Tag: poem

feb 3/RUN

3.3 miles
trestle turn around
32 degrees

Yesterday it was sunny and 42 degrees. I do not like winter days like these. The snow melts and puddles on the path, then refreezes at night and becomes an icy mess the next day. Not sure if I’d call it an icy mess this morning but it was treacherous. Super slick, barely frozen sheets of ice all over the path. I slipped several times but never fell.

Still had a good run. Greeted the Daily Walker. Noticed the river, brown and flowing. Heard some honking geese then watched them fly across the gray sky. Sprinted up the final hill. Worked on trying to drive my left hip higher.

2.5 miles
us bank stadium

Only a few more stadium run opportunities left. Ran tonight with Scott–well, not with him but at the same time and in the same place. The concrete concourse is so hard on my legs! Felt awkward running the first mile, then my legs ached for hours after. Happy to get to run in warm, dry, ice-free conditions, but not happy to run on hard concrete.

Brian Age Seven/ Mark Doty

Grateful for their tour
of the pharmacy,
the first-grade class
has drawn these pictures,
each self-portrait taped
to the window-glass,
faces wide to the street,
round and available,
with parallel lines for hair.

I like this one best: Brian,
whose attenuated name
fills a quarter of the frame,
stretched beside impossible
legs descending from the ball
of his torso, two long arms
springing from that same
central sphere. He breathes here,

on his page. It isn’t craft
that makes this figure come alive;
Brian draws just balls and lines,
in wobbly crayon strokes.
Why do some marks
seem to thrill with life,
possess a portion
of the nervous energy
in their maker’s hand?

That big curve of a smile
reaches nearly to the rim
of his face; he holds
a towering ice cream,
brown spheres teetering
on their cone,
a soda fountain gift
half the length of him
—as if it were the flag

of his own country held high
by the unadorned black line
of his arm. Such naked support
for so much delight! Artless boy,
he’s found a system of beauty:
he shows us pleasure
and what pleasure resists.
The ice cream is delicious.
He’s frail beside his relentless standard.

feb 1/RUN

3.2 miles
trestle turn around
33 degrees
some icy sidewalks, clear path

Sun! Saw my shadow and waved to her. Hello friend! Haven’t seen you in a month. Scott told me that January 2020 was the grayest, most sunless, cloudiest month in recorded history (since 1963) in Minneapolis. Wow. Did it bother me, having so much gray? Not sure, I don’t think so. Still, I’m glad to have my shadow back and the sun. I only looked at the river once–through the trees in the floodplain forest. At that point, it just looked brown. If I had looked at it somewhere else, would I have noticed it sparkling? Probably. Now I wish I would have crossed the bridge and admired it from the overlook at the midway point.

Do I remember anything else about the run? Encountered some walkers and runners, a few fat tires, some dogs. Heard some geese and chanted in my head, “geese are honking/geese are honking.” No squirrels. No cross country skiers. No Daily Walker. Heard some people by the old stone steps, either about to climb out of the floodplain forest, or descend into it. A few minutes later, 3 runners were stopped in the middle of the path, talking. One said, “Congratulations” to the others. For what, I wonder? Did they recently win a race, get engaged, find a new job? About to run under the lake street bridge, I heard a kid laughing or crying out in delight or complaining or something. Where were they? On the bridge? Down by the water? I couldn’t tell.

Successfully composed a blurb for my new creative project. I’m thinking I might want to start by making it into a workbook with exercises/activities. Here’s the blurb:

Currently, I am gathering tools, methods, theories, and ideas from my intellectual past and experimenting with putting them beside my creative writing, running, and losing my central vision present. Tentatively, I am calling this project, whose form has yet to be fully determined, How to Be. It is a project in the unmaking and remaking of the Self.

One exercise I thought about this morning could be called, What Do You Think About When…? and would be about paying attention to your thoughts when you run or walk or bike or swim and then analyzing and experimenting with the different ways you think when you move differently. Still thinking about it…

Lost/ David Wagoner

Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.

jan 30/RUN

4.2 miles
minnehaha falls and back
21 degrees
100% clear path

Turned right instead of left today. Ran towards the falls. Love how the river looks like a giant empty crater right after the oak savanna. Overcast, no shadow. Heard lots of things today. Felt cold, but warmed up quickly, except for my index fingers. It took almost 2 miles for them to warm up. Annoying. Also, my right foot felt cold for the first mile.

Sounds

  1. the banging of my zipper pull against my jacket
  2. my breathing
  3. the scratch scratch scratching of the sandy grit on the clear path
  4. kids yelling on the school playground
  5. the low, steady hum of traffic on the far away freeway
  6. chirping birds
  7. clanging and banging of something against metal–I think it was the chain/rope against the flagpole at the school?
  8. A truck whooshing by on the Ford Bridge as I ran under it
  9. A kid possibly freaking out at the falls
  10. the buzzing of an airplane
  11. did I hear the falls rushing? I can’t remember–I do remember seeing it gush. So cool
  12. more clanging
  13. some disembodied voices hovering near the parkway
  14. 2 people deep in conversation

Other things I remember:

  1. the cracked asphalt above the oak savanna, just south of a split rail fence and the big boulder that looks like an armchair, was easy to spot because its crater was filled in with ice
  2. a guy looking up at a tree on the Winchell Trail near 42nd–what was he doing?
  3. the stump of a tree in the tree graveyard–where the tree with teeth used to be, across from locks and dam #1–looked like a person sleeping or a person who had fallen or a person who was acting strangely. Had to stare at it for a long time to figure out what it was: just a tree stump
  4. without any leaves it was easy to see the short hill that leads up to the ford bridge–in the summer, it is completely hidden
  5. the view of the river from the bluff heading south is beautiful and big and breathtaking
  6. thought about my form and how the right side of my body seems to lean slightly forward more than the left–is this why it always looks like I’m swinging by left arm farther back?

Natural Forces/ Vicente Huidobro

One glance
to shoot down the albatross

Two glances
to hold back the landscape
at the river´s edge

Three glances
to turn the girl
into a kite

Four glances
to hold down the train
that falls into the abyss

Five glances
to relight the stars
blown out by the hurricane

Six glances
to prevent the birth
of the aquatic child

Seven glances
to prolong the life
of the bride

Eight glances
to turn the sea
into sky

Nine glances
to make the trees of the wood
dance

Ten glances
to see the beauty that shows up
between a dream and a catastrophe

Such power with these glances! I read a little something about Huidobro and his belief in creacionismo and man as god/godlike and “a space where the poet could assume a role as the divine”. Wow, oftentimes because of my vision I feel the opposite with my glances: I’m unmaking the world. Oh–I want to think about this some more! Here’s some info about this poet from a google doodle on his 127th birthday.

Copied the poem into my notebook and wrote: The power of the poet! The power of one who notices, who pays attention! Love this idea of paying attention as a way to imagine/create a world. Is it possible to disentangle this making of a world from hubris and pride and power over?

jan 29/RUN

5.5 miles
Franklin Hill turn around
18 degrees/ snow flurries
100% clear path!

Another day with a clear path and not too cold weather and hardly any wind. Yes! Greeted Dave the Daily Walker twice–once at the beginning and then again at the end. The river was beautiful. Dark grayish brown with a few chunks of ice, moving slowly. The walls of the gorge were white and the air above it was misty with snow flurries. The sun was out, then gone, then out again. Not enough sun to see my shadow. The floodplain forest below my favorite spot was winter-perfect. White and woodsy and blueish gray. Heading south, right by the trestle, I heard a woodpecker pecking away. So loud. It echoed across the gorge. Encountered a few walkers and fat tires. Any other runners? I can’t remember.

Started my run with a sense of unspecified unease. It lingered for a few miles but got lost as I ran up the hill. By the time I reached the top, I felt better. I always feel better after I’ve run. Usually during it too.

Lines for Winter/ DAVE LUCAS

Poor muse, north wind, or any god   
who blusters bleak across the lake   
and sows the earth earth-deep with ice.   
A hoar of fur stung across the vines:   
here the leaves in full flush, here   
abandoned to four and farther winds.   
Bless us, any god who crabs the apples   
and seeds the leaf and needle evergreen.   
What whispered catastrophe, winter.   
What a long night, beyond the lamplight,   
the windows and the frost-ferned glass.   
Bless the traveler and the hearth he travels to.   
Bless our rough hands, wind-scabbed lips,   
bless this our miscreant psalm.

This is not how I feel about winter, especially today when it’s sunny and clear and not too cold, but I still like this poem. “Bless us, any god who crabs the apples”–Love this line! And “blusters bleak” and “frost-ferned glass” and “miscreant psalm”!

jan 28/RUN

5.5 miles
franklin loop
18 degrees
5% snow-covered

A clear path! The Franklin loop! Hardly any wind! Yes! Loved my run today. Even the big dog that lunged at me and whacked my elbow with their skull making a loud cracking sound that echoed in my head for minutes didn’t bother me. Okay, it bothered me more than it should but not enough to make me mad about my run. Starting out, it felt cold. My index fingers were freezing and my face was burning. By the time I reached the Franklin bridge, 2.5 miles in, I was warm. The river looked cold and gray and thick. Running on the east side, I noticed how big the boulder between the walking and biking path is. Wow–I can’t imagine that thing ever moving.

I felt like I was in a dream for this run. Time wasn’t moving or dripping or doing anything. Strange and wonderful to just be for almost an hour. No thoughts–except for about the irritating dog–and no concerns. Just moving and breathing and feeling free.

excerpt from Ode to a Blizzard/ TOM DISCH

O! wonderful for weight and whiteness! 
Ideolog whose absolutes 
Are always proven right 
By white and then 
More white and white again, 
Winning the same argument year 
After year by making the opposition 
Disappear! 

jan 27/RUN

4.25 miles
river road, north/south
26 degrees
25% snow-covered

The path was much clearer then I expected. Shouldn’t have worn my yaktrax. Oh well. A great run. So wonderful to be outside again! It wasn’t cold or too windy but I felt my cheeks burning as I headed north. Noticed the river was half covered in a light blue sheet of ice, the rest was dark brownish gray. The light blue part almost looked like clouds or a mountain being reflected in the water, which was a cool effect. The path that winds through the tunnel of trees was so buried in snow that I began to doubt its existence. Encountered a few bikers, some runners, at least 2 or 3 big dogs and their owners. As I neared the trestle, I hoped a train might pass above (it didn’t). Turning around and heading south, I kept hearing a vicious bark in the gorge on the east side. As I encountered more runners and tried to steer clear of them, I thought about my lack of depth perception and how it makes me feel like people are much closer than they are. This misperception makes me uncomfortable, I’m always feeling crowded. Running near the Lake Street bridge I could smell some seriously stinky pot. Looked around, but couldn’t see anyone. No Daily Walker today.

I’m working on poem about Saras, inspired by this one:

Some Waynes/ WAYNE HOLLOWAY-SMITH

Magic Wayne with flowers; Wanye West; Box-of-Tricks Wayne; Wayne sad on Facebook, proving he loves his daughter; the sporty Wayne — loves himself skinny; Bald Wayne, head like a rocking chair; Amy Waynehouse; Wayne the ironic; Fat Wayne — tits pushed beneath a Fred Perry Wayne; Wayne from near Slough; Ugly Wayne — the unlikely mess of his wife Wayne — canned laughter; Wayne who renamed another Wayne Fleabag; Track-suited Wayne — your hubcaps, his pockets; Home and A-Wayne; Randy Wayne; Wayne, fountains of him, every drop snug to someone’s mum; Wayne, boyfriend of Stacey; Wayne-ker; Wayne the rap star, gold teeth, grime; Wayne the Superhero, Wayne the Cowboy; Dancing Wayne — in tights; It’s-Wayning-Men; a cavalcade of Waynes fucking each other up in a Geoff Hattersley poem — in a pub, in Barnsley; Purple Wayne; Wayne’s World Wayne; Wayne “Sleng Teng” Smith; A-Wayne in a Manger; all of them have stopped what they’re doing, all of them divided in two rows and facing each other, all of them, arms raised, they are linking fingers, all of them: an architrave through which I celebrate, marching like I am the bridegroom, grinning like I am the bride

jan 24/WALKBIKE

walk: 3 miles
Winchell Trail
29 degrees
snow-packed

Walked with my wonderful sister this morning by the gorge. Checked out the Oak Savanna and the mesa at above the river. The water was gray with the feeling of warm blue. It looked still and heavy until you got closer and noticed it was moving fast. Trudging on the trail, we noticed ski tracks and snow shoe tracks. Any animal tracks? I don’t think so. We talked about fences and eroding asphalt and the gorge reclaiming the trails and illness and vision and kids and careers and aging bodies and the cost of college.

bike: 30 minutes
basement, bike stand

Finished another episode of Cheer while I biked. This one was about “making mat” and Jerry (I think that’s his name?) and his loving spirit and how his mom died from lung cancer. A moving story–not sad, just powerful and beautiful. Of course, it made me cry which is an amazing thing to do while you’re working out. So many emotions and endorphins. A great release.

Thinking about blue in winter and why I wrote about it as warm. What is it about blue? The blue hued views in early morning and twilight? Blue snow? The blue gray river? I’ve skimmed Maggie Nelson’s Bluets–maybe I should check it out again? Didn’t Anne Carson write something about blue? I looked it up and found this amazing book: The Blue of Distance.

Blue/ ROBERT L. JONES

I have seen enough blue-green 
for one day. My eyes are tired 
of peering at the busy speckled lines 
the lasered surface throws back. 
Outside, the light falls 
in jagged needles through raveled air. 
The world is gray. 

From up there, it’s blue, 
the tiny water world, where life 
climbed into the air and turned green, 
maybe from envy that it’s not 
somewhere else. It’s not easy, being 
this way. It’s impossible to rest 
with that great light going on 
and off always in the same place, 
knowing that it’s necessary, 
unless you want to turn 
white, in icy quiet, 
against the black still motion 
of the tattered specks of stars. 
It’s enough to send you running 
ragged, back to the sea. 

Down there it’s blue, too, 
the color of deep water 
when at eighty feet there’s no bottom 
and no sides to choose. Suspended, 
up-ended, you have no sense 
of proportion, lose perspective. 
There’s only drifting with the flow, 
until your bubbles rip a seam 
upward showing you where 
you have to go—back to the green, 
and then the yellow and the red, 
measured out in time for you 
to find, until you reach 
white, and you’ve got it all. 

All is too much to see. 
We must have shades. 
The separation of the light 
exists somewhere in particles, 
torn into fragmentary bits to play, 
scattered like the fall leaves, 
but moving in waves—hello, goodbye— 
on a collision course with white, 
and black, and gray. 

The green of life requires blue, 
not too deep or too intense, 
just a line of blue-green held in mind, 
to knit tatters of shrouded days, 
tint the darkness, 
and relieve the time of glare. 

Once in a while 
you know where it belongs, 
in the order of the sharp-edged 
double bow I saw this morning, 
cutting its way into gray memory 
to even up the edges 
of the ragged clouds. 

jan 22/RUN

4.3 miles
minnehaha falls and back
36 degrees
25% snow and puddle covered

So much warmer today. Lots of puddles and some soft, loose snow, especially at the double bridge. Gray sky. Air heavy with moisture. The oak savanna looked especially open and white and meadow-like. At its edge the dark brown, almost blackish-gray water resembled a big, empty crater not a river. Heard some kids at recess, playing on the playground. One was yelling “help” or “stop it” or something and I couldn’t tell if he was being serious and if I should be concerned. Decided he was just playing.

Encountered a man running and walking on the path. As I ran by he gasped, “you make it look so easy!” I wanted to yell back something about how I had been just like him 8.5 years ago when I started running, but I couldn’t get the words out in time. As I ran ahead I thought about how happy I am to have stuck with running and how wonderful it is to run over 4 miles and have it feel easy. A few minutes later I think I said hello to Carrie Tollefson, the former Olympian, as I neared Locks and Dam #1.

When I reached the falls I didn’t stop to look, but from my quick glances I could see the frozen water. Were the falls making any noise? I don’t remember. Did I see anyone else at the falls? I don’t remember that either.

Occasional Poem/ JACQUELINE WOODSON

Ms. Marcus says that an occasional poem is a poem
written about something
important
or special
that’s gonna happen
or already did.
Think of a specific occasion, she says—and write about it.

Like what?! Lamont asks.
He’s all slouched down in his seat.
I don’t feel like writing about no occasion.
How about your birthday? Ms. Marcus says.
What about it? Just a birthday. Comes in June and it ain’t
June, Lamont says. As a matter of fact,
he says, it’s January and it’s snowing.
Then his voice gets real low and he says
And when it’s January and all cold like this
feels like June’s a long, long ways away.

The whole class looks at Ms. Marcus.
Some of the kids are nodding.
Outside the sky looks like it’s made out of metal
and the cold, cold air is rattling the windowpanes
and coming underneath them too.

I seen Lamont’s coat.
It’s gray and the sleeves are too short.
It’s down but it looks like a lot of the feathers fell out
a long time ago.
Ms. Marcus got a nice coat.
It’s down too but real puffy so
maybe when she’s inside it
she can’t even tell January from June.

Then write about January, Ms. Marcus says, that’s
an occasion.
But she looks a little bit sad when she says it
Like she’s sorry she ever brought the whole
occasional poem thing up.

I was gonna write about Mama’s funeral
but Lamont and Ms. Marcus going back and forth
zapped all the ideas from my head.

I guess them arguing
on a Tuesday in January’s an occasion
So I guess this is an occasional poem.

I love the use of zapped in the second to last stanza: “zapped all the ideas from my head.” I love how “she can’t even tell January from June” rolls off of the tongue. And I love the idea of an occasion poem being about an argument between a teacher and student on an ordinary January day.

jan 21/RUN

2.5 miles
river road, south/north
15 degrees/ feels like 0
50% snow-covered

14 mph wind straight in my face, running south. Wasn’t expecting it to feel so cold today, so I underdressed. No hat, only a bright pink headband that covered my ears. Felt sore and a little tired, but better after having spent some time outside by the gorge. The river was open and flowing. The path was mostly clear. Noticed at least 2 dogs and their humans walking the lower path–the one that I like to run in the summer. Encountered a few other runners, no skiers or bikers. No geese. One frantic squirrel.

I love this poem. I love how listing what you love makes you want to love harder and more expansively, and so does reading someone else’s love list.

Love/ Alex Dimitrov

I love you early in the morning and it’s difficult to love you.

I love the January sky and knowing it will change although unlike us.

I love watching people read.

I love photo booths.

I love midnight.

I love writing letters and this is my letter. To the world that never wrote to me.

I love snow and briefly.

I love the first minutes in a warm room after stepping out of the cold.

I love my twenties and want them back every day.

I love time.

I love people.

I love people and my time away from them the most.

I love the part of my desk that’s darkened by my elbows.

I love feeling nothing but relief during the chorus of a song.

I love space.

I love every planet.

I love the big unknowns but need to know who called or wrote, who’s coming—if they want the same things I do, if they want much less.

I love not loving Valentine’s Day.

I love how February is the shortest month.

I love that Barack Obama was president.

I love the quick, charged time between two people smoking a cigarette outside a bar.

I love everyone on Friday night.

I love New York City.

I love New York City a lot.

I love that day in childhood when I thought I was someone else.

I love wondering how animals perceive our daily failures.

I love the lines in Cat on a Hot Tin Roof when Brick’s father says “Life is important. There’s nothing else to hold onto.”

I love Brick.

I love that we can fail at love and continue to live.

I love writing this and not knowing what I’ll love next.

I love looking at paintings and being reminded I am alive.

I love Turner’s paintings and the sublime.

I love the coming of spring even in the most withholding March.

I love skipping anything casual—“hi, how are you, it’s been forever”—and getting straight to the center of pain. Or happiness.

I love opening a window in a room.

I love the feeling of possibility by the end of the first cup of coffee.

I love hearing anyone listen to Nina Simone.

I love Nina Simone.

I love how we can choose our own families.

I love when no one knows where I am but feel terrified to be forgotten.

I love Saturdays.

I love that despite our mistakes this will end.

I love how people get on planes to New York and California.

I love the hour after rain and the beginning of the cruelest month.

I love imagining Weldon Kees on a secret island.

I love the beach on a cloudy day.

I love never being disappointed by chocolate.

I love that morning when I was twenty and had just met someone very important (though I didn’t know it) and I walked down an almost empty State Street because it was still early and not at all late—and of course I could change everything (though I also didn’t know it)—I could find anyone, go anywhere, I wasn’t sorry for who I was.

I love the impulse to change.

I love seeing what we do with what we can’t change.

I love the moon’s independent indifference.

I love walking the same streets as Warhol.

I love what losing something does but I don’t love losing it.

I love how the past shifts when there’s more.

I love kissing.

I love hailing a cab and going home alone.

I love being surprised by May although it happens every year.

I love closing down anything—a bar, restaurant, party—and that time between late night and dawn when one lamp goes on wherever you are and you know. You know what you know even if it’s hard to know it.

I love being a poet.

I love all poets.

I love Jim Morrison for saying, “I’d like to do a song or a piece of music that’s just a pure expression of joy, like a celebration of existence, like the coming of spring or the sun rising, just pure unbounded joy. I don’t think we’ve really done that yet.”

I love everything I haven’t done.

I love looking at someone without need or panic.

I love the quiet of the trees in a new city.

I love how the sky is connected to a part of us that understands something big and knows nothing about it too.

I love the minutes before you’re about to see someone you love.

I love any film that delays resolution.

I love being in a cemetery because judgment can’t live there.

I love being on a highway in June or anytime at all.

I love magic.

I love the zodiac.

I love all of my past lives.

I love that hour of the party when everyone’s settled into their discomfort and someone tells you something really important—in passing—because it’s too painful any other way.

I love the last moments before sleep.

I love the promise of summer.

I love going to the theater and seeing who we are.

I love glamour—shamelessly—and all glamour. Which is not needed to live but shows people love life. What else is it there for? Why not ask for more?

I love red shoes.

I love black leather.

I love the grotesque ways in which people eat ice cream—on sidewalks, alone—however they need it, whenever they feel free enough.

I love being in the middle of a novel.

I love how mostly everyone in Jane Austen is looking for love.

I love July and its slowness.

I love the idea of liberation and think about it all the time.

I love imagining a world without money.

I love imagining a life with enough money to write when I want.

I love standing in front of the ocean.

I love that sooner or later we forget even “the important things.”

I love how people write in the sand, on buildings, on paper. Their own bodies. Fogged mirrors. Texts they’ll draft but never send.

I love silence.

I love owning a velvet cape and not knowing how to cook.

I love that instant when an arc of light passes through a room and I’m reminded that everything really is moving.

I love August and its sadness.

I love Sunday for that too.

I love jumping in a pool and how somewhere on the way up your body relaxes and accepts the shock of the water.

I love Paris for being Paris.

I love Godard’s films.

I love anyplace that makes room for loneliness.

I love how the Universe is 95% dark matter and energy and somewhere in the rest of it there is us.

I love bookstores and the autonomy when I’m in one.

I love that despite my distrust in politics I am able to vote.

I love wherever my friends are.

I love voting though know art and not power is what changes human character.

I love what seems to me the discerning indifference of cats.

I love the often uncomplicated joy of dogs.

I love Robert Lax for living alone.

I love the extra glass of wine happening somewhere, right now.

I love schools and teachers.

I love September and how we see it as a way to begin.

I love knowledge. Even the fatal kind. Even the one without “use value.”

I love getting dressed more than getting undressed.

I love mystery.

I love lighting candles.

I love religious spaces though I’m sometimes lost there.

I love the sun for worshipping no one.

I love the sun for showing up every day.

I love the felt order after a morning of errands.

I love walking toward nowhere in particular and the short-lived chance of finding something new.

I love people who smile only when moved to.

I love that a day on Venus lasts longer than a year.

I love Whitman for writing, “the fever of doubtful news, the fitful events; / These come to me days and nights and go from me again, / But they are not the Me myself.”

I love October when the veil between worlds is thinnest.

I love how at any moment I could forgive someone from the past.

I love the wind and how we never see it.

I love the performed sincerity in pornography and wonder if its embarrassing transparency is worth adopting in other parts of life.

I love how magnified emotions are at airports.

I love dreams. Conscious and unconscious. Lived and not yet.

I love anyone who risks their life for their ideal one.

I love Marsha P. Johnson and Sylvia Rivera.

I love how people make art even in times of impossible pain.

I love all animals.

I love ghosts.

I love that we continue to invent meaning.

I love the blue hours between three and five when Plath wrote Ariel.

I love that despite having one body there are many ways to live.

I love November because I was born there.

I love people who teach children that most holidays are a product of capitalism and have little to do with love—which would never celebrate massacre—which would never care about money or greed.

I love people who’ve quit their jobs to be artists.

I love you for reading this as opposed to anything else.

I love the nostalgia of the future.

I love that the tallest mountain in our solar system is safe and on Mars.

I love dancing.

I love being in love with the wrong people.

I love that on November 23, 1920, Virginia Woolf wrote, “We have bitten off a large piece of life—but why not? Did I not make out a philosophy some time ago which comes to this—that one must always be on the move?”

I love how athletes believe in the body and know it will fail them.

I love dessert for breakfast.

I love all of the dead.

I love gardens.

I love holding my breath under water.

I love whoever it is untying our shoes.

I love that December is summer in Australia.

I love statues in a downpour.

I love how no matter where on the island, at any hour, there’s at least one lit square at the top or bottom of a building in Manhattan.

I love diners.

I love that the stars can’t be touched.

I love getting in a car and turning the keys just to hear music.

I love ritual.

I love chance too.

I love people who have quietly survived being misunderstood yet remain kids.

And yes, I love that Marilyn Monroe requested Judy Garland’s “Over the Rainbow” to be played at her funeral. And her casket was lined in champagne satin. And Lee Strasberg ended his eulogy by saying, “I cannot say goodbye. Marilyn never liked goodbyes, but in the peculiar way she had of turning things around so that they faced reality, I will say au revoir.”

I love the different ways we have of saying the same thing.

I love anyone who cannot say goodbye.

jan 19/RUN

4 miles
trestle turn around + extra
5 degrees/feels like -8
100% snow-covered

A winter wonderland. Cold, but not too cold–at least not for me. Fluffy flurries in the air. The path was covered with snow but it was packed and not too slippery. Just before starting my run, I listened to the snow, grinding as my foot stepped down and shushing as it lifted off of the ground. Not too long after I started, I saw 2–yes 2!–cross country skiers about to head down into the tunnel of trees. Nice. Had a few brief glances at the river but was focused more on avoiding big snow clumps/ice chunks on the path. Encountered some walkers, dogs, at least one fat tire, a few other runners. Was able to greet the Daily Walker twice, once heading north, and again heading south. Didn’t hear any geese today. Saw lots of cars. While running the cold didn’t bother me after the first mile. When I stopped my skin started to burn. Not sure why, but the part of me that gets the coldest after a run is my stomach. Not my arms or fingers or toes. It burns and for several minutes it’s bright red. Why?

Looked it up, and here’s what I found:

When you exercise, the working muscles call for an increase in blood flow. Oxygen is essential to energy production and blood supplies it. … During running your body is not focusing on digestion, urination or reproduction, so blood is diverted from the stomach area, which may be cause for a cold stomach while running.

Interesting and nothing to worry about. Later in the article it states, “This is no cause for concern. If your stomach is cold, your body is doing it’s job.” Good job body!

Right now I’m reading the awesome book, Why Poetry by Matthew Zapruder. Love this description of poetry:

Poems exist to create a space for the possibilities of language as material. That is what distinguishes them from all other forms of writing. Poems allow language its inherent provisionality, uncertainty, and slippages. They also give space for its physicality–the way it sounds, looks, feels in the mouth–to itself make meaning (12).

Wow, this poem! I love Marie Howe.

Singularity/ Marie Howe

   (after Stephen Hawking)

Do you sometimes want to wake up to the singularity
we once were?

so compact nobody
needed a bed, or food or money—

nobody hiding in the school bathroom
or home alone

pulling open the drawer
where the pills are kept.

For every atom belonging to me as good
Belongs to you.   Remember?
There was no   Nature.    No
 them.   No tests
to determine if the elephant
grieves her calf    or if

the coral reef feels pain.    Trashed
oceans don’t speak English or Farsi or French;

would that we could wake up   to what we were
— when we were ocean    and before that
to when sky was earth, and animal was energy, and rock was
liquid and stars were space and space was not

at all — nothing

before we came to believe humans were so important
before this awful loneliness.

Can molecules recall it?
what once was?    before anything happened?

No I, no We, no one. No was
No verb      no noun
only a tiny tiny dot brimming with

is is is is is

All   everything   home