august 27/RUN

2.05 miles
river road trail, south/grass between river road and edmund, south/edmund, north
73 degrees
humidity: 89%
dew point: 70

Another hot day, another short run. I started on the river road trail but it was too crowded to stay. Crossed over to the dirt trail in the grass between the river road and edmund. Rutted and difficult to run on. Didn’t have a chance to see the river, too busy looking out for bikers and walkers.

At some point during the run I thought about the great book I’m reading (one of the few books I’m reading instead of listening to), Bonnie Tsui’s Why We Swim, and her chapter on flow.

Flow: the state in which people are so involved in an activity that nothing else seems to matter” (Mihaly Csikszentmihalyi).

I was thinking, as I ran by Dowling Elementary, how difficult it is to experience flow during runs this spring and summer. It’s partly because there’s too much to worry about–hurricanes, pandemics, the refusal by leaders to do the difficult work of addressing racial injustice and dismantling institutions that create/perpetuate injustice, upcoming elections and the campaign to destroy “liberal cities”–and partly because the trails and sidewalks are too crowded to get lost. I know it still happens to me–running or writing, I can lose track of time–but I wish it could happen more.

Anything else I remember? Tons of acorn shells everywhere. The squirrels are busy. Does that mean we will have a tough winter? Don’t remember hearing cicadas or any birds, not too many cars, no roller skiers or rowers. No leaf blowers or horns honking. I did see an adult biking with a little kid. I love watching little kids biking, especially when they’re very little and very good at biking–so graceful and powerful.

state fair mannequins

In a non-pandemic world, the state fair would have started today. I miss many things about going to the fair. The food, the beer, the mutant vegetables and political crop art (there would have been some really good ones this year), but what I’m missing most today are the state fair mannequins. Every year I love seeing them looking so creepy and strange and almost human. Last year I started work on a project about eye contact and faces and the uncanny valley and state fair mannequins. Some day I will finish it. Here’s one of my favorite mannequins:

august 26/RUN

2 miles
43rd ave, north/32nd st, east/edmund, north/the hill
79 degrees
dew point: 66

Very hot today. 77 degrees at 7 in the morning. I decided to do a shorter run. Not too bad. Listened to a running playlist so didn’t notice any other sounds. No chirping birds or backing up beeps or roaring lawn mowers or plink-plonking acorns or zapping cicadas. Ran in a lot of shade, which was nice. Felt strong running up the hill on Edmund. Checked out my form a few times by looking at a shadow running beside me, then ahead. Encountered many more walkers than runners.

Didn’t get close enough to see the river. Forgot to check out the aspen eyes. I did notice how the tree on the corner of Edmund and 32nd, the one that usually glows a glorious yellow in the fall, was almost all goldish-brown. Is it dying? I hope not.

Had another pandemic dream last night–my second, I think, which isn’t too bad considering how long we’ve been in this mess. Same scenario, different setting. In a crowded place (first time it was a Justin Bieber?! concert, this time in a restaurant). Suddenly, I realize I’m around too many people, none of us socially distancing or wearing masks. What am I doing here? Why am I being so reckless? I freak out, then wake up. It’s unusual for me to have such literal dreams–of course, a bunch of other weird shit happened in the midst of this that I can’t remember now too, but the basic anxiety is my actual, literal anxiety. Usually, anxiety dreams are like the one I mentioned a week ago when I was late for a band concert and couldn’t find a black shirt. Or, it’s the last week of the semester and I haven’t shown up to class at all–either as the teacher or the student. Being late for a concert, forgetting to attend class are not things I have to worry about right now–and I’m not. What is it about this pandemic and my fears/worries about it that is making my dreams so boringly literal?

I think (I hope) I’ve discovered my new project. It’s a companion project to the Snellen charts. I’m tracing the blind spot in my central vision and then superimposing it on text about vision to create erasure poems. I’m still not sure how this will all work or how many of them I will do or whether or not I will only do erasures with found text or include my own text. Last night, while experimenting with this, I tried it out. This is not the actual erasure, just an experiment taking text about blind spots from Sight Unseen, staring at it until I can see my blind spot, then tracing that blind spot on top of the text.

Blind Spot Experiment

Not sure how to make this work yet. In the above experiment, I focused my eyes on the center of the page–the W I think–and then traced the blind spot I saw. I could try focusing on different spots. Should I create the blind spot tracing with every new experiment or create a template of my blind spot that I can easily place on different texts? Should the text be blacked out or just not there–an absence in white?

Scott suggested creating two poems out of it, one with the blind spot words removed–so a ring of white, and one with only the blind spot words. This makes me think of the amazing poems of Diana Khoi Nguyen in Of Ghost, especially Triptych.

august 25/RUN

3 miles
over the lake st bridge!
73 degrees
humidity: 87%
dew point: 69

Hot and humid this morning, but who cares? I ran over the lake street bridge and got my first satisfying view of the river in months, maybe since this whole pandemic started. What a view! What a beautiful river. No rowers or motor boats or paddle boats or canoes. Just smooth, shining blue water. I’ve been reluctant to run over the bridge for fear that it would be too crowded, but I didn’t encounter anyone–and even if I did, the path isn’t that narrow and it wouldn’t take me long to pass someone.

I ran east on 36th st, then north on 47th ave, past 7 oaks, through Minnehaha Academy parking lot, over to lake street, across the bridge, down the stairs to under the bridge, up the other side and over the bridge again, across the river road to the trail then over the edmund, and finishing by running down and back up the hill above the tunnel of trees. It’s nice to do a slightly different route. Maybe next time I’ll try crossing the bridge, then running up to Summit and back down again?

Things I Remember

  • Seeing the dock at the Minneapolis Rowing Club on the north side of the lake street bridge, empty
  • Not encountering any people on the bridge but passing by three scooters leaning against the railing
  • A lone roller skier preparing to ski up the hill
  • The bright yellow shirt of a runner exiting the stairs from the bridge
  • Checking to see if there was an eagle perched on the dead tree branch on the bridge (nope)
  • The socially distanced tables with umbrellas at Longfellow Grill, empty (I think?)
  • Passing a guy sitting on a boulder in the grass between edmund and the river road 3 times, first as I crossed over from edmund to the river road heading south, second as I ran down the hill on the river road, and third, as I ran back up the hill

blind spot

At the end of February, while reading Sight Unseen, I discovered how to see my blind spot. Everyone has a blind spot, but mine is in my central vision and it keeps getting bigger every year as more of my cones get scrambled. I stared at the center of a blank white wall for a few minutes and then suddenly a ring, white in the small center, grayish-black on the broader edges appeared. I drew it from memory in my notebook:

Plague Notebook, Vol 2

Yesterday afternoon, I decided to try finding my blind spot again. This time I took a sheet of white paper and taped it on the wall, at eye level. I closed my left eye and stared into it for a minute or two with my right eye until a grayish circle with a white center appeared. I quickly traced it, then colored it in, using blue for the grayish part:

Blind Spot, Right Eye

I wasn’t very precise with this method, but still, I think this gives a good sense of how much of my central vision might be left. I want to keep experimenting with this image–maybe make a concrete poem out of it or something? I haven’t figured it out yet, but this might be a second part to my Snellen Chart poems. I’m also thinking of using the Amsler grid with it and maybe the grid out of words instead of lines?

july 31/RUN

5 miles
franklin hill and back again
69 degrees

Since they’re opening up the road next week, I decided I better run on it all the way down the franklin hill before it’s too late. Another beautiful day, with less humidity! I ran for 3 miles then walked for 1/2 mile up the steep hill before running again.

At Annie Young Meadows, at the bottom of the hill, noticed a dozen tents set up–another encampment for people without homes. So awful. I hope Minneapolis figures out better housing for them before winter hits. Everyone should have a home and enough food–what a fucked up country this is.

Down at the bottom of the hill, in the bright sun, the river looked flat and hot and a dull brown.

To end the month and my series of memorized poems about vision, I decided to recite each of the 4 poems for a mile and then spend the last mile reflecting on common themes. What a nerd I am. Mile One: Before I got my eye put out; Mile Two: Natural Forces; Mile Three: I Look Up From My Book at the World Through Reading Glasses; and Mile Four: Halos. At the start of mile four, as I walked up the hill, I recited Halos into my phone and then, after I finished, I recited I Look Up.

Halos, July 31
I Look Up, July 31

During mile five, I thought about the soul and how it’s mentioned in both Dickinson (safer — guess — for just my soul/opon the window pane) and Lee (to believe the soul is/ ubiquitous like water/in our voices, our cells). Could the soul be the water within us? Not some ethereal spirit distinctive from the body but water, the very substance that makes up more than half of us (kids: 78%, men: 60%, women: 55%)? I like thinking about the soul as the most physical, substantial part of us. Of course, now as I write this, I’m thinking about Walt Whitman and “The Body Electric“:

O I say these are not the parts and poems of the body only, but of the soul, 
O I say now these are the soul!

july 30/RUN

2.5 miles
river road, south/north
68 degrees

Walking down to the end of the block before starting my run, I marveled at the slightly cool breeze and the soft sun. What a morning to be outside! Perfect for walking, slightly too warm for running. Ran south on the river road. Heard the birds–which birds? Not sure. Glanced at the river for the brief moment I was able to run on the trail. Saw my shadow. Tried to stay calm and block out the relentless worry, simmering under the surface, about pandemics and tyrants and upcoming elections. Was mostly successful.

Running past the steps at 38th street that lead to the lower trail, closer to the river, I longed for last summer when I regularly ran the 2 trails route. O, to be closer to the river, below the road on the undulating trail!

Recited the rest of Halos this morning. The rhythm of this poem doesn’t work well with running and I found it hard to keep reciting the lines in a steady flow. Lots of stopping and starting. Was this also because of the heat or the effort or my still shaky grasp of the words?

I like, whenever I wish, strolling past
the myopic me
in a window or a mirror or whatever

reflects back to believe the soul is
ubiquitous like water
in our voices, our cells.

How else, when blinded by life,
would I remember:
to the dead, we’re the ghosts?

I am not sure what he means here or what to do with souls as ubiquitous as water or the idea that we’re the ghosts to the dead. What does it mean to be a ghost?

Ghost (noun), definition (OED)

  1. The soul or spirit, as the principle of life (to give up the ghost)
  2. Philosophy.  the ghost in the machine: (Gilbert Ryle’s name for) the mind viewed as separate from the body 
  3. The soul of a deceased person, spoken of as appearing in a visible form, or otherwise manifesting its presence, to the living. (Now the prevailing sense.)
  4. A shadowy outline or semblance, an unsubstantial image (of something); hence, a slight trace or vestige, esp. in phrase  (not) the ghost of a chance.

Ghost (verb), definition (OED)

  1. to expire
  2. to haunt
  3. to scare with pretended apparitions
  4. To flit about, prowl as a ghost. Also  to ghost it.  to ghost away: to steal away like a ghost.

Ghost (Colloquial), definition (Wikipedia)

Ghosting is a colloquial term used to describe the practice of ceasing all communication and contact with a partner, friend, or similar individual without any apparent warning or justification and subsequently ignoring any attempts to reach out or communicate made by said partner, friend, or individual.

I would like to use the phrase, “to ghost it” somewhere. Also, having stared at the word “ghost” for too long, the letters seem strange, especially the g and h right beside each other.

Thinking about being “ubiquitous like water” I was reminded of Bruce Lee and his great poem? speech? about being like water. Then I was reminded of the poem by Ed Bok Lee that I discovered yesterday and just listened to right now, “Ode to Bruce Lee” from his collection Whorled. In the poem, he says:

Boxer and cha cha champion
style of no style
teacher, waiter, philosopher, dragon

Style of no style is also in Halos. I want to think some more about what this phrase means–to him, what it might mean to me. Fluid, not trapped any identity or label or “box”, flowing like water?

Here’s a recording of me reciting Lee’s “Halos” after I returned from my run. I still have a few extra/wrong words to fix:

Halos, July 30

july 29/RUN

3 miles
43rd ave, north/32nd st, east/river road, north/river road, south/edmund, south
68 degrees
humidity: 79%/ dew point: 63

Another sunny, beautiful day. I’d like it about 15-20 degrees cooler but I’ll still take today. Ran up 43rd avenue until reaching 32nd street, then ran by the field at Cooper Elementary School (named after James Fenimore Cooper) that’s been closed for as long as I’ve lived nearby (almost 6 years). Noticed a man that I’ve seen there 4 or 5 times before exercising by flipping a heavy sand bag* across the field–at least I think that’s what he does. I can’t really see in a quick glance and I don’t want to stare–both because I don’t want to be rude and don’t want to invite a conversation.

*In trying to determine what he was doing, I looked up sand bag exercises. Wow, it’s a thing. You really have to be a badass to do some of the exercises.

Ran past the aspen eyes on my way to the river road, turned left towards lake street and ran north until I reached the barricade at 29th (I think). Encountered runners, walkers, bikers. No roller skiers. Saw my shadow. Don’t remember hearing any birds–when will I start hearing the geese? I do remember hearing traffic above me on lake street and a lawn mower on the boulevard, the gravel crunching underfoot, a kid calling out to his friend. No music blasting from bike speakers or talk radio from smartphones.

Recited more from Ed Bok Lee’s “Halos” as I ran. Difficult to keep going without interruptions or to think much about the words. I definitely want to spend more time with this poem and his description of seeing strangely. Here’s the part I added this morning:

That visual impairment improves hearing,
taste, smell, touch, is mostly myth.
With it, however, I can detect

fuzzy spirits exiting buildings;
halos around bikers’ helmets;
each street lamp another pink-orange dawn.

You should see the full moon
spanning half the skyline.
I don’t mind opening a book

like a pewter Rorcshach test,
or waking up each morning
inside a fish tank of dream.

Is the idea of losing one sense enhances the others mostly a myth? For me, I’m not sure how much sharper my hearing is, but I’ve devoted a lot of time to building up my listening skills, paying attention aurally and not just visually. However, even though I’ve tried to work on my bird listening skills, I still can hardly identify any birdsongs.

I like how he moves away from good vision to interesting/ strange vision with his lines about fuzzy spirits and halos and street lamps as pink-orange dawns. I don’t see these things, but I do think I see bare branches more beautifully–their blurred edges softening the sky–than someone with “normal” sight. What else do I see strangely?

I recited the poem into my phone when I returned home:

Halos, July 29

july 24/RUN

2.5 miles
river road, south/north
72 degrees
humidity: 78%/ dew point: 67

Hot again this morning. So crowded on the river road! So many runners going so fast that I wondered if there was some event going on. Listened to a playlist and didn’t think about any poetry or pay attention to much around me except all the runners and bikers I needed to avoid. Ran faster than I wanted on the second mile because a runner who I was passing decided to speed up just as I approached. Finished the run by listening to Demi Lovato’s “Sorry, Not Sorry” as I ran up the hill near the Welcoming Oaks. Running back through the neighborhood, the next song that came on Spotify was Hailee Steinfeld’s “Hell nos and Headphones.” Wow.

Finished watching the 1981 “Clash of the Titans” with Scott. I remember seeing it in a theater in North Carolina when it first came out. I was 7. The special effects are very bad, but I was surprised at how much I enjoyed the movie this time–loved seeing Maggie Smith as a vengeful Thetis. I started thinking about Medusa and how her gaze turns anyone/thing that looks into her eyes to stone. And then I started thinking about how my gaze does that to people too–because my central vision is almost gone and I have an increasingly bigger blind spot in the middle of my field of vision, when I look at people’s faces or into their eyes they often look like unmoving objects–I can’t see facial gestures–no smiles or frowns or eyebrows raised, and I can’t make eye contact. In a way, they turn to stone. I’d like to explore the Medusa myth some more and see if I can do something with it.

Thinking about vision and eyes a lot this week. Here’s a poem from 1925 I first encountered on twitter, then found online at Poetry Foundation:

Eyes/ Laura Riding Jackson

Imagine two clouds shot together by the sunset,
One river-blue,
One like a white cloth passed through a purple wine,
Dripping and faintly dyed,
Whirling centrifugally away toward the night
And later halved and rounded by the moon;
Rolled like blue butter-balls
In the palms of the moon’s hands
And rimmed elliptically with almost-white moon-stuff,
The moon’s particular godmother gift.
Some nearly impossible vision like this
Is necessary for the mood of my eyes.

Formally announced by my eyebrows,
Sad squires of my eyes,
Preciously fitted into two fine skin purses—
Two rose petals might fashion them—
So firmly, gently guarded,
Yet so free to roll a little
In each socket,
In each pocket,
Attended by the drawn regiments of my lashes,
These my head’s hair’s farthest fallen,
Wayward strayed for the love of my eyes,
With only a runaway’s last inheritance of curl
Lifting the final rite of this ceremony of presentation:
Sight is there soul of charity.
when the feet are tired,
When joy is caught in the full throat,
Sight is the good Samaritan,
Wandering to the last horizon
Or staying at home to laugh in joy’s place.
Though the trouble be none of its won,
When grief comes like a beggar to my eyelids,
Sight throws it pennies,
Sight throws it tears,
Though for the minute it rob itself,
Though for the minute it blind itself.

Exegetes of the tongue—
Love’s best inquirers
And courteous heads of hate,
Yet meanwhile not deposing
The immediate service of seeing
Or the darling self-denial of sleep—
My eyes, my eyes,
Patrons of light and dark!

Busy, ever busy,
If I have no other errands for it,
Yet sight keeps turning the looking-machine,
Always sitting quietly aside—-
The self-appointed and voluntary philosophy of me,
My ironic interpreter of things,
Smiling behind the bodily ruse
Of my amused, amused eyes.
Or, if the eyes fail,
If the optical bodies of sight die,
Sight still lives while I live,
Sight is immortal in me,
Free of the bond of outward vision—-
The inner sense of life,
The living-looking.
Death is the only blindness.

july 23/RUN

3.1 miles
47th st loop
69 degrees

Ran almost two hours later because I wanted to work more in the morning and because the humidity was 100% at 8 am. Running at 10 was much better, I imagine. Sunny with lots of shade, calm. No turkeys but I did see my shadow briefly. Saw a biker and one graceful rollerblader moving so quickly and smoothly, swinging his arm like an Olympic speeed skater.

delight of the day

Nearing Edmund, past becketwood on the part near turkey hollow, I heard a truck approaching from behind with some squealing kids. As it passed me, driving very slowly, I noticed a few heads just poking out of the red truck’s bed. It turned up the next street. Nearing the end of my loop, almost back to becketwood, I encountered it again, parked in front of house, the kids yelling out delightedly, “We drove around the block in the back of the truck! We drove around the block in the back of the truck!” Such delight. Such cute, earnest, high-pitched voices! Oh, to be that free of cynicism and able to find joy in such a small but perfect moment!

Before heading out for the run, I memorized another poem, the third in my vision series: I Look Up From My Book and Out on the World Through Reading Glasses/ Diane Seuss.

I love this poem because it does a great job of capturing how I see the world sometimes–not through reading glasses, but through my diseased eyes. Sometimes the world looks italicized, slanted, not quite straight, off-kilter. And sometimes trees are nothing but the classic form of a tree — a brown trunk with leaves. Colors, when I can see them, are sometimes only smudges and smears and slashes. It’s all vague or just barely formed–the idea of the river instead of the actual view of an in-focus river. And it often feels like I’m in a haze or a daze or a fog. This is not upsetting to me; it’s more dreamy and calm and soft. Often the sharpness of the forms dependents on the quality of the light–gray days make everything look even fuzzier, bright sunny blue days make it all clearer, with more edges.

A few hours after returning home, I recorded myself reciting the poem. I just learned it this morning so I don’t know it by heart yet. Even as the pauses in this recording make me a little uncomfortable, I like how they demonstrate the moments of my forgetting and then remembering.

I Look Up From My Book, July 23

july 22/RUN

3.25 miles
under ford bridge turn around
61! degrees

Much cooler this morning! Was able to wear a short-sleeved shirt instead of a tank top and didn’t overheat. Ran south on the river road to under the ford bridge and then back. Managed a few quick glances at the river through the trees. Encountered some bikers, walkers, runners, a Minneapolis parks vehicle, a biker biking with a dog. Heard some “heavy metal” (but how heavy was it really?) music not quite blasting out of a bike’s radio. At first, I imagined that it was “Hot for Teacher” by Van Halen, but it wasn’t. I don’t know what it was, but it didn’t bother me. Much better than the patriotic country crap that some people blast. I am not opposed to all country music–the old school stuff, especially Dolly Parton or Loretta Lynn is great. What a delight it would be if I could hear someone blasting “Fist City” one day!

No roller skiers today or Daily Walker. No big groups of runners or walkers. No overheard fragments of conversation to be curious about. No black capped chickadees or geese or turkeys or annoying squirrels or swarming, sex-crazed gnats. No welcoming oaks or vining sumac or the smell of burnt toast near the lake street bridge. No rowers or coxswains or the 4 rollerbladers, swinging their arms as they speed by, perfectly in sync. No lower trails or mulching asphalt or steep short hills or dirt paths or unobstructed views of the river or the gorge.

Recited “Natural Forces” again. Still felt the lines were awkward for reciting as I ran. I noticed how I was unable to keep the flow going between each line. Instead, I had to stop for a few foot strikes, which might be the point–to give some space between each set of glances?

I really like the lines: “Five glances/to relight the stars/blown out by the hurricane,” “Eight glances/to turn the sea/into sky,” and “Nine glances/to make the trees in the wood/dance.” When I’m running through the tunnel of trees, and everything is green in late spring through early fall, sometimes the green sky becomes water to me–a sea–of green air with no surface. And when I’m running above the trees of the floodplain forest, they sway and dance, never just standing there. Some of this is due to the motion of my running, some of it is because of my bad vision. It can be a bit disorienting but it looks really cool, like I’m running in a dream. My vision makes me feel like I’m in a dream a lot of the time.

Thinking about “Natural Forces” and vision some more: what’s the difference between a glance and a glimpse? I looked it up: a glance is a brief and hurried look, a (bright) flash, a glimpse is a faint, intermittent view/ing. So a glance is a quick, sharp flash, a glimpse is a faint, glittering glimmer. And, then, the opposite of to glance is to gaze or stare, to study, scrutinize. I have almost completely lost my ability to do a quick glance and recognize what I’m seeing. If I want it to make sense, I have to stop and stare. It’s very frustrating and (I think) often socially unacceptable to stop and stare at things. So I don’t stop and stare, which also means I end up never seeing it (whatever it is/was).

Recited the poem into my phone a few minutes after I came home:

Natural Forces, July 22

july 21/RUN

3.1 miles
47th st loop
70 degrees
humidity: 85%/ dew point: 66

Ran a little later in the morning because of the rain. A steady, soft rain. Everything green and gray. Nice to sit in the front room at my desk in between two windows and think about poetry and running while memorizing Vincente Huidobro’s “Natural Forces.”

Finally made it outside right before 11 am. A few people out by the gorge, but not too crowded. Ran down to turkey hollow and saw 6! turkeys–I counted carefully. Briefly delighted in how one of the turkey’s small head bobbed in quick, awkward jerks. Ran through some puddles and on some muddy grass. Ended by running on loose gravel on Edmund Boulevard; they’re re-sealing the streets in my neighborhood this week. I can’t remember if they ever clear off this gravel or just wait for it to be worn down by car wheels. Didn’t mind running on the gravel but I’m not interested in doing it for the next couple of weeks. I liked how noisy it was, announcing my foot strikes to anyone/anything nearby. Crush! Crush! Crush!

As I ran, I recited “Natural Forces” over and over again. Not hard to remember but not easy to match with my foot strikes. I found myself rushing through it and then, when I tried to pronounce–in my head– every word, the lines sounded so slow and clumsy. I should try recording myself reciting this as I’m running. What would it sound like?

I originally found and posted this poem at the end of January. Here’s what I wrote:

Such power with these glances! I read a little something about Huidobro and his belief in creacionismo and man as god/godlike and “a space where the poet could assume a role as the divine”. Wow, oftentimes because of my vision I feel the opposite with my glances: I’m unmaking the world. Oh–I want to think about this some more! Here’s some info about this poet from a google doodle on his 127th birthday

Copied the poem into my notebook and wrote: The power of the poet! The power of one who notices, who pays attention! Love this idea of paying attention as a way to imagine/create a world. Is it possible to disentangle this making of a world from hubris and pride and power over?

Natural Forces/ Vincente Huidobro

One glance
to shoot down the albatross

Two glances
to hold back the landscape
at the river’s edge

Three glances
to turn the girl
into a kite

Four glances
to hold down the train
that falls into the abyss

Five glances
to relight the stars
blown out by the hurricane

Six glances
to prevent the birth
of the aquatic child

Seven glances
to prolong
the life of the bride

Eight glances
to turn the sea
into sky

Nine glances
to make the trees of the wood
dance

Ten glances
to see the beauty that shows up
between a dream and a catastrophe

Not too bad. I forgot the poet’s name and messed up a few lines, but got most of it right. I do think I want to spend another day on it, paying attention to the rhythm of it while I run. I’m not sure I get the line about the aquatic child. Favorite lines: turn the sea into sky; to make the trees of the wood dance; to see the beauty that shows up between a dream and a catastrophe.

Natural Forces, July 21

Can my glances make worlds? I don’t like the arrogance of that claim but I like the idea of my vision creating new ways to see/observe things.