Another run with Scott. We were planning to go for coffee after a short run, but both places we tried were too crowded. Another gray morning with difficult light. Everything felt hazy, dreamy. Also, it was harder to breathe. For the past week, I have had a sore throat off and on and some congestion. I’ll take another covid test today, but it could be a reaction to flonase or allergies. Whatever it is, I wish it could go away. Because of my difficulty breathing, Scott did most of the talking. He talked about his upcoming gig and what would be on the set list. I remember looking down at the floodplain forest and pointing it out to Scott. The tree branches were bare enough that you could see the forest floor. Beautiful. Scott pointed out a roller skier to me.
I don’t remember looking at the river or hearing any geese or black-capped chickadees or rowers in the river. No regulars to greet. I didn’t count the stacked stones.
At the end of the run, I commented on how the sun looked like it wanted to pierce through the thick clouds. Behind the grayish-white was light. Now, writing this at my desk, the sun is trying even harder and everything — sky, grass, ground — is brighter.
Another wonderful almost winter morning! Sunny, hardly any wind, clear paths. In January, a day like this would feel tropical and offer hope for a coming spring. Ran with Scott to the trestle and back. We talked about the Love Supreme arrangement he’s doing for the jazz combo he’s in and how he’s learning a lot about the form of its 4 movements. I talked about my “And” poem and wondered if there was a 3 syllable word that might convey sudden understanding. Scott answered, Eureka! Nice, but not quite the right feel for my poem. I could use clarity, but I don’t want to — clarity is more the mood of the moment that the reader feels without it being spelled out for them, I think.
A mile later, Scott described how you code and in css (where and means both this and that must exist to make a statement true) and how you code or (where or means either this or that can exist to make a statement true). I was fascinated by how and was restrictive and narrowing in the code while or was expansive. In my poem, I’m understanding and as generous and open and allowing for more possibilities not less. I told Scott that I might need to write an or poem now. And is accumulation, more layers while or is a stripping down.
And = all these things can be true, and more Or = at any give time, any one of these things could be true
Am I getting too far into theory here, trying to be too clever?
Speaking of or in poetry, here’s a great or poem I just found:
Or Oreo, or worse. Or ordinary. Or your choice of category
or
Color
or any color other than Colored or Colored Only. Or “Of Color”
or
Other
or theory or discourse or oral territory. Oregon or Georgia or Florida Zora
or
Opportunity
or born poor or Corporate. Or Moor. Or a Noir Orpheus or Senghor
or
Diaspora
or a horrendous and tore-up journey. Or performance. Or allegory’s armor of ignorant comfort
or
Worship
or reform or a sore chorus. Or Electoral Corruption or important ports of Yoruba or worry
or
Neighbor
or fear of . . . of terror or border. Or all organized minorities.
And here’s what Robyn Creswell writes about the poem:
There is no doubt that Thomas Sayers Ellis’s “Or,” is a poem, but it is one of the few that feels to me like a rap—an especially good one. This is because of the way it establishes a pattern and then continually breaks away from it. The poem is based on the repetition of or, but as we read through it, what seemed like a formal constraint becomes a principle of transformation, a hinge that keeps flexing. The poem begins, as I read it, by riffing on the either/or logic of identity questionnaires (“You could get with this, or you could get with that,” as Black Sheep once put it, in a different context). But it quickly ramifies into geography, history, poetics.
Perfect running weather. Cold, but not too cold, calm, overcast. Clear paths, a dreamy, detached feeling. As I ran, I thought of a goal for this winter: continue working on running with a slower heart rate. I started this during the summer/fall with marathon training, and I think it helped me avoid injuries. This winter I’m thinking I should target 155-160. I wonder what fun experiments I can do while trying to keep my heart rate low?
10 Things
as I ran, I gave attention to my arms — when my form was good, I felt like my arms were blades scissoring the air
the river was half bronze, half pewter
2 walkers who were not together were both
wearing bright RED jackets
3 stones were stacked on the boulder — the one on top was barely balanced
the yellow leaves were thick on the part of the path that descends into the tunnel of trees
a roller skier bombing down the hill
a noisy squirrel rooting through the dry brush
the slabs of stone stacked under the franklin bridge always look like a person to me — they did again today, looking like a sitting person as I passed them on my way down, just stones on my way back up — I imagined someone playing a trick on me, first sitting there, but then after I passed, putting the stones down
some regulars I haven’t named yet, but that I’ve encountered for years: 3 older white men, walking, stretched across the whole walking path — is it the same guys every time, or different ones, all of them man spreading? That’s what I could call them: the man spreaders
rotting sewer smell in the tunnel of trees, close to where the city is doing some work
More work this morning (and afternoon), on my “And” poem. So far, I’ve written about the formation of the gorge (wanting to be somewhere else) and the designing of the Mississippi River Gorge park (to protect from overdevelopment and sell the gorge as a symbol of the water city). Now I’m getting into my love of the view, which is about what I see — softened, elemental forms, like tree line or water or white sand beach — but also what I feel — open, a veil lifted, a little clarity, freer and more able to breathe and move, to the other side (which stands in for many things, including St. Paul where my mom lived until she was 18, the place where people who died dwell, the normal-sighted and real world that I feel distanced from. I think the view is also about how standing above the gorge enables me to witness how it holds all of these things together, that it doesn’t divide but connects. There is not a gap between girl and world, but a space that can hold them together, along with water and stone, mothers and daughters, hear and there, now and then. These are all references to past sections of the poem.
4 miles minnehaha falls 49 degrees wind gusts: 25 mph
Wet. Windy. Slick leaves. Squeaks. A light gray sky. Singing pines. The usual puddles. White foam falls. Gushing sewer pipes. Brisk air. Mud.
Greeted Santa Claus (the regular runner whose long white beard reminds me of Santa Claus). Passed a man walking with one leg up in a boot on a scooter. Gave directions to 2 walkers — which way to the falls? follow the path, it’s over there.
The creek was a steel blue and rushing to reach the limestone ledge. A kid at the main overlook was jumping in a puddle. The green gate at the top of the steps leading down to the falls was still open.
Wore shorts and a pink hooded jacket. My legs were only cold for a few minutes. Too warm for mid-November. Today is the last day of warmer air. Tomorrow, below freezing.
I started working on the section of Haunts poem that I’m titling, And. Came up with a few lines while running north. Recited them in my head until I stopped near the Folwell bench and spoke them into my phone:
Before a Victor- ian’s great love for ventilation, there was water wanting to be something and somewhere else.
The ventilation bit is taken from an article about the origins of the Grand Rounds, and the Victorian is Horace W.S. Cleveland:
The concept of The Grand Rounds was born from Cleveland’s “preference of an extended system of boulevards, or ornamental avenues, rather than a series of detached open areas or public squares.” This was not only an aesthetic consideration: Cleveland had lost many possessions in the 1871 Chicago fire, and saw parkways as an effective firebreak in built-up urban areas. In addition, Cleveland stressed the sanitary benefits derived from parkways. Cholera, typhus, and other diseases plagued cities in the late nineteenth century. Parkways could save land from unhealthy uses and, reflecting the Victorians’ great love for ventilation, carry “winds . . . to the heart of the city, purified by their passage over a long stretch of living water, and through the foliage of miles of forest.”
Another beautiful, late fall morning! Sun, blue skies, hardly a breeze. Running north, my shadow leading me, occasionally drifting to the side and off into the woods. Running south, hiding behind me. I saw her only once when I turned around to check. Everything calm, quiet. Everyone enjoying being alone together. An open view of air and the bare-branched tree line on the other side. Blue river. An inviting bench perched on the edge of the bluff. I saw it as I ran toward the trestle. When I turned around, I stopped at it. Right on the edge, a steep brown slope down to the white sands beach and the river. How many more seasons before this bench, already on the edge, tumbles down? The sour-sweet smell of the sewer — a hint of sharp spice. Pounding hammers–not in a fast, steady rhythm, but in bursts and trading off. A great run.
As I ran, I couldn’t imagine how it could rain this afternoon. So much sun and blue skies! But already, less than an hour later, clouds. Rain is coming.
I’m still working on a section of my poem about progress and time and conservation. The ending turns to a vague reference to conversation of matter, where nothing is lost or gained, just transformed. Somewhere after the tunnel of trees, I suddenly thought, exchanged, and imagined oxygen being traded between lungs and leaves.
Made-up Walking Tours
Here’s an article that I found the other day about the poet, Mathias Svalina’s, surreal waking tours in Richmond: Surrealistic Zillow. Here’s how the tours work:
You show up at the appropriate time and place and look for a man with a bullhorn. “Because I’m a man who owns a bullhorn now,” Svalina says. “[Then] I’ll point to buildings and lie about them for 90 minutes.”
and part of its purpose:
“I’m particularly interested in civic history because of the ways that cities use, rewrite, and often weaponize their histories as promotional agents, or as ways of ignoring populations,” he explains. “So, I like the idea of inventing histories that could not have ever existed.”
Sun! Sharp shadows. Blue sky. The river burning white — wow! Rushing falls. A leaf-littered slope down to the river. A clear view across. Crowded trails, mostly walkers. At least one roller skier. People emerging from the oak savanna near the big rock shaped like an armchair. A little kid on a bike in the parking lot. The usual smell of smoke coming from some house on edmund or from the gorge; every fall/winter I can’t quite tell. My ponytail forcefully swinging in the wind. I don’t remember hearing any birds or dodging any squirrels. Where are the geese?
I also don’t remember what I thought about. I wanted to work through a part of my poem about progress and conservation of matter and the entanglement of decay/rusting/softening of the gorge and my shifting eyesight. But, if I did, I can’t remember.
This Kay Ryan poem was the poem of the day on Poetry Foundation:
Surfaces serve their own purposes, strive to remain constant (all lives want that). There is a skin, not just on peaches but on oceans (note the telltale slough of foam on beaches). Sometimes it’s loose, as in the case of cats: you feel how a second life slides under it. Sometimes it fits. Take glass. Sometimes it outlasts its underside. Take reefs.
The private lives of surfaces are innocent, not devious. Take the one-dimensional belief of enamel in itself, the furious autonomy of luster (crush a pearl— it’s powder), the whole curious seamlessness of how we’re each surrounded and what it doesn’t teach.
3.1 miles trestle turn around 52 degrees wind gusts: 36 mph
Ran with Scott in the afternoon. Windy but warm. Wore shorts and a sweatshirt that I took off a mile in. Sunny. We talked about progressive things: insurance (Scott), glasses and degenerative diseases like progressive cone dystrophy (me).
a twin mattress with a ripped cover next to a trash can
another runner in dark tights (purple?) with a green shirt
in the tunnel of trees the path was covered with leaves
adjusting my cap, worried the wind would knock it off
a navy blue glove propped on a branch
the water-logged black stocking cap still on the post above the steps
I’m working on a section of my Haunts poem that plays with the idea of progress and challenges the belief that progress is always better and that our lives move in strictly linear ways. I’ve written about progress before, on 7 feb 2022.
Moist this morning. Wet sidewalk, wet leaves, wet air. Something was squeaking — my shoes on the leaves or the leaves on my shoes? Only one stone on the boulder, looking lonely and flat. The black stocking cap I mentioned yesterday was still there on the pole. Today I remembered that it was above the old stone steps. Greeted Dave, the Daily Walker with a good morning Dave!, greeted Daddy Long Legs with a wave. He was with his walking partner again. Smiled and gave a head nod to another walker who I think I’ve mentioned before. They always wear a long skirt with tights, and most of the year, a blue puffer jacket. They have gray hair in a long braid. I looked it up, and when I wrote about them before (26 jan 2024), I described them as wearing a dress and tentatively named them, All Dressed Up.
Anything else? I’m pretty sure I looked at the river, but I don’t remember what I saw. No fat tires or roller skiers or geese — where are all the geese? — or turkeys. More YELLOW leaves, falling fast. Some sour sewer smells, puddles, empty benches.
I listed to squeaking leaves and thudding feet as I ran north, then my Color playlist returning south: “Not Easy Bein’ Green,” “Roxanne,” “Mellow Yellow,” and “Let’s Go Crazy.” Speakig of color, I discovered this excellent color poem yesterday afternoon:
There’s a rumor of light that any dark starts off as. Plato speaks here and there of colors, but only once, I think, does he break them down into black and white, red, and a fourth color. By then they’d reached for California high country where, knowing none of the names for all the things that grew there, they
began to make names up. But to have trained an animal to come just a bit closer because here, here’s blood, doesn’t mean you’ve tamed it. Trans- lations vary for what Plato calls his fourth color: what comes closest to a combination of (since they aren’t the same) radiant and bright–what shifting water does,
with light? Violence burnishes the body, sometimes, though we call it damage, not burnishing, more its opposite, a kind of darkness, as if to hide the body, so that what’s been
done to it might, too, stay hidden, the way meaning can, for years, until some pattern by which to trace it at last emerges. There’s a rumor of light.
I need to give more time to this poem; there’s so much I don’t quite get. But I love the discussion of Plato and color and what shifting water does to light.
November! A day for singing a song of gray. A pale, sunless sky, some wind, lots of bare branches. The tree outside my window and a few others by the gorge were YELLOW! Greeted Dave, the Daily Walker — hey Dave! Almost tripped on a few rocks on the dirt path next to the trail on the east side. Admired the waves from the bridges: from ford, little scales and from lake, a slight current down the center — from a sandbar? Heard a chickadee — chick a dee dee dee dee — and the constant grumbling of the city beneath everything.
Thought about different time scales and how time works for me while I’m running — encountering memories of past Saras, echoing their movements. Imagining the gorge before Cleveland created the Grand Rounds, before Longfellow was a neighborhood, before the gorge was a gorge. Having no idea how much time had passed — never hearing the bells of St. Thomas or looking at my watch. Having no memory of small stretches of the trail — being lost in a thought or the motion or my effort.
10 Things
the fast slapping of a runner’s feet passing me from behind
the clear open view from a bluff on the east side of the river, looking over to the west side
3 stacked stones on the boulder
a black stocking cap placed on the top of a pole beside the trail
the frantic bark of a dog, bothered by a nearby leaf blower
the barricades blocking the sidewalk in front of Governor Walz’ house
the ravine near Shadow Falls, mostly yellow from leaves on trees and the ground
voices from below, near Longfellow flats beach
a sour sewer smell near the Monument
a man call out a command — drop it! — to his dog near the south entrance of the winchell trail
While looking for something else, I came across this beautiful poem by Minnesota’s first indigenous poet laureate, Dr. Gwen Westerman:
5.45 miles franklin hill turn around 38 degrees wind: 13 mph / gusts: 27 mph
Sunny, windy, cooler. Wore one of my mild winter combinations: running tights, shorts, long-sleeved shirt, sweatshirt, vest, gloves, headband that covers my ears. I overdressed. Had to take off the sweatshirt near the top of Franklin. A good run. I’m running 30 seconds faster per mile and feeling stronger in the cooler weather than I did when it was warmer.
Yesterday, I woke up feeling not quite right. I slept a lot during the day. Almost a sore throat. Took a covid test: negative. Still feel a little off today. Is it a cold? Should I cancel my annual check-up that’s scheduled for tomorrow?
I deactivated my twitter account and haven’t checked the news since the election. Mostly I’m not thinking about what is coming, and instead focusing on writing, trying to help my kids with their struggles, and living (temporarily?) in the world I’ve built through my practice.
10 Things
the surface of the river was burning white through the bare trees
forest branches creaking and moaning in the wind
one or two trees in the floodplain forest still green
bright pink bubble-letter graffiti under the 1-94 bridge
4 stones stacked on the ancient boulder
Daddy Long Legs walking with someone today — I think every other time I’ve seen him, he’s been alone
a pale blue sky with one or two puffs of cloud
a biker slowing climbing the franklin hill on the road, a car following behind impatiently then hastily passing him
an empty bench facing an open view — so much air and sun and softness
walking up the hill close to the trees on the slope, I noticed a blanket spread out, hidden in the grass — was someone sleeping in it?
For the first half of the run, I listened to the gorge and my feet and the wind. For the second half, I put in my “It’s Windy” playlist.