Tag: poem

april 21/3 MILES

47 degrees
greenway bridge turn around

Another beautiful morning. Don’t remember much because I was listening to my headphones. I think I saw my shadow a few times in the bright sun. Saw lots of runners, alone and in groups. A few bikers. Walkers. No roller skiers. No puddles. No ice, except for under the lake street bridge. Ran faster and felt the joy of working harder. I definitely need to do some more speed work to get used to pushing myself.

Encountered a wonderful poem that reflects my feelings about the slow arrival of spring:

The Change/ Alicia Ostriker

Happening now! It is happening
now! even while, after these
grey March weeks—
when every Saturday you drive
out of town into the country
to take your daughter ot er riding lesson
and along the thin curving road you peer
into the brown stuff—
still tangled, bare, noting
beginning.

Nothing beginning, the mud,
the vines, the corpse-like trees
and their floor of sodden leaves unaltered,
it makes you want to pull
the steering wheel from its coket,
or tear your own heart out, exasperated
that it should freeze and thaw,
then freeze again, and that
no buds have burst, sticky,
deep red, from their twigs—

You want to say it to your daughter.
You want to tell her also how the grey
beeches, ashes and oaks on Cherry Hill Raod
on the way to her riding school
feel the same, although they cannot
rip themselves up by the roots, or run about raving,
or take any action whatever, and are almost dead
with their wish to be alives,
to suck water, to send force through their fibers
and the change! to change!

Your daughter, surly, unconversational,
a house locking its doors against you,
pulls away
when you touch her shoulder, looks out the window.

You are too old. You remind her of frozen mud.
Nevertheless it is happening, the planet
swings in its orbit forward,
she cannot help it. And what has melted
trickles under the ground, to ends of roots.

april 9/4 MILES

33 degrees
50% snow-covered
mississippi river road path, north/south

More snow. An inch or two. Much of it melted by the time I started running. The rest of it–either soft grains that were fun to run through or slick, icy patches to try and avoid. Last year it was 57 degrees on my April 9th run. This winter has been much longer. Still, it was a good run. Encountered a few runners. The Daily Walker–passed him twice and then we turned off the river road at the same time. I thought about introducing myself, but then didn’t. Noticed the cars rushing by quickly, their wheels whooshing through the puddles on the road. The word for today’s run? Wet. Not too many big puddles on the path but lots of slick, shiny stretches. Wet roads. Big drips of melting snow that dropped off the bottom of the bridges and onto my face or my back or the brim of my hat as I ran under them. Dripping eaves. Gushing gutters. The big melt, part two–or is this part three?

Walking back home after my run, I recorded some wet sounds:

I love water. I’d like to read more water poems and maybe write some myself. Here’s an excerpt from a water poem I read last month that I want to remember (ed bok lee, water in love):

Worship, splash, guzzle, or forget
It clears any difference
Stone washer and mountain dissolver
that will
outlive us, even the memory of
all any eyes touched

feb 21/4.25 MILES

8 degrees/feels like -3
99% snow-covered
mississippi river road path, north/south

Bright blue sky. Blinding sun. Cold air. Slippery path. Fogged-up glasses. Crunchy path. I was struck by how the 2 crunching sounds of my feet highlighted the differences between walking and running. When I was walking, the slower, steadier crunch lasted longer, as my foot went from the initial heel strike to the final toe-off. How many bones came into contact with the crunchy snow? When I was running, that second crunch was quicker, with less grinding. I’d like to capture some sound of me running on crunching snow, but that seems hard.

Reading The Snow Poems by AR Amons which is, disappointingly, not all about snow. But, there are some snow poems, like this one:

here a month of snow,
mere January than
February, intervenes
during which
I wrote
nothing. it is
the winter-deep, the
annual sink:
leave it unwritten,
as snow unwrites
the landscape

feb 3/5.25 MILES

18 degrees/feels like 5
100% snow-covered
mississippi river road north/hennepin avenue bridge

Ran on the river road to downtown in the snow. My first time this winter running while it was snowing. Beautiful. It wasn’t too cold. The snow wasn’t too deep or annoying–except for when it felt like little knives hitting my face. There weren’t too many other people out on the path. I think I saw 3 or 4 runners. I was alone in the flats below the U. The steep hill almost to downtown was a bit tough so I walked it for a few minutes. Right at the base of the Hennepin Avenue bridge there was a zipline set up so people in town for the Super Bowl could zip across the river.

I loved this run today.

Heard the snow crunching again and noticed how the steady crunch sound traded off between my feet. The path today was a little more slippery and not packed down because it was steadily snowing. A few days ago I wrote a haiku about how the wet snow felt like running in the sand but I think that this dry, powdery, freshly-fallen snow felt more like running in the sand–especially the soft sand by the river.

Birds

Almost forgot to mention the birds. Running in the quiet snow, I kept hearing birds. Not geese or crows but something cooing or chirping. So odd to hear these calls which make me think of spring while running in the pure white solitude.

Here’s a poem about birds that I recently found and really like:

Bird Song —Rebecca Taksel

After all these years
I still don’t know the name
of the bird who has followed me
with his early-morning song
to all the places I’ve lived.

I’ve never asked
“Which bird is that, singing now?”
I remember hearing him first
on a spring morning in childhood
somewhere in the woods
behind our little house, his song clear
above the thousand little sounds
of grass and water and trees around us.

I’ve thought about the deaths I fear,
but only now do I know the death I want:
to let that song be the last thing I hear,
and not to mind at all that I never learned
the singer’s name.

Oh—and another thing about birds: After my run, and after meeting Scott at the coffee place, we walked by a tree, right in front of a spa/salon where they had thoughtfully placed half a dozen bird feeders. Little birds like to gather here. I know because I’ve walked by this tree before. As you approach the birds they flutter and fly, only briefly, away from the tree. It’s a beautiful thing to see.

And a few more lines about birds from a poem:

Snow melts into the earth and a gentle breeze
Loosens the damp gum wrappers, the stale leaves
Left over from autumn, and the dead brown grass.
The sky shakes itself out. And the invisible birds
Winter put away somewhere return…
(from The Late Wisconsin Spring/ John Koethe)

jan 17/XT

bike on stand, front room
32 minutes

Watched The Great North Run half marathon on YouTube while I biked. Love watching races when I’m biking. Then walked to the studio and decided to take an existing poem by someone else and turn it into a running poem. It’s fun (and often helpful) to use other people’s poems as a starting point for my own. Today I used Natasha Threthewey’s “Theories of Time and Space.” As a play on her title, I’m calling mine, Strategies for Hill Climbs and Pace:

Strategies for Hill Climbs and Pace

You can run there from here, though
there’s no easy way home.

Everywhere you go will be somewhere
with a hard hill to climb. Try this:

head north on the Mississippi River Road, one—
by—one street signs ticking off

another stretch of your route. Follow this
to its inevitable conclusion—a huge hill

after Franklin, the flats by the U where
the path is a black ribbon

next to a blue river promising a breeze. Run beside
the carefully controlled water, 2 locks and dams

have made it wider and slower—taming
the rapids that once flowed. Run only

as far as you think you can go—remember
you still have to turn around and climb the hill. At the bottom,

where you begin your climb, start slow,
your watch will track your pulse and pace:

the data—how fast you ran, how hard you worked—
will be waiting on your phone when you return

dec 27/4 MILES

6 degrees/feels like 2
5% snow-covered
mississippi river road, north/south

Cold but not too windy. I think I was the only runner out there. I also think this is the coldest run I’ve done this winter. Felt the cold in my lungs fingers toes. What do I remember from the run? Loud cars driving fast along the river road. The sun already start to sink, blazing through the trees at the end of my run and the crows. The crows! So loud. Cawing and circling and cawing again. Here’s a poem about crows that I really like:

Crows

Marilyn Nelson, 1946
What if to taste and see, to notice things,
to stand each is up against emptiness
for a moment or an eternity—
images collected in consciousness
like a tree alone on the horizon—
is the main reason we’re on the planet.
The food’s here of the first crow to arrive,
numbers two and three at a safe distance,
then approaching the hand-created taste
of leftover coconut macaroons.
The instant sparks in the earth’s awareness.

I need to spend some more time with the bit about the crows, but I am instantly drawn to the idea of standing each is up against emptiness.

sept 28/HIKING

I can’t wait until I can run again–next week, I think. Until then I’m walking a lot more and biking occasionally. Today, I did both. Biked 4.75 miles to Minnehaha Falls and then hiked to the river. What a beautiful fall day. Walking on the dirt trail, through a grove of trees just starting to turn yellow, I briefly wondered if I should take a picture. But I didn’t. I’d like to spend some time, sitting on a bench, and find words to describe it. But what words? I need better ones, better than “beautiful.”

Here’s a poem I discovered the other day.

O Autumn! Autumn!/Effie Lee Newsome

O Autumn! Autumn! O pensive light
and beautiful sound!
Gold-haunted sky, green-haunted ground!

When, wan, the dead leaves flutter by
deserted realms of butterfly!
When robins band themselves together

To seek the sound of sun-soaked weather!
And all of summer’s largesse goes
For lands of olive and the rose!

I like Newsome’s trick twisting flutter by into butterfly. And the phrase “to seek the sound.” And I like her enthusiasm. I’m usually too restrained, so I appreciate someone willing to gush and overuse exclamation points.

Words other than Beautiful to describe my view:

  • aesthetically pleasing
  • alluring
  • appealing
  • attractive
  • dazzling
  • gorgeous
  • grand
  • handsome
  • lovely
  • magnificant
  • wonderful
  • splendid
  • resplendent
  • radiant
  • awe-inspiring
  • transcendent
  • sublime
  • poetic
  • vibrant
  • vivid
  • intense
  • aetheral

august 21/3 MILES!!!

68 degrees
74% humidity
mississippi river north/south/north/south back to 36th street parking lot

I ran again today for the first time since August 4, a little less than 2 1/2 weeks ago. The first 10 minutes were difficult, with lots of pain, even though, as the doctor prescribed, I took 3 ibuprofen 30 minutes before running. Probably the most pain that I’ve ever experienced while running, which isn’t saying that much because I tend to stop if I’m feeling a lot of pain. Then, when I’d almost hit a mile, I started feeling better. Maybe my knee and quad had warmed up or I was used to pain, not sure, but I felt like I could keep going. The doctor had told me to try one mile and if that felt good, another mile, and if that felt good, one more mile. So that’s what I did. By the end of the third mile I was tired and glad to be done but now, 2 hours later, I feel fine. Not too sore. And I can lift my straight leg, from a sitting position, off of the ground!

Some passages from Mary Oliver’s Long Life that I want to remember:

flashing like tinsel

at the center: I am shaking; I am flashing like tinsel. Restless…”(90).

seasons: falling/fall/followed/follow

summer falling into fall, to be followed by what will follow: winter again: count on it (90).

obedience to mystery

Opulent and ornate world, because at its root, and its axis, and its ocean bed, it swings through the universe quietly and certainly. It is: fun, and familiar, and healthful, and unbelievably refreshing, and lovely. And it is the theater of the spiritual; it is the multiform utterly obedient to a mystery (90).

green and blue dyes

The constancy of the physical world, under its green and blue dyes, draws me toward a better, richer self, call it elevation (there is hardly an adequate word), where I might ascend a little–where a gloss of spirit would mirror itself in worldly action. I don’t mean just mild goodness. I mean feistiness too, the fires of human energy stoked; I mean a gladness vivacious enough to disarrange the sorrows of the world into something better. I mean whatever real rejoicing can do!

brassy and wonderful

We all know how brassy and wonderful it is to come into some new understanding. Imagine what it would be like, to lounge on the high ledge of submission and pure wonder (91).

between our own best possibilities, and the view from our own window

It is one of the perils of our so-called civilized age that we do not yet acknowledge enough, or cherish enough, this connection between soul and landscape–between our own best possibilities, and the view from our own windows (91).

august 4/9 MILES

58 degrees
a little more than the almost downtown turn around

Running when it’s in the 50s is so much better than running in the mid 60s! It was a beautiful morning for a run. I felt strong and not too tired. I ran the first half without stopping, then took a brief walking break at the top of the hill and another one at some point during the run–I think? After spending a lot of time thinking/writing about the run to lake harriet and how it wanders beside the creek, I was struck by how straight the path to downtown is. While it occasionally strays from the biking path, they are usually right next to each other. And the path crosses under several bridges–Lake Street, the Railroad Trestle, Franklin Avenue, I-94, Washington Avenue, the biking/walking bridge to the East Bank of the U of M,10th Avenue and 35W–but not over them. You also don’t cross any roads. The biggest features of this route are the two hills: Franklin and 35W. And the river, the gorge, the views of the U of M campus and the Minneapolis skyline.

I picked up Mary Oliver’s collection of essays/poems, Long Life, from the library yesterday and started it after my run. I haven’t even made it through the forward and I’m already inspired!

Writing poems, for me but not necessarily for others, is a way of offering praise to the world. In this book you will find, set among the prose pieces, a few poems. Think of them that way, as little alleluias. They’re not trying to explain anything, as the prose does. They just sit there on the page, and breathe (xiv).

No Explanation Necessary

What a thing to do!
To sit and just breathe.
How novel,
how necessary,
how different from what is expected.
Who needs an explanation
when there’s inspiration
and expiration
and alleluias?

And, here’s one of Oliver’s Alleluias:

Can you Imagine? by Mary Oliver

For example, what the trees do
not only in lightening storms
or the watery dark of a summer night
or under the white nets of winter
but now, and now, and now–whenever
we’re not looking. Surely you can’t imagine
they just stand there looking the way they look
when we’re looking; surely you can’t imagine
they don’t dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade–surely you can’t imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind, 
and then only in its own mood, comes
to visit, surely you can’t imagine
patience, and happiness, like that.

I’ve just been editing a piece in which I reflect on what leaves on a tree are for and last month I pondered whether or not trees sigh and why. Now, I want to imagine more about what trees do when we’re not around. As I wrote this last line, I remembered by Modern Philosophy class from college and studying the empiricist George Berkeley and the classic question prompted by his suggestion that “The objects of sense exist only when they are perceived: the trees therefore are in the garden, or the chairs in the parlour, no longer than while there is some body by to perceive them”: If a tree falls in the forest and no one is there to hear it, does it still make a sound?

Maybe I should play with this question? Here’s a link I found to how some people in the UK respond.

july 28/8.45 MILES

69 degrees
79% humidity
dew point: 60
the almost downtown turn around

This run felt hard and I wasn’t sure I’d be able to do it. But I did, with the help of several walks. I’m surprised at how little it bothers me that I’m walking so much during these runs. Or that I’m going so slow. Have I given up or just become wiser and more measured in my approach? Or some thing else that I can’t quite figure out? Whatever it is, I’m continuing to train and survive and have moments that I deeply enjoy. I would like to work on pushing through some of the more difficult moments.

For the first half of the run, I listened to an old On Being episode with Mary Oliver. I love Mary Oliver. Here are a few lines that I particularly liked:

What is the meaning of life?

“have no answers but have some suggestions.” I was expecting her to end her line with: “have lots of questions.” I like that she didn’t and I like the idea that we can make suggestions instead of assertions or claims. These suggestions offer insight without definite answers. I’d like to do a writing experiment organized around the idea of having suggestions instead of answers.

writing while walking

They discuss how Oliver writes on her many walks through the woods.  A notebook is mentioned. I’d like to know, in more detail, her process of walking and writing. A few months ago, I read about Jamie Quattro and how, if she got an idea while she was running for a story, she would stop and find a stick and then scratch some notes on her arm (or in her hand?). I’ve tried composing lines while running by speaking them into my voice memo app. But, how does Oliver do it? Maybe she writes about it somewhere?

listening convivially

Krista Tippet references Mary Oliver’s suggestion to “listen convivially” while walking. Where does Oliver say this? In a poem? Prose? An interview?

convivially: good company, joyful/agreeable attitude, greeting others/the world with delight

For me, listening in such an important part of the process of running and paying attention. I like the idea of being convivial as we listen. What are the subtle (and maybe not so subtle) differences between being convivial and generous or open?

attention without feeling is only a report

“You need empathy with it rather than just reporting. Reporting is for field guides. And they’re great. They’re helpful. But that’s what they are. But they’re not thought provokers. And they don’t go anywhere. And I say somewhere that attention is the beginning of devotion, which I do believe.” Attention/Devotion/Rumination/Engagement/Feeling the Force of Ideas and Experiences and Moments.

mystery is in that combination of discipline and the convivial listening

I’m really interested in how being disciplined and undisciplined combine to generate creativity and a more meaningful life. Limits, in the form of structure–Oliver discusses how one of her most famous poems, “Wild Geese,” began as a writing exercise in using end-stopped lines–and freedom, in the form of experimenting, taking risks, imagining new ways of writing, being, doing.

Such wonderful ideas! I can’t wait to read more.

Here are 2 of her poems that I found and want to spend more time with: Spring and What is it?


And here’s my attempt at playing around with Oliver’s idea of suggestions, not answers.

a suggestion on suggestions

I’ve never been good with answers,
giving them, that is.
I can handle accepting them,
as long as they aren’t final
or firm
or boring,
lacking imagination and a wonder
that is necessary for joyful living.
I used to believe that this was a problem,
my refusal to give answers.
It certainly is for some people.
But, no longer for me.
Answers are overrated and too easy.
Even sometimes lazy.
I always want questions.
And now, having heard Mary Oliver utter it in an interview,
suggestions.
Possibilities to explore, entertain, use in our experiments.
Proposals that might fit the facts and feelings.
Things to consider
and ruminate over as I wander through the woods
or run on the path that stretches ahead of me for miles.

And, a poem inspired by Oliver’s exercise in combining end-stopped lines with enjambment and by Gros (Philosophy of Walking) and his use of Nietzsche and the question from The Gay Science about the value of a book or dance or musical composition: “Can they walk?”

How Does Your Writing Move?

With ideas that end when the line or the path does.
And ideas that wander, traveling over
the edge, maybe down
into the gorge, where mystery lives,
behind the green veil that covers the trees from mid-May to early October.

In forms that hold tight with elbows at a 90 degree angle.
And forms that sprawl
all over the place. Messy moments
transformed into words that spill across
the page, leaking energy (and black ink).

Using syntax that remains steady and even.
And syntax that starts. Stops. And starts again,
moving slowly through ideas and experiences and feelings and images.
Then, rapidly.
Like jagged breathing during a tempo run.