Tag: vision

3 miles
43rd ave, north/32nd st, east/river road, north/river road, south/edmund, south
68 degrees
humidity: 79%/ dew point: 63

Another sunny, beautiful day. I’d like it about 15-20 degrees cooler but I’ll still take today. Ran up 43rd avenue until reaching 32nd street, then ran by the field at Cooper Elementary School (named after James Fenimore Cooper) that’s been closed for as long as I’ve lived nearby (almost 6 years). Noticed a man that I’ve seen there 4 or 5 times before exercising by flipping a heavy sand bag* across the field–at least I think that’s what he does. I can’t really see in a quick glance and I don’t want to stare–both because I don’t want to be rude and don’t want to invite a conversation.

*In trying to determine what he was doing, I looked up sand bag exercises. Wow, it’s a thing. You really have to be a badass to do some of the exercises.

Ran past the aspen eyes on my way to the river road, turned left towards lake street and ran north until I reached the barricade at 29th (I think). Encountered runners, walkers, bikers. No roller skiers. Saw my shadow. Don’t remember hearing any birds–when will I start hearing the geese? I do remember hearing traffic above me on lake street and a lawn mower on the boulevard, the gravel crunching underfoot, a kid calling out to his friend. No music blasting from bike speakers or talk radio from smartphones.

Recited more from Ed Bok Lee’s “Halos” as I ran. Difficult to keep going without interruptions or to think much about the words. I definitely want to spend more time with this poem and his description of seeing strangely. Here’s the part I added this morning:

That visual impairment improves hearing,
taste, smell, touch, is mostly myth.
With it, however, I can detect

fuzzy spirits exiting buildings;
halos around bikers’ helmets;
each street lamp another pink-orange dawn.

You should see the full moon
spanning half the skyline.
I don’t mind opening a book

like a pewter Rorcshach test,
or waking up each morning
inside a fish tank of dream.

Is the idea of losing one sense enhances the others mostly a myth? For me, I’m not sure how much sharper my hearing is, but I’ve devoted a lot of time to building up my listening skills, paying attention aurally and not just visually. However, even though I’ve tried to work on my bird listening skills, I still can hardly identify any birdsongs.

I like how he moves away from good vision to interesting/ strange vision with his lines about fuzzy spirits and halos and street lamps as pink-orange dawns. I don’t see these things, but I do think I see bare branches more beautifully–their blurred edges softening the sky–than someone with “normal” sight. What else do I see strangely?

I recited the poem into my phone when I returned home:

3.1 miles
47th st loop
69 degrees

Ran almost two hours later because I wanted to work more in the morning and because the humidity was 100% at 8 am. Running at 10 was much better, I imagine. Sunny with lots of shade, calm. No turkeys but I did see my shadow briefly. Saw a biker and one graceful rollerblader moving so quickly and smoothly, swinging his arm like an Olympic speeed skater.

delight of the day

Nearing Edmund, past becketwood on the part near turkey hollow, I heard a truck approaching from behind with some squealing kids. As it passed me, driving very slowly, I noticed a few heads just poking out of the red truck’s bed. It turned up the next street. Nearing the end of my loop, almost back to becketwood, I encountered it again, parked in front of house, the kids yelling out delightedly, “We drove around the block in the back of the truck! We drove around the block in the back of the truck!” Such delight. Such cute, earnest, high-pitched voices! Oh, to be that free of cynicism and able to find joy in such a small but perfect moment!

Before heading out for the run, I memorized another poem, the third in my vision series: I Look Up From My Book and Out on the World Through Reading Glasses/ Diane Seuss.

I love this poem because it does a great job of capturing how I see the world sometimes–not through reading glasses, but through my diseased eyes. Sometimes the world looks italicized, slanted, not quite straight, off-kilter. And sometimes trees are nothing but the classic form of a tree — a brown trunk with leaves. Colors, when I can see them, are sometimes only smudges and smears and slashes. It’s all vague or just barely formed–the idea of the river instead of the actual view of an in-focus river. And it often feels like I’m in a haze or a daze or a fog. This is not upsetting to me; it’s more dreamy and calm and soft. Often the sharpness of the forms dependents on the quality of the light–gray days make everything look even fuzzier, bright sunny blue days make it all clearer, with more edges.

A few hours after returning home, I recorded myself reciting the poem. I just learned it this morning so I don’t know it by heart yet. Even as the pauses in this recording make me a little uncomfortable, I like how they demonstrate the moments of my forgetting and then remembering.

3.25 miles
under ford bridge turn around
61! degrees

Much cooler this morning! Was able to wear a short-sleeved shirt instead of a tank top and didn’t overheat. Ran south on the river road to under the ford bridge and then back. Managed a few quick glances at the river through the trees. Encountered some bikers, walkers, runners, a Minneapolis parks vehicle, a biker biking with a dog. Heard some “heavy metal” (but how heavy was it really?) music not quite blasting out of a bike’s radio. At first, I imagined that it was “Hot for Teacher” by Van Halen, but it wasn’t. I don’t know what it was, but it didn’t bother me. Much better than the patriotic country crap that some people blast. I am not opposed to all country music–the old school stuff, especially Dolly Parton or Loretta Lynn is great. What a delight it would be if I could hear someone blasting “Fist City” one day!

No roller skiers today or Daily Walker. No big groups of runners or walkers. No overheard fragments of conversation to be curious about. No black capped chickadees or geese or turkeys or annoying squirrels or swarming, sex-crazed gnats. No welcoming oaks or vining sumac or the smell of burnt toast near the lake street bridge. No rowers or coxswains or the 4 rollerbladers, swinging their arms as they speed by, perfectly in sync. No lower trails or mulching asphalt or steep short hills or dirt paths or unobstructed views of the river or the gorge.

Recited “Natural Forces” again. Still felt the lines were awkward for reciting as I ran. I noticed how I was unable to keep the flow going between each line. Instead, I had to stop for a few foot strikes, which might be the point–to give some space between each set of glances?

I really like the lines: “Five glances/to relight the stars/blown out by the hurricane,” “Eight glances/to turn the sea/into sky,” and “Nine glances/to make the trees in the wood/dance.” When I’m running through the tunnel of trees, and everything is green in late spring through early fall, sometimes the green sky becomes water to me–a sea–of green air with no surface. And when I’m running above the trees of the floodplain forest, they sway and dance, never just standing there. Some of this is due to the motion of my running, some of it is because of my bad vision. It can be a bit disorienting but it looks really cool, like I’m running in a dream. My vision makes me feel like I’m in a dream a lot of the time.

Thinking about “Natural Forces” and vision some more: what’s the difference between a glance and a glimpse? I looked it up: a glance is a brief and hurried look, a (bright) flash, a glimpse is a faint, intermittent view/ing. So a glance is a quick, sharp flash, a glimpse is a faint, glittering glimmer. And, then, the opposite of to glance is to gaze or stare, to study, scrutinize. I have almost completely lost my ability to do a quick glance and recognize what I’m seeing. If I want it to make sense, I have to stop and stare. It’s very frustrating and (I think) often socially unacceptable to stop and stare at things. So I don’t stop and stare, which also means I end up never seeing it (whatever it is/was).

Recited the poem into my phone a few minutes after I came home:

3.1 miles
47th st loop
70 degrees
humidity: 85%/ dew point: 66

Ran a little later in the morning because of the rain. A steady, soft rain. Everything green and gray. Nice to sit in the front room at my desk in between two windows and think about poetry and running while memorizing Vincente Huidobro’s “Natural Forces.”

Finally made it outside right before 11 am. A few people out by the gorge, but not too crowded. Ran down to turkey hollow and saw 6! turkeys–I counted carefully. Briefly delighted in how one of the turkey’s small head bobbed in quick, awkward jerks. Ran through some puddles and on some muddy grass. Ended by running on loose gravel on Edmund Boulevard; they’re re-sealing the streets in my neighborhood this week. I can’t remember if they ever clear off this gravel or just wait for it to be worn down by car wheels. Didn’t mind running on the gravel but I’m not interested in doing it for the next couple of weeks. I liked how noisy it was, announcing my foot strikes to anyone/anything nearby. Crush! Crush! Crush!

As I ran, I recited “Natural Forces” over and over again. Not hard to remember but not easy to match with my foot strikes. I found myself rushing through it and then, when I tried to pronounce–in my head– every word, the lines sounded so slow and clumsy. I should try recording myself reciting this as I’m running. What would it sound like?

I originally found and posted this poem at the end of January. Here’s what I wrote:

Such power with these glances! I read a little something about Huidobro and his belief in creacionismo and man as god/godlike and “a space where the poet could assume a role as the divine”. Wow, oftentimes because of my vision I feel the opposite with my glances: I’m unmaking the world. Oh–I want to think about this some more! Here’s some info about this poet from a google doodle on his 127th birthday. 

Copied the poem into my notebook and wrote: The power of the poet! The power of one who notices, who pays attention! Love this idea of paying attention as a way to imagine/create a world. Is it possible to disentangle this making of a world from hubris and pride and power over?

Natural Forces/ Vincente Huidobro

One glance
to shoot down the albatross

Two glances
to hold back the landscape
at the river’s edge

Three glances
to turn the girl
into a kite

Four glances
to hold down the train
that falls into the abyss

Five glances
to relight the stars
blown out by the hurricane

Six glances
to prevent the birth
of the aquatic child

Seven glances
to prolong
the life of the bride

Eight glances
to turn the sea
into sky

Nine glances
to make the trees of the wood
dance

Ten glances
to see the beauty that shows up
between a dream and a catastrophe

Not too bad. I forgot the poet’s name and messed up a few lines, but got most of it right. I do think I want to spend another day on it, paying attention to the rhythm of it while I run. I’m not sure I get the line about the aquatic child. Favorite lines: turn the sea into sky; to make the trees of the wood dance; to see the beauty that shows up between a dream and a catastrophe.

Can my glances make worlds? I don’t like the arrogance of that claim but I like the idea of my vision creating new ways to see/observe things.

3.25 miles
ford bridge and back
78 degrees
humidity: 80%/ dew point: 71

So hot! Humid! Thought I might have trouble breathing but it wasn’t too bad. Lots of shade and lots of people– running packs, bikers, walkers. Ran south on the river road towards the falls, turning around just past the ford bridge. Saw the river once or twice. Also saw a black nondescript bird flying high in the sky and 2 bikers in long pants–in this heat!? Recited “Before I got my eye put out” again. I was hoping to reflect on the meaning of some of the phrases but it was too hot for that.

Right after finishing my run, I did a recording:

My favorite stanza today:

The Meadows — mine —
The Mountains — mine —
The Forests — Stintless Stars —
And all of noon that I could take
Between my finite eyes

And my favorite parts about that stanza? The slant rhyme between Stars and eyes, the rhythm of “and all of noon that I could take” and the idea of taking in as much of noon as my eyes could allow–although I’m not sure I’d pick noon, too bright and severe, I’d take dawn instead. But, I like the sound of noon with its long os better than the shorter aw of dawn.

Last year I created a cento out of poems I memorized. I used most of this stanza in one of the sections:

I’m Not Asking for Much/ Sara Lynne Puotinen

xi.

I’m not asking for much
A white, indifferent morning sky
Unsentimental sleet
A lamentation of geese
Less hatred strutting the streets
To feel a little less, know a little more
Enough jam jars to can this summer sky at night
A way out, the one dappled way, back
Paradise, all glam-glow, all twinkle and gold

The Meadows – mine –
The Mountains – mine –
All Forests – Stintless stars –
As much of noon, as I could take
Gorged, engorging, and gorgeous.

The theme of this series of poems on vision that I’m memorizing is: Loving Eye/Arrogant Eye. The idea of owning the meadows or mountains, forests, stintless stars seems arrogant to me–to possess/own/have something through a glance. I like the idea of the soul upon the window pane, feeling/experiencing/taking in the view instead (loving perception). The idea of the power of the glance to own/control/possess reminds me of another poem I picked in this series. I was planning to recite it later, but I think I should do it next.

Natural Forces/ Vicente Huidobro

One glance
to shoot down the albatross

Two glances
to hold back the landscape
at the river´s edge

Three glances
to turn the girl
into a kite

Four glances
to hold down the train
that falls into the abyss

Five glances
to relight the stars
blown out by the hurricane

Six glances
to prevent the birth
of the aquatic child

Seven glances
to prolong the life
of the bride

Eight glances
to turn the sea
into sky

Nine glances
to make the trees of the wood
dance

Ten glances
to see the beauty that shows up
between a dream and a catastrophe