sept 12/RUN

10k
duluth lake walk
63 degrees / humidity: 89%

Windy, muggy, hilly. Mostly, the lake looked pewter a few times like oxidized copper — a rusty, tarnished green. Fluttering, falling leaves, leaf by leaf. Slashes of red and gold. Up north smells — pine? wildflowers? Up and down over little rises beside Lake Superior. Kids laughing and yelling in Leif Erickson Park. Morning! — a greeting from another runner. A woman with 2 dogs, wearing bright yellow pants, not looking as she stepped back on the trail in front of us. Rocky beaches below, echoes of hollow, metallic stones knocking against each other.

Textiles: soft sand, cracked and puckered asphalt, pliable springy wood slats, unyielding concrete.

Overheard, one woman walker to another — and we’d get ALLmost two days!

A good run with Scott on our quick trip to Duluth with RJP. We did 9 minutes run / 1 minute walk the whole way. The marathon is less than a month away. Next week: a 20 miler!

sept 10/RUN

5 miles
bottom franklin hill and back
68 degrees

A relaxed run. Warm, windy. Thought about wild as the (not quite) opposite of still. At the beginning of my walk, an idea: wild is not only a place, but a feeling — movement, untamed, uncontrolled, frantic frenzied jittery non-stop, restless. Stillness is controlled, steady, a nothing that is something, the core, a straight spine. Then I started thinking about my diseased eyes as wild — uncontrollable — which led to the idea that my eyes aren’t wild but undergoing a re-wilding. The aftermath of a catastrophe — a forest fire — where new (and different) growth occurs. Here I’m thinking about fungi and how they grow in places that have been destroyed, especially how Anna Lowenhaupt Tsing describes them in Mushrooms at the End of the World: On the Possibility of LIfe in Capitalist Ruins.

For the last mile and a half of my run, I put in my headphones and synched up my steps to a metronome set at 175 bpm. It took a minute to settle into the stillness at the center of the beat. At first, I was on the edge, my foot striking slightly before or just after the beat. Then I locked in and it felt like my feet were making the clicking noise. click click click click. No effort, no thinking, no doubting, just moving and being and breathing and singing a steady song.

10 Things

  1. screaming bluejays
  2. chirping crickets
  3. a tweeting bird, repeating tweet tweet tweet tweet
  4. buzzing cicadas
  5. 2 shirtless runners — runner 1: I need to stop at the porta potty
  6. chalked on the trail, honor the river
  7. goldenrod on the edge
  8. water, seen but not studied — did it sparkle? was it blue? empty? moving? I didn’t notice
  9. a few slashes of red and orange in the bushes
  10. voices below — rowers? hikers?

I was inspired to think about the wild because of a recent book I just finished reading, Lauren Groff’s The Vaster Wilds. So good! Here are a few passages I marked to remember. I checked this ebook out from the library, but I’m wondering if I want to buy it — so many good passages.

what seems to be scattered by nature was not

She wondered why she could see the beautiful rise of old trees all the way up and down the hills, and why there was no bramble or brush to grab at her and tear holes in her clothing. But she could not find an answer.

For nothing in her ken would allow her to imagine that it was the piscataway, the people of these parts, who so carefully burned the small brush away, and the saplings, too, to better see their game through the trees. She did not know that many of the trees around her were hickory and chestnut and hazelnut and walnut, and that, should she dig below the leaf litter, she would find ample nuts to sustain her even in these hungry times after the winter and before the full bursting-forth of spring. And that these trees, too, had been planted by the gardeners of this place. For here understanding of gardeners was limited to the ones of the city, and the ones of the city loved a straight line and a neat border, and looking out upon the trees seeming scattered there by the hand of nature itself, she did not recognize the human genius and planning in the wild abundance.

The Vaster Wilds/ Lauren Groff

the slow movement of stones

And the stones, with their lives so slow that to all impatient moving creatures of animated life they did appear unmoving, but even the stones she understood now did meet and mate, did erupt and splinter, did rub to powder stone upon stone and stone upon water and stone upon air, so that in the long scale of their lives the stones saw within themselves incredible vitality.

The Vaster Wilds/ Lauren Groff

Back to stillness, especially as nothing. Yesterday the poem of the day on poets.org was by a friend and amazing poet, Carolina Ebeid. Here’s a fitting excerpt from it:

No, nothing, no thing, no where—  
the o of no blinks open 

Assume the Role of Cassandra, Wearing a Mask, Speaking into the Camera/ Carolina Ebeid

The o of no blinks open. The openness of no — not a closing off but an opening into. Into what? This line was in my head at the end of my run and I thought, the gorge. No rock, just open air space a place filled with birds and bugs and possibilities and that shapes my stories of running outside and noticing.

Here’s another line that I love:

Can you hear the low pulse tree-growth consuming the fence?

Assume the Role of Cassandra, Wearing a Mask, Speaking into the Camera/ Carolina Ebeid

More than leaves or vines, I imagine this tree-growth as the trunk, rings thickening, growing through the chain-link fence on the Winchell Trail. I love the idea of becoming still enough to hear the pulse of this growth, to dwell in a time scale impossible for us restless humans. What is the rate of a tree’s heartbeat? Not in beats per minute, but beats per day or month or year?

This line also reminds me of a favorite poem that I memorized a few years ago, Push the button, hear the sound/ HELEN MORT:

Can you hear the call of the mynah bird?
Can you hear the flamingos in the water?
Can you hear your small heart next to mine
and the house breathing as it holds us?
Can you hear the chainsaw start, the bones
of our neighbor’s eucalyptus breaking?

excerpt from Push the Button/ Helen Mort

sept 8/RUN

18 miles
river road / minnehaha creek / lake harriet / lake nokomis / minnehaha falls
56 degrees

18 miles! I’m tired now, but it wasn’t terrible and I felt good for much of it. The last 4 miles were harder, but not impossible. When I finished, I felt like that was all I could do, but I know I’ll be able to do more when I run my 20 miler in a few weeks. My average pace was 75 seconds faster per mile than last week during my 16 miler. Nice!

While I ran, I listened to Death on the Nile. Almost 3 1/2 hours of it and the main character hadn’t even died yet! Well, her body was just about to be discovered when I turned it off at the end of my run. Maybe I’ll listen to the rest of it on my 20 miler?

I think this is the first time I’ve run all the way to Lake Harriet since I was training for the marathon in 2017. As I ran, I thought about how grateful I am to be still running and to have another chance to run the marathon. It’s taken 7 years, and almost 7000 miles, to get here. Wow!

18 Things

  1. a crowded trail, with lots of runners and 2 roller skiers, under the ford bridge and nearing the falls
  2. creak creak creak — the sound of the wood on the duck bridge as I ran over it
  3. several dogs barking frantically on the other side of the creek
  4. the bronze bunny — no scarf or t-shirt or anything on it today
  5. a rushing, high creek at one spot, a calm sparkling creek at another
  6. passing over the creek on a tall bridge, looking down at the rushing water
  7. hearing some kids laughing on the other side of the creek, crossing and bridge and seeing them jumping around
  8. loud cheers at Lake Harriet — a running race — decided to turn around early to avoid it
  9. a person sitting on the wall of the weir near lake nokomis, fishing
  10. 2 more people fishing on the shore of the lake nokomis — one in a portable chair, the other on a cement bench
  11. a paddle boarder in the water just off the little beach
  12. giant images of monarch butterflies on the pickleball fence for yesterday’s monarch festival
  13. view from cedar bridge — lake nokomis in a blue shimmer
  14. a young kid on a bike, waiting at the top of the hill near 28th. after I passed by, he called out to his friend, it’s clear now, you can go!
  15. running over gravel near nokomis avenue, my foot striking down on a sharp rock — ouch!
  16. encountering 2 surreys near 38th
  17. an event — maybe sponsored by Friends of the Mississippi River? — at the welcoming oaks. there were tents and people and signs and (maybe) ice cream
  18. after finishing my run I could hear drums playing across the road at the welcoming oaks

added an hour later: I just remembered the sound of the wind in the trees. In certain stretches, it sounded like water falling. Briefly I wondered, is that wind or water, but then I noticed that where I was there wasn’t any water that would make the noise. No falls or ravines or seeps. A beautiful, comforting, calming sound, that wind!

sept 6/RUN

10 miles
confluence loop*
57 degrees

*lake street bridge / east river road to confluence / highway 5 bridge / fort snelling / past minnehaha dog park / minnehaha falls / west river road

Ran with Scott on a loop I’ve wanted to do ever since we tried part of it last November. Because there are several isolated stretches, I’ve never wanted to do this run by myself. I’m glad Scott could come with me today. It’s a great loop.

Near the beginning of the run, I recited the poem I just memorized, “To the Light of September” and we talked about blue plums and whether we’ve ever eaten them (no). Scott wondered where Merwin was writing about — the landscape seemed familiar. I know Merwin ended up in Hawaii, but I thought he might have taught at Iowa or on the east coast. Looked it up and he was born in NYC and lived there — and in Spain and France too — in his early adult years. In the 70s, he moved to Hawaii.

10 Things

  1. the fee bee of a black capped chickadee
  2. bright red leaves in the low bushes
  3. all the yellow leaves on a the tree near Marshall last week are gone this week
  4. the shshshsh of the sandy dirt with every foot strike
  5. what a view of the mississippi from high above as it rounds the bend!
  6. crossing the highway 5 bridge, admiring my shadow down below, running over the treetops
  7. the disorienting effect of the sun coming through the railing slats as we ran
  8. a cloud of grasshoppers at fort snelling — jumping out of the way just before we reached them
  9. a man walking above the falls in BRIGHT yellowish-orange shorts
  10. a cloud of dust, which I thought was smoke at first, stirred up by construction work at the site of a new house

During mile 6, we ran up a long hill that wasn’t too steep but was in the sun and faced the wind and seemed to stretch on forever. At the start of it I thought I wouldn’t be able to keep going, but I put one foot in front of the other and didn’t stop, and I made it. At the top there was shade and I called out, Victory!

For the first 8 miles, Scott and I ran for 9 minutes, then walked for 1. Our pace was at least a minute faster than when I’m running on my own. Nice! I’ll have to do more 9/1 on my 18 mile run on Sunday.

added a few hours later: I almost forgot about the gnats! So many gnats swarming us as we ran from Fort Snelling to the falls. Scott was particularly bugged by them. Mostly I didn’t care, but at least one or two flew into my mouth. Thankfully, not down my throat!

I love anagrams and the spell they cast on words, and I love this poem, which was the poem of the day on the poetry foundation site:

Anagrammer/ Peter Pereria

If you believe in the magic of language,
then Elvis really Lives

and Princess Diana foretold I end as car spin.
If you believe the letters themselves

contain a power within them,
then you understand

what makes outside tedious,
how desperation becomes a rope ends it.

The circular logic that allows senator to become treason,
and treason to become atoners.

That eleven plus two is twelve plus one,
and an admirer is also married.

That if you could just rearrange things the right way
you’d find your true life,

the right path, the answer to your questions:
you’d understand how the Titanic

turns into that ice tin,
and debit card becomes bad credit.

How listen is the same as silent,
and not one letter separates stained from sainted.

sept 5/WALK

35 minutes
neighborhood, with Delia the dog
68 degrees

Today, I convinced an anxiety-ridden dog to go for a walk. What a beautiful, late summer/early fall morning! Wow. Our pace was slow, with Delia stopping to “read the news” at every tree, but I didn’t mind. I tried to stand straight and felt the calm in my core — a stillness so sweet it almost buzzed or hummed. Speaking of buzz, Delia stopped to smell some pink zinias and right next to her nose a bumble bee hovered. Only for a moment, then it flew off to the next blossom.

10 Things

  1. a city pick-up truck with a yellow arrow flashing on the bumper as it drove by
  2. a thick and long root sticking out of some boulevard dirt where the grass had been removed
  3. an shaded balcony on the second floor of a house across from 7 Oaks
  4. a chattering squirrel
  5. the steady, relaxed rhythm of a shirtless runner with a baseball cap on backwards
  6. big, bright pinkish-red blooms, emerging from a bush
  7. soft shadows cast across a big boulder
  8. a shaggy, scruffy tree, needing a shave, leaves covering the trunk and whole branches
  9. a steel planter on a boulevard filled with carrot greens, looking to my untrained eye like they were ready to be picked
  10. a neighbor across the alley dumping some cans in his recycling bin — hello! / hi!

Found this poem the other day, Painblank/ Daniel Borzutsky. So good! Instead of posting the entire poem, here’s the author’s helpful description:

About this Poem

I have said Emily Dickinson’s line ‘Pain has an element of blank’ in my head thousands of times…. I don’t know how many times I have tried to make sense of something only to conclude that the best poetic solution available is to say that it’s blank—the blank in the blank of my blank, the blankest of times, the blankness into which we all digress. Perhaps the thing about Dickinson’s poem is the way in which pain is enveloped so completely by, well, pain itself. But also, the problem of pain’s untranslatability, its blankness, resides in the sounds and symmetry of the words. What I’m suggesting in this translation of Dickinson’s Pain-Blank relationship is a reading and writing practice that believes in two things: that repetition is never repetition and that poetry, like pain and blankness, resides in the body. Perhaps poetry has the ability—definitely for the writer and perhaps for the reader—to assimilate into the body, to become inseparable from it, to become a language that is ingested through sonic relationships that have an effect beyond time, logic, and comprehension.

Daniel Borzutzky

And here’s the Emily Dickinson poem that inspired Borzutsky:

Pain–has an Element of Blank–/Emily Dickinson

Pain—has an Element of Blank— 
It cannot recollect 
When it begun—or if there were 
A time when it was not— 

It has no Future—but itself— 
Its Infinite Contain 
Its Past—enlightened to perceive 
New Periods—of Pain.

sept 4/RUN

4 miles
river road, north/south
65 degrees

Cooler again this morning. Fall is coming. Last night, over at Minnehaha Falls having some beers at Sea Salt, Scott and I were talking about September and how it’s in-between summer and fall. I mentioned an W.S. Merwin poem (To the Light of September) about the light in September and the subtle ways everything is shifting. I remembered the idea of the poem, but not the words, so this morning I decided to start memorizing it. I memorized the first half, with its glint of bronze in the chill mornings and fall as something already here but only as a name that tells of it, whether it is present or not. Throughout the run, I recited the lines in my head. Did I see evidence of fall? Not that I recall. No discarded acorns or changing leaves of glints of bronze.

sept 3/YARDWORK

45 minutes
gathering twigs, mowing the lawn
75 degrees

Listened to a podcast (Nobody Asked Us) while I “mowed” the front yard with our reel mower, which does more pushing down grass than cutting it. Then gathered and broke down twigs on the side of the house. It’s the first day of public school today and the first year since 2008 that I don’t have a kid in public school. One is a senior in college, the other will start their first year in the spring. Mostly I’m glad to be out of this stage, but it’s still seems strange for it to be over.

Here’s something I’d like to remember from the wonderfully whimsical poet, Heather Christle. She’s responding to this line from an essay criticizing ChatGP

The point of writing an essay is to strengthen students’ critical thinking skills; in the same way that lifting weights is useful no matter what sport an athlete plays, writing essays develops skills necessary for whatever job a college student will eventually get.

First, she suggests alternatives to “whatever job a college student will eventually get”:

  1. delighting in the diction and syntax of your beloveds and strangers
  2. recognizing the nature of lies uttered by those who wish to wield power over you
  3. composing nonsensical songs while puttering about one’s day…

Yes! These are all things important for an education in how to live a life!

Second, she responds to the strength/lifting weights analogy:

“Rather than relying on an analogy focused on strength, what if we chose to think of freedom, flexibility, and foolishness?”

freedom, flexibility, and foolishness

I love these ideas, where all three encourage possibility and openness and generosity, which are fundamental skills needed in order to navigate the divisions and anxieties and crises of the 21st century.

And, here’s a poem I read yesterday that I love — that last line!

Fullness/ Edward Salem

Behind eternity isn’t
more eternity. Nothing
lies in wait. Maybe you

think of it as a vacuum,
a void at the center of
the universe, a dot

that went all ways
at once, an asterisk,
footnote to everything.

Nothing is the Godhead
that gobbles the world
in one fell swoop,

but has no anus.

sept 2/RUN

16 miles
lake nokomis — 2 loops / minnehaha park / ford bridge
60 degrees

16 miles! My longest run ever, I was slow, it was difficult, I walked a lot, but I did it. Ran over to Lake Nokomis and around it twice, then took minnehaha creek path to the falls park all the way to the fort snelling trail. Turned around, ran over to the Veterans home, through Waibun, over the ford bridge, up to the overlook, then back over ford.

For the first hour, I listened to the gorge, the creek, the lake, and people I encountered. For the rest of it, I listened to an audiobook — Anthony Horowitz’s Close to Death. One of the characters in it is named Andrew Pennington and it took me several miles to pay enough attention to process that and realize that it was a reference to “Uncle Andrew” — Andrew Pennington in Agatha Christie’s Death on the Nile.

16 Things

  1. at one spot, the creek was bubbling, burbling, gurgling
  2. at another spot, it was rushing and gushing
  3. and at a third spot, it was glittering in the sunlight
  4. a small yippy dog across the creek — heard, not seen, so I guess it could have been big but it sounded small (and annoying) — losing its shit for a minute — yip yip yip yip yip
  5. a fishy smell at the lake that was surprisingly pleasant — smelled like summer or vacation
  6. the lake water was blue and flat and empty
  7. encountering another runner with her dog on the creek path — she called it, What are you training for? me: the marathon her: good luck!
  8. the pickle ball court was full — thwack! thwack! thwack!
  9. from the cedar bridge the water was smooth with just one bright spot from the sun
  10. one kayak gliding across
  11. a group with fishing poles, kindly waiting for me to pass before crossing the path
  12. crossing the parkway under the mustache bridge, avoiding where the asphalt had erupted — huge, ankle-twisting craters
  13. the flowers at Longfellow Gardens! Orange, pink, yellow, red, soft green! Wow
  14. Waibun park was full of Labor Day visitors — at picnic tables, the splash pad, on the playground
  15. heading down the short hill between ford and the locks and dam no. 1 — the few patches of light were glowing . . . pink — 14 miles into my run, was I hallucinating? No — the light must have been filtering through some reddening leaves
  16. 2 women with dogs, stopping and kindly waiting for me to pass before crossing the narrow duck bridge

It was crowded on the trails, but I only remember how kind people were. Waiting for me to pass, not hogging the path, calling out encouragement.

Like I mentioned above, my pace was slow — over 12 minutes/mile, but that’s fine with me. The marathon is not about time, but pushing through and proving I can keep going when it seems too tough.

Recently read:

I feel like poetry is going on all the time inside, an underground stream.

John Ashbery

I’d like to do something with this idea of the underground stream, especially in relation to daylighting — the process of bringing streams buried in concrete and under city infrastructure back into the light.

added, 3 sept 2024: I forgot until today something else I’d like to remember — seeing steam coming off of my face, looking like my breath, the combination of sun, humidity, a warm body, and cool air (I think)

aug 31/RUN

4 miles
marshall-loon loop*
70 degrees

*north through the neighborhood, over to lake street, up the marshall hill, turn right at prior, then right at Summit, down to the river, back over the bridge, stop at Loons for coffee

Ran with Scott this late morning. We talked mostly about our son and how to help him as he tries to figure out what he can do with his music major after he graduates next year. Scott pointed out the signs on the huge and fancy houses on Summit opposing the new hockey arena at St. Thomas. I pointed out the one streetlamp that is still lit on the St. Paul side.

10 Things

  1. pink and orange zinnias in a yard
  2. a shrieking (or hissing?) squirrel in a tree
  3. a blue river, emptied of boats
  4. a bright yellow chair outside of a salon
  5. a dead black-capped chickadee on the sidewalk
  6. a biker slowing then calling out, on your right, before passing us on our left
  7. people sitting outside, laughing and enjoying their coffee at Loons
  8. a friendly barista*
  9. the bathroom for the building, which has always been open now has a keypad on it**
  10. not seen, but described by Scott — being blinded by the sun reflecting off of the flat, metal surface of a stupid cybertruck***

*I’m realizing as I write this that I couldn’t see this barista very clearly and I’m wondering if my vision has gotten worse and I’m so used to it that I hardly notice.

**Customers at Loons and Longfellow Grill now have to punch in a code to use the bathroom. I think the bathrooms should be open. I was wondering if they were having too many people coming up from the river just to use the bathroom. Up until last fall, there has always been a porta potty under the lake street bridge for runners, walkers, rowers, and people living in the gorge. They should bring it back — everyone should have access to a bathroom!

***I’m not sure I’ve ever seen one of these abominations, but Scott HATES them. They sound terrible.

Mountains/ Alice Oswald

Something is in the line and air along edges,
Which is in woods when the leaf changes
And in the leaf-pattern’s gives and gauges,
The water’s tension upon ledges.
Something is taken up with entrances,
Which turns the issue under bridges.
The moon is between paces.
An outlet fills the space between two horses.
 
Look through a holey stone. Now put it down.
Something is twice as different. Something gone
Accumulates a queerness. Be alone.
Something is side by side with anyone.
 
And certain evenings, something in the balance
Falls to the dewpoint where our minds condense
And then inslides itself between moments
And spills the heart from its circumference;
And this is when the moon matchlessly opens
And you can feel by instinct in the distance
The bigger mountains hidden by the mountains,
Like intentions among suggestions.

I think this poem fits in with my study of the in-between moments. So many great lines in the last stanza: falls to the dewpoint where our minds condense; spills the heart from its circumference — I like this idea of a leaky heart that breaks open/out of its borders; intentions among suggestions.

aug 30/ YARDWORK

A perfect morning for running. Too bad I just ran 9 miles yesterday. Oh well. The only physical activity I’ve done today is picking up and bagging fallen branches in our front yard.

In terms of being outside, I’ve sat on the back deck for hours. Earlier, I watched a fox pause on my neighbor’s driveway to scratch an itch for almost 5 minutes. Then it slinked (slunk? slank) away. When I told Scott about it, his guess was fleas. This is not the first or second time I’ve seen this fox — slight, sleek, wild.

Even though I’m not running, I’ve decided to post some water things for future Sara:

tributaries / from Diane Setterfield

When I encountered this wonderful description near the beginning of Setterfield’s Once Upon a River many years ago, I knew I wanted to archive it. Finally, here it is:

A river on a map is a simple thing. Our river starts at Trewsbury Mead, and follows a course of some two hundred and thirty-six miles to reach the sea at Shoeburyness. But anyone who takes the trouble to follow its route, whether by boat or on foot, cannot help being aware that, furlong by furlong, singleness of direction is not its most obvious feature. En route the river does not seem particularly intent on reaching its destination. Instead it winds its way in time-wasting loops and diversions. Its changes of direction are frequently teasing: on its journey it heads at different times north, south, and west, as though it has forgotten its easterly destination--or put it aside for the while. At Ashton Keynes it splits into so many rivulets that every house in the village must have a bridge to its own front door; later, around Oxford, it takes a great unhurried detour around the city. It has other capricious tricks up its sleeve; in places it slows to drift lazily in wide pools before recovering its urgency and speeding on again.
If this is hard to understand from a map, the rest is harder. For one thing, the river that flows ever onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the country's diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames. And there is more: what we see on a map is only the half of it. A river no more begins at its source than a story begins with the first page. Take Trewsbury Mead, for instance. That photograph, do you remember? The one they were so quick to dismiss, because it wasn't picturesque? An ordinary ash in an ordinary field, they said, and so it appears, but look more closely. See this indentation in the ground, at the foot of the tree? See how it is the begining of a furrow, shallow, narrow, and unremarkable, that runs away from the tree and out of the picture altogether? See here, in the dip, where something catches the light and shows as a few ragged patches of silver in the grey shades of muddy soil? Those bright marks are water, seeing sunlight for the first time in what might be a very long time. It comes from underground, where, in all the spaces beneath our feet, in the fractures and voids in the rock, in caverns and fissures and channels, there are waterways as numerous, as meandering, as circuitous, as anything aboveground. The beginning of the Thames is not the beginning--or, rather, it is only to us that it seems like a beginnng. In fact Trewsbury Mead might not be the beginning in any case. There are those who say it's the wrong place. The not-even-the-beginning is not here but elsewhere, at a place called Seven Springs, which is the source of the Churn, a river that joins the Thames at Cricklade. And who is to say? The Thames that goes north, south, east, and west to
finally go east, that seeps to one side and the other as it moves forwards, that goes slow as it goes fast, that evaporates into the sky while meandering to the sea, is more about motion than about beginnings. If it has a beginning, it is located in a dark, inaccessible place. Better study where it goes than where it came from. Ah, tributaries! That's what I was meaning to come to. The Churn, the Key, the Ray, the Coln, the Leach, and the Cole in these upper reaches of the Tha,es, these are the streams and rivulets that come from elsewhere to add their own volume and momentum to that of the Thames. And tributaries are about to join this story. We might, in the quiet hour before dawn, leave this river and this long night and trace the tributaries back, to see not their beginnings--mysterious unknowable things--but, more simply, what they were doing yesterday.

from Housekeeping / Marilynne Robinson

I never finished reading Housekeeping (I should), but the descriptions of lake water in the opening pages has stuck with me for decades:

Sometimes in the spring the old lake will return. One will open a cellar door to wading boots floating tallowy soles up and planks and buckets bumping at the threshold, the stairway gone from sight after the second step. The earth will brin, the soil will become mud and then silty water, and the grass will stand in chill water to its tips. Our house was at the edge of town on a little hill, so we rarely had more than a black pool in our cellar, with a few skeletal insects skidding around on it. A narrow pond would form in the orchard, water clear as air covering grass and black leaves and fallen branches, all around it black leaves and drenched grass and fallen brances, and on it, slight as an image in an eye, sky, clouds, trees, our hovering faces and our cold hands.

Housekeeping / Marilynne Robinson

It is true that one is always aware of the lake in Fingerbone, or the deeps of the lake, the lightless, airless waters below. When the ground is plowed in the spring, cut and laid open, what exhales from the furrows but that same, sharp, watery smell. The wind is watery, and all the pumps and creeks and ditches smell of water unalloyed by any other element. At the foundation is the old lake, which is smothered and nameless and altogether black. Then there is Fingerbone, the lake of charts and photographs, which is permeated by sunlight and sustains green life and innumerable fish, and in which one can look down in the shadow of a dock and see stony, earthy bottom, more or less as one sees dry ground. And above that, the lake that rises in the spring and turns the grass dark and coarse as reeds. And above that the water suspended in sunlight, sharp as the breath of an animal, which brims inside this circle of mountains.

Housekeeping / Marilynne Robinson

Alice Blanchard and the bottom of the lake

In this essay about mysteries involving murderous lakes, Blanchard describes her childhood experience of living beside a lake and the September the dam broke and the lake emptied:

The next day, my sisters and I hurried down the hill to see what was left of the lake.  We couldn’t believe it—the whole thing was gone.  Our little dock extended out into nothing.  The drop was deep into water-speckled mud.  The dock’s legs were covered in slime, and small fish splashed around the remaining puddles.

It was sunny out—a beautiful September day.  We climbed down the wooden ladder onto the lake bottom, where the mudflats bore our weight like sandbars at the beach.  Everywhere you looked, trash mucked the lake bottom—tar-colored fishing poles, plastic buckets, half-buried flip-flops, boards with rusty nails sticking out.  Dead fish floated belly-up, while a few still-living fish twitched their fins and snapped their gills, trying to wriggle away into the deeper pools.  Everything smelled rotten in the strong sun.

My sisters and I explored for hours.  We found a wine bottle filled with mud, a weed-covered diving fin, a capsized rowboat, a crooked golf club, and more than a few rotten oars.  I looked around for Rita’s body.  My feverish imagination had convinced me that she would be there, half-buried in the mud, her long silky hair turned to seaweed, her waitress uniform the color of algae, her skeletal waist tied to a cement block by a length of water-logged rope.  Needless to say, we didn’t find any dead bodies that day.

At the Cold, Still Bottom of the Lake / Alice Blanchard

Her description makes me think of “drown town” in the series I just read about Indian Lake. Earlier in the essay, Blanchard writes about being frightened by her inability to know what was below her as she swam. This unknowingness doesn’t bother me too much — often I even welcome it — but I have, especially this summer, thought about might be below me in lake nokomis. In the shallowest parts, near the beaches, men with metal detectors have claimed anything of value, but how many people know what (or who) dwells at the bottom in the middle of the lake?