Tag: 10 things

feb 20/RUN

5.5 miles
franklin loop
25 degrees / light snow
100% snow-covered, slick ice

This morning it snowed. An inch in an hour. Then it stopped. By the time I got out to the river, it was snowing again. I decided not to wear my yaktrax, which was a bad idea. Very slippery. Lots of ice hidden under the snow. I slipped a few times, but never fell.

a few tips to avoid slipping

It was difficult for me to see where it was icy, but within a few miles I had developed a system that mostly worked.

First, look for the footsteps that stretch, the ones that seem longer than a foot. That is where someone has slipped or slid from ice underneath. Try to avoid these spots.

Second, accept that every single crosswalk entrance will be slippery and that you need to slow down in those spots. Slow down by shortening your stride and lifting your feet more often but with less height. Do a shuffle. Or, slow down to a walk. Keep your foot flat as you step down.

Third, stay focused, constantly reminding yourself the ice is lurking everywhere. Do not look away or try to pick up your pace.

I liked this run and am glad that I did it, although I wondered what I had gotten myself into when I was on the east side of the river, too far in to turn around.

the river

Crossing the Franklin Bridge, the snow just starting again, I noticed the river was brown and open and that the faintest fog, due to the light snow, was hovering above the surface. Later when I was crossing under the lake street bridge on the east side, I noticed 2 people standing at a railing, looking out at the river. I walked up the steps and stopped halfway to stand at another railing and admire the grayish-brown water. This view, a reward for the effort of trudging through the snow for 50+ minutes.

10 Things

  1. on the bridge, closest to the railing, there were squares of bare pavement. As my feet landed on snow then bare pavement then snow again, I could feel the difference — a slight slide, then a thud, then a slide again
  2. voices yelling from down below in the gorge — people having fun in the snow?
  3. a quiet voice grunting or clearing their throat, gently alerting me to their presence before biking by
  4. cars moving very slowly, carefully
  5. a truck on the bridge starting to stop way back from the cars in front of it. Must be slippery on the road
  6. chick a dee dee dee
  7. headlights down at the bottom of the franklin hill — a car slowly climbing up
  8. an adult pulling a young kid in a sled on the path
  9. 2 walkers having an animated conversation as we all approached meeker island. I heard one of them talking as I passed. Now I can’t remember what he said, just that he said it strangely
  10. the pipe under the lake street bridge — the one that I recorded gushing the last time I ran the franklin loop — was frozen solid. One thick, ugly icicle hanging at the bottom

Another Pastan poem:

The Death of the Self/ Linda Pastan

Like discarded pages
from the book
of autumn, the leaves
come trembling down
in red and umber,
each a poem
or story,
an unread letter.

Think of the fires
in ancient Alexandria,
the voluminous smoke
of parchment burning.

Open your arms
to the dying colors,
to the fragile
beauties

of November.
Deep in the heart
of buried acorns,
nothing lost.

Nothing lost. I like imaging my past selves — not past lives, but the many selves I’ve been throughout my life — as not lost. Buried acorns to become, over time and slow, steady growth, a new forest of trees. Now I’m imagining a forest of Saras. I’d like to walk through that forest! This makes me think of something I’ve been noticing about Pastan — she loves trees. She wants to be a tree, she links trees with the act of writing poetry, she finds hope against the inevitability of death in trees. A forest of Saras also makes me think of a poem I started a few years ago about a lake of Saras, different ages, lining up to make a bridge. It also makes me think of something funny I did last night. I positioned 2 of the mirrored doors of our bathroom medicine cabinet in such a way that I could look into the small wedge between each mirror and see around 20 of me. I stuck out my tongue and all these Saras were sticking their tongues out too. So many Saras. I kept looking to see if one of them might decide not to stick out their tongue. Nope, at least not that night.

feb 17/RUN

5.5 miles
bottom of franklin hill turn around
15 degrees / feels like 5
5% ice-covered

Colder today, but almost a completely clear path! Sunny, bright. Greeted Dave the Daily Walker early on. He was bundled up today. Wrapped in so many layers, I felt disconnected. I barely remember running on the stretch between the Welcoming Oaks and the lake street bridge. Only one flash of memory: looking down from the bike path, I noticed the walking path was hidden by a hard pack of snow, hardly looking like a path.

Listend to the gorge running north, a playlist returning south.

layers

  • my (recently) dead mother-in-law’s purple Columbia jacket
  • pink jacket with hood
  • green shirt
  • 2 pairs of black running tights
  • 2 pairs of gloves (black, pin and white striped)
  • gray buff
  • black fleece-lined cap
  • 1 pair of socks

10 Things I Noticed

  1. my shadow, running ahead of me
  2. the shadow of the lamp post beside the trail — the tip of the top of the lamp post looked extra sharp
  3. the river was open and brown, with a few streaks of white
  4. the path was clear but on the edges there were thick slabs of opaque ice where the puddles had refroze
  5. birds!, 1: the tin-whistle song of a blue jay
  6. birds!, 2: the laugh of the pileated woodpecker
  7. birds!, 3: the drumming of some woodpecker. Was it a pileated woodpecker, or a downy woodpecker, or a yellow-bellied woodpecker?
  8. birds!, 3: so many chirps and trills and twitters on the way up the franklin hill — a rehearsal for spring
  9. an impatient car illegally passing another car on the river road
  10. very little ice on the trail — where there was ice, Minneapolis Parks had put some drit down to make it less slippery (finally!)

Today, I have 2 Pastan poems. I am including both of them because they work together to speak to one set of struggles I have with losing my vision: I can no longer drive because of my deteriorating central vision AND this inability to no longer drive makes me feel much older than I am. Pastan is writing about surrendering her key when she’s in her late 80s. I stopped being able to drive at 45.

Ode to My Car Key/ Linda Pastan

Silver bullet
shape of a treble clef
I slip you
in the ignition—
an arrow
seeking its target—
where you fit
like a thread
in the eye
of a needle
like a man and
a woman.
A click and
the engine roars,

the road unscrolls
on its way
to anywhere.
At night you sleep
in the darkness
of a drawer,
On a pillow
of tarnsied coins.
Oh faithful key:
last week I gave
you up
for good—
Excalibar back
in its stone—
as I climbed into
the waiting vehicle
of old age.

Reading “Ode to My Car Key”

Cataracts/ Linda Pastan

Like frosted glass,
you blur the hard edges
of the cruel world.

Like summer fog, you obscure
the worse even an ocean can do.
But watch out.

They are coming for you
with their sterile instruments,
their sharpened knives,

saying I will be made new—
as if I were a rich man
wanting a younger wife.

Soon the world will be all glare.
Grass will turn a lethal green,
flower petals a chaos

of blood reds, shocking pink.
What will I see? I am afraid
of so much clarity, so much light.

This second poem offers an interesting contrast to the first one, which is a lament over the loss of the ability to drive, presumably (mostly?) because of her vision. In “Cataracts,” Pastan is worried about regaining her vision and how it will change the gentle ways she sees. “I am afraid/of so much clarity, so much light” immediately reminds me of Emily Dickinson’s “Tell it Slant”: “too bright for our infirm Delight” and “Before I got my eye put out”: “So safer — guess — with my just my soul/ Opon the window pane/ Where other creatures put their eyes/ Incautious — of the Sun– “

I like how putting these poems together offers space for both lamenting the loss of vision, and for appreciating the new ways it allows you to see. Is this what Pastan is doing? I’m not sure, but it speaks to how I feel about my vision loss.

feb 16/SWIM

1.5 miles
ywca pool

A swim! The last time I swam was 10 days ago. How has it been that long? The water was the cloudiest I ever remember it being. Was it that cloudy, or was it my vision or my loose googles? Swam alone for 30 minutes, then my daughter joined me.

10 Things I Noticed

  1. the water was so cloudy I couldn’t see to the other end
  2. starting out, swimming just above the bottom, I heard some kicking noises and worried that I had picked a lane that someone was already swimming in (I hadn’t)
  3. something brown, looking suspiciously like a band-aide, was stuck to the floor as it sloped down to the deep bottom. It stared back at me every time I swam above it
  4. in the next lane, someone was swimming an exaggerated breast stroke, kicking their legs way out, taking up most of the lane, possibly stretching over into my lane. I was a little irritated, but more enchanted by the wide swing of their legs and their froggy look
  5. I could see a small circle of light in the far corner
  6. trying to look more closely at the band-aide, I noticed some other white things stuck to the sloped floor too. What were they?
  7. as I flipped at the wall and looked up at the ceiling from below the water, I noticed that at the wall closer to the windows the light was yellow, and at the wall that was farther, the light was a pinkish-orange
  8. my nose plug squeaked once — a high-pitched squeak
  9. in the next lane a swimmer waited at the wall. Right as I flipped then pushed off, he started swimming. Was he trying to race me? Probably not
  10. I don’t think I saw anything floating in the pool today

Another good swim. For reasons I can’t quite pinpoint, I was agitated before my swim. It took some time, but the swimming helped calm me down.

Today’s Linda Pastan poem reminds me of something I was just writing about for my week five lecture for my class: gnarled branches.

In the Orchard/ Linda Pastan

Why are these old, gnarled trees
so beautiful, while I am merely
old and gnarled?

If I had leaves, perhaps, or apples . . .
if I had bark instead
of this lined skin,

maybe the wind would wind itself
around my limbs
in its old sinuous dance.

I shall bite into an apple
and swallow the seeds.
I shall come back as a tree.

This idea of coming back as a tree also reminds me of a poem I found the other day on twitter by Czesław Miłosz:

Longing/ Czesław Miłosz

Not that I want to be a god or a hero.
Just to change into a tree, grow for ages, not hurt anyone.

feb 13/RUN

5.8 miles
franklin loop
39 degrees
25% puddles

More spring-like weather. Above freezing. Sun. The sound of snow melting everywhere, especially under the lake street bridge. I checked and the last time I ran the franklin loop was on December 13th. It’s nice to get this view of the river again.

Felt relaxed. My knees ached a little — not an injury, just grumbling over the month of uneven, icy paths. Speaking of paths, the trail on the east side of the river was rough — ice, deep puddles — between Franklin and the trestle. I had to stop and walk a few times.

10+ Things I Noticed

  1. a V of geese above me. When I first noticed them through my peripheral vision, I thought they were a plane
  2. a white form up in the air. A cloud? No, a plane. It took me a minute to finally see it in my central vision
  3. crossing the Franklin bridge, the river was covered in a steel blue ice
  4. the bridge trail was mostly clear. The part shaded by the railing was not
  5. everywhere the moisture on the path shone so bright that I couldn’t tell if it was only water or slippery ice. (it was mostly water)
  6. crossing under the railroad trestle on the west side, I heard the beep beep beep of the alarm. I wondered if a train was coming. (I never saw or heard one)
  7. heard some bike wheels behind me, then voices calling out Ice! I moved over and stopped to let them pass, then watched as they slowly navigated the ice on their thin wheels
  8. lots of whooshing wheels and noises that sounded like sploosh! as cars drove through the puddles collecting on the edge of the road
  9. a favorite late fall spot: right before the meeker dam, there’s an opening in the trees and a clear, broad view of the river and the other side
  10. the river down below the trestle on the east side looked like an otherwordly wasteland. Brown, riddled with broken up ice
  11. crossing back over the lake street bridge from east to west, the river looked like an ice rink that had been skated on for too long and needed a Zamboni
  12. running down the hill from the bridge to the path, a woman crossing the river road called out, Oh! As I neared her, I stopped and she said, It’s slippery!

When I stopped running to walk up the lake street bridge steps, I could hear and see the water gushing down through the pipe under the bridge. I had to stop and record it.

feb 13, 2023 / gushing water

Here’s my Pastan poem for the day. I found it before I went out for my run. My goal was to try and listen for voices out there by the gorge, and I did, somewhat. The woman who cried out when she almost slipped. 2 women walking on the bridge above, when I was below. The biker calling out Ice! A tree, its dead leaves rustling in the breeze. The soft not quite gushing of the limestone seeping melting snow. The drip drip drip of water off the bridge.

For Miriam, Who Hears Voices/ Linda Pastan

If the voices are there
you can’t ignore them,
whether they come up through the floorboard
on a conduit of music
or in a rattle of words that make sounds
but no sense.

They can be messages from the sky
in the form of rain at the window, or in the cold
silent statements of snow.
Sometimes it’s the dead talking,
and there is comfort in that

like listening to your parents in the next room,
and perhaps it’s the same parents still talking
years after they’ve gone.

If you’re lucky, the vowels
you hear are shaped like sleep–
simple cries from the thicket
of your dreams. You lie in bed.
If the voices are there, you listen.

I am always looking for poems about love (not necessarily “love” poems). This one popped up on my twitter feed this morning. As a bonus, it’s about winter and fits with my theme of layers for next week AND it has wild turkeys in it!

How to Love/ January Gil O’Neil

After stepping into the world again,
there is that question of how to love, 
how to bundle yourself against the frosted morning—
the crunch of icy grass underfoot, the scrape 
of cold wipers along the windshield—
and convert time into distance. 

What song to sing down an empty road
as you begin your morning commute?
And is there enough in you to see, really see, 
the three wild turkeys crossing the street 
with their featherless heads and stilt-like legs
in search of a morning meal? Nothing to do 
but hunker down, wait for them to safely cross. 

As they amble away, you wonder if they want 
to be startled back into this world. Maybe you do, too, 
waiting for all this to give way to love itself, 
to look into the eyes of another and feel something— 
the pleasure of a new lover in the unbroken night, 
your wings folded around him, on the other side 
of this ragged January, as if a long sleep has ended.

As a bonus, this poem also has another thing I’m always trying to find: a reference to the idea of looking into someone’s eyes and really seeing them as (one of) the key metaphors for being fully human. I’m collecting these examples because they bother me. With my failing central vision, I can’t really look into a person’s eyes and see them. Does this mean I can’t be fully human?

feb 8/RUN

3.25 miles
trestle turn around
40 degrees
75% bare, wet, puddled pavement

A late afternoon run on a sunny, warm (warm for February in Minnesota) day! The path was wet, with lots of puddles, some slick spots, and lots of sloppy snow. Twice I had big slips. My one leg flew off to the side and I waved my arms involuntarily, but I didn’t seem to lose momentum and my body never felt the fear of falling — that fear deep in the pit of my stomach that quickly spreads to the top of my head and makes my whole body tense up.

10 Things

  1. the warm sun on my face — it felt like spring
  2. the late afternoon shadows — I can’t remember a specific shadow, maybe shadows of trees over the gorge?
  3. a siren behind me as I ran up from under the lake street bridge. It sounded close and like it was stopping. I think I heard the siren double beep and then stop
  4. some little yippy dogs freaking out down below at the minneapolis rowing club. So frantic! What’s going on down there? I worried for a minute, wondering if I was actually hearing someone screaming, but decided it was definitely some exuberant dogs
  5. Also heard a strange moan or whine coming from the rowing club — not a human moan, but one coming from a machine
  6. so much whooshing of car wheels through deep puddles on the edges of the road
  7. lots of bikes deciding to bike on the mostly dry road instead of the be-puddled path
  8. my shoes and socks were soaked before I reached the first mile. After the run, the white socks were now speckled in brown grit
  9. smelled pot as I ran past a parking lot
  10. heard a few random geese honks closer to the river

I didn’t look at the river or notice the ancient boulders or greet the welcoming oaks. Didn’t hear any birds — wait, I think I heard a crow at the beginning —or music coming from a car radio or a bike or someone’s phone.

This was a great afternoon run. I like running at this time, when the sun is slowly sinking. My only problem: the paths are usually much more crowded. Still, I’d like to try and add in some more of these runs so I can study the sun and the shadows.

Here’s my Linda Pastan poem for today. I don’t think there were any clouds to admire, but I’m posting it anyway!

The Clouds/ Linda Pastan

From a high window
I watch the clouds—

armada
of white sails

blown by the wind
from west to east, as if

auditioning for me,
as if they needed

nothing more
than to be in a poem.

What a delightful little poem! I think this counts as one of Mary Oliver’s little alleluias on the page.

feb 7/RUN

4.45 miles
minnehaha falls and back
31 degrees
100% slick, sloppy mess

Yuck! With warmer temperatures comes puddles, slicker ice, and soaked socks. Most of the trail was covered in little brown lakes. Oh well. The sun was warm on my face, and I felt almost too warm in my layers, so I was happy to get out there and run. Because I was trying out my new bluetooth headphones, and because the path was so challenging, I was distracted. Did I notice at least 10 things? I’ll try:

10 Things I Noticed

  1. running south into the sun, the slick path sparkled
  2. kids yellling at the playground. I think I heard one deep voice — was it a teacher?
  3. there was a very big puddle in the street at 42nd, right by the path. As cars drove through it, I could hear all the water splashing up onto the curb — glad I wasn’t running there!
  4. passed the same group of 3 walkers + 2 dogs in both directions on the narrow bridge
  5. the river was mostly open, with streaks of white ice
  6. a few people at the falls, near the bridge
  7. a man and a dog playing in the snow near the longfellow poem at the falls
  8. unable to avoid it, I ran straight through a deep puddle on my tiptoes
  9. glanced over at the house with the poetry in the window to check if there was a new poem. Too much snow to see the sign with the poem title
  10. the long dark tree branch of the mostly dead tree on the corner stretched across the path and the road. I wondered, as I ran under it, if it would fall on me

As part of my February challenge, I’m reading poems from Linda Pastan. Here’s the one for today:

Practicing/ Linda Pastan

My son is practicing the piano.
He is a man now, not the boy
whose lessons I once sat through,
whose reluctant practicing
I demanded–part of the obligation
I felt to the growth
and composition of a child.

Upstairs my grandchildren are sleeping,
though they complained earlier of the music
which rises like smoke up through the floorboards,
coloring the fabric of their dreams.
On the porch my husband watches the garden fade
into summer twilight, flower by flower;
it must be a little like listening to the fading

diminuendo notes of Mozart.
But here where the dining room table
has been pushed aside to make room
for this second- or third-hand upright,
my son is playing the kind of music
it took him all these years,
and sons of his own, to want to make.

I love the gentle way this poem unfolds, how it reminds me of my son and demanding he practice his clarinet, and its idea that practice accumulates and can take decades to lead to the things we want to do.

The practicing son in this poem reminds me of another poem I posted in the fall, Transubstantiation:

my six-year-old grandson, in the early
August rainy morning, piano-practices
“The Merry Widow Waltz.” Before
I was a widow, that song was
only a practice piece, a funny
opera

feb 6/SWIM

2 miles
ywca pool

Met RJP at the pool again after she was done with her classes. Added in about 1000 yards of swimming with the pull buoy. I tried reciting the poem I memorized yesterday — Linda Pastan’s “Vertical” — while I swam, but it was difficult. I couldn’t sync up the lines with my breathing rhythms. I don’t think I was ever able to recite the whole thing, only the first bit: “Perhaps the purpose of leaves is to conceal the verticality of trees which we notice in December as if for the first time: row after row of dark forms yearning upwards.”

10 Things

  1. cloudy water, at least as much, maybe more?, crud than the last time I swam: floating hairballs, some strange stain on the wall tiles in my lane
  2. when I got in the pool, there was only one other swimmer. More people came, then left. At one point, most of the lanes were filled, but it was never too crowded
  3. I could see that a storm was moving in by how the pool floor kept getting darker then lighter as the thickening clouds moved past the sun
  4. heard a click underwater several times. Decided it was caused by the swimmer next to me — her knee of elbow clicking as she did the breaststroke
  5. watching my daughter swimming freestyle underwater — looking strong and serious. Once as I passed her, I kept my head below looking over at her until she looked back
  6. doing my starting ritual of pushing off and them swimming underwater until I reached the blue line and the end of the shallow water, I held my arms out straight in front of me, almost squeezing my ears. I felt like I could have stayed underwater until I reached the wall
  7. the muscle I felt most while I was swimming today was my calf, and especially as I kicked harder during my first lap. It wasn’t sore, and it didn’t hurt, I just felt it more
  8. following behind my daughter, trying to stay slow and never pass her, I started my flip turn then stayed at the wall, suspended underwater
  9. worked on my flip turn, trying to flip with my core, and not my arms
  10. every so often, when the sun came out from behind the clouds, I saw a circle of light on the pool floor

Yesterday I posted a poem from Linda Pastan that describes a sparrow as “brief as a haiku.” That made me think of the first poem in her final collection, Almost an Elegy:

Memory of a Bird/ Linda Pastan

Paul Klee, watercolor and pencil on paper

What is left is a beak,
a wing,
a sense of feathers,

the rest lost
in a pointillist blur of tiny
rectangles.

The bird has flown,
leaving behind
an absence.

This is the very
essence
of flight—a bird

so swift
that only memory
can capture it.

All of this quick movement and the brevity of the bird in flight, also made me think of another poem by Pastan I discovered today:

The Birds/ Linda Pastan

are heading south, pulled
by a compass in the genes.
They are not fooled
by this odd November summer,
though we stand in our doorways
wearing cotton dresses.
We are watching them

as they swoop and gather—
the shadow of wings
falls over the heart.
When they rustle among
the empty branches, the trees
must think their lost leaves
have come back.

The birds are heading south,
instinct is the oldest story.
They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Because of my interest in peripheral vision and what it means to see movement (as opposed to sharp, fixed details), I’m always trying to find poems that offer details and descriptions of movement. I love how much Pastan focuses on how the birds move — they swoop and gather, cast wing shadows, rustle like leaves. She doesn’t offer any descriptions of their color, size, or sound. She doesn’t even name them. I don’t miss those details. The description of their movement is enough.

I love all of this poem, but today, especially this:

They fly over their doubles,
the mute weathervanes,
teaching all of us
with their tailfeathers
the true north.

Their doubles, the mute weathervanes? Tailfeathers as teachers? So good!

feb 1/RUN

4.5 miles
minnehaha falls and back
13 degrees / feels like 6
75% snow and ice-covered

Warmer this morning. Even the feels like temperature was above 0. Sunny, not too much wind. Only slipped a few times, even though the path was an ice rink. Heard lots of birds — a few I could name, pileated woodpecker, black capped chickadee, a lot I couldn’t.

I ran south again today. A few winters ago, I ran north all the time. I wanted to avoid the double bridge near the 44th street parking lot because they never cleared it. Now I mostly run south, trying to avoid the uneven stretch between lake street and the trestle. Encountered a fat tire, some runners, and a few walkers, including a guy near the falls, blasting some loud, dissonant music that I couldn’t quite place.

Devoted a lot of time to staying aware of the icy path, looking out for hard chunks of snow or smooth, slick patches of ice. Forgot to look at the river, or forgot to remember I was looking at the river.

10 Things I Heard

  1. the loon-ish (at least to me) song of a pileated woodpecker
  2. the feebee song of a black-capped chickadee
  3. some strange high-pitched whine coming from the new apartment building across from the falls — the one they’ve been working on for way too long and that blocked the bike path in the summer so that FWA and I had to bike through the grass
  4. construction noise coming from that same apartment building — was it a nail gun? a truck backing up? loud pounding? I can’t remember anything about it but that it made me think, construction noise
  5. the loud, not quite heavy metal or hard rock but something like that, music coming from a walker near the falls
  6. the hard crunch of my feet on the month-old snow
  7. kids yelling and laughing and playing during recess at Minnehaha Academy
  8. a runner calling out some greeting after I waved at him
  9. the creaking and crunching of car wheels behind me from a truck driving over the lingering snow
  10. the faintest jingle of my house key in the pocket of my orange running shirt

Anything else about the path? The worst stretch, as in most uneven and icy, was right after 38th heading south. All slick ice. I wondered (and worried) about what will happen when it gets warmer and this ice melts. Noticing the shin-high wall of tightly packed snow lining the side of the path closest to the road, I imagined the water having nowhere to go and turning into a little lake.

Found this great passage by Roland Barthes from a poetry person on twitter. I want to collect it now, return to it later. It makes me think of passive attention, telling the truth slant, my peripheral vision, and distraction:

To be with the one I love and to think of something else: this is how I have my best ideas, how I best invent what is necessary to my work. Likewise for the test: it produces, in me, the best pleasure if it manages to make itself heard indirectly; if, reading it, I am led to look up often, to listen to something else. I am not necessarily captivated by the text of pleasure; it can be an act that is slight, complex, tenuous, almost scatterbrained: a sudden movement of the head like a bird who understands nothing of what we hear, who hears what we do not understand.

The Pleasure of the Text/ Roland Barthes

When I mentioned distraction above, I was partly thinking of an article about poetry and distraction that I posted here a few years ago. I found it again and discovered that this article begins with the quote from Barthes. Nice!

In Search of Distraction

jan 31/RUN

3.5 miles
under the ford bridge and back
0 degrees / feels like -9
75% ice and snow-covered

Brrr. This isn’t the coldest run I’ve done this year, but it felt like it! Well, most of me was fine, just not my feet or my forehead. Running into the frigid wind, I got a brain freeze. A mile in, I had mostly warmed up. The path was in terrible shape. All uneven with long sheets of slick ice. I never worried about falling, but I got tired of moving all around the path trying to find bare patches.

I thought about Bernadette Mayer and her list of experiments, especially this one: “attempt writing in a state of mind that seems less congenial” (Please Add to This List, 12). Extreme cold + uneven, icy paths + lots of layers = less congenial. I wondered how these conditions affected what and how I noticed the gorge.

10+ Things I Noticed

  1. crunching snow, loud and brittle
  2. the smell of smoke from the usual chimney (the one on edmund that I always smell every winter)
  3. the river, half frozen, half open, all cold-looking
  4. the path, 1: almost completely covered in snow and ice
  5. the path, 2: the ice is flat and smooth and light brown
  6. the path, 3: an occasional bare strip, sometimes what I thought was bare was actually brownish grayish ice
  7. at least 2 other runners — we held up our hands in greeting
  8. 2 or 3 walkers — all bundled up, faces covered up to the eyes
  9. the buzzing of a chainsaw, laboring in the cold — workers trimming dead branches at Minnehaha Academy
  10. looking across the ravine from the double bridge, noticing someone dressed in dark colors walking along the retaining wall at the top of the overlook
  11. haunting wind chimes
  12. the sizzling of dead leaves on a neighbor’s tree
  13. the sharp scratch of another dead leaf as the wind blew it across the sidewalk

At the end of my run, walking back home, I marveled at the chattering birds, sounding like spring. I saw them, not their details, just their movements, fluttering, swooping, soaring, flashing. Then I heard the distinctive knocking of a woodpecker on some dead wood. Before I had a chance to enjoy the sound, the beep beep beep of truck backing up silenced the bird.

layers:

  • 2 pairs of black running tights
  • 2 pairs of socks
  • a green long-sleeved shirt
  • a pink jacket with hood
  • a thicker gray jacket
  • a gray buff
  • 1 pair of black gloves
  • 1 pair of pink/red/orange mittens, wool and fleece combo
  • a fleece-lined cap with brim
  • sunglasses

Lots of layers!

Oh, I needed this run! What a difference it makes for my mental health to get outside and move.

This morning, I happened upon this beautiful prose poem:

The Year We Fell in Love with Moss/ Sally Baker

We made our bed in its mounds and all our furniture was covered in mossy baize. We swam through velvet-lined tunnels, swagged ourselves in greenness all winter. It was the green of pond algae, the painted shed at the bottom of the old garden, kale, tourmaline, the needlecord skater’s dress I wore in 1979. It was the emerald brilliance of moray eels, of tree snails; pea soup green. We were moss creatures, felted deep in woods. It was the first plant on earth, at least four hundred and fifty million years old, its rhizoids like a forest of stars, rootless, absorbing moisture and minerals from rain, surviving in the harshest of climates. We became bryophyliacs, singing hymns in the sunken moss cathedrals, while light through the leaves flickered over us in waves, like signals, as if we’d been blessed. I believed moss could live forever. You told me about the Barghest who haunted the valley, could turn you to stone with a look.

I need to add this to my growing list of green poems!

jan 27/RUN

4.5 miles
minnehaha falls and back
24 degrees / feels like 9
wind: 16 mph / path: 99% snow-covered

This run was both hard and easy, and I loved it. Hard because of the wind, often in my face, and the soft, slippery snow. Easy because it felt so good to be outside and moving through the wintery world.

Even with yak trax, the soft snow makes it harder for me to lift my legs. Today I felt it in my right knee — what I call the “OG” knee because it’s the one that first started giving me problems (my kneecap was slipping out of the groove) and that led to never doing the marathon. Every so often, a short sharp pang. Nothing too alarming, just enough to remind me that my body is still here, tethering me to the world. I started thinking about Thomas Gardner and something I wrote almost exactly (one day off) 6 years ago, right after I started writing in this blog:

My right calf is still a little stiff from where I strained it last week doing mile repeats in the cold. Just enough to not let me out of my body.

Poverty Creek Journal/ Thomas Gardner

I wrote: “Even as we try to transcend our bodies while running, we are constantly reminded of our limits. We are bodies. We need that reminder to ground us and to keep us from getting too lost in the dreamlike state that running creates (jan 26, 2017).

As I ran this morning, I thought about how I like that running outside in the winter tethers/connects me to my body. It’s impossible for me to get too lost in any dreamlike state, or any one thought or series of thoughts. The path, the wind, the cold always brings me back to my body. Sometimes, bringing me back to my body involves suffering and complaining, but more often it is about grounding me and helping me to stop overthinking things. Of course, these reflections only came in flashes that lasted less than a minute or two. When I’m running, I can’t hold onto thoughts for longer than that. Now, as I write this, I’m sure that I’m missing something else I was thinking while moving. It all made so much sense as flashes and feelings. Much harder to remember it and put it into words later!

10 Things I Noticed: Wind

  1. running south, the wind was in my face
  2. cold, but not brain-freeze cold
  3. strong, but not strong enough to shove me off the path
  4. I could hear it rushing through the dead leaves on the trees in the oak savanna — sizzling
  5. it stirred up an occasional dead leaf from the ground
  6. at one point, I felt the spray of water on my cheek — was that the wind blowing the snow? probably
  7. ahead of me on the trail, I could see something big-gish — was it a chunk of hard snow or ice? no, it was a branch with a few orange leaves on it. As I ran past it I was startled when the wind picked up and made it move slightly
  8. near the falls, I felt the wind from several directions — was it swirling, or was I winding, or both?
  9. no sledders enjoying the hill — is this because of the strong wind?
  10. the wind was not loud enough to roar, but it seemed to grumble non-stop for most of my run

Found this poem the other day when it showed up in my instagram feed. It’s from episode #799 for The Slowdown Show:

Fragment (Stone)/ Ann Lauterbach

                         What has a soul, or pain, to do with a stone? 
                                                                                               –Ludwig Wittgenstein

You could walk not far through the grass to the shed barefoot
restless eye landing on distance there not far you could walk
looking down at various grasses weeds clover along the way
your toes in the green the undersides of your feet the cool damp
where is significance you think as you imagine walking across
grass to the shed barefoot what counts here does anything count
on the short walk while looking down and then over then up
at the catbird in the lilac where there are now dry brown sprays
at the robin hopping in the grass over there what counts you ask
incredulous at the pace not your pace the pace of time as if
rolling downhill gathering speed wound around
itself like giant twine but invisible so not present
in the sense of seen the way you assign to the visible presence
even as what is on your mind as you walk across the grass toward
the shed is invisible names their persons hunger mistakes
the lost and the recently slaughtered because of words
believed by the hopeless lost from view tossed
into the past like a weed a rind a stone found in grass
so find solace in the particular single crow high in the dead ash
its one-note cry sky pale blue low light sliding across wires.

I was drawn to this poem because it reminded me of how I think and how I notice as I’m walking. Lots of wandering and words running together without a break. One thought into the next. From here to here to here.