civilization.
maybe above a gorge or under a bridge?
walk or run,
both will work,
as long as you move
 without haste or urgency.

use your lungs:
breathe in deeply
through your nose,
with your diaphragm.
as your abdomen extends,
so does your invitation to the world
to enter and fill you
with wonder and gratitude.

feel your skin
as it absorb the trees,
the blue sky
the freshly cut grass
and releases toxic worries
through its pores.

Attend to the beauty of being
not doing anything but moving
,
listening,
looking,
feeling
time
slowly
drip.

may 3/3.15 MILES

54 degrees
mississippi river road path south

What a beautiful morning for a run! I reminded myself, before leaving the house, to listen today. Birds. Cars, Crunching feet. The most unusual sound was a group of kids singing…what were they singing? Some popular song that I almost, but can’t quite, remember. They were on the other side of the river road, near Minnehaha Academy. I’m not sure what they were doing, other than being loud and joyful. Oh…I also heard water emptying out of the sewer pipe, just below the path. It wasn’t quite gushing, but was doing more than trickling as it traveled down the slope of the gorge. The water probably didn’t look too pretty–sometimes it’s a ghoulish green–but it sure sounded pretty. Like a waterfall. (note: several hours after writing this, I happened to walk by this pipe. I was much closer and slower than when I was running, so I got a better look. It was very pretty and the water was clear.) Tried running faster for 9 minutes and then stopping and walking for a minute. It was somewhat successful, but my hamstring was still getting tight. I better start doing some core exercises today.

After returning from my run, I sat on my deck and read a few chapters of A Philosophy of Walking by Frédéric Gros. I just picked it up from the library on Monday. I can’t remember where I found out about it. One of the many sources on walking that I looked at last week, I guess. I’m really digging it. I love walking almost as much as I love running, but for different reasons. I’m interested in pushing at what those reasons are and how running and walking are beneficial and harmful to me.

In Gros’ first chapter, “Walking is Not a Sport,” he defines sport, mostly negatively, and contrasts it with walking. I feel inspired to play with his prose. In the first part of the following experiment, I’m using his actual text, but replacing “sport” with running. In the second part, I’m offering my own response.

Walking is not Running/Running is not Walking

Walking is not running.

Running is a matter of techniques and rules, scores and competition, necessitating lengthy training: knowing the postures, learning the right movements. Then, a long time later, come improvisation and talent.

Running also obviously means cultivation of endurance, of a taste for effort, for discipline. An ethic. A labor.

Walking is not running.

Walking is the best way to go more slowly than any other method that has ever been found. To walk, you need to start with two legs. The rest is optional. If you want to go faster, then don’t walk, do something else: drive, slide or fly.

Running is not walking.

Walking is a matter of moving without a useful purpose. Meandering. Wandering. Getting lost.

Walking, especially when done at the glacial pace best suited for paying close attention, doesn’t demand endurance or require too much effort. It’s undisciplined and prone to unruly wandering off the path, dawdling.

Running is not walking.

Running is the best way to deplete excessive energy and restlessness that I have ever tried. Run for only 30 minutes, not even that speedily, and your body feels grateful for having been used.

To run, you need to start with two legs and a urge to fly, not fast, but free. The rest is optional. If you don’t want to fly, then don’t run, do something else: sit, watch or sleep.

may 2/5 MILES

46 degrees
mississippi river road path north

As I ran, I tried to keep thinking about poets, intense feelings, whether or not living “like an engine with the governor off” is a good thing and how this relates to running. I couldn’t. Not because I don’t have any thoughts about these issues, but because I was distracted by an impulse to monitor my pace, heart rate and running form. And preoccupied with thoughts of leg injuries and how I probably need to strengthen my core.

What else do I remember? There was wind in my face as I ran north and at my back, helpfully pushing me along, as I turned around and went south. The Franklin hill wasn’t too bad. My pulse seemed to go slower as I went faster. The trees at my favorite part of the gorge are covered in leaves, making it hard to see the floor of the gorge. I think I encountered 4 or 5 dogs and about 15 humans, some walking the dogs, some walking alone, some running and some biking. I smiled at several of them, but didn’t speak. Neither did they. I don’t remember hearing a single bird or the wind rustling or the gravel crunching or traffic moving.

Even if I don’t remember thinking about poetry and intense feelings, I’m sure I did, at least fleetingly. And, even if I didn’t think about it consciously, the ideas were there, hovering around me as I ran, inspired by the discussion I started about George Sheehan in my log entry yesterday.

Sheehan argues that we should try to be poets, “responding to everything around us and inside us as well,” like engines with the governor off. Then he adds: “The best most of us can do is be a poet an hour a day.” And laments: “There are times, more often than the good times, when I fail. I never do pierce the shield. I return with a shopping list of things to do tomorrow. The miraculous has gone unseen. The message has gone unheard.” His words got me thinking and inspired me to create:

A 60-minute Poet

George Sheehan claims that,
for an hour a day,
while we’re running,
we can try to be poets.
Feeling everything intensely and without restrictions.
Like an engine with its governor off.
We can try.
But we’ll frequently fail
A thick smog of obligations, worries and regrets
makes it harder to breathe.
And to see.
And to feel.
And to remember to let go and let in
more air,
more ideas,
more of the world.

A Deep Core Workout for 60-minute-a-day Poets?

60 minutes a day of intense feelings seems like a lot.
How can we train ourselves to feel deeply for that long?
What sort of strength and stretching exercises do we need to build up our “deep core” feelings?
To prevent hyper-awareness related injuries brought on by overuse or improper form?
To help us stretch our imagination?
Limber up our ideas, so we can bend, twist, contort them?
Strengthen our resolve against the worries and regrets that distract us?
Lengthen our vision to extend farther, beyond our myopic preoccupations?
Quicken our reflexes for faster responsiveness?
Attune our senses to the too-often invisible or ignored encounters?

I’m thinking about “core” workouts lately because so many things that I’ve been reading recommend core exercises for preventing injuries. A strong core stabilizes your bones, joints, muscles and internal organs. I’m terrible with scientific/medical terminology–I can’t seem to retain the information that I read or hear–but I’m fascinated by the names and some the descriptions of the “deep core” muscles, especially the multifidus.

The Multifidus

The multifidus
pronounced: mull tiff a dus
The muscle consisting of a number of fleshy
not flashy or flesh-eating or flesh-colored or thin, but plump and succulent
 and tendinous
sounds like tenderness or tendon-less, even though it means “consisting of tendons”
fasciculi,
pronounced: fa sick you lee or fa sick you lie, depending on if you want to rhyme it with an old oak tree or a key lime pie
which fill up the groove
the groove in the dirt trail, winding through the gorge? the groove of a Funkadelic album? what you’re in when it’s going well?
on either side of the spinous processes of the vertebrae,
not a process but a bony protrusion where the muscle attaches to the vertebrae
from the sacrum
pronounced: say crum, as in, “say crumb, why don’t you hop into my mouth?”
to the axis
aka C-2, aka epistropheus. Contains a bony protuberance, another fun word to say, on which the C-1 vertebrae rotates.  

april 27/4 MILES

34 degrees
mississippi river road path south

Cold today. Brrr. It was 59 degrees in February, now 34 at the end of April. Sounds about right for Minnesota. Didn’t mind too much. I like running at this temperature. I could have done without the wind, though. When I looped back at the halfway point I was greeted by a stiff 15 mph wind, blowing directly in my face at first and then off to the side later, almost like a not-so-gentle nudge to move along.

Thinking about the weather, I’m reminded of a great blog post about walking and poetry that I read a few days ago by the poet Edward Hirsch titled My Pace Provokes My Thought (note from 28 April 2022: originally, this essay was posted on Hirsch’s blog. It’s no longer available there, but I found it here). I made note of a few lines that I especially liked in the essay, including:

the inner and outer weather

The full line is: “Wandering, reading, writing–these three adventures are for me intimately linked. They are all ways of observing both the inner and outer weather, of being carried away, of getting lost and returning.”

Here are a few more lines that I particularly liked:

Cool Lines, a list

  • my thoughts modify my pace; my pace provokes my thoughts
  • Saunter off into the unknown,
    heading into strange terrain.
  • It had dignity. It wasn’t overly familiar. It kept its privacy, its wit
  • it turns out that I like my alienation mobile, fluid, transformative
  • walking meant “to roll about and toss,”
  • to turn what is transient into something permanent, immutable
  • Walking is so common
  • It disappears in plain sight, too pedestrian (i.e., commonplace) to notice.
  • a type of dream-work, a form of associative thinking
  • An aimless meandering intermingles with–it is transformed into–a type of intentional and revisionary thinking

I also responded to a few lines. Hirsch’s lines are italicized.

a poem often starts as a daydream
so does a run, or rather, a run enters into a daydream, starting as a task.

one moment you’re following a leisurely trail; 
the next you’re staring into the abyss.
The run is mundane. Routine. Focused on mechanics and efficiency. Then something happens. Not always, but sometimes. An awareness of life beyond the fluid surfaces of my body breaks through. I hear more. I feel more. I am more and less at the same time.

a walk made out of words.
Is it possible to capture the rhythms and feelings of a run in words? How?

april 25/5 MILES

57 degrees
mississippi river road path north

Another great morning for running. Intended to ruminate on the differences between running and walking in terms of how I think and generate ideas for the entire 46 minute run. It didn’t happen. I can’t really remember much of anything that I thought about. Devoted most of my attention to my running form and keeping my pulse steady.

Running Form

Keep it slow
don’t start fast
Keep it steady
find your rhythm
Breathe     i       n
Breathe     o  u  t
Check your pulse
Lift, lift, lift the knees
squeeze the glutes, squeeze the glutes
breathe in, 2, 3
out, 2, 3
drop your shoulders
lead with your chest
relax your arms
loosen your hands
roll an imaginary pencil between your thumb and fingers
l   e   a   n  forward
lift, lift, lift, lift, lift, lift the knees
raise your eyes, stare blankly at the top of the bridge
check your pulse
keep it steady
don’t lose your rhythm
breathe in, 2, 3
out, 2, 3
lift, lift, lift, lift the knees
slow it down
squeeze the glutes, squeeze the glutes
relax your arms
drop your shoulders
breathe in, 2, 3
out 2, 3
check your pulse
lift
lift
swing
swing
pump
breathe in out in out
pump
pump
lift
lift
breathe in out in out
in out in out
in out in out in out
FLY
l  e  a  n
lift
breathe i       n
breathe o  u  t
relax your arms
slow your pace
stop.