What color is restlessness? Purple.
6 feb 2025
Woke up at 2 am last night. Unlike the night before, when my legs were so restless that I had to shake them for a few minutes, I felt calm and chill and unbothered by being up. Instead of going downstairs to sit at the dining room table, I bounced gently on my exercise ball in the bedroom. Here’s what I wrote:
Bedroom in low light — a quiet still purple, light and dark
Quiet? Silent heavy and light soft and thick
A fan — not white noise but purple noise the agitation of stirring air
A steady hum to cover other noises and to counter the stiff stuck frozen nature of sleep when we slow to almost a stop unable to move in sleep
A world not lacking color but possessing an abundance of purple
purpled pulsing heart pumping purple blood
steady relaxed rocking on my feels (a type: heels, but I like feels, so I’ll keep it!)
cracking spine small purple sparks
I typed up my notes on my iPad. I love the typo: rocking on my feels.
Just now, reading through these notes I thought, is purple noise a thing? Looked it up and, yes it is! It’s used in sound engineering and sound/color therapy and for help with sleep.
7 feb 2025
Before writing about last night’s purple hour, a thought: At some point early in the run I realized I was wearing a purple jacket. Of course I know it’s purple and I’ve noted that on this log lots of times, but today it clicked that it was purple. I started imagining my time by the gorge in the winter as another purple hour. Then a George Sheehan passage echoed in my head:
I must listen and discover forgotten knowledge. Must respond to everything around me and inside me as well….The best most of us can do is to be a poet an hour a day. Take the hour when we run or tennis or golf or garden; take that hour away from being a serious adult and become serious beginners.
Running / George Sheehan, 1978
I like this idea of multiple meanings of the purple hour and how I can call these purple hours just because they involve me wearing purple — my purple habit (get what I did there? habit = a regular practice and clothing worn, like a nun’s habit).
Later in my run, I thought about dark purple and how closely it resembles, at least to me, dark brown tree trunks or dark water. Purple as another name for dark.
1:49 am /bedroom
Dark purple door (open closet)
Rustling dog
Droning fan layers of noise
3:08 am / dining room
midnights (tswift) lavender haze
violet purple lilac lavender
tints/shades of purple = mauve, orchid, eggplant, heather, iris
purple noise inside my ear — when the heat turns off
the house settling, unsettling
the other room, not illuminated by the light of my computer screen: deep ,dark purple
rhw (note: what is rhw? what word was trying to write?) hum, buzz from inside me stirring up the air
purple robe/comfy
Reviewing this list this morning, a thought: does anything rhyme with purple? Looked it up: hirple, to walk with a limp. I can envision purple as the color of limping. Now I’m thinking of having a hitch in your step which reminds me of un-hitching and Mary Ruefle and Claude Lévi-Strauss.
unhitching: to crudely paraphrase Lévi-Strauss, unhitching happens in brief moments when we can step outside of or beside or just beyond — below the threshold of thought, over and above society — to contemplate/experience/behold the this, the what it is, the essence of everything, Mary Oliver’s eternity. In your run above the gorge, near the river, below the trees, can you unhitch? (from log entry on 31 may 2023)
unhitching
The possibility, vital for life, of unhitching, which consists … in grasping, during the brief intervals in which our species can bring itself to interrupt its hive-like activity, the essence of what it was and continues to be, below the threshold of thought and over and above society; in the contemplating of a mineral more beautiful than all our creations; in the scent that can be smelt at the heart of a lily and is more imbued with learning than all our books; or in the brief glance, heavy with patience, serenity and mutual forgiveness, that, through some involuntary understanding, one can sometimes exchange with a cat.
Lévi-Strauss quoted MRH page 52
Purple/ Margaret Steele Anderson
A pigeon walking dainty in the street;
The morning mist where backyard fences meet;
An old Victoria—and in it, proud,
An old, old woman, ready for her shroud:
These are the purple sights for me,
Not palaces nor pageantry.
purple prose: I just learned about purple prose: excessive, overly verbose, wordy, too many metaphors, similes, adverbs, adjectives, language that calls attention to itself and lacks substance, a drama bomb. Just realized that Lumpy Space Princess, who coined “drama bomb” is lavender. Also, remembering Lumpy Space Princess inspired me to find and order a Drama Bomb t-shirt.
According to wikipedia, purple prose originates with the Roman poet Horace in his “Ars Poetica”:
Weighty openings and grand declarations often
Have one or two purple patches tacked on, that gleam
Far and wide, when Diana’s grove and her altar,
The winding stream hastening through lovely fields,
Or the river Rhine, or the rainbow’s being described.
There’s no place for them here. Perhaps you know how
To draw a cypress tree: so what, if you’ve been given
Money to paint a sailor plunging from a shipwreck
In despair?
9 feb 2025
Up twice last night/this morning for the purple hour. Here are my notes:
12:04 am / dining room
too many naps today? rich dinner? restless legs
uncomfortable purple
purple gas, purple ache, purple discomfort
the purple buzz of the refrigerator
the purple clicking of the computer keys
everything chilled, a heavy stillness — not still, as in resting, calm, quiet, but still as in trapped — a purple pause
a memory from a run by the gorge: l.e.d. car headlights — not white but bright and purple, or the suggestion of purple
2:01 / bedroom
Womanist is to feminist as purple is to lavender (Alice Walker)
The color purple — should I read it again?
The lavender menace — Betty Friedan’s homophobia
2 sets of snores: dog, Scott
purple light — the air in the room almost gray, but not, soft, dull, patches of very deep purple, and in-between shadows that are lighter than deep purple, but darker than the purple air
9:30 am / front room, desk
Sitting at my desk, bright from the cold sun, I look around and see blue and green and red and yellow and cream. Purple demands a different sort of light, or lack of light. I thought, suddenly, purple is peripheral. Then I remembered standing in front of a mirror this morning, looking directly into it, not seeing my face, but a purplish gray glob. So, purple is my central vision. Maybe it’s both, but in different ways?
Looked up “purple peripheral” and the first page of search results were all about cyanosis and a lack of oxygen to the extremities (hands, feet).
Somewhere in this search I remember something else about purple: it’s the color associated with pancreatic cancer. You wear a purple ribbon to support pancreatic cancer research. My mom died from pancreatic cancer. Looked it up and it’s a purple ribbon in honor of the founder’s mother whose favorite color was purple and who was diagnosed with and died from pancreatic cancer in 1996.
10 feb 2025
12:46 am / dining room
to leave a mark, to be marked, bruised, purpled
silence, then a hollow knock, but not silence, buzzing or ringing in my ear, like static
cold air (hear turned down at night)
periwinkle, heather, thistle, lilac, lavender, mauve, grape
purple purple purple purple violet violent violence silence silvery lilac plum plumb — the depths — plump — soft plums of cloud — plume of purpleish smoke
three white lights illuminating the outlet — not night lights plugged into the outlet, but lights embedded in the outlet — they are white and bright at the top, then fading out at the bottom, giving off gray light that reads as pale purple to me — got up to look closely at the lights and realized I was never looking directly at the light, the white and purplish gray shadow were all reflections on the wall, the lightbulbs were at the bottom of the outlet — what is the real light? where it originates, or where it casts?
3:00 am (remembered later) / bedroom
closed blinds, bright moon beaming through in the form of a strange double circle on my hand in light and dark purple
a thin line of light near the closet door
*
My description of the moon light made me think, purple moon, so I looked it up. A video game developer, a type of cheese, a modern furniture company, the name of a dispensary in Oklahoma, a variety of gourmet kale, the cycle when you start your period during a waning moon, the second full moon in April, a Chardonnay, a preschool, an arrangement of flowers with “lavender roses, purple carnations, and cheerful daisies”, a band, a branding company, a color evoking mystery.
Left my desk briefly to tell Scott about the purple moon and he asked, Have you mentioned “The Purple Rose of Cairo” yet? Wow, no! I haven’t seen that movie in almost 30 years. I think it was my favorite in my early 20s — this was before I knew what a creep Woody Allen was. Anyway, I want to watch it today.
This note, “to leave a mark, to be marked, bruised, purpled,” makes me think of two things:
1
This is the light of autumn, not the light of spring.
The light of autumn: you will not be spared.
You will not be spared, nor will what you love be spared.
(from October/ Louise Glück)
2
According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.
Kafka on Prometheus
Not becoming one with the gorge, but striving to press deeper and deeper into it, to leave a trace/mark on it, and be marked by it (from log entry on 29 dec 2024).
Another purple thing I just remembered: on a weather map, purple represents very cold temperatures.
11 feb 2025
3:10 am / bedroom
Full moon bright, spied through the dark slats of the blinds
Slanted square of window with blinds cast in the carpet
Shadow of the blinds cast on McPherson* forearm: stripes
Only seen in dim light; the light of this iPad erases it
*a typo — I decided to keep it in here. I don’t remember what I was trying to write that would have been autocorrected to McPherson. Was it just a slip of my fingers as I typed my?
(written 11 feb, 9:30 am) I remember the moon early this morning. Wow! So bright through the blinds. I wanted to walk over to the window and peek through the slats but I was afraid that it would wake Delia the dog, asleep on the couch. It was so bright that even from the floor with the blinds closed all the way, I could see it if I tilted my head just right.
I turned down the brightness of the iPad as much as I could, but it still made the room too bright. Right after I put my iPad away, the shadows were gone. I wondered if clouds were covering the moon. But once my eyes adjusted, the shadows were back.
We inherited these blinds from the old owner of this house. They let light in even when fully closed. How dark would it be in this room if we had different (better?) blinds? How much longer would it take my eyes to adjust to (grow accustomed to?) the dark?
I think these blinds, with their gaps, create a dark that has some light: purple light.
purple thoughts/stories
violet: the very shortest spectral wavelength humans can see
to re-create the color purple requires excess: shellfish, lichen
Reading about mauve in The Secret Lives of Colors, I was reminded of the connection between old woman and purple. (I recall thinking about the connection as I ran the other day when the Red Hat Ladies with their purple clothes popped into my head.)
Soon enough, however, mauve went into that most Victorian of things: a decline. Overconsumption, as well as the continuing loyalty of an older generation, meant that the color soon became shorthand for a particular kind of aging lady.
The Secret Lives of Colors / Kassia St. Clair (170)
Then I thought about the final stanza of a poem (this whole poem is amazing, btw). I gathered for this blog a few years ago:
It’s a small deposit,
but I’m putting my faith in reincarnation. I need to believe
in the sweetness of one righteous image,
in Bill Parcells trapped in the body of a teacup poodle,
as any despised thing,
forced to yap away his next life staked to
a clothesline pole or doing hard time on a rich old matron’s lap,
dyed lilac to match her outfit.
I want to live there someday, across that street,
and listen to him. Yap, yap, yap.
(I Heart Your Dog’s Heart/ Erin Belieu)
Which led to another random thought about a recent (2019?) hair trend: lavender gray. Looking at some of the pictures I wonder if I could pull this look off — I already have the gray.
The Color Purple
Inspired by my study of purple, I decided to reread Alice Walker’s The Color Purple which I read and wrote about in my masters’ coursework. I was really into Walker and Morrison and the link between women’s spirituality and sexual pleasure. I haven’t read it since then — 25 years ago. So far — 40 pages in — I’m enjoying it. Why is it called The Color Purple? I had to look it up, because I’ve forgotten. There are plenty of answers, here’s one:
I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.
Shug Avery in The Color Purple/ Alice Walker
12 feb 2025
2:40 am / dining room
too restless to notice or think about anything . . . purple mauve lavender orchid magenta is this restlessness a light or dark purple? whatever it is, it’s thick
3:15 am / bedroom floor
shadows slats moon carpet
the slats are soft, barely visible
the shadow of the lamp, its long neck, and something else. the cup? tin of nuts? nope the arm of the sofa
the moon — so bright! how many more days of this moon? this clear sky?
*
- grape jelly
- eggplant, japanese
- eggplant, italian
- plum
- pansy
- Daphne’s dress (Scooby Doo)
- Violet’s turning violet!
- purple banana
- hubba bubba (grape)
- grape juice
- raisins
- easter dress
- FWA’s favorite color
- purple toe
- vikings
- Barney
- Dino (Flintstones)
- Professor Plum
13/14 feb 2025
3:18 am (bedroom floor) / 13 jan 2025
Still life painting
Heavy shadows and light
Sitting in the dark, wanting to keep the quiet and how I’ve adjusted to the dark, I’m reluctant to take out my iPad and write or to speak into my phone. Now, later (10:00 am) in the morning, I remember the moon (a full moon!) coming through the slats — not as dramatically as the past few nights — and the window-sized square of light with its soft slat shadows and the deep, solid shadow of the couch and the dark almost emptiness of the closet — almost empty because I could see the hint (inkling?) of the exercise ball with the slightest outline of light. The image of the ball just barely emerging from the shadow reminded me of a still life painting — the one that Diane Seuss writes about in Quince, Cabbage, Melon, and Cucumber/ Diane Seuss (see 3 may 2024).
At night, when others are asleep and it’s more dark than light, the world stills for my restless eyes. The static stops. Finally objects freeze. Mostly I do too. A chance to look for longer, to stare and study.
I like “seeing” the darkness in the closet — its accordion doors wide open — as a deep purple. It’s not pure black; there’s color there but it’s dark and deep.
Writing this last sentence prompted me to search for Monet and purple. Why? I can’t remember now, a few minutes later. Jackpot. First, a quotation wrongly attributed to Claude Monet on the search, but actually spoken by Manet — poor Manet. How often is he overshadowed by Monet? Anyway, here’s the quotation:
I have finally discovered the true colour of the atmosphere. It’s violet. Fresh air is violet. I found it! Three years from now everyone will do violet!
found in The Secret Lives of Color, which sites Bright Earth: The Invention of Color, 208.
The impressionists were enamored with violet. Critics claimed they were afflicted with violettomania. Some theories on why:
a belief that shadows were never merely black or gray but colored — this sounds familiar!
complementary colors: bright yellow and soft purple. Robin Wall Kimmerer and Goldenrods and Asters!
vision problems — Monet and cataracts
*
Talking with my sister on the phone in the afternoon about my purple hour, she mentioned a paint color made from human remains. I think she meant this one:
Caput mortuum, Latin for “dead head,” is a dark brown paint that looks violet in some lights, maroon in others. It is earthy and intense, and like many browns, it can run in opposite chromatic directions when diluted. Some versions of caput mortuum paint tend toward the yellow end of the spectrum, while others wash into a light, yet slightly murky lavender. Despite its foreboding name and strange history, it is a rather simple, homey color. The substance reached the height of its popularity in the 18th and 19th centuries. It gets its hue from pulverized, mummified bodies (both human and feline) and its name from alchemy.
2:06 am / dining room / 14 fe
That moon! noticed a thin line of light on the kitchen floor then went over to the side (south facing) window and noticed the moon through the thick wooden slats. wow!
sitting at the dining room table, the heat kicked in — creaking everywhere through the vents. I have a short, repeated passage from one of our community band pieces running through my head. looking off to the side I caught a glimpse of myself in a mirror, my face-blob glowing from the computer screen — wistful wisteria — all parts of wisteria are toxic to humans — small purple flowers
I’m not sure why the phrase “wistful wisteria” popped into my head. Where do I know wisteria from? Searched for poetry wisteria and found a poem by Lucie Brock-Broido, Extreme Wisteria
Wisteria is, first: a hardy, deciduous, capable-of-earnest-grasping shrub which bears small flowers. After that, it can be pressed (violently if you will) into an attar of its former self. In this poem, wisteria is also a state (of mind), the place one heads toward when feeling wistful.”
QA with Lucie Brock-Broido
7:53 am / dining room / 14 feb
- aubergine, agitated, almost/approximate
- bathos, bruised
- cancer: pancreatic, cough medication
- Dino or Daphne, deep
- eggplant, emperor, Easter dress
- fibs faint falsehoods, fake fruit flavor, FWA’s favorite color
- Grape Ape, grief, (ornamental) grass
- heliotrope, haze, heaviness, hair color?!
- iris, ink, iffy, iodine
- jealousy, jazz, jackets
- kingly, Kristen’s post-college car
- lilac, lavender, Lumpy Space Princess
- mauve, magenta, mold, mystery, magic
- non (binary/entity/sense)
- orchid, outrage(ous)
- pansy, petunia, plum (fruit and Professor)
- queer, question
- restless, rusty/rusted
- shadows, slant, snail-snot, scar
- Tyranian, tantrums, teletubby, toe
- unfenced, undulating, underwater, unique, uncertain, undecided
- violet, violence, vapor
- wisteria, wispy, whelk, wood with soft inhabitants, wet, wild
- eXcessive, exasperated, extremities — oxygen-starved, excess
- yellow’s compliment, yelling
- zeal
10:30 / front room, my desk / 14 feb
Wandering with purple: Part of this purple hour project, part of any of my projects really, is to find reasons to wander and wonder about new, unexpected things that I might not otherwise encounter or care about. Mission accomplished! It started last night with a random phrase that whispered to me, wistful wisteria. This led to reading about the purple-flowered vine, wisteria, then Lucie Brock-Broido’s poem, then her Q&A about the poem in which they discuss Emily Dickinson, especially her poem, “Essential Oils — are wrung –“. Then the idea of ED as a hard nut to crack. Then this line from some commentary on ED:
When I read Walt Whitman, we jauntily walk side by side down the road within his multitudinous world of wonder. When I read Dickinson, I don’t know if I am inside her mind or if she is inside mine. But I am always in a mysterious, perplexing, deeply thought-provoking, sometimes scary but always beautiful place.
Which led me back to the Q&A:
I think we’re all in conversation on the page with that which came before us, or even during us. We inherit whatever canon we’re in the midst of, a great collective influenza.
*
What I mean to say is that, in my own work, often, I may have been with Dickinson, but she was not with me.
15/16 feb 2025
the heat turnning on, the house shifting settling, my legs restless
purple mountains — in Japan, looking out at the mountains, different shades of purple — fall, 1994
Emily Dickinson purple — sunsets and sunrises
someone shoveling at 4 am
10:30 am / front room
Where Ships of Purple—gently toss — / Emily Dickinson
Where Ships of Purple—gently toss —
On Seas of Daffodil—
Fantastic Sailors—mingle—
And then—the Wharf is still!
F296 (1862) 265
No one does sunsets better than Dickinson. I wonder if Amherst sunsets are still so colorful. Where I’ve lived sunsets are primarily red, pink, and gold, but the ones she describes often have purple. This one does, too. Here she sees great ships, large purple clouds, gently tossing in their moorings. The sea beneath them is tinted golden, “Daffodil,” from the setting sun. The mingling and fantastic sailors are no doubt smaller clouds that move among the larger ship-like ones, their shapes constantly changing. When the sun sets the sky turns dark and “the Wharf is still!”
The prowling bee has been such a wonderful resource for me. Reading the comments for this poem, there was speculation about why the Amherst sunsets were so brilliant and purple
Romantic era sunsets WERE particularly vivid, due to volcanic ash from several cataclysmic eruptions worldwide. The Hudson River School artists and their sunsets might not have been hyperbole, after all, nor were ED purple sunsets.
Another commenter doubted this suggestion, so I did a quick search and found a pop science article about a study on sunset paintings and volcanic ash: How Paintings of Sunset Immortalize Past Volcanic Eruptions
Volcanoes can cause some of the world’s most spectacular sunsets. An eruption spews small particles of gas, dust and ash, called aerosols, high into the atmosphere where they can spread around the world. The particles can’t be seen during the day, but about 15 minutes after sunset, when conditions are right, these aerosols can light up the sky in brilliant “afterglows” of pink, purple, red or orange.
The impact of climate/climate disruptions on how we see color? Fascinating. Earlier this morning, while doing my “on this day” practice, I reread my entry from 16 feb 2024. In it, I described a photo I took above the gorge.
The most important thing about this image is how the branches create a net which mimics how my vision often works — I can almost see what’s there, but not quite. Secondary, but connected, is the feeling of being disoriented, off, almost but not quite, untethered, which comes from swirling forms and the climate crisis — there’s almost always snow on tthe ground here in February. Where are my Minnesota winters?
This last bit about climate crisis and lack of snow returns me to the ash in the sky and its effect on how 19th century artists saw and depicted the world. Many places to go with this, for now I’m thinking about how my vision loss (or the making strange of my vision) has enabled me to be more open (than many people with “normal” vision) to understanding vision as complex and not as simple or straightforward as “what you see is what you get.” Does that make sense?
1:50 am / dining room / 16 feb
doorways/thresholds are definitely purple — a deep, dark purple
the air above the gorge: different versions (tints/shades) of purple
purple hums, a soft lavender static in my ears
lachrymose purple
originally wrote violet static, but looked up the color again and thought it was too dark for the static I was hearing in my head
9:46 am / front room / 16 feb
Thought more about violet. Decided to search, “Alice Oswald violet.” Found this beautiful poem:
Violet/ Alice Oswald
Recently fallen, still with wings out,
she spoke her name to summon us to her darkness.
Not wanting to be seen, but not uncurious,
she spoke her name and let her purple deep eye-pupil
be peered into.
‘Violet,’ she said
and showed her heart under its leaf.
Then she leant a little frightened forwards
and picked a hand to pick her.
And her horrified mouseface, sniffed and lifted close,
let its gloom be taken and all the sugar licked off its strangeness
while we all stood there saying, ‘Violet! Violet!’
fingering her blue bruised skin.
Finally she mentioned
the name of her name
which was something so pin-sharp,
in such a last gasp of a previously unknown language,
it could only be spoken as a scent,
it could only be heard as our amazement.
“purple deep eye pupil”: so good!
“the name of her name” — I wrote in my notes: the flower is never one solid, consistent color — the color is an abstraction, a taking one part for the whole, a disconnection — to name a color is to reduce the experience and perception of that color to one thing — colors cannot be fully named
What is lost — in our perception, experience of the world — when we reduce what we see to a fixed color/fixed name?
This question reminds me of something I read in Turning to Stone on the importance of naming yesterday:
The names themselves are, of course, human constructs, but the act of naming requires making distinctions that sharpen the powers of observation.
*
Taxonomy is comforting because it creates a sense of control and finitude in a chaotic and open-ended world.
Turning to Stone / Marcia Bjornerud
Lists! I love lists. My lists aren’t taxonomies, but something else . .
The proper name of God is a list.
Valentina Izmirlieva in Aster of Ceremonies
Once I get the audiobook of Aster of Ceremonies, I want to put name as taxonomy and control in conversation with JJJJJerome Ellis’ “Liturgy of the Name” and “Benediction.”
17/18 feb 2025
2:10 am / dining room / 17 feb
raisins
plums
prunes
figs
dates
beets
Plums!
This Is Just To Say/ William Carlos Williams
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
8:42 am / dining room / 17 feb
plum plumb plump (source)
plum = part of the rose family, prunes when dried, something sweet — a plum job, a plum deal, plummy (adj)
plumb = pipes/plumbing, plumbum (Latin/lead), lead weight attached to line — used to indicate vertical direction, vertically (adj), absolutely — plumb wrong / exactly — plumb in the middle (adv), plumb the depths (v)
plump = having a full rounded form (adj), dropping placing or sinking suddenly and heavily — they plumped down (v), making or becoming plump — plumping a pillow (v)
a plum assignment
plumb out of luck
plump up an ego
Thinking more about William Carlos Williams:
Love Song/ William Carlos Williams
I lie here thinking of you:—
the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branches that lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole world—
you far off there under
the wine-red selvage of the west!
Yellow and purple. Reminds me, again, of Robin Wall Kimmerer and asters and goldenrods!
If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning.
Why do they sand beside each other when they could grow alone? Why this particular pair?
Color perception in humans relies on banks of specialized receptor cells, the rods and cones in the retina. The job of the cone cells is to absorb light of different wave lengths and pass it on to the brain’s visual cortex, where it can be interpreted. The visible light spectrum, the rainbow of colors, is broad, so the most effective means of discerning color is not one generalized jack-of-all-trades cone cell, but rather an array of specialists, each perfectly tuned to absorb certain wavelengths. The human eye has three kinds. One type excels at detecting red and associated wavelengths. One is tuned to blue. The other optimally perceives light of two colors: purple and yellow.The human eye is superbly equipped to detect these colors and send a signal pulsing to the brain. This doesn’t explain why I perceive them as beautiful, but it does explain why that combination gets my undivided attention. I asked my artist buddies about the power of purple and gold, and they sent me right to the color wheel: these two are complementary colors, as different in nature as could be. In composing a palette, putting them together makes each more vivid: In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Our eyes are so sensitive to these wavelengths that the cones can get oversaturated and the stimulus pours over onto the other cells.
Braiding Sweetgrass / Robin Wall Kimmerer
Goldenrod and asters appear very similarly to bee eyes and human eyes. We both think they’re beautiful. Their striking contrast when they grow together makes them the most attractive target in the whol emeadow, a beacon for bee.s Growing together, both receive more pollinator visits than they would if they were growing alone.
3:06 / dining room / 18 feb
the rattle of the vent as the warm air is forced through it
my dark reflection on the stainless steel dishwasher door, caused by the dim string of lights in the front room cast on me as I stood on the rug in the dining room — silvery purple
a creaking house, settling after the heat stopped
a hiss in my head
what are the origins of magenta? why were the vikings purple and gold?
purplish blue = indigo
reddish purple = magenta, purplish red = fuchsia
the crab apple trees and their fuchsia funnels (Ada Limón)
Magenta is named after a town in Italy (Magenta) and a bloody battle for independence in 1859
10:00 am / front room
Searching for magenta on poetryfoundation.org, I found some very cool looking exercises from Rebecca Lindenberg about perception, including one using Ezra Pound’s ideogram. Lindenberg offers this example:
CHERRY FLAMINGO
ROSE IRON RUST
Say the students choose, for example, yellow. It is likely they will start by suggesting, again, the usual concrete items we associate with that color—lemons, bananas, the sun, corn on the cob, sunflowers. After they’ve exhausted those, it’s important to keep asking—what else is yellow? Taxis, rubber duckies, corn tortillas, rain slickers, caution tape, butter. Then, onion skins, sticky notes, school buses, yield signs, egg yolks, urine, grapefruit rinds, fog—and now we’re getting somewhere. Now we’re not talking so much about what we think of as yellow, we’re talking about what we actually see as yellow.
Once the board or screen is full of things we see as yellow, it’s worth pausing to remind students that we aren’t just making a picture of yellow. What the class chooses will suggest something about yellow—but it doesn’t have to be everything there is to say about yellow. It doesn’t have to be comprehensive, just visceral, evoking “yellow-ness” (or “teal-ness” or “tan-ness”). Then, another vote. Or rather, a few rounds, in which each student gets two votes, until you narrow it down to the final four. And ka-pow! You’ve made an ideogram.
A Poetry of Perception
Lindenberg suggests a homework assignment: pick a color, brainstorm at least 25 things related to the color, narrow it down to four, write a paragraph of explanation. I think I’ll try this with purple — just one, or a series of purple moods?
19 feb 2025
4:05 am / dining room
Tried to sit down and think about Monica Ong’s “Lavender Insomnia” but was too restless, agitated — not from thoughts, but a buzzing left leg.
11:10 am / front room
the violet hour (twilight)
T.S. Eliot’s violet hour in Waste Land:
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
3 types of Twilight: (defined by how far the sun is below the horizon)
civil twilight
nautical twilight
astronomical twilight
3 types of twilight
Civil twilight = dim but artificial light is not needed, bright stars are visible = violet
Nautical twilight = dimmer, sailors can use stars to navigate horizon, you need artificial light to do things = plum?
Astronomical twilight = almost full darkness, dark enough to see galaxies, nebulas = eggplant
20 feb 2025
12:45 am / dining room
restless, difficult to be still enough to type/think
(remembering, 7:05 am) looking out the kitchen window, seeing 2 dark forms in the white snow — bare patches or something more? Staring for a few mnutes — am I imagining that slight shift? No, 2 animals, standing still for minutes. What are they doing? Quick movement, then bounding figures. Rabbit-like. But these animals look so dark — is it a trick of the dim light — bunny fir darkened in the lilac light? [there is no indigo in a backyard illuminated by neighbor’s security lights.] Or, could these creatures be racoons?
2:44 am
a word appears in my head: amethyst — February stone, quartz, ancient Greeks believed it would prevent intoxication
7:49 am / dining room
A journal: Amethyst Review
In a Robert Frost poem, October:
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes’ sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost—
For the grapes’ sake along the wall.
A myth created in the 1500s about a nymph and Bacchus:
In his poem “L’Amethyste, ou les Amours de Bacchus et d’Amethyste” (Amethyst or the loves of Bacchus and Amethyste), the French poet Rémy Belleau (1528–1577) invented a myth in which Bacchus, the god of intoxication, of wine, and grapes was pursuing a maiden named Amethyste, who refused his affections. Amethyste prayed to the gods to remain chaste, a prayer which the chaste goddess Dianaanswered, transforming her into a white stone. Humbled by Amethyste’s desire to remain chaste, Bacchus poured wine over the stone as an offering, dyeing the crystals purpl
wikipedia
A cluster of grape gems to buy.
In a Dan Beachy-Quick poem:
Anniversary/ DAN BEACHY-QUICK
You are for me as you cannot be
For yourself, chaos without demand
To speak, the amethyst nothing
Hidden inside the trinket shop’s stone,
Dark eyes dark asterisks where light
Footnotes a margin left blank. You
Don’t look up to look up at the sky.
Your ears parenthesize nothing
That occurs, that I keep from occurring,
In the poem, on the page, as you are
For me, not a shadow, but a shade
Whose darkness drops from no object
But is itself yourself, a form of time
Spanning nothing, never is your name.
9:46 am / kitchen
Telling Scott about how the word amethyst popped into my head and that it was the birthstone for February, he said that he knew that because his grandmother was born in February and she often wore amethyst jewelry.
12:31 pm / front room — chair
Thinking more about Dan Beachy-Quick’s lines:
not a shadow, but a shade
Whose darkness drops from no object
Thinking about shade as a hue with black added to make it darker (as opposed to tint, where white is added to make something lighter). Also thinking about shade as relief on a hot day, a welcomed darkness.
added hours later: Rereading the poem, “Anniversary,” I looked it up: amethyst is given for the 6th wedding anniversary.
21 feb 2025
3:55 am / dining room
purple pansies pray peacefully
pitiless preyers: purple panthers
lavender locks look lovely
lilac lamps leave low light
heather has heavy hands, hollow head, hazardous heart
violet views vast volumes
indigo is inching inward
mauve might murder me
our orchids outlast others
patty picks plum pudding
as amethyst arrives alice asks about alan’s art
even edger eats eggplant eagerly
iris is indifferent
mulbery maude makes many mistakes
forgive fuchsia for farting
when working wednesdays wisteria wants white wine
8:50 am — dining room
after asters, ash arrives
plaintive prayers: purple pallbearers
gooseberries grieve grandmothers
orchids outlast outrage
I asked RJP if she wanted to try. She did!
patricia pats purple potatoes (RJP)
magnificent magenta makes musical moments (RJP)
purple proclaims, Period poo! (RJP)
purple pringles produce particularly pronounced poops (RJP)
orchids open only on occasion (RJP)
2:21 pm — front room (desk)
professor plum pontificates pedantically
After waiting a little over a week, the audio version of JJJJJerome Ellis’ Aster of Ceremonies has arrived! I’d like to devote the final week of February to reading (with my ears and eyes following along) this wonderful book.
Revisiting Alice Oswald’s discussion of purple and porfurium in “Interview with Water,” I started thinking about her description of being purpled:
To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light, to be either sleepless or weightless and cut off by dreams
To lose one’s name — this will come up in Aster of Ceremonies. To be sleepless and weightless and cut off my dreams — I feel this often while running above the gorge.
22 feb 2025
1:35 am / dining room
Listened to Monica Ong’s “Lavender Insomnia.“
7:55 am / dining room
The poem of the day on Poetry Foundation is First Fig. Figs can be many different colors but are often associated with purple. Since I’ve posted this well-known poem about a candle burning at both ends before, I decided to find out if Millay had written any other fig poems.
Second Fig/ Edna St. Vincent Millay
SAFE upon the solid rock the ugly houses stand:
Come and see my shining palace built upon the sand!
First Fig and Second Fig are from Millay’s 1922 collection, A Few Figs from Thistles. Is her use of figs and thistles a reference to Matthew in the Bible?
Ye shall know them by their fruits. Do men gather grapes of thorns, or figs of thistles? Even so every good tree bringeth forth good fruit; but a corrupt tree bringeth forth evil fruit.
Matthew 7:16-20 King James Version (KJV)
Speaking of thistles, my mom often had globe thistles in her garden. After she died, I recall wanting to grow them in her memory, but I can’t remember why. Is it because butterflies like their round purple flowers, or because I do
23 feb 2025
2:30 am / bedroom
light coming in through the ineffective blinds, casting purple — lavender carpet and walls, indigo couch and closet interior
8:45 am / dining room
Trying to determine which tint of purple the carpet was, I encountered periwinkle.
Periwinkle is a color. . .
A subset of violet, which is a subset of purple, periwinkle denotes a precise shade that appears somewhat brighter than lavender, bluer than lilac, clearer than mauve, and dimmer than amethyst. But it’s hard to say with precision, because the purples are strange ones, polarizing, and violets are even more so. Few hues are more beguiling and more reviled than this grouping, the last stop on the rainbow and the tacked-on v at the end of that schoolchild’s mnemonic, Roy G. Biv. According to the scholar David Scott Kastan, shades of violet exist within their own special category. Violet is, like glaucous, a color-word that denotes a certain quality of light. “Violet seems to differ from purple in whatever language—not so much as a different shade of color than as something more luminous: perhaps a purple lit from within,” Kastan writes in On Color, his 2018 book on the subject. “Violet is the shimmering, fugitive color of the sky at sunset, purple the assertive substantial color of imperial robes.”
Periwinkle: the color of poison, Modernism, and dusk
a window of time . .
But lately, I’ve found myself waiting for the sun to go down, timing my walks so that I can be outside then, when the bats begin to swoop around the oaks and the mosquitoes hum around my face. It’s not the golden hour (which occurs about an hour before the sun touches the horizon), it’s the periwinkle window. It lasts only a few minutes in the summertime; dusk descends fast in the north. But for fifteen minutes, the sky is painted with various shades of violet, indigo, and mauve. At dawn and dusk, my tiny little dead-end road becomes another place, quieter than during the daylight hours, but visually much louder.
Periwinkle: the color of poison, Modernism, and dusk
…a flower (vinca minor)
The species is commonly grown as a groundcover in temperate gardens for its evergreen foliage, spring and summer flowers, ease of culture, and dense habit that smothers most weeds. It was once commonly planted in cemeteries in parts of the Southern U.S. and naturalized periwinkle may indicate the presence of graves whose other markers have disappeared.
from Hymn to Life/ James Schuyle
Everyday, in every room a shawl tossed untidily upon a chair or bed
Created no illusion of lived-in-ness. But the periwinkles do, in beds
That flatten and are starred blue-violet, a retiring flower loved,
It would seem, of the dead, so often found where they congregate. A
Quote from Aeschylus: I forget. All, all is forgotten gradually and
One wonders if these ideas that seem handed down are truly what they were?
An idea may mutate like a plant, and what was once held basic truth
Become an idle thought. like, “Shall we plant some periwinkles there
By that bush? They’re so to be depended on.”
…a snail/whelk
Littorina littorea is known as the Common Periwinkle. It is native to Europe from the White Sea, Russia to Gibraltar. It has been introduced to the West and East coasts of North America and the Mediterranean. Some introduced occurrences have failed to establish sustained populations, but others have persisted, especially on the East Coast from Newfoundland to Virginia. This snail is characteristic of intertidal rocky shores, wharves, and pilings, but also occurs in mudflats and marsh habitats. It is a common food item in Europe, but is rarely eaten in North America. It is highly abundant in parts of its introduced range and has had impacts on food webs, through competition with native species and increased grazing which reduces seaweed abundance. It is also host to a variety of parasite species.
I first encountered periwinkle-as-snail in a poem by James Merrill:
from Periwinkles/ James Merrill
You have seen at low tide on the rocky shore
How everything around you sparkles, or
Is made to when you think what went before.
Much of this blaze, that’s mental, seems to come
From a pool among the creviced rocks, a slum
For the archaic periwinkle.
24 feb 2025
3 am / bedroom
A quick look at my iPad. When I turned it off and put it down, an afterimage: a bright rectangle, then all darkness. It took more than a minute for the lavender light to return. As I waited, I recited “We Grow Accustomed to the Dark.” The light gray blanket on the couch glowed a pale violet which I mistook for a square of light until I touched it and felt the blanket. If dark cast on the light is a shadow, what is the word for light cast on the dark?
Reminded of a poem I gathered and its description of light cast on the dark:
Good-Night/ Seamus Heaney
A latch lifting, an edged den of light
Opens across the yard. Out of the low door
They stoop in the honeyed corridor,
Then walk straight through the wall of the dark.
A puddle, cobble-stones, jambs and doorstep
Are set steady in a block of brightness.
Till she strides in again beyond her shadows
And cancels everything behind her.
Now I’m thinking of ED’s a long, long yellow on the lawn
The light in my bedroom had a pale and cold ghostly glow, not a warm one — no color.
a pool of light? a stream of light? what are some other words to describe light in a dark room?
4:34 pm / front room
violet — On Color/David Scott Kastan
Yesterday, reading an essay about periwinkle, I discovered On Color by David Scott Kastan. My local library doesn’t have it, but RJP’s college does. Hooray! I was able to download the entire book! Currently I’m reading the chapter on violet. Here are a few passages I’d like to remember:
An exasperated French novelist, Joris- Karl Huysmans, complained that “earth, sky, water, flesh” were inevitably now the color of “lilacs and eggplants” (141).
Lilacs and eggplants. That’s what light and dark look like to me in the bedroom in the middle of the night. That also seems like a great name for a poem.
Landscape became the characteristic genre of the impressionists, but their interest was not, as with earlier landscape painters, in recreating the particularities of its geological, agricultural, or architectural features. They wanted, it was said, to recreate the immediate visual impression of that landscape, produced by the light in the very instant before the brain fully organized the scene (144-145).
Can my brain every fully organize the scene? Sometimes it/I get stuck and a landscape doesn’t make sense.
It isn’t that they painted objects as we see them. They painted the luminous air and light that exists in between the eye and those objects (145).
I’m fascinated by this in-between space and all that happens in it. Here I’m thinking about Alice Oswald and her invoking of Dante and the spiriti visivi — light as insects traveling to object to collect the color like pollen and then deliver them to us.
25 feb 2025
I did wake up a few times last night, but I didn’t take any notes about it. This morning, I’m finishing the violet chapter in On Color.
What color are the haystacks really? What color is the cathedral at Rouen? Monet’s answer is that the haystacks and cathedral are the color (or colors) they seem to be at the moment of looking (147).
“ocular realism” = a commitment to the illusionistic rendering, not of the world, but of visual experience (147).
1:30 pm / neighborhood walk
As I walked to the library and then back from it, I tried to think about violet and purple and images the evoke my feelings of restlessness and uncertainty and not-quite-formed. A hummingbird, mid-air — moving too fast to see the motion, or a spinning top, constantly whirring but looking solid and still. Carbonated water, something fizzy and bubbling — small little bouncing balls or shimmering bubbles. An insistent, soft whisper. Soft, unstable.
26 feb 2025
from Indigo Insomnia/ Monica Ong
Indigo insomnia is the great waking, this birthing of the world anew. From the indigo, an even deeper blue, is it said.
This line reminds me of a Maggie Smith poem, How Dark the Beginning:
We talk so much of light, please
let me speak on behalf
of the good dark. Let us
talk more of how dark
the beginning of a day is.
. . .The mouth holds many things except the language of the new, still forming between the lungs. The spoken vow we breathe, but don’t yet know how to defend.
. . .Wondering if your voice is in the wrong chord, the wrong song, the wrong language, or just a painting of the ocean, its roar muted by a gilded gaze that see but doesn’t listen.
Indigo insomnia is diving into the deepest waters of memory to uncover the bodies hidden by our bad inheritance.
Thinking about traumas we inherit, despite others’ best intentions. I was pregnant with RJP when I learned my mom was dying. What impact did my overwhelming grief have on RJP and her mental health?
—
Reading about indigo in On Color, here’s something I’d like to remember about the difference between dyes and pigments:
Technically, a dye is a coloring agent that bonds with the molecules of the material to be colored. Pigments are also coloring agents, but they differ from dyes in that they don’t bond with the material; they are small particles of color held in some suspension, forming a film that attaches itself to the surface of the substance to be colored. Pigments, one might say, are applied to materials; dyes are absorbed by them.On Color / David Kastan
Another important thing to remember:
. . . the slaves who worked on the indigo plantations in the Americas really were dying. A soldier who had served under George Washington in the Revolution afterward wrote about the “effects of the indigo upon the lungs of laborers, that they never live over seven years.”
Nonetheless, the worldwide desire for the remarkable blue dye allowed indigo plantations to thrive anywhere the conditions of climate and soil permitted indigo-bearing plants to grow. In the seventeenth and eighteenthcenturies the plantations of the New World satisfied most of the world’s desire for natural indigo.
27 feb 2025
No purple hour last night. I slept straight through, only waking up briefly at 5:30 when Delia jumped on the bed. This sleeping straight through only happens a couple times a month.
In non-purple hour purple thoughts, yesterday afternoon I finished listening to/reading along with JJJJJerome Ellis’ Aster of Ceremonies. So good! The connection to purple is: purple asters, a big chunk of the book is printed in purple ink, I envision the Stutter/pause as purple. Here are some passages I want to remember:
Dr. Bejoian, a speech therapist I worked with from 2012-2013, taught me a technique called soft contact. “If you’re struggling to say a word that starts with p, b, or m, try starting the word as softly as possible.,” she said. Sometimes this made the syllable hard to hear. “Pause” could sound like “awes”; “brain” like “rain”; “master” like “Aster.” I want to follow this softness offered by the Stutter. Thank you, Dr. Bejoian.
For most of my life, my relationship to my stutter was rooted in shame, anger, and despair. I responded to these emotions by trying, and failing, to master my stutter through various means: undergoing hypnosis; making a fist while I stuttered, opening the first to release the work; talking in singsong; expanding my diaphragm while speaking; saying my name is “John”(my middle name) or “Shawn.” Failure has led me to a grove of unknowing. If I can’t master the Stutter, what can I do? What might it mean to try to Aster my stutter?Aster of Ceremonies (123) / JJJJJerome Ellis
Follow the softness. I love this idea and generosity (to Self and Stutter) it offers. My vision gives softness too, not in sound, but in image. Things that are never in sharp focus are never harsh or exact, but fuzzy and gentle.
Teach me to Aster You. Teach me to treat You as an Elder that has so much to teach me. I will surrender and attend to Your ensemble of blossoms. Your Dandelion Clock* will be my timekeeper. I will seek not to overcome You but to come with You; not to pray to be rid of You, but to pray for your continued presence in my life. To stay with the mystery You steward.
What might it mean to Aster You? To pray that You Aster me? Instead of “I speak with a stutter,” what if I “advertised” to someone by saying: “I speak with an Aster. My speech is home to a hundred blooms. These silences you may hear hold more than I could ever know. Thank you for your patience as I pause to admire their beauty.”Aster of Ceremonies (124) / JJJJJerome Ellis
I was incredibly lucky to find, a few years into my diagnosis, Georgina Kleege’s book, Sight Unseen. Her generous approach to her own central vision loss — including not understanding it to be a death sentence and giving attention to how her seeing works and to challenging assumptions about the infallibility of vision — helped me to be curious about how seeing works and to develop my own relationship with both being without seeing and seeing in new ways. Even as I struggle with not being able to see that well, I also welcome the new knowledge my strange seeing/ not-seeing is giving me. I imagine Ellis’s “astering the Stutter” to share some similarities.
Ellis connects their Stutter to the Aster and to the many plants (he names them Elders) that their ancestors relied on. They feel a strong connection to these Elders. Such a powerful idea to bring all of this things — ancestors, plants, a glottal Stutter — together. Wow! Inspired by this approach, I’m thinking about how I experience my central vision loss in relation/beside the gorge and the eroding rocks and relentless, remembering river. What ceremonies could I create to honor the different layers of rock? The seeps and springs and floodplains? How does the wearing away of stone, the persistence of water, and my eroding cone cells open a door to a new space in which to dwell to explore to learn from? ooo — I like this idea. I want to give a little more time to thinking through how Ellis makes their connections, and how I can make mine.
28 feb 2025
The final purple hour. I’ve enjoyed devoting time to this color. Today’s goal: to write some lines inspired by my exploration.
2:06 am / dining room
- thick, heavy stillness
- the clicking keys echoing in the silence
- a soft, high ringing in my ears
- bouncing my legs vigorously
- “lavender gray: a widow’s shroud” from The Nomenclature of Color/ Richard Jones
- lavender is the new gray
rituals/ceremonies for each of my main colors? see CA Conrad on red
2 shadows, cast on the closed curtain, light source: a neighbor’s security light
shadow 1 = a thick smear of bird poop on the glass turned into a small form on the curtain
shadow 2 = the thin branches of the serviceberry bush, shimmering in the wind, thin shadows vibrate on the curtain
The wild/ing in this girl is purple, I think, A deep and dark purple.
Wilding/ Shara McCallum
Machetazo!, Bony Ramírez & Blonde Dreams, Alison Saar
you can take the girl out of the wilderness
you can strand her bewilder her for a time
you can even hang her upside down
in your rickety attempt to shake loose
the source of her power but you won’t ever
disentangle the wilding from her
the force of a thousand suns unfurling
and hurling her toward the ground
you won’t be able to erase the traces
of salt lacing her ravenous dreams
oh you can try unwebbing her feet
but the lizard in her will keep sunning
itself as the day is long and at nightfall
will crawl up your walls lurking
at the corners of your vision
goading you on while she thwarts
your every endeavor abandoning
her tail anything required of her
to keep eluding your capture