Tag: no headphones

jan 10/ BIKERUNBIKE

bike: 30 minutes
bike stand, basement
run: 1.25 miles
treadmill, basement

The weather isn’t too cold (at least for me) this morning or too blustery, but I decided to stay inside and do more biking, less running to rest my sore legs. Now as I write this I feel a little regret. Winter runs in the cold are the best. Why didn’t I run outside?

While biking, I watched part of the first episode of the netflix doc series: Cheer. It’s fascinating and freaking me out. They take so many risks with their bodies. I wonder what the long term effects of these risks and the injuries they get are? Will the series address this at some point?

When I was younger, I never thought about my body. But after I had 2 kids, my mom died too young, and I started running and open water swimming, I became more aware of its fragility and developed a need to protect it and be careful with it.

Living in the Body/ Joyce Sutphen

Body is something you need in order to stay
on this planet and you only get one.
And no matter which one you get, it will not
be satisfactory. It will not be beautiful
enough, it will not be fast enough, it will
not keep on for days at a time, but will
pull you down into a sleepy swamp and
demand apples and coffee and chocolate cake.

Body is a thing you have to carry
from one day into the next. Always the
same eyebrows over the same eyes in the same
skin when you look in the mirror, and the
same creaky knee when you get up from the
floor and the same wrist under the watchband.
The changes you can make are small and
costly—better to leave it as it is.

Body is a thing that you have to leave
eventually. You know that because you have
seen others do it, others who were once like you,
living inside their pile of bones and
flesh, smiling at you, loving you,
leaning in the doorway, talking to you
for hours and then one day they
are gone. No forwarding address.

I’m mostly okay with my body. Together we’ve done some great things. I guess sometimes I wish my kneecaps would stay in their grooves and not temporarily displace or my central vision wasn’t almost completely destroyed or my legs didn’t get unbearably restless when I wake up in the middle of the night, which happens a lot. But I think I feel less like Joyce Sutphen and her body as (treasured) burden, and more like Linda Hogan in Rapture: “Oh for the pleasure of living in a body.”

jan 9/RUN

5 miles
franklin hill turn around
29 degrees/ feels like 20
50% ice and snow-covered

Love these outdoor runs when the path is not completely ice-covered and I get to run for almost an hour! Just past the welcoming oaks stopped for a minute to let the parks mini-truck drive by on the path. Noticed later that they had put some dirt down on the path. Hooray! Hopefully that will make it easier to run on. For much of the run north, felt like I was in a dream, floating along on the path.

What I remember about today? The River

Wasn’t sure how long I would run but decided to go all the way to the bottom of the Franklin hill to get a closer look at the river and all the ice on it. So desolate and other-worldly looking! Studded with chunks of ice and thick water that wasn’t moving or barely moving. Moving at a glacial pace? Thought about this phrase and how (sadly, disturbingly) it’s losing its potency as a metaphor now that glaciers are melting (and melting so much faster than expected).

Did a quick google search and found this article: Slang is changing at a glacial pace

The thick water reminded me of simple syrup–clear but thick and barely flowing. Or maybe like a partly melted slushie? Still very cold and a little frozen but more liquid than ice. I’ll have to keep looking closer at the river to see when/if it completely freezes over.

After turning around at the bottom of the Franklin hill, I ran back up the hill, stopping at 3 miles for a minute to turn on a playlist. Encountered several dogs and their humans, some walking, some running. Greeted Dave, the Daily Walker. After I finished running, stopped at the split rail fence above the ravine to stretch. With the temperature almost at freezing, the water dripping out of the sewer pipe smelled rotten.

dead metaphors

Yesterday I posted something about metaphors, their (sometimes) entrenched political meanings, and how they can limit instead of expand our imagination. Today, I’m thinking about metaphors again as I read the “Slang is Changing” article I mentioned above.

During the Little Ice Age, which stretched from the 14th to the 19th century, the median Northern Hemisphere winter was significantly colder than it is today. Glaciers more often advanced than retreated, sometimes wiping out communities as they moved. Percy Bysshe Shelley’s poem ‘Mont Blanc’ (1817) captures the menacing aura that adhered to those frozen rivers of ice:

… The glaciers creep
Like snakes that watch their prey, from their far fountains,
Slow rolling on …
in scorn of mortal power

Shelley saw glaciers as predatory, immortal forces, eternal beings, before whose might mere humans quaked. But global warming has flipped that perception. We are now more likely to view glaciers as casualties of humanity’s outsize, planet-altering powers.

In “Politics and the English Language” (1946), Orwell laid out six rules for writers, the first of which declares: “Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.” An inert metaphor such as “hotbed of radicalism” conveys very little: We can no longer feel the blazing temperature between the bed sheets, just as—prior to public awareness of global warming—we’d stopped noticing the icy fossil poetry in “glacial pace.”

We speak routinely of carbon footprints, of wiping species off the face of the Earth, and of greenhouse gases, but we no longer see the feet, the hands, and the backyard sheds. As consciousness of climate change has grown, a new class of dead metaphors has entered the English language. We speak routinely of carbon footprints, of wiping species off the face of the Earth, and of greenhouse gases, but we no longer see the feet, the hands, the faces and the backyard sheds that were once vivid when those phrases were newly coined.

jan 8/ RUN

3.75 miles
us bank stadium

Ran with Scott downtown at the stadium. Listened to my playlist because the music they play there is annoying. What do I remember from the run? It felt effortless, like I was flying for the first few laps. Got a little harder towards the end. Lots of runners and walkers. Some person working there who kept adjusting the posts they had up to separate the lanes. Dim lights, difficult to see. Successfully did not run into anyone. No interesting thoughts or encounters.

Really appreciate this discussion of metaphors and the political from Heather Christle’s discussion of her writing/revising process on Guernica’s Back Draft.

on metaphors and the political

Heather Christle: It’s dangerous. It can be fantastic to see the illumination of one thing in another, but it can be misleading as well. There are times when the metaphors that I’m thinking about aren’t coming from a strangeness but are coming from systems that take strict limits to the imagination. They might present themselves as acts of imagination, but they’re strict and limited. I’m trying to learn to see them for what they are. Writing this crying book has taught me, again, the joy of the connection between things, but also the danger of always seeing one thing in terms of another.

Guernica: It sounds like your answer is gesturing toward the political.

Heather Christle: Well, I think that metaphor and politics are deeply intertwined, and I think that the most dangerous metaphors are the ones that are invisible for us—the ones that people do constant political work to make visible. And I think that part of the work that I’ve been trying to do recently is to see where the imaginative life and the political life intersect, and how they might provide a way for us to live other than as we are.

jan 6/RUN

3.25 miles
trestle turn around
27 degrees
50% slick ice-covered

Ugh! The temperature was great, so was the wind, but the path was terrible. So slippery–not all of it, but enough to make it very difficult to run on. I’ve been wondering why the paths are so awful this year and I think it is because they must not be treating the asphalt at all. Not sure what they used to put on it, but nothing this year. This is a bummer, but I’m sure whatever they were treating it with was not good for the river so I’m glad they’ve stopped.

Paused at the trestle to put in my headphones and admire the beautiful, brown river. Very peaceful today. Don’t remember much else except for the walk before the run: I heard lots of birds, an airplane, the hum of far off traffic, a chainsaw trimming a tree. Oh–and how the slick ice on the path was shining in the sun.

The Spider/ Heather Christle

The spider he is confused
b/c I am not killing him
only moving him outdoors
When I die I do not want
to feel confused
No I would rather feel clarity
like I am a pool
and death a chlorine tablet
I want it to feel
not like I am dying
but am being transferred
to the outside
And I hope I do not drown
as I have seen happen
to hundreds of spiders
b/c I love to swim
and to drown would
wreck swimming
for a long time
But death is like none of this
I know that death is a tower
standing in the middle of the town
And the tower receives
many visits
And there’s no one
but spiders inside

Heather Christle is wonderful. Favorite line: “I hope I do not drown/as I have seen happen/ to hundreds of spiders/ b/c I love to swim/and to drown would/wreck swimming/ for a long time”

This poem is part of a series called Back Draft in which poets show two versions of a poem and then discuss their revision process. Very interesting.

on revision

With me, I can pretty quickly hear whether there is a thing that is alive inside the poem. But for me, if that thing that’s alive in some poems isn’t there, there’s nothing I can do to make it come forward, you know? Some poems have life, and some just don’t. Sometimes it’s an ostrich, and sometimes it’s a cinder block, and no matter what I do I can’t make a cinder block be an ostrich (Heather Christle)

the process of writing poetry

an enormous part of what I’m doing is listening, that I’m listening to the strangeness that is within us, and within our world, and within our ways of speaking to one another. And I’m listening to the energies and desires of the words themselves, which isn’t to say that I think that I’m actually listening to Martians, to borrow Jack Spicer’s metaphor, you know? I don’t think that I’m catching the voices of ghosts or something. I don’t know what is on the other side of what I’m listening to, but I do know that it, for me, has to be heard right away, that I can’t slowly revise my way towards it. If I missed it the first time, it’s not going to become present.

jan 4/ RUN

2.5 miles
river road, south/north
28 degrees
90% sharp, crusty snow and ice

Should have worn my yaktrax today. So slick and uneven. What a bummer. The river was open and beautiful, the sun glowing through the gray gloom, the air not too cold. But the path was terrible–too rough and uneven and dangerous.

Walking earlier this morning with the dog, my left kneecap couldn’t find its groove. It wasn’t completely sliding out, but it was rubbing. Not sure why, but running helps it get back into place. Oh, the body is such a strange thing.

Encountered lots of runners. A few bikers. Some walkers. No Daily Walker. Turned around at the double-bridge parking lot and put on a playlist. Started with my new favorite song: Black Wizard Wave by Nur-d. I would have been flying down the path if it hadn’t been so icy.

Still playing around with my favorite lines of poetry from all the poems I gathered in 2019. So much fun.

Cento/ Sara Lynne Puotinen

VI.

I’m sorry for the rabbits.
And I’m sorry for us
To know this.
Suffice it to say I am sorry all the time.

VII.

All that trees can ever learn they know now
clear cut and certain, they rise, telling me
Go forth to the forests and grow wise
and who among us could ignore such odd
and precise counsel?

VIII.

Meanwhile, even the birds sing
to-do lists and quietly
the doe does what does do.

VIX.

for no reason
the windowed ones in their windowed world
lock the door

jan 3/RUN

3.75 miles
up on the ford bridge and back
33 degrees
75% snow-iced covered

Took Delia the dog out for a walk and was worried that it would be too slippery but it was so calm and warmish and wonderful that I couldn’t resist trying. Wore my yaktrax and struggled for the first few minutes on the sidewalk. Turned right instead of left and headed towards the falls. There was a strip of clear path almost the entire way. The river was beautiful. Ran south to the ford bridge and decided to climb up the short hill and run across it. What a view of the river! And what noisy traffic zooming by!

Observations

  1. Even though the sky was whiteish gray (or grayish white), it was bright enough for the river to be reflecting the bluff on the st. paul side. Looking down at the water, I saw the white from the bluff and some trees.
  2. Looking down at the Winchell Trail near 42nd street, I could see the graceful curve of the retaining wall above a ravine.
  3. Saw–or maybe sensed?–2 birds flying above me. One was black, most likely a crow. The other, white–probably a seagull? I like this idea of distinguishing between seeing and sensing. I do a lot of sensing–but how to describe that?

Disclosure/ Camisha L. Jones

I’m sorry, could you repeat that. I’m hard of hearing.
To the cashier 
To the receptionist 
To the insistent man asking directions on the street 

I’m sorry, I’m hard of hearing. Could you repeat that?
At the business meeting 
In the writing workshop 
On the phone to make a doctor’s appointment 

I’m-sorry-I’m-sorry-I’m-so-sorry-I’m-hard-for-the-hearing

Repeat. 

           Repeat. 

Hello, my name is Sorry
To full rooms of strangers 
I’m hard to hear 

I vomit apologies everywhere 
They fly on bat wings 
towards whatever sound beckons 

I’m sorry. I’m sorry. I am so, so sorry
           and repeating
                       and not hearing

Dear (again) 
I regret to inform you 

I       am

here

I love this poem and how the author communicates her frustrations with being hard of hearing. I love how she twists it a little by writing hard-for-the-hearing. And I love her reading of it, which you can listen to on the site. I want to spend some more time with this poem and think about how to translate it into my experiences being hard of seeing.

jan 2/RUN

5 miles
franklin hill turn around
36 degrees
95% snow-covered

Oh, I needed this run! Started out rough, walking to the river, slipping on the sidewalk. The path was covered in slick, unsettled snow. But somewhere after the lake street bridge something happened and I started to feel that joy of being outside and breathing in the cold air and feeling my muscles working. Was it around the time I noticed the river? Not white, but brownish gray, free of ice and snow. Or after I passed the unleashed dog and its human near the trestle? While I was running down the franklin hill, my arms swinging rhythmically? Or after I turned on my running playlist as I started running up the hill? Now I remember. It was when ACDC’s Back in Black came on and I picked up the pace between franklin and the trestle. Today I got to fly and it was amazing.

Listened to the Current yesterday for their end of the year/decade (or as Mark Wheat liked to pronounce it: duhCade) wrap-up and discovered Nur-D and “Black Wizard Wave.” Favorite lines: “I’m currently feeling myself” and “I’m so high. Levio Levio Leviosa”

This is the first poem I read in 2020. I found it yesterday morning while scrolling through twitter. Beautiful.

Abstract/ Todd Dillard

A hummingbird has died in my driveway.
My neighbor, mowing his lawn, glimpsed it falling,

and now he holds the body careful as a soap bubble
in the chalice of his broad hands. The summer 

this year is sending our street hate mail: FUCK YOUs and
I HOPE YOU DIEs written in sidewalk worms and mosquito bites,

every shirt darkened by Pangaea damp, every kiss salt
lick and dog pant. And it’s ridiculous, really, how no one

has researched why every body gets smaller when held,
how a pocket-sized grief can become a particular tininess: lost

picture, forgotten phone number, memory of an old coworker
who would sing as he mopped the bookstore café, his tenor

rolling through air like rainwater down subway stairs. We hang,
my neighbor and I, suspended in June’s sewer breath,

inventing the kind of time travel where our minds age
backward, turning us into children again, asking:

What should we do? What happens next? Our dead
mothers call from porch steps—dinner’s ready, come

eat these decades while they’re still fresh! And then—
pop—we’re our old selves again, we head to our houses,

him to toss the bird into his garbage bin, then maybe do the dishes,
me to get dinner started, to stand before the open fridge

and wonder what it is I am hungry for
listening to the hum of its engine.

Favorite lines right now: we hang,/ my neighbor and I, suspended in June’s sewer breath,/ and Our dead/mothers call from porch steps

This poem was published in the journal, BOOTH. I looked at their submission policy and found these scary statistics:

  • Our acceptance rate is typically around 1% or lower.
  • From September to March, we typically receive around 3,500 submissions, or between 15-20 per day.

Wow. I imagine this is pretty typical for most journals. I’m glad I don’t write poetry to get published.

jan 1/BIKERUNBIKE

bike: 30 minutes
basement, bike stand
run: 1.25 miles
basement, treadmill

Decided to take it easy today, the first day of 2020. Yesterday my muscles took a beating on the rough path. Working out in the basement is never as inspiring or interesting as being outside but it does make me less restless and helped me fill my 3 rings for the 218th day.

Before and after my workout, continued working on my poetry line project. Managed to pick out lines from the 12 months of poems I gathered in 2019. Cut the list way down from 38 pages! to 14. Took out all the line breaks and cut it down even further to 6 pages. Then started crafting a cento from the lines. So much fun–even if this has been a very time consuming process. Rereading all the poems and picking out lines, then trying to arrange them in a new form has taken a few weeks at least. Here’s a first draft:

Listen/ Sara Lynne Puotinen

I.

The world is filled with music, and in between the music,
silence and varying the silence
all sorts of sounds coming into tune.

Knuckles of the rain on the roof,
chuckles into the drain-pipe,
spatters on the leaves that litter the grass,

gnats, frogs, dandelion pollen,
the pebbles & leaves & the whole
world of us, our names whispered
through an intercom in the evergreens,
our calls like an echo of lake, or what makes lake lake.

II.

I can hear a hum inside me,
an appliance left running.
I’ve started calling the hum the soul.
The soul sings at the top of her lungs,
laughs at her little jokes,
begins to kick up her heels,
jazz out her hands,
thrust out her hipbones,
and bellow forth—
like the thrashing of a lemon in the garbage disposal,
a clatter of jackhammers, an earful of leaf  blowers,
the hissing of trees so loud the air is stunned—
the chant, I’m great! I’m great!

III.

I’m not asking for much.
A white, indifferent morning sky.
Unsentimental sleet
A lamentation of geese
less hatred strutting the streets
to feel a little less, know a little more
enough jam jars to can this summer sky at night
a way out, the one dappled way, back
Paradise, all glam-glow, all twinkle and gold
The Meadows – mine –
The Mountains – mine –
All Forests – Stintless stars –
As much of noon, as I could take
gorged, engorging, and gorgeous

IV.

When sorrows come—fast, without warning—
whipping their wings down the sky,
stop seeking before or after life.
If anyone asks say
some of us don’t need hell to be good.

V.

Empty your mind
drift for a minute or an hour
blinking off old eyelids for a new way of seeing.
Remember this is not your land
You don’t get to be the grass
Grow wise with such teachings—
Bees in the lilac tree have something
to say and say it
without giving away the ending
the day knows exactly what it’s doing

VI.

What I love is one foot in front of another
Poets and walkers look up more
often than other people.
Go forth to the forests
Raise your heads, pals, look high,
see more than you ever thought possible
trees tossed like coins against the sky.
Stunned gold and bronze,
oaks, maples stand in twos and threes

dec 28/BIKERUNBIKE

bike: 37 minutes
bike stand, basement
run: 1.3 miles
treadmill, basement
outside: sleet, ice, weather advisory

So glad to have a bike stand for my bike and a treadmill in the basement. The sidewalks, roads, paths are pure ice. Saw a video on twitter of a kid skating on the sidewalk with ice skates. What? Re-watched the Track and Field World Championships while I biked and managed to forget about all of the ideas about writing/creative projects I had swimming around in my head. Too many ideas! Listened to an old playlist while I ran. What a dreary, trapped-in-the-house-kinda-day. Gray, dark, wet. Now it’s raining. At the end of December. Strange.

This morning I watched the wonderful America Ferrera read Denise Levertov’s Sojourns in the Parallel World on Brain Pickings.

SOJOURNS IN THE PARALLEL WORLD
by Denise Levertov

We live our lives of human passions,
cruelties, dreams, concepts,
crimes and the exercise of virtue
in and beside a world devoid
of our preoccupations, free
from apprehension—though affected,
certainly, by our actions. A world
parallel to our own though overlapping.
We call it “Nature”; only reluctantly
admitting ourselves to be “Nature” too.
Whenever we lose track of our own obsessions,
our self-concerns, because we drift for a minute,
an hour even, of pure (almost pure)
response to that insouciant life:
cloud, bird, fox, the flow of light, the dancing
pilgrimage of water, vast stillness
of spellbound ephemerae on a lit windowpane,
animal voices, mineral hum, wind
conversing with rain, ocean with rock, stuttering
of fire to coal—then something tethered
in us, hobbled like a donkey on its patch
of gnawed grass and thistles, breaks free.
No one discovers
just where we’ve been, when we’re caught up again
into our own sphere (where we must
return, indeed, to evolve our destinies)
—but we have changed, a little.

I love the idea of nature not caring about our preoccupations and of living in and beside it and of a moment or an hour in which we can drift and lose track of ourselves as we respond to nature–which is, by the way, what running enables me to do by the gorge for at least a few seconds every time I run. I also love how she describes nature in such simple forms: cloud, bird, fox. With my vision and how it makes objects fuzzy, sometimes all I can recognize is the basic form: person, tree, boulder, river, bird

This valuing of losing track of ourselves is central to my own goals and has me thinking that it is just as or more important than the constant refrain to find ourselves.

What would it look like to center/prioritize losing instead of finding ourselves?

dec 27/ RUN

3.5 miles
trestle turn around
29 degrees
0% snow-covered!

Back home in Minneapolis. Clear paths and sunshine. Feels harder to run in the afternoon today. Ran to the trestle with no headphones, returned with a playlist. Most memorable thing observed: a car honked its horn for at least 15 seconds when a slower car pulled out in front of it. What an asshole (the honker, not the honked-at). Don’t remember much else from the run other than I was tired–probably because I ran the final mile a minute faster than mile 2. Why? Not sure. I think I’m too tired to have any “brilliant” revelations about my run or life or the gorge.

A few nights ago, unable to sleep, I found a great book by a poet I happen to like a lot. So I checked it on my Libby app (this app is awesome): Theodore Roethke/ On Poetry and Craft