Month: April 2020

3.75 miles
47th ave loop, shorter
50 degrees
Deaths from COVID-19: 272 (MN)/ 54,001 (US)

I wore shorts this morning on my run. Shorts! Very exciting. Ran south on the trail, right above the river. It had a dull, un-sparkly surface but it was still beautiful. Soft, subdued. So many birds chattering away. A few runners and walkers and bikers. I had to weave around the path several times, from one end–on the edge of the bluff, above the water–to the other–across the walking and biking paths and the road, over to the grass between the parkway and the boulevard– but it didn’t bother me. As long as I can run and keep my distance, I’m fine.

Recited Emily Dickinson’s poem again, “it’s all I have to bring today.” Played around with the rhythm in the second line: “This, and my heart beside—” So awkward when running. (note: I can’t actually remember what beats I did with this line while running, so I’m experimenting after the fact. Now, I want to try running with each of these. Which works best?)

This and my heart beside/ 123 4 5 6/ ♪♪♪ ♩ ♩ ♩
This and my heart beside/ 123 4 56 7/ ♪♪♪ ♩ ♫ rest

This and my heart beside/ 12 34 5 6/ ♫ ♫ ♩ ♩

This and my heart/ 1 2 3 4/ ♩ ♩ ♩ ♩
beside/ 1 2 3 4/ ♩ ♩ rest rest

I’m really fascinated by these rhythms and what they do to the word beside, particularly what gets stressed. BEside or beSIDE or BESIDE. Trochee or Iamb or Spondee (I think that’s right. I’m trying to learn and then remember these terms. Maybe one day they will be second-nature to me?)

The other day, I read a beautiful thread about the poet Ted Kooser. I liked the poems that were mentioned in the thread, but decided to read some more of his work online. Because I find soaring turkey vultures to be beautiful, I was drawn to this poem:

TURKEY VULTURES/ Ted Kooser

Circling above us, their wingtips fanned
like fingers, it is as if they were smoothing

one of those tissue-paper sewing patterns
over the pale blue fabric of the air,

touching the heavens with leisurely pleasure,
just a word or two called back and forth,

taking all the time in the world, even though
the sun is low and red in the west, and they

have fallen behind with the making of shrouds.

I have decided that I really like the couplet form–with its simple grace and interesting line breaks adding more meaning and movement.

4.2 miles
river road path, north/seabury, south/edmund, south
40 degrees
Deaths from COVID-19: 200 (MN)/ 46,859 (US)

Such a strange, scary time. For now, managing to keep the terror at a low simmer. Relieved that the governor announced today that schools are closed for the rest of the year. It’s awful, but necessary. Not sure if it’s all my training in being present on the path and paying attention to everyday delights in the midst of mess, but I’m doing okay. I know, without any doubt, that the gorge–being able to run and walk near it every day–is making all of this bearable. What a gift this river and trails and trees and ancient boulders are!

A beautiful morning! Started at 8:25 and there was hardly anyone out yet. For the first time in several weeks, I was able to run through the tunnel of trees, above the floodplain forest! The bare brown trees had a low soft glow and the dirt path winding through to the river looked quiet and lonely. Thought about how nice it would be to take Delia the dog on that trail but then I remembered how narrow the old stone steps are–difficult to keep 6ft of distance on them. Kept running north, glancing down at the river every few minutes. Mostly pale blue with a few spots of shining, sparkly brightness, almost white, or would you call it silver? Heard lots of birds, the low rumble of fast moving cars on a far away freeway, some music coming out of a bike radio. Enjoyed feeling and hearing the scratch scratch scratch of my feet striking the grit on the road.

Recited the Emily Dickinson poem, “It’s all I have to bring today,” a few times. It’s a beautiful poem, but not satisfying to recite. Why? Not sure. I’m thinking I should try memorizing and reciting “Before I got my eye put out” next. How will that poem move, I wonder?

Listened to Danez Smith’s Homie yesterday. Beautiful and uncomfortable, which is good and necessary. Heard this poem and felt it, having lived in California and longed for Minnesota:

I’m Going Back to Minnesota Where Sadness Makes Sense/ Danez Smith

O California, don’t you know the sun is only a god
if you learn to starve for him? I’m bored with the ocean

I stood at the lip of it, dressed in down, praying for snow
I know, I’m strange, too much light makes me nervous

at least in this land where the trees always bear green.
I know something that doesn’t die can’t be beautiful.

Have you ever stood on a frozen lake, California?
The sun above you, the snow & stalled sea—a field of mirror

all demanding to be the sun too, everything around you
is light & it’s gorgeous & if you stay too long it will kill you

& it’s so sad, you know? You’re the only warm thing for miles
& the only thing that can’t shine.

Love the line, “I know something that doesn’t die can’t be beautiful.” And the description of standing on a frozen lake, the stalled sea, the field of mirror all demanding to be the sun. What a beautiful poem!

3.7 miles
47th ave loop, short
34 degrees
Deaths from COVID-19: 160 (MN)/ 42,458 (US)

Sunny and bright. Looked down at the river and noticed it sparkling. Encountered a few runners and walkers and bikers. Heard some birds–a few geese, a woodpecker, some cardinals. Noticed a wild turkey hanging out in someone’s front yard–on Edmund, across from the tree graveyard. Nice! Always a good day when I see a wild turkey in the neighborhood. Here’s some turkeys that Scott and I saw on our walk on Saturday:

Recited the poem I memorized this week, Emily Dickinson’s “It’s all I have to bring today.” Kept noticing how awkward the second line was as I tried to keep my running rhythm while I said it in my head. Reading the prowling bee’s analysis, I realized it’s because every other line follows an iambic meter–da dum/da dum da/dum da dum or unstressed stressed/unstressed stressed–but the second line is strange: THIS and my HEART BEside–at least that’s how I hear it. “and my HEART” is an anapest (unstressed unstressed stressed). Found this basic description:

This poem consists of two four-line stanzas of ballad meter. In most of her poem, Dickinson typically uses ballad meter, which consists of four-line stanzas (or quatrains) of iambic tetrameter alternating with iambic trimeter: the syllable count of the four lines is therefore 8, 6, 8, 6. Ballad meter is similar to common meter, which is the meter of many Protestant hymns, such as “Amazing Grace.” In common meter the first and third lines of each stanza rhyme as do the second and fourth, making the rhyme scheme ABAB. Common meter also tends to be strictly metrical because it forms the basis of hymns sung in church. However, because Dickinson tends to rhyme only the second and fourth lines of each stanza (resulting in a rhyme scheme of ABCB) and is less strictly metrical, it is more accurate to say she uses ballad meter.

For some reason, I often struggle to recognize meter and to identify when syllables are unstressed or stressed. Not sure why. Slowly, I’m learning the terms–like tetrameter (4 feet) and trimeter (3 feet). I like thinking about this in relation to my running rhythms. Which rhythms work best for me? Which ones get me in a good groove, make running easier or faster or more fun? I’m not sure if the ballad works. I should experiment with it more. I’m also thinking about how breath fits into all of this. On easy runs, I might breathe every 4 or 3, on harder runs, every 2. How does breathing shape these lines? How does breath work in Dickinson? Here’s a source: The Breath of Emily Dickinson’s Dashes

After reciting Dickinson’s poem dozen of times, I decided to return to Richard Siken’s “LOVESONG FOR THE SQUARE ROOT OF NEGATIVE ONE.” For some reason, I enjoyed reciting it more than the Dickinson. Was it because there were more words, more ideas, more rhythms to untangle? Possibly.

Yesterday, I encountered the opening lines from this poem and was delighted. I’d like to memorize at least the first few stanzas, but maybe all of it.

from Maud (Part I)/ ALFRED, LORD TENNYSON

A Monodrama

Come into the garden, Maud, 
      For the black bat, night, has flown, 
Come into the garden, Maud, 
      I am here at the gate alone; 
And the woodbine spices are wafted abroad, 
      And the musk of the rose is blown. 

   For a breeze of morning moves, 
      And the planet of Love is on high, 
Beginning to faint in the light that she loves 
      In a bed of daffodil sky, 
To faint in the light of the sun she loves, 
      To faint in his light, and to die. 

   All night have the roses heard 
      The flute, violin, bassoon; 
All night has the casement jessamine stirr’d 
      To the dancers dancing in tune; 
Till a silence fell with the waking bird, 
      And a hush with the setting moon. 

   I said to the lily, “There is but one 
      With whom she has heart to be gay. 
When will the dancers leave her alone? 
      She is weary of dance and play.” 
Now half to the setting moon are gone, 
      And half to the rising day; 
Low on the sand and loud on the stone 
      The last wheel echoes away. 

   I said to the rose, “The brief night goes 
      In babble and revel and wine. 
O young lord-lover, what sighs are those, 
      For one that will never be thine? 
But mine, but mine,” so I sware to the rose, 
      “For ever and ever, mine.” 

   And the soul of the rose went into my blood, 
      As the music clash’d in the hall; 
And long by the garden lake I stood, 
      For I heard your rivulet fall 
From the lake to the meadow and on to the wood, 
      Our wood, that is dearer than all; 

   From the meadow your walks have left so sweet 
      That whenever a March-wind sighs 
He sets the jewel-print of your feet 
      In violets blue as your eyes, 
To the woody hollows in which we meet 
      And the valleys of Paradise. 

   The slender acacia would not shake 
      One long milk-bloom on the tree; 
The white lake-blossom fell into the lake 
      As the pimpernel dozed on the lea; 
But the rose was awake all night for your sake, 
      Knowing your promise to me; 
The lilies and roses were all awake, 
      They sigh’d for the dawn and thee. 

   Queen rose of the rosebud garden of girls, 
      Come hither, the dances are done, 
In gloss of satin and glimmer of pearls, 
      Queen lily and rose in one; 
Shine out, little head, sunning over with curls, 
      To the flowers, and be their sun. 

   There has fallen a splendid tear 
      From the passion-flower at the gate. 
She is coming, my dove, my dear; 
      She is coming, my life, my fate; 
The red rose cries, “She is near, she is near;” 
      And the white rose weeps, “She is late;” 
The larkspur listens, “I hear, I hear;” 
      And the lily whispers, “I wait.” 

   She is coming, my own, my sweet; 
      Were it ever so airy a tread, 
My heart would hear her and beat, 
      Were it earth in an earthy bed; 
My dust would hear her and beat, 
      Had I lain for a century dead, 
Would start and tremble under her feet, 
      And blossom in purple and red.

4.1 miles
river road path, north/seabury, south/river road path, south/edmund, south
46 degrees
Deaths from COVID-19: 143 (MN)/ 40,724 (US)

Started my run at 8:41. Not very crowded at all. Only a few runners and bikers. I think I remember glancing down at the river, but I don’t remember what I saw. Heard lots of birds at the beginning, don’t remember any during the run. Noticed lots of activity down by the rowing club–many cars. Will there be any rowers on the river today? Running on the walking path between the trestle and Franklin, a biker called out thanking me for staying on the proper path. I called back “you’re welcome!” and felt good for the rest of the run. What a difference such a small gesture makes! Focusing on these moments, instead of other annoying ones helps me.

A Freaked Out Runner

Yesterday, Scott, Delia the dog, our daughter, and I took a 4 mile walk around the neighborhood. Walking in the grass between the boulevard and the parkway, we witnessed a runner running in the road (on the part designated for pedestrians), getting increasingly upset as bikers (who are not supposed to bike on this part of the road) whizzed by her. When the first one passed her, she yelled “this is not the bike lane!” and then muttered to herself in anger. When the next one passed, she shrieked frantically “read the FUCKING signs!” (the city has signs posted all over the road/path identifying who should be in what lane). I could understand her anger–in other situations, I’ve been her, maybe not screaming “fuck!” but feeling that upset–but I could also see how difficult it was for the bikers, trying to find room to move when it was so crowded and when walkers were also ignoring the signs and taking over the bike paths. I’m not sure how to make this situation with crowded paths any easier, so I try to avoid it by running early, before it gets crowded.

Periodically during my run, I sang out in my head the delightful lines from Emily Dickinson I learned a few days ago: “In the name of the bee—and the butterfly—and the breeze—Amen!”

Speaking of Dickinson, I have decided the poem I will memorize for this week is:

It’s all I have to bring today—/Emily Dickinson

It’s all I have to bring today—
This, and my heart beside—
This, my heart, and all the fields—
And all the meadows wide—
Be sure to count—should I forget
some one the sum could tell—
This, and my heart, and all the Bees
which in the Clover dwell.

Such a beautiful poem. I think it will be fun to recite as I run on these early spring mornings. A poet and gardener decided in 2011 to systematically read through and analyze each of Dickinson’s poems. She’s still working on it now, in 2020. Here’s her post on this poem. In her discussion, she mentions Marianne Moore’s poem about imaginary gardens. I think I’d like to memorize this one too–if not this week, then for next week:

Poetry/ Marianne Moore – 1887-1972

I too, dislike it: there are things that are important beyond
      all this fiddle.
   Reading it, however, with a perfect contempt for it, one
      discovers that there is in
   it after all, a place for the genuine.
      Hands that can grasp, eyes
      that can dilate, hair that can rise
         if it must, these things are important not because a

high-sounding interpretation can be put upon them but because
      they are
   useful; when they become so derivative as to become
      unintelligible, the
   same thing may be said for all of us—that we
      do not admire what
      we cannot understand. The bat,
         holding on upside down or in quest of something to

eat, elephants pushing, a wild horse taking a roll, a tireless
      wolf under
   a tree, the immovable critic twinkling his skin like a horse
      that feels a flea, the base-
   ball fan, the statistician—case after case
      could be cited did
      one wish it; nor is it valid
         to discriminate against “business documents and

school-books”; all these phenomena are important. One must
      make a distinction
   however: when dragged into prominence by half poets,
      the result is not poetry,
   nor till the autocrats among us can be
     “literalists of
      the imagination”—above
         insolence and triviality and can present

for inspection, imaginary gardens with real toads in them,
      shall we have
   it. In the meantime, if you demand on the one hand, in defiance of their opinion—
   the raw material of poetry in
      all its rawness, and
      that which is on the other hand,
         genuine, then you are interested in poetry.