Tag: no headphones

nov 3/RUN

3.1 miles
2 trails
41 degrees

A little warmer today. Another beautiful run. What a view! Clear and through the trees to the river and the other side. I love November and its blues, grays, browns, and golds from a few trees still holding onto their leaves. I felt relaxed and strong — lungs and legs.

Listened to rustling leaves, striking feet, dripping ravines for the first 2 miles of the run. Put in Taylor Swift’s new version of 1989 for the last mile.

10 Things

  1. a single leaf floating through the air, then down to the ground — was it brown or gold or green?
  2. the steady dripping of water out of the sewer pipe
  3. the smell of something burnt — toast? coffee? — but from a house or the gorge and not longfellow grill
  4. a runner in a bright yellow shirt, running across the road, then through the grass below edmund, then onto the dirt trail in front of me
  5. the steps down to the winchell trail are closed, with a chain across the railings, but I went around on the dirt path
  6. the winchell trails was covered in yellow leaves
  7. the roar of a chainsaw from across the gorge
  8. kids’ voices from the playground at Minnehaha Academy
  9. a biker on the walking trail where it dips below the road and hangs above the floodplain forest
  10. a bright headlight from a bike, glowing in the grayish gloom

Found this wonderful little poem the other day:

Injury Room / Katie Ford

Through my
little window, I
see one day
the entire bird,
the next just
a leeward wing,
the next
only a painful
call, which, without
the body, makes
beautiful attachments
by even
attaching at
all.

This poem reminds me of my own experiments in trying to determine how little information (especially visual data) I need in order to recognize or identify or be aware of the presence of some thing.

Poetry is not a Project

Two days ago, at the end of my entry, I posted about a pamphlet I was reading, Poetry is not a Project. I offered some notes from the first section, Habitus, and promised to do the rest in later entries. Here’s the rest. Instead of a lot of notes, I decided to condense it into a key passage from each section.

Poetry is Not a Project / Dorothy Lasky

Habitus

Poems are living things that grow from the earth into the brain, rather than things that are planted within the earth by the brain.

This discussion of dirt/the ground reminds me of Mary Ruefle’s Observations on the Ground and April, 2022, when I spent the month studying dirt.

An Example

To write a poem is to be a maker. And to be a maker is to be down in the muck of making and not always to fly so high above the muck.

This passage reminded me of an essay I posted about in September and finally read yesterday: En Plein Air Poetics: Notes Towards Writing in the Anthropocene / Brian Teare

What is Really Not Intentions, but Life

The road through a poem is a series of lines, like a constellation, all interconnected. Poems take place in the realm of chance, where the self and the universal combine, where life exists.

On the same site, Ugly Duckling Press, where I found Lasky’s pamphlet, I also found this chapbook, Almost Perfect Forms, in which the author creates the constellations out of ands and ors found in Dreams and Stones by Magdalena Tulli.

How We Write and What We Write For

Because poets make language and make language beautiful. Because beautiful language makes a new and beautiful world. Because poets live and make a new world, which beautiful language itself creates.

nov 1/RUN

4.3 miles
minnehaha falls and back
30 degrees / feels like 22

Yes, another wonderful run! I love breathing in this cold air. Everything that has been almost closed opens up. A lot of the snow has melted, but there were a few patches on the grass. The path was almost completely bare and dry, only one or two short stretches of ice. The falls were roaring. I passed a guy talking on his phone (he was in shorts, of course), showing whoever he was talking to the falls — these falls are so beautiful (at least I think that’s what he said).

I tried chanting in threes:

I am girl /I am ghost/ I am gorge
Girl Ghost Gorge/ Girl Ghost Gorge
Girl / Ghost / Gorge
Girl Girl Girl / Ghost Ghost Ghost / Gorge Gorge Gorge
Girl Ghost Gorge / Ghost Gorge Girl / Gorge Girl Ghost

I was hoping I find some way into words about my haunts poems. It started with one: obsession (which I thought about before my run too. See below). I was thinking about how I return to the gorge again and again, day after day, wanting to be there, wanting to find better words, wanting to establish (once and for all?) that this place is my home. I haunt this place, as ghost and girl.

10 Things

  1. honking geese (just before going out for my run)
  2. snow mixed with ice mixed with yellow leaves
  3. a strange noise — a big pipe clanging mournfully (not exactly sure what was happening, but the noise was caused by a city worker patching the path)
  4. the sharp smell of tar
  5. a woman and her dog walking on the double bridge
  6. a few patches of ice under the ford bridge
  7. running past the cold, silent meadow, almost hearing the buzz of bugs from earlier in the fall
  8. rushing, gushing, roaring falls
  9. crossing over the grassy trail (to avoid the work being done on the path), running over little piles of snow and leaves, my foot sinking into a hidden hole
  10. listening to a playlist for the second half of my run, running on the far edge of the road, being passed by a car hauling a trailer

I was just about to write that I forgot to look at the river, but I just remembered that I did and that I saw one spot that looked like it could almost be ice.

Stopped at my favorite falls spot and took a few seconds of video before turning on a playlist and starting to run again. Watching this video, it seems less white and wintery than it felt when I was there.

minnehaha falls / 1 nov 2023

before the run

I wrote this before my run. It made me feel hopeful that I’m getting closer to a way into a months long obsession.

It’s November and I’m feeling the itch to start (or return to) a big project. Me and my projects. I feel unsettled, lost, irritated, overwhelmed without them.

Not everyone likes the word project as the way to describe what a poet is doing when working on some thing (or, working on nothing, when nothing is not no thing but that empty, unknown space, the void). I guess the idea of a project bothers me a little too — too organized, structured, disciplined. Maybe I’ll start calling it my latest obsession? But an obsession with some direction; the goal = (temporarily) exhausting my feelings/thoughts/understandings/experiences with a certain thing. To write and write and write about a thing until I’m exhausted, emptied or satisfied, at least temporarily.

The difficulty right now is that I have too many obsessions: the periphery, the other side/lifting the veil, living in a land of almosts, girl/ghost/gorge, RUN! as an archive. Where should I land? Which one should I choose? Perhaps I should avoid settling on something so BIG and important, and search for a small, off to the side way in?

Ever since I encountered a chapbook by Dorothy Lasky, Poetry is Not a Project, I’ve been critical/uncertain about my own use of project as a way to describe what I’m doing. I think I first encountered it in year 2 (2018) and I don’t think I actually read it. I just remember feeling uneasy with its title. And that unease has stuck. I think I’ll read it now.

note: I did read it and loved it and then went out for my wonderful run. Now, 3 hours later, I’m back and ready to read it again and then write about it a little.

There’s a lot I could write about in this wonderful pamphlet and its 4 sections: Habitus; An Example; What is Really Not Intention, But Life; and How We Write, and What We Write For. So, I want to break it down over 4 log entries. Today: Habitus

Habitus

I think poems come from the earth and work through the mind from the ground up. I think poems are living things that grow from the earth into the brain, rather than things that are planted within the earth by the brain. I think a poet intuits a poem and a scientist conducts a “project.”

Poetry is Not a Project

She is not satisfied with this distinction, feeling it’s not quite correct, then ends this page with the following hope:

But I do think there is a distinction. And the distinction, I think, is very important to how we come to think of poetry in the 21st century. Because I want this new century to be full of people who write poems, not full of poets who conduct projects and do nothing more.

Poetry is Not a Project

On the next page, she discusses why projects are useful for poets: they bring in money and respect.

A poet with a project has everything set out before he even gets started. A poet with a nameable project seems wise, and better than other poets with unnameable ones.

Poetry is Not a Project

She calls this out as BS. Then she discusses intuition and its importance for poetry, how the outside world of an artist blends and blurs with our internal drives. This blending and blurring can be difficult to name.

Love this bit:

Naming your intentions is great for some things, but not for poetry. Projects are bad for poetry. I might argue that a poet with a “project” that he can lucidly discuss is a pretty boring poet, at best.

Poetry is Not a Project

and this:

when a poet interacts with the field or domain of poetry, she is aware of the immense history she represents in her words enough to let herself be crushed by it.

Poetry is Not a Project

She then argues that poetic “projects” can be toxic to established and new poets, creating pressure by demanding the poets know exactly what they are doing and be able to articulate it to others. She closes this section with,

a poem, as a thing, resists being talked about linearly in its very nonlinearity. In its very nonlinear life. In the poem’s actual life, goddamn them.

Poetry is Not a Project

Here, I was planning to write some of my thoughts, but I’m struggling to describe why/how Lasky’s ideas resonate for me. I think I’ll write about the other 3 sections and then respond.

But, just one more thing: Lasky’s discussion of our inability to know or express what a poem is in the form of a project, reminds me of a definition of wild that I revisited this morning:

wild = capacity of all things to elude the mind’s appropriations

oct 26/RUN

3.1 miles
trestle turn around
57 degrees / drizzle

Waited for the rain to stop, then went out for a late morning run. Listened to the squeaks of my feet on the wet leaves, the drips from the trees and the eaves, workers on a neighbor’s roof as I ran north. Listened to a playlist on the way back south. The sidewalks were slippery and covered with red and yellow leaves. The paved trail had some puddles. I remember looking at the river through the trees, but I can’t remember what it looked like. Probably gray.

The strangest moment of the run happened near the beginning as I ran through the neighborhood on my way to the river. The sidewalk was covered in intensely red and yellow leaves and so was the sky, from an orange tree. Everything glowed, even me in my bright orange sweatshirt. Wow! I decided that once I finished my run, I’d come back to this spot and take some video:

A sidewalk covered in red and yellow leaves. In person it glowed, but when I look at it on the screen, it is dull.

oct 19/RUN

4.1 miles
minnehaha falls and back
51 degrees / light rain

Ran to the falls. Everything yellow, red, orange. Wow! Encountered some walkers as I got closer to the falls, one or two runners. Chanted triple berries — strawberry/ raspberry/ blueberry. Also recited Mary Oliver’s “Can You Imagine.” I remember starting it, but I don’t think I finished it, and I can’t remember where I stopped. The Minneapolis park workers were out again, patching up cracks in the asphalt with stinky, steaming tar. The falls were gushing. As I ran by them, 3 teenage boys sprinted past me, on their way to the steps. The mother in me hoped they didn’t fall down the slippery stairs. I stopped at my favorite spot on the other side of the park, near where Longfellow’s “The Song of Hiawatha” is etched into the limestone wall, to admire the falls. Today, before starting to run again, I decided to take some video of my view:

The view from my favorite spot of Minnehaha Falls

notes about what I saw: As I was taking this video I saw a flash of movement below: it was one of the teenage boys running over the bridge that crosses the creek after it’s fallen. I tried to pan down to capture him on video, but I can’t see him. Can you? Also, to the left of this frame, there was a person with an easel set up, painting this view from a different angle. When I had approached the spot, I knew there was something/someone else there but I couldn’t tell what/who it was and I didn’t want to stare. It was only after I started walking away and saw the person through my peripheral vision that I figured out what was there.

The rain came in the last mile of my run, right after I finished filming myself running up the edge of the world. (Oops. I screwed up the camera by not starting it when I thought I did. I’ll have to try filming this view some other day). Good timing! I didn’t mind getting wet — I already was, from sweat.

I listened to water dripping, kids yelling from across the road, a dog yipping, the falls rushing, leaves squeaking on the way to the falls. I put in Beyoncé’s “Renaissance” on the way back, but took it out and listened to more water and wheels and my own breathing while running on the Winchell Trail.

We’re getting closer to the end of October and the cold is coming. Looking back through old entries, it had already snowed by this day in past years. Here’s a poem I found in the New Yorker that gets me in the mood for that cold — and it features the color blue!

Childhood/ David Baker

I miss the cold, but not the cold breaking,
not the small limbs sheared, nor the icepick cold
white wind working its whole way through you
no matter your coat and gloves, and no matter
the blue scarf someone tied and tucked tight.

The same cold blue all day in the sky. Frozen
blue through limbs of the two standing elms.
Brilliant each blue. Blue the color of new
snow like wafers on the fields. Come in cold then,
and the dark comes with you, kick off your boots

and someone is rubbing your feet so they
sting, then stop stinging. Now the bruised-apple-
red bottle at the foot of your bed, steaming,
and come morning woodsmoke in the kitchen.
I miss the cold then, so cold there is singing.

oct 18/RUN

3.1 miles
2 trails
54 degrees / drizzle

Wow, so much yellow. Full fall color, I think. I was sore this morning from my run yesterday, but glad I went out to be with all of this beautiful color!

I listened to a playlist, then took out my headphones while I was on the Winchell Trail, then put the playlist back in for the last mile. Ended the run with the theme to Rocky — not on purpose; it happened to come up on shuffle.

Smelled the sewer, heard the limestone dripping, called out right behind you several times. Thought (again) about stopping at the overlook to take a picture of the wonderful view of the river, but didn’t. Instead, I stopped at the entrance to the Winchell Trail and took this shot:

At the top of some limestone steps, about to enter the Winchell Trail from the south end. In the lower right, a limestone wall. In the center, a black railing. More than half of the image is yellow leaves, mostly on trees, some on the dirt trail which used to be asphalt. On the right side, a stand of straight brown trunks.
entering the Winchell Trail from the south

10 Things

  1. 4 or 5 stones still stacked on the ancient boulder
  2. the floodplain forest is almost all yellow
  3. the sewer gas from below smelled sour and unpleasant
  4. a Minneapolis Park truck was parked in the grass above the gravel trail that descends through the ravine — are they planning to clear out more dead limbs below?
  5. encounter 1: 2 people with 2 big black dogs on the Winchell trail — right behind you / sorry / no worries. It’s a beautiful morning!
  6. encounter 2: a man with his dog — right behind you / no words, but he moved over slightly / thanks!
  7. the “edge of the world” was mostly bare, with only a few streaks of yellow left
  8. avoiding roots on the dirt trail next to edmund, imagining that I was doing agility drills
  9. taking off my pink jacket at the bottom of the 38th street steps
  10. encounter 3: 2 different people with dogs, or a dog?, bypassing the steps and continuing on the dirt trail to the oak savanna

oct 12/RUN

3.6 miles
locks and dam no. 1 hill
51 degrees
wind: 13 mph

My knees were sore last night and this morning and I wondered if I should go out for a run, but it’s supposed to rain later today and all of tomorrow, and I read an article that said sometimes running on sore legs is better than not running, so I ran. And I’m glad I did. My legs/knees feel better after than they did before.

Felt windier than 13 mph. It almost knocked my cap off.

I listened to beeping trucks and chainsaws and rushing wind as I ran south. When I got to the top of the hill at the locks and dam no 1 I stopped and put in a Bruno Mars playlist.

10 Things

  1. the dirt on the boulevard was sometimes dark brown, sometimes light brown
  2. more trees without leaves — have we passed peak leaf season?
  3. a parks’ truck blocking the entrance to the overlook and the winchell trail — no winchell trail for me today
  4. running up the hill, the sun came out briefly from behind the clouds, just enough for me to see the faint outline of my shadow. Hello friend!
  5. more crunching leaves in the grass — brittle, brown, formed into little mounds by the wind
  6. a rough trunk with lichen growing on it — on the north side — a faint, yellowish green
  7. several different versions of green on the tree trunk and the grass
  8. walking past a giant rectangular hole in the street — the spot where they busted open the street to work on the water pipes. Minutes before, workers had filled it with warm, bitter smelling tar (or asphalt?) Heat was coming off the filled hole, warming my legs
  9. a falling red leaf hit me on the shoulder
  10. color of the day: bright yellowish green. Not only was I wearing a shirt in that color, but I saw at least 3 other yellowish green shirts on a runner, a walker, and a biker

After staring at the yellowish greenish lichen, I took a picture of it:

A close-up image of tree bark that is rough and brownish gray (or grayish brown). There are streaks of greenish-yellow lichen on the bark. While taking this picture, with my face close to the trunk, I could see the lichen. And, if I put my face close to the screen while studying the picture, I can still see it. I can also see the lichen in the picture if I turn my head slightly and look at it through my peripheral vision. But at a normal (1 foot) distance, I can't see the lichen. It blends in, not looking yellow or green but light brown.
a close-up of a tree with lichen on its north side

oct 11/RUN

3 miles
2 trails
58 degrees

Ran in the afternoon. Much warmer. Too warm. Overdressed in my long-sleeved bright yellowish green 10 mile racing shirt. Listened to Olivia Rodrigo for the first mile, then took out my headphones for the rest. I heard trickling water, laughing and screaming kids making the kind of noise that’s on the edge between angry and joyful, wind rustling the leaves.

After I finished, walking on the grassy boulevard, dotted with dry leaves, I pulled out my phone and recording the sound:

crunching leaves / 11 oct

I started by walking through the leaves, kicking into them with my feet. Then I stepped on them. To my ears, the sound went from a crash to a crunch.

I ran the version of 2 trails in which I don’t take the 38th street steps but stay on the dirt trail through the oak savana then around the ravine. I thought about stopping to take a picture here — and many other places too, including the overlook near the southern entrance of the winchell trail — but I wanted to keep running. So I took a picture of the ravine from above and across the river road:

A road with tree shadows on it. Behind it, a split rail fence and some golden trees. Beyond it, but not pictured, is a ravine with a black wrought-iron fence and a metal slat walkway that I carefully ran over a few minutes before taking the picture. In the upper right corner, there is a yellow sign indicating a sharp curve. There are also 2 cars in the distance. When I was taking this picture, I only saw general forms: shadows trunks leaves road sky.
The split rail fence above the ravine from across the river road

oct 4/RUN

4.4 miles
longfellow gardens and back
64 degrees / 78% humidity

A little cooler, but still humid. More shorts and tank top. Decided to run past the falls to Longfellow Garden to check out the flowers. Oranges, reds, pinks, purples, yellows. Did the gray sky make the colors seem even more vibrant to me?

The falls were gushing, so was the creek. The sound of dripping water from the sewer mixed with the wind. Chainsaws echoed below me in the gorge as Minneapolis Parks workers removed dead branches and leaning trees.

Running on the part of the trail that dips below the road, between locks and dam no. 1 and the 44th street parking lot, I could smell the rotting leaves — the too sweet, stale smell of last night’s beer. Yuck! Did I smell anything else? Yes! The strong scent of burnt toast or burnt coffee beans or burnt something somewhere in the neighborhood. The soft, pleasing scent of the tall, fuzzy grass that Scott says smells like cilantro.

I listened to kids being dropped off for school as I ran south. At my favorite spot at the falls, I put in an old playlist. I took my headphones out again when I reached the Winchell Trail. Then I put them back in after I was done and walking home. I listened to a chapter about the benefits of being small in Robin Wall Kimmerer’s Gathering Moss.

Since I’m prepping for a week about fall color for my class, I tried to notice color on my run.

10 Things I Noticed: Color

  1. there is still so much green. Everywhere, green. Not dark winter green, but light summer green
  2. a few slashes of red on the edge of the trail, the bright red hair of a walker
  3. orange cones, orange vests, orange signs, a past-its-prime orange tree, orange school bus, orange flowers sticking out above the other flowers
  4. hot pink petals, still intact
  5. flowers glowing such a light, almost white, purple that I imagined them to be ghost flowers
  6. yellow safety vests on a long line of bikers crossing at the roundabout, backing up traffic
  7. dry and dead brown leaves on the edge of the trail, covering the path
  8. the dark blueish gray of crumbling asphalt
  9. dark brown mud
  10. white foam from the raging falls

While walking around the garden, I took a few pictures:

Fall flowers at Longfellow Gardens. In person, these flowers seemed more vibrant and in reds, purples, pinks, oranges. Now looking at the photo, it is mostly various shades of green or gray or brown. If I put the screen right up to my nose or stare at the photo out of the corner of my eye, I can see some color, almost like the idea of color or a flash of color. Nothing steady or solid.
Longfellow Gardens, fall flowers in bright colors that I mostly cannot see

Pale purple flowers at Longfellow Gardens. In person, these flowers were so pale and so bright, almost white, that I imagined them to be ghost flowers.
ghost flowers at Longfellow Gardens

I love this description of what poetry is/could or should be:

Ars Poetica/ José Oliverez

Migration is derived from the word “migrate,” which is a verb defined by Merriam-Webster as “to move from one country, place, or locality to another.” Plot twist: migration never ends. My parents moved from Jalisco, México to Chicago in 1987. They were dislocated from México by capitalism, and they arrived in Chicago just in time to be dislocated by capitalism. Question: is migration possible if there is no “other” land to arrive in. My work: to imagine. My family started migrating in 1987 and they never stopped. I was born mid-migration. I’ve made my home in that motion. Let me try again: I tried to become American, but America is toxic. I tried to become Mexican, but México is toxic. My work: to do more than reproduce the toxic stories I inherited and learned. In other words: just because it is art doesn’t mean it is inherently nonviolent. My work: to write poems that make my people feel safe, seen, or otherwise loved. My work: to make my enemies feel afraid, angry, or otherwise ignored. My people: my people. My enemies: capitalism. Susan Sontag: “victims are interested in the representation of their own sufferings.” Remix: survivors are interested in the representation of their own survival. My work: survival. Question: Why poems? Answer:

the work of a poet: to imagine; to do more than reproduce toxic stories; to make your people feel safe, seen, loved; survival

sept 28/RUN

4 miles
east river road and back*
65 degrees
humidity: 80% / dew point: 60

*over the lake street bridge/up the east river road, past The Monument/stopped at an unofficial overlook with a dirt trail leading closer to the edge/took a quick picture/turned around and ran back the same way

Standing on the edge of the bluff on the east side of the Mississippi, looking through some yellow red leaves to the river and its west side
my view of the river on the east bank on 28 sept, 2023

Another stretch of hot, sticky mornings. (There’s a heat advisory for the Twin Cities Marathon, which is happening on Sunday!) It felt warm enough that I wore the same thing that I do on the hottest summer day: black shorts and an orange tank top. I’m ready for this warmer weather to be over.

For the first half of the run, I listened to construction trucks, zooming cars, crunching leaves, my feet striking the asphalt, trickling water. For the second half, I put in my headphones and listened to The Wiz.

Yesterday and today I’ve been thinking about smell and trying to practice noticing smells. It’s hard! I thought I noticed more, but when I tried to dictate them into my phone, I could only remember 4.

smells: 4 noticed, 1 not

  1. a small patch of wet, muddy dirt in a neighbor’s boulevard: moist and earthy, a trace
  2. fallen, brittle leaves on the edge of the river bluff on the east side: dry, musty, sweet not tangy or sour
  3. the sewer near the ravine: rotten, subtle
  4. tar being used on a road: bitter, faint
  5. tried to smell a tree — I leaned in and inhaled deeply: nothing

My attempt at smelling the tree was inspired by this suggestion, from The Aroma of Trees:

Rest your hands on bark, feel its texture, then draw your face close. Gently rub. What aromas linger in the crevices of the tree’s surface?

It’s quite possible that I didn’t smell anything because I didn’t fully commit to this exercise. I leaned in quickly, right before heading off to run some more.

cold update: almost normal. For years now, my resting heart rate is between 50-55. Two days ago, when I felt especially crappy, it was 73. Today it’s back to 52. I’ve entered the most irritating phase: blowing my nose and trying to clear my throat all the time.

Read this about smell the other day:

When you see, hear, touch, or taste something, that sensory information first heads to the thalamus, which acts as your brain’s relay station. The thalamus then sends that information to the relevant brain areas, including the hippocampus, which is responsible for memory, and the amygdala, which does the emotional processing.

But with smells, it’s different. Scents bypass the thalamus and go straight to the brain’s smell center, known as the olfactory bulb. The olfactory bulb is directly connected to the amygdala and hippocampus, which might explain why the smell of something can so immediately trigger a detailed memory or even intense emotion.

Why Smells Trigger Such Vivid Memories

Also read this about why leaves smell and the effects of changes in temperature and climate change:

“That’s what fall is all about. Leaves are falling off the trees and the bacteria and fungi that are in the soil are actively digesting [them,]” said Theresa Crimmins, director of the USA National Phenology Network. “And in the process, various [gases] are being released, and that’s a lot of what the smells are.”

—

The heat and humidity of summer air traps all kinds of smells, she said, creating a “mishmash” for our noses. 

But as the days get cooler and crisper, there are fewer volatile organic compounds in the air, and we’re better able to distinguish the ones that are released by dying and decomposing vegetation, leaving that sweet smell front and center.

The Science Behind the Aroma of Fall

Because of drought and warmer temperatures, fall is starting later, which is damaging to the long term health of trees — and might lead to less fiery leaf shows for us. I’ve been tracking the changing leaves by the Gorge since 2018, and so far, when I compare my descriptions of the leaves in the fall between 2018 and 2023, I’m not noticing huge changes. Acorns start falling in late July or early August. The first yellow or red leaves appear in late August. Full color is in early to mid October. But, how long will this last? And how quickly will it change?

sept 27/RUN

3.05 miles
2 trails
63 degrees
humidity: 84% / dew point: 60

Feeling a little better on day 5 of my cold. Still difficult to breathe, but maybe that was more because of the humidity and not my congestion. It rained again last night so everything was wet, the dirt trail muddy, squeaky, soaked leaves. Heard some kids shrieking (with glee) near Dowling.

Listened to cars, my feet, kids yelling, water dripping as I ran south and on the Winchell Trail. Climbed the 38th street steps and put in Olivia Rodrigo. Also, took this picture at the bottom of the 38th street steps:

on the west side of the mississippi river, looking through some yellowish reddish orangish leaves to the pale blue-gray river. On the far edge of the river, you can glimpse a red tree on the east side of the river. Fall is here, winter is coming.
slowly, my view of the river is returning / 27 sept 2023

leaf trypthych

one: One of the trees that I watch out for every fall has turned a glorious orange. Wow! Not neon orange, but a warmer, pinky orange. This tree is on the edge of the 44th street parking lot, next to the bike rack, after the trail that winds down to the Winchell Trail, before the trail that crosses the double bridge. It’s a maple (I think).

two: Running on “the edge of the world” — the spot on the Winchell Trail that climbs and before it curves looks like you will fall off into empty air — everything suddenly became lighter. This was partly because the trees have less leaves here and there are less trees, but mostly because the leaves at the bottom of the hill were green, while the leaves at the top were a soft yellow.

three: After I finished my run, walking back, I passed under a tree and suddenly noticed it was snowing yellow leaves. Leaf after soft yellow leaf slowly drifting down to the ground, looking like snow if snow were a gentle, glowing yellow. I love snowing leaves. 

I’m trying to practice noticing smells this week. Not sure I can ever find 10 smells, but here’s today’s list:

Smells I Noticed

  1. wet earth — musty
  2. the trace of sewer stench — sour, unpleasant, above the river on edmund
  3. sewer stench, full blast, above the ravine near the 35th street parking lot — sour, like rotten eggs, or used diapers
  4. smoke from a fire down in the gorge

I think that’s all I remember. I need more practice.

Found this poem the other day by Kelli Russell Agodon. It was posted on Verse Daily — a great resource for poems!

The Hum of the Living/ Kelli Russell Agodon
        

Tonight, what haunts me is remembering 
the Helpful Instructions for the Dying 
pamphlet the hospice worker gave me. 

It’s subtle but it’s not, like finding 
a pocketknife in your favorite birch, 
like the last bedroom she wandered in, 
she wondered in, her last inhale. 

When the hospice worker said, Listen
to a song that gives you hope, I said 
it’s the hum of the living, the sound 

of dishes being set in the kitchen sink,
they remind me—life is here. 

All those years of wishing 
for quiet, for calmness, for less clutter—
protect the chaos with your life.