2 miles
2 trails
73 degrees
humidity: 74%
Fall weather please come back. I want my crisp, cool air. The run wasn’t too bad, but now that I’ve finished, I’m sweating a lot. Rain is coming in a few hours and everything will cool down. It’s already dark, ominous. Running above the river on the dirt trail just past the 38th street steps, everything was a slight blur. Dreamy. Unreal. The lack of light makes my already diminished central vision even more dim. Thought about how I couldn’t really see the path but didn’t worry about tripping because I know most of the dips and holes and rocks on this stretch and because even when my eyes don’t see the trail, my feet seem to. I glanced at the river but I don’t remember anything about it.
10 Things I Noticed
- A walker with a white (or was it yellow?) sweatshirt wrapped around her waist pushing a stroller moving fast. It took me a few minutes to reach and then pass her. As I approached, I stared at her sweatshirt, one of the only bright things on this dark day
- Another bright thing: a runner in a bright yellow shirt
- Someone paused on the path, getting ready to start walking or running on the Winchell Trail?
- The small section of the river trail at 42nd that was blocked off for sewer work last week is open again and so is the road
- A tree leaning over the trail, not yet fallen, but looking like it might soon
- Flashing lights from a construction/city truck and a man in a yellow vest standing next to it near the sidewalk
- The damp dirt down in the oak savanna, not quite mucky or muddy yet
- 2 steep spots on the Winchell Trail: running down from the upper trail, right by 42nd street and a giant boulder and running up the short stretch near Folwell
- An approaching walker who turned down on an even lower dirt trail before I reached them
- The voice of a kid up above me as I ran down towards the mesa
Thinking about my growing number of swimming poems, some re-edited version of old poems, some new. My tentative title for the collection: Every Five (as in breathing every five strokes). All poems will play around with 5 as part of the structure — 5 beats or 5 lines or ?. Scott suggested I do something with iambic pentameter (5 feet of one short one long beat). A sonnet? Maybe a love poem to my swimming body/muscles/shoulders? Hmm…not sure if I’m feeling that.
Here’s a poem for the month’s theme of the approximate. This one is taking up the idea of almost, not quite or not exactly. It’s a poem that features an object — a cucumber — but it is not about the cucumber, but something else.
The Cucumber/ Nazim Hikmet
The snow is knee-deep in the courtyard
and still coming down hard:
it hasn’t let up all morning.
We’re in the kitchen. On the table, on
the oilcloth, spring —
on the table there’s a very tender youn
cucumber,
pebbly and fresh as a daisy.
We’re sitting around the table staring at it.
It softly lights up our faces,
and the very air smells fresh.
We’re sitting around the table staring at it,
amazed
thoughtful
optimistic.
We’re as if in a dream.
On the table, on the oilcloth, hope —
on the table, beautiful days,
a cloud seeded with a green sun,
an emerald crowd impaties and on its way,
loves blooming openly —
on the the table, there on the oilcloth, a very tender
young
cucumber,
pebbly and fresh as a
daisy.
The snow is knee-deep in the courtyard
and coming down hard.
It hasn’t let up all morning.
This poem and the idea of not exactly, reminds me of listening to the radio in the car yesterday with Scott and RJP. First, the sappy song, “Make it with You” by BREAD came on, then “Hot-blooded” by Foreigner. Both of them sung by someone who is trying to seduce the listener. Scott pointed out how the first song is much more indirect/oblique in its suggestions, while the second is very blunt. I started thinking about how the indirect song is a form of the approximate, the almost, or Emily Dickinson’s idea of the slant. It implies and circles (or what the poet Kaveh Akbar might call orbits and I might say in thinking about my swimming this summer, loops) around the actual meaning, never quite saying it. For Akbar, I think, orbiting is often because we can’t ever fully get at the meaning, while for BREAD it’s an unwillingness to reveal exactly what they mean in order to get what they want. One of the swimming poems I want to revise is about loops and looping around the lake. Maybe I can play around with loop as orbiting or circling, never quite getting there, always near but not quite.
This reminded me of another approximate phrase: close but no cigar. Looked up the origins and several sources gave this explanation:
It comes from traveling fairs and carnivals from the 1800s. The prizes back then were not giant-sized stuffed teddy bears, they were usually cigars or bottles of whiskey. If you missed the prize at a carnival game, the carnie folk would shout, “Close! But no cigar!”
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