Month: January 2025

jan 8/RUN

4.5 miles
minnehaha falls and back
12 degrees

Another sunny, sharp shadow day. Ran south to the falls and listened to cars, birds, kids on the playground, and some guy coughing too loudly. Stopped at my favorite spot to admire the falls, then put in my “Remember to Forget” playlist. Sometimes I felt strong, and sometimes I felt tired. My legs wanted us to stop. I did a few times, including at the bench above “the edge of the world.” I took two pictures. One had a clearer view of the ice on the river, but I picked the other one, with its branches and shadows and white sun:

Most of the image is of dark, bare branches and their shadows on a snow-less ground. Through the trees is an iced river and the sun.
above the edge of the world / 8 jan 2024

10 Things

  1. chirping birds
  2. my shadow, clear and strong
  3. shadows of trees in the park, soft and fuzzy
  4. a shadow of the lamp post, sharp and menacing
  5. someone who looked like Dave the Daily Walker from behind — a tucked shirt and not jacket, tucked into dark track pants — but wasn’t
  6. the creek — bright white snowy surface mixed with fast, flowing water
  7. the falls were gushing through the ice columns
  8. a man with a bad cough near the overlook
  9. a cold wind on my ears when I put my hood down
  10. the shadow of a tree sprawled across the trail that dips below the road, looking like an actual branch that might hit me as I ran by

For a moment, I thought I had completely forgot running the stretch down to, then over, the bridge that crosses above the falls, but then I remembered it: what the creek looked like, seeing some people (one of them, the man with the cough) as I crossed, but then not seeing them, and then seeing them again near the closed gate.

before the run

Last night, I started reading JJJJJerome’s Aster of Ceremonies, which I bought in october of 2023 and hadn’t read yet. Wow! Here’s a bit I’d like to take with me on my run:

What is the wound
reopening during the stutter?
How does it relate
to Morrison’s flooding? When
the Mississippi returns
to its former contours,
does the suture
we created by straightening
it open?
(Octagon of Water, Movement 2/JJJJJerome Ellis)

Last week, I was just writing about how the natural shape of the Mississippi River in the gorge is long gone, reshaped by the city and the Army Corps. After my run, I’ll read Toni Morrison’s essay to which Ellis refers.

added a few hours later: I tracked down the quotation that Ellis puts in a footnote for this poem from Toni Morrison in The Site of Memory (1995, 99):

You know, they straightened out the Mississippi River in places, to make room for houses and livable acreage. Occasionally the river floods these places. “Floods” is the word they use, but in fact it is not flooding; it is remembering. Remembering where it used to be. All water has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were, what valley we ran through, what the banks were like, the light that was there and the route back to our original place. It is emotional memory – what the nerves and the skin remember as well as how it appeared. And a rush of imagination is our “flooding.” Along with personal recollection, the matrix of the work I do is the wish to extend, fill in and complement slave autobiographical narratives. But only the matrix. What comes of all that is dictated by other concerns, not least among them the novel’s own integrity. Still, like water, I remember where I was before I was “straightened out.”

The Site of Memory/ Toni Morrison

So good! I’m excited to think about these ideas some more and figure out my relationship to flooding and being straightened out and rivers before and after Minneapolis and the Army Corps of Engineers “fixed” them.

Thinking about Ellis’ stutter in relation to my vision problems. In some ways, I have a visual stutter — there’s a long pause between looking at something and actually seeing it. I need time for things to make sense. Also, images stutter, shake, fizz, are always moving, never still or sharp or clear.

remember/forget

1 — will

the differences between what we notice and try to remember and what we ignore or try to forget (16 april 2024)

2 — memory

When I heard the line, Seems like we’re livin’ in a memory, I thought about how I mostly can’t see people’s faces clearly and that I’ve either learned to tune it out and speak/look into the void, or I just fill in the smudge with the memory of their face. I’m used to it, and often forget I’m doing it until suddenly I wonder as I stare at the blob, am I looking in the right place, into their eyes, or am I staring at their chin? I don’t care, but I imagine the other person might, so I try to find their eyes again (9 may 2024).

In jan of 2024, I’m thinking about the daily, mundane bodily functions that we forget we’re doing, or don’t notice — what’s the difference between not noticing and forgetting here? I’m also thinking about this idea of memory and its relationship to the real. When is remembering “only a memory” and when can the act of remembering keep something real? Can we understand remembering as more than thinking about things from the past? What about remembering what is present, here still, real, connected to us?

3 — pay attention, be astonished, tell about it

Thinking more about the difference between noticing and remembering, I’m thinking about the different acts involved here. Yes, it is inspired by Mary Oliver’s instructions for living a life! First, we notice, then we are open to feeling something about what we noticed, then we put that noticing and our feelings into words. For my practice, I don’t try to remember to notice or to be astonished, they just happen — at least, that’s the goal. Remembering comes in when I try to put my attention and astonishment into words. So, the connection between writing and remembering.

4 — writing to remember

I’m not writing it down to remember it later, I’m writing it down to remember it now.

Field Notes slogan

Many different directions I could go with this idea of remembering and writing, but I like this idea of the act of writing about something as the remembering. I rarely look back at my (Field Notes brand) Plague Notebooks when I’m finished with them; it’s the act of writing in them that helps me remember what I noticed or was thinking about. This method is approximate and doesn’t work all of the time. In my practice, I use the act of making a list on my log of 10 things I noticed as the moment of remembering what I didn’t even realize I noticed. But, unlike my plague notebooks, I do return to my log to read past entries and remember what I wrote before — in at least 3 ways: my monthly challenge pages in which I review and summarize what I did in relation to my theme each month; my “on this day” morning reviews, in which I reread past entries from that day in different years; and my annual summary, month-by-month of my log entries.

5 — forget the body

I like my body when I’m in the woods
and I forget my body. I forget that arms,
that legs, that nose. I forget that waist,

that nerve, that skin. And I aspen. I mountain.
I river. I stone. I leaf. I path. I flower.
(Yes, That’s When/Rosemerry Wahtola Trommer)

jan 7/YOGARUN

yoga, 30 minutes
walk, 20 minutes
neighborhood
18 degrees

The same 30 minute yoga for flexibility routine I’ve been doing for 5 years. I like it, but I should try something else this month. Later, a short walk outside with Delia the dog. Brisk.

10 Things

  1. faint shadows, mine, tall, beside Delia’s, short
  2. the metallic buzz of a table saw
  3. a ridge of snow, refusing to melt on a neighbor’s narrow boulevard
  4. the fast flash of Delia’s tail when she’s excited or relieved or happy to be heading back
  5. cold air seeping through my hood and hat, into my ears
  6. bare grass
  7. the 6 inch gap under the gate of a yard a block away
  8. the smooth asphalt of a nearby driveway
  9. the sculpture of a turtle — bigger than an ancient tortoise — in a front yard — it looks heavy, is it made out of bronze?
  10. the buzz of workers all around the neighborhood — brrr!

forgetting/remembering

1 — the body

On jan 7, 2019, I wrote this about forgetting and remembering my body as I ran:

I found myself worrying constantly about my back or my IT band or my knee. At one point I wondered, what would it feel like to not notice my body? To simply run? Of course, this did happen many times during the run, but I remember more the times when I was too aware of my body. 

running log, 7 jan 2019

2 — never forget

Scrolling through facebook this morning, I encountered several “never forget” posts about the pro-Trump terrorist attack on congress on Jan 6, 2021. Then I read my On this Day post from jan 7, 2021 which begins with a brief description of the attack. I thought about how I use this log and my “on this day” practice to not forget things (typing this, I started wondering about the differences between not forgetting and remembering). Not forgetting is an important act of resistance.

I also read my jan 7, 2020 entry about the dogs in our neighborhood. Most of those dogs are gone now. Or, if they’re not gone, I don’t ever see them anymore. But, I remember them often as we walk past their houses. Delia does too. Not forgetting is an important ritual of staying connected to a place.

Simply looking. A car goes over a rise and there are birches snow
Twisted into cabalistic shapes: The Devil’s Notch; or Smuggler’s
Gap. At the time you could not have imagined the time when you
Would forget the name, as apparent and there as your own.
(from Hymn to Life/James Schuyler)

As I travel around my neighborhood, by foot or car, I speak about things that are no longer there — the tree with teeth, the big branch that sprawled above the road, the mustache on the mustache bridge, Bridgemans restaurant — and reflect on how easy it is to forget things that are no longer there. Without memories, it’s as if it was always like it is now, like the gone things never existed. Speaking of the mustache bridge, FWA mentioned it the other day. He referred to it (the bridge that crosses Hiawatha on the parkway) as the mustache bridge even though it only had a spray-painted mustache on it for a few months 10 years ago. I thought it was fascinating that this name has stuck. Will there be a time when we forget why we call it that?

3 — losing

I watch other bodies slip through the blue,
how fast the young are
& how old they become, floating, floating,
forgetting the weight of years
(Romance/Susan Browne)

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
(One Art/Elizabeth Bishop)

jan 6/RUN

5.5 miles
bottom of franklin hill
11 degrees / feels like 5

Another sunny, snowless day. A little wind, some cold air. Wasn’t planning to run 5 miles, but I wanted to get to the bottom of the hill so I could see the surface up close. Iced over — not smooth, but with seams and cracks.

The Mississippi river at the bottom of the franklin hill. White ice, cracks, and shadows on its surface. Beyond it, the east bank with barre branches and blue sky.
ice on mississippi river / 6 jan 2025

I’m glad I took a picture because I did not remember it looking like this! I was visually a surface that was more gray and uniform with cracks creating big and flat sheets of ice. I didn’t remember the shadows or the blue or how uneven it all looked.

As I ran, I listened to my “Remember to Forget” playlist. It started with “I Remember it Well,” from Gigi. I heard the opening lines:

We met at 9
We met at 8
I was on time
No, you were late
Ah yes
I remember it well

I thought — wait, if he thought they were meeting at 9, he wouldn’t have thought he was late if he got there after 8 — yes, these are they thoughts I have as I run. I thought about how subjective memory can be and wondered how certain we could be that she remembered correctly. Then I heard these lyrics:

Ah yes
I remember it well
You wore a gown of gold
I was all in blue

I remembered that meme 4 or 5 years ago with the dress — is it gold or blue? — and thought again about how we can remember things differently. When is it lack of memory, and when did we always just remember it wrong, or unusually, or with a focus on different details, or in a different light?

10 Things

  1. the hollow knocking of a woodpecker
  2. the thumping of wheels over something on the road on the bridge above
  3. 4 stones tightly stacked on the ancient boulder
  4. a section of the fence above a steep part of the bluff, missing, marked off with an orange barricade
  5. the icy river through the trees — blue and white and lonely
  6. daddy long legs at his favorite bench
  7. shadows, 1: mine, off to the side, in the brush next to the trail
  8. shadows, 2: a tree trunk, tall, stretched, looking like a dinosaur
  9. stopping at the edge to put in my headphones, seeing a flare of movement below: someone walking on the winchell trail
  10. the limestones still stacked under the bridge, still looking like a person sitting up and leaning against the bridge

A poem about forgetting:

Said a Blade of Grass/ Kahlil Gibran

Said a blade of grass to an autumn leaf, “You make such a noise falling!  You scatter all my winter dreams.”
 
Said the leaf indignant, “Low-born and low-dwelling!  Songless, peevish thing!  You live not in the upper air and you cannot tell the sound of singing.”
 
Then the autumn leaf lay down upon the earth and slept.  And when spring came she waked again—and she was a blade of grass.
 
And when it was autumn and her winter sleep was upon her, and above her through all the air the leaves were falling, she muttered to herself, “O these autumn leaves!  They make such noise!  They scatter all my winter dreams.”

more forget lines

1

like the moment just before you forgot what it was you were about to say, it was like that, and after that, it was still like that, only all the time.
(Part of Eve’s Discussion/Marie Howe)

2

It’s almost romantic as we adjust the waxy blue
recycling bin until you say, Man, we should really learn
some new constellations.

And it’s true. We keep forgetting about Antlia, Centaurus,
Draco, Lacerta, Hydra, Lyra, Lynx.

But mostly we’re forgetting we’re dead stars too
(Dead Stars/Ada Limón)

3

See whatever you want
to see. Even
at the moment of death
forget the door

opening on darkness.
See instead the familiar faces
you thought were lost.
(Squint/Linda Pastan)

4

According to Howe, most (all?) of the critical studies of ED as a poet (up to 1985, when this book was written), read ED’s decision to stay isolated in her bedroom for the rest of her life as tragedy and a failure to celebrate herself as a poet (Whitman) or declare herself confidently as the Poet, the Sayer, the Namer (Emerson). Howe argues that she made another choice and writes the following:

She said something subtler. ‘Nature is a Haunted House–but Art–a House that tries to be haunted.’ (L459a)

Yes, gender difference does affect our use of language, and we constantly confront issues of difference, distance, and absence when we write. That doesn’t mean I can relegate women to what we ‘should’ or ‘must’ be doing. Orders suggest hierarchy and category. Categories and hierarchies suggest property. My voice formed from my life belongs to no one else. What I put into words is no longer my possession. Possibility has opened. The future will forget, erase, or recollect and deconstruct every poem. There is a mystic separation between poetic vision and ordinary living. The conditions for poetry rest outside each life at a miraculous reach indifferent to worldly chronology.

My Emily Dickinson/ Susan Howe

jan 5/RUN

5.3 miles
va bridge and back
9 degrees / feels like -3

A little colder today, so more layers: 2 pairs of running tights; one long-sleeved shirt, two sweatshirts, one with a hood; a jacket; gloves; mittens; buff; 2 pairs of socks; sunglasses; cap.

My IT band was sore again. Time to play around with i and t! — in too deep; into gorge; intonation; in today’s economy?; intoxicating; intolerable; in top form; into the woods

10 Things

  1. bright blue sky
  2. sharp, solid shadows, 1: mine, running right in front of me
  3. shadows, 2: slender, twisted branches on the asphalt
  4. birds!, 1: rooting around in the dry brush, making a loud noise
  5. birds!, 2: fluttering, flickering, flashing in and out of the bare branches on the edge of the trail
  6. the falls!, 1: nearing them from above I could hear that they were more frozen as water fell over ice columns and made a sharp, tinkling sound
  7. the falls!, 2: from my favorite spot, thick ice columns with water gushing through
  8. the river! — everywhere I looked, swaths of white placed over the surface — not everything was white, but what was looked extra white, almost like frosting
  9. the faint and fleeting scent of smoke
  10. the view from the bench above the edge of the world was enormous and open and bright desolation

After turning around at the entrance of the VA bridge, I thought about the veterans across the bridge and I wondered who lived there and for long and whether or not they get the resources they needed. With all of the other layers of life — past and present — here, I don’t often think of them, and I don’t know much about the history of this place. Not too far down the river is Fort Snelling and the big cemetery. My Uncle Tim who died in Vietnam before I was born is buried there, and my grandfather’s ashes, too. My mother was devastated by her brother’s death, and she rarely ever talked about him to me. Too painful for her to remember? Strange to think about how close I am in proximity to my family on my mom’s side and how little I know about them.

1

As I continue to tag past entries with “remember/forget,” I came across these lovely lines from Carl Phillips:

just the rings that form then disappear
around where some latest desire — lost, or abandoned —
dropped once, and disturbed the water. To forget —
then remember . . . What if, between this one and the one
we hoped for, there’s a third life, taking its own
slow, dreamlike hold, even now — blooming in spite of us?
(Sky Coming Forward/Carl Phillips)

2

And if my father says haunt

he doesn’t mean the way rooms forget him
once he’s gone; he’s saying his leather chair
now in his coworker’s office, his locker
in the back room newly purged
of its clutter, or his usual table
in the break room where he sits
at 10:30 each night eating
the same steak club and chips
(Haunt/Maya Phillips)

3

Crossing between gain and loss:
learning new words for the world and the things in it.
Forgetting old words for the heart and the things in it.
And collecting words in a different language
for those three primary colors:
staying, leaving, and returning.
(Big Clock/Li-Young Lee)

4

And here’s a quotation from Alice Oswald in an interview for Falling Awake:

It’s good to remember how to forget. I’m interested in the oral tradition: what keeps the poems alive is a little forgetting. In Homer you get the sense that anything could happen because the poet might not remember.

Re-reading this idea, I’m reminded of AO’s discussion of her method for her book-length poem, Dart:

I decided to take along a tape-recorder. At the moment, my method is to tape a conversation with someone who works on the Dart, then go home and write it down from memory. I then work with these two kinds of record – one precise, one distorted by the mind – to generate the poem’s language. It’s experimental and very against my grain, this mixture of journalism and imagination, but the results are exciting. Above all, it preserves the idea of the poem’s voice being everyone’s, not just the poet’s.source

I’d like to try doing this with the documenting of my runs: experimenting with combining recordings with my memory/imagination of what happened (from log entry 14 march 2022).

I’m not interested, at least at this point, in interviewing people by the river, but I wonder if I could play around with recordings and memory — how what I remember strays from what actually happened? Maybe not with words but images? Or, I could play around with recordings of sounds, using this Steve Healey poem which I reread this morning during my “on this day” practice:

2 Mississippi/ Steve Healey

a map?

The other day, as I mentioned the “edge of the world” in a post, I thought about how I’d like to add a map to this log. This map would include all of my landmarks, with the names I use for them in my entries: the old stone steps, the double bridge, the edge of the world, the tunnel of trees, the ancient boulder with the stacked stones, the sliding bench. Ideally, this map would be hand-drawn, but I don’t think that’s possible with my bad vision. Maybe Scott could help me and we could get it printed and framed for the wall?

jan 4/WALK

20 minutes with Delia
neighborhood
7 degrees / feels like 4

Winter! Heading north, an arctic wind, but otherwise, not bad. Warm sun, no snow. I love being outside and moving. A thought: I should commit to doing one or two long-ish walks each week to somewhere. The library? A coffee place?

10 Things

  1. dead, brown leaves on top of a pile of crusty snow
  2. a high-pitched, quiet whine from a truck on the next block
  3. the bare, gnarled, tall branches of the oak tree on the corner
  4. 2 green dumpsters on the sidewalk outside of Turtle Bread
  5. almost stumbling as I stepped on a small rock or hard chunk of snow
  6. a neighbor on the next block having an animated conversation with the mailman
  7. bark! — Delia the dog unexpectedly barking at them from across the street
  8. bark! bark! bark! — a dog in a backyard calling out to Delia
  9. the tree on the corner across from the Blue Door — dead, most of it trimmed away, more than a stump with a few dead branches still remaining
  10. the sun! heading south, warming my face and making it difficult to see if anyone was approaching

While tagging old entries with “remember/forget,” I came across Emily Dickinson’s poem about forget-me-nots on 2 march 2021, which helped me to remember that I was thinking about it — vaguely — as I ran yesterday!

There are spaces for living
and spaces for forgetting.
Sometimes they’re the same.
(Voiceover/ Rita Dove)

jan 3/RUN

3.5 miles
trestle turn around
12 degrees / feels like -3

With the sun, it didn’t feel like -3 to me. No brain freeze from the wind, or numb fingers, or frozen snot in my nose. Well, as I’m write this I’m remembering that my legs felt slightly disconnected from my body, like logs or stumps, which is because of the cold.

My shadow ran in front of me as I headed north. She never wandered from the trail. I was just about to write that I forgot to look at the river, or forgot what I saw when I looked at the river, but then I remembered: sheets of white spread across, from east to west, between lake street bridge and the trestle. The ice looked like white waves and very cold. I stopped at the sliding bench for a moment and admired the river, then stopped a few minutes later to admire it again. Quiet, calm, a soft blueish-gray.

I listened to my new playlist (see below), so I don’t remember noticing much else. I was re-energized when Taylor Swift’s “I Forgot that You Existed” came on, and had some interesting ideas during “Veronica” about memories and the mind and thoughts and when and where they do and don’t travel and how and when we can’t access them anymore. Then I thought of an image for thoughts scattering and one’s mind being blown that I read on twitter several years ago: a mind being blown as not being blown up, but as being scattered like someone blowing on a dandelion — each thought or idea or memory is one of the dandelion seeds being spread. Now I’m thinking about each memory or thought as a bee swarming from a hive . . .

remember and forget

It’s looking more and more like remembering and forgetting might be my theme for january. It seems fitting for the first month of the year, when I’m trying to remember some things and forget others from 2024. I’m excited about this topic, and have thought about it before. There are so many ways I could approach it: the moment of remembering, the softness of forgetting, memorizing poems, memory loss . . .

Here’s my tentative remember to forget playlist:

  1. Remember the Time/ Michael Jackson
  2. I Don’t Remember/ Peter Gabriel
  3. I Keep Forgettin’/ Michael McDonald
  4. Try to Remember/ The Fantasticks
  5. Don’t You (Forget About Me)/ Simple Minds
  6. I Remember/Molly Drake
I
  7. Forget to Remember to Forget/ Johnny Cash
  8. September/ Earth, Wind, and Fire
  9. I Forgot that you Existed/ Taylor Swift
  10. Veronica/ Elvis Costello
  11. I Love You and Don’t You Forget It/ Sarah Vaughn
  12. Do You Remember Rock n Roll Radio/Ramones
  13. Do You Remember Walter?/ The Kinks
  14. Remember/ A Little Night Music
  15. I Remember it Well/ Gigi
  16. Forget You/ Cee Lo Green
  17. (Love Will) Turn Back the Hand of Time/ Grease 2
  18. Memory/ Barbara Streisand


and here are a pair of lines from two different poems, one about forgetting, one about remembering:

the snow
has forgotten
how to stop
(Blizzard/ Linda Pastan)

As we walk into words that have waited for us to enter them, so
the meadow, muddy with dreams, is gathering itself together

and trying, with difficulty, to remember how to make wildflowers.
(The Meadow/Marie Howe)

jan 2/RUN

5 miles
bottom franklin hill and back
18 degrees / feels like 10

A beautiful, sunny morning. Cold enough to make my eyes water but not my feet numb. Birds, sharp shadows, a clear path. Only a few small chunks of hard snow on the walking path. From the distance, the river looked completely open and ice-free. When I stopped at the bottom of the hill to check, I noticed a few lumps scattered around the surface. If I hadn’t stopped, I never would have seen them — there were so few of them, and they were so small!

I remembered to look at the river. I forgot the sudden and unexpected surge of anxiety I experienced before the run, while I was sitting at my desk — not panic, but a rush of something then shaking hands, chattering teeth — then remembered it, and then forgot it again. This happened throughout the run. I remembered to breathe and to stay relaxed. I forgot to check my watch. I remembered to zip up my jacket pocket so one of my black gloves wouldn’t fall out. I forgot to check and see if June’s ghost bike was still hanging on the trestle. I remembered the time I ran up the franklin hill and recorded myself describing it. I forgot to look for fat tires.

Halfway up the franklin hill, I stopped to walk and put in my “Slappin’ Shadows” playlist, since the shadows were wonderful today. The fourth song to come on was Cream’s “White Room.” I thought about the second verse and these lyrics:

You said no strings could secure you at the station
Platform ticket, restless diesels, goodbye windows

First, I was struck by the strings. I thought about invisible threads or tugs, then Taylor Swift’s invisible strings. Then, I was struck by nouns in the second line, especially the restless diesels and goodbye windows. I’m not sure if I thought about it while I was running, but now I’m thinking about one of RJP’s favorite books as a kid, The Hello Goodbye Window.

Before the run, and before my surge of anxiety, I edited and added to some lines about descending into the gorge that I had started last week. I was partly inspired by a discussion with FWA yesterday about his walk down the old stone steps to the beach. The lines aren’t quite finished, but here’s what I have. I’m hoping to have FWA read them to see if they capture any of his experience:

From the bottom, she
looks up to behold
a steep set of stone
steps wedged in loam by
grandfathers. At the top,
the edge, and beyond,
the trail, then the road,
wind-bent trees, worn grass,
a neighborhood. Down
here feels different — wild,
untouched, real, above
only distant dream.
The girl follows a
break in the trees to
a white sand beach and
the river. She shuts
her eyes and listens
for the bells that chime
four times an hour.
Once or twice, instead,
she’s heard a bagpipe’s
mournful skirl float
down from the cenotaph
on the other bluff.
A moment, a breath —
she opens her eyes
returns through the trees
ascends the steps and
breaks the spell.

And, speaking of remembering and forgetting, here’s another fragment I’m working on:

One day the girl sees
the river and re-
members what she saw.
One day she sees the
river and does not.
And one day she for-
gets to look. How strange
it is to not notice
what is right there,
looming so large it
has shaped this whole world.

jan 1/RUN

4.5 miles
minnehaha falls and back
15 degrees / feels like 3 / flurries

2025, I’m not sure how I feel about you. Not dread, but not exuberant hope either. I guess I’m trying not to think about you and what you might bring that much. Running beside the gorge helps. Very few, what ifs, many more now and now and nows. Today’s run was great. I was surprised to see that the feels like temp was 3. It didn’t feel that cold. I guess I picked the right layers: 2 pairs of black running tights, a black fleece-lined cap with ear flaps, a gray buff, a faded green long-sleeved shirt, a bright orange sweatshirt, a purple jacket, gray long socks, black short socks, black gloves, pink and white striped gloves. At the halfway point, one pair of gloves came off.

While I ran, I thought about remembering and forgetting and decided when I returned home, my 10 things list would be of things remembered and things forgotten.

10 Things Remembered or Forgotten

  1. I remembered to look down at the river
  2. I remembered what it looked like: steel blue, a few thin sheets of ice
  3. I remembered to stop at the bench above the edge of the world to take in the openness — soft, almost still except for a single leaf fluttering and several leaves sizzling, and was the water moving very slowly or was that just the staticky buzz of my glitching cone cells?
  4. I forgot about my headache
  5. I forgot about my IT band
  6. In mile 3, I remembered my IT band and thought about how it’s impossible to fully forget your body, which is good, because why would I want to do that?
  7. I forgot the election
  8. I remembered to look carefully, and more than once, before crossing from the trail to the grassy boulevard
  9. I remembered to stop at my favorite view of the falls — the water was gushing over the side
  10. I remembered what I overheard above the falls: a dad — no hiking today, a mom: we can take a walk instead!

I suppose it’s easier to remember what you remembered, than to remember what you forgot!

Reading through a past entry from 1 jan 2019, I was reminded of how I used to gather favorite lines at the end of the year and turn them into a new poem. I’d like to do that again this year!

The poems that I’ve been writing this fall about the gorge, are mostly about water and stone, but the open space of the gorge is important too. I’d like to devote some time to it as air, as openness, as possibility, as room to breathe, as Nothingness, as mystery, as inexplicable, as . . . . Here are two different fragments that may or may not turn into something:

When water cut through
rock, sandstone wore away,
limestone broke up, and
an abundance of
air arrived.

*

When water cut through
sandstone and limestone,
it made of the rock
still standing a frame
to loosely hold the
newly formed space. And
what a space! Such an
abundance of air!
Such room to breathe and
to be! Big enough
to hold more than is
seen or imagined
or witnessed with words.