Tag: Lorine Niedecker

may 19/RUN

4 miles
minnehaha falls and back
54 degrees
wind: 15 mph

Even though I’ve run the past 3 days, I decided to run again today for 2 reasons: 1. it’s supposed to rain all day tomorrow and Wednesday and I don’t want to run in the rain and 2. we have leftover butternut squash mac and cheese, and I always like to run before eating it for lunch. A good run. Managed to keep my heart rate lower until I reached the falls. Had to stop at the bathroom in the park building for some unfinished business. Will that be a problem again this summer? After, I put in my “Moment” playlist and ran again until I reached the bench above the edge of the world. I was planning to stop, but I noticed someone was sitting there. Bummer

Because I wanted to eat right when I got back, I gave myself about 3 minutes to jot down 10 things I remembered from the run (the jotted list was brief; below was written after I ate):

10 Things

  1. didn’t see the falls, but heard it — not a roar, but a rush of water
  2. looking ahead, seeing someone on the dirt trail next to the path — is that a kid? It looked like they were moving towards me. As I got closer — 15 or 20 feet, I realized it was not a person, but a bike — and a bike that had been parked there yesterday too
  3. a strong wind — for one stretch I was worried it would rip my cap off of my head
  4. 2 plastic white chairs stacked on the side of the park building — later in the summer they will be unstacked and people will usually be sitting in them
  5. a long row of port-a-potties (20 or more?) still standing after Saturday’s race. I wondered if they were planning to pick them up or if there was another race this weekend
  6. a walker, passed twice, bundled up in a winter coat, a winter cap (with a ball on top), and a mask
  7. the faint laughter and yelling of kids on a playground
  8. the dim roar and rush and rustle of the wind moving through the trees
  9. a fully parking lot at the falls
  10. noticed beneath the dirt next the trail just north of the 44th street parking lot: netting left behind from a failed attempt at re-grassing this stretch

more on the moment

Looking at my Plague Notebook, vol. 26, I saw that I had written CONTEXT for yesterday’s entry — as in, moments have a context, a history, a location in space. I remember being reminded of context as I walked back home after my run while listening to Rut by Wimps:

Each day is
the same as the last
There is no future
There is no past

I like routine
It’s my favorite thing
No new memories
Don’t change my scenery

Note: I listened to some other songs on the City Lights, the album “Rut” comes from. Wow — it’s all about losing your Self when you become a Mom.

Responding to the word context in yesterday’s entry, for today I wrote: Yes, context is important! A moment is not out of time, but deeper in it — geologic time.

For future Sara, who will want to bring context into any writing we do with the moment, past Sara discussed it in these entries: 6 may, 7 may, 8 may 2025

Poetry Daily’s poem-of-the-day is a great one for thinking about moments: Temporal Saturation by Chloe Garcia Roberts in their book, Fire Eater. I might want to buy this book for my birthday?

temporal saturation—the explanation for why certain moments of your life seem to spill or shrink, to transcend or subvert their physical duration, and color differently their surrounding time.

This is a wonderful description of a Moment!

Temporal saturation is an elusive measurement disproving any correlation between quantity and influence that is used to explain both the canyons that can appear inside moments of great rending, joyous or horrific, entombing an incarnation of the self which will never again exist; as well as the median intervals of floating passivity that resist recollection and whose ending is marked by a feeling of awakening: a drowsy startle or a gradual reconsciousness.

Difficult to measure / length of time does not determine significance / the canyons inside moments — canyons = the Mississippi River Gorge?! / not entombing a past or gone self but holding it / floating passivity = the space between beats?

saturation = the state or process that occurs when no more of something can be absorbed || Can I make a connection with the dew point and its impact on a moving body? dew point = “the temperature at which the air becomes saturated with water vapor”

High levels of temporal saturation are evidenced by a languorous stretching of the experienced present, which then refracts and amplifies the emotion of the moment. The joy making this spreading pleasurable, the fear terrible, though both poles can be described in terms of the sensation of falling. The difference being that the first is a falling into and the latter a falling through

refracts = deflects / distorts / bends / disrupts

falling through = And then a plank in reason broke / And I dropped down and down / And hit a World at every plunge / And finished knowing then (I wrote these lines from “I Felt a Funeral in my Brain,” from memory so the punctuation and capitalization aren’t quite right).

Low levels of temporal saturation are evidenced by malaise, an involuntary refusal on the part of the individual to knit themselves to the place they occupy. Home-sickness—the corporeal and spiritual longing for a physical and temporal point of greatest belonging—is the best diagnosis to describe these ebbs of existence.

No moments = a lack of connection, an untethering, no home

The measurement of temporal saturation then can be used to quantify both the abscesses and the vividities, these gestures floating in great swathes of meaningless automation. Just as the atoms composing a human body can condense smaller than the head of a pin, the self can, like a black hole collapse, like a poem reduce. And the proof of the emptiness that oceans those bright livings is how they sparkle and call to each other despite the expanse of the interims, be they seconds, decades, lifetimes. Inlaid in space, they form the constellation of the soul.

water images: floating, condensation, oceans, sparkle — like waves hit by light
the sparkle reminds me of swimming across the lake and seeing the sparkling water, realizing that each cluster of sparkles was another swimmers’ hand piercing the water

seconds, decades, lifetimes: Aren’t we all just masses of energy and light in a jumbled future or past, stopping to embrace one another for a moment or decades before passing too far for sight? (Halos/ Ed Bok Lee)

The dew point is the temperature when air condenses on the skin and turns into sweat.

Lorine Niedecker and the poet’s work: condensing. “A condensary is where condensed milk is made. In order to make condensed milk, you evaporate a significant amount of water from milk and what you’re left with is
something delicious and much more concentrated and powerful” (Close Reading).

may 14/RUNWALK

4.15 miles
minnehaha falls and back
68 degrees
dew point: 59

Even though it was warm and the dew point was high, my run was good. Managed to bring my heart rate back down and keep it under 170 until I reached my favorite spot at the falls — 2.25 miles in. Excellent. I’m feeling stronger, mentally and physically.

10 Things

  1. a turkey in the middle of the road, honking? squawking? yelling? at the cars unwilling to stop and let him cross
  2. a hazy green above the gorge
  3. the sun hitting the light green leaves so intensely in the distance that I thought it was a bright yellow crossing sign instead of a tree
  4. the falls were rushing, all white foam framed by green trees
  5. a steady procession of cars on the road
  6. roots and rocks hidden in the shadows on the trail — I lightly twisted both ankles, one from a root, the other a rock
  7. the tree that feel in the creek sometime last year was gray — will they remove it?
  8. a line of a dozen or more cars backed up on the parkway, stuck at the stop sign
  9. a crowded trail heading north — bikers and walkers, a few runners, strollers
  10. the water fountains have been turned on again! I stopped for a drink and to wet down my hat

Listened to the hum of traffic as I ran south, my “Doin’ Time” playlist heading back north.

before the run

Thinking about LN’s poem — that I posted yesterday — about standing in the north woods with birch, which led me to think about becoming a tree, like in Katie Farris’ “What Would Root” and Linda Pastan’s “In The Orchard” — I shall come back as a tree.

I’m also thinking about Mary Oliver and “Can You Imagine” — surely you can’t imagine trees don’t dance from the roots up, wishing to travel a little, not cramped as much as wanting a better view, or sun, or just as avidly, more shade.

during the run

I don’t remember thinking about becoming a tree or rooting or stillness while I ran, but I remembered right after I finished and as I walked back home I recited “What Would Root” in my head. I need to practice the second half of the poem. Then I thought about the illusion of stillness and how nothing, not even rocks or trees, stand still. They’re sinking and shifting and swaying and responding to (being changed) by the world around them.

after the run

Still as not not moving but being stuck in a rut, doing the same thing again and again, as in, you’re still doing that?

Still as not needing more, content, at peace, satisfied, stilled desire or anxiety.

Nox Borealis/ Campbell McGrath

If Socrates drank his portion of hemlock willingly,
if the Appalachians have endured unending ages of erosion,
if the wind can learn to read our minds
and moonlight moonlight as a master pickpocket,
surely we can contend with contentment as our commission.

Deer in a stubble field, small birds dreaming
unimaginable dreams in hollow trees,
even the icicles, darling, even the icicles shame us
with their stoicism, their radiant resolve.

Listen to me now: think of something you love
but not too dearly, so the night will steal from us
only what we can afford to lose.

walk: 1 hour
winchell trail / edmund
77 degrees

Remembered to take Delia the dog for a walk before it got too hot. We walked to the Winchell trail than sauntered, me studying the leaves with my fuzzy vision and fingers, and Delia sniffing them with her snout. Warm in the sun, cool in the shadows.

10+ Things

  1. clumps of tallish grass growing through the mulch — a vibrant green
  2. even taller grasses growing among the flowers on the hill, creating a visual effect that was dizzying as my eyes tried to land on anything solid
  3. little bits of some sort of plant scattered along the top of the fence. It looked like it was growing there — a form of lichen? — but I couldn’t tell. It might have just fallen from a tree
  4. the pleasing, easily identifiable shape of the maple tree on the trees close to the trail
  5. sparkling, blue water
  6. blue water, blue sky, green trees
  7. the laugh of a woodpecker
  8. a yard with several bleeding heart bushes, all in bloom
  9. sprawled tree shadows on the grass
  10. the crotch of a tree — standing beside a tree that branched off into two equally sized limbs which looked like thighs to me. I imagined a person planted head first in the ground, which is what happens in “What Would Root”
  11. walking near Hiawatha Elementary, watching as a gym class “ran” around the block, studying the different approaches to “running” — a steady jog, sprint then stop then sprint, skipping, arms flailing and screaming while moving

As I walked with Delia, stopping at almost every tree or tuft of grass or clump of dirt, I thought about the differences between walking and running, this time in relation to a sense of self. Does one enable you to lose yourself or step outside of yourself more easily? I haven’t decided, but I think while walking you can be more aware of what you are doing, how you are attending to the world and noticing what is going on. While running, the attention is less deliberate; you’re too busy managing your effort to carefully study things. There was more to that thought but I lost in the time that it took me to get home.

may 13/RUN

3.3 miles
2 trails
66 degrees

Went out earlier today. Already warm. High in the mid 80s today. At the beginning of the run, my body felt awkward. Stiff neck, plodding feet — no, not plodding, but feet that were landing wrong, not pushing off of the ground easily. Gradually my body warmed up and I felt smooth by the third mile. Started my run a little after 7 and enjoyed a different vibe than at 9 or 10. Softer, fuzzier, cool green glow instead of harsh blue light.

My favorite view today was when I turned down from the 44th street parking lot to enter the winchell trail. A path winding down a small hill to a stone wall then hazy, glowing air framed by trees and water. The river was below that sky but I don’t remember noticing it, just knowing it was there.

surfaces: dirt, dead leaves, grass, rubbled asphalt, rutted and slanting asphalt, concrete, smooth asphalt

number of stones stacked on the ancient boulder: 6

bird, heard not seen: woodpecker — a deep, hollow knocking
bird, seen not heard: a little sparrow darting into a bush as I ran by

No rowers, no roller skiers, no turkeys. No thoughts or lines of poetry popping into my head. No shadow, no memories of my mom. Nothing interrupting me.

Chanted triple berries in my head to keep a steady beat: strawberry / blueberry / raspberry.

Listened to the gentle buzz of cars, dripping water, voices as I ran south. Put in my “Doin’ Time” playlist on the way back north. Two versions of “What Time is It?” came on, one from The Spin Doctors, the other from High School Musical 2.

restraint and the work of being still

Yesterday, I found a wonderful podcast episode on Lorine Niedecker and a close reading of her poem, “A Poet’s Work.” So much of the episode was great. Today I’m thinking about the discussion of stillness and restraint in LN’s work, which includes another LN poem:

For best work
you ought to put forth
some effort
to stand
in north woods
among birch

I thought about movement and moving through a place instead of standing still in it, which reminded me of a passage from Cole Swensen:

Then sitting still, we occupy a place; when moving through it, we displace place, putting it into motion and creating a symbiotic kinetic event in which place moves through us as well.

Walk/ Cole Swensen

And now I’m thinking of something I posted, and then condensed, from Wendell Berry:

The slops along the hollow steepen still more and I go in under the trees. I pass beneath the surface. I am enclosed, and my sense, my interior sense, of the country becomes intricate. There is no longer the possibility of seeing very far. The distances are closed off by the trees and the steepening walls of the hollow. One cannot grow familiar here by sitting and looking as one can up in the open on the ridge. Here the eyes become dependent on the feet. To see the woods from the inside one must look and move and look again.

A Native Hill/ Wendell Berry

finding a stillness in movement?

Thinking more about moving and how it does/doesn’t fit with stillness — as in, an inner stillness — I turned to Brian Teare and his discussion of writing while moving in En Plein Air Poetics:

I’m heading up the AT to the North Trail, the kind of hike during which my mind goes from translucent to luminous, its usual wash of thought polished to a transparency that lets in the world with a force I adore. After a mile on foot, details come into focus with an oxygenated crispness. Thought can be a block to feeling the intertwining of self and world, the mesh of phenomena and the qualia of self, and hiking unblocks that feeling by muting my mind and allowing it to flood with a kind of proprioceptive ecstasy. My sense of self disappears into smell, color, sound, touch.

En Plein Air Poetics/ Brian Teare

Have I ever heard of qualia? Not sure. Here’s a helpful explanation:

Feelings and experiences vary widely. For example, I run my fingers over sandpaper, smell a skunk, feel a sharp pain in my finger, seem to see bright purple, become extremely angry. In each of these cases, I am the subject of a mental state with a very distinctive subjective character. There is something it is like for me to undergo each state, some phenomenology that it has. Philosophers often use the term ‘qualia’ (singular ‘quale’) to refer to the introspectively accessible, phenomenal aspects of our mental lives. 

Stanford Encyclopedia of Philosophy

proprioceptive: “of, relating to, or being stimuli arising within the organism”

Here’s something else helpful from Teare about shifting away from vision as the primary sense:

Paying attention to a fully intercorporeal relation to a specific site in the field dethrones eyesight as the most valued sense through which we acquire knowledge of nonhuman bodies—the eye is no longer the portal of empiricism through which the rational mind accesses the world.

For instance, hearing and touch are senses rarely accused of the kind of imperialism associated with vision; they are powers that alert other parts of the brain to our embodied relationships with the world.

A listening, touching human mammal is an embodiment that is not all eye and mind, a sensate creature whose language—its rhythms and structures—is derived in part from encountering the sonic landscape, felt textures, and the human and nonhuman bodies that populate and constitute the field.

After all, each ecosystem produces a unique biophony that envelopes us, and writing itself is haptic, a specialized kind of touch.   

may 11/RUN

4.3 miles
ford overlook
63 degrees

Ran earlier today, which helped. The first half was windy. Windy enough that I needed to take my cap off on the ford bridge. Sunny. A mental victory: thought about stopping on the bridge but then just kept going. Made it through the hard moment. The second half of the run, I felt stronger, everything was easier.

I don’t remember noticing the river sparkling, but I did see scales on its surface as I ran west on the bridge. No rowers, no roller skiers, only a few bikers. One small pack of shirtless runners.

Ran up the steep hill that starts under the ford bridge and ends in Wabun park. At the top, I stopped at the fence and looked down at the dam. I studied the tall grass pushing up against the fence. I thought about fences for a moment, how many I encounter while I run by the gorge, some maintained, some abandoned, many damaged by leaning trees or critters or hikers. Wooden, chainlink, iron, stone. Noticed another fence at the ford overlook: chainlink.

Listened to the wind and birds until I reached the ford overlook, then I put in my “Wheeling Life” playlist. Started with “Windmills of Your Mind,” ended with “Watching the Wheels.” Thought about FWA and how he might appreciate John Lennon’s song.

Speaking of playlists, I forgot to mention this in my entry 2 days ago. Listening to my “Slappin’ Shadows” playlist and Cream’s “White Room” came on. I wanted to remember this description of eyes:

Silver horses, ran down moonbeams
In your dark eyes

Is this a gleam? Or is she crying?

suburban lawns

I’m still thinking about grass. If I were to make a list of grassy things, which I should and will, the suburban lawn would be on it. I’ve thought about it before, imagining my version of Lorine Niedecker’s growing in green (from her poem, “Paean to Place,”) as the lawn and the patches of green that grow on the edge between suburbs and the few remaining farms they haven’t yet consumed. That was my childhood. Here’s a poem I found this morning to add to the image of the lawn:

Observation/ Nicholas Friedman

In the wilds of our suburban lawn,
the natural world inclines to fable:
Gray squirrels, unperturbed by rain,
jockey for position at what our landlord
speaks of, nominally, as the bird feeder.
Below, dark-eyed juncos peck at fallen millet,
masked like hangmen from another time.
The great, unwritten order of it all
scrambles when Max, our landlord’s aging chow,
starts loping toward the scene. This is his work,
so in a sense, he’s adding order, too.

One squirrel has shifted to a fencepost
where it twitches its tail and rearranges
in quarter turns like a guard. In total, there’s
more movement than the eye can account for,
all of it framed in the window’s tic-tac-toe.
The glass weeps condensation. It’s early, but
already the dog has slumped down for a nap.
There’s plenty of time to lumber after thoughts
that rise and disperse, dark-feathered things
returning when I manage to be still.

oct 16/RUN

4 miles
minnehaha falls and back
39 degrees

Wonderful weather for running! Not too cold, but cold enough to not overheat. The color of the day: yellow. I’m sure there were orange and red leaves, but all I remember were the bright yellow ones. Another color I remember: glitter — on the water, among the fluttering leaves. Seeing the low water in the creek on Monday, I wondered if the falls would even be falling. They were, but no gushing or roaring.

10 Things

  1. laughing kids at Dowling Elementary
  2. the oak savanna is still mostly green
  3. a sidewalk covered in dry, yellowed pine needles
  4. a person taking a selfie with their dog by my favorite overlook at the falls
  5. the man who empties the parking kiosks — I’ve seen him several times before and wondered why he comes in a regular (unmarked) car and how many coins he collects
  6. the creek was higher than in past falls when bare rock was exposed
  7. instead of a rope blocking the steps down to the falls, which is easy to climb over, Minneapolis Parks has added a green metal gate
  8. the shadow of some leaves falling to the ground, looking like the shadows of birds
  9. those same falling leaves looking like brown snow
  10. the swinging shadow of my ponytail

pines and Basho

I ran over yellow pine needles covering the sidewalk at the start of my run and thought about Basho. So I looked up “basho pine” and found this line:

Learn about the pines from the pine, and about bamboo from the bamboo.
Don’t follow in the footsteps of the old poets, seek what they sought.

from Basho on Poetry

A poem I was working on yesterday (and submitted to a journal for consideration), starts this way:

It begins here: from
the ground up, feet first,
following.

The following I am referring to is not simple repetition, even as it literally is about following trails already made by past feet, but seeking what past feet sought: connection, contact, familiarity with the ground/land and how it has been shaped.

ghosts and zombies

My plan for this month was to focus on Zombies, but between a kid crisis, the marathon, and a poem that insisted on being reworked, I haven’t given much attention to them. Maybe two other reasons: I don’t really like zombies, and I’m still thinking about ghosts.

from Circle / Dana Knott 

human obits in the process
of being written
ghostly obits in the process
of being read

Here’s what I wrote on August 1, 2024 that got me thinking about zombies:

On Ghosts V. Zombies/ Suzanne Buffam

Soul without a body or body without a soul?
Like choosing between an empty lake
And the same empty lake. 

For the past few years, I’ve devoted a lot of attention to ghosts and haunts, but I’ve rarely thought about zombies. This poem is making me want to think about them now. So many directions to go with it — the relationship between the body and the soul or the body and the spirit or the body and the mind; how, because I can’t see people’s faces or make eye contact, they look soulless to me — I’m a ghost among zombies; Alice Oswald and the Homeric mind — our thoughts traveling outside of our bodies; Emily Dickinson and the soul that wanders; the fish in us escaping (Anne Sexton) or the bees released, returned to the hive/heaven (Eliot Weinberger). 

I clicked on the ED link and read my entry from march 19, 2024. There’s a lot of good stuff in it, including a reference to Homer, but not the poet, the cartoon character, Homer Simpson. It’s the clip where his brain escapes his body to avoid listening to Ned Flanders talking about the differences between apple juice and cider (if it’s clear and yella, you got juice there fella, if it’s tangy and brown, you’re in cider town). Wow.

taking it slow

Reading the “about this poem” for poets.org’s poem of the day, Dead Reckoning, I encountered this line:

This poem began as a long sequence but arrived at this stripped-down form after fifteen years of off-and-on revision.

Hyejung Kook

15 years of off-and-on revision! I’m only on year 3 of my Haunts revisions. I’m glad to know that other poets sit with some of their poems for a long time.

After finding this, I read an old entry from October 16, 2021, and found this:

“I am slow and need to think about things a long time, need to hold onto the trace on paper. Thinking is adventure. Does adventure need to be speedy? Perhaps revising is a way of refusing closure?…” 

Rosemarie Waldrop

This slow time reminds me of Lorine Niedecker and what she writes in a letter to her poet-mentor, Cid Corman, while working on her poem, “Lake Superior”:

Cid, no, I won’t be writing for awhile, and I need time, like an eon of limestone or gneiss, time like I used to have, with no thought of publishing. I’m very slow anyhow . . . . I’m going into a kind of retreat so far as time (going to be geologic time from now on!) is concerned . . . .

Lorine Niedecker

aug 14/RUN

8 miles
ford-franklin loop
70 degrees / dew point: 64

Oh that sun! Too bright and warm! Advice for future Sara: get up earlier and pick a route in the shade. The sun sapped my energy and made me sweat even more than usual. Dripping ponytail, wet shirt, damp face. Had a few brief thoughts about cutting the run short and crossing at lake street, but didn’t. I remember reaching that bridge and hearing a voice in my head whisper, there’s no turning back after this. I’m proud of myself for continuing with the run. Did it get easier? I’m not sure, but I didn’t think about stopping again or doubt that I could keep going, and the last mile felt good, like I could have run longer.

On the warm-up walk before starting my run, I walked over dozens of acorns on a neighbor’s sidewalk, under their huge tree. As I walked, I could hear more acorns falling. I wondered if one would land on my head (it didn’t). I’ve been noticing the acorns for the last couple of weeks, hearing them hit garage roofs and the alley asphalt while sitting on my back deck. Usually the acorns begin falling at the end of July, so mid-August is a little later for me to start noticing them.

All I remember about crossing the ford bridge was that I had just started and I was already overheated. So hot in the sun! Running (and walking) across the franklin bridge, I looked for rowers (none) and noticed the sandbars just beneath the surface and the current, moving fast. It reminded me of some lines I read from Gave by Cole Swensen:

from Gave/ Cole Swensen

You walk alongside the river. No; you walk always with. Not down, or along, or beside. And you can’t help but measure–is it moving faster? And does that mean each molecule of water? Or does a body of water form internal bodies, pockets that move in counterpoint, in back-beat, in eddies? And does the surface ever move? Or is it something underneath that does? Of course, yes, the molecules of water that form the surface must certainly go forward, but does that mean that the surface itself moves too? Then what is a standing wave? What stays? I watch a large branch being carried down by the river, and then a kayaker, moving faster, then turn to walk back upstream like I’m walking into the arms of some thing.

I haven’t thought much about the distinction between being with and beside. I like beside as next to, and imagine it as a possible form of being with the thing you are in proximity to — a new way of being in community with others?

Reading through a great article about Lorine Niedecker, Dwelling with Place: Lorine Niedecker’s Ecopoetics, I’m wondering if a focus on with, and not just beside, is partly about seeing the river as another community member, not a thing/landscape/scenery you walk beside, but someone you walk with. And now, reading the CS’s lines again, I’m thinking of the idea that the walking with the river is describing how the water is moving too, so you’re not just walking past something that’s next to you.

I’m also thinking about the Sheldrake quotes I posted at the end of yesterday’s entry, on stability and flux and how we (bodies) are processes, not just things. Some of CS’s questions seem to be getting at this, wondering what part of the river fluctuates, and what part of it is stable.

june 30/SWIM

4 loops
lake nokomis open swim
65 degrees

Wow wow wow! What a wonderful swim for my birthday weekend. The air was cooler, but the water was fine and the sun was warm. Not much wind, so few waves, but the sun reflecting off the water sparked light everywhere. Felt strong and sore, then not sore, then sore again: mostly my neck from sighting and breathing. I didn’t wear my safety buoy and it felt strange, like I was missing something.

1

The water was clearer, lighter. Less greenish-blue and empty, more greenish-yellow and full of living things — particles, vines, sediment — and light. Shafts of light everywhere underwater — not straight down, but at angles and coming up from the bottom not down from the sky. An illusion, but fun to imagine the light source as down below. The opposite of Lorine Niedecker’s “ocean’s black depths” (Paean to Place) and Alice Oswald’s “violet dark” (Nobody). I noticed the shafts of light the most in the stretch of water between the last green buoy and the first orange one.

2

After I finished my 4th loop, swimming just inside the pink buoys, I looked underwater — clear enough to see the sandy, rocky bottom, but not clear enough to see any hairbands. Writing this reminded me of what I witnessed before the swim: minnows! As I waded in the shallow water, dozens of little fish scattered as I approached. None of them nibbled at my toes, or if they did, I didn’t feel it.

3

During the first loop somewhere between the first and second orange buoys an alarming thought appeared: what if I fainted in the middle of the lake? In the past this thought might have caused panic which I would feel in my body — a flushed face, harder to breathe, hot tingling on the top of my head. Not today. No physical effect. Within a few minutes the thought was gone. Is this because of the lexapro? FWA says that sometimes he feels the lexapro working — he’ll start having overwhelming thoughts but instead of spiraling, he feels himself become separated from those thoughts — they become abstract and distant. I wondered about this as I stroked then connected it to Alice Oswald’s Homeric mind and the idea of thoughts not just living in our head but traveling outside of our bodies from there to there.

3

I only saw the orange buoys when I was right next to them. I was almost always swimming straight at them, so some part of me knew they were there, just not my eyes. No panic or fear or negative thoughts as I looked at the nothingness of water and sky and a vague, generic tree line.

june 25/RUNSWIM

3.1 miles
2 trails
73 degrees / dew point: 66

Another hot and humid morning. Another difficult run. Is it strange that I don’t mind that it’s hard? Some shade, lots of sun.

10 Things

  1. squish! stepping down in thick, gooey mud on the winchell trail
  2. thwack thwack thwack a runner approaching from behind
  3. pardon me that same runner letting me know he was passing
  4. running down to the south entrance of the winchell trail, looking at the river through the trees — not sparkling in the sun, but flat and brown — somehow this made it look even hotter and less refreshing
  5. rowers down below, heard not seen
  6. the sewer at 42nd, a steady stream of water falling
  7. the sewer at 44th, more of a dribble
  8. honking geese
  9. 4 stones stacked on the ancient boulder
  10. a squirrel ahead of me on the winchell trail — running then stopping then running, finally jumping through the fence and off the trail — was it waiting to dart out right in front of me? no

Alice Oswald and Lorine Niedecker and water’s depths

from Paean to Place/Lorine Niedecker

How much less am I
in the dark than they?

Effort lay in us
before religons
at pond bottom
all things move toward
the light

Except those
that freely work down
to ocean’s black depths
in us an impulse tests
the unknown

from Nobody/ Alice Oswald

The sea she said and who could ever drain it dry
has so much purple in its caves the wind at dusk
incriminates the waves
and certain fish conceal it in their shells
at ear-pressure depth
where the shimmer of headache dwells
and the brain goes

dark

purple

from “Interview with Water”/ Alice Oswald

To be purpled is to lose one’s way or name, to be nothing, to grieve without surfacing, to suffer the effects of sea light, to be either sleepless or weightless and cut off by dreams.

swim: 4 loops
lake nokomis open swim
82 degrees

4 loops! A beautiful summer night! The water was a bit choppy but it didn’t bother me. Saw some silver flashes below — fish? Also, beautiful shafts of light illuminating the particles swimming with me and a few ghostly vines reaching up from the bottom. In certain stretches it felt like the water wanted to pull me down to the lake floor — difficult to kick and keep high near the surface.

New breathing/sighting pattern I noticed last night at cedar: 1 2 3 breathe right 1 2 look up to sight (no breath) 3 4 5 breathe left

above the surface: A few times I paused in the middle of the lake to give attention to the surface. Once I saw a dragonfly. Another time, a plane. The water was blue but not as intense as on Sunday.

below the surface: bubbles, my hands, could feel the movement before I saw any swimmers, then bubbles and pale legs kicking. The water was green but with less blue and more yellow.

june 17/RUN

4 miles
minnehaha falls and back
65 degrees / dew point: 61

Today’s word: saturated. What Lorine Niedecker aimed for in her water poetry. Not floating or dry but sinking and soaked.

Rain off and on all day. Maybe thunderstorms starting in the afternoon.

No rain as I ran, but everything was wet or dripping. Moist. My face, more moist than a sponge. The falls, gushing over the limestone then rushing down the gorge to the Mississippi.

Evidence of the rain and thunderstorms last night all along the trail. Above the oak savanna it looked like some creature had tore through the green, ripping small limbs and leaves off the trees and throwing them to the ground.

The parking lot at the falls was packed with cars. Not the best day to be at the falls — but maybe it was? A chance to witness the falls in full cry, I guess. Also a chance to get wet or slip in the mud. I thought I might, but didn’t.

Anything else? A black squirrel sighting, which reminded me of the line from “What Would Root”: scolded by squirrels in their priestly black

Discovered the poet, Maureen N. McLane this morning and was delighted by her serial poem about Mz. N. Requested the book from the library. Possibly an inspiration for some writing about Sara, age 8?

an excerpt from Mz N: the serial/ Maureen N. McLace

The child Mz N sat on her bed
and wondered: that tree
outside her window
shifted
when her eye
shifted. What to make
of that?

                                          §

Mz N and her siblings
had a dog for some time.
They went on vacation &
when they came back
no dog.
They asked the parents:
the dog?
who replied:
what dog?
And some people wonder
why others distrust the obvious.

Speaking of the serial poem — LN’s “Paean to Place” is considered one — here’s a helpful definition:

The serial form in contemporary poetry, however, represents a radical alternative to the epic model. The series describes the complicated and often desultory manner in which one thing follows another. Its modular form–in which individual elements are both discontinuous and capable of recombination–distinguishes it from the thematic development or narrative progression that characterize other types of the long poem. The series resists a systematic or determinate ordering of its materials, preferring constant change and even accident, a protean shape and an aleatory method. The epic is capable of creating a world through the gravitational attraction that melds diverse materials into a unified whole. But the series describes an expanding and heterodox universe whose centrifugal force encourages dispersal. The epic goal has always been encompassment, summation; but the series is an ongoing process of accumulation. In contrast to the epic demand for completion, the series remains essentially and deliberately incomplete.

Seriality and the Contemporary Long Poem/ Joseph Conte

I had to look up a few words from this excerpt that I wasn’t quite sure of:

desultory: marked by lack of definite plan/purpose, not connected to main subject
protean: displaying great diversity or variety, versitle
aleatory: relating to luck, depending on an uncertain event or contingency

This idea of a serial poem as “an ongoing process of accumulation” is very cool and fits with my approach to Haunts and a story in long form.

june 15/RUN

5 miles
bottom franklin hill and back
72 degrees / dew point: 60

Whew! I was sure the dew point would be even higher. It felt very uncomfortable out there. And difficult. But I kept moving and didn’t push myself too hard. I ran to the bottom of the hill then walked up it. Then ran, walked, ran until I was back to the ancient boulder — no stones stacked on it today.

Last night RJP graduated from high school. I’m very proud of her for surviving it. I’m proud of myself too. It was very hard and I am tired. No more k-12 public school! Hooray! I loved many of the teachers and the music programs, but I won’t miss being subject to this schooling process.

RJP’s graduation was delayed by almost an hour because a fight broke out at the previous school’s graduation and someone was hauled away in an ambulance. FWA said he saw the guy, and he looked like he was probably fine and not in much pain. Other than the delay, the graduation was great. The awesome poet Bao Phi gave the address — so good! He, along with the student speakers, centered the experiences of BIPOC students.

10 Things

  1. white sky
  2. dark green mystery
  3. at least 2 specks in the sky — a plane? a bird?
  4. click clack — roller skiers powering up the franklin hill
  5. foamy water
  6. glowing orange shoes on a runner
  7. voices below near white sands beach
  8. one runner to another: well, that killed about an hour and a half — huh?
  9. a greeting from Mr. Holiday!
  10. a few days ago I mentioned something in orange spray painted on the sidewalk — it’s the outline of a cat (but not Garfield, I think?)

a section from Wintergreen Ridge/ Lorine Niedecker

Reading (again, for the 3rd or 4th time?) LN’s “Wintergreen Ridge,” I was delighted by her connections and associations:

Women saved
a pretty thing: Truth:

“a good to the heart”
It all comes down
to the family

“We have a lovely
finite parentage
mineral

vegetable
animal”
Nearby dark wood—

I suddenly heard
the cry
my mother’s

where the light
pissed past
pistillate cone

how she loved
closed gentians
she herself

so closed
and in this to us peace
the stabbing

pen
friend did it
close to the heart

pierced the woods
red
(autumn?)

Sometimes it’s a pleasure
to grieve