The first day of marathon week. The 15th anniversary of my mom’s death. 11 years after witnessing the marathon near Lake Nokomis, feeling the magic of it, and knowing that one day I wanted to run this race. In 2013, I had been running for 2 years, not that long but long enough to believe that this distance was possible.
The horrible way my mom died in 2009 — slowly, painfully, her strong body prolonging her suffering for more than a year– forced me to confront a truth I hadn’t yet, even though I was 35: our bodies will fail us.
note, 1 oct, 2024: Instead of fail, I first wrote betray, our bodies will betray us. It seemed too strong, but fail doesn’t seem strong enough. Maybe: our bodies can betray us? Or, instead of “forced me to confront” I could say, The horrible way my mom died in 2009, transformed my understanding of my body; I began to fear it, to believe that one day it would betray me.
For me, training for and getting to the start line of this marathon, especially not being able to do so in 2017, is an acceptance of that failing and an expression of deep (and complicated) love for my body.
I love how athletes believe in the body and know it will fail them.
Love/ Alex Dimitrov
Inspired by a writing prompt, I just checked out Marianne Moore’s collection, Observations. Another color poem!
In the Days of Prismatic Color/ Marianne Moore
not in the days of Adam and Eve but when Adam
was alone; when there was no smoke and color was
fine, not with the fineness of
early civilization art but by virtue
of its originality; with nothing to modify it but the
mist that went up, obliqueness was a varia-
tion of the perpendicular, plain to see and
to account for: it is no
longer that; nor did the blue red yellow band
of incandescence that was color keep its stripe: it also is one of
those things into which much that is peculiar can be
read; complexity is not a crime but carry
it to the point of murki-
ness and nothing is plain. complexity
moreover, that has been committed to
darkness, instead of granting it-
self to be the pestilence that it is, moves all a-
bout as if to bewilder us with the dismal
fallacy that insistence
is the measure of achievement and that all
truth must be dark. Principally throat,
sophistication is as it al-
ways has been — at the antipodes from the init-
ial great truths. “Part of it was crawling, part of it
was about to crawl, the rest
was torpid in its lair.” In the short legged, fit-
ful advance, the gurgling and all the
minutiaæ — we have the classic
multitude of feet. To what purpose! Truth is no Apollo
Belvedere, no formal thing. The wave may
go over it if it likes.
Know that it will be there when it says:
“I shall be there when the wave has gone by.”
I do not understand this poem or get many of its references, but it’s about color and there’s something in her mist and murkiness and the dark that is inviting me to read it a few more times.