Tag: poem

sept 6/RUN

5.1 miles
bottom of franklin and back
53 degrees

Another cooler run. Shorts with my bright orange sweatshirt. Ran to the bottom of the franklin hill before I stopped to walk and use one of the few port-a-potties on the route. There used to be at least one more under the lake street bridge, but they removed it. Chanted in triple berries to keep steady and distracted, or focused, depending on your perspective.

Listened to rowers and a beeping bike that I thought might be a bird before I saw it and striking feet, all around. Lots of runners out there this late morning. Listened to my “Moment” playlist once I started running again. It started with U2’s “Stuck in the Moment” and I thought about my latest insomnia rut.

10 Things

  1. a greeting from Dave, the Daily Walker: Happy 100 days after your birthday! Dave is the best — well, maybe not with his math!
  2. dark and green in the tunnel of trees, a circle of faint light up on the hill
  3. at least one yellowish orangish tree
  4. down in the flats the river’s surface was laced with grayish-white foam
  5. someone sitting on the sliding bench as I ran north, their bike propped behind the back of the bench
  6. returning south, the sliding bench was empty so I stood behind it and assessed the crumbling hill and the block view of the white sands beach
  7. finally took the dirt path that cuts behind some benches just south of the trestle
  8. 2 people walking 2 dogs, one person saying to the other something about an unwalked dog needing to be walked
  9. 2 women walking in the flats, one of them to the other: It’s by Ann Patchett. I wish I would have written down the passage.
  10. running on the north double bridge — just past the old stone steps — something caught my eye on the fence. On the way back, I remembered to stop to check it out. A small cut-out of Frump’s head on a popsicle stick with a caption: ‘tator on a stick. I took a picture, but decided not to post it*

*it took me a minute to understand fully the meaning here — at first I was thinking of the state fair, but finally it hit me that tator = dictator. Memories of reading Simon Schma’s Citizens about the French Revolution and heads on pikes being paraded around Paris. A sad and scary time in this country to have a president who foments such violence and violent responses in others.

You

1

A line from Endi Bogue Hartigan’s poem “Running Sentences”:

First the cloud of gnats first the movement through the cloud
and then the body, not a cloud

Something about running through gnats — which I’ve done many times — and the body as not a cloud, triggered past thoughts about encountering someone on the trail and what happens to the You in the time/space between my Thank you and someone else’s You’re welcome when I thanked them for moving over.

2

These were the original thoughts, from a 31 may 2023 log entry:

I had a breakthrough in the second mile as I passed a walker and a dog on the Winchell Trail. They noticed me before I reached them and moved to the side. I said thank you and the woman replied you’re welcome. As I continued running on the steep-ish trail with no railing I thought about how when I said thank you, I was the I, she was the you. But when she answered you’re welcome, I become the you and she the I. Each of us both. Then I started thinking about the space and time between when we each embodied the pronoun, before my I turned into a you or her you into and I. This is the space of possibility where unhitching can happen, when we can be both a you and an I or something else that doesn’t divide and separate or assign us a fixed role — as active I or passive you. A moment when we can experience or behold the is below the threshold of thought, over and above society and its constructs.

31 may 2023

3

And here’s an excerpt from the draft of the poem I wrote:

first movement,
a making

space for each
other, then

a cloud of
Yous to pass

through. Bodies
enter cloud,

cloud enters
bodies

sept 3/RUN

3.1 miles
2 trails + tunnel of trees
56 degrees / humidity: 80%

Fall! Cooler this morning for my run. Windy, too. Ran south on the paved path, then north on the Winchell Trail. Heard kids arriving at Dowling Elementary. It’s the second day of school. Also heard wind rushing through the trees and some water falling out of the sewer at 42nd but not at 44th. No rowers or packs of runners or fragments of conversation.

Chanted in triple berries — strawberry/blueberry/raspberry — for several minutes then other triples — mystery/mystery/mystery deepening/quieting/deepening interior/exterior/deep deep down Thought about surfaces again and their value. Wondered: should I spend a month studying surfaces?

Listened to my “The Wheeling Life” playlist for the last mile of the run. Started with “Proud Mary” and my feet found the fast beat. I swung my arms back and forth but imagined they were rolling like wheels. Rollin’ Rollin’ Gave the most attention to the lyrics of XTC’s “Season Cycle”:

Darling, don’t you ever sit and ponder (darling, did you ever think)
About the building of the hills a-yonder (all this life stuff’s closely linked?)
Where we’re going in this verdant spiral
(‘Round and ’round) who’s pushing the pedals on the season cycle?

It’s September, so it is time to wrap up my reading of Endi Bogue Hartigan’s oh orchid o’clock. Here’s another great hour entry:

hour entry: The hawk is an approximate whisking together/ Endi Bogue Hartigan

The hawk is an approximate whisking together of fractions of itself the 23 intervals in the second the eye can see the 500 intervals in the second the ear can hear the 100 intervals in the second the bird can see. The second is forming midair like any duration or station in sun. Say “look a red-tailed hawk” and in that second the alliterative span of flashes of light formed by a moving pinking-sheared wing shape becomes it. I wish my words to become unfit for a second, to not make such burred sad sounds. The unspoken fractions of our seconds are expressed imprecisely all the time in seconds. “I’ll be there in a second.” “He was gone for a second.” “The next second they were on the ground.”

intervals / frames per second / illusion: converting what’s still into motion, what’s motion into a still / duration station span / blurred imprecise approximate

motion, the animation of the still
still, the freezing of motion
Oliver’s quieting of the spirit = slowing and smoothing of the motion

sept 2/RUNBIKESWIM

5 miles
franklin loop
70 degrees

I was planning to bike over to the lake and swim this morning but it looked gloomy and ominous, and then started raining and thundering for several hours. Bummer. By the time it stopped raining it had warmed up and the sun came out. Even so, I went for a hot and humid run. Everything was wet. A slick trail, dripping branches, wet shoes and shirt.

10 Things

  1. someone covered over the graffiti on the steps that read, stop hate, with blue paint
  2. sky, part 1: gray, heavy
  3. sky, part 2; blue and cloudless
  4. empty river
  5. white foam on the edge of the east bank near the franklin bridge
  6. kids laughing on the playground at the church daycare
  7. some orange and red leaves beyond the fence near east river road
  8. the squeal of tires near the trestle — what happened?
  9. orange cones lining the path: there must have been a race or a sponsored bike ride this past weekend
  10. the sliding bench was empty of people but close to a thick veil or green

Listened to voices, cars, and drips for the first half of the run, my “Doin’ Time” playlist for the second half. The song I remember the most was Peter Gabriel’s “Playing for Time.”

Oh, there’s a hill that we must climb
Climb through all the mist of time
It’s all in here what we’ve been through

Not a fan of the phrase, mist of time, but these lyrics reminded me of a few lines from Mary Oliver that I read right before heading out for my run:

Slowly
up the hill,
like a thicket of white flowers,
forever.
(The Leaf and the Cloud/ Mary Oliver)

The lines just preceding these were a series of good-byes to the world: the swaying trees, the black triangles of the winter sea, oranges, the fox sparrow, blue-winged teal, lettuce, turnip, rice fields, the morning light, and the goldfinches.

Down, I’m getting it down
Sorting it out
So everything I care about
Is held in here
All of those I love, inside

Listening to these lines, I thought about Oliver’s deepening of the spirit. I thought about the interior and moving inside of yourself and of burying memories and ideas not as a way to avoid them, but to protect them. I also thought about someone growing older and having memory-loss and trying to hold onto faces and names and experiences. I weighed the possibilities and limitations of going deep inside as compared to opening up to the outside. All of these thoughts came at once — not in a linear progression — in a burst which lasted until I heard these lines less than a minute later:

There goes the sun
Back from where it came
The young move to the center
The mom and dad, the frame

I just remembered: at the start of my run, I was thinking about the difference between ordinary and extraordinary time, which was a continuation of thoughts that began earlier this morning. Habits, routines, activities/events experienced again and again — the mundane — versus the scattered, sporadic occasions that break up the routine. While meaning and memories are often found in the singular moments, I’m drawn to the rituals and repetitions and daily events as where imporant meaning dwells.

Everyday. everyday = ordinary / every day = each day, daily.

Everyday—I have work to do (“Work” in The Leaf and the Cloud/ Mary Oliver)

I love that she writes everyday and not every day, so it’s not, each day I have work to do but, ordinary, everyday life: don’t bug me, I have work to do!

bike: 7.5 miles
lake nokomis and back*
75/71 degrees

*instead of the river road trail, we took 44th until the falls park, which is shorter

A good bike ride with Scott. As usual, better on the way back — easier, more relaxed. On the way there: wind. No problems with panicking about not seeing. The ride home was great: the sun was setting soon. Passed by adults playing soccer or flag football or some team sport in the field by the duck bridge, and kids playing soccer at Hiawatha school. RJP and FWA both played for a season at Hiawatha. I played for 5 or 6 years when I was kid in Northern Virginia. I loved it; they didn’t.

swim: 2 loops
lake nokomis main beach
74 degrees

Only 4 other people in the lake, and none of them were swimming laps, just standing around and talking — brrr, I bet that was cold! I swam far from the white buoys and almost completely avoided the milfoil. Only a few times, I got too close and felt the vines on my toes and wrists. For most of the swim there was wind and choppy water. In one direction, it pushed me along. In the other, I got to swim straight into it, which I liked doing. Mostly, a fun swim. The vines were the only bad thing about it. They were too thick by the one buoy so I didn’t want to circle around it. This made it much harder to loop, so I mostly stopped and twisted around. I noticed some birds in the sky and a few planes. Trees on the distant shore were looking less green — were any of them changing?

I thought about how this might be my final swim of the season. It’s cooler for the rest of the week — highs in the 60s, so they might take down the buoys soon. It’s been a great season. I swam for longer, both distance and time. And, I had fun reciting more water lines in my head and writing about water.

aug 30/RUN

4 miles
minnehaha falls and back
63 degrees / humidity: 86%

Felt cooler at the beginning, then the sun came out. Warm! A good run. There was a nice spray coming off of the falls and lots of people taking selfies. I felt strong and able to run 2.25 miles without stopping for a walk break. A slow, steady progression towards more endurance. By winter will I be able to run 10 miles without stopping? I hope so.

Listened to cars and one runner’s slapping feet and rushing water on the first half of my run, then my “Slappin’ Shadows” playlist on the second half. I was hoping that listening to songs about shadows would make more of them appear! Did it? I don’t think so.

10 Things

  1. a speedy runner sprinting past me, his feet striking the ground with a loud slap — Slap! Slap! Slap!
  2. crunch crunch — discarded acorn shells on the trail
  3. the steady whooshing of car wheels
  4. 2 walkers, or maybe runners who were taking a walk break, walking towards me, one of them saying, let’s turn around, the other, let me get some water up ahead first
  5. empty benches, including the one above the edge of the world
  6. crash! crash! some critter rooting around in the bushes in the park
  7. kids laughing and yelling at the park playground
  8. a runner with a white shirt wrapped around her waist, running on the bike path, then on the edge closest to the bike path, forcing runners and bikers to more around her
  9. a roller skier on the walking trail doing a strangely slow shuffling exercise with her poles and roller skis
  10. a coxswain down below — rowers!

quieting of the spirit (from 29 aug 2024)

stillness: Anne Carson and taming uncontrolled movement:

The other day I discovered an essay by Anne Carson about her experiences with Parkinson’s, especially with trying to navigate tremors and tame uncontrolled movement. My experiences with vision loss are very different, yet I recognize similarities in terms of focused attention as a way to combat constant motion.

Righting oneself against a current that never ceases to pull: the books tell me to pay conscious, continual attention to actions like walking, writing, brushing my teeth, if I want to inhibit or delay the failure of neurons in the brain. It is hard to live within constant striving. 

Gloves on!/ Anne Carson

*

Since being diagnosed with a degenerative eye disease, I’m giving conscious, but maybe not constant, attention to how I see, to the complicated process of seeing. Some of this attention is out of curiosity and astonishment. And some of it is about helping neurons to fire in new ways and learning how to see differently. 

The uncontrolled motion I experience is not tremors, but images that constantly shift and shimmer and buzz, usually in ways too subtle to see clearly. I feel them — soft notes of disorientation, dizziness, restlessness. Maybe you could call them tremors? The ground never ceasing to unsettle.

Recently, I’ve been writing about the different definitions of still. Is the constant motion I see never still? I’m not sure. I think I’m striving for new ways of defining that word and of accessing the feeling of being still, enough, calm.

still / enough / calm / quieter

Here are 2 more poems from Hartigan’s excellent collection, On Orchid O’clock that I want to put beside each other:

hour entry: Sorry, I am at the gym this instant/ Endi Bogue Hartigan

I am at the gym again this instant and of it, in its treadmills, its black tongues and beetle shines its oily handles in time and time and time intervals and people cupped and kept in beeps and measures, always. I’m nearly half done with my pre-programmed eliiptical slot, having spent 211 calories. This very instant a woman, having come in from the street, is staring at the smeared glass of the vending machine an instant too long, the change hot in her palm, a kind of calm as yet unspent. And I am bent away from God, running horizontally in place, & all instance protests movement, all instance must be thick with protest, coated with candle wax of sadness, walking upright like unlit wicks.

The treadmills black tongue / time and time and time intervals (intervals as verb?) / people cupped and kept in beeps and measures / 211 calories / I am bent away from God

hour entry: Orchids because orchids are impossibly mimicking / Endi Bogue Hartigan

Orchids because orchids are impossibly mimicking the milk fluid capture of being orchids, orchids because they are grown commercially in soldiering rows in hothouse tents, because they are given as gifts for merely being orchids, because they are inherently exceeding themselves and held as if rare, though they are not, their stems are second hands untimed and slightly skewed to binding. Orchids because they are wrist-colored, because they are eyelid textured, because they are partial light captured, because they are hard to keep living. And on the slope of a hillside of a rainforest of my childhood was an orchid nursery. I don’t know I ever entered it, but knew the plastic walls sweat.

I love the repetition in this poem — the orchids, because
orchids as partial light captured / eyes as orchid textured / the slope of a hillside of a rainforest of my childhood

aug 28/RUN

3.8 miles
river road, north/south
61 degrees

Cooler this morning. Quiet. Ran earlier than usual: 7:30. Lots of traffic on the road, some on the trail too: walkers, runners, bikers, strollers, at least 2 roller skiers. I could hear one of the roller skiers as it approached, scraping their poles on the ground. No clicks and clacks, just scraaaape scraaaape. Running past the rowing club, I encountered a group of people in bright yellow vests emerging from below. Were they rowers, and did they wear those vests on the water?

After reaching the river, I noticed the fence slat, pushed loose by a leaning tree trunk, was looser today. Greeted the Welcoming Oaks, good morning! hello friend! The sunlight was beautiful in the tunnel of trees — thin strips of light coming through the leaves.

Found this poem yesterday. It’s great for my interest in ekphrastic poetry and color:

A Lexicon of Light/ George Looney

     –after Claude Monet’s Charing Cross Bridge series

It’s not accurate to say we know
what we see. Truth is, few understand

the physics of color. What Monet knew
had little to do with science. He was

intent on getting the bridge, and everything
that gave the bridge context, right. Language

isn’t accurate enough. To depict the world
with color and form—to make a place

and moment of time a composition—is
no more precise a vocabulary. Vision

tends to end up being an imposition
more than a recognition of how the fog

consumes much of the bridge, as if nothing
is able to fully connect one side

of the Thames to the other. Distance
often asks too much of us, and Monet

found ways to accept that insistence. His
endlessly varied harmonies of color

wrote a new definition of accuracy. The bridge
is more than a construction passed over

by trains and imbued with shifting colors
with the time of day. It becomes, for the artist,

a lexicon of light and all that light does
to this world. At times everything is more

certain, and we want to stand on the bridge
and compose a tune, humming, that the sun,

glittering in the river, inspires. Other times,
we want to be nothing but a faint music,

too distant or muted to be identified,
drifting along with the soothing mist and fog.

accurate / know /
see / Truth

physics of color


not accurate, right



color and form

composition
not precise

vision as more imposition than recognition of how the fog consumes the bridge?






harmonies of color — a new definition of accuracy



shifting colors with the time of day

lexicon of light and all that light does to this world

aug 27/BIKESWIMRUN

bike: 8.6 miles
lake nokomis and back
64/71 degrees

Hooray for feeling comfortable on a bike! Able to see enough to not feel scared.

…sitting on the back deck to write this, a wave of ear piercing cicada buzz just passed by. Wow! What’s the decibel level of that?

Rode into the wind for a lot of the ride — and not just the wind I was making with my moving body. Wondered if it would be choppy at the lake. (it was). At one point, when the wind seemed particularly strong, I could feel how un-aerodynamic I was — an upright form fighting against air. I tried to get more aerodynamic, leaning low and over my hips, my bike as parallel to the ground as I could get it. Thought about ironman triathletes who can bike like in an even more parallel position for almost 5 hours. Wow, how many hours of training and lifting and working with a coach must you need to keep that form for so long?

The bike ride back was wonderful. What a beautiful late summer day! Sunny, warm in a way that’s welcome because it was cooler in the morning.

swim: 2 loops
56 minutes
lake nokomis main beach
66 degrees

I did it! 1440 minutes, 24 hours, one day swimming in August! Hooray for ambitious goals that push you to do a little more than you would have otherwise. Swimming a total of 24 hours (over 21 swims) was a commitment for sure, but it wasn’t an unreasonable commitment. And the biggest challenge was not getting my body to swim that many minutes — and miles, over 40 — but having clean water and an open lake. Lake Nokomis was closed for 2 weeks in August due to elevated e-coli and algae blooms.

24 hours was a good goal. Enough to challenge me and enable me to get deeper into my swimming and writing about swimming, but not too deep to sink me, to overwhelm and injure me. That’s another definition of Mary Oliver’s deepening and quieting of the spirit: deepening my commitment, steadily chipping away at the time (a quiet = still = steady approach).

The water was empty of other humans. I don’t remember seeing/hearing any ducks or geese or seagulls either. Lots of milfoil, both tethered and floating in segments on the surface. Too many milfoil vines near the white buoys. They seem to be increasing every time I swim. Boo! I went much farther out to avoid them, and when I veered closer, I could feel them wrapping around my wrists and ankles. Join us, I briefly imagined them saying. No thanks!

Yesterday while looking up recent drownings in Lake Nokomis — the ones I remember are the South High football player in 2013 and the 11 year old girl in 2023 — I discovered that someone else drowned last week. A woman who (presumably) took her own life. Rescuers were searching for more than 24 hours, looking for the body. They found it. As I swam out to the white buoys, I thought about this woman and the others that had drowned, wondered how terrified I would be to encounter their dead bodies bobbing in the water. Another meaning of deepening/quieting of the spirit.

The water shimmered in the sun, sometimes like silver, sometimes glass. There were little waves, big enough to make a noise, but not big enough for white caps. Before I got used to the rocking movement, I was slightly dizzy. I liked the chop. I was able to got faster heading north with the wind, and more powerfully heading south against it.

The sky was a deep blue with a few clouds. They were fluffy like cotton balls, some of them big, like a whole ball, some of them wispy and small, like one chunk of the ball. Noticed a plane, parallel to the water.

The water was thick with particles, impossible to see too far in front of me — only my hand and the trailing bubbles.

Heading north, following the path of an open swim loop, I looked up and imagined that the orange buoy was far off in the distance. Oh, to have it appear to be able to swim out and beyond it!

When I finished the swim, I sat on the sand, feeling the sun on my back, looking out at the water and reflecting on the season. What a summer! I hope to come back to the lake more times this week and until they remove the buoys, but whatever happens, I met my goal and have no regrets about how much I swam this summer. Good job, Sara!

today’s inspiration

One of the poems-of-the-day offers inspiration for my Swimming One Day project:

Task/ Ari Banias

There’s a poem I tried to write about
bathing you the last day you were alive.

On one of our drives home:
I want to die without shame.

You didn’t elaborate.
I described standing across from a stranger

paid to do this work, her presence
anchoring me in the task

with you between us.
From this distance I can use the word task.

Your pain the astrologer said A gift
for others

A mixing bowl
filled with warm water

we dipped washcloths into before
wringing them out

rested between your legs.
The phrase utilitarian tenderness served

some containing purpose
I needed at the time.

A great effort
to come up to the surface of yourself

to say what you said to us.
A student writes two lines

about an aging parent
they think are boring and may cut.

That poem did not belong
to language, and surpassed touch

Dough rising somewhere
under a red and white

dishtowel in that bowl

about this poem

“The task is attempting to write the poem again the task is bathing the dying the task is work done for wages the task is recognizing the encounter that refuses containment that insists on experience outside narrative time the task is to not entomb memory in language to not reduce grief to a quotable thing the task is to feel the edge of a void and keep going inside the feeling the task summons in you the task continues despite”

inspirations

  • create a set of poems — one of them is the main poem, another about it, explaining it in some way, sideways or front ways or back ways, and maybe a third one that condenses it (like Hardly Creatures and the original poem, replica, souvenir)
  • a pair of poems, the second, the reflection of the first, as if on the surface of water, and darker, like A Oswald’s line about water letting you see twice but more darkly
  • take an idea — in the poem it is “task” — and play around with a wide range of meaning. I’m thinking: “day” or “quiet/still”

run: 2.45 miles
around lake nokomis
76 degrees

Went back to the lake in the evening with Scott. He started running north, I started south around the lake. I haven’t run here at all this summer. Stopped at the little beach briefly to check out the algae. Since my swim this morning, the test results have come in and there is an blue-green algae advisory at both beaches. They tested it on Monday when it was the worst. It’s better today.

Over halfway around, I passed a young boy walking by himself. After I passed him, I heard somebody running like they were trying to catch me. I think it was him. The footsteps lasted for 30 seconds? a minute? then stopped. I kept running until I reached the overlook on the cedar bridge then briefly stopped to take in the view. I noticed waves and the silhouettes of 2 kayaks in the distance, silvery water.

10 Lake Things

  1. a guy calling out, no! drop it! drop it! no! no! — I’m assuming they were talking to their dog, but I didn’t see
  2. a kid’s loud foot strikes
  3. a group of people crossing the path, heading for the dock
  4. the soft sand of the dirt trail next to the path
  5. 2 kids climbing the leaning tree that I used to run by and think it looked like a woman arching her back
  6. an opening in the vegetation, an empty bench, a person closer to shore
  7. 2 women’s voices on the water near shore — were they in a kayak or a canoe?
  8. the bridge has lane markings for a bike path — that’s new
  9. the smell of cigarette smoke near the booth where they test for zebra mussels
  10. a woman and a man blocking part of the path — the guy practicing a stretch as the woman gave him pointers — his coach?

aug 21/RUNSWIM

3.6 miles
locks and dam #1
74 degrees
humidity: 88% / dew point: 65

I’m trying to write this entry but I’m distracted by the little kids next door in the front yard — such cute voices. One of them was singing a song — take this grass. . .broken world. . . broken glass.

Refrain: hot, humid. Even so, a better run today than the last one I did. When was that? Tuesday (checked my log). Ran all the way to the bottom of the locks and dam #1 hill without stopping. Noticed the river. Such reflections! Clouds, trees, the bridge. Took a picture:

bridge / clouds / surface / sky

The water was smooth beneath the bridge and rippled (corrugated, as Anne Carson wrote) farther out.

Everything is still this morning, calm, quiet. Partly inspired by my 21 aug 2024 entry, I thought about being still. Not as not moving, but as a calm, steadiness. Stillness as the space between beats, when both of my feet are off the ground. Or, stillness as my strong core that floats through that space — suspended as held up in the air, not as stopped.

10 Bridge Things

  1. at the top of the hill, in-between the top and bottom of the bridge, a family was sitting on a bench
  2. the gate near the columns of the bridge was unlatched and slight ajar
  3. beyond it, hollowed out bricks with a strange pattern
  4. empty benches all the way down
  5. the reflection of the bridge on the water’s surface, upside down
  6. a car nearing the bottom, voices — couldn’t hear what they were saying but imagined it was about whether or not the locks and dam was open
  7. the echo of my footsteps under the bridge
  8. the clicking of a bike’s gear across the service road
  9. thought about what RJP told me yesterday: someone went over this locks and dam in a canoe (or was it a kayak?) yesterday
  10. at the top of the hill again, a man read the sign to a little kid who started jumping and asked him to join — by the time I reached them, they were both jumping and laughing and making goofy noises

the deepening and quieting of the spirit
among the flux of happenings

still

I thought about being quiet and calm and the opposite of restless and anxious. Then I thought about my core — literally and figuratively. Core = my core muscles, strong back, a straight spine. Core = enduring values, character. I felt the stillness within my self and my body even as the world blurred and floated and drifted around me. Then, Mary Oliver’s “deepening and quieting of the spirit” popped into my head — amongst the flux of happenings. Yes! A stillness of the spirit, where stillness is being satisfied and balanced and present in the moment, not needing to do more or feel guilt or regret for what was or wasn’t done. 

21 aug 2023 log entry

I still the clock./ Endi Bogue Hartigan

/I still the clock.

/I still the clock by holding the pendulum coin still so that
the mechanism stops
and I can sleep without the consciousness of it.

to still the clock is a ritual of the demagnification of clocks.

/it is a kind of violence of fiction for the clock to not
function as a clock while others click and breathe and blink.

the eyes blink more before they stop functioning as eyes.

/the rapid eye movement of dream frightening being pure
pulse, pure frenetic zag force

/to watch a gold-painted platinum extravagant clock you’re an excess you’re
a fire you’re in competition with the tiredness of time.
/to hold in your satiny eyelids the still unstill pendulum of
the gaudy machination you are in unison

with the aspirant expirations of the day.

still / holding / pending / stop
sleep / not function /
click / breathe / blink / dream / pulse / excess / rapid fire extravagance / tiredness / still unstill / aspire to expire

underwater the end (expiration) is the breath (expire)
the end / forced above / evicted from below / no longer water but air

In this poem, to still is to stop, to end, the deep sleep

swim: 6 loops
110 minutes
cedar lake open swim
82 degrees

The final open swim of the season. It goes so fast! Another great night for a swim. Warm, sunny. I liked that the wind made the water less smooth — not too rough, a gentle rocking. The course was set up strangely and even though I complained about it afterwards, I think I liked the challenge of it. One buoy was in the middle of the lake, the other was at the far left edge of hidden beach. At first I worried that this set-up would cause chaos with swimmers crossing over the path and running into to each other, but it was fine.

a risky moment: Because the course was so far to the left, I swam in water I haven’t before. Almost halfway across, I swam straight into a nest of vines — the biggest cluster of vines I’ve ever experienced. I didn’t panic and was able to swim out of it, but I could imagine a weaker swimmer struggling to free themselves and getting wrapped more tightly. As I swam away from it, I thought about the high school football player that drowned off of the little beach at lake nokomis about 10 years ago. That’s probably how it happened.

Some things irritated me: the swimmer that I tried to pass but sped up to prevent it, another swimmer stopped at the buoy, blocking the way, the unmoving lifeguard on his kayak too close in on the course, the bright sun making it almost impossible to see anything on the way back, the scratchy vines. But more things relaxed and delighted me: the gentle water, feeling strong and able to swim for so long, swimming past other swimmers like they were standing still, the faint clouds in the sky, the solitary orange buoy sitting on the surface of the water glowing, glimpsing other swimmers off in the distance — only inklings: the flash of a yellow or orange buoy, a bright pink cap, white foamy water.

overheard:

a mom with 2 kids, one who was around 4 or 5, the other a baby in her arms, to a lifeguard: Can he swim out to the orange pyramid?
lifeguard: (thinking she meant the baby and not the kid) alone?
mom: oh no, not the baby!

Later I heard her recounting the story to a friend. They were laughing about it.

At the end of the second to last loop, I stopped at the beach, stood in the shallow water and the sand, checked my watch, and decided to do one more loop. For the final loop, I felt Mary Oliver’s one day in August, everything calm and quiet. I thought about what a great season it has been, how grateful I am to have this time swimming, and how satisfied I am to have taken advantage of it. No open swims until next June. I thought about how no next season is guaranteed; a lot could happen between now and then. Then I remember the story of my great-grandmother Johanna standing out in the field at the farm near the end of the fall to behold the familiar view, wondering if she’d still be around the next fall.

aug 17/SWIM

4 loops (8 cedar loops)
95 minutes
cedar lake open swim
69 degrees

Would it rain? Would they cancel the swim? It seemed uncertain when I woke up to gloom, but the storm stayed south and the water was great. Smooth, mostly calm, not too crowded, easy to see. The first 3 and a half loops felt so easy and fast. I stopped at hidden beach for a quick break and a chance to see the lake from above the water for more than a brief flash every 5 strokes. The beach was quiet, empty. I could hear wind in the trees, then some bugs. I think I saw a few people getting ready to do open swim. They were up in the grass putting on wetsuits. Started swimming again and did another 3 loops before taking a minute or two break at hidden beach again. swam 1.5 more loops before deciding I was done — my legs decided for us. Nearing the first buoy, my legs felt like they were about to cramp, so I stopped kicking and dragged myself in for the last 50 feet or so.

strange vision

Several times, something strange happened with my color vision. Looking up quickly to sight, I noticed the lifeguard’s kayak. Instead of red in looked white and (almost) robin’s egg blue. Later, getting closer to more than one swimmer, their swim cap was white and the same blue instead of bright pink. Both with the kayak and the caps, when I got closer they returned to normal — red and pink.

10+ Things

  1. white sky — sometimes I could see the sun through the clouds, but it never emerged
  2. a swirl of vines, passing over my head, shoulders, torso, lingering near my ankles
  3. the swimming area at hidden beach was wide and long and almost empty — at least one other open swimmer was standing in the shallow water
  4. for the first 4 loops, the water was all smooth, during loop 5 it was much choppier heading to hidden beach
  5. a bird in the air — was it big or small? I couldn’t quite tell. I’m thinking small
  6. opaque water
  7. a scratchy vine, pricking my arm
  8. noticing the surface above the water from my vantage point: submerged, only my eyes out of the water, like an alligator
  9. stopping at the little beach: a dog barking, a collar clanging
  10. making note of the procession of swimmers on the other side of the course, heading to hidden beach when I was heading from it — a slow and steady line of swimmer
  11. after the swim, walking past a big puddle on the dirt/gravel road, its surface had scales on it from the wind

I never got completely lost in the swim, although I had moments where I wasn’t thinking about my stroke or breathing or sighting.

Thinking about time, last night I started reading Endi Bogue Hartigan’s on orchid o’clock. Here’s the opening poem, which I think will be a great inspiration for me in playing around with “one day in august.”

I’m talking about the rotation/ Endi Bogue Hartigan

—The predictable commencement of annual flooding of the Nile River is said to have formed the foundation of the ancient Egyptian calendar. Calculations were made using nilometers, vertical water-measurement devices, influencing taxation, crop planning, and more.

I’m talking about the black cows in the pasture along the highway between here and the office: some days the black cows’ snouts are pointed in the same direction in the morning and the opposite direction in the evening, all 200-300 or so, parallel dipping their snouts: some days they are helter-skelter; some days the shadows are crisp some days the shadows are swallowed but they have shadows on all days; and the wet eyes of the cows have an angle with which they lean into the wet grass, so they are a kind of dials to themselves and their light, visible to themselves or not. I might be comforted driving by saying cow shadow o’clock, saying east black cow o’clock, I might be comforted by talking about their rotation.

/it is child eyelash o’clock /it is having to look o’clock it is
Nile flood o’clock /it is percolate o’clock

/it is morning birds plus socket sound of car closing / 21st century pastoral
o’clock it is flashflood fear o’clock /it is TV van at the shooting site rim

/it is miscount of the dead o’clock
/it is remember to call remember to call find a corner to make a call o’clock

/it is the blue jay screech o’clock /it is having to look o’clock
/it is innocent eyelash o’clock /it is the clock continuing despite

o’clock /people emptying from their eyes
/it is yesterday’s rose-dew o’clock

/it is tearing the work blouse off its hanger o’clock/ it is
tearing and not /it is that blouse again that headline again it is

everything I forgot creeping up in tides
/it is people split and swelled

confiding overflow o’clock /it is the shadow of a gun / the shadow of
the cow o’clock /it is what is allowed in the shadow

/it is the president’s turned up o’clock it is America’s deadliness and dailiness
o’clock /it is glued to the headline o’clock

it is lunchhour-beeline o’clock /it is it’s only Tuesday o’clock another
curbside memorial o’clock another caterpillar miracle o’clock another

people emptying from their lives o’clock or into their
lives o’clock the Nile floods every hotspell in this week

/it is child-wake, it is flood of what’s at stake o’clock,
/it is the morning rupture the American rupture that

shadow-bleeds and swells /it is the felling of the shadow o’clock
/I’m talking about the black cows.

Wow!

I found this helpful essay by Hartigan about the book and the process of creating it: process note #2: on orchid o’clock

And here’s an earlier book of hers that might be interesting to check out: Pool (5 choruses)

aug 10/RUN

2.1 miles
to falls coffee
75 degrees / humidity: 91%
dew point: 70

Maybe because it was overcast, it didn’t feel as bad as the numbers would suggest. Still sweat a lot, but didn’t feel miserable. Ran with Scott to Falls Coffee. Ran on edmund, parallel to the YWCA tri racers biking on the river road. I remember doing this race — three times, in 2013, 2014, and 2015. I can’t remember why I didn’t sign up for it in 2016 — maybe because my favorite part, the swim, was too short and the bike was too long. In 2017, I was signed up, with RJP, to do a mother-daughter super sprint, but then I got injured. After that, I didn’t do it because my vision was too bad to go that fast and be that close to other bikers (and, because I never really liked the biking part). I love watching professional triathlons — Ironmans, T100s, WTCS Olympic distance races, and Super-tris, but I don’t like racing them.

Scott and I didn’t talk much as we ran; I think we were both too warm. Heard cicadas and birds and people calling out, good job! you got this!, way to go ladies!, to the racers. A steady stream of bikers on the road, some heading out, others returning.

We got coffee at Falls Coffee then walked back through the neighborhood, including through the playground at FWA and RJP’s elementary school. My favorite thing: little birds — sparrows? — lifting off from the pavement, like little bubbles bursting up in the air. Another thing: hearing cicadas buzzing and birds chirping at the same time — not a duet, I said to Scott, but two songs being sung at the same time that almost, but not quite, fit together.

Oh, this poem!

Difference/ Mark Doty

The jellyfish
float in the bay shallows
like schools of clouds,

a dozen identical — is it right
to call them creatures,
these elaborate sacks

of nothing? All they seem
is shape, and shifting,
and though a whole troop

of undulant cousins
go about their business
within a single wave’s span,

every one does something unlike:
this one a balloon
open on both ends

but swollen to its full expanse,
this one a breathing heart,
this a pulsing flower.

This one a rolled condom,
or a plastic purse swallowing itself,
that one a Tiffany shade,

this a troubled parasol.
This submarine opera’s
all subterfuge and disguise,

its plot a fabulous tangle
of hiding and recognition:
nothing but trope,

nothing but something
forming itself into figures
then refiguring,

sheer ectoplasm
recognizable only as the stuff
of metaphor. What can words do

but link what we know
to what we don’t,
and so form a shape?

Which shrinks or swells,
configures or collapses, blooms
even as it is described

into some unlikely
marine chiffon:
a gown for Isadora?

Nothing but style.
What binds
one shape to another

also sets them apart
— but what’s lovelier
than the shapeshifting

transparence of like and as:
clear, undulant words?
We look at alien grace,

unfettered
by any determined form,
and we say: balloon, flower,

heart, condom, opera,
lampshade, parasol, ballet.
Hear how the mouth,

so full
of longing for the world,
changes its shape?

We look at alien grace/unfettered/by any determined form


aug 7/SWIM

5 loops
90 minutes
lake nokomis open swim
86 degrees

Yes! A wonderful swim, and another hour and a half to add to my goal of reaching 34 hours by the end of the month. The water was choppy, which I liked, except for when it made it hard to get a stroke in and I felt like I was sinking. The water was thick and filled with my sparkle friends. Several times it felt like the buoy kept getting farther and farther away, until I broke the spell and suddenly had reached it. I saw some menacing sailboats and 1 or 2 paddle boarders. The light during the last loop was very cool — why? I guess because it was giving very chill twilight vibes. Noticed a few planes flying low and lots of seagulls and ducks. A few flashes down below — fish?

I felt strong and can tell that I’m getting stronger as I do more longer swims. A thought — could I possibly manage 7 loops in 2 hours? That would be amazing!

A few lines from two poems discovered this morning:

There is the clarity of a shore
And shadow,   mostly,   brilliance

summer

                the billows of August
(from “From the Sustaining Air“/ Larry Eigner

The clarity of a shore and shadow. Not sure about the shore, but I like the idea of shadows bringing clarity. They do for me.

2

I am pointless. This I come to know
by pressing ear to night’s machinery.
Outside, the words rub each other
until they are dull: calibrate, resurface,
surface, invest, investigate, snowy, open,
environ, woman, wooden, system.
I look where little nodes of language cling,
lichen-like, to what will have them.
(from “Rose-crowned Night Girl”/ Emily Skillings

I read this line about being pointless and it helped me to think about pointless meaning more than useful or not worthwhile. To be pointless is to not have points, to be smooth instead of rough, nothing sharp about you. My vision is point-less but not pointless. Everything softens with my fuzzy gaze.

added after the swim: During loop 4 or 5, I started thinking about pointless again as a way to indicate a dot — it’s a star without points. Earlier today I was working on a poem that describes a dot as a distant star. After thinking about pointless I thought about how the star/point, which was the far-off buoy, wasn’t always there — it flickered.

added 8 aug 2025: Just remembered a few more things. After the swim, I met Scott at Painted Turtle for a beer. We watched the ducks in the water, bobbing and floating and almost getting into fights with seagulls. We also watched the final swimmer being escorted into shore by 3 lifeguards. I told Scott that being the last swimmer, that is, staying until the very end of open swim, is a goal every year. I think I’ve done it once. Then we watched the green buoys heading in for the night, looking so much smaller than they do in the water when you’re right next to them.