Tag: running partner

may 2/RUN

7 miles
lake superior boardwalk, duluth
37 degrees

An impromptu trip to Duluth with Scott. Our first trip alone since last April when we went to visit my best friend in Iowa. We need more of these. This morning, we ran together above Lake Superior through Leif Erikson park and 3 miles north, then turned around and headed back. As we ran, I told Scott that the theme of the run was water.

10 Water Things

  1. thin sheets of ice on the water! earlier from the window of our room, I had noticed the texture of the water and wondered what was causing the strips of rough water amongst the smooth stretches
  2. water gushing out of a sewer pipe embedded in a ravine
  3. crack crackle crackle the ice sheet butting up against the rocks near shore and cracking — such a cool sound!
  4. drip drip drip water dripping out of some pipe deep in a backyard
  5. the rushing of the creek under the high wooden bridge we ran over
  6. Lake Superior — blue and beautiful, one giant ship, anchored miles from shore
  7. drip drip drip sweat dripping off my face
  8. a pool of water on the floor of the port-a-potty
  9. benches dotted on the bluff, filled with people enjoying the view
  10. almost all of the ice gone — I thought all of it was, until I noticed a few sheets still on the surface as we walked up the steps after the run

While we ran, we talked about our kids and Star Trek and an article Scott had read about fraternal twin girls with the same mother but different fathers. I saw my shadow and started singing Me and my Shadow. Scott asked who had sung it and when I said, I wasn’t sure but I had a version with Frank Sinatra and Sammy Davis on my shadows playlist, he said, Sammy Davis Jr. is his shadow? Yikes. And I said, Jesus, how have I never noticed that before. Then a string of associations: I mentioned that they sang it on a tv special which led to a discussion of the Andy Williams Christmas special, then the kids in it, which reminded Scott of the scared kid on the Ray Coniff Christmas Special who hears a creepy story about a little gray lamb read to her by the guy who played Wilbur on Mr. Ed — Scott couldn’t remember the actor’s name. Scott started reminiscing about watching Mr. Ed with his mom on Nick at Nite, which prompted me to start singing the theme song from “The Patty Duke Show” — because, of course I would.

It was a good run, and a great mental victory. As I said to Scott, I’m excited to push myself mentally to run these longer distances. It is a wonderful feeling to successfully push through these tough moments.

a quick note about grids

Yesterday, while driving back from 2 Harbors to our hotel in Duluth we started talking about the show Alone and then what it means to be “off the grid,” Yes — another meaning of grids! How can I play around with this in my exploration of grids?!

april 25/RACE

6.4 miles*
falls to lake to ford to falls
Get in Gear
45 degrees / drizzle

*I started my watch before the start line and we didn’t take the tangents so we were weaving around the course.

A good start to marathon training. Probably By far, the slowest 10k I’ve ever run in a race (partly due to a port-a-potty stop 3 miles in), but Scott and I ran together, we felt strong, and we didn’t stop for any walk breaks. A big mental victory, especially in that last mile, which seemed to last forever.

Near the beginning of the race, as faster runners were passing slower runners, I had 3 people in a row clip my elbow as they ran by. I asked Scott, do I run with my elbows sticking out? He said no, but I’m not so sure.

I can’t remember what Scott talked about, but I remember talking about pro runners running with wide elbows to claim space on the track, and the music they played — My Way — at the house with the bleachers on the marathon route. I talked about past versions of this race — we run it at least 5 times, probably more. I remember we were talking about how many races we’ve run total. I guessed at least 50. Scott looked it up on his spreadsheet: 65.

Just before mile 4, an older woman rang a cowbell and chanted this:

Get/ in/ Gear/ x (4/4
You/ are/ get/ ting/ in/ gear (6/4)

It was awesome in its awkward earnestness and deadpan delivery. It prompted me to start chanting and talking about chanting with Scott. I did my classic triple berry chants for a few minutes. Scott said that doing this would drive him insane. I said that it helps keep me focused.

The last mile seemed to go on forever but I found some energy at the end to pick up the pace. It felt so fast, but it was really only about what I used to run as an average pace for an entire 10k. Wow, I have slowed down as I have gotten older.

10 Things

  1. the gentle tapping of rain on the port-a-potty roof
  2. little kids chanting, go! go! go!
  3. an enthusiastic woman behind me in the start corral responding to the announcers, how is everyone feeling? with a shriek
  4. the pavement was wet and felt slippery under my shoes
  5. several non-racing runners calling out to some runners, go mill city running!
  6. frequent big cracks in the asphalt
  7. crossing the ford bridge, hearing a white car continuously honking as they drove by us
  8. wild turkeys! in a yard — I didn’t see then, just heard another running point them out to someone and then another runner calling out to the turkeys, hey turkey! gobble gobble!
  9. feeling the rain falling mid-race and not caring
  10. nearing the finish line — not seeing it, but close enough to hear the crowd — hearing an air horn go off

april 12/RUN

4.25 mile
franklin loop
65 degrees
dew point: 62

Strange weather. Yesterday it was in the 40s and raining, today it could get up to 80 degrees. Then 70s all week and high of 40 next Saturday. I wore shorts and a tank top today and felt fine — not too hot or cold. For the first time this year, I ran with Scott. Hooray for old traditions returning! We did 9 minutes of running and 1 minute of walking, which helped keep us steady. We both agreed that we’ve been very undisciplined with the steadiness of our runs. Yes, I’ve continued to run about 20 miles per week, but I haven’t had much of a plan and I’ve usually made it for 2 miles without stopping, then running and walking the rest. Time to get more serious and work of my mental toughness.

Scott talked about his latest musical composition — a suite inspired by Artemis and its voyage to the dark side of the moon. It’s in 26/81. I talked about the YouTuber, Ms Space Cadet, her struggle running, and how she was running faster than her fitness because of her new shoes. I also mentioned the podcast I’m listening to: an interview with Robert Macfarlane about his recent book, Is a River Alive? So good! I was listening to it this morning as I colored in my holes/circles for a redo of Holes 4 (more on that below).

We passed a race in progress on the river road. I think it was the Gopher 10 mile, but I’m not positive. At one spot, where the spectators and volunteers were thick, I heard someone call out, you can do it! you’re stronger than you think! (is that what they said, or am I remembering it wrong?)

The air was thick, the trail still damp from last night’s rain. Noting green yet, everything still brown. No rowers on the river. No roller skiers. No memorable birds.

grids and threads

I’ve put Holes 4 on my new corkboard (which doesn’t seem to want to stay stuck to the wall in this humid weather) and experimented with black thread and gray yarn. FWA likes the thread, and Scott thinks I need something in-between both. Dark string? We don’t have dark string, but we do have white string? Should I try that?

experimenting with lines / 12 april

I did try the white string and didn’t like it. More experiments with thinner yarn and embroidery thread tomorrow!

  1. I had to double-check with Scott on that strange time signature. He also sent me the breakdown to the movements: I. Launch [5/8 + 5/8 + 5/8 + 5/8 + 6/8]
    II. Journey Through the Void [4/4 + 4/4 + 5/4]
    III. Mare Orientale [6/8 + 6/8 + 6/8 + 4/4]
    IV. The Terminator [6/8 + 7/8 + 6/8 + 7/8]
    V. L.O.S. [3/4 + 2/4 + 3/4 + 3/4 + 2/4]
    VI. Eclipse [7/8 + 7/8 + 7/8 + 5/8]
    VII. The Return [6/4 + 7/4]
    VIII. Splashdown [5/8 + 5/8 + 5/8 + 5/8 + 6/8] ↩︎

oct 25/RACE

10k race
Minneapolis Halloween Half
45 degrees / rain

A wonderful race! Not even close to a PR, but a huge success: Scott and I ran the whole thing together; we didn’t stop even once even though we were undercooked — I haven’t run a 10k without stopping for a year; I had a lot left at the end and was able to sprint; I had no problem running up the steep hills; I was happy and smiled as I crossed the finish line; and no unfinished business! I think it’s been more than a year since I ran more than 5 miles without the urgent feeling of needing to poop. What a mental victory! I didn’t think there was any way I could run this whole thing without stopping, especially the hills, but I pushed through and did it.

A classic Sara-moment: I recited “A Rhyme for Halloween” to Scott as we ran up the first big hill, 1.5ish miles in. Nice! Then, referencing the line, Baruch Spinoza and butcher are drunk — I talked about how Judy B (Judith Butler) likes Spinoza and his skepticism and used to read him as a kid.

At least 10 Things

  1. Waldo — the first thing the announcer said, I found Waldo! / a runner running up the steep hill near mile 5: I’ve counted 7 Waldos so far
  2. running costume: Olivia Newton John from Physical — headband, tight curls, bright colored tights, leg warmers, jean jacket
  3. Maria, Luigi, Waluigi running up the hill — where’s wario, Scott wondered
  4. the cobblestones were terrible — so rutted and puddles
  5. bright orange tree on one side of the road, bare branches the other
  6. a dog poopin’ in Front of Gold Medal Park
  7. 2 people with gorge tattoos on their calves!! I was so excited that I had to ask them about them and told them that I wanted to get one too. They were so appreciative of my delight, which was completely genuine, that they thanked me! I think I might have to get a gorge tattoo on my calf — and an outline of Lake Nokomis, or something related to Lake Nokomis, on my shoulder
  8. the terrible pacer — the one who always runs too fast and that caused to me to overdo it at the beginning of a 10 mile race and then fell apart in the second half — was there, and was pacing too fast again. I overheard some other racers complaining about him
  9. no live national anthem, instead a terrible recording
  10. puddles and potholes and rutted cobblestones
  11. a runner nearby, shaking out his arms and saying, this is tiring!
  12. several women, descending the hill into the flats, realizing how much more there was to run, and how steep it was, saying oh fuck!
  13. thanking another runner for letting me know she was passing me, her thanking me back
  14. crossing the finish line and feeling great — joyful, relieved, in disbelief that we managed, on our limited training, to run the entire thing without stopping

oct 16/RUN

2.5 miles
canal park, duluth
53 degrees

Took a quick trip to Duluth with FWA and Scott. Ran with Scott beside Lake Superior this morning. Wow! Mild weather. Some wind, a few sprinkles, but a nice run. I was born beside this beautiful lake, I love returning to it.

I’m writing this entry on the 18th, after we returned home. Here’s what I wrote in my plague notebook about it:

windy, wet, pewter water
seagulls — quiet, still, stuck in the sky
sky — void — white
running fast than 2 bikers — a kid and an adult
empty water: no ships, no horns
lighthouse — green light
no lift bridge lifting
puddled path

We had a great trip. What a difference a year makes! The last time we were up here, FWA and RJP were both struggling so much. Now, they are both starting — slowly, gradually — to do/be/feel better.

me and FWA, Lake Superior in Duluth

I love this picture. I love this lake. I love this human.

aug 10/RUN

2.1 miles
to falls coffee
75 degrees / humidity: 91%
dew point: 70

Maybe because it was overcast, it didn’t feel as bad as the numbers would suggest. Still sweat a lot, but didn’t feel miserable. Ran with Scott to Falls Coffee. Ran on edmund, parallel to the YWCA tri racers biking on the river road. I remember doing this race — three times, in 2013, 2014, and 2015. I can’t remember why I didn’t sign up for it in 2016 — maybe because my favorite part, the swim, was too short and the bike was too long. In 2017, I was signed up, with RJP, to do a mother-daughter super sprint, but then I got injured. After that, I didn’t do it because my vision was too bad to go that fast and be that close to other bikers (and, because I never really liked the biking part). I love watching professional triathlons — Ironmans, T100s, WTCS Olympic distance races, and Super-tris, but I don’t like racing them.

Scott and I didn’t talk much as we ran; I think we were both too warm. Heard cicadas and birds and people calling out, good job! you got this!, way to go ladies!, to the racers. A steady stream of bikers on the road, some heading out, others returning.

We got coffee at Falls Coffee then walked back through the neighborhood, including through the playground at FWA and RJP’s elementary school. My favorite thing: little birds — sparrows? — lifting off from the pavement, like little bubbles bursting up in the air. Another thing: hearing cicadas buzzing and birds chirping at the same time — not a duet, I said to Scott, but two songs being sung at the same time that almost, but not quite, fit together.

Oh, this poem!

Difference/ Mark Doty

The jellyfish
float in the bay shallows
like schools of clouds,

a dozen identical — is it right
to call them creatures,
these elaborate sacks

of nothing? All they seem
is shape, and shifting,
and though a whole troop

of undulant cousins
go about their business
within a single wave’s span,

every one does something unlike:
this one a balloon
open on both ends

but swollen to its full expanse,
this one a breathing heart,
this a pulsing flower.

This one a rolled condom,
or a plastic purse swallowing itself,
that one a Tiffany shade,

this a troubled parasol.
This submarine opera’s
all subterfuge and disguise,

its plot a fabulous tangle
of hiding and recognition:
nothing but trope,

nothing but something
forming itself into figures
then refiguring,

sheer ectoplasm
recognizable only as the stuff
of metaphor. What can words do

but link what we know
to what we don’t,
and so form a shape?

Which shrinks or swells,
configures or collapses, blooms
even as it is described

into some unlikely
marine chiffon:
a gown for Isadora?

Nothing but style.
What binds
one shape to another

also sets them apart
— but what’s lovelier
than the shapeshifting

transparence of like and as:
clear, undulant words?
We look at alien grace,

unfettered
by any determined form,
and we say: balloon, flower,

heart, condom, opera,
lampshade, parasol, ballet.
Hear how the mouth,

so full
of longing for the world,
changes its shape?

We look at alien grace/unfettered/by any determined form


july 21/RUNSWIM

run: 1.75 miles
from minnehaha falls to home
73 degrees / dew point: 64

A quick run with Scott from the falls back home before the rain started. We made it! Checked the weather on my watch after we finished — 95% chance of rain in 8 minutes. Ran at 1 pm, which might be my least favorite time to run. It felt hard. Still, I’m glad we did it. (It never rained.)

We stopped to walk where the trail dips below the road so I could point out the new trail they’ve created that winds down to the river. I can’t wait until they’re finished. It looks cool. Speaking of cool, I was trying to convey to Scott how I felt about the air and what the impending storm was doing to the sky and the air and green of the gorge. First I said “cool,” but it’s not cool (temperature), so I started to clarify, I mean the atmosphere, but realized that atmosphere could be related to temp so I said, I mean the vibe is cool. Cool is such a strange word — both full of meaning and history and empty too. For 35 years, I’ve been trying to expand my vocabulary beyond it, but it never works. How many times a day do I use this word?

I know that there is a rich history of the term within African American culture and jazz and that it’s been appropriated by white culture, but I don’t know the history that well. In poetry, my immediate thought about cool is Gwendlyn Brooks amazing, “We Real Cool.” I also think about Beatnik poetry and the Pia Zadora/Ric Ocasek scene in Hairspray:

“your hair is really uncool”

swim: 3 loops (6 cedar loops)
cedar lake open swim
79 degrees
rain

Overcast, gray. Calm water, warm-enough air. A great night for a swim. As I swam, I monitored the sky, noticing it getting darker and thicker. Wondered if it would start raining. During loop 4, it did. It’s always difficult to tell if it’s raining when I’m swimming. Today I felt a drop on my check and then paused to lift my head out of the water — a steady rain. I think I heard it underwater, but I couldn’t see it, and barely felt it. No thunder, so open swim kept going. Hooray!

10 Things

  1. a graying sky
  2. a big canoe moving fast across the swim course
  3. even as I tried to stay on the edge of the course, the current pushed me toward the center
  4. pale green, opaque water
  5. bubbles encasing my hands
  6. attacks from floating vines
  7. a party with a campfire and barking dogs at hidden beach
  8. buoyant, feeling held by the water
  9. after: itchy skin
  10. standing up in the sand after the last loop — a final look at the buoys and the water

Remembered the first line from the A Oswald poem fragment that I forgot several times last week: this disintegrating certainty

Thought about the bubbles and imagined that they were holding me up, like some sort of raft or inner tube.

My legs felt like rudders, my torso rocked rhythmically, my shoulders rose and fell.

july 2/RUN

4 miles
franklin loop
68 degrees
humidity: 81%

Started at 7:30 a.m. and it was already hot and humid. That sun! Ran with Scott. We talked about AI and whether or not art was a purely human expression and how, within running circles, humidity is considered a “poor man’s altitude training.” We ran over the lake street bridge and the franklin bridge and above the mississippi rowing club and wondered what the loud buzzing noise below was. Trucks. My guess: doing something with the sewer vents by the rowing club. Scott’s guess: pulling a car out of the river.

10 Things

  1. a single rower on the river
  2. graffiti under the lake street bridge: Stop Hate
  3. cloudless blue sky
  4. everywhere, a thick green veil
  5. all the benches we ran by were facing a wall of green — on the other side of that: an unseen river
  6. 2 runners ahead of us disappearing into the trees — passing the spot a minute later, we noticed a steep dirt trail
  7. the cracked pavement that I’ve been monitoring for years has grown into a sinkhole
  8. the color of the river: brown in the foreground, blue in the background
  9. I don’t remember seeing shadows, just experiencing the cooling effects of shade
  10. beep beep beep — a truck backing up somewhere nearby

We started out doing 9/1, but had to take an extra minute of walking after the second interval. Still, we got outside and moved over 4 miles in the heat. Small victories: we ran more again in the last 2 miles and we ran up the entire section of the franklin hill even though I had initially wanted to walk it.

Found this definition of poetry by Wang Ping. Several years ago, she wrote a wonderful poem about the Mississippi River Gorge.

That’s what poetry is: a wind, a leaf of grass that ties time and space together (Wang Ping).

field

Continuing to think about the visual field test and the idea of my visual field. Today: what is a field? and can I play around with the idea of a field?

The visual field is “that portion of space in which objects are visible at the same moment during steady fixation of the gaze in one direction”; in ophthalmology and neurology the emphasis is mostly on the structure inside the visual field and it is then considered “the field of functional capacity obtained and recorded by means of perimetry”.

wikipedia

A single, fixed view from one direction — the space, and what’s contained within that space that can be seen.

I think I’ll leave thoughts about visual fields alone for now. Instead, I want to turn to a wonderful chapbook I just bought — as part of an entry fee for a chapbook contest — from Driftwood Press: Questions about Circulation

ruins/ Charles Malone

III.

The kitchen ceiling falls to the floor—
soaked plaster, moldy wood.
Hundred-year-old floors warp
something more sinister than time
in the farmhouse.
Plants grow to cover the windows,
the smell chokes
a massive colony of honeybees takes up in the siding,
raccoons come and go from the basement window.

This is the process by which a home becomes not,
a process other than a real estate transaction—
spills, arguments, accidents, cruelties.
You see other farmhouses stripped of paint
ducking behind wilding shrubs and flowering weeds.
The boundary between in and out blurs,
a sign with shameful orange letters on the door.
What action and inaction, what ruins a house
for the body and the lungs and recollection?
Rain, the creep of ivy, the sedimentary accumulation of dirt
this is the opposite of the joy of work.

1

Scott and I recently discovered more seasons of the Great House Revival where people take abandoned houses in Scotland Ireland (oops) and restore them. There are lots of discussions of water damage and rotten floorboards and overgrown yards and critters wandering in and out of basements and kitchens and first-floor (which is the second floor in a U.S. house) bedrooms.

2

Ever since I discovered the concept of re-wilding, I’ve been thinking about my eyes becoming wild again. At some point, my cone cells began scrambling then leaking then scarring then dying. Sometimes, I think of my central vision less like a wilderness, and more like a wasteland. But, there is something wild/feral about the refusal to fix/tame an image. Everything moves slightly — shakes, shimmers, fuzzes, fizzes. Nothing is still.

may 24/RUN

4 miles
minnehaha falls and back
54 degrees

Ah, another wonderful morning. Sunny and just the right amount of warm. Ran with Scott. He talked about the book he’s reading — a murder mystery set in Austin, MN and Minneapolis. I talked about turning my color poems in to a chapbook. Also discussed: a YouTube video about taking a train from D.C. to Seattle (me), UAE cycling team doing altitude training (Scott), favorite and least favorite running shirts (me), possibly ordering a new bass (Scott), and voltas and vueltas and a tour as turn as hero’s quest (both of us). We also discussed an annoying woman last summer who wouldn’t let us use one of the drinking fountains because she was using the other to slowly fill up her big water bottle (both of us).

I don’t recall looking down at the river even once. Would I have been able to see it? A rare sight: a rollerblader, not a roller skier. Shirtless runners. The white foam of the falls. A stick flying up from under Scott’s foot. The cool green just before reaching the ford bridge.

bank

The other day I overheard one runner say to another something about banking time. I thought about the word bank and embankment popped into my head. Then I wondered about bank’s origins. Reading the poem-of-the-day this morning on Poetry Foundation, I encountered another bank line:

from Ode to the Midwest/ Kevin Young:

I want to jog
down to the river

& make it my bed—

I want to walk
its muddy banks

& make me a withdrawal.

a return to color

I’ve decided to turn my color poems into a chapbook for a contest. Time to study color some more. I need to write a sonnet about green, indigo, and blue. Maybe yellow, too? Here’s a wonderful yellow poem to inspire me:

Crown of Yellow/ Sarah Audsley

If I stay, I might notice things—the color of buttercups, their bright faces
en masse floating in green-grass-clouds, the lolling fields.

Butter—browned in a pan for the sauce to dress an expensive dead fish.

Yellow yolks make cake, custards, or the exact shade for stasis.

Or shame. I always think of yellow so.

A primary color, it arrives in packages, crushed natural iron oxide from a quarry in France.

Combine yellow with red, make orange. Shades shift by proportion.

The painter tells me about the color wheel, not the grey fear-sphere spinning in my head, or
anything I know something about.

The beehive above, swaying. Yellow bits move in and out.

How yellow the yellow finches’ bodies, how they lift so easily into the air.

The in-between color—traffic lights say, stop. Then, go.

The striking of a single ray of sunlight can cause cancerous cells to grow, mutate.

Paint the kitchen walls a shade—warms and comforts.

Color of the piss puddle I left on the hardwood floor. Little ballerina shoes tiptoed around the mess.
I did raise my hand, I did ask to go, I did try to do the right thing.

Tutus and twirls. Mrs. Stein said, Wait. Hold it! Her black leotard plastered to the curvature of her
small breasts rose with her commands.

If you prefer gold fillings, and can afford them, the dentist will place them inside decayed teeth.
Gold is a soft metal.

Combine yellow with blue, make green.

Are we back in the field, yet? Why do I ever leave it? The forest needs no grammar. Water splits
rock. Hawk shreds yellow birds’ feathers.
The mind, an unending sieve.

Dandelion wine is made from the tufts of heads, collected and boiled.
Alcohol is for adults. Some bitterroot.

Never dress Asian babies in yellow, my mother tells me. Clashes with their skin.
I learned from you, she says.

And, there is a fox running the median line on the bumpy road. I am not there, but I’m driving fast,
headlights off, because there is a full-bodied moon, and I want to move in the dark like I know
exactly, no precisely, without any hesitation, where I am going.

Barreling ahead.

Each hour the light changes, each minute angles shift.

Skylights are key in the studio. Naked. Put on my skin in layers—how many? What can the painter
see?

I prefer to sleep through sunrise. I trust the heliocentric turning of things that are difficult to
understand.

About yellowface I cannot say—enough. What is enough?

The channeling knife is the tool to make a lemon twist. I use it. Hovering over the glass, making the
cut infuses the air in the space above the liquid with the essence of the fruit.

Once, I plucked an entire bucket of lemons and lavender. Made lemonade.

I don’t believe in that phrase…because my mother took to the tug of the bottle.
More often than not, vomit is yellow.

In another dream, I am the lone sunflower swaying, shaken by the anticipation from the smell of the
oncoming distant rain.

march 12/RUN

3 miles
minnehaha falls and back
50 degrees

What a beautiful spring-y day! Ran with Scott to the falls in the early afternoon. He talked about the bolt he had to replace on his guitar neck which isn’t a bolt but a bone — a synthetic bone, in his case. He needs to sand it down and he’s planning to use sandpaper that’s been in his clarinet case since college — about 30 years! I pointed out the pile of branches on the side of the trail and mentioned how I’d seen the workers pull up in the parking lot as I ran by a few days ago. I figured they were planning to trees; I was right.

The falls were falling fast and hard over the limestone and under the one ice column remaining. There were lots of people at the park, admiring them. A few bikers, but mostly walkers. A school bus, but no sign of the kids. Was there a field trip, or a bus driver taking a break?

I noticed angular shadows everywhere — small branches, a street lamp, fence slats. Soft shadows too: us.

Only a few random clumps of snow on parts of the grass that rarely get sun.

time

Many different thoughts about time this morning: metronomes (see entries from 10 june 2024 and 29 august 2024); erosion needing time and pressure; stuck in a moment unable to get out vs. suspended in time and not wanting to leave; Mary Ruefle’s pause, Emily Dickinson’s hesitation, JJJJJerome Ellis’ Stutter; a time slip, a shift; Mary Oliver’s ordinary and eternal time.

While reading a book, I encountered this purple description:

The light in the sky was fading, the clouds now purple and dark, the meadows and the surrounding wood losing their color, fading into grainy variations of gray.

Kind Worth Killing/ Peter Swanson

(fading twice?) I thought: purple represents the space between light and dark, between the last bit of color and gray, between not seeing well and not seeing at all (with my central vision), after the crumbling of cone cells and before the total collapse (the last cell gone). This is my purple hour. I want to use that in a poem playing with my literal and figurative meanings of purple.