4.2 miles lena smith – river road, north / river road – lena smith, south 42 degrees / wind: 15 mph 75% puddles, sloppy ice
Yuck! Not as fun running today, dodging puddles and slick strips of snow/ice on the trail. Warmer, but windier too. Parts of the run were great — I felt strong and efficient and sturdy. Other parts of it were not as great — a few times the path was covered either in a deep puddle or uneven, slippery ice. I am glad I went, and grateful to get to see the river — which was completely open, not frozen at all — but all of it was covered in a thin fog of fear. I heard sirens a few times and wondered if someone was being taken. Just before I went out for my run, Scott told me that someone had been taken just around the corner from us sometime in the last week.
10 Things
city workers trimming trees, blocking the street
a thick sheet of dirty ice covering almost half of a street — from curb, to the middle
black chickadees singing, cheese burger cheese burger
one biker, mostly biking in the road but on the path for a brief stretch
the sound of sirens across the road, lasting less than a minute
the wind, howling in my ears
a dog barking off in the distance
the sound of water splashing up as cars drove through puddles
a gray sky with no sun, then blue with sun, then gray again
city workers gone, a big pile of freshly trimmed branches — narrow ones — near the curb, 3 slender orange cones near the sidewalk
Ice Get Out
There are too many terrible headlines today about what’s happening with ICE in Minnesota, and it’s one of those days when I feel too tired to talk about them. I’m tired because of the headlines, because of the gray, sloppy weather, and because I tried (unsuccessfully, for now) to use a big ice breaker to break up the slippery ice on our small driveway. I chipped away at it for 30 or 40 minutes and had some success with a small patch, but I didn’t want to injure myself (because: 51 year-old bones and joints), so I stopped. I’m sure there’s a better (as in, more effective, less hard on my body) way to deal with this ice. — there’s a metaphor in there, I think. Anyway, I can’t force myself to post details from Trump and his cronies’ terribleness today, so instead, here are two videos that I’d like to watch repeatedly of the mississippi where the ice has mostly broken up and is floating, along with foam, downstream: here, the ice is getting out.
foam and ice, getting out / 5 jan 2024ice on the mississippi / 5 jan 2024
Fear less / Tracy K. Smith
Thank goodness for the poets! Last week, I checked out the e-book version of Tracy K. Smith’s memoir and reflection on the value of poetry, Fear less, and just now I read some of the first chapter. Hopefully tomorrow I will post some quotations and respond to her powerful words, but for now, I’ll just mention that I’m reading it.
4.25 miles lena smith boulevard 34 degrees path: 100% ice / road: 5% ice*
*there are so many reasons why ICE is terrible and needs to get out and should be abolished. Here’s a small one: I like thinking and writing about winter ice — how it covers the trails, what it sounds feels looks like, the different forms it takes. But now that word overwhelming means: Immigration and Customs Enforcement and hate and evil. I want my ice back! Well, maybe not the thick, jagged ice that is currently cover the entire river road and made it impossible to run on today.
Today begins the 10th year of this log. I’m so grateful that I was able to run outside to celebrate it. It has been a whole week since I’ve been able to run outside above the gorge: too slippery on the trails and sidewalks. Today the roads were mostly clear, but the paths were not. So, I ran north on Lena Smith Boulevard until it ends at Minnehaha Academy on 32nd, then turned around and ran south until I hit 38th, then back north to 32nd, then south up the hill. Halfway up, I decided to do the hill again — hill repeats! So when I got to the top (it’s a small hill, so it only took 1 minute to climb it), I turned around and ran back down it. At the bottom, I took a 45 second break then ran up it again. I did that 5 times. It felt good!
During one of my breaks, I noticed a woman across the road, on the trail, holding up a big white sign. I couldn’t read what she had written on it, but I imagine it was Abolish ICE or something about Minnesotans standing up for each other because all the cars were honking. It was wonderful, hearing all the honks, and her loud, Thank You! after they did it. I started imagining different ways I could do something like her during my daily running practice. I decided a sign or banner would be too awkward. Next I thought about pinning a sign to my jacket. Then, the idea: work with RJP to design a shirt or something I could wear that offered some sort of resistance to ICE and/or expressed my love for my city. Should it just say LOVE? Whatever it is, I want it be big and brightly colored and easy to see/read. RJP stopped by and I talked to her about it. She’s excited!
Ice Get Out, Know Your Rights
Know Your Rights
Another more accessible version:
KNOW YOUR RIGHTS: WHAT TO DO IF YOU’RE STOPPED BY POLICE, THE FBI OR IMMIGRATION Police are supposed to keep us safe and treat us all fairly, regardless of race, ethnicity, national origin or religion. This card provides tips for interacting with police and understanding your rights. Note: Some state laws may vary. Separate rules apply at checkpoints and when entering the U.S. (including at airports).
IF YOU ARE STOPPED FOR QUESTIONING Upon request, show police your driver’s license, registration and proof of insurance. If an officer or immigration agent asks to look inside your car, you can refuse to consent to the search. But if police believe your car contains evidence of a crime, your car can be searched without your consent. Both drivers and passengers have the right to remain silent. If you are a passenger, you can ask if you are free to leave. If the officer says yes, sit silently or calmly leave. Even if the officer says no, you have the right to remain silent. YOUR RIGHTS ▪ You have the right to remain silent. If you wish to exercise that right, say so out loud. ▪ You have the right to refuse to consent to a search of yourself, your car or your home. ▪ Regardless of your citizenship status, you have constitutional rights. ▪ You have the right to a lawyer if you are arrested. Ask for one immediately. ▪ You have the right to record police actions as long as you do not interfere with their activities and are not breaking any other law. Stay calm. Don’t run. Don’t argue, resist or obstruct the police, even when you are innocent or police are violating your rights. Keep your hands where police can see them. Ask if you are free to leave. If the officer says yes, calmly and silently walk away. If you are under arrest, you have a right to know why. You have the right to remain silent and cannot be punished for refusing to answer questions. If you wish to remain silent, tell the officer out loud. In some states, you must give your name if asked to identify yourself. You do not have to consent to a search of yourself or your belongings, but police may “pat down” your clothing if they suspect a weapon. You should not physically resist, but you have the right to refuse consent for any search. If you do consent, it can affect you later in court.
4 miles river road, north/south 30 degrees 100% loose snow
Loose snow. Difficult to move through. For almost all of the run, it was fine. I was careful, deliberate, light on my feet. On the last stretch, running up that a hill, I ran faster to pass a woman with 2 dogs. She was walking fast and I was irritated? Was she doing something worthy of irritation? She and her dogs were walking in such a way that took over most of the path and forced me into the uneven snow. And, she seemed to speed up as I neared her, like she was racing me. Not long after passing her, it happened. I rolled my ankle in the loose snow. oh shit, I exclaimed. It was fine for the rest of the run, and it seems fine an hour later. I’m RICEing (rest ice compression elevate) to be safe. To increase the odds that all will continue to be fine, it’s time for some fun with medical terms: RICE
R I C E
routinely, I crave eggplant
rust is corroding energy
rapt, I consider everything
rippled ice concerns Edgar
reciting Issa causes enlightenment
rabbits implore, cancel Easter!
rooted in creative excess
restive, impatient, contrary, edgy
rude individuals can’t empathize
ribald, irritating, caterwauling, egomaniacs
Rosie is counting elements
Rankled, I cry, Enough!
river island causeway eddy
Other memories from the run: the bells of St. Thomas playing a Christmas song, but which one?; crows cawing steadily, and syncing my steps to their song; several cars swinging wide to avoid splashing me with the melted snow; waving twice at a guy in a red jacket — once on my way north, then again on my way south; stopping several times to walk when the snow became too soft and uneven; small splashes of yellow dotting the snow, some bright, some faded; the road was bare and wet, the trail was not; feeling strong as I lengthened my torso, stretched out of my hips, opened my chest, and increased my cadence.
On This Day: January 5, 2025
Found these beautiful lines from the wonderful Carl Phillips while revisiting 2025’s January 5th entry:
Moving With: Carl Phillips
What if, bet- ween this one and the one
we hoped for, there’s a third life, taking
its own slow, dreamlike hold, even now —
blooming in spite of us? (from “Sky Coming Forward”)
Moving with Li-Young Lee:
for those three primary colors: staying, leaving, and returning. (Big Clock/Li-Young Lee)
Found this delightful poem this morning. I thought about the contrary crows when I heard the crows by the gorge.
On one side of the pond, a woman heads west in stone, while on the other, it’s a man heading east, but with the same extravagant gestures of headlong flight—one leg thrown back and both hands launched forward. And sometimes it’s on the tip of one of the lifted heels that a pigeon sits, and sometimes it’s on a thumb, but usually it’s on a head, often one on each, making a mockery of the phrase “in headlong flight.”
Though now they’re rebuilding the pond, so they’ve drained it, with the odd result that the pigeons have gone and have been replaced by crows. They too particularly like to perch on the statues’ heads, but, determined to assert their alterity, they make sure that they’re always facing backward.
4.5 miles minnehaha falls 20 degrees 100% snow-covered
Not a single bare spot on the trail or the road. Hard on the ankles, calves, and the eyes — so bright and white and endlessly nothing. Difficult to see where the snow was loose and where it wasn’t. It didn’t bother me; I’m just happy to be outside moving, connected to this place. Tried to greet everyone I saw — runners, walkers, at least one biker — with a wave or a hello.
10 Things
the smell of chimney smoke lingering near a neighbor’s house
soft ridges of sand-colored* snow covering the street — tricky to run over and through
empty benches
(almost) empty parking lots
a hybrid/electric car singing as it slowly rounded a curve near locks and dam no. 1
the sound of the falls falling over the ledge: almost gushing
scattered voices echoing around the park — at least one of them was from an excited kid
stopping to tighten my laces, a woman in a long coat nearby, standing and admiring the falls
splashes of yellow on the snow
bird song then a burst of birds briefly filling the sky
*sand-colored: using these words, I immediately thought of a favorite poem that I’ve memorized, I Remember/ Anne Sexton: the grass was as tough as hemp and was no color — no more than sand was a color
I listened to the quiet — barely any wind — for the first half of the run, then put in my “Sight Songs” playlist on the way back. Memorable songs: Sheena Easton’s nasally high notes in “For Your Eyes Only,” and the lyrics in the refrain —
The passions that collide in me The wild abandoned side of me Only for you, for your eyes only
Yikes. Also, these lines from The Who’s “Behind Blue Eyes”:
And if I swallow anything evil Put your finger down my throat
And if I shiver please give me a blanket Keep me warm, let me wear your coat
And these, from Bonnie Tyler’s “Total Eclipse of the Heart,” which I don’t recall ever hearing:
Every now and then I know you’ll never be the boy you always wanted to be. . .
. . .Every now and then I know there’s no one in the universe as magical and wondrous as you
(Almost) 9 Years!
Typically each year, I mark the anniversary of this log as the first of January, with a new year beginning on that day. But, that’s not the real anniversary of this log. It’s January 12th, 2017. Why the 12th and not the 1st? I’m not quite sure; I’ll have to look through my journal from that year. It seems fitting, with my affinity (see D. Seuss below) for the approximate, the almost, to not start on the first day of the year!
On This Day: January 3, 2022
Reading this past entry today, I re-discovered this beautiful poem by a favorite poet, Diane Seuss, Love Letter. Rereading it, so many words, phrases, ideas tapped me on the shoulder, invited me it! Here’s the second half of the poem:
I’m much too sturdy now to invest in the ephemeral. No, I do not own lace curtains. It’s clear we die a hundred times before we die. The selves that were gauzy, soft, sweet, capable of throwing themselves away on love, died young. They sacrificed themselves to the long haul. Picture girls in white nighties jumping off a cliff into the sea. I want to say don’t mistake this for cynicism but of course, it is cynicism. Cynicism is a go-to I no longer have the energy to resist. It’s like living with a vampire. Finally, just get it over with, bite me. I find it almost offensive to use the word love in relation to people I actually love. The word has jumped off so many cliffs into so many seas. What can it now signify? Shall I use the word affinity like J.D. Salinger, not a good man, put into the mouths of his child genius characters? I have an affinity for my parents. An affinity for you. I will make sure you are fed and clothed. I will listen to you endlessly. I will protect your privacy even if it means removing myself from the equation. Do those sound like wedding vows? Are they indiscriminate? Well then, I am indiscriminate. I am married to the world. I have worked it all out in front of you. Isn’t that a kind of nakedness? You have called for a love letter. This is a love letter.
sturdy! I love this word — the sound and the feeling of it: I like being sturdy. My Girl (in my Girl Ghost Gorge poem, the preferred version of me — Sara, age 8).
the “gauzy, soft, sweet selves” — these gothic girls, jumping off cliffs into the sea — a very different version/vision of a girl than mine
Linking these lines to others from Seuss, I imagine one version of her girl to be the one that died when her father did — she writes about him in Still Life with Two Dead Peacocks and a Girl. That girl’s father became sick when she was 2 and died when she was 7.
Of course, this is only one version of her girl. How many different versions of girls do I have? Do I write about?
Affinity?! Yes, I need to put that beside my list of “love?” words, accustomed, familiar, acquainted, known. Affinity = kinship, attraction, liking/affection, causal relationship, attractive force, “a relation between biological groups involving resemblance in structural plan and indicating a common origin”
Right now, I’m reading “You” as the poem and poetry.
Indiscriminate = not marked by careful distinction — ambiguous, sloppy? a (too) rough approximation?
love letter world . . . suddenly, I’m thinking of Emily Dickinson: This is my letter to the world that never wrote to me
That was fun, giving some time to these words! I am drawn — do I have an affinity? — to Diane Seuss’s words. Is it because my introduction to her was her fabulous poem about vision that begins with the line, the world, italicized? Or her ekphrastic poems, in Still Life with Two Dead Peacocks and a Girl?
a return to the ekphrastic!I am reminded of my past reading and writing about still life, especially with Diane Seuss. I’m imagining my “how to see” series of ekphrastic poems with a section on still life paintings and one on pastoral poems! Also, a section on artists with vision conditions or that particularly resonate for my vision: Magritte, Monet, Vincent Van Gogh. Ideally, a series of poems. But first, taking the time to gather all of the resources together, then to stay open to what could happen! I’m also imagining a section on cut-outs/silhouettes, which I studied during my shadow month.
Colette Love Hilliard and the erasure poem
Last night I bought CLH’s a wonderful catastrophe. Wow! I love it. This one reminded me of my blind spot/mood ring visual poetry:
from A Wonderful Catastrophe / Colette Love Hilliard
4.45 miles minnehaha falls and back 36 degrees humidity: 90%
Moist, thick, big puddles everywhere. I tried to avoid them, but I couldn’t avoid all of them and by my last mile I could hear my one shoe squish squish squishing. Since it was warm, it didn’t bother me. Oh — just remembered — my shoe/sock got wet at the falls — the cobblestones near the falls were full of puddles. There were a few slick spots, but mostly it was just wet.
For 3 miles, I listened to the wet wheels, whooshing, crows cawing, and people calling out to each other as I ran. For the last mile: TSwift’s Life of a Showgirl
10 Things
the small patches of snow on the trail or the road, seeping murky gray-green-dirty white liquid
the rusty orange leaves, dead, still clinging to the trees
calmly letting a walker know I was approaching from behind — right behind you/thank you! I meant to say, you’re welcome, but didn’t, then lamented my failure to exchange the you until I realized I had with my right behind YOU –if I had said, the you would have been traveled 3 times: from the-walker-as-you when I said, right behind you, to me-as-you when she said, thank you, to the walker-as-you again with, you’re welcome
overheard: a man leaving a group of people at the falls, calling out, I’m going back to pay the meter!
clusters of people — 6-8 at the overlook just above the falls, and at the overlook close to “The Song of Hiawatha”
a clump of something not moving ahead of me on the trail — dead leaves? A darting squirrel. I studied it closely to make sure it didn’t run in front of me
a distant thumping, heard when stopped to put it my headphones — nearing, another running plodding along
seen with peripheral vision: some frozen crystals on my cheek
the trail on the bike side of the double bridge was mostly wet ice with 2 narrow strips of bare pavement that narrowed even more until not even my toe could fit in their groove
crows! just before starting my run, they were gather in the trees above me. when I stopped to start my workout on my watch, they cawed furiously, as if to say, keep moving!
Just before the run, I got an email about one of the chapbook contests I entered — back in July. I didn’t win, but I got, along with 4 other poets, an honorable mention. I’ll happily take that! The chapbook I submitted included earlier versions of several of the poems that I revised for my manuscript. I think the poems are even better now.
In the last mile of my run, a sudden thought: I should submit something for tiny wren lit’s tiny zine series. It says they’ll open again in early 2026: submit a tiny zine
safari reading list, review:
1 — contentment
Found a poem about contentment while reviewing my Safari Reading List. I’m partial to the words satisfied or enough or still, but contentment works too.
Yes, I can be content anywhere, but alas sadly: No. It’s not true. I can’t be content here in my uncomfortable present, in my uncomfortable chair, on the uncomfortable subway, at this uncomfortable desk, in this uncomfortable classroom. But oddly, I am content to visit the past, to say Hello everything I’ve lost, to say I wish you could come here to the present, my lost companion trees. I wish you could meet everything I’ve found.
about this poem: “Making peace with the past has been a common theme in my work, so I decided to try to write about making peace with the present.”
Blessèd art thou, No One. In thy sight would we bloom. In thy spite.
A Nothing we were, are now, and ever shall be, blooming: the Nothing-, the No-One’s-Rose.
I love this bit of Celan’s poem and the No-one’s-Rose! No One — a someone who is No One: what type of sight do they have? We were, are, shall be nothing, blooming. I want to use this — maybe as a breathing with poem — in a collection* about the gorge/gap/bling spot.
*maybe not a collection, but a series of attempts, orbiting around the idea or feeling or experience of the Nothing in the gorge and in my vision.
Speaking of orbiting: Last night, I was trying to name/remember something, but I couldn’t, quite. I kept almost getting the right name, but I was off, approximate. As I talked, I moved my hands around in a circle, as if to indicate I was circling around the name. I called out, I’m orbiting it! I do this a lot. I wish I could remember the exact example, to make this story more understandable, but I can’t.
3 — CAConrad’s Queer Bubbles
There are some great bits in this article about Conrad and their rituals in The Paris Review:
“I love being inside the ritual,” he says. “It’s like speaking in tongues. It’s not just automatic writing … Every nuance, every adjustment to the ritual, alters the language that comes out of me.”
Exercises like these are nothing new in poetry—Conrad cites Bernadette Mayer and Charles Olson as two practitioners of similar methods—but he insists that his rituals are chiefly inspired by his childhood, specifically the Pennsylvania Dutch Country where his grandmother taught him to meditate and where he took an interest in the occult, from local water diviners to the hex signs painted on barns. But as much as his work owes a debt to Boyertown, it is a deliberate rebuke to the bigotry, violence, and oppression he found there.
I’m familiar with B Mayer’s work — a class on her list is what led me to poetry! — but I don’t know that much about Charles Olson. I should look into him more, like his archeology of morning (on a site that offers footprints not blueprints, which reminds me of my old academic slogan for my ethical/pedagogical approach: an invitation to engage, not a how-to manual) and the polis / Polis is This:
Polis is This
In his two books of (Soma)tic rituals and poems, A Beautiful Marsupial Afternoon and ECODEVIANCE—a third collection, While Standing in Line for Death, will be published this September—the rituals and resulting poems appear opposite one another. Because the rituals are written in the second person, at times the books read like the world’s most bizarre and inventive self-help guides, manuals for what you might call acute mindfulness. One ritual starts like this: “Eat a little dark chocolate before getting on the subway. Sit in the middle of the car … Then close your eyes, and as the car rolls on its tracks make a low hum from deep inside you … As soon as the car stops write 9 words as fast as you can before the train moves again … Repeat this humming and writing for 9 stops.” He credits his rituals with lifting him out of depression and grief.
The use of You — a bizarre self-help manual or how-to on mindfulness!
the blind ring project returns to haunt this log
Doing some reading about lit journals that accept visual poetry, I was introduced to the amazing erasures of Colette LH. So beautiful and wonderful. Here’s the first one I experienced:
Then I saw this one, Brain, and I started thinking about what I could do with my blind spot black-out ideas, and now I’m wondering about doing something with my peripheral. These white trails above, in (un)certainty are making me think about movement and direction and motion as it relates to my peripheral vision. Hmmm….
4.25 miles minnehaha falls 33 degrees 10% slick ice
Great weather for a run. Only needed one pair of gloves and no jacket. For the first mile, I didn’t encounter anyone, but as I neared the falls, more walkers and runners. I tried to greet everyone I encountered with a wave or a good morning. There was some ice, but I only slipped once or twice. The creek was flowing and I could hear the falls falling behind the thick ice columns. Running up the hill and on my way out of the park I heard voices below in the part of the park that is both the bottom of a massive sledding hill in the winter and a wading pool in the summer.
On my way home, I stopped at the bench above the edge of the world and admired the open view to the river below and the other side. Beautiful. Heard more people down below, on the winchell trail.
late night blind spot revelations
Last night, another thought: I’d like to take a break from structured writing that is shaped by a larger project. Time to experiment more instead. Also: time to add to my “How to Be” project, do my year-end summary, and edit my writing experiments list. Oh — and read some more of the poetry books I bought this year.
Discovered this poem the other day and wanted to remember it, especially for how it incorporates research about lichens into the poem:
Crinkly-thin, the perfect marriage of algae and fungi, furbelowed and curled.
venerable ancestors: strange as vellum, an onion poultice, leather jerkin
Johann Dillen’s portraits of 1741: the ‘Strange Charactered Lichen, Black Dotted Wrinkled Lichen, Leprous Black Nobb’d Lichen, Crawfish Eye-like Lichen.’
the youngest occupy a wicker couch, eavesdrop on the aunties’ tales, wonder why so aged-looking, their skin?
‘Wanderflechten’—those who traveled on deer’s hooves, birds’ feet, hot air balloon baskets over arid land.
travel’s allure, the turquoise ring, scarab bracelet
Those who embraced the seductions of moths’ wings, gave their bodies to the hungers of the ‘Brussels Lace Moths, Beautiful Hook-Tips, the Dingy Footman.’
when can we stay out past dawn?
Lichens who gave sustenance, grew thin, flailed against famine, lichen packed in the bodies of mummies.
these have an aura, a blue-mauve cloud we can’t imagine the ribs’ furrows
Erik Acharius, 1808, the “father of lichenology,” fastens samples onto herbarium sheets, lichens’ filaments and flakes suspended.
nice—but not our father, who is spores and fragments
A thin cord anchors lichens to rock, small bits chip off, wear of paw pad and fur, take hold elsewhere.
we hear the wind caressing bark
Lichens swept up by grazing reindeer, hot breath devouring, rub of meaty tongues, meat toxic to herders— radioactive fallout the lichens never meant to harbor.
ghostly stalks of trees, an ashy forest we can barely look
A single spruce hosts a rare green and red-lobed lichen.
the odd one out, the one no one ever set eyes on
Lichens in the armpits of marble statues differentiated from lichens on the thighs, eaten by snails on moonless nights.
moonglow, something we don’t know here, no one’s talking
A hummingbird’s nest, its outer layer shingled gray-green with lichen flakes, a point of pride, see—
run: 1.7 miles neighborhood / river road trail 29 degrees 50% very slick ice
Not ideal weather for a run. Were there any other runners out there? I can’t remember; I do recall seeing one walker. A lot of the sidewalk, road, trail was fine — not slick at all — until it wasn’t. Every so often, a slippery spot, some I could see, some I couldn’t. I skittered several times, having to take little half-steps. No sense that I was almost about to fall. I think I was lucky today that I didn’t twist or strain or break anything.
My body didn’t tense up in anticipation of sliding or falling, but I also wasn’t relaxed. Constantly trying to see or feel the ice. Did I notice anything else?
10 Things
flitting birds, emerging from trees
rusted orange in the floodplain forest
the loud scraaaape from a neighbor’s shovel
na ice-covered river
a strong wind — not heard or seen but felt, burning my ears and my face
car wheels losing traction on snow/ice, turning around in the middle of the street
puddles on the path
the edges of the road, dry then super slick then wet
puddles on the sidewalk, not in the usual spots — the house on the next block, the house past 46th — but just around the corner
noisy trucks near a school, doing some sort of repair work involving banging and backing up and scraping and pounding — heard, not seen
bats!
Reviewing old entries, as part of my On This Day morning ritual, I encountered a poem with the great line,
Fix your gaze upward and give bats their due, holy with quickness and echolocation (Abecedarian for Dangerous Animals/ Catherine Pierce
Give bats their due. Yes! This line led me to other bat poems — last year or the year before I created a bats tag — and to these wonderful lines which I’ve written about before:
Think of it—to navigate by adjustment, by the beauty of adjustment. All those shifts and echoes. (Threshold Gods/ Jenny George)
To navigate by adjustment, shifts, echoes. Can I do something with these lines, add them to my echolocated poem at the end, Ringing Still, or another poem in the final echolocated section? Hmmm….echolocated is about being located/found by others. The (current) title of this collection is echolocate || echolocated. There’s a gap/tension between locating and being located, the one doing the locating and the one being located. In past years, I’ve imagined these two subjects (the locater, the located) as one Sara (the Speaker) trying to located another Sara (the reader), a You and simultaneously an I. No. Too much explanation. There’s is a swirl of something in my implied speaker addressing a You which is not me, and also me, and my consistent reference to the person going to the gorge and running and noticing (which is what I am doing) as the girl or she — which, if I haven’t already mentioned it is an actual girl — me, age 8:
Sara, age 8, in my soccer team uniform.
Instead of spelling this out, I’d like this to haunt this collection. Does it?
bike: 30 minutes run: 1.3 miles basement
Scott and I were planning to go to the y, but it started sleeting and snowing, and the wind was blowing, so we didn’t. Instead I went to the basement and biked. I started watching a documentary that I’ve been wanting to watch for more than a month: Come See Me in the Good Light. It’s about the poet, Andrea Gibson. Beautiful.
Then I got on the treadmill and ran while listening to my new “Eye Tunes” playlist on shuffle:
Breakfast in America/ Supertramp
Double Vision/ Foreigner
See You Again/ Miley Cyris
Tell Me What You See/ The Beatles
Eyesight to the Blind / The Who
Eye of the Tiger / Survivor
Open up your eyes now, tell me what you see It is no surprise now, what you see is me (Tell Me What You See/ The Beatles)
tell me what you see, I can’t wait to see you again, take a look at my girlfriend, not seeing straight, she’ll give eyesight to the blind, he’s watching us all with the eye of the tiger.
5.25 miles bottom of franklin hill 37 degrees 60% snow-covered
Above freezing today! Good, and bad. Good, because the snow on the path is melting. Bad, because it will freeze again tonight. I’ll take it, and the sun! and the warmth on my face! and the sound of wet, whooshing wheels. I ran to the bottom of franklin today to check out the surface of the river: completely covered with ice, a light grayish white. Almost all of the time, I felt strong. It was only after taking a break to check out the river, then starting again and running up the hill, that my legs felt strange. It took a minute to get back into a rhythm.
10 Things
Looking up: powder blue sky, with streaks of clouds and sun
something half-buried in a snow bank, 1: a lime scooter
something half-buried in a snow bank, 2: a bike — not a rental — where is the owner of this bike, and why was it wedged in the snow and not put somewhere else?
another runner, much faster than me, in a bright yellow jacket
deep foot prints in the snow leading up to the sliding bench — someone must have sat here recently
the view from the sliding bench: open, clear through to the snow-covered river and the white sands beach, which is just snow now
someone at the bottom of the franklin hill, staring at the water
a few honking geese down below
cheeseburger cheeseburger — a calling bird — a chickadee, I think
flowers for June in the makeshift vase of an uncapped railing under the trestle
Earlier today, while drinking coffee, I heard (not for the first time) Lawrence’s song, “Don’t Lose Sight” and I started to think about vision/sight/eye songs. Time for a playlist! I borrowed a title from someone’s spotify playlist that came up in a google search: Eye Tunes (groan). Came up with a long list of songs, then put a fraction of them in the list. I’ll keep fine-tuning it. I listed to the list during the second half of my run.
Eye Tunes
I Saw the Light / Todd Rundgren
Blinded by the Light / Mannford Mann’s Earth Band
Eye in the Sky / The Alan Parson’s Project
Eyes Without a Face / Billy Idol
I Can See Clearly Now / Jimmy Cliff
Can’t Take My Eyes Off of You / Ms. Lauryn Hill
These Eyes / The Guess Who
Eye of the Tiger / Survivor
The Look of Love, Pt. 1 / ABC
The Look of Love / Dusty Springfield
For Your Eyes Only / Sheena Easton
Eyesight to the Blind (The Hawker) / The Who
Breakfast in America / Supertramp
Don’t Lose Sight (Accoustic-ish) / Lawrence
Total Eclipse of the Heart / Bonnie Tyler
Double Vision / Foreighner
In Your Eyes / Peter Gabriel
Behind Blue Eyes / The Who
Evil Eyes / Dio
Stranger Eyes / The Cars
Tell Me What You See / The Beatles
My Eyes Have Seen You / The Doors
I listened up until Dusty Springfield’s “The Look of Love.” A few thoughts: I always think, anus curly whirly? when listening to “Blinded By the Light.” There is a LOT of vibraslap in “Eyes Without a Face” and, what does Billy Idol mean here? ABC’s “The Look of Love” is wonderful, and has some hilarious moments, especially the call and response section: Whose got the look? / If I knew the answer to that question I would tell you.
Back to Billy. Looked up the lyrics to “Eyes Without a Face,” and I think they mean that the person lacks humanity, is inhuman. Their look lacks compassion, grace.
Eyes without a face Got no human grace You’re eyes without a face Such a human waste You’re eyes without a face
And, I’ll end with ABC’s opening lines:
When your world is full of strange arrangements And gravity won’t pull you through
That sounds like someone with vision problems (me)!
4.2 miles minnehaha falls and back 20 degrees 75% snow-covered
Much warmer today. Sunny, bright, low wind. My right glute/back/leg didn’t bother me. I felt strong and relaxed and very happy to be back out, beside the gorge. I took a week off from outside running; partly because of the extreme cold, partly the uneven paths, mostly because I was giving my body a break.
10 Things
a runner in an orange-y, pinky jacket
a walker — or a worker? — in a bright yellow jacket, standing above the overlook at the falls
the falls: silent
the creek, looking: almost completely frozen, only a few streaks of dark, open water
the creek, listening: a soft trickling sound
beep beep beep a park vehicle with a plow on the path, clearing out more snow
scrape scrape the sound of the plow blade as it hit bare pavement
the river surface, all white, burning bright through the trees
a car blasting music that was so distorted I could just barely identify it — I think it was “Kids” by MGMT
the big boulder that looks like an armchair, with a lapful of snow
I, Emily Dickinson
I’m finally getting around to doing my write-ups for my monthly challenges in Sept, Oct, and Nov —I was distracted by my manuscript. I found something helpful from 1 sept that I had forgotten about:
Surely, the finest way to appreciate Niedecker would be to read her well. And then repeated reading, reading aloud, transcribing the vibrant phrases on to paper, oh and even framing them. But how to linger in the presence of this voice, and let it echo within oneself, make her a part of oneself? Perhaps by applying Niedecker to Niedecker, I would arrive at a new condensary. De- and re- constructing her poems, deleting words, conflating words, writing through her writing.
How to let it echo within oneself? (it = a poet’s words, ideas, worlds). I’m thinking about doing this, writing around and with and through Emily Dickinson, especially in relation to her references to failed vision. To let it echo, listen for the echoes, create echoes. Two immediate thoughts: 1. memorizing and running with her words and 2. taking her poems to my quarry — which I’ve done with 2 already (see the 13th and 14th of December entries).
5.25 miles the flats and back 20 degrees / feels like 5 / snow 100% snow-covered
2 days ago, I mentioned that my next run should be to the flats so I could study the river surface. So that’s where I went this late morning and into the early afternoon: the flats. Unfortunately, there was no surface to study, only white. I had a late start to the run because I was trying to put my yaktrax back on. I might need a bigger size. How long did it take me to finally get them on? 10 maybe 15 or 20 minutes. That’s a long time to be sitting inside wrapped up in all my winter running layers!
Almost everything outside was white. White sky, white ground, white rock, white river. There were a few strips of worn down snow on the path, but a lot of it was lumpy and soft. I twisted my foot/ankle at least once on the uneven ground, but not hard enough to cause a problem. The conditions made it harder, but I didn’t mind too much. It was so quiet and calm and beautiful beside the gorge.
10 Things
another running in a bright orange jacket — encountered them twice
the bright headlights from an approaching bike
under the I-94 bridge, 1: a few streaks of open water
under the I-94 bridge, 2: honk honk honk — some gathered geese, gabbing
heading north, no notice of the wind
heading south, wind in my face
approaching a woman — I was heading north, her south, I could see the snow flying up around her feet from the wind
the bells of St. Thomas chiming and chiming and chiming at noon
brightly colored (I can’t quite remember the colors — maybe pink and orange and blue?) graffiti under the bridges
as I approached the franklin bridge from below, the wind picked up and I felt the arctic air, under the arch, a shopping cart
mental victory of the run: Even though I wanted to stop to rest my legs, sore from the uneven terrain, I kept going until I reached the bottom of the hill.
I had some success writing drafts for my m//other and g||host poems this morning before my run. During and just after the run, on my walk home, I had some thoughts about the third poem, t here involving the dotted line on the map that runs through the middle of the Mississippi River on the map indicating the dividing line between Minneapolis and St. Paul. Here’s a draft that I spoke into my phone. It needs some work!
if you look on the map between the here of this side and the there of that side, a dotted line was drawn to represent that moment mid-river when one city becomes the other. Do you think, if you were to swim across, you could feel this shift, could find this place where a there becomes a here and a here becomes a there? I’m willing to believe it exists, this space where both here and there dwell, a place where both are possible.
