Tag: morning

march 9/RUN

5.4 miles
franklin loop
35 degrees

Overcast and cooler today. Gray. Was able to run by the Welcoming Oaks and greet them because the walking path that splits off from the bike path just past the ravine and then winds through the oaks was open! Was grateful to be outside on a clear, dry path and not inside worrying about this week and how bad it might get as COVID-19 hits the US.

Not too many people crowding the path, which was nice. The river was beautiful from the Franklin and Lake Street bridges. Did a lot of triple berry chants, mostly: strawberry, blueberry, blackberry. Thought about how I draw the straw and blue out but don’t do that with black–that’s probably why I like putting it at the end of the chant. The east side of the river, first in Minneapolis, then St. Paul, was clear. Favorite part of that side is right before Meeker Island dam: everything seems more brown and there’s a lovely view of the river through the trees. Today the river was blueish gray. Favorite part on the west side lately: the part of the walking trail that winds above the Minneapolis Rowing Club. What a view! And, it’s nice to be fer away from the road.

Anything else I remember? I greeted Dave the Daily Walker as I was running faster up the final hill. Seeing him approach I wondered how out of breath I might sound when I said hi. It wasn’t too bad.

moment of the day

My moment of the day didn’t happen during my run but while I was walking Delia the dog around the neighborhood. Looking up, I noticed a huge bird circling in the sky. What a wing span! It looked white or light gray to me but that could have been because it was up so high. What kind of bird was it? Most likely a bald eagle, I think. I stopped and looked up for a few minutes, watching it make big loops. At first, the loops were almost above me, but soon they were farther away. I wondered why birds circle like this so I looked it up and discovered that it was because of thermals:

Thermals are updrafts of warm air that rise from the ground into the sky. By flying a spiraling circular path within these columns of rising air, birds are able to “ride” the air currents and climb to higher altitudes while expending very little energy in the process. Solitary birds like eagles and hawks often take advantage of thermals to extend their flight time as they search for food. Social birds that fly in large flocks also use thermals to gain altitude and extend their range during migration. The sight of dozens or hundreds of birds riding a thermal has been said to resemble the water boiling in a kettle, so the terms kettle or boil are sometimes used as a nickname for a flock of birds circling in a thermal updraft. The benefits of thermals are not limited to the animal world either as glider pilots often take advantage of them to gain altitude as well.

I want to see hundreds of birds riding a thermal and looking like water boiling in a kettle! Mostly so I can see them doing it but also so I can write about the boil of birds I just saw.

Thinking about a bird soaring and circling in the sky reminds me of a Mary Oliver (yes, I love Mary Oliver!) poem:

The Real Prayers Are Not the Words,
But the Attention that Comes First/ Mary Oliver

The little hawk leaned sideways and, tilted,
rode the wind. Its eye at this distance looked
like green glass; its feet were the color
of butter. Speed, obviously, was joy. But
then, so was the sudden, slow circle it carved
into the slightly silvery air, and the
squaring of its shoulders, and the pulling into
itself the long, sharp-edged wings, and the
fall into the grass where it tussled a moment,
like a bundle of brown leaves, and then, again,
lifted itself into the air, that butter-color
clenched in order to hold a small, still
body, and it flew off as my mind sang out oh
all that loose, blue rink of sky, where does
it go to, and why?

There is no way I could write in such detail about the bird I saw today. It was too far up to see it’s eyes or shoulders or anything it might be carrying. And, even if the bird had been closer, I wouldn’t have been able to see such fine detail anyway.

march 8/RUN

3.25 miles
trestle turn around
50 degrees
15 mph wind/ 31 mph gusts

Sunny and warm today. Been running in the cold for so long now that I forgot what to wear when it gets a little warmer. So windy! Greeted Dave the Daily Walker near the beginning. Ran up the hill from under the lake street bridge, enjoying the sound and feel of the scratching grit. Was able to run on more of the walking path. Saw my shadow. Heard a woodpecker. Marveled at the sparkling water–couldn’t tell if it was blue or gray or brown, it only looked sparkly white. At the halfway point I took off my orange sweatshirt and ran south in a short sleeved shirt. The feeling of spring! Anything else I remember? Lots of runners in shorts.

Favorite part of the run: running south along the rim, above the rowing club. So beautiful hovering above the open water. Seeing a small motorboat speeding below, making the water ripple.

School

A few days ago, waking up in the middle of the night, I thought about Mary Oliver and some poem she had written about the sea as her classroom. What a great idea, I thought, I’ll remember it tomorrow when I get up. Forgot it, of course. But then, while walking with Scott, remembered it again. Was able to find the poem:

Breakage/ Mary Oliver

I go down to the edge of the sea. 
How everything shines in the morning light! 
The cusp of the whelk, 
the broken cupboard of the clam, 
the opened, blue mussels, 
moon snails, pale pink and barnacle scarred— 
and nothing at all whole or shut, but tattered, split, 
dropped by the gulls onto the gray rocks and all the moisture gone. 
It’s like a schoolhouse 
of little words, 
thousands of words. 
First you figure out what each one means by itself, 
the jingle, the periwinkle, the scallop 
       full of moonlight. 

Then you begin, slowly, to read the whole story.

Love the line, “nothing at all whole or shut, but tattered, split” and “the opened” and “a schoolhouse of little words”. Looked up whelk and it’s a large marine snail.

Thinking about the idea of the gorge as a classroom–if so, who is the teacher?

Here’s another school related poem from Mary Oliver, who hated school as a child. I read in her memoir, Upstream, that the only thing she was good at doing in school was being truant.

Just As The Calendar Began to Say Summer/ Mary Oliver (Long Life)

I went out of the schoolhouse fast
and through the gardens and to the woods,
and spent all summer forgetting what I’d been taught–

two times two, and diligence, and so forth,
how to be modest and useful, and how to succeed and so forth,
machines and oil and plastic and money and so forth.

By fall I had healed somewhat, but was summoned back
to the chalky rooms and the desks, to sit and remember

the way the river kept rolling its pebbles,
the way the wild wrens sang though they hadn’t a penny in the bank,
the way the flowers were dressed in nothing but light.

I love this idea of spending all summer trying to forget the lessons taught in school and the rest of the year trying to remember the river! It reminds me of my process of undisciplining/unmaking and remaking myself.

And, one more:

Mindful/mary oliver

Every day
I see or hear
something
that more or less

kills me
with delight,
that leaves me
like a needle

in the haystack
of light. 
It is what I was born for–
to look, to listen, 

to lose myself
inside this soft world–
to instruct myself
over and over

in joy, 
and acclamation.
nor am I talking
about the exceptional, 

the fearful, 
the very extravagant–
but of the ordinary, 
the common, the very drab,

the daily presentations.
Oh, good scholar, 
I say to myself,
how can you help

but grow wise
with such teachings
as these–
the untrimmable light,

the ocean’s shine,
the prayers that are made
out of grass?

Oh good scholar! Love this line and love the idea of being a student out by the gorge and a teacher who instructs myself.

march 6/RUN

3.2 miles
trestle turn around
37 degrees

Sunny. Spring-y. Birds chirping. Hardly any wind. A few highlights: I was able to run on the walking path that curves away from the road and the biking path and follows the rim of the gorge just above the Minneapolis Rowing club! Still a few tricky snow-covered spots, but mostly clear. Enjoyed running up the hill from under the lake street bridge, listening to my feet sh sh sh on the grit–I liked the feel of it too, easier than bare asphalt. Anything else? No Dave the Daily Walker. No geese. Looked briefly at the river. It was open–no ice. I noticed a few stones stacked on the smaller of the two boulders just above the trail winding down through the tunnel of trees.

Before starting my run, I listened to two versions of my January Joy poem, one with the parts about running, one without. I’d like to keep the running stuff in and I love the line about adequate knees and functioning feet but I’m leaning more towards the version without it. Maybe I can use those lines in another poem?

January Joy, Version 1

To see the river
the open river
brown, a thin skin of pale blue

To be alone with the river
the uncrowded river
nothing between us but bare branches

To be as empty as the river
the bare white river
a blank page waiting for words

To be as spacious as the river
the boundless river
stretching wide, able to hold multitudes

To be nothing next to the river
the ancient river
small and new and insignificant

O to be the space
above the river
between tree top and sky
illuminated by the sun!

The sun!
glowing up the gray gloom
warming my cold face
flashing through tall, slender tree trunks

How wonderful it is to be alive and outside!

O great runs!
O clear paths!
O strong legs
and adequate knees
and functioning feet!

How wonderful it is to be
moving, breathing, feeling free
on this winter-perfect day!

January Joy, Version 2 (preferred)

To see the river
the open river
brown, a thin skin of pale blue

To be alone with the river
the uncrowded river
nothing between us but bare branches

To be as empty as the river
the bare white river
a blank page waiting for words

To be as spacious as the river
the boundless river
stretching wide, able to hold multitudes

To be nothing next to the river
the ancient river
small and new and insignificant

O to be the space
above the river
between tree top and sky
illuminated by sun!

The sun!
Glowing up the gray gloom
warming my cold face
flashing through tall, slender tree trunks

How wonderful it is to be
alive and outside
on this winter-perfect day!

I am really looking forward to Victoria Chang’s Obit, which comes out next month. Here’s something interesting she said in an interview about writing the poems for the collection:

The old self dies all the time, and it’s quite miraculous. Yet, I asked the man who runs these residencies in Marfa on the way in, what it’s like to be 77. He said, “I feel exactly the same.” How can this be? The tension between what remains and what is discarded in the self was really interesting to me. I always find it odd thinking about how we spend our whole lives learning and all that experience and knowledge accumulates, and then we die. Who designed this thing?

I feel this sense of old selves dying very strongly. I see myself as a series of Saras, not one Sara lasting through time. Sometimes the selves are associated with an age: like Sara age 8. Sometimes with a location: Hickory, North Carolina Sara. Sometimes with a tragic event: Sara whose mom is alive, Sara whose mom is dead. Looking again at Chang’s words I wonder, what have I kept (knowledge, memories, perspectives, understandings) that links all of my Saras together? What have I discarded/forgotten?

march 5/RUN

3.25 miles
ford bridge and back
37 degrees
sleet/rain mix

Today my mom would have turned 78. She died over ten years ago in 2009. When I headed out for my run, I wasn’t thinking about this fact or wishing she were on the run with me. I was thinking about how beautiful the gorge looked in the gloomy gray–so calm and wet and exposed. Even though it was windy and drizzling, I knew I needed to be out there beside it. Then, after I finished, feeling flushed and happy, I remembered that it was her birthday and I began to believe that getting me outside to the gorge, able to see all the way to other side of the river, to smell the smoke from some distant fire, to absorb the brown tree trunks and blue water, to breathe in the coming spring, to feel joy and delight and astonishment at the beauty surrounding me, was a present from her. She taught me to love being outside, to notice and wonder about the natural world, and to make life sacred through honoring daily routines. (I’m not sure I’m saying this quite right, maybe I’ll spend some more time today trying to figure it out?)

I looked back in this log, and I did runs on her birthday in 2017 and 2019–why not 2018? I looked at the entries near the 5th in 2018; it was snowing that day and my right kneecap was sliding around a lot.

I liked today’s run. The path was clear with only a few puddles. The gorge and the river were totally exposed. I could see all the hills and ravines and trails that are usually hidden by leaves or too much snow. I liked glancing down at my jacket and watching as little snowflakes bounced off the shiny black fabric. I could tell it was snowing and raining but I couldn’t feel it. Sleeves covered my arms, a baseball cap my face.

I encountered an annoying pedestrian who refused to move as I ran towards him. As I neared, I noticed he was wearing a surgical mask. Not sure what to say about this; just wanted to make a note of it. How strange and stressful and overwhelming it all is–between terrible presidents and failed parties and hoarding toilet paper and melting glaciers and possible pandemics.

After my run, walking home, I thought about how difficult it is to be (and stay) joyful in the face of so much fear and hate and fucked-up values. It is hard work you must do daily. In my own way, I’m trying to do that work through running by the gorge and writing about it. These thoughts were partly inspired by this twitter thread I read this morning.

Before leaving for my run, I recorded myself reciting 2 slightly different versions of the latest draft of my January Joy poem. Here’s my preferred one. It’s a lot different than the first draft I posted a few days ago. It is still not finished, I think.

January Joy/ Sara Lynne Puotinen

To see the river! 
The open river!
Brown, a thin skin of pale blue

To be alone with the river!
The uncrowded river!
Nothing between us but bare branches

To be as empty as the river!
The bare white river!
A blank page waiting for words 

To be as spacious as the river!
The boundless river!
Stretching, opening, able to hold multitudes

To be nothing next to the river!
The ancient river!
Small and new and insignificant

To be the space above the river
floating over the river
between tree top and sky, illuminated by sun!

The sun!
Glowing up the gray gloom!
Warming my cold face!
Flashing through tall, thin tree trunks!

How wonderful it is to be alive and outside!

O great runs! O clear paths!
O strong legs and adequate knees and functioning feet!

How wonderful it is to be 
moving 
breathing 
feeling free 
on this winter-perfect day,
white and woodsy and blueish gray.

march 4/RUN

5.5 miles
franklin loop
36 degrees

Felt warmer than 36 degrees this morning. So warm that I was surprised to encounter ice on the path near the Welcoming Oaks. Sunny. Not too windy, but windier than I thought it would be.

I yelled at a biker as I crossed 46th, a block from the river. They didn’t stop at the stop sign and weaved around barely missing running into me. I thought I heard them yell something but realized too late it was a voice from the radio they were blasting. I yelled, “you have a stop sign!” I stewed over my outburst for a few minutes, feeling hostile towards everyone I encountered–the other runners approaching me, not wanting to move over and make room for me until the last minute, the clueless walker who didn’t move at all. I worked hard to remember how wonderful it is to be outside by the river with a clear path. Then I encountered another runner, who was thoughtfully on the other side, and smiled.

Every time I started to think about my irritation and regret over yelling, I forced the thoughts out of my head. I looked at the river, open and flowing. I listened to the shuffling grit under my feet. I felt the strength in my legs. Then I saw the shadow of a bird above me and I thought about how I love shadows and the strange feeling of something being there but only in shadow form–like a ghost or a trace or something else. And, as I was finding delight in this I realized that this quick flash was it, my moment for the day. Such a small moment, but enough for me. Why? Not sure if I can put it into words yet.

Some other things I remember:

  1. Slowly catching up to and passing a runner just before the franklin bridge. Their gait was slow and relaxed.
  2. Thinking about the january joy poem I’m working on and how wonderful poetry is for giving me a reason to spend more time with the river.
  3. Dodging and hurtling over slabs of frozen earth on the walking path, probably unearthed by the plows last month.
  4. Wondering if any of the cars would drive through a puddle and soak me (they didn’t).
  5. Noticing that the Meeker Island dog park was open.
  6. Seeing a few people standing at the top of the stairs leading up to the marshall/lake street bridge and wondering why they were there.
  7. Hearing water rushing through the sewer on the street.
  8. Thinking about how much taller the trestle is on the east side of the river.
  9. Running on the bridge and hearing someone approaching from behind. It took them forever to pass! Is that how the runner I passed earlier in the run felt?
  10. Hearing my zipper pull banging against my chest, sometimes thinking the sound was another runner approaching (it wasn’t).

As I made the above list, I suddenly remembered another moment of delight, equally as mundane and strange as my bird shadow. Running near Meeker Island on the St. Paul side, everything became brown. No snow, no green grass, no leaves. Just a rich brown, made deeper by the sun. Mostly mulched leaves and bare tree trunks, a little ground. It made me think of my childhood and exploring wooded trails in Virginia. It made me think of driving through the Keweenaw Peninsula in late fall. It made me think of spring coming. It made me feel a deep, warm, glowing joy.

Before I started my run, I recorded myself reciting Heather Christle’s poem, The Spider (posted on jan 6), and Susan Stewart’s, Pine (posted on jan 18). Then I listened to them in my headphones just before I started my run. I didn’t think about Christle’s poem but I do think Stewart and the different ways she played with the word pine, inspired my thoughts about loving poetry and its invitation to spend time experimenting with words and ideas and images .

feb 29/RUN

5 miles
to stone arch bridge
27 degrees
90% clear path

Was able to do a one way run to the Stone Arch bridge today. Felt warm and relaxed and strong. Walked for about 30 seconds on the final big hill. Did a lot of counting to four. Greeted Dave the Daily Walker at the beginning. Encountered several runners, some walkers, and three bikers biking up the franklin hill as I was running down it. Saw my shadow in front of me. Heard some honking geese flying overhead; tried to spot them but couldn’t. Saw some big bird flying high up in the sky and then the shadow of a bird fly over me–was it the same bird? An eagle? A turkey vulture? The river was open–was it brown or blue? I can’t remember. Noticed the ice on the limestone cliffs in the flats. Heard the gushing of the water at the bottom, between Annie Young Meadows and the turnoff for the U. Just before I reached the Washington bridge, the light rail rumbled overhead. Anything else I remember? I was overdressed and very warm. One too many shirts. I’m sure I thought about something but I left it on the trail, probably on the last hill. Ended on the bridge–so breezy. Glad I wasn’t running into that wind the whole time!

What a beautiful poem! I found it through Ours Poetica and Ashley C. Ford’s reading of it.

Unwished For/ Shira Erlichman

I’m standing in my town’s ice cream shop when I notice them: the white couple smiling at me. Blonde woman standing beside a mailbox, waiting patiently for news, husband reassuringly placing a hand on her shoulder. The flyer they’re on is pink: international color of positivity in the face of infertility. They are having a hard time, my couple. That’s why they’re here in my ice cream shop. But they have faith, they’re trying, haven’t quit wanting what they want, in spite of it all.

             Could you be the one?

I lick the crest of my cone slowly, examine their bullet-pointed criteria.

             21 to 42 years

It’s not conscious, but somewhere inside a voice says: “Check.”

             No criminal record.                                       “Check.”

            No history of mental illness.

I say, out loud to the paper, not caring if the teenager behind me churning into an icy chunk with a steady fist hears, I say: “I know this is different, Susan, Jim, but I would never wish Frida to not have been hit by that trolley. I would never look her in the face and say, ‘I choose to unmake you and your paintings and your horroring heart. I rob the woods of your little deer.’”

“It’s different,” Susan says, “you’re not Frida.”

“Plus,” adds Jim, “that was physical. A freak accident. Try another argument.”

What they don’t want of me lives. It sees through my eyes that they would prefer it dead. It knows better than to whimper, or show defeat. What they don’t want of me breathes.

“Eugenicists,” it says

The woman gasps, hand to chest.

It continues: “You want to spare yourselves. That’s not love.”

“We don’t want her to suffer,” they chime in unison. Oh—her? It was decided: A girl. Claire. Or, Vanessa. Or, Claire. She’d have red curls, love olives, sing in her sleep.

“She doesn’t want to suffer either,” I peel the words open slowly, “but she’d rather be alive, than not suffer.”

I am not talking to a piece of paper in Herrell’s Ice Cream Shop. I am not invoking Frida. I am not naming an unloved ghost Claire. I’m licking my wrist of a smudge of strawberry cream, listening to the terrible Top 40 hit blaring overhead. I’m staring at the words No history of mental illness, trying to move my feet, and leave the world where this is taped up, natural as the moon.

Will the Normal Rockwell of our time paint me standing here before it? In my jean cutoffs, finishing what’s left of a soggy cone, drugs in my blood, unwished for by strangers.

Oh this poem and Ford’s reading of it! I love how she imagines and then makes real with her words this painful encounter between the wishers and the unwished for in such a mundane, every day setting. And I love how she conjures up Claire with red curls, who sings herself to sleep and loves olives. Wow.

feb 27/RUN

3.2 miles
trestle turn around
26 degrees
100% clear!

Windy today. Not too crowded. Sunny. My legs felt weird for a mile or so–like they weren’t quite working. Heavy, plodding. Listened to a New Yorker poetry podcast with a poet I just discovered (Craig Morgan Teicher) and felt like I was in a dream. Barely on the path, floating, cocooned in layers, unable to hear birds or trickling water or striking feet. The river was open. Stopped and admired it by the trestle. Then turned on my new playlist. No Daily Walker but a few others walkers, at least one biker. Felt fast in the second half as I flew down the hill by the lake street bridge. Sprinted up the final hill. Don’t remember much from the run. What a wonderful thing it is to lose myself for 30 minutes!

Before I ran, I had a great morning. Started by listening to part of an episode with Victoria Change on Commonplace. At one point, they discuss their shifts in writing in first and third person which got me thinking about my own choice, in my latest project, to write in second person. Why am I using you? Who is you? Found some very interesting essays on second person online: Stuck on You: an ode the second person and the intimacy of writing in the second person in a bar. Then I started thinking about how Mary Oliver uses you, like in Wild Geese (You do not have to be good/you do not have to walk on your knees…). Finally I thought about who the I and the You are in my project. One answer: I = Teacher self and You = Student Self.

After all of that excellent thinking, I checked out twitter and found these lines from the poem Tomorrow and Tomorrow Again/Craig Morgan Teicher:

One cannot lock eyes with a bird,
its eyes vacant as ball bearings, but
mustn’t there be some recognition
in everything?

eyes vacant as black ball bearings? What a great line that reminds me of my own about not being able to see people’s pupils: “soul less black balls”. I looked Teicher up and found his poem, “Eye Contact”. I wondered, does he have macular degeneration or some other vision problem? Couldn’t find anything, but he sure does like referencing blindness. His poetry collection from 2012 is titled, To Keep Love Blurry and check out the titles he gave his NPR end of the year poetry reviews: “Keeping the Dark at Bay” and “In the Dark, The Eye Begins to See.” Hmm…I need to study his writing more. At this point, early on, I can’t decide what he’s doing with these references to blindness–is it signaling his own experiences/preoccupations with blindness or is it serving as metaphor, where blind = dark = bad = shame = grief = loss = death?

Tomorrow and Tomorrow Again/ Craig Morgan Teicher

Of course I don’t know what
happens to us: if we survive in the
hands of love; if Cal, if Simone
and all the trembling answers
those questions entail; whether
by time or by disease or by
an atom bomb right in the eye. Is it
possible death could be thrilling
and fun? And after could there be
something somewhere and what
will we do if we see each other
there? Will the same songs stay stuck
in our heads? Will medicine
succeed in making life so long
we will beg for medicine to end it?
One cannot lock eyes with a bird,
its eyes vacant as ball bearings, but
mustn’t there be some recognition
in everything? Some fury, some
questioning? If one phrase could echo
throughout eternity, would the ear
on the other side return
a word? But what am I asking?
Will I ever see a whale, and will his size
compared to mine be a true
form of knowledge? Loneliness
has depths writing fails to fathom.
I could be clearer, say more, but
it wouldn’t mean as much. Mother
will I ever find you again? Is fear
of spiders fair? Is a power
above minding the scales, be it
science or gods or the weather,
and can they be tipped toward
balance from here? Is beauty more
than another form of pleasure?
What, which, when, how is better?

Eye Contact/ Craig Morgan Teicher

As if bees are known for their pride.
But what’s so great about horses? They’re stuck 
on the earth except when they jump,

but even then they’re not bees.
But is there anything we value so highly 
as streetlights, which, unlike bees,

watch over us with their swan-like
necks and open their eyes at the right time 
every night? The answer is lonely

and whoever among us is brave enough 
to find it will come home to a family 
that won’t even look us in the eyes.


2

But what’s so great about eye contact? 
As if a horse knows a newspaper 
when he sees it. Streetlights don’t live

in hives; they’re not more afraid
of us than we are, fortified by stingers and swarms. 
Bees don’t brighten the alleyways

in which we commit our most heinous crimes 
to keep things moving and fill 
the papers with news. Why don’t we have

a holiday to recognize the alleyways?
The answer is lonely and whoever
among us is brave will have nowhere to jump.


3

Why don’t we sing a song that makes 
the bees proud? What’s so great 
about desolate meadows? The answer

is lonely. Why don’t we come home 
and look at our family? Why don’t we 
designate an hour to brag about news?

What’s so great about the way the papers 
blow through alleyways in the evening 
like deflated rats? As if pride could

brighten the meadows at night. Whoever 
among us is brave enough to forgive
a family gets to make eyes with a lonely horse.


4

As if the answer is flowers. As if 
we could gather streetlights
in a bouquet from the alleyways

and brighten family after 
beekeeping family. But what’s so 
great about seeing the truth?

Beneath every meadow is the earth’s 
molten core, red and hot as an evil eye. 
Why don’t we blow through the streets

at night? The answer is lonely, even 
if a horse knows the way home. 
What’s so great about being brave?

freeze-thaw, a different perspective

added in a few hours after I first posted this entry: Scrolling through my twitter feed, I encountered this very helpful, perspective-shifting idea from Paul Huttner on MPR Weather:

Temperatures over the next week look perfect for gradually reducing snowpack across the Upper Midwest. Days above the thawing point will melt snow. Nights below freezing mean that snowmelt will gradually be released into area rivers.

This gradual release helps mitigate the early-spring threat of flooding. Wow! All this time, I’ve been cranking about how much I hate these freeze-thaw cycles. I’m glad to read that they’re helpful. I still might not like how dangerous they make the path, but now I can get over myself and think about how they help the river. What a nice opportunity to shift my perspective. And, as a bonus: it will be warmer during the day next week!

feb 24/RUN

5.5 miles
franklin hill turn around
39 degrees
5% slick ice covered

Waited a little longer to go out running this morning. Needed to let the thin sheets of ice covering the puddles melt. A nice day for a run! Not too much wind, not too many people. Sun. Clear paths. I got my layers right today: 1 shirt, 1 vest, 1 pair of running tights, 1 headband, 1 pair of gloves, 1 pair of socks. It was warm enough today to smell the earth thawing–why does it smell like dog poop? I think I like the smell of death in the fall–the musty, mulching leaves–over the smell of life in the almost spring.

David Lee Roth is in town with KISS for a concert tonight. Scott read somewhere that he always brings his bike to Minneapolis and loves biking along the river. Today, I kept looking for him, hoping he’d bike by. No luck. Bummer.

Glanced down at the river a few times. Enjoyed hearing the sibilant sounds of my striking feet on the grit covered path. Ran hard up the hill, then stopped to a walk for a few minutes when I reached the bridge. Thought about the body that was found just north of this bridge early yesterday morning. Managed to mostly avoid the secret slippery spots where the water on the path was still frozen. Also managed to avoid getting soaked by cars rushing through big puddles on the road.

With less than a mile left, I had an idea about my current project and decided, even though I was running well, enjoying going faster, to stop and record my thoughts.

Uh oh.

Just tried to find and transcribe my voice memo, but it wasn’t there. I must have hit the wrong button when I was trying to record it. Here’s what I remember. For a few minutes before stopping, I was chanting. How to be/periphery, How to be/periphery. Then I realized: I need a (big) project to focus on, a project that involves structure and daily practice. A concrete project. This is the project I think I’m working on–and in many ways, it is what I’m working on–but, I’m also working on something else, off to the side, at the periphery, which is the real work I need/want to do. What a bummer. I feel like I can’t remember a key to my thought that helped it make sense. It connects with the article I read about how to be a procrastinator a few years ago, and with the idea of not approaching projects/thoughts/goals head on, but slant or sideways or sneakily (tricking your brain). Argh! I wish I hadn’t screwed up the recording.

My Weather/ Jane Hirshfield

Wakeful, sleepy, hungry, anxious,
restless, stunned, relieved.

Does a tree also?
A mountain?

A cup holds 
sugar, flour, three large rabbit-breaths of air.

I hold these.

What do I hold? Ever since I encountered the phrase, “inner and outer weather” (from a Frost poem about a tree at the window, via Edward Hirsch), I have been thinking about weather as metaphor for one’s mood/emotions/feelings. Love this poem and how it plays with this idea. And I love imagining how much air is 3 large rabbit-breaths worth. How big is this rabbit? And, in general, how big are rabbit breaths?

feb 23/RUN

3.1 miles
locks and dam #1 turn around
45 degrees
50% ice and puddle covered

note: no dictation today. Just as I started, Delia the dog ran in, barking and making lots of noise, which was fine because I wasn’t really feeling it anyway.

Today it was sunny and warm and sloppy and not as much fun. I do not regret going out for this run–well maybe my wet socks and shoes do!–but I would rank these conditions as some of the worst. Overcrowded paths, narrow strips of dry pavement in-between little lakes of cold, sometimes icy water. Very slick. Instead of feeling open and joyful and generous to everyone I encountered, I felt hostile and threatened–would they push me off into a puddle or a slick spot? I do not like feeling this way and I do not want to give too much space to my grumpy thoughts. So I won’t. Instead, here’s something very cool that I saw on my run today:

The river was still mostly white but at one spot, I think it was between 38th and 42nd somewhere, I noticed a path of open water winding across from the minneapolis to the st. paul side. It reminded me of a slithering snake. I love the strange patterns that open water makes when the ice cracks open. And I love the contrast between the frozen white and the darker water–black on cloudy days, brown on sunny ones.

Another thing I saw today that I liked: my shadow! She ran in front of me on my way back from the locks and dam.

I liked wearing less layers: only one pair of running tights, one neon yellow shirt, one vest.

I liked the squish squish squish my shoes made after I ran straight through the deep puddle on the double bridge.

I liked talking to the couple after my run who asked me how I could run on the ice. I’ve been asked this several times and I always say: “It’s easier to run on it then to walk on it. It’s when I stop running that I slip!”

Yesterday, I posted May Sarton’s poem, The Work of Happiness. In her first stanza, she writes:

But is creation itself like the growth of a tree.
No one has seen it happen, but inside the bark
Another circle is growing in the expanding ring.

Here are a few things that her tree ring/circle made me think about:

1

Reflecting on how she always feels like she’s 11, even though she’s 64, Sandra Cisneros tells Krista Tippett:

You know how you look at a tree, and there are some rings that had a lot of rain, and it gets really bigger, and they shrink? Well, we can think about our own years and what defined us or what happened to us in those years.

2

In her poem, “Can You Imagine?”, Mary Oliver imagines a tree’s irritation with the slow, soundless, boring passing of time represented in the thickening of the rings:

Can You Imagine?/ Mary Oliver

For example, what the trees do
Not only in lightening storms
or in the watery dark of a summer night
or the white nets of winter
but now, and now, and now–whenever
we’re not looking. Surely you can’t imagine
they just stand there, looking like they look
when we’re looking; surely you can’t imagine
they don’t dance, from the root up, wishing
to travel a little, not cramped so much as wanting
a better view, or more sun, or just as avidly
more shade—surely you can’t imagine they just
stand there loving every
minute of it, the birds or the emptiness, the dark rings
of the years slowly and without a sound
thickening, and nothing different unless the wind,
and then only in it’s own mood, comes
to visit, surely you can’t imagine
patience, and happiness, like that.

3

Did you know the modern science of tree-ring study is called dendrochronology? I didn’t, until I read this essay, Shared Dendrochronologies: Andrew Schelling on poetry, translation, & the aliveness of wor(l)ds.

4

And that the original dendrochronologist, William E. Douglass, created it to track how trees record climate change through their rings?

What a wonderful log entry this is! Through the process of writing it, I feel better–joyful and delighted with my run today.

feb 22/RUN

5 miles
franklin hill turn around
32 degrees
20% snow and ice covered

Recorded my self on the voice memo app today a few hours after my run.

Log, 2/22/20

Here is the transcript:

Today I ran 5 miles. It was sunny and above freezing. It felt warm and there were puddles and barely ice patches on the path. I saw my shadow in front of me as I was running towards Franklin. I ran down the Franklin hill and then turned around and ran up until I got to the bridge. Then I stopped and walked for a couple of minutes. I encountered a lot of runners. I was able to greet Dave the Daily Walker. He was in short sleeves and no coat–of course. I saw some fat tires and a vee of geese at some point. The sky was blue. I didn’t notice any clouds. Around the time I started, the river all looked white to me but by the time I got to the Franklin bridge it was brown and open. I heard some kids down by the ravine, probably playing in the ice cave. I slipped several times on the ice but didn’t fall. I heard some crunching. I saw some salt stains on the path. I didn’t think about much. I remember counting to four. I remember feeling strong and relaxed and thinking I wasn’t going that fast, which was good, I was trying to go slow. And I don’t remember that much else about the run. I sprinted up the final hill and it was hard. But I thought that if I sprinted up this hill and I could do this and keep going when it was hard, that when I’m in a race, when I’m getting to the very end, if I can keep going and even pick it up and know that I will survive. Did I think about anything else? I don’t remember smelling much. I think there were a lot of cars. There were groups of walkers, usually in pairs, and sometimes that was frustrating to try and navigate that. I didn’t hear a train. I didn’t do any triple berry chants. I think I heard a woodpecker and I think I saw a bird up in the sky but I’m not sure. I don’t remember looking down to my favorite part of the path, looking down to the floodplain forest. I think that’s all I remember. It was a good run.

It is definitely harder to speak than to write. It feels like my details are a bit boring and I’m having trouble remembering quickly as I try to speak without out umms or ands. Will this get better, or is this a bad approach to remembering the details of my run? I’ll try it a few more times before I decide.

One other think I forgot to mention in my recording was all the runners I encountered running the Franklin hill. At least 5 or 6 seemed to doing hill work–running up it until reaching the bridge, then turning around and running back down it again. I would like to try this sometime. Maybe a slow, easy run to the hill, then a few times running up and down it–a goal for spring.

The Work of Happiness/ May Sarton

I thought of happiness, how it is woven
Out of the silence in the empty house each day
And how it is not sudden and it is not given
But is creation itself like the growth of a tree.
No one has seen it happen, but inside the bark
Another circle is growing in the expanding ring.
No one has heard the root go deeper in the dark,
But the tree is lifted by this inward work
And its plumes shine, and its leaves are glittering.

So happiness is woven out of the peace of hours
And strikes its roots deep in the house alone:
The old chest in the corner, cool waxed floors,
White curtains softly and continually blown
As the free air moves quietly about the room;
A shelf of books, a table, and the white-washed wall—
These are the dear familiar gods of home,
And here the work of faith can best be done,
The growing tree is green and musical.

For what is happiness but growth in peace,
The timeless sense of time when furniture
Has stood a life’s span in a single place,
And as the air moves, so the old dreams stir
The shining leaves of present happiness?
No one has heard thought or listened to a mind,
But where people have lived in inwardness
The air is charged with blessing and does bless;
Windows look out on mountains and the walls are kind.

Something about the idea of inwardness and the stable, single place of the thinking/deepening self as a house reminded me of another poem (Ash/ Tracy K. Smith) I heard last year on a podcast. These are very different poems, but I’d like to put them beside each other and think about them for a while.

Ash/ Tracy K. Smith

Strange house we must keep and fill.

House that eats and pleads and kills.

House on legs. House on fire. House infested

With desire. Haunted house. Lonely house.

House of trick and suck and shrug.

Give-it-to-me house. I-need-you-baby house.

House whose rooms are pooled with blood.

House with hands. House of guilt. House

That other houses built. House of lies

And pride and bone. House afraid to be alone.

House like an engine that churns and stalls.

House with skin and hair for walls.

House the seasons singe and douse.

House that believes it is not a house.

I found the podcast with Smith’s poem–On Being with Krista Tippett–and read the transcript where Smith talks about the poem and how her understanding of it has been transformed by how others have read it:

I wrote that poem thinking about the body, thinking about what it means to be alive in this human form and how strange it is that it’s temporary, that we are not just the body, but something else. That’s the way I’ve read it the first many times that I read it, or, at least, what I heard myself saying. But there’s a lot of ambiguity in the poem, and so people have questions about it. Someone has told me it feels like a poem that, more than just being in the body, is about being a woman and that sense of vulnerability and also sheltering something. Then, because a lot of these poems in this book are thinking about nationhood and American history, I was really excited to hear it described as a poem that is about the country as a house, and taking us back even to Abraham Lincoln in the sense of “a house divided against itself.” I love that active readers can give you a good enough argument to re-hear and see what you’ve made yourself.

So many ways to think about the inner, inwardness, the self, the body.